Sagrada Reset – 08

After this week’s first act, I’m convinced this show excels at getting us to underestimate Asai Kei, at least as much as his adversaries do. Last week Eri Oka seemed to be holding all the cards, but it turns out Asai isn’t trapped in the photo for more than a few minutes.

Even though that buys time for Eri to mess with Haruki, Asai has Murase in place to mount a rescue. A rescue that occurs after Eri tries to plant false memories in Haruki, which not only doesn’t work (thanks to a little device in Haruki’s ear with Asai’s voice) but restores Haruki’s Reset ability.

It’s a great little turnaround, flummoxing Eri, who retreats for the time being. And having Asai and Haruki back together underscored how much anxiety I felt when they were apart. Of course, I’ve seen all their interactions thus far, but it’s important to remember Haruki doesn’t remember a lot of them.

That’s why she’s not keen to immediately reset; she wants to remember what Asai did for her. So instead of resetting, she saves, and Asai returns to the Sasano case, apparently confident Eri won’t be bothering them for a while.

The next morning, Asai receives a message to “come see someone”, and three photos, one of a woman on the beach, another of a blossoming cherry tree, and the third, Souma Sumire at sunset. Asai assumes it’s the “Witch” who is summoning him, so he goes to the beach.

There, he takes what he learned from his encounter with Eri, enters the photo, and converses with the Witch in her younger form. Because her ability is knowledge of the future, she knows what she’s going to do, and when she’s going to die, and wants to escape the bureau to see Sasano before that happens.

To that end, she used both Asai and Eri, but presents Asai with a choice: he can stop Eri, possibly leaving the Witch to die in confinement, or save the Witch another way (a way she may already know he’ll implement, mind you).

Asai gathers Sasano, Haruki and Murase, and head to the Bureau, Scooby-gang-style, and wait for Eri to get them inside. Sasano, armed with a Polaroid, takes photos of the building’s interior, one of which proves useful in getting one of the Bureau guards “out of the picture.”

This infiltration of the Bureau is only preparation for the next infiltration, when the actual rescue of the Witch is to take place. Asai has Haruki reset, sending him back to when they saved on the beach. He then jumps into one of the photos they took of the Witch’s room and asks her to call him.

The photos are still around because Murase had them, and her power negates reset, while his communication with the Witch of the past reaches the Witch of the present because she knows the future. It’s a complicated metaphysical labyrinth, but it checks out.

Before pulling it all off, Asai meets with a surprisingly chipper Eri, who accepts her loss but isn’t ready to give up on beating him, thus proving he’s weaker. Asai, meanwhile, knows that she won’t hurt him as long as he’s “defenseless.” Considering this is a long show, Eri is sure to be back; we’ll see whether she poses a greater threat at that point.

As expected, Asai gets a call from the Bureau, who bring him to the Witch, who asks him the same questions about “loving a stone” she asked Haruki, to which Asai answers he’d still love the stone if it was the girl he liked. But is that girl Asai…or Souma?

Regardless, Asai gives the Witch the photos she needs to escape and knock on the window of her boyfriend, just like the story Sasano told her when they were far younger. All these years, the Bureau has kept her under lock and key, fearful of her power. But after a time, or maybe all along, it was a power she never seemed all that interested in having, let alone using.

That’s why she decides she’ll leave Sakurada, forget about her power altogether, and live out the rest of her days—all seven of them, by her reckoning. But before she does, she indulges Asai by telling him his future: he will be involved in “something big”, something involving her “successor”, whom Asai correctly identifies as Souma. The Witch tells him he’ll run into her again. I certainly hope so!

Whew, what a ride. This mini-arc contained the most complicated ability machinations yet, and it was downright exhilarating watching all the pieces be carefully maneuvered into place before being set into quick, decisive motion. On top of that, we got confirmation Souma isn’t totally dead (though whether she’ll merely exist in that photo or not, who can say).

By not forgetting what Asai did for her, Haruki’s affection for him continues to grow. Murase is proving to be useful as “muscle” (i.e. putting holes in things or neutralizing abilities) while Eri has vowed to come back at Asai, insisting he should “be afraid.” One thing I’m not afraid of: losing interest in this unapologetically bizarre, engrossing show.

