SSSS.Gridman – 09 – Don’t Wake Up! , Or: The Intolerable Dilemma of Shinjou Akane

This week things start out different…and weird. Well, weird-er by SSSS standards. A new kaiju appears in the city, from the POV of a random passerby on the phone. We know there’s something fishy going on when Yuuta wakes up in Rikka’s apartment and Akane is there instead, even calling Rikka’s mother her’s.

There’s too much fog; too little activity; and in the glare of many a shiny object, Gridman can be seen for an instant, but goes unnoticed by a confused, amnesiac Yuuta, who at first takes it on face value that he and Akane is dating.

Meanwhile, at school, Rikka goes to the nurse’s office to find Akane already there. The two are friendly together, as friends are (and much like the end credits unfold), then Akane takes her to her house, as friends do. There are no parents, just Alexis, whose odd appearance Akane explains away as elaborate cosplay.

Then, in a repeat of an older scene, Akane strikes up a conversation with Shou in the bookstore about mecha and kaiju and the two hit it off, much to Shou’s delight. While walking home to or from school, we see Akane happily walking with Yuuta, her watch on his wrist. She leans in to hold his hand…and everything pauses.

These three scenarios involving Akane and the three members of the Gridman Alliance are all occurring in dreams. In “real life” (whatever that is) the three are unconscious on the couch in the junk store. The kaiju stands menacingly outside, striding about, but isn’t destroying anything.

As Anti learns when he tries to attacking it (being told by Neon Genesis that its keeping Gridman from appearing), it is a kaiju out of phase: unable to affect anything; unable to be affected. Akane is atop a construction crane with Alexis, watching the dreams…and hoping.

Not hoping to defeat Gridman, or kill someone she doesn’t like…but hoping these three can be re-made to be her friends, as they were originally programmed by her to be.

But the longer the three dwell in the dream, the more they feel like something’s not right. In a graveyard, in the glint of the gravestone of the family of one of the classmates Akane killed, Gridman appears again. In a flash, Yuuta’s memory has returned; at least the bit where he can be confident he’s currently in a dream.

After showering him with attention and rare swag, and about to be invited to Akane’s place to spend the night, Shou also snaps out of it; this is all just too good to be true; too ideal. On the bus, Rikka also quietly comes to the realization she’s not on a real bus and this isn’t her real life…and Akane just might not be a real friend.

She pleads for all three not to wake up; not to go. But they go. Three times she must watch someone get up and three times she must hear the sound of receding footsteps. Three times she’s left alone. Three times her hopes are shattered. The friends she made for herself have abandoned her and allied with each other. No matter what she tells them, or what she gives them, they’ll leave her for each other.

As the kaiju materializes and begins its march of destruction in the real world, the three friends run toward one another, and towards Gridman, in his time of need. Neon Genesis mobilizes on their own, de-scaling and combining into a kind of “substitute hero mecha” to bring down the kaiju.

What’s left is a cloud of dust, and Akane, in her created world, still profoundly, intolerably alone. She asks no one in particular what she should do before jumping from the tower and plummeting hundreds of feet. She lands on her feet, physically unharmed but clearly mentally spent.

At first, Akane was a one-dimensional villain: create kaiju to defeat Gridman every week. But after who-knows how many iterations of that scenario, Akane seems tired, worn out, and above all, lonely and miserable. If it was Alexis who gave her the powers she possesses, perhaps she was excited about having them….at first.

But now those powers have created a cycle without end with no friends to comfort her. A dream from which she cannot wake. A prison from which there is no escape—not even suicide.

As Yuuta, Rikka, and Shou wake up in the shop, and thank Gridman for bringing them out of their dreams, Gridman informs them there’s still a fourth human who must wake from their dream. Then Rikka tells everyone there’s something she wants them all to hear. I for one can’t wait to hear what that is.

So ends the best Gridman episode to date; one that harkens to the weirdest headspaces and corners of Evangelion (the background sound of clanging we hear at one point is straight from Rei’s ‘hood); and even one that seems to take some steps in its own directions after drawing from Gridman lore for so long.

Even if this is more of that borrowed and reimagined mythos, you couldn’t ask for a more gorgeous, cerebral, unnerving, and ultimately  heartbreaking execution. I’ve never felt more for Akane’s plight than I do now, which is quite a feat considering the wrongs she’s committed. And I hope that Rikka, Yuuta and Shou can help her escape her prison and wake from her dream.

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Iroduku: The World in Colors – 09 – Shou Breaks the Logjam

Ah, Photography Club: where there are always plenty of photos of the members looking at one another to determine who likes who. Shou can see how good Hitomi and Yuito look together, while Asagi can tell Shou likes Hitomi. Neither of them are particularly happy about that! If only Shou would look Asagi’s way…and neither Hitomi or Yuito existed…

In high school, time moves a lot slower than adult years, making it feel like you have all the time in the world. But Shou, a senior, is out of time, and can’t afford to wallow in indecision. So he offers to take Hitomi on a picture-taking trip around town, just the two of them.

