Call of the Night – 09 – Who’s the Real Draggo?

Seri is being overwhelmed by notifications on her phone when she spots Kou. She rushes to pounce on him affectionately, but she’s stopped by Nazuna’s granite knee. Kou tells her Seri wasn’t going to do anything, but Nazuna assures him it’s okay; vampires are tough (as evidenced when Seri slugs Nazuna and the two tussle in the street.

The two vamps are always going to be a bit on edge around each other—especially considering Nazuna’s bond with Kou—but it’s Kou who tracks down Seri and asks her what’s troubling her, as a friend would, because that’s the kind of good kid Kou is. Seri is surprised, but rather than venting to him, they go to karaoke instead.

When Seri warns Kou that she’s super popular and that it’s just gotten to be a big boring drag (she calls all the men she meets “draggos”), and Kou kinda gets it; expressing how he’s annoyed by people believing romance is the “essence of life”. While we don’t get to hear them sing, Kou and Seri have this wonderful natural rapport.

You can tell Seri likes how Kou acts around her, since every other guy acts like the one who starts banging on the door to their room and breathing on the window like a creepy stalker. When Seri makes light of all the draggos she’s had to deal with, Kou tries to get all serious and offer proper advice, when all she wants is for him to brush it off and enjoy hanging out with her—like he does with Nazuna.

When Mr. Draggo enters the room, Seri gets fed up and decides she’s going to kill him “before things get messy”, which is vampire reasoning if I’ve ever heard it. Kou tells her to stop, and Seri asks him to spare her the “killing is wrong spiel”, as human rules and laws don’t apply to vampires. Kou admits that there are times when a vampire might have to kill, but he insists that this isn’t one of them, and protects Mr. Draggo.

The two hide in a dark alley, where Mr. Draggo, AKA Akiyama, seems to snap out of the obsessive trance he was in while near Seri. Akiyama tells Kou how he and Seri met when he fell over while drunk and just hit it off, but he was never arrogant enough to think he ranked that high in her list of people she cared about (nor does he know she’s a vampire).

That soon changes when Seri spots them in the alley, tells Akiyama she’s a vampire, and that she’s going to kill him. Kou stands between Seri and Akiyama and says that’s not happening, but Seri charges anyway, which is when Nazuna, whom Kou summoned via transmitter watch, pancakes Seri into the pavement.

Nazuna is obviously here to keep Kou from harm, but even when Seri promises she won’t hurt Kou, Nazuna asks why she suddenly decided to kill “for once”, suggesting it’s not as common an occurrence as Seri let on. That’s when Akiyama asks Nazuna to lay off Seri, because he was the one who fell in love with her, even though he wasn’t supposed to.

Just as Nazuna has done with Kou so far, Seri never intended to turn Akiyama, but simply hung out with him because they enjoyed each other’s company. The grind of getting people infatuated with her so she could create offspring got boring, and Akiyama broke that monotony. But her unconscious vampiric knack for enrapturing people ended up happening even to him.

Kou stops her right there: if she enjoys having a friend and doesn’t want to ruin that relationship, why kill him? Why not talk through it him first, like the friends they clearly still are? Seri does just that, and when she talks about the fun she had hanging out with Akiyama as a friend, her eyes fill with tears, knowing they’ll never have that again.

Akiyama knows that too, as he’s now in love with her. But that being the case, rather than kill him, he asks her to make him her offspring instead, so they can still hang out and still have that friendly rapport. She does just that, turning him right there in the alley while Nazuna and Kou look on.

Kou can’t help but feel like the situation is a little unfair, seeing as how Seri and Akiyama have what he wants…and naturally, Nazuna senses that’s what he’s feeling, but says it’s fine to take their time for now. After Akiyama is turned (and his eyesight is improved; a nice detail) all four go back for some celebratory karaoke, and Kou notes that he’s having a great time.

This might’ve been my favorite Call of the Night yet. I continue to love how warm empathetic Kou is. Seri is always an absolute delight; I love how she can turn from affable to frightening and capricious to vulnerable on a dime. I fear I’ve fallen for her and become one more draggo, and it’s not for any one quality but because she possesses so many layers.