Sagrada Reset – 07

“Things seem to be getting rather complicated, huh?”

I could not have said it better than Tsushima myself: Things are getting complicated, and for once, Asai has a worthy adversary who manages to stay a step ahead of him the entire time, leading to even higher stakes by episode’s end.

But let’s go back to the beginning, and the photo by Sasano that entices Asai so. It’s indeed a photo of Souma Sumire, on the same beach where they first met and promised to meet again. And I suppose he could, in a way, by entering the photo as Sasano does.

Extremely unsettling metaphysical ramifications aside, we also learn something simpler: the evolution of Oka Eri. She was once Fujikawa Eri, before the hair-dye and contacts and rad clothes; the “weak and worthless” daughter who took abuse from her father.

Two years ago, Asai saved Eri by telling her to change her name and use a piece of evidence to blackmail her father if she so chose. Oka Eri was born, and I believe part of her believes that she’s paying Asai back by confirming his weakness, in hopes he’ll return to his former strength; the hero to her villain in this story of life.

Asai has moved on from the person he was two years ago, but meanwhile, Sasano is able to travel to 28 years in the past where a much younger Oracle lives inside one of his photos. The two of them have a plan, and it’s a long-game kind of plan. When Sasano tells her the Bureau is going to try to shut him down, she tells him not to resist, but to give her a certain selection of photos before they come.

Asai all but confirms how soft he’s gotten since meeting Asai by being drawn away from her all too easily by a frantic phone call from Murase Youka. On her own, Haruki does her best to get away from a pursuing Oka, but around five seconds of eye contact are all the villain needs to steal her reset ability.

After confirming she can’t reset, Haruki begs Asai to help her get it back, and he agrees. He’ll accede to Eri’s demand for the MacGuffin in exchange for Haruki’s ability back, then learns more from Tsushima about Eri’s ability and its weaknesses, which will no doubt be pivotal in his counterattack.

However, he doesn’t get to make one this week. Standing his ground on having moved on from the “hero” Eri saw him as two years ago and worshipped, he offers the MacGuffin without any resistance; his only goal to restore Haruki’s ability.

But Eri has another trick up her sleeve, which digs an even deeper hole for Asai and Haruki: she traps him in a photo of the lighthouse balcony they’re on, taken during the day, underscoring how hopelessly cut off he is from the “non-photo” world. And poor Haruki, who trailed after Asai, hoping the plan would work out, is once again vulnerable to Eri’s whims.

All in all, quite a mess Asai and Haruki have found themselves in. A satisfying conclusion would obviously get them out of this mess, but also, as with Murase earlier, convince Eri not to be a villain anymore, not because she’s being forced to quit, but because she wants to. That’s going to take some doing…

…And that’s before we even get into whatever Sasano and Oracle are planning.

Sagrada Reset – 06

Sakurada Reset continues its penchant for whimsically jumping from timeline to timeline by starting four years in the past, with Kei on the train to Sakurada. He encounters a man in a suit who hands him a phone that immediately rings, and a nameless “witch” is on the other end, telling him the “place he belongs” is the town of Sakurada, but warns him he’ll never live a normal life, as the town will “grab on to [him] and never let go.”

Well, we know how he chose, and it leads to his latest assignment: meeting with Sasano, an elderly gentleman whose ability to enter photographs (and thus, relive moments from the past his photos capture) has been taken away. He wants the MacGuffin to get his ability back, but Kei believes there’s a more surefire way: use his and Haruki’s powers to stop whoever sealed his ability before they seal it.

When Sasano insists on repaying Kei once he restores his power, Kei asks if he’ll use his ability for him, after seeing a figure on the beach in a photo that could very well be Souma Sumire, the loss of whom no doubt weighs upon Asai every day. Perhaps seeing and hearing her one last time could assuage that regret. A chat with Hitsuchi-kun reveals that Sasano was one of the founders of the Bureau.

