O Maidens in Your Savage Season – 09 – What Now?

At least, for a little while, we get to experience the pure initial jubilation of Kazusa and Izumi being a couple, meeting outside their adjoining houses, and walking to and from school together. Everything looks brighter and shinier, food smells and tastes better, and Izumi looks cuter to Kazusa’s eyes. They’re very much on cloud nine, but throughout it all there’s the underlying knowledge that it just can’t last.

Rika, too, admits she has changed, as a “victim of love”, but has also learned that boys are far more sensitive and nuanced than she thought, and tells the rest of the club to value them as humans—something only she didn’t do before.

While all five girls were in one way or another “losers,” now suddenly Kazusa and Rika are “winners,” having broken the plane of boy-girl romance, and their subsequent floating on clouds does not go unnoticed by those left behind. As a self-proclaimed “loser” himself, it’s Milo-sensei’s experience that winning stifles the imagination, which suits Hitoha just fine.

You could also say that winners are so busy winning their guards are down. Kazusa buys Niina’s half-hearted congratulations, but what Niina doesn’t tell her is that she’s still considering whether to steal Izumi from her, and if so, how. Momo isn’t okay with that, and promises Niina that losing two friends (her and Kazusa) for one boy isn’t worth it.

Niina begs to differ: after all, saying she can’t have sex with mere friends—something Momo doesn’t seem that sure about.

So as their destruction is plotted, Kazusa and Izumi go about their wonderful glittery romance…only the glitter gives way to awkwardness when they find themselves alone in Izumi’s house together. What’s the next step for them? They have no idea, not just what they want to do, but what the other person wants to do.

They aren’t communicating properly yet, nor have they set boundaries or lack thereof, so they make assumptions, some of which are right, like Izumi sitting beside her. They hold hands together, but they both get hung up on how sweaty their hands are, and then Izumi’s mom comes in and suddenly they’re six feet apart.

Ultimately, they won’t know what they want to do until they try something, and they won’t know what to try with each other until they discuss it. Right now, their deep, ten-year familiarity is clashing with the newness of their boyfriend-girlfriend status, and resulting in a bit of a short-circuit.

Meanwhile, the fact Kasuza is with Izumi and Rika is with Amagi means the lit club is suddenly taking a break, giving the recent festival as an excuse, but let’s not fool ourselves: Momo and Hitoha and especially Niina are only going to sit and listen to Rika and Kazusa talk about how great it is to be dating boys for so long.

So Momo goes home alone, not knowing quite what to do about the rift between Niina and Kazusa. Niina invites Izumi to “ride the train” with him assuming she’s willing to offer advice as a friend. Hitoha ambushes Milo-sensei in the clubroom with an “expose,” and give him an ultimatum: sleep with her, just once, or everyone, including his beloved Tomita-sensei, will find out about all the things he’s said to a high school girl.

While I doubt Hitoha was simply bluffing here, the fact remains, she wasn’t 100% prepared for him to not only say “okay” to an offer of sex, but set a time and place for him to pick her up. Milo is quickly approaching the point of no return, but his feelings for Tomita, and the threat of her knowing how deviant he’s been, are clearly clouding his judgment.

Later, Hitoha waits at the agreed-upon time and place, and gets in when Milo-sensei stops and tells her to, tossing her underwear into a nearby garbage can. No good can come of this!

In a nice bit of synergy, the same book that Rika and her new gal friend Sonoe (with whom she now interacts far more comfortably) bond over in the library is the book Niina presents to Izumi on the train, describing his relationship with Kazusa to the The Little Prince and the one rose on his planet. When he went to earth, he found that roses were commonplace, but a fox told him that the sum of his time and experiences with that first rose make it unique.

Saegusa tells Niina that she’s the fox, saying the words that will lead to the Prince living the rest of his days with that one special rose, while the fox itself is never mentioned again once they part ways. To not be forgotten like the fox in the story, Niina has to make a bold move.

Whether someone was actually touching her bottom on the train once it gets crowded is immaterial; the point is, Niina wanted a situation in which she could tell Izumi to place his hand on her bottom. Not only that, there’s now a record of their exchange on their phones she could potentially use against Kazusa.

So one of Izumi’s hands is sweatily, awkwardly clutching Kazusa’s as the ticking of the clock grows louder and louder, and the other hand is resting on Niina’s bottom, with Niina’s hand guiding and keeping it there. So, as is asked many times in the heads of the characters this week, What Now?

Trouble…that’s what!

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O Maidens in Your Savage Season – 08 – Where Legends are Made

This week, with the cultural festival as the backdrop, every O Maiden decides they’re going to make a choice that will hopefully ensure them happiness and stability as they move forward.  Naturally, things don’t start out smoothly for anyone.

For Kazusa, it’s deciding to tell Izumi upfront how she feels. As her performance with Niina looms, Kazusa is mindul, and nervous, of the fact that Izumi is about to witness her essentially rehearse her confession to him with Niina on stage.

Momo decides she’s not going to entertain Sugimoto’s vapid attention any longer, something she’s even more sure of when he shows up with two of his friends. When Rika sees another girl flirting with Amagi, she starts to realize they can’t have relationship if she insists on keeping it secret from the world.

Then there’s Niina. She seems the most lost out of everyone, caught between feelings for Saegusa and Izumi, but neither sure what those feelings are or how to act on them. For his part, Izumi is taken aback when she puts her hand on his face, leading to her scurrying off while he struggles to hold three teapots—which I’m sure is a metaphor for something.

Hongou finds her encounters with Milo-sensei almost completely dominated by the presence of the modern Japanese teacher Tomita-sensei, who has clearly taken a liking to Milo. Tomita doesn’t see Hongou as a threat, she sees her as a child and a student, and there’s clearly the sense Milo appreciates having Tomita around, almost as a shield from Hongou’s potential mischief. But any discomfort he has comes out of his refusal thus far to set clear boundaries, a responsibility that’s his and his alone.

While wallowing in the rest area, Rika is joined by Sonoe, and the two get to talking about the latter’s boyfriend. Sonoe, who it should be said is clearly ready to move on from bullying Rika to a conventional friendship between hotties, tells Rika how her thing with her boyfriend was physical at first, but became romantic when she learned he was a nice guy. Also, that it’s only natural to want to show off and be proud of the person they like. There’s nothing to be ashamed of.

Izumi in the audience would be awkward enough, but Saegusa also joins the crowd, sitting right beside Izumi. Suddenly, it’s a rehearsal for Niina as well as Kazusa, in which to somehow prove to Saegusa that she’s not boring, that despite having become a woman, she can still be unpredictable like a child.

When nobody expects it, and just when Kazusa is starting to get into rhythm with Izumi less of a source of stress and more of a calming presence, Niina flips the script, walks out into the crowd, and puts her hand on Izumi’s chest, shocking everyone there (and no one more than Kazusa), but eliciting an impressed smirk from Saegusa.

Izumi takes Niina by the wrist to talk in private, whipping the crowd into a frenzy as they hoot and applaud what looks to all the world like two lovers shuffling off to be alone. In the moment, it looks like a heel turn for Niina (if you’re an KaZumi shipper, like me).