Akiyama, voiced by the great Yoshino Hiroyuki in a rare toned-down role, is a solid introduction and the show’s first male vampire, and therefore glimpse of what Kou ultimately hopes to become. Loved the stalker fakeout. And as always, both quiet scenes of talking and raucous, concussive action are exquisitely composed and directed. The show is running on all cylinders.

Call of the Night – 08 – Date Night

Kou’s comment about falling in love with Nazuna “no matter how many years it takes” is met with the reaction it is because there’s a rule he hasn’t been told about: once their blood is sucked, a human only has one year to become a vampire. If they can’t by then, they’ll never become one.

Nazuna cheekily pretends she forgot to tell Kou this, then conveniently remembers the debt she owes him for working on Kiyosumi, and kisses him right in front of the other vamps before flying off into the sky. Kou tells Nazuna that he realizes she’s weird even for a vampire, but he’s glad he met her first.

That said, this new time limit is concerning, and it takes Akira spelling it out that after that year is up and he’s not a vampire, he’ll be killed to protect their secrets. Later, at school, Akira comes across Seki Mahiru sleeping at the top of the steps, zonked out from being, you guessed it, out all night.

We learn that Mahiru, who befriended everyone, befriended Akira and Kou when they were all little. That said, neither Kou nor Akira realized that they were actually friends with him, due to his gregarious nature. Speaking of gregarious, Kikyou Seri greets Kou again one night, and while he tries to run, she promises she won’t kill him, and only wants to start off on the right foot.

When Kou demonstrates his middle school innocence regarding romance, she can’t help but serve as his love coach, and suggests he kickstart his relationship with Nazuna by taking her on a date. Naturally, when Kou proposes this, Nazuna isn’t interested, and continues playing her video games. But Kou switches her PSOne off and insists.

The date plan Seri drew up for him would probably work for most couples, but Kou and Nazuna aren’t most couples. Nazuna won’t even pretend to be able to stand the romcom movie they go to, while at the café Kou tries to start a conversation about the movie even though he knows she hated it.

Nazuna suspects someone put an idea in his head, and after reading Seri’s list she snatched from him, decides this is all lame and goes home. Kou lies in bed forlorn, but soon Nazuna taps on his window, not liking how the evening almost ended and suggesting they at least get that bite with a night view.

Naturally, that means one of their patented late night flights, and the “meal” ends up being one-sided, as she sinks her fangs into him in midair for the first time. Nazuna tells Kou that he doesn’t need to over-plan or overthink; they’ve already been going on dates, and she’s enjoyed them. Her attitude makes me encouraged that Kou can indeed become a vampire within the time limit.

Another night becomes a reunion of Kou, Mahiru and Akira when Mahiru spots Kou while hanging out late at night with other peeps. Kou is surprised Mahiru recognized him, but Mahiru says of course he did; they’re friends. The two proceed to get very corny about their feelings when Akira joins them and asks that they please stop. It’s a fun and wholesome all-human interaction.

Mahiru bids the other two farewell as he must meet someone he’s come to like. Nazuna, while looking for Kou, happens to spot him walking hand-in-hand with a lady, and when Kou arrives, she decides that they should hold hands too, with the practical excuse of not losing track of one another.

While Kou idolizes Mahiru as a “perfect” person (his family even owns a flower shop!), it’s Kou who encourages Mahiru to continue his nightly pursuit of love with the story of how he’s been hanging out with his own late night lass. I love how the episode ends with a super wide shot looking straight down at the two couples walking in opposite directions while both experiencing happiness.

Rating: 4/5 Stars

A Couple of Cuckoos – 13 – It’s a New Morning

After Nagi’s realization sparked by dad that he harbors feelings for all three of Hiro, Erika, and Sachi, he realizes something else: he cannot think about anything else. This realization, combined with the reality that he hasn’t been studying nearly as much as he used to, comes crashing down on him in the middle of midterm exams. He ends up bombing, falling from first to thirteenth.

Nagi shambles home and holes up in his dark room, feeling like trash, since he believes his primary value to be studying and acing tests. Under the pretext of complaining about dinner not being ready (complete with growling stomach), Erika enters his room to tell him that’s simply not the case, and no matter his rank, he’s “just as valuable” to her.

It’s an extremely cute and bold move from Erika coming off her “not yet” amendment, and Nagi can’t help but smile when he realizes she’s both trying and succeeding to cheer him up.