After not getting changed in front of Haruki (who’d have been totes okay with it) and enjoying a lunch she prepared for them, Kei tells Haruki the thought experiment of the “Swampman”, and it leads to Kei assuring Haruki he’d be sad if she died and was replaced by someone who looked exactly like her. Furthermore, he wouldn’t want to go on living without knowing the truth. Both assertions please Haruki.

The two are then summoned, as Tsushima assured them they would be, and they accompany the same suited man who approached Kei on the train years ago. They’re then separated, as only one of them at a time may meet with the person who wants to meet with them.

That person turns out to be another founding member of the Bureau, or at least a facilitator. She has no name, and refers to herself as a “witch” with partial jest and partial wistfulness. In reality, she is an oracle, able to see the future, both of Sakurada, the Bureau, and individuals like Kei and Haruki.

Naturally, she cannot tell them those futures, but only offer riddles, much like the Oracle of The Matrix. Aside from educating Kei on her purpose, and the fact she is near death, the “witch” does not dispense as much knowledge as she likely gains by seeing Kei’s future. She also “apologizes” to him but doesn’t say what for.

As for Haruki, the “witch” presses her on how she feels about Kei and why, talking about a stone with thoughts that can be turned into a human and whatnot. Ultimately, it’s a simple “chat with a girl about love”, and after reading her future, the “witch” has all she needs and bids her farewell.

After Kei was dismissed, he is confronted by Eri Oka, the girl who took Sasano’s ability; someone he knows and who knows him, calls him “senpai”, and a “hypocrite” and thinks he used to be “more badass”. She’s there for one thing: to be the villain, causing trouble for people.

Her specific threats: to take the MacGuffin from Kei, then take away Haruki’s Reset ability. She claims to hate Kei, and wants to see him hit rock bottom…and taking Haruki’s power would certainly do that! So when Haruki emerges from the building, he immediately requests she reset, and she does.

Oka Eri likely assumed Kei would get a reset or two in in an attempt to thwart her plans, but the threats have been dispensed. Now Kei and Haruki have to figure out a way to defeat her.

She’s a bit stiff and obvious as a villain, so I’m wondering if she’s truly what she says she is, or merely using her villain persona as a means to test the service club’s dynamic duo like they’ve never been tested before. Either way, it should be an interesting confrontation.

Sousei no Onmyouji – 29

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Whew…I knew we were going to get some answers and stuff was going to go down once Rokuro, Benio, and Sae arrived in Kyoto…I just didn’t know we’d get those answers and everything would go down so quickly. The episode even teases the possibility of a “rest episode” in which Sae and her two de facto parents soak in the city and its many choice ohagi spots.

Then Arima calls them and tells them to get over to Exorcist Union HQ pronto. Rokuro and Benio have to put their plans for fun on hold, but they promise Sae they can go wherever she wants…once the Dragon Spot problem is taken care of. This promise, and the lingering long shot of the three in near silhouette against the river, felt like pretty strong death flags for Lil’ Sae.

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As Roku, Benio, and Sae head for HQ, Arima finds himself ambushed by Kuranashi, and we finally get to see what Arima is made of when he dodges the initial strike, then sends fire and ice summons after Kuranashi when he tries to flee to Magano. Kuranashi, whom we learn for the first time is a Basara…and the most interesting one since Kamui, to boot.

A furious, top-level duel ensues, highlighting SnO’s strengths: hard-hitting action with an above-average score and sound design that really makes blows and magical effects pop. We also see just how wet behind the ears our Twin Stars are, considering all the incantations they have to do in order to launch attacks. Here, Arima exorcises lesser Kegare with a look or a thought; I bet he just said “Begone” for effect.

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But then something happens I did not expect: Arima falls into Kuranashi’s trap, something called a “seman” that drains all of his spell power, which is then absorbed by Kuranashi. As Arima slowly descends into his apparent demise (though I doubt we’ve seen the last of him), he wears a defiant grin: Merely getting rid of him won’t give Kuranashi what he wants (to cover the world in darkness). This is his faith in the Twin Stars talking, for as he says, stars shine brightest in the darkest darkness.