Izumi is surprised when Niina tells him even she didn’t really know what she was doing, he surmises that it may have been to make Saegusa jealous, and that if she still wants to do that kind of stuff because she still likes Saegusa, he’s willing to help her. The key is, she should focus on what she wants, not how others will see it. A tall task for someone all but defined by observers. But the one thing Izumi can’t see is the real reason Niina reached out to him: she likes him.

As for Kazusa, she also considered the fact that it may be game over for her and Izumi before she even took her shot, but she’s determined to take that shot anyway. Seeing how Niina looked when she touched Izumi clinched it for her: for someone who clearly likes him that much to still support Kazusa, who only ever thought about herself…that’s the person she’d want to be with Izumi, rather than some rando.

Everything comes to a head at the bonfire that concludes the festival. Due to the buzz caused by the performances—no doubt supercharged by Niina’s improvisation—the whole school is aware of the urban legend about standing in the shadow of the one you love, and people are trying it out.

It’s the first time Hongou’s work has reached an audience so large, and the pride in her accomplishment fuels her confidence in wanting to try it out on Milo-sensei. Unfortunately she doesn’t come close to getting a chance; Milo is well away from the bonfire’s flames, chatting with Tomita-sensei.

Rika fares better. Turns out Amagi wasn’t as close to giving up on them as it seemed last week, but Rika goes for broke and confesses to him in front of everyone, telling him she can now see the difference between romance and sexual desire, but more to the point, she doesn’t care anymore about anything other than Amagi knowing she’s in love with him. He responds by hugging her, telling her he’s never been so happy.

Momo was successful in getting Sugimoto to take a hike, but that leaves her alone at the bonfire when everyone else is busy with their respective love interests. Still, you get the feeling she’d rather be alone than have those annoying dudes buzzing around her, so it’s a win for her.

Niina tells Saegusa that she’s decided to let herself “obsess” over someone for the first time, and see where it goes, after a lifetime of keeping her distance. She’s pretty much asserting she has to look out for herself, even if it hurts Kazusa and ends up fruitless, as Izumi just doesn’t see her that way, and has—has always had—someone closer to him.

That brings us to Izumi, who beats Kazusa to the punch and and confesses to her first, moving her to tears of joy and relief. He references that day years ago when he first saw her as a girl, and after all those years of her protecting him, he decided he wanted to protect her too. Big sister, little sister, good friend…she’s been all of those things to him, but now he knows all of those characterizations are reflections of the love he’s always had for her.

The two walk to the riverfront hand-in-hand to admire the cityscape, at peace and happy as clams. So many weights have been lifted on this night, but the smooth sailing will only last so long with four episodes left. Storms lie ahead, and the strength of all of the night’s confessions and rejections place will be vigorously tested. I’m fist-pumpingly happy for Kazusa and Rika, but love and pain do go hand in hand!

O Maidens in Your Savage Season – 07 – You Mustn’t Become Boring

At the inn where he was extorted by Hitoha to take the Lit Club, Yamagishi-sensei is perfectly content to spend the evening with his folks, until he’s confronted by Hitoha in a particularly frisky mood. Forget her literary ambitions, she just wants to get with Milo-sensei, period. But thank goodness, he says four words that start to restore my faith in him: “Will you please stop?”

Sure, he’s pretty mean when he laughs at her inability to handle an imminent (but ultimately aborted) kiss when she was talking big about letting him lift her up by her thong and toss her to the floor. And when he tells her not to “bite off more than you can chew.” Hitoha may consider herself “a wretched sight,” but the alternative—if Milo-sensei had given in—would have been far, far worse.

As Momo withdraws from the baths, she can’t get the image of a totally naked and uninhibited Niina out of her mind, eliminating any doubt that she has a crush on her. Not only that, when Sugimoto RINEs her with a number of in-your-face stamps enthusiastically inquiring about how she’s doing, Momo almost seems resentful—how dare you, vapid boy, try to occupy headspace I’d rather have occupied by the fair Miss Sugawara?

Just before Momo returns to the bedroom, Rika is also exchanging innocuous texts with a boy—Amagi—the difference being Rika is loving every moment of it. Still, not so much that she’d let Momo know, as she rushes back to the brainstorming table. Momo muses that the idea of guys being simple and shallow is “an urban legend in itself,” and wonders why girls are supposed to couple with them instead of what she deems to be simpler girls she finds cuter.

Rika initially believes the two of them are far apart when it comes to how they feel, but in reality, they both liken how they feel to the bittersweet taste of a dark chocolate Pocky. They’re both interrupted by a rejected and thoroughly pissed-off Hitoha, who barges in with an urban legend about sweethearts wearing matching thongs…not knowing that might actually work for someone like Momo!

While the nature of the distance may vary, the love interests of all five girls are far away. Niina and Kazusa are unique in that they likely share the same love interest. It’s Niina who is there when Kazusa comes out of her overheated state, which is really for the best, as Niina gets to instigate the fight they really need to have in order to move forward, either as friends or something else.

The other three interrupt the fight, in part deeming it unfair due to Kazusa’s heat-fatigued state, but the five come up with a solution that serves everyone: a lively, no-holds-barred pillow fight. It’s a wonderful, semi-cathartic release, and thankfully Yamagishi-sensei has precisely no part in it whatsoever, keeping a distance and letting these girls in their savage season have it out with one another in an aggressive (fight) yet gentle (pillows) way.

The night Kazusa returns, she has dinner with Izumi’s family, but Izumi himself isn’t present. In another beautiful sequence, the two end up encountering one another from the windows of their respective bedrooms—a cliche to be sure, but an effective one in this case, especially as both had just been thinking of one another; specifically the fact they like one another.

Having learned a lot from her trip and gained quite a bit of confidence and courage, Kazusa draws on what she and only she knows—that Izumi is particularly into retro trains—and tosses him one in the form of a keychain. Izumi first thought of Kazusa as a girl when he could throw a baseball further than her. But this time, both the keychain and her feelings make it to him. It’s a small step, but definitely one in the right direction.

Back at school, Kazusa makes sure to apologize to Niina for being presumptuous about her stealing Izumi, but does so under the impression Niina has no interest in Izumi, which is actually just another presumption on her part! Ironically, Kazusa takes another confident step in volunteering to be the role of the girl to Niina’s boy in the lit club’s cultural festival performance.

As Momo adjusts Niina’s costume and blushes at the sight of her nape, and Rika continues to flush her relationship with Amagi down the toilet, Kazusa continues to reiterate in her head how she loves Izumi, and has always loved and treasured him back when she was his big-sister figure. But while Kazusa has probably never been more at peace, that peace is built on shaky ground.

As Kazusa confides to Niina that she’s just about ready to confess her feelings to Izumi, Niina is not quite ready to concede Izumi to her so easily, though she might ultimately do so out of respect for their friendship. Where she goes wrong is seeking advice from her middle-aged pedophile former acting coach Saegusa, whom she visits just as he’s calling his latest prized talent “boring”…apparently for being so obedient.

Saegusa doesn’t want to witness obedience, on the stage or off it; he wants to see rapture; the explosive moment when a girl spreads her wings and takes off, transforming into a woman, even if that woman holds no interest for him beyond the “final moment” of transition.