It’s not overtly a “date”, but it’s a big enough deal that Shou feels it only right to inform Yuito of the plans, which of course imply other plans. Yuito, whose mother worries is too aloof like his dad, isn’t one to suddenly ask a girl out. But he takes the “not relevant/doesn’t matter” route with Shou’s pursuit of Hitomi. HE AIN’T MAD, FOLKS.

The trip goes very swimmingly, if platonically by necessity—Hitomi is not under any illusions she’s on anything other than a photo-taking trip with her senpai—though Shou certainly seems to be enjoying the fact that it very well could be a date.

Chigusa and Kurumi (who seem to be spending the day together like NBD, bless ’em) spot the two, but also shrug it off as not a date. Shou and Hitomi even climb to the highest vantage point in the area at sunset and exchange flattering compliments of each others’ personalities.

It’s not until Hitomi turns to walk home that Shou confesses and asks if she’ll go out with him; fortunately the train doesn’t prevent her from hearing him. Unfortunately she’s so shocked and startled from the confession she bolts away, and spends the rest of the night and the next day in a haze.

At first she tells Kohaku nothing, but between skipping meals, putting her shoes in the locker wrong, and running away again when Shou says good morning, Kohaku can tell there’s definitely something off.

Hitomi finally comes clean, by hypothetically asking Kohaku if there’s anyone she likes or if she’s ever been confessed to. She asks these questions in earshot of the whole class—a high school violation if ever there was one—but when they’re alone Kohaku tells her that ultimately the choice is hers to make, based on her feelings for the ‘rhetorical guy.’ For Kohaku’s part, she’d rather be rejected then not given an answer, even if it hurts.

Asagi can tell Shou is being uncharacteristically gloomy as they look at the pictures he took of places they’d been to countless times. When Asagi asks Hitomi if she’s coming to club, Hitomi has the same questions for Asagi she had for Kohaku, and Asagi spots the photo on Hitomi’s camera of the same place Shou was.

The gig thus well and truly up, Hitomi says she doesn’t “deserve” either to be liked or to like someone, something Asagi characteristically rejects. She urges Hitomi to do something lest “that person” get hurt, then storms off to club.

To Hitomi’s credit, she doesn’t let this uncertainty linger, nor allow Shou to suffer longer than this episode. On the roof she formally rejects him, stating there’s someone else (even if she’s unsure of the true nature of those feelings).

It’s clear to Shou about whom she’s talking: Yuito, who joins Shou on the roof and witnesses him shouting at the top of his lungs in a kind of release. Both the confession and the scream amaze Yuito; both are things he can’t imagine doing himself.

Later, Hitomi tracks Asagi back down, but before she can say anything, Asagi tells her that the person she liked (past tense) was Shou, the person Hitomi just rejected. Then she runs off and crumples into a little ball on a playground. What a fine mess we have here!

SSSS.Gridman – 08 – Stealing a Kaiju March

When Neon Genesis shows up at Yuuta, Rikka and Shou’s school—with outside shoes—and risks being reported or escorted away, you know something big is brewing. Akane has dusted off the first kaiju she built to defeat Gridman and souped it up into a kind of mega-mecha-kaiju.

She’s also not shy about her role in the kaiju-making. Assuming Yuuta has caught Rikka and Shou up, she tells them upfront that she designed her latest kaiju especially to attack the school’s cultural festival. If they don’t like it, well, they’re just going to have to try and stop her…if they can.

How to proceed creates a rift in the “Gridman Alliance”, which I only put in quotes because in the midst of said rift Rikka calls into question whether it’s an alliance at all, since only Shou has been insisting that’s what they are. Shou thinks they need to fight at all costs, but Rikka is far more hesitant—Akane is her friend; she doesn’t want to fight her friend.

When Shou accuses her of letting her emotions rule, Rikka wordlessly stalks away, and Shou knows he’s stepped in it. At school, Yuuta and Shou again try to get through to Akane, asking if she’ll have the battle somewhere else where their classmates won’t get hurt. But Akane hates the festival, and suspects the two of them wouldn’t mind if it were interrupted by a cool kaiju battle. There’s nothing left to say; she ain’t budging from her plans.

Back at the junk store an extremely hungry, one-eyed Anti shows up looking for Rikka…then passes out. Rikka’s mom feeds him and he goes on his way without incident.

In one of the more unsettling scenes of the entire show, Rikka is alone on a bus with Akane, hoping to change her mind about attacking. But Akane hugs her from behind, lauding her for being such “a good girl,” and assuring her no matter what she does, Rikka will never hate her, because she’s been “set up from the start” to like Akane like everyone else in the city.

Akane is convinced she is a god and there’s no one to prove otherwise, even though I wonder how far she’d get without Alexis’ help. Rikka leaves the bus, no doubt creeped out at the prospect of having been born programmed to be Akane’s friend.