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Of course, Arima’s faith doesn’t automatically mean Rokuro and Benio are ready to deliver the world’s salvation, as the most important answer to this cour so far is finally answered: Who or what is Sae? Turns out, she is a broken-off branch of the legendary tree Ame-no-Mihashira, the tree that forms the barrier between Magano and the real world. The dragon spots were caused when she was broken off by Kuranashi.

In the Miyazaki-esque deep core of HQ, Subaru and Tatara are there to explain all this too Rokuro and Benio, and to tell them that the only way to stop the Dragon Spots, and by extention save the world, is for the branch to return to the tree; for Sae to cease being a person.

It’s a hard pill to swallow, and the Twin Stars’ initial shock and denial is replaced by knowing, as Sae has demonstrated time and time again she’s no mere lost girl. Now, it would seem, the fate of the world depends on whether they’re willing to say goodbye to someone they’d come to see as their own child—’pre-Miko’, if you will, bringing the couple that much closer together.

It looks pretty likely Sae is not long for this world in her human form. But who knows? Maybe restoring the branch isn’t the only way. Whatever decision the Twin Stars come to, they’ll have to come to it fast, as the largest Dragon Spot yet opens over Kyoto. What will they do?

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Sousei no Onmyouji – 28

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Ya know, when the first Basara Kamui first showed up – a super-powerful, sentient Kegare with something of a distinct moral code, I was a bit excited. But like the Arrancar in Bleach, there have now been so many different Basara with such short lifespans, they’ve become less fascinating and more, well, boring. This week’s Basara Kinasa doesn’t help matters, even if he’s got impeccable manners and a gun from Puella.

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The predictable Roku and Benio pattern of encountering a foe, throwing everything they’ve got at it to absolutely no avail, and getting bailed out by a third party, is similarly wearing thin; not a good sign considering there’s so much more show left.

Kinasa is merely filler to stop our heroes in our tracks, but they don’t really learn anything or gain any new strength: they’re merely saved, once again, by Sae’s mysterious powers, after Sae disobeys them for the hundredth time. I’m also baffled that Kinako never conjures child locks while in RV Mode.

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What makes Roku and Benio look even weaker is when Unomiya Tenma, the most powerful of the 12 Guardians, arrives, just ’cause, and dispatches both Kinasa and the Dragon Spot with one swing of his sword and one word (“Close!”).

We’ve been led to believe that with resonance this duo can really make things happen, but it’s almost as if they’ve regressed. Granted, perhaps the Basara are getting more powerful, but the same pattern has played out each time, and I don’t really care about the Basara, so it’s hard to gauge how tough an enemy is. They seem to either defeat it instantly, or are totally overpowered and in need of outside help.

In any case, this last dragon spot drop until Kyoto, and Tenma will be their escort. Sae seems eager to go, so Benio and Rokuro follow.  Mayura’s episode was a nice change of pace, but a return to the same-old-same-old just didn’t do it for me. I want to see more movement in the plot and less disposable Basara.

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Sousei no Onmyouji – 27

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This week Rokuro and Benio merely bookend an a rare episode that focuses on Mayura. When Twelve Guardians member Ikaruga Shimon shows up in Narusaki, she can’t resist the opportunity to become stronger with his instruction. Of course, not before she accidentally barges in on him in the nude; a welcome inversion of the cliche.

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Shimon also happens to have been trained by Seigen (and his praise is one of the only things that brings a smile to his face), so Mayura quickly finds the same style she’s seen her father employ, both on her and on Rokuro. He’s not immediately impressed with Mayura, but can’t deny she learns fast.

When the Dragon Spot appears in town and one of Mayura’s friends is caught in the miasma, Mayura blasts right through Shimon’s logical reasons she shouln’t go in there. To hell with that; protecting people, especially those she cares about, from harm is the reason she’s an exorcist.

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She does what she needs to to to ensure her friend’s safety, leading a near-basara away, then Shimon takes care of the rest, using his Vermillion Wing ability to scoop her to safety with a “princess hold”, then acing the baddie.

Mayura convinces Shimon that she’s definitely exorcist material, even if she doesn’t dream of being The Strongest or creating a world with no kegare. She’s more about realistic, achievable goals, like keeping people safe, even if her pristine skin gets scuffed.