Hiro is a slightly different story. Back at school, she starts blatantly avoiding him, but then leaves one of her signature not-love letters in his shoe locker. Erika suggests that Hiro feels betrayed because Nagi was on his high horse about beating her once only to fall so far on the next exam. But as we learn when Nagi meets Hiro at the beautifully lit basketball court after school, that’s only half of Hiro’s story.

After Nagi apologizes for letting his guard down and commits to doing better, Hiro passes him the rock, giving a playful rhythm to their make-up talk. But it wasn’t just her respect for him as an academic rival that made her upset; it was learning how quickly he cheered up without any input from her. She wanted to be the one to cheer him up first but Erika beat her to the punch.

Watching Hiro make a layup in dazzling slow motion, it occurs to Nagi that while things are a lot more complicated with regard to his romantic life, he still loves Hiro aplenty, and still wants to beat her enough times at exams so he can “change her fate” she’ll process his confession. But as we saw during times when he and Erika were having what amounted to lovers quarrels in earshot of both Hiro and Sachi, everyone coming out of this happy and satisfied is a tall ask.

I’m not surprised Nagi wants to try his best to simplify and work on things he knows he can by getting back to his intense studying regimen and climbing back to the top of the rankings. Even then, Erika makes it known she needs his help studying, or her folks will bring her back home.

A Couple of Cuckoos – 12 – Not Yet

With Nagi and Sachi successfully making up, Erika decides she wants to take Nagi shopping after school…only he already has “something important” to do. That consists of having a study session with Hiro at the library, where they spend most of the time exchanging notes.

After that, Nagi is concerned with where else they can study more, but Hiro wants to show him more about herself, so she takes him to a kickboxing studio. Nagi isn’t completely physically incompetent, and thus impresses with his punch. Erika happens to walk by and see how much fun he and Hiro are having.

The last few episodes, Erika has been pretty okay with Nagi doing his own thing, and even said she’d root for him and Hiro, whom she adores. But actually seeing the two together has an effect she didn’t anticipate. She tries to counter that effect by reasserting their technical status as fiancés by announcing they’re going on a date together.

Just as Hiro did at the theme park, Erika takes the lead, buying Nagi some expensive clothes, taking him to a pet store to hang out with some reptiles, and finally going on an exhausting evening run. After each leg of their date, she stares at Nagi and looks disappointed. She eventually tells him: she saw him smiling like a goofball with Hiro, but he never smiles at her!

Nagi takes Erika’s problem to its logical conclusion: she got jealous and pissed seeing him and Hiro together, which means she likes him. Pointing this out doesn’t help matters, but Erika doesn’t outright deny it, simply saying “It’s not that I like you!…Yet!” before storming off.

Nagi, however, remains on the park bench until well after sundown, contemplating how Erika feels and how he in turn feels about that. He can’t deny his heart is racing, which makes him wonder if he likes Erika, and whether what he’s feeling for Hiro is love.

Nagi resorts to googling “love” then going back home for the first time in forever to consult his mega dictionary, but ends up finding a box full of love letters from his dad to his mom. Like, all of them were from his dad.

The letters are dumb, sappy, embarrassing…but his dad kept writing them, and his mom kept accepting them, and eventually accepted and returned his feelings, despite being seemingly out of his league. Sensing his son is questioning his love, he tells him to close his eyes and “ask his heart”—the one he loves should show up in his mind’s eye.

Nagi does this, and for the first time, all three girls appear at the same time, albeit with Erika in the center. Naturally, this is extremely confusing for Nagi, who has operated the entire first half of this series under the impression he loved Hiro and only Hiro. But between Erika and him living together and being pretty goshdarn great together and his realignment of how he sees Sachi, Nagi is finally seeing the full, multi-girl picture.

Of course, this is just the initial awareness stage. It remains to be seen whether he accepts that he has feelings of various levels for Erika, Hiro, and Sachi, or that one day a choice will have to be made that might break two of their hearts (or all three). But it’s a satisfying development nonetheless, and I liked his text response to Erika: he doesn’t like her either…yet. For both of them, “yet” is a shield, but it’s also a kind of invitation.