With that in mind, and considering his loyalties lie nowhere else, he urges Niina not to be boring like his young student, but rather to damn the torpedoes. It’s a heartbreaking scene, not least because it’s quite likely Niina will do whatever her old mentor says, no matter how much it might hurt her and/or Kazusa.

But like Momo’s near-total disinterest in boys, Rika’s near-total inability to be the girlfriend Amagi wants, Hitoha’s near-total commitment to pursuing a forbidden affair, and Kazusa’s near-total confidence in her love for Izumi, Sugawara Niina is beholden to the road paved by the sum total of her life experiences thus far.

As much as she might want to, she has yet to escape Saegusa’s influence, and can no more turn off that road than Momo can start liking boys. And so, it seems a war with Izumi is inevitable—and no longer the kind with mere pillows.

O Maidens in Your Savage Season – 06 – Solo Sumo

The cultural festival committee, wanting to boost outside attendance this year, come to the lit club requesting they come up with a romantic urban legend. Little do they know how sensitive a subject romance is for all five of the girls, for very different reasons. And yet, just when the other four are ready for a vehement refusal from Rika, she quietly agrees to take the job.

Hitoha, meanwhile, feels like she’s in a sumo match all by herself, as she’s walking around in a cold, uncomfortable black thong, part of another example of her dangerous “indirect play” with Milo-sensei. It’s all about the fact she’s wearing it, he knows she’s wearing it, and she know he knows she’s wearing it, but he doesn’t seem that excited.

Instead, when the pretty (and age-appropriate) Tomita-sensei shows up, he leaves with her, and while flirting lets loose an important nugget Hitoha will use later. I still hold out hope Milo, the adult, will stop this before things go too far.

There’s a different match going on between Niina and Kazusa, and Momo is ill-equipped to referee. The problem is, the Niina and Kazusa girl are playing with different sets of rules. When Niina tells Kazusa to imagine how she’d want her love story with Izumi to start, Kazusa brings up how beautiful Niina is and how she lacks the same confidence over her looks.

When Niina presses, saying Kazusa is cute and in any case a relationship isn’t all about looking perfect, Kazusa flees. Momo tells Niina that she should clear it up with Kazusa that there’s nothing going on with Izumi, but Niina would rather exercise some “tough love.” For one thing, if there’s nothing to spur Kazusa or Izumi on, they’ll remain in limbo forever. Not to mention Niina is (rightfully!) mad at one of her supposed best friends Kazusa for assuming what so many others have—that she’s out to “steal their man.”

Rika, the one lit club member who has “won” her match and now has a boyfriend, has no idea what to do next. Amagi is eager to sing out their relationship from the rooftops, but she’d rather find a way to hide it in a forest. She wants to ask Amagi for a little more time to do so, but going public seems like something very important to him. This couple will need to learn to find a middle ground, lest it wither like an unpicked fruit on the vine.

Bereft of good ideas, Hitoha suggests a club field trip to an inn…the inn run by Milo-sensei’s family which she heard about while he was flirting with Tomita-sensei. Hitoha has since been given the run-around by her “editor,” saying erotica is no good and purer “young love” pieces are what’s hot now (the girl who published erotica ahead of her didn’t fare so well). Hitoha now finds herself perfectly positioned to draw from her own life for this new literary direction. She promises Milo she’ll thank him “with her body.”

The change of scenery doesn’t do much to get the creative juices flowing, particularly for Kazusa due to an incident on the train when Niina mentioned she had tea with Izumi. While Niina hoped being aggressive would spur Kazusa to action, it’s having an unexpected effect of making Kazusa retreat ever further into her burrow of self-loathing.

A break for baths is called when in the brainstorming session Kazusa suggests an urban legend about blowing up the school so you can be with the one you love in heaven forever. Dark. Shit. But even in the baths, Kazusa can’t escape her worsening inferiority complex, as Niina walks in without even trying to cover herself, showing off a body against which Kazusa doesn’t think she has any chance.

Niina is right to think neither Kazusa or Izumi will come out of their shells without external action. She’s also right to be hurt by Kazusa assuming she’s trying to steal Izumi, as well as the fact she believes Niina is the better choice because of her looks. But the difficulty level is way too high, and by episode’s end Kazusa has literally burned out in the bath. Whether Niina takes it down a notch for Kazusa’s sake depends on whether she honestly has zero interest in Izumi—the jury’s still out on that.

As for Momo, she’s mostly caught in between other conflicts this week. While there’s not much additional evidence this week to support viewers’ growing opinion that she’s into girls—and has a crush on Niina in particular—I would definitely welcome further exploration of that development. For now, she’s trying her best to keep the peace, because Niina vs. Kazusa could get ugly, fast.

O Maidens in Your Savage Season – 05 – A Completely Different Creature Entirely

This week picks right up from the last but flips the POV, from Kazusa to Niina and Izumi. I’m not going to say they don’t flirt with each other quite a bit on their train ride, but it’s certainly not the sweaty tryst Kazusa’s out-of-control imagination makes it out to be.

While it isn’t clear whether it’s a coincidence that Niina’s old acting coach Saegusa is on the very same train, she ends up utilizing Izumi in much same way she used Kazusa a few weeks back: as a prop in a fiction. In this case, she makes a big show of being with her “boyfriend” in front of Saegusa, who nods a gentle approval before taking his leave.

As Momoko tries (mostly in vain) to reassure Kazusa that there’s probably a harmless explanation for the two on the train, Hitoha just happens to be ridden past their exact position on the bridge. She’s in Yamagishi’s car, where he continues to make it clear he’s not into high school girls, and causing Hitoha to cry, as she doesn’t know what else to do; having her authorial debut is everything to her.

Meanwhile, we and Izumi learn about Saegusa and what a phenomenally creepy dude he was, singling Niina out when she was 11, rubbing his face on her shoe, and taking her out alone to shows and meals. But Izumi is only grossed out on the most basic level of suspecting Saegusa of being a paedophile. He doesn’t realize how deep and fucked up the bond became between Saegua and Niina.

And yet Niina declares Saegusa never laid a finger on him…even when she was fourteen, starting to get that kind of attention, and the age when she decided to ask why he wouldn’t do it with her. But he told her he could never love her as a woman, only her girlish nature, and to touch her would be to instantly transform her into something else entirely—something he had no interest in.

All I can say is…Damn. Poor Niina. Unfortunately, she’s very far from the only victim of this particular brand of push/pull mind game bullshit. Niina loathes attention because the only person she wanted it from utterly rejected her. But that does make a nice segue to her original subject of conversation with Izumi: his willingness so say something so “cruel and heartless” to Kazusa—the very same thing Saegusa told her.

But the fact is, Izumi didn’t see it as cruel or heartless at the time, because didn’t even know Kazusa had a crush on him until Niina let it slip right then, assuming (reasonably, and at the same time totally unreasonably so) he did. Indeed, Niina is rather shocked (and amused!) by Izumi’s denseness, having pegged him as someone quick on the uptake. Clearly, he has a significant blind spot…which sports a bob cut.

While she keeps up a brave front in front of Momo, when left on her own in her room Kaz’s mind continues to race, as she deliberates over how impossible it would be to compete against a goddess like Niina. Kaz gets so worked up, she doesn’t realize she’s thinking out loud, talking about being way too obsessed with sex just as her mom steps into her room.