She meets with Yuuta and reveals another reason she’s so upset about the whole situation: she feels she hasn’t contributed anything to the Gridman Alliance. All she feels she’s done is be related to the people who own the junk store and computer. But Yuuta tells her she’s wrong: she has contributed vital moral support throughout this whole ordeal.

Yuuta draws courage and strength knowing she and Shou are cheering him and Gridman on. Sadly, when Yuuta tries to use the opportunity to say more about how he feels personally towards her, she interrupts by saying she’ll apologize to Shou tomorrow, saying it would be folly to think Shou would apologize first.

Her mention of “going first” illuminates a light bulb in Yuuta’s head, and suddenly he has the right plan for the festival: Gridman will invade the school first, forcing an evacuation before Akane can mobilize her kaiju. He also has Gridman summoned at only half-size in order to allow all the Neon Genesis to sortie at once and combine to form Full Combo Gridman, who is of a size with Akane’s mega-mecha-kaiju.

The ensuing battle takes place outside of the school, leaving the festival untouched, which Akane is very upset aboutin addition to being outmaneuvered when Gridman appeared first, the opposite of how it’s always gone.

More frustratingly for her, even her new upgraded kaiju isn’t much of a match for the Combo Gridman, who pulls of its head, launches it into the stratosphere, tosses it down to the earth, then cleaves it with a gold-plated finishing move.

In the midst of the battle both Rikka and Shou are by the computer, watching and cheering Yuuta on as usual, and that’s how they get over their previous rift. After all, they all tried their best to dissuade Akane and she simply wouldn’t listen. Friend or not, her attack had to be stopped lest more people die.

After the battle the three participate in their class’ “reverse gender cosplay cafe”, resulting in Maid Shou apologizing to Sea Captain Rikka while a pleased Schoolgirl Yuuta looks on.

As for Akane, who was so sure that this time she’d win and that she couldn’t lose, stays home, lying on the floor of her filthy house, in the dark…a fallen god. Maybe she’s just done with this…one can only endure so many defeats until it’s just not fun anymore.

Alexis isn’t mean or anything, but he’s very firm in his belief that she can “do better” than this. However she feels here and now, Alexis isn’t done with her, and intends to keep relying on her inimitable “talents.” More and more it’s looking like it’s ultimately not the city that must be saved from Akane’s kaiju, but Akane who needs to be saved from Alexis.

Attack on Titan – 49 (S3 Fin) – To The Basement

The bigwigs decide that the serum Kenny gave Levi should stay with Levi, to use if, when, and where he deems necessary. Where Levi bumps up against the brass is when Erwin insists on leading the battle to retake Wall Maria.

Even when Levi threatens to break his legs, Erwin is adamant about being present when they learn the truth, and if they retake the wall and gain access to the basement of Eren’s house. If he dies before that, so be it; Hange will take command in his place, and someone else if she dies.

The night before the battle (which is kept secret from the public) is to commence, the Scouts are treated to a morale-boosting feast that includes meat, something that’s been in short supply since Maria fell.

The mere sight of the meat on the table sends Sasha into an uncontrollable berserk mode, and she has to be tied up. Meanwhile, Eren and Jean start heartily going at it, at first with words, then with their fists…but no one stops them, at least until Levi kicks their asses and orders them to bed.

Mikasa and Armin decided not to interfere in Eren’s fight with Jean, both due to his quick healing, and the fact that it’s just nice to see Eren being “spunky” again, rather than moping or skulking or wallowing in despair. No doubt his experiences with Historia have changed his perspective and narrowed what he deems his responsibility.

He’s no longer trying to do everything on his own, or feeling like he needs to. Rather, he now accepts that nobody, not even Mikasa and Levi (of whom he always jealous for their ridiculous strength and skills) can accomplish much alone. Individuals have to find what they can do, and then rely on others for the rest.

The next morning, it’s quickly apparent the embargo on news relating to the battle for Maria was broken by Flugel, whose company provided the meat for the scouts the previous night.

As a result, the regiment gets perhaps its warmest and most enthusiastic sendoff, with the crowds below cheering as the scouts scale the wall, and Erwin pumping them up with battle cries and an order to commence.

It’s all very triumphant…but I couldn’t help but feel uneasy. It’s not going to be easy to retake a whole wall, after all, and it’s certainly not going to happen this third season.

Rather, we’ll have to wait for a fourth, and judging from the little teaser we get mid-credits—in which a bloodsoaked Levi slugs Eren and ends up with Mikasa’s blade at his throat—it’s clear that all of the hardships overcome this season will be replaced by a whole new batch of new ones.

And then there’s the nagging question of whether we’ll ever see that dang basement—or if it will continue to endure as one of anime’s longest and most frustrating teases. Until next year (or whenever), farewell, AoT.