Rating: 4/5 Stars

Kaguya-sama: Love Is War – Ultra Romantic – 06 – Countdown to Farewell

If it hits you you die

The first segment of the episode makes it clear this will be an episode about what kind of future Miyuki and Kaguya want, and how to get there. While Kaguya’s parents do not attend her parent-teacher conference, she has the good fortune of relying on both Miyuki’s dad (who already considers her a daughter) and Ai’s mom (whom Ai clearly worships) as “honorary parents”.

Not only is Ai a mama’s girl, but shares mom’s twisted personality. But things get more serious as the sun drops during the actual conference. Kaguya doesn’t really have anything to say about what she wants for the future; she’s probably just going to do what her parents—her real, absent parents—tell her to do. That means advancing to the university to which Shuchiin High is affiliated.

Miyuki, however has different goals. He’s determined that his future involves moving on from Shuchiin and going to college five thousand miles away at Stanford. He seems resigned to the fact this means No More Kaguya, so he declares to us, the audience, that all Kaguya has to do to “win” their long and harrowing battle is to not confess to him by the cultural festival.

At that point, he vows to confess to her, so they can at least date for the few high school days they have left before parting, possibly forever. But if the gauntlet has been thrown only in his head—where no one but the audience sees it—has it truly been thrown?

Conducive to Confession

Miyuki knows he has his work cut out for him to compel Kaguya into a confession before the culture fest; despite his best efforts he’s been frustrated by failure just as she has for lo these many years. At this desperate time, he decides asking Kaguya out isn’t tantamount to a love confession…so he asks her to join him to scout another school’s festival.

The only problem is, Kaguya doesn’t realize he’s asked her out until she’s already casually declined. Because Ai isn’t Doraemon and cannot manipulate the space-time continuum, she suggests that a distraught Kaguya summon the same courage Miyuki did and ask him out.

And she does! Kaguya employs her calming ritual, then tells Miyuki she’s changed her mind. Unfortunately, she says more words that muddy the waters, causing Miyuki to question whether she means for him to go alone. Having already expended all their courage and arrived at a stalemate, they rely on the other council members to pop in and give them the boost they need to make that one tiny final step towards arranging a date together.

Alas, Yuu, Miko and Chika only make matters worse; Yuu by laughing at the fact he witnessed a guy asking a girl to the culture fest in the hall; Yuu for bringing her disciplinary sensibility to the same event, and finally Chika saying Kaguya definitely shouldn’t go because she’ll get hit on too much. Kaguya seemingly breaks through the fog by suggesting a male accompany her, but that somehow turns into Yuu going with Miyuki. The boys have fun, but Miyuki and Kaguya both definitely lose, and not for want of trying!

Tofu EgO DEATH

While observing Chika transferring a guitar song from one musical scale to another, Miyuki considers every high schooler’s dream of rocking out on stage, something Chika immediately shoots down on account of her considerable experience with Miyuki’s artistic pursuits, and begs him to look at himself more objectively.

Miyuki takes Chika’s advice by starting from a place of wanting to know what women think about him, starting with Miko. Unfortunately, it’s all staged and phrased like a confession to her, which she’s actually flattered by until he pulls an identical act on Chika, who clears things up with Iino.

Thus Miyuki endures an onslaught of shit-talking, as Miko admits that looks-wise he’s not her type, and that she’d prefer the kind of ideal prince of a man that may not even exist. Chika admits that the president actually is more or less her type as someone who is always rising to the challenge in a “single-minded, unbecoming way.”

But since she’s just realizing this and also knows of all of Miyuki’s glaring flaws, she takes said realization as a major blow to her ego, which of course continues to eat away at Miyuki’s. Due to Chika’s penchant for turning discussions into “strange events”, the office is filled with a fog of glumness as Miyuki concludes he’s simply a worthless person no one would consider confessing to.

That is, until his soul mate enters the room, is brought up to speed about the legal insulting session, and asked what she’d change about Miyuki. As we know from her little heart incident at the hospital last season, we know Kaguya already considers the president “an ideal human being”. So her answer—Miyuki is fine the way he is. No notes!—comes as no surprise.

His confidence, recently sloughed away like Mars’ atmosphere by the unintentional roast with Chika and Miko, is instantly, fully restored. Such is the power of the one you love saying exactly what needed to hear, when you needed to hear it. Someone who doesn’t overlook your flaws, but cherishes them along with your merits.