Turns out Kazusa’s and Izumi’s families go out for bowling night on occasion. That has to be the most goddamn fun thing I’ve ever heard! Sure, it’s a little awkward for Izumi and Kaz, especially when…Izumi…sticks his fingers…in the three holes of the ball…GAAAH, anyway things calm down when Kazusa goes to grab some refreshments and Izumi follows her, now knowing exactly what’s eating her.

What follows is the second most heartwarming scene of the episode (the first most comes later): the two, knowing each other so well, recall each other’s childish likes (Kaz a bit of milk in her Calpis; Izumi with melon soda). In this moment they remember how close they are and have always been, and that even with their raging hormones, they can find such moments of peace if they try.

Izumi even sets Kazusa’s mind at ease, first by almost reading it (she wants to bring up Niina, but he beats her to it), then by saying Niina is “more weird than pretty.”

Switching to Momoko, now a much more visible and compelling character, she goes on a date with Sugimoto and it’s…fine? Kinda meh? She honestly doesn’t know how to feel or act or speak, and is basically just relieved to be on the train home.

She’s surprised to find “opening up” by saying she has no dad is such a big deal to him. In any case, it’s a clear case of Momo…just not feeling it. Is it just because of the guy, or is she not into guys, or girls, or anyone? Not enough data to know yet, but I’m intrigued.

As stated last week I’m much less enamored of Yamagishi doing anything at all with Hitoha, and predictably, he decides to continue indulging Hitoha by ruling out direct eroticism and settling for indirect methods, such as Hitoha staking out a spot where he and only he can watch her show him her panties.

Hitoha is apparently getting what she wants—personal sexual experiences with which to improve her writing and hasten her debut—but without getting overbearingly paternalistic, I still fear for her. She’s doing this, at least in part, because she feels she has no other way to achieve her dreams.

That desperation, her limited years and Yamagishi’s more numerous ones all conspire to call her ability to consent into serious question. Yamagishi is the adult here. It’s completely on him to stop this, and endure the cascade of hate from Hitoha. She will get over him, in that situation. She may not get over where this is headed.

The first time Kazusa sees Niina at school, Niina calls Izumi “weird” just as Izumi used to describe her, and the wheels in Kazusa’s head start spinning all over again, helped not at all by a reading in club by Rika that describes exactly the means by which two people think and speak alike. If they both think each other are weird, that doesn’t bode well, Kazusa thinks, and she may well be right.

While we leave Kazusa trapped in a typhoon of suspicion, indecision, despair, and longing, the episode thankfully ends on that first-most heartwarming note I mentioned earlier, as Rika meets Amagi on the rooftop to deliver him his report, which she’s marked up in red to correct his errors in grammar, spelling, and punctuation…oh, and on the last page where he asked her out, she wrote in tiny letters if you would be so kind. It’s a yes!

Rika had hoped not to be right there when he discovered that note, but when Amagi sees it, he starts leaping around the flying pages of the report in unabashed joy. Rika most certainly is abashed, at first covering her ears on the stairs, then chiding Amagi for being so loud about his happiness.

Rika is happy no doubt; but she’s no doubt scared shitless. The territory couldn’t be more uncharted if she started reading Shounen Jump. Not to mention, what if she ends up becoming a completely different creature entirely? Boy or girl, every single one of these kids is going to eventually become that—whether they like it or not.

O Maidens in Your Savage Season – 04 – Fifty Pages of Cute

When Rika maintained a practical, studious appearance, her classmates would say hateful things to her, but when she changes her look and becomes “hot” to girls and boys alike, all the attention and remarks are just as unpleasant. But when she retreats, Amagi follows her and tells her he’s falling for her. Flustered, Rika orders him to write a 50-page report on why, firmly believing he’s only been “hoodwinked” by her makeover and only likes her superficially.

Having already essentially blackmailed Yamagishi into advising the club, Hitoha confronts an inconsistency in his words and actions. If he really has “no appetite” for high school girls, why did he agree to meet one from a chatroom?

His monologue about them being “crude and unrefined,” and his assumption from her words that he was chatting with a “middle aged man,” cause Hitoha to snap. She jumps on Yamagishi, demanding to know if such conduct is “within his expectations,” but just as quickly shoves him back and flees, in part because, well…being on top of Yamagishi aroused her.

When they’re alone again, Hitoha tells Yamagishi as much. Furthermore, she grabs his hand, places it on her chest, and demands that he “teach her the reality” of the material she’s struggling to write about. Even if it’s Hitoha instigating a potential relationship, the power imbalance is clear, and the bottom line is legally she’s still a child while Yamagishi isn’t. So I can’t say I like where this is going, even if I understand it.

In other O Maidens news, Sudou Momoko actually exists as a character!! After a nice one-on-one with Sugawara (who declares Momoko and Kazusa her two best friends), she’s invited to karaoke with a mixed party, but the boys sing songs with sexually explicit lyrics.

One of the boys, Sugimoto Satoshi, can tell she’s uncomfortable, and joins her outside to talk. He reveals that for a long time he’s admired her maturity and confidence from afar, and asks if they can exchange LINE info to keep in touch. Momoko is a little relieved, a little overwhelmed, but also glad that someone out there has been thinking about her.

As she tells Kazusa, with whom she meets up to tell her about Sugimoto, Momoko says she now understands more how Kazusa must feel about Izumi…even if Kazusa hasn’t 100% figured that out.

Back to Rika, who for the second straight day is earnestly approached by Juujou, one of the class “it” gals, but refuses to have lunch with her (it is the same girl who called her names not long ago). Retreating to a thankfully unlocked rooftop, Rika is again chased down by Amagi, who presents her with his report, leaving her to read it alone.

Rika immediately starts poking holes in Amagi’s writing, using the not inconsiderable critical thinking she applies to the literature she writes. But the more she reads it, the fear it’s all skin-deep nonsense fades away when entire pages of “Rika is cute” seem to wash away the bitterness of all the bad things flung at her for so long. Amagi utilizes uses the report as a love letter, ending by asking her out. Rika has a big choice to make!

One of girls who got a lot less time this week was Niina, who as I mentioned was flattered by Momoko’s kind words about her being more than just a pretty face. She’s also the victim of some petty antagonism from Asada, who changes her tone from spiteful to innocent when Izumi shows up. Clearly she sees Niina as an impediment.

Izumi, meanwhile, continues to have cordial, friendly interactions with Niina, which, combined with his increasingly awkward (or as was the case this week, nonexistent) interactions with Kazusa, spells trouble for her. She had the least time this week, and didn’t get anywhere in patching things up.

If anything, when she spots Izumi and Niina on the train and remembers Niina’s desire to have sex before she dies, she only conceded more ground vis a vis Izumi that she simply can’t afford to lose. All the while, it’s becoming more and more impossible to escape into books.

O Maidens in Your Savage Season – 03 – Tough Kids Drink Milo

While Rika is checking a magazine to see how much she actually resembles Erika, Hitoha notices a new book has been published—but not her’s. Her editor says her stories aren’t “realistic” enough. For Hitoha, the message is clear: in order to break onto the young erotic fiction scene, she needs actual experience. So she arranges an IRL meet with “Milo” on the dirty chatroom.