I’ve never minded Mayura, and here she even gets a whiff of a romance with someone not utterly oblivious to her. Plus, she’s already seen him naked, so that’s out of the way! I can’t imagine will see a lot more of the two anytime soon, or if anything more will come of their new friendship, but this broke up the monotony of the Twins’ road trip nicely.

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P.S. I dug the new OP, with an almost Monogatari-style aesthetic and a thumping theme by the band Back-On. The new ED was pretty, if a bit dull.

Sousei no Onmyouji – 26

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At last, an episode that somewhat moves the needle a little in the overall story arc, while answering some questions about Sae. Sure, there’s a pair of lame Basara twins involved, but we also finally get to meet the great Kuranashi, proving that it’s not Sae (kind of a flimsy theory I had, but I’m glad I can eliminate it at least).

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The basara twins, while generally lame, still manage to overpower the Twin Stars pretty easily in their first encounter, wrapping them up in their spider-like silk. Things get so bad Sae has to run out to take the twins’ next strike, and to the surprise of everyone, Sae is able to summon a barrier that negates the Basaras’ power.

The intent of showing how easily Roku and Benio are beaten, and how easily Sae’s shield stops that same power, is clear: Sae is totes powerful; enough to have me thinking she’s starting to look like the Miko, even though Roku and Benio didn’t technically conceive her.

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Three more of the 12 Guardians show up, and like the others they have their little quirks, but I still refuse to learn their names; not until we start seeing more of them for more than one episode at a time. It also feels like we’ve been introduced to more than 12, even though we haven’t.

These three guys don’t even do anything, since Roku and Benio are committed to exorcising the basara who tried to hurt Sae, who is as near as makes no difference their adoptive daughter at this point.

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The Guardians did do one thing: move the battle to the real world, which combined with their anger over the threatening of Sae, provided Roku and Benio the boost they needed to defeat the twins, who are taken back to Magano by Kuranashi, finally showing himself to the guardians in the process.

It’s clear Kuranashi is the kind of guy who prefers to use others as his tools without involving himself in direct fights. The episode ends with him killing one twin to repair the leg of the other, and giving the suriving twin a reason for vengeance against the Twin Stars. But even Kuranashi is intrigued by the wild card that is Sae. Now knowing what she isn’t is better than nothing.

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Sousei no Onmyouji – 25

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I was hoping for some kind of movement of the Sae mystery—will she turn out to be the Big Bad, Kuranashi?—here at the halfway point of the show (assuming it only goes 50 episodes). Instead, we got another relatively generic dragon spot-of-the-week, this time a big one that opens in the middle of a domed baseball stadium in Aichi. Chief among the hordes of kegare that emerge is our Basara-of-the-week, Yamato, who creates a giant kegare suit to stomp around and fight in.

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Joining the Basara-of-the-week are the Twelve Guardians-of-the-week, Ioroi Nasumi and Kasukami Cordelia, who like Yamato are painted in the broadest of strokes due to the time constraints. Ioroi can’t help but laught heartily before saying anything, while Cordelia speaks with electronic voice in single English words she spells out first. Okay, sure, why not?

The guardians meet with Roku and Benio, then go off to fight Yamato’s giant kegare suit with Cordelia’s giant celestial suit; a tactic we haven’t seen from exorcists before.

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They don’t fare too well though, and before long Roku and Benio realize that “what they need to do” is what they, like the former ace pitcher, and only they can do: close the spot.

They do so, getting a small (microscopic) assist from the old pitcher in the process, and in doing so, gain the respect of two more Guardians, who, like Yamato, wander off in the end, leaving Roku, Benio, and Sae free to tackle the next crisis-of-the week.

I’m putting myself on record as not being the greatet fan of this latest string of episodes; they tell small stories that aren’t really progressing the protagonists’ development in any meaningful way. Not to mention Sae continues to be head-scratcher the show is annoyingly in no hurry to resolve.