Frankly, if Miyuki was being mature about this, the cultural festival is too late; he should simply confess to her now and get it over with. I’m sure he won’t, but while his Stanford declaration has seemingly placed a ticking clock on their relationship, one can’t rule out that she will confess to him at some point, or may even follow him to Stanford.

The important thing is that at the halfway point of what may well be Love is War’s final season, they’re not out of options yet.

Kaguya-sama: Love Is War – Ultra Romantic – 05 – The Truth Is Revealed

Smells Like Teen Spirit of Expression

Oh, my sweet summer child…you didn’t perchance think Miyuki’s rapping was never going to addressed, did you? It all starts when Kei calls Chika asking her big sis to murder her brother. Turns out he’s been practicing at home. When Miyuki tells her there’s no other way to convey his feelings to a certain someone, she’s eager to help him out, just as she did with his anthem singing.

Alas, not only is Chika not remotely inoculated against the scourge of Miyuki’s sea sluggish rhymes, she’s not that strong a rapper herself in the first place, having never really done it before. Still, she stands by the axiom that it’s not how you express something that’s important, it’s what and to whom. Miyuki sets her straight: rap is both a sport and an art, but most of all, it’s a conversation.

Chika’s first attempt at rapping is like watching a baby deer take its first wobbly tentative steps. But once she locks in on the fact that rapping and piano are not that different, she starts to put out something that does more than just bear a passing resemblance to rap. No sooner does Miyuki tell her he has nothing left to teach her, he proceeds to ask her to teach him how to rap. The teacher hath become the student…

Straight Outta Chiba

It isn’t until their training is nearly complete that Chika bothers to ask whether the person Miyuki needs to rap to is someone she knows. He says she does, and we flash back to that karaoke box, where we learn Ai actually opened up to him (presumably before the rapping) about who she is, what she does, and who she works for.

As a fellow commoner who can empathize with what Ai must be going through, Miyuki embraces her as a friend and gives her his number. He uses it to invite Ai to Chiba Park where he has something he wants to tell her. As Kaguya eavesdrops on her employee-sister’s call, she tags along, while Chika is eager for some BL action, believing Herthaka to be a male butler.

With Chika backing him up, Miyuki spits out his feelings, which challenge Ai’s belief that one needs to put on an act in order to be loved. This rapping Miyuki is being his own best self, and sees no reason why she can’t be hers too.

When Kaguya feels confused, lost, and left out, she eventually cut loose with the illest rhymes of the group, on her first try no less! Then she gets cocky and puts Ai on blast, provoking Ai into delivering her own freestyle rap. As with Miyuki and Chika’s raps, Ai’s is accompanied by music-video style dramatizations.

Ai finally comes out as being jealous of Kaguya enjoying her life as a teenager, with all its highs and lows. She wants a friend in Miyuki…with the option to possibly steal him from Kaguya in the future.

They’re in Nirvana…Never Mind

The final segment somewhat surprisingly does not involve rapping, but is the second of Shijou Maki’s visits that put the council in “student” council. She’s joined the volunteer club at Nagisa’s behest…a club that includes just her, Nagisa, and Nagisa’s boyfriend, whom we finally learn after three seasons is named Tsubasa.

Unaware of Maki’s feelings for Tsubasa, Nagisa is transparently lovey-dovey with him around her. As such, she’s come to think of Nagisa as the devil. Yuu and Miyuki warn her that as the couple is in “nirvana”, breaking them up will be nigh impossible. Maki, as innocent as her cousin, is unaware that the Nirvana they speak of pertains to Nagisa and Tsubasa having knocked boots.

In the end, Maki doesn’t get any useful advice other than the kind that is no longer useful: love is all about speed. Once you know you love someone, it’s imperative to confess to them ASAP, lest they get stolen away, as Tsubasa was. Miyuki, exhibiting the same self-awareness as Kaguya did last week, warns her waiting for the other person to confess is just a passive way to save face.

But Maki’s visit isn’t a waste. She can take some solace in commiserating with and warning these boys not to follow her down the path of inaction. Miyuki envisions Yuu with Kaguya and Yuu envisions Miyuki with Tsubame, and they can feel a glimmer of what Maki feels in reality. So the StuCo office will always be open to her, whenever it gets too hard watching Nirvana from the outside.