When Izumi talks with Niina in private about the footage she shot, he doesn’t realize how much of a message he sent by taking her arm in class with everyone watching. Still, she’s impressed that he’s quicker on the uptake than she expected, taking her criticism and apologizing rather than bristling.

Even so Niina senses an “old-fashioned” quality to Izumi, and before returning to class (without saying she’d delete the footage) she assures him it’s not just boys who think about “doing it” all the time. Girls think about it too…even Kazusa. And it’s perhaps for that reason that every available male faculty member outright refuses to become the lit club’s adviser, keeping its future in jeopardy.

When Izumi’s mom drags Kazusa in to take home some meatloaf, she asks her to go up to his room to fetch the ketchup. Upon entering (again, without knocking! Girl!), she imagines him with his pants down at the desk again before it fades to an empty chair.

She gets a pang of nostalgia (which must come as a relief) when she sees the DVD for a Ghibli-like film on the desk, but when opening the case, she’s mortified to learn it’s something else entirely: a porn blu-ray, rather inartfully titled The Wheels on the Commuter Bus Go “Oh Yeah, Harder!”

Meanwhile, at the Hongou residence, Hitoha is ready to head out on her date when two misogynists on the TV talk about how mismatching underwear is a turnoff, and steals her sister’s blue bottoms to match her blue bra. As she waits until 1:00pm on the dot to leave the station and head for the statue where she’ll meet her date, she’s understandably nervous, repeating over and over to run if he looks like a shitty (or shitty-looking) guy.

So imagine her shock when “Milo” from the dirty chatroom is a handsome, glasses-less, stylishly-dressed…Yamagichi-sensei! Once he recognizes Hitoha, he bolts. I’d admire him for that, since it means he has no intention of sleeping with Hitoha, but then I wonder how he’d have reacted if it was a different girl her age, and immediately lose the ability to admire him for anything. Regardless, Hitoha follows; she can use this.

Desperate to learn something about sex, especially of the kind between the flowery literature or crass commuter bus porn (that’s quite a range), Kazusa beseeches her parents, who proceed to misunderstand her question and tell her about the day she was born, not the night they conceived her. They’re as ill-prepared to have “the talk” with their daughter as she is to ask them about it. Meanwhile, next door, Izumi panics over his lost porn…until he remembers Kazusa was in his room.

The next day, the principal and vice-principal, clearly scared of young women having a free and open forum to discuss literature of a mildly lascivious nature, are ready to pull the plug on the lit club after their unsuccessful search for an adviser, when Hitoha bursts into the office with a defeated, blackmailed Yamagishi by her side. He’ll be advising the club.

After Yamagishi eloquently analyzes Hitoha’s reading in the club, she twists the knife a little by giving him the same nickname in club (Milo-sensei)as his chatroom name, assuming it comes from Venus de Milo. Before he drives off, she thanks him for letting them continue the club, but he corrects her: he got it from something much more innocent: “Tough Kids Drink Milo,” the slogan of Nestle’s Milo chocolate drink (a personal favorite of mine…I guess I’m a tough kid!)

That evening, with the Norimotos apparently out, Kazusa uses the spare key to slip in and return Izumi’s porn DVD, but before doing so, has another ephiphany, realizing that her childhood friend, ever a lover of transportation, chose a commuter bus porn DVD rather than tarnish his even more beloved trains. Just as when she initially noticed the misleading Ghilbi case, Kazusa feels relieved, even happy that Izumi hasn’t changes as much as she thought.

It’s very sweet moment—and pretty hilarious!—moment. And then Izumi enters his room, correcting her on the format: it’s a Blu-Ray, not a DVD.

He goes on to try to explain and clarify that while he does watch porn (something now painfully clear), that doesn’t mean he’s interested in doing it with anyone; not Asada or any of the other girls at school, and not her, either. No doubt he probably doesn’t think he’s hurting Kazusa with those words, but he cuts her to the quick, and as her eyes well up she races out of the room, so fast that she stumbles down the stairs, and Izumi tumbles after her.

He lands on top of her at the bottom of the stairs, his face just an inch from her’s. How Kazusa doesn’t suffer a concussion in that fall I have no idea, but it’s a contrived-enough fall without an accidental kiss! Izumi jumps back to his feet and reiterates he doesn’t want to do it with “just anyone” and honestly isn’t even thinking about it that much. Kazusa responds by asking him to say “Willy’s Real Rear Wheel” ten times fast, while she slowly gets up and walks out.

It’s probably going to be like this for a while, as these two are nowhere near on the same wavelength and may not even want the same thing. Things will get even more dire for Kazusa if the more assertive Niina starts cultivating an interest in “Mr. Old Fashioned.”

But whatever hardship befall these five girls (well, four, anyway; Momo barely registers) and Izumi, I’m thoroughly enjoying this highly approachable, engaging, down-to-earth coming-of-age drama that reminds of my own awkward, clueless, stumbling, yearning younger self.

O Maidens in Your Savage Season – 02 – Holey War

After Kazusa reads about masturbation at the bookstore (no doubt learning it’s natural and healthy and thus way less of a big deal than either she or Izumi are making it out to be, even if it was super-embarrassing) she finds Niina in the clutches of some mouth-breather, and gets a text asking her to follow, along with other instructions.

When Kazusa joins them at the cafe, Niina is acting like “a different person”, talking about having to “take on three guys at once” later, then asking the dude if he’d hook up with her “super slutty friend” instead. That’s when Kazusa declares, loudly and proudly, that her crotch is really itchy. The guy flees.

Turns out it was all according to a script Niina’s friend at a theater troupe gave her to use as a defense against the many guys of all types who have projected their fantasies on her due to her ethereal, girlish good looks, and in doing so push past normal social boundaries. It’s a sad but very accurate commentary on the need to know how to deal with such men; many of whom won’t take rejection well.

Because of her looks, Niina grew up a little faster than the other girls. As for Kazusa, she really only grew up when she walked in on Izumi, who her clueless dad invites over for pizza. Izumi and Kazusa have a mature and productive chat about it briefly tries to make Kazusa forget by grabbing her head and shaking it (the childhood friend rambunctiousness coming out at the worst time) but ultimately would prefer if she just forgot it ever happened.

Later that night, in the shower, Kasuza puts herself in Izumi’s shoes, and of all the things she’d want to cover if he walked in on her, she determines she’d probably most want to hide her face, as if like an ostrich with its head in the ground, it wouldn’t be happening if she couldn’t see it.

At lit club, Rika instructs each member to come up with ten more “literary” words to use in place of the inartful English word “sex”, since it’s an otherwise unavoidable word with the works they’re reading. Then the writer among them gets a call from a potential editor, telling her she’s not quite there yet, but coming by his place will “probably help her chances.”

Then Rika gets “bothered by the chidings of lascivious beasts,” causing her to hurt her crotchal area on the vault; one of the girls doesn’t laugh and wonders out loud if she just “broke her hymen”; Rika later admits to herself she “doesn’t know how to check”.

It’s just and overall unpleasant-as-hell experience, but as she’s washing her face in the sink, Amagi comes by and calls her cute again, even comparing her to a model. There’s no reason to think the kid is messing with her, but Amagi isn’t prepared for the praise, and flees in a cloud of dust.