Bunny Girl Senpai – 02 – Can You See Me? Can You Hear Me?

Sakuta buys Mai some food, and she rewards him by taking his arm in hers. However, they’re still technically “having a fight,” so it’s not all Cloud Nineness. He asserts she’s not being honest with herself about wanting to get back to showbiz, and reveals he knows why, and she slaps him.

But he’s right: it’s not showbiz she hates; it’s her manager/mom, who forced her still middle-aged daughter to pose in a swimsuit against her will. She’s used that to try to justify her hiatus, but in her heart she wants to keep working…it could even be why she’s now invisible to everyone.

Mai intends to spend one of her last precious Sundays out of showbiz with Sakuta in Kamakura, something she insists isn’t a date but puhleeeeze. Sakuta will surely be on time, but he encounters a lost child, then a busybody who mistook him for a pedo, and then the two have to go to the police station to explain why he was kicking her in the ass (because she kicked him first).

It’s quite a story, and so out there it almost couldn’t be made up, and Mai decides to believe that’s why he was over an hour and a half late (she also lied about bailing if he was only one minute late).

While on the train, Sakuta tells Mai why he’s helping her and won’t give up on her; because there was once someone who didn’t give up on him, and he wants to be for Mai what Makinohara Shouko was to him…even if there’s no record of Shouko ever existing except in his memories.

Mai brings Sakuta along on a quick errand to properly inform her mother of her impending change of agencies, but her “Adolescence Syndrome” has advanced so far her own mother can neither see nor hear her. And it’s worse: neither she nor anyone else has the slightest clue who Sakurajima Mai is; not even the announcer who promised not to publish his chest scar.

This starts Sakura on a quest to find out if anyone still remembers her, a quest on which she tags along to a faraway town. There, they check into a cramped business hotel room, and as Mai showers, Sakuta starts calling people. Finally, he learns that his classmates at the high school still remember Mai. Futaba promises to look into it.

After a quick trip to the store to buy Mai new underwear the two awkwardly share the tiny bed. Mai gives Sakuta an opportunity to steal her first kiss, but the window closes. She asks what he’d do if she broke down and cried about not wanting to disappear, he tells her he’d hold and comfort her and tell her it would be alright. Before bidding him good night, she thanks him for not giving up on her.

So far Bunny Girl has been a focused and compelling budding romance, albeit involving a guy with the distinct advantage of being the proverbial “last guy on earth”—though that’ll change if/when they return to the school where some still know her. The clever and playful banter between Mai and Sakuta is a constant joy, and I really felt what they must feel at times: like the two of them are all there is in their world, and maybe all there needs to be.

Attack on Titan – 48 – A Story Utterly Useless to Humanity

Since ascending to the throne, Queen Historia seems to have led a very modest lifestyle, preferring to run an orphanage in the countryside than sitting on some gilded chair in a stuffy hall. The people call her the “Cattle-Farming Goddess”, and it’s not at all meant as an insult.

Also, as both she and Eren continue to adjust to their new roles they are spending a lot of time together, side-by-side, and some of that time they are engaged in what some could call flirting, and I am THERE for it. I am also there for Mikasa shutting such instances down with a glare for the ages.

Speaking of glares, all of the scouts we’ve followed realize how much they’ve been through in the last few months, and how they’re no longer newbies or rookies or greenhorns. They are veterans, and their ‘resting grave faces’ practically scream “we’ve been through some shit” to their “juniors” in the 104th who relatively speaking haven’t seen much action. They certainly haven’t seen their former comrades and friends turn into Titans.

But whatever shit they’ve been through pales compared to Eren, who has been through some truly existential, philosophical shit. As Jean remarks, he’s always off in the corner muttering weird shit to himself, like whether those who are Titans are merely being tormented by some kind of nightmare (Ymir’s word for it) that takes a terrifying physical form.

However, thanks to the flashes he’s been getting, he now knows who to talk to next about his father: no less than the cadet corps commandant (i.e. hardass drill sergeant) Keith Sadies. He, Levi, and the other scouts in their circle return to where their training began. Keith can tell how much they’ve been through, and how they’re no longer the maggots who crawled into his camp not too long ago.

Still, he doesn’t know how helpful he can be to Eren & Co., other than telling them the story of how he first met Grisha Yeager twenty years ago, at the gates of Shiganshina, dazed confused, and lacking memories of how he got outside the wall.

Grisha eventually remembers he is a doctor, and starts serving the people of the district in that role curing them of plague and other maladies—including the bar waitress Carla, in whom Keith seemed interested, but who would later become Grisha’s wife and give birth to Eren.

Keith also distinguished himself, rising to Scout Regiment commander (Erwin’s predecessor). He was well-suited for scouting, as life inside the walls always felt too cramped for him. But he also could sense that he wasn’t “special” enough to do much with his position or his life outside the walls, something all but confirmed when he led an assault on the Titans that ended in defeat and an embarrassing retreat that harmed the Scouts’ reputation with the people.