P.S. There’s a new ED involving the gang rapping and breakdancing on stage. It’s awesome and features some pretty slick animation (as well as more “serious” character design of the characters) and better rapping than any of the raps in the actual episode. Like the Starship Troopers ED, it also ends with a sweet moment of togetherness with Miyuki and Kaguya.

 

Kaguya-sama: Love Is War – Ultra Romantic – 04 – The Eyes that Propelled Him

YUU CAN’T DIE

No sooner is Yuu shooting death lasers at Kashiwagi and her bae once they leave the office and talking about how students should be focused on their studies (stated while playing video games) than he’s melting into a puddle of goo when his crush, third-year Koyasu Tsubame stops by to drop off some foreshadowing…er, an application for the upcoming cultural festival.

I’m pleased as punch Tsubame is back, she and Yuu had great chemistry, and it was only near the end of that momentous sports fest arc that we even saw her eyes. But is Yuu simply infatuated with her because she’s nice to him, or does he have an actual chance? Ever the pessimist, he’s certain it’s the latter.

Kaguya won’t suffer Yuu’s moping about what can and can’t be done; she’s been in a slog of a romantic stalemate with her crush for over two damn cours, it’s as much sage advice as a warning that it’s best to come out and confess sooner rather than later. Unfortunately, Yuu’s “innate creepiness” has him imagining a flower-a-day at Tsubame’s desk or an album of himself with a note are good ways to do it.

Kaguya, as inept as she’d been with her own romance, continues to prove her value as an advisor to Yuu, steering him away from certain disaster and putting him on a long but doable path to not only making his feelings known to Tsubame, but realizing his potential to be someone Tsubame likes.

Since Yuu is neither strong, rich, or popular, Kaguya sends him on the path of academic achievement, assisting him in studying for the lofty goal of scoring in the top 50 of his grade in the upcoming exams. The next segment is tied to the first, as each of the other four StuCo members agree with Miyuki’s suggestion that they go on hiatus so that everyone can study from home.

Everyone is hiding ulterior motives (and A-1 faces): Miyuki can’t study in the office because he’s too distracted by Kaguya’s beauty; Kaguya can’t study at home because she’s too distracted by her new smartphone; Iino, like Miyuki, wants to keep her #1 ranking, and Chika…Chika already gets double allowance so she stands to lose the least here.

As for Yuu? No lies and no face; he’s already hard at work studying at home. But when the exams come and go and the rankings are posted, he doesn’t make it to the Top 50. Kaguya suspects he rose about 20 spots from his  previous position near the bottom of his class. A tremendous improvement, but also a crushing defeat too.

Yuu pretends he’s not bitter about it to Kaguya and shuffles off to the boy’s room to stew in abject bitterness. Fortunately, Kaguya didn’t buy his act, and brazenly violates the bathroom rule to confirm that, indeed, Yuu is super pissed-off, and that he’ll take this small step forward as merely the loss of a battle for which expectations were naturally high. If love is war, losing this first battle can, and must, motivate him to keep fighting on.

Super Butler Herthaka-kun

With the show showering so much darma and character love on Yuu, who now has two potential love interests (like Miyuki with Kaguya and Ai), Chika is now, by default, the least developed and most mysterious member of the StuCo. Maybe that’s on purpose due to her simplistic nature, but one wonders if there will be room for her to have a major character-defining arc this season.

For now, she presents an open dinner invitation to Kaguya, Miyuki, and Kei in appreciation for their help and friendship. With exams out of the way, Kaguya is pumped up for a dinner party and sleepover, if for no other reason than the opportunity for Miyuki to nod off on her shoulder. She wants to do it that night, but Chika’s dad is out of town.

Chika suggests an alternate site for the sleepover: Kaguya’s place! There, Chika is met by “Herthaka-kun”, Ai’s…(deep breath) gay-male-crybaby-war orphan-Harvard graduate butler persona. While Kaguya scolds Ai for weaving such rococo lies, Chika simply stands in awe of “Super Butler Herthaka-kun”…yet another potentially awesome Kaguya spin-off.