Then, the inevitable: the girl who boasted to her friend she’d take Izumi’s virginity makes her move. Kazusa is instinctively ready to riot, even tossing out the lame excuse of “having to keep an eye on him while his mother is busy with work!” She ends up getting to watch the meeting thanks to Niina paying her back for “having an STD for her” the other day.

Izumi ends up turning Asada down, but when she learns he doesn’t like anyone in particular, gets him to agree to “think about it,” as she’ll wait for him “forever.”

After Asada leaves, Izumi spots Niina snooping and recording, but Kasuza comes between them and tells the truth: Yes, they were snooping, but he didn’t give the girl a straight “no.” Then she asks if he just wants to “do it” with girls, and Izumi doesn’t understand, she blurts out a variant of one of the club’s euphemisms: “Ess Eee Ecks!” before running off.

The next day, with the whiteboard full of vulgar words and phrases, the principal and vice principal, both men, declare that absent a faculty advisor to keep them in line, the lit club will be dissolved. Kasuza starts weeping form the news; she doesn’t know what she’ll do if there’s no lit club (answer: they can always meet up somewhere after school and in the summer).

But Niina knows better. She knows Kasuza’s tears that just won’t stop aren’t just about the threat of the club dissolving. She gets Kasuza to admit that a “storm is raging in her heart”, and that if she absolutely had to “do it” with someone, it would be Izumi, which indicates she likes him. This may be something we’ve known for a while now, but only then, on the riverbank, does she finally have the official epiphany. She’s in luuuuuuve.

BokuBen – 08 – Bath Study, Seductive Ramen

Nariyuki presents his new smartphone, which his mother won and which the whole family shares. Turns out he has no idea how to use it and is easily frazzled when he tries, something Uruka finds cute. She shows him how to search for studying pointers, and ends up on an article extolling the virtues of studying in the bath, which everyone says is silly and that they’d never do it.

That night, while studying in the tub, Nariyuki tries to access his dictionary app, but ends up texting Fumino instead. She becomes very self-conscious about the fact that she’s texting him in the bath, even envisioning them sitting in it together, back-to-back, then apologizes to Ri and Uruka for having such unsavory thoughts.

His next attempt to access an app ends up calling Rizu, who after snatching her phone back from her protective dad, admits she’s in the bath and doesn’t get what the big deal is; sure, they’re both nude, but they can’t see each other. Then she closes her eyes, and when Nariyuki talks, it sounds like he could be in the bath with her.

Things escalate when an attempted voice command calls Uruka, who accidentally makes it a FaceTime call, revealing every bit of her untanned body usually covered by her swimsuit. For her part, Uruka gets a good look at Nariyuki’s torso. In the ensuing chaos, Nariyuki drops the phone in the bath. The next day at school, it’s understandably a bit awkward.

That the last person he calls in the bath is Uruka segues nicely to the episode’s second half, which is entirely devoted to Uruka, who again demonstrates not only that she’s the Best Girl of BokuBen, but of the entire Spring season.

Balancing the twin strenuous activities of studying and swimming takes its toll, and one morning Uruka collapses from exhaustion in the hallway. Fortunately, Nariyuki is there to help her to the infirmary. While waiting for the nurse, Nariyuki says out loud that whoever she likes is a lucky guy.

A very woozy Uruka, eyes still closed, pulls Nariyuki into an embrace, saying his name. Then her friends show up, and Nariyuki hides under the bed without thinking. There, he learns for the first time about the guy Uruka likes: according to one of her swim teammates, it’s him!

From the moment he hears this, Nariyuki can barely sleep. When he sees her next, he short circuits and walks into a street pole. When they touch elbows, it’s like an electric shock making his heart race. Fumino gives him the fourth lesson in understanding a woman’s heart: taking Uruka home, as she’s still recovering.

When Uruka thanks him and offers him a token of her gratitude, Nariyuki’s scrambled mind immediately looks to the nearby Mermaid Love Hotel…but Uruka meant she’d treat him to ramen at the shop next door. There, he can’t help but notice Uruka seems to be eating the ramen very seductively. But she’s not; he’s just seeing her in a new light; as a woman, not a mere childhood friend.

After ramen, they walk past a number of couples, and Uruka finally summons the courage to at least ask Nariyuki if he has someone “like that.” His quick and assertive “no” (he’s waiting until after entrance exams) makes her very happy. But then, he throws her for a loop, asking out of the blue if the boy she likes is him.

Now, while Uruka may be the Best Girl, her actions aren’t always the best—and in this case, they don’t help her cause in the slightest. She sabotages the entire moment by denying it with a dismissive laugh, which Nariyuki takes as settling the matter, and to curse himself for being so stupid. To which I say…DRAT!

At this point, Uruka is her own worst enemy. Later, in the bath again (though not studying), she curses herself for denying it so enthusiastically. But she doesn’t want to press matters, especially when she knows Nariyuki is focused on studying for exams, as she should be. And she’s scared of rejection, and of ruining the extremely solid friendship they currently enjoy.

That’s all well and good…if there was no competition, but Rizu, Fumino, and even Kurisu-sensei are in various stages of participation in the Yuiga Sweepstakes. Setting the record straight after exams might be too late. As for the friendship? Well, whether she asks him out and he says no, or someone else asks him out and says yes, that seems destined to change regardless!

BokuBen – 07 – Storming of the Bastille

Rizu doesn’t know that Uruka likes Nariyuki, and Uruka doesn’t know that Ri likes Nariyuki, but Fumino knows both of those things, and she doesn’t want to rock the boat. However, fate seems to conspire against her, as she trips over her own feet and lands upon Nariyuki in an apparent passionate embrace that Ri happens to witness.

Fumino, convinced Rizu is furious, tries to make it right, ultimately by shoving Nariyuki into Rizu’s embrace; but his head ends up in Ri’s bust—no doubt due to poor calculations on the part of Fumino, for whom math is not her strong suit, as we know. Turns out Rizu only appeared angry because she was squinting due to using a backup pair of glasses.

From there we shift to Nariyuki’s increasingly complex relationship with Kirisu-sensei. When he attempts to rescue a cat from a tree, it ends up jumping off, and Kirisu twists her ankle catching it. Nariyuki helps her get to her apartment, which is an appalling mess.

But since Kirisu is actually a good person (which is why she saved the cat), she makes coffee for Nariyuki and helps him study some history as thanks for his assistance.

While helping her clean, Nariyuki stumbles upon a trophy case packed with accolades from when Kirisu was an ice skater, proving that her desire to steer the girls away from their “emotional” choice of life path is borne out of her having made the same choice when she was younger, and coming to regret it.

Nariyuki tells her that while he appreciates where she’s coming from, he’s decided he’s going to “hold his head high” and “regret it later” with them. It’s only a meaningless, foolish path if they fail, and he can’t yet say that they will.

With that, he takes his leave. When he asks if it’s really okay for a man to have come to her place, she dismisses him as still a child, but once he’s gone, she drops the pretense and reveals she was a nervous wreck, because he was actually the first man ever to be at her place.

