Engage Kiss does not care one single whit about your tonal or genre whiplash. After last week’s poisonous members and tentacle mech suits, we get what amounts to a hard-boiled detective procedural, and the results are…mixed.
While I appreciated the episode’s dedication to showing its work, that work is rarely glamorous. The monotony of what amounts to scene after scene of exposition as Detective Mikami, Miles, and Shuu try to piece things together is at least punctuated by the usual Kisara-Ayano sniping.
Last week’s MVP Sharon is tied to a chair behind bars this week, unable to unleash her full horny/trashy/sacred/profane shtick, but still wields power as someone who remembers crucial information Shuu forgot thanks to Kisara.
It’s pretty significant that Shuu thought Kisara would let him keep certain important memories, but Sharon says that it doesn’t work that way and he’s actually lost a lot more than he knows, and she’s not lying just for spite. All she offers “for free” about the identity of the big bad is an arsonist analogy.
Before Shuu can interpret the scant info Sharon gave him, Mikami has a eureka moment that seems primed to blow this case wide open…just as the trench-coated “Informant X” who’s been feeding Shuu shows up.
Mikami leaves a voicemail for Shuu, and during the recording he is confronted by someone and a gunshot rings out. By the time Shuu and Kisara arrive in the station lot, Mikami is dead, and Informant X tries to slink away. Shuu and Kisara show what a good pair they make by cornering and unmasking the guy…who turns out to be Mikhail.
I gotta say, that’s a pretty cheeky revelation—to dangle this oji-san like high school character who feels like he’s from another anime as the delusional third child in the family pecking order, only to reveal that he’s the mysterious General Director of Bayron City Police, from whom everyone gets their orders.
With his cover blown, Mikhail takes Shuu and Kisara down to his secret surveillance information center deep under the city hall, where he has over three million cameras going 24/7/365, (even on his sisters while they shower and sleep, an observation Shuu is quick to make and condemn).
The other fake-out in play is that Mikhail didn’t murder Mikami, and the camera footage proves it. The person who did is the one for whom Mikhail is merely a puppet, the second human agent who is coordinating the creation and destruction of demonically possessed.
Mikhail’s sudden major player turn takes a backseat to the emotional fallout from Mikami’s sudden murder, and it’s a good reminder of how good the show can be at occasionally taking the goofy/horny elements down a notch and letting these people be humans.
This culminates in Mikami’s funeral, always a solemn affair, followed by Shuu being picked up by his foster father and old pal Miles, who can’t believe Mikami is gone. When Miles talks about Mikami as the rare natural police who was also softhearted and guillible, Shuu drops the hammer: he knows Miles murdered Mikami.
Sure enough, a tattoo on Miles’ arm glows. While I’m hardly enthused by the only brother in the cast being the big bad, his villainous turn isn’t altogether unearned. Like us, Shuu’s had a huge blind spot for the guy, in his case due to the events and conversations he’s forgotten because his contract with Kisara takes away much more than he thought.
Shuu’s been trying to piece together a mystery when his own memory has been crumbling behind him in real time. Now he’s lost a true ally in Mikami and another main ally has turned out to be false. It’s safe to say things are going to get worse before they get better for Shuu.