Kaguya and Chika proceed to have a lovely girls night together, and while Miyuki and Kei can’t make it to the sleepover, they are offered a window into it when Chika calls him up. She’s able to do this not only without Kaguya’s objection but her encouragement because Kaguya rarely stays up past 11, and Chika’s prattle has now kept her up past midnight.

This has the effect of rendering Kaguya into a state not dissimilar from drunkenness, where her usual inhibitions drop and her judgment is compromised. She’s in full Go-with-the-Flow Mode, so Chika FaceTimes Miyuki and asks him straight-up if he’s in love with someone.

Kei happens to be in the room when Miyuki receives the call, and becomes fully engaged in the conversation when she spots Kaguya and Chika-nee on his screen. After adorably picking up the place even though they’re not there, Kei confirms to Chika that her brother is definitely in love, because he’s always LINEing with “someone named “Herthaka.”

When Chika hears this name, and she turns to face Herthaka-kun the butler, who is presently texting, her nose bleeds and she excuses herself from the segment.

That leaves Kaguya and Miyuki on the call together. Kaguya sleepily declares her furiousness at him right now for sending texts to someone else, but says she’ll forgive him if he tells her who he’s in love with. When he hesitates, she says she’ll go first…only to fall asleep before saying the name.

Miyuki is left with female Herthaka on his screen telling him Kaguya is asleep and she’s hanging up, but not before Kei gets a good look at the girl her bro is apparently courting. Kaguya wins the round because despite her fatigue she doesn’t let slip who she loves, but in my book both she and Miyuki lose the round because they’re still stuck in an endless slog.

Maybe the cultural festival will progress things further. I’m not saying I need a confession from either or both of them for this season to be a success—it’s the ride, not the destination that counts, and this is the Rolls-Royce of rides—but it would be nice for these two to join Takagi and Nishikata in the “Official-At-Last” corner.

Karakai Jouzu no Takagi-san 3 – 10 – A Better Snowman

Dang photo bombers…your ruining the shot!

Knowing it would be hard-pressed to top last week’s full-length Takagi x Nishikata wonder-date, this week’s episode doesn’t bother; instead it returns to the warm, cozy, less dramatic flow of the couple’s interactions. Last week wasn’t an official acknowledgment that they’re dating now, but such a formality isn’t needed with these two. They’re fine just existing beside one another, fitting like, well, gloves!

To whit: the two didn’t plan to meet at the shrine visit; their families just happened to come at the same time. It sure looks like those two married couples were their parents, doesn’t it? I feel like at some point they’ll have to meet each other’s parents, but that they don’t mean we get more time with these two. hen Takagi is called back to her folks, Nishikata says they should do it again next year…which she says happened to be her shrine wish. Who’s to say it wasn’t?

Yes, that’s right…make that ball bigger…

The next segment is classic Master Teaser, with Takagi up to her old tricks in cornering Nishikata into a snowman-building contest knowing full well that he’ll get to ambitious. While he’s sweatily rolling dirty lumpen mounds trying to build a Snow Titan, Takagi puts a lot of time and care and quite effortlessly builds the cutest lil’ snowman in all the land…so cute Nishikata doubts he’d have won. even if he’d finished…which Takagi helps him do.

NGL, from a distance this looks like a confession…

After Nishikata’s friends and the three girls have their little mini-scenes talking about the new year, we come to “Advice”, when Houjou takes Nishikata aside and asks him what he thinks Hamaguchi might like for his birthday. Yuuki Aoi is masterful at sounding both mature and incredibly hot-and-cold. For his part, Nishikata is both thoughtful and helpful. Then Houjou asks him to keep their chat a secret.

Little did Nishikata know that Takagi spotted him talking with Houjou, and asks him what about. When Nishikata demurs, she guesses correctly on the first guess, and pretty much knows, but Nishikata still won’t break his secret. Takagi’s facial expressions are so subtle here, but you can tell she’s a little mad Nishikata is keeping something from her…even if she knows what it is with 99.99% certainty!

Takagi expresses her jealousy by trying to stoke Nishikata’s, saying she wants to know what to get a “15-year-old boy”—not a Chihuahua, but a third-year middle schooler. This does affect Nishikata, who doesn’t want to give advice for some other guy…even though these two spend so much time together he would know of such a guy!