One one of their now regular one-on-one chats, Nariyuki tells Fumino about being at Kurisu-sensei’s last night. Knowing it could enrage Rizu and/or Uruka, she drags him to a tree, pushes him against it, and makes him promise not to tell anyone what he just told her.

Naturally, the next time she’s in class, she’s hounded by classmates convinced that she’s in some kind of “special relationship” with Nariyuki, something Nariyuki himself doesn’t deny (since he considers both his tutoring of her and her coaching of him in matters of women to be “special”).

Fumino’s classmates are extremely protective of her, and aren’t about to let just any schmo go out with her, so they send a covert surveillance team to the library where the two are studying, and determine that there’s no overt romantic spark between them, but that they share a “deep trust that transcends the boyfriend-girlfriend barrier.”

Or was she? Fumino may be committed to not making either Rizu or Uruka sad (or mad), but she can’t deny she’s enjoyed all the time she’s spent with Nariyuki, and not just in a tutor-tutee scenario. He’s supporting her wish to pursue her dreams, after all!

When she finally informs Nariyuki of the rumors going around about the two of them, she “jokes” that maybe they should just go out for real. Only judging from Nariyuki’s reaction—and her reaction to his reaction—it sure doesn’t feel like it was a joke. As much as she wants to be above the love polygon, this episode leaves little doubt that she’s one of the vertices.

BokuBen – 06 – Imagine and Be Considerate

Kirisu-sensei somehow knows about Nariyuki and Rizu’s accidental kiss in the mountains, but she doesn’t know about all the other inappropriate incidents with the girls he’s tutoring. That is, until Fumino, Rizu and Uruka burst in one after the other to forcefully declare that those incidents—of which Kirisu had no prior knowledge—were all their fault, not Nariyuki’s.

Nariyuki is convinced this is the end for him: forget a VIP recommendation, he could get suspended for all the things that he did/were done to him. But instead Kirisu lets him go, and she does so precisely because Fumino and Rizu made it a point to come in and talk to her, something she imagines they wouldn’t normally want to do, considering how things turned out when she was their tutor.

Nariyuki sees Kirisu’s scratched-up hand and it dawns on him that she was up there in the mountains looking for Rizu because she was worried, and that there’s a nice person under that cold demeanor. Kirisu has of course nailed it, but Kirisu won’t give him the satisfaction of knowing that.

She’ll leave Nariyuki alone for now because the girls are clearly enthusiastic about him tutoring them, and because they’re making progress. But she still thinks it’s folly for them to let their fleeting emotions steer them on life paths that don’t match their considerable talents.

The girls are waiting outside with baited breath, each of them very contrite about blabbing about all the compromising situations they’ve been in with him, but it’s all water under the bridge. As Nariyuki walks off with them, Kirisu remembers him calling her a nice person and betrays a small blush and smile.

The main dilemma this week then isn’t the intrusion of Kirisu-sensei—who is dealt with in the first five minutes—but another issue that crops up which was inevitable considering how much time Nariyuki is spending with three lovely young women: untoward rumors.

When Nariyuki is smirking in class due to his tutoring plan having so much success (and a glowing assessment from the headmaster), his friends assume he’s acting like that because he got lucky in love. He vehemently denies such insinuations; he rarely if ever thinks romance with the three tutees, owing to the fact he no idea they have any romantic interest in him.

His ignorance of how his words could be used against him is exposed when he fails to properly refute rumors he kissed someone, calling the encounter an “accident.” That sends his puerile mate running out of the classroom crying about wanting to “kiss girls like Nariyuki.” Naturally, Uruka overhears this and her heart is suddenly in turmoil, because whatever girl(s) are kissing Nariyuki, it ain’t her!

In a clever use of an English lesson about yes-or-no questions, Uruka straight-up asks Nariyuki if he kissed someone, and continuing to shoot himself in the foot with his responses, doesn’t come right out and say “no” (because his and Rizu’s lips met, there just wasn’t anything to it). Absent any context, Uruka takes his non-denial as proof he has a girlfriend, gives a half-hearted endorsement, and races off to cry.

When Fumino offers a caring ear, Uruka tries her darndest to post the questions applying to her as being about “her friend”…a friend has known a guy for years, was cheered on when she swam, and who know studies with him. Fumino’s no foolmino, and her response is tailored to Uruka, not this non-existent “friend”: don’t assume one kiss that may or may not have happened means the guy has a girlfriend.

She tells Uruka’s “friend” to keep fighting, and that she’s rooting for her 100%. Also, she should ignore the rumors about Nariyuki…though the rumors are snowballs into the absurd so rapidly, Fumino knows she’s asking a lot. But when Rizu appears and drops her books when she overhears the rumors, Fumino realizes Rizu might like Nariyuki too.

That supposition is all but confirmed when both Uruka and Rizu’s test grades drop suddenly and drastically. Fumino is happy for both of them, and wants to root for them both, even if that’s ultimately impossible. As for me, I’m just glad she’s not in love with Nariyuki too…at least not yet.

Because of that, Fumino can act normally around him, and when he comes to her for advice about how to end the sudden awkwardness between him and the other two, Fumino knows she just can’t come out and say it’s because they like him. It’s really something he should figure out himself, so she tells him to imagine how they feel and be considerate of that in future interactions.

Naturally, there’s no way Nariyuki will use the advice the way Fumino intends. Instead, he takes what she’s saying to mean Uruka and Rizu may be acting awkwardly because they’ve grown too close, blurring the lines between tutor and tutee. So he decides he should take a step or two back and restore a measure of personal boundaries with the two.

Mind you, that’s precisely the opposite of what Uruka wants, and her two trusty, loving friends know just how to help her: by shortening her skirt and opening her blouse for her next encounter with Nariyuki. Like her cute date outfit last time her friends aided her, she ends up feeling ridiculous and embarrassed.

Nariyuki, committed to widening the distance even in the face of such adversity, tries to do just that in a physical sense, but Uruka stays with him, and the two are so focused on jockeying for position that they get lost right outside a shrine to academic and romantic success. What a coinkydink!

Once the two pray (Nari for academic success, Uruka for romance) the heavens suddenly open up, and with no umbrellas, the two wait it out under the shrine. Uruka lies down and suddenly falls asleep, and Nariyuki’s eyes can’t help but wander to her legs and tan-lined bust.

Of course, that’s the point: Uruka is only pretending to be asleep, hoping if she leaves herself “wide open” he’ll make a move. She feels something soft on her head, then tongues licking her everywhere, and imagines it’s Nariyuki doing so, but upon opening her eyes she discovers the various stray shrine cats find her tasty. Nariyuki has widened the distance.

As they walk home, and Uruka is wondering if she’s “just not attractive”, Nariyuki notes how her chest is. Taking the hint, Uruka draws closer, much closer, and can hear that his heart is racing, telling him so. He basically tells her it’s racing because she’s so close to him with her top open. He thinks she should only dress like that in front of the guy she likes, to which she says “OKAY NO PROBLEM!” beaming like the Best Girl she is.

When the next test comes along, her grades are suddenly back up, but Nariyuki doesn’t know why. You’d think someone who picked up on Kirisu being a good person would be a little more observant of how one of his oldest friends was acting around him, but what are ya gonna do. Otherwise, it’s another hard-won victory for Uruka, with an assist from her friends. I’ll savor it, even though she still has Rizu to contend with—not to mention Fumino, if Nariyuki should do or say something to make her fall for him.