Of the 25 episodes of SnO I’ve watched, only 12 have scored 8 or higher. If that trend continus, that means a minimum of 24 sub-recommended episodes when all’s said and done. That’s a lot of mediocrity to sift through, and I’m quietly starting wonder whether it’s worth it.

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Sousei no Onmyouji – 24

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SnO continues its episodic format as Roku, Benio, and Sae continue their “country tour” across the country, sealing dragon spots as they go. Last week was a bit of a drag, but this week presents us with Lio, not yet a Basara but by far the least hostile Kegare we’ve yet encountered.

The “non-evil enemy” is a fairly common convention, but it’s well-executed here, as Sae becomes the non-hostile go-between that allows for a moment of peace between warring species, however brief.

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I like how Roku and Benio’s instincts have them shooting Leo on sight, especially when they find Sae with her. But all it takes is a word from Sae, and Leo won’t fight with the exorcists anymore. All he wants is to “see something beautiful”; indeed, it seems to be his only purpose in life. We’ve never seen a Basara just before they became a Basara, so this is new and fresh territory in terms of building the (other)world of the show.

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Roku even ceases charging Leo on sight when he sees tears in the Kegare’s eyes. Somehow, right on cue, the amusement park comes to life, and the seed Roku planted in Sae’s head (and Sae planted in Leo’s) of a “sparkly, beautiful” place comes to fruition…just in time for Leo to get pierced through the chest by an arrow of light.

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That arrow was fired by Sada Sakura, who along with Zeze Miku are members of the 12 Guardians, who don’t know why Roku and Benio are just standing around with a near-Basara. They’re very far away, and allow no time for explanations, shooting first like the Twins, but with far deadlier attacks.

Zeze could be fun if she wasn’t just a deadpan foil for the manic Sada, whose yelling and passion for RULUSU wears thin fast. As for Sae, she flashes a look we see, but Roku and Benio don’t: a knowing expression that, like her ability to learn and make things so easily, is far beyond her years (if she is indeed a little kid and not…something else).

R.I.P. Leo. You were threatening at first, but in the end you were an ‘ol softie, and you were okay by me. Glad you got to see something beautiful before you were taken out.

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Sousei no Onmyouji – 23

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Since Rokuro and Benio are the only ones who have been proven to be able to close dragon spots, they quickly find their services are in high demand. Hopping aboard a Mini-based Kinao-possessed RV, they head to Shinshuchuoshi, the next town choked by miasma and threatened by a spot.

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There, they meet the upbeat casual commander Kiyomi (who seems way too young to have such big kids, but whatevs) and Kumashiro, who has never met nor knows anything about Benio, but instantly condemns her as the sister of a traitor.

One of the high points of this episode is Benio assuring an angered Rokuro that as long as he knows the truth, she’ll be just fine. Sae is also around, the mystery about who or what she is continuing to be dangled around us like a cat toy.

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Shinshuchuoshi’s Dragon Spot has also resulted in a Basara showing up to start some shit; unlike Suzu, Moro doesn’t merely punish a guy who richly deserves it but gives scores of townsfolk a petrifying kiss of death.

Moro almost gets Kumashiro too, but Benio saves him, because she doesn’t need a reason to save lives. Maybe be a little nicer to her from now on, yeah Kuma-chan?

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Since she’s apparently safest by Rokuro and Benio’s side, Sae…spends a good deal of time away from said sides, but doesn’t come to any harm. In fact, the worst thing that happens to her is that she gets upset when Benio yells at her when she shows up in the battle zone.

The thing is, Sae has a backup talisman with her that helps them close the Dragon Spot, just before Moro retreats, so Sae is the heroine of the day. Benio later apologize and thanks Sae, but we’re no closer to learning what Sae’s freakin’ deal is, which is getting a bit frustrating.

That building frustration, the lack of any thrills or surprises, and animation that seemed a bit worse than usual, results in an overall MEH outing. On to the next Dragon Spot-afflicted town, I suppose.

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Sousei no Onmyouji – 22

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This episode still had that zany fun factor that made it watchable, and it certainly seems to be (very gradually) setting up the next threats and opponents Roku, Benio & Co. will be up against.