By the time he returns from this defeat, he, Grisha, and Carla, once so close, had drifted far apart, and Carla had little Eren. Carla and her husband worry about Keith and when his next mission will kill him, but Keith angrily tells her that he’s not like the other multitudes of people within the walls, utterly lacking imagination and unashamed of living “useless” lives producing “nothing but shit.”

It’s perhaps too harsh a diatribe to subject to a mother holding her young child, but considering what he just returned from, his rage and exasperation were understandable.

By the time the Colossal and Armored Titans breach the wall at Shiganshina, Keith had already stepped down as Commander. Lacking that “special” quality he felt to be absolutely essential, Keith felt he had accomplished nothing, because that’s all normal people can do. All he could hope for was to be a “bystander,” not a leader or agent of change. He joined the flow of those he once despised, feeling he had no other choice.

Hange is disgusted by what she sees as nothing but puerile self-pity on Keith’s part…but being pretty damn special herself, she can’t really ever relate to how he felt in the past when he gave up his title, or how he feels now.

In the aftermath of Shiganshina, he and Grisha crossed paths once more, but not for long. Rather than avenge Carla as Keith suspected he would, Grisha took Eren away and fashioned him into his instrument of vengeance.

The utter hatred for and desire to kill all Titans that Eren possesses at the very beginning of the series was instilled not only by what he witnessed, but also at the urging of his father. And Keith was the one to find him unconscious in the woods, with Grisha, who’d likely injected him with the power of the Titan earlier, nowhere to be found.

Eren too has also come to believe he’s not special either, merely the son of someone special. He was chosen, sure, but by that father. Everything he is and does, he became because of that father’s choices.

It’s a somewhat narrow view that ignores the fact he had to make his own choices along the way, but never mind; his mother Carla never cared whether his son was “special” or “normal”; instead, she felt it was special enough simply to be alive, and to be able to survive.

Out of worry for his ultimate well-being, Keith worked hard to keep Eren from getting into the Scout Regiment. But Eren was able to overcome everything he threw at him, including sabotage to his ODM training gear. But it wasn’t that Keith Sadies couldn’t do anything because he was’t special; it was because he was Keith Sadies.

Bunny Girl Senpai – 01 (First Impressions) – Fighting Against the Atmosphere

Azusagawa Sakuta wakes up on the morning of May 29th and opens a notebook entry from three weeks ago, when he supposedly met a “wild bunny girl.” But he doesn’t remember. Rewind to May 6th (my sister’s birthday), and while at the library, Sakuta indeed encounters a girl in a bunny suit no one else seems to notice.

He recognizes her as the famous and prolific child actor/model Sakurajima Mai, who also happens to be his senpai at school. Sakuta, derided by some as the class loner (he’s even told to stay away from a girl’s boyfriend so as not to tank his popularity), decides to open a dialogue with her, despite her telling him to forget all about what he saw at the library.

Actually, Sakuta helps her out a bit, deflecting a gawking photo-taker. Even if she’s “used” to such occurrences, he can tell they’re the kind of thing that wears one down. Sakuta is partially ostracized due to a rumor about him putting people in the hospital. Rather than dispute or fight for himself, he gave in to the “atmosphere” he believed is was pointless to fight, like trying to fight back ocean waves.

Mai confides in Sakuta that she’s been becoming increasingly invisible to the people around her, such that even when she’s standing right in front of them and talking, it’s as if she’s not there at all. Sakuta identifies her predicament as “Adolescence Syndrome”, something that, while scientifically dubiuous, is still something that is clearly going on with Mai.

It happened to Sakuta and his sister Kaede as well. Kaede suddenly received bruises and cuts after being bullied online; Sakuta woke up one morning with a huge gash as if from some kind of three-clawed monster; it put him in the hospital, and the “hospitalization incident” rumor took root from there.

When Sakuta digs too deep too soon into Mai’s situation, she flees in a huff, and he ends up interacting with a television announcer eager for his attention and a science-y girl whom I’m assuming is a childhood friend of his. The latter brings up Schrodinger’s Cat—seemingly obligatory in these kind of shows—but reiterates that Adolescence Syndrome is something she can’t get behind, simply because science won’t support it.

Of course just because something is beyond the ability of science to explain doesn’t mean it doesn’t exist, just as Mai doesn’t not exist simply because people can’t see or hear her since she went on hiatus. But there’s an ominousness to knowing even the Sakuta of May 29th has all but forgotten Mai; hers is a continuously worsening condition.

It’s already so bad it’s hard to buy food…and she can prance around as a bunny girl without anyone noticing. But at least for now, in early May, Sakuta does notice. Perhaps if his future self keeps reading his past self’s account, he will remember her.