BokuBen – 05 – An Eventful Two Days in the Mountains

Ah, the mountains, where the weather can change on a dime…and compromising situations can come just as quickly! The whole class has arrived at a mountain retreat for two days of intensive study, but the thing Rizu seems to be studying more intensively than anything is Nariyuki’s face.

Rizu has probably never been in love, so isn’t sure what to do with the strange mix of emotions she feels whenever she looks at Nariyuki , and in the process of trying to figure them out, she just keeps starting.

In this high-stakes environment, even lending Nariyuki an eraser is an intense competition, with Fumino beating a hesitating Rizu, Nariyuki fumbling, and Uruka passing it to him under the desk—where her legs aren’t crossed. None of this is intentional, but that doesn’t change the fact it’s happening to Nariyuki .

Increasingly embarrassed over her reactions to his presence, Rizu lashes out and runs out for some air, breaking the rules. Once she’s calmed down, she starts collecting mountain udo as an apology, but is so into it she gets lost in the woods as a mountain rainstorm commences. When Sekijo Sawako asks Nariyuki where the hell Rizu is, he realizes she could still be out there.

Using flash cards she surreptitiously dropped, he manages to find her, just as she’s visualizing the mathematically highly unlikely possibility of him doing just that. The problem is, she’s on higher ground and has to come down. That results in her slipping and falling. As she falls, Nariyuki positions himself to catch her, and the their lips end up meeting. As his rice bowl cracks back home, Nariyuki wonders: was that his first kiss?

He gets neither clarity nor assurance from Rizu, who continues to avoid his face as they carry out their punishment for leaving school grounds: cleaning the girl’s bath. Unfortunately, Rizu neglected to hang the “cleaning in progress sign” on the door, so all the girls, including Fumino, Uruka, and Sawako, strip down and rush in before Rizu can stop them.

Rizu confidently declares she’ll take care of it, but immediately fails, is stripped down herself, and forced into a battle of endurance in the very sauna where Nariyuki went to hide. Uruka (surprisingly) is the first to give up, but Fumino’s in it for the long run. Meanwhile Nariyuki is past his limit…

He’s saved by an unlikely heroine: Sawako, who put together the fact that he and Rizu were cleaning the bath and he got caught in a situation not of his making. In exchange being in her debt, Sawako distracts the others so he can slip out.

But as he opens the door to complete his escape, Uruka is there, and the force of the door opening whips her towel clean off, revealing every bit of her non-tanned body. Fortunately for Nariyuki, Uruka is still so woozy from the sauna she assumes she was hallucinating the guy she’s into!

Rizu apologizes properly for putting Nariyuki in so much danger—to be caught peeping in the girls’ bath would probably torpedo his chances of VIP consideration—and they finally address the accidental kiss they both agree was not a real kiss, but an accident. When Rizu tries to ask if Nariyuki “saw anything” in the bath, he assures her his glasses were foggy, something another glasses-wearer might understand.

Back at school, Nariyuki is brought before Kirisu-sensei, Rizu and Fumino’s former tutor who the later described as “very…cold.” Indeed, Kirisu treats their meeting more like an FBI interrogation, and after he tells her he’s doing his best to improve their grades, she immediately brings up the incident of him accidentally kissing Rizu in the forest, something only he and Rizu should know about, but somehow she knows too!

Whether her motives involve ensuring Nariyuki fails to do what she failed to do with her cold methodology, are couched in some kind of repressed feelings for him (this is a harem rom-com), or she just wants Rizu and Fumino to give up on subjects contrary to their talents, Kurisu is poised to emerge as the single greatest threat to everyone else’s success and happiness.

Bunny Girl Senpai – 06 – Quantum Entanglement-by-Butt-Kickin’

On the eve of finals, Mai decides she’s used enough of the stick and whips out a carrot in the form of her bunny girl suit, which she wears while tutoring Sakuta. Why the change of pace? She witnessed him stand up for Tomoe at the station, and thinks better of him for working so hard even for a fake girlfriend. I can’t tell you how refreshing it is that Mai isn’t the slightest bit threatened by Tomoe.

The finals come and go, as does the last day of school and the start of summer break: July 18. Sakuta and Tomoe have been dating three weeks now, but Tomoe assures him she has an ironclad plan for the breakup. After a fun final date at the beach, she shakes his hand and thanks him for his help. She’ll simply tell her friends she dumped him when she realized he only had feelings for Mai—something that happens to be true.

But I knew, after that “final” date, there was no way July 19 would come. Instead, July 18 resets, as I predicted. What I didn’t expect was that Tomoe isn’t aware of the reset…or at least says she isn’t. They go on their beach date a second, then a third time.

Sakuta starts to suspect Tomoe may be lying about not knowing about the looping. It’s confirmed when she turns around and smiles at him during the principal’s address; something she hadn’t done in previous iterations. Not only does Sakuta know for sure that she’s lying, but he knows why.

On the fourth July 18 Sakuta throws Tomoe for a loop (for a change), taking her to Enoshima, the place they were originally going to go on their first date, but he’s making it their last. They climb the prodigious stairs to the shrine, and he fills out a votive tablet for good relationships. Tomoe thinks it sinful, since their relationship isn’t real, but he tells her that when they both agreed to do this, they agreed to to it all the way, even to hell.

Moreover, it isn’t sinful for Tomoe, since she’s actually in love with Sakuta. She plays dumb, but once they’re alone on the observation deck, he finally gets her to admit that she’s aware of what she’s doing, and why. Sakuta tells her flat out that whether she repeats time a hundred or a hundred million times, his feelings for Mai won’t change.

Tomoe counters that her feelings have changed. At first, she only meant for the fake relationship to help her save face. But every time she loops, her feelings for Sakuta only keep building up. A stirring monologue ensues, with Touyama Nao effortlessly bringing the feels. Finally, Tomoe does what needs to be done to move on: to stop lying to herself confess her love, clearly and loudly.

The next time Sakuta wakes up, it’s not July 18, or July 19; it’s June 27 (again). Tomoe sent them all the way back to the day she was asked out by the guy her friend likes. This time, she turns him down properly, resolved to face the social consequences…which don’t turn out to be that bad; her friends don’t end up ostracize her. Better still, she can still be good friends with Sakuta, which was always part of her plan.

As for Sakuta, he gets to redo asking Mai out, and she responds just as he’d hoped, as she steals a kiss to express how she feels about him. The next three weeks proceed as they did the last time, with the two differences being Sakuta knows what’s going to happen (even the exam questions) and he and Tomoe aren’t fake dating. They don’t have to.

It was, after all, nought but a simulation of the future, and yet still just as real as the future to come. In her traditional casual science-y explanation, Futaba surmises that Sakuta was drawn into the looping with Tomoe due to “quantum entanglement”, which happens when two particles collide. In this case, Tomoe and Sakuta kicking each other’s butts. Will this show’s delicious cleverness never cease? I for one hope not.

It certainly wastes no time getting the next arc started, as the episode closes with Sakuta meeting a middle school girl who just happens to share the name of his first crush: Makinohara Shouko.