Of course, this time, Takagi is referring to Nishikata on his next birthday. He’s quite relieved, and apologizes for not being able to break his promise. Takagi apologizes too, owning up to the fact she did do something a little mean. When Nishikata asks her why she doesn’t always think that, she says this and her usual gentle teasing are two different things!

When Nishikata flat-out asks Takagi why she teases him, her answer is as expected…“Who knows?” But she knows, and so does Nishikata, and it’s the same reason they’re already making plans for spending next year together.

Shin no Nakama – 03 – Off the Path of Blood, On the Path of…COOKIEEES!!!

This week’s Shin no Nakama takes place entirely in the present day, but it doesn’t get off to a strong start when Red (and the camera) gazes a bit too long on Rit’s bazongas spilling forth from her ‘jammies. I mean for real, I thought my player had frozen! Fortunately, the rest of the episode is a lot less leery.

I have a bit of a problem with how easily Red ended up living with a literal warrior princess who has basically already made it quite clear she loves the guy. Heck, you can love whoever you want for whatever reason, but Red didn’t really do anything to engender such undying love from Rit. The flashback ep help explain their friendship, but not their sudden fauxmance.

Despite this, I can’t help but love watching these too together. Whether Red is helping Tanta’s friend Al after a bullying incident, to simple scenes of Red and Rit having meals or enjoying his new nutritional biscuits, the two just work well together. There’s a difference between their mutual bashfulness around each other and outright pretending they don’t feel something for one another. Shin no Nakama exploits that intermediate space with aplomb.

Other than the morning pop-out, the episode doesn’t go in lame or predictable directions like Rit being awful at tending a shop (or cooking), or Red being pervy. Instead, when he lifts Rit up and spins her around, there’s a genuine innocence to it, along with unbridled joy. And Rit is just as happy to be spun as Red is to spin her. No sudden pull-back shots of the exterior where we hear a scream and a slap!

Also interesting is the brief but increasingly consequential cutaways to the Hero’s Party. As I suspected, the big dude and the knight dudette aren’t happy Ares unilaterally banished Gideon, and when the big dude decides he’s going to go off to find Gideon, he gets Ruti’s blessing. I’m glad the party isn’t just falling into lockstep behind Ares’ conniving, but I also don’t need Red returning to the party. I’m here for the slow life!

Shin no Nakama – 02 – Party of Two

As expected from the spoilery ED, Red doesn’t remain alone in his shop for long, as he’s joined this week by Rizlet of Loggervia, AKA Rit, whom we learn is both a B-rank adventurer and a princess. She took it upon herself to leave her kingdom, lest those who favor her over the crown prince instigate a power struggle.

She’s very happy to have run into Red, an old “comrade” from back when his party crossed paths with her in a pub. A huge chunk of this episode consists of flashbacks to those times, which on the one hand gives the episode a static quality, but on the other, at least shows us who these two people are, through who they once were.

Rit was all gung-ho about fighting on the front lines for her people until she was hoodwinked by a general in the Demon Lord’s Army, who killed her sword shishou and assumed his form. Red (then Gideon) swooped in like a trusty knight to save her, but a lot of people she cared about died, for what she believed to be her mistake.

Rit holes up in her lavish royal bedroom, but Gideon sits beside her and tells her that while he knows she’s afraid of losing more people, he also knows she still wants to fight, and gives her an opportunity to do so. They end up handing the Demon Lord’s Army a satisfying defeat…off-camera. If there’s one thing this somewhat action-packed episode of Shin no Nakama taught me, it’s that it has no business trying to do action—you can actually hear the animation budget creaking and straining.

Fortunately it doesn’t have to lean on that as a strength. Instead, your enjoyment of this episode will depend on how much you buy into Red and Rit’s once-and-future relationship. The two try their damndest not to get too lovey-dovey, but at the end of the day Rit is asking not just to work at Red’s shop but also move in with him, and Red isn’t really putting up much resistance after an initial moment of shock. I enjoyed their chemistry, and the balance of their attraction.

So this episode took a step away from its borderline iyashikei premiere, but in the service of showing us how Red used to be in the party and how Rit used to be before their sudden reunion. I look forward to watching them working and living together. As for the party, the apathetic behavior of two of its members suggets Ares’ move to banish Red was a wholly unilateral one that doesn’t sit well with them.

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