I honestly didn’t know what to expect of Bunny Girl Senpai; only that anime with such long titles often aren’t that good. But I can state with reasonable certainty that it’s not bad at all. It offers a clean, crisp presentation with an immersive soundtrack, natural dialogue that doesn’t get too lofty, and intriguing supernatural elements within an otherwise ordinary world. Color me intrigued!

Attack on Titan – 47 – How to Say Hello

When Kenny Ackerman first meets Uri Reiss, he’s at Uri’s mercy: Uri transformed into a Titan and grabbed Kenny with his big Titan hand, threatening to crush him. But he never does. When Kenny somewhat profanely begs for his life, Uri grants it. Uri understands the grudges the Ackermans hold against the Reiss, after all.

Instead of imprisoning or killing Kenny, Uri befriends and hires him. Kenny’s service ends the persecution of his family, but it’s too late for his sister Kuchel, whom he finds lying dead in a brothel…and a starving young Levi sitting in the corner.

Kenny thought he was the most powerful guy around…until he met Uri. And yet for all his power Uri was merciful; empathetic…compassionate. By throwing in with Uri, Kenny is still plenty powerful as well, and perhaps its for that reason he has the compassion not to let Levi die.

However, Kenny isn’t interested in being anyone’s father, so after teaching Levi how to properly survive in the cutthroat underground, he abandons him, leading to Levi’s present-day hatred of him. Meanwhile, Kenny is the last person Uri meets with before the ritual in which Freida eats him and gains his power.

He tells Kenny about the paradise he dreams of building within the Walls, and how even after he’s gone, Kenny’s services will still be required to realize that dream. The first time Kenny sees Freida after the ritual, he can tell Uri’s in there, looking back at him.

Kenny raises his paramilitary Anti-Personnel Squad, made up of the best of the best, and together they have many bloody adventures in the name of the Reiss. But all of that crumbled when Historia refused to keep the wheel turning and chose to break it instead.

With his squad all dead and his burns and wounds likely to take his wretched life any minute, Kenny ponders using the Titan serum he stole from Rob. But he doesn’t, and when Levi finds him, he points out how he could have injected himself at any time.

Like his friend Uri sparing his life, Kenny decides not to go the obvious path. In his last moments he thrusts the box containing the serum to Levi, his nephew, to do with whatever he pleases, and dies grateful he was able to experience the slightest glimmer of cool, pure compassion he felt emanating from Uri at all times.

Later, Historia is officially crowned before a vast audience, many of whom witnessed her slaying the Titan firsthand, and the rest of them hear the story, are impressed, and pass it on. Rather than more lies and secrets, Tori showed them something real and honest; an act that makes her worthy of the throne. Later, when she gives Levi a playful punch, Levi’s reaction is simply to laugh and thank her and everyone else for everything.

Everything looks primed to get shaken up again, as we check in on Bertholdt, Reiner, and the Beast Titan who is Eren’s father Grisha, and who desperately wants to reunite with his son. Not because he misses him,but because Eren is the Coordinate.

Happy Sugar Life – 11 – Turning a Page

Kobe Asahi makes a big meal out of finally taking the gloves off, so to speak, but all he manages to do is threaten Taiyou to find Satou’s address. Even the slightest glimmer of hope he’ll find his angel leads Taiyou to obeying Asahi’s order.

Meanwhile, Satou is resolved to starting a new life with Shio…but she needs help, and calls upon the only adult she feels she can trust: her demented Auntie. Auntie is totally unfazed by Satou’s confession of murder—she lays with murderers all the time—and is even able to guess that the “little bird” Shouko was her victim.

But for all of Satou’s talk of her love being right and Auntie’s being wrong, Auntie points out to Satou that she is still legally a child, and cannot take responsibility. So Satou tells Auntie to take responsibility—for the messed up childhood she bestowed upon Satou, by helping her and Shio disappear.

Auntie picks up a semi-disguised Satou and finally meets Chio, who is easily taken in by Auntie’s kind and syrupy-sweet introduction. After taking them around buying both the means to fake Satou’s death, Satou procures passports from her kohai from work.

As for Taiyou, his dream of meeting Shio again becomes a nightmare when he ends up at the address on file at the cafe, which is Auntie’s apartment. While Taiyou becomes another doomed fly stuck in her web, Satou and Chio doll themselves up as brides and exchange vows and a kiss, marking the beginning of their new Happy Sugar Lives together.

With Asahi depending on Taiyou and Taiyou, well, doomed, one wonders what obstacles, if any, remain on Satou’s path to achieving that life. We’ll find out in the finale.

Chio-chan no Tsuugakuro – 12 (Fin) – Going Commando

Chio’s School Road comes to an end with two more stories of situations girls may find themselves in during their high school years. First, when Andou’s sister Chiharu approaches Chio for tutoring help, Chio gets to experience what it’s like to be the knowledgeable, reliable senpai, suggesting Chiharu make her 500 yen  by collecting cans.

The only problem is, none of the advice Chio dispenses is any good. They collected way too few cans, crushed them needlessly, and only collected the hard steel ones when the softer aluminum ones are worth ten times more. When confronted with her failure by Chiharu, Chio devolves into a child and cries.

It’s Manana who ends up inadvertently showing Chiharu what kind of woman her big bro’s girlfriend should be. Chio insists Manana step out of a long line to go to school, but Manana wants to sell her spot and ends up making over 2,500 yen, inspiring Chiharu to try being a “line agent.”

The second half elaborates upon Yuki’s exhibitionism: not only does she love running while wearing as little as possible, but she walks around her house in the nude, as does her whole family! She assumes lots of families do this…but she’d be wrong.

Manana tries to get one over on Chio by professing to also walking around the house while naked, but Yuki suddenly becomes threateningly suspicious. Manana panics and blurts out how she’d love to not be wearing underwear right then.

She gets her wish, as she and Yuki spend the rest of the walk going commando, which needless to say provides quite a few thrills and close calls for the both of them. They frolick about as if they’ve attained another state of being, living on the edge and loving every minute of it.

The only way Chio can be part of their world is to follow suit and go commando, which she does, and she is immediately welcomed warmly into the fold. Unfortunately, the trio comes afoul of Kushitori Madoka, who can pick up the fact that her kohais are even more radiant than usual.

She doesn’t get a chance to confirm why, however, as Chio manages to scoop up Yuki and Manana gives the excuse that the three have to go pee before Kushitori can get an impromptu game of Kabbadi in.

The episode concludes with some faux previews for other segments (who knows if this will get a second season), followed by “outtakes” of key scenes from past episodes, in which the characters either flub their lines or actions, leading to banter between the “cast and crew”; a neat meta way to end.

While neither as weird nor hilarious as last season’s Hinamatsuri, Chio’s School Road is still a smart, solid, cheeky slice-of-life comedy that stays focused on its premise throughout its run while providing a lot of creativity and variety in its scenarios. Oozora Naomi and Omigawa Chiaki do some very nice voice work and exhibited a wonderful fizzy chemistry.

Happy Sugar Life – 10 – Partners in Crime

Shio believes everyone’s heart is a jar made of glass. If it isn’t regularly filled with love, or is hit by various stresses, it will crack and break, and when it does, there’s no coming back.

Shio is worried Satou’s jar is dangerously close to shattering, so she tries to do as much as she can. She covers her with a blanket, warms up the curry, and throws her clothes in the wash—where she sees Satou’s bloodstained clothes.

Seeing Satou in such a state reminds Shio of her last days with her mom, who became destitute when she finally left her abusive husband. Shio wanted to do what she could then too, including replace her mother’s “jar” with a new one she sees across the street.

But in doing so, Shio is almost hit by a truck, and her mom’s jar breaks. She takes Shio on a walk in the rain, then stops and leaves her there, saying a simple “goodbye.” Her mom’s jar was broken, and she was simply…done.

When Satou awakens, she pretends like nothing’s wrong, but immediately starts talking about their next home. After all her talk about the castle where they’d live happily ever after, it wounds Shio to hear Satou so gung-ho about abandoning it.

But more than that, Shio is hurt by what Satou isn’t saying, and by all the things she’s hiding. When Satou tells Shio all she needs to do is smile and love her, it reminds her of her mother, who also asked nothing of Shio but to stay put; to stay safe.

Shio won’t have it; not anymore. She doesn’t like Satou’s secrets, or her vision of how she should be to her, which is to act as little more than a human doll. She storms off, and in her anger, tells Satou she hates her. Satou then becomes paralyzed with despair.


The same night Shio’s mother abandoned her, Satou happened to be walking around, and meets Shio, asking her why she isn’t chasing after her mom. Shio tells her it’s because what she felt toward her mother wasn’t love, it was just a desperate hope her mom would keep living, so she could live.

With an attitude well beyond her not numerous years, she decides not being with her mom anymore is for the best. But she also realizes she was too harsh with Satou. She doesn’t hate her; but she hates how Satou shoulders the burden of protecting her.

From now on, Shio wants Satou to tell her everything, and they’ll share the burden and protect each other. In other words, a more balanced relationship where Shio has agency. Satou agrees, and tells Shio all of the horrible things she’s done to keep her safe, including killing someone. Shio accepts it all and fills Satou’s jar…because Satou fills and strengthened hers.

Chio-chan no Tsuugakuro – 11 – Wild Gaming, Wild Game, Cruel Angel

Chio loves gaming in her free time, which is usually nighttime due to school. As such, she loses track of time all too easily. But even when in the midst of her greatest online coup yet, her ears can still discern the slightest sound coming from RL, i.e. her mother coming in to make sure she’s not still up. With a series of quick and precise motions, she’s under her covers “asleep” and cute dog pics are on her desktop…though her lights are still on.

But while she’s “won” against her mom, there’s no fooling her body (which the camera seems particularly obsessed in this week, btw), which needs sleep. The only problem is, she’s too pumped up from victory to sleep. She misreads a clock and half-dresses for school, but it’s only 4:30.

At that late/early hour, she has two choices: try to sleep and risk oversleeping (and standing out in class) or foregoing sleep altogether and show up to class looking exhausted (and also standing out in class). She needs a third way, and determines that it’s sleeping at a shrine with a bag over her head and texting Manana to come wake her up. It pretty much works!…aside from her fatigue headache in the morning.

In the first half we spent a fair amount of time alone in Chio’s room, hearing her thoughts as she figures out how to repress her game otaku and not betray her goal to always come across as below average. When the second half starts in Manana’s room I thought we might spend the majority of the half there, but it’s only the opening moments.

What matters is what Manana watches on the tube before going to bed: a report about B.O. in girls. Manana had never given it much thought, but as she can’t smell herself properly, she has no way of knowing if she stinks or not, and so demands that Chio do so. Chio doesn’t smell anything out of the ordinary, but Manana then insists on smelling her…for science.

What Manana discovers in Chio’s right pit is a smell so offensive she thinks her nose was torn off by a bear. She spins this whole narrative about Chio settling for below average-ness due to her friend-repelling “Wild Game” odor—something Manana never noticed since they spent so much time together.

But Manana turns quickly from pity to resentment when she realizes Chio’s stink rubbed off on her and is the reason a guy she liked went with different, “plain-as-hell” girl. Manana brings in the ever-brutally honest Yuki (whom she tells to hurry…and she does!) as a third nose.

Yuki smels Chio’s other pit, which is fine; turns out her right pit had been licked that morning by her bad-toothed dog Chop. There was never a “Wild Game”, only Manana’s wild imagination run wild. Then Yuki’s honesty turns on Manana when she asks about the boy she liked—if she doesn’t smell, then what was the problem? Well, according to Death Scythe Hosokawa, it’s because he only likes pretty girls.

Happy Sugar Life – 09 – Eliminating All Risks

In exchange for the change to see and be purified by Shio, Taiyo follows through with Satou’s instructions, giving Asahi Shio’s sock and telling a tale about it being found at a station some distance away. A cordial exchange quickly devolves into nastiness when Asahi smells some kind of trickery afoot, and then triggers Taiyo into a rage by calling him a “dirty adult”; pretty much the worst insult you can throw his way.

Still, Asahi regrets how things ended, and decides to take Taiyos advice and travel afar for more clues. The night before he leaves he meets Shouko in the park once more. Shouko thinks everything about Asahi is amazing, and while he’s not manly or her type at all, a part of her is jealous of Shio for having such a gallant prince willing to move forward no matter how much it may hurt or how scared he is. She bids him farewell with an exchange of contact info, and a kiss.

Satou is at the station to make sure Asahi is on his way, then returns home to 1208 to spend the whole day with Shio. It just happens to be the “anniversary” of the day she first kidnapped her. Satou celebrates by buying a bunch of fancy sweets which the two share together, and when Shio brings up the future, and securing said future together with the bonds of marriage, Satou is ready with two rings.

Both she and Shio are happy beyond words; giddy, even. And in a moment of particularly intense giddiness, Shio pounces on Satou as she’s exiting the front door…

…Where Shouko is waiting there with her cameraphone, and snaps a picture of Shio with Satou. It’s a devastating needle scratch but also a welcome glass of cold ice water on Satou’s frankly impossible (and ridiculously amoral) fantasy dream world. Her Happy Sugar Life is a sham; a mere house of cards that falls all too easily once a sliver of reality peeks in.

And yet, as evil as Satou’s actions are, Shouko comes with at least a veneer of non-judgment, acceptance, and love of and for Satou, no matter what she’s become, what she’s done. No matter how far she’s sunk into the muck, Shouko wants to pull her out and back into the light—the real light. But Shouko is doomed the moment Satou saw her on the balcony; before she even snapped that picture.

In a thoroughly unpleasant, sickeningly brutal scene, Satou grabs Shouko from behind as she’s leaving, sticks a knife in her throat, and suffocates her with her hand as she bleeds out. Another risk eliminated. She used soft power on Asahi, but had to go hard with Shouko, who kept persisting and interfering.

But Shouko’s death wasn’t in vain. The photo of Shio with Satou reaches Asahi. Will he be prudent enough to report Shio’s kidnapping to trained authorities and let them deal with Satou, or will he try to go after her alone? How will Satou deal with Shouko’s body, and will her murder spark a purge of more “risks”?

Most importantly, how will Shio respond to this once the initial shock wears off? Perhaps Shio herself could end up dealing the decisive blow to Satou’s delusional,  impossible world of sugar and happiness. The foundations of that world are as rotten as her aunt’s apartment; they’re sinking ever deeper into the earth made soft by spilled blood.