But between the miasma, news of a “Dragon Spot” appearing, checking in on Arima and the 12 Guardians for a hot second, the appearance of two more bad guys—one of whom doesn’t speak and the other who’s just…bizarre—and the continued, but now less urgent mystery of who (or what) Sae is, this episode was also, at times, a bit of a disorganized mess.

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We meet our second Basara, Suzu, when she confronts a guy who shoved his lover into a group of kegare so he could get away. Man of the Year over here! We get it, SnO, the norms of this show are assholes. But Suzu, like Kamui, show’s she’s not just straight-up evil, so much as ravenously curious and unhinged, starting all of her lines in a measured, proper manner, then finishing them with a “wilder” dialect.

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But then…what is with all the theatricality? Was she once a human idol who turned into a Basara, I wonder? Whatever the case, she’s committed expressing herself; I admire that. Just as I continue to admire Mayura and her white hot pants participating in the battle instead of just cowering and waiting for rescue, which…aw dammit, she just cowered and waited for rescue…which comes not from Roku or Benio but Suzu.

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Upon experiencing Suzu’s strong, unique personality, Rokuro and Benio wear priceless expressions of bewilderment. Fortunately for them, Suzu isn’t interested in killing them or stirring up any trouble, only to observe and learn about them. Then yes, probably kill them.

After Suzu’s odd “hi!…bye!” encounter, the exorcists (wait, I thought Seigen couldn’t be an exorcist anymore. Which is it?) get to the matter at hand: sealing the “Dragon Spot” that’s basically a festering hole between this world and Magano.

Once Roku and Benio use Resonance, sealing the hole is a breeze, but the point is, it’s not the last one, and who knows where the next one(s) will show up, or when. Probably soon, and in the vicinity of innocent people. Plus some jerks, like that girlfriend-pushing guy.

Also, Sae was in the episode! Hi Sae! She’s cute…but yeah, still don’t know what’s up with her.

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Sousei no Onmyouji – 21

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After the life-changing ordeal that was the battle with Yuto, and Rokuro’s gift of new hairpins for Benio, it was as good a time as any for this 50-episode series to have a time jump. It’s been two years: Mayura is now an exorcist-in-training, donning hot pants and being clumsy; Ryogo and Haruka continue to be a couple, and Roku and Benio are now a reliable and staggeringly effective duo.

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The time jump also means the love triangle is now in high school. Mayura and Benio learn that Rokuro has become pretty cool guy, and it’s nice to see a character who was so flawed and incomplete come more into his own, much like Ushio in Ushio to Tora.

Old crushes who rejected him are now smitten, and Mayura wants Benio to piss or get off the pot with regards to acting on whatever feelings she has for the guy. She has, after all, had the advantage of living and working with him for over two years. Also good to see Mayura won’t be giving up until the fat lady sings (or the Miko is born).

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Roku isn’t the only one who’s grown, as Benio is a lot more comfortable at least bringing up the possibility of conceiving a child with Rokuro…’way way way down the road’. Furthermore, she’s open about wanting to cherish the sentiment of that future. The two years they’ve spent together have had a profound effect.

This is the kind of long-game gradual development a long show like SnO can bear. There may have just been a two-year shift forwards, but nothing that we see her is out of the blue, but informed by everything that’s come before. Oh, and Han Megumi, so awkward as Five, was born to voice Benio, as her pipes provide a great balance of toughness, forthrightness, and vulnerability.

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As fate would have it, the couple gets a kid and the opportunity to train as parents far far far earlier than they expected, when after a routine exorcism trip to Magano, the gang finds a tiny young girl in the middle of a ruined playground, surrounded by an ethereal light.

Just like that, we get a little Amaama in our Sousei. The little girl mostly acts like a little girl: mimicking everyone and not giving clear answers. Where she isn’t like an ordinary little girl is her ability to quickly absorb and apply information.

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Rokuro takes an instant shine to “Sae”, as he deicides to call her when she points to those particular sounds on newspapers. Benio, less so, but she proves a lot better with the kid than she initially gives herself credit for.

Considering their personalities, Roku was always going to be better with the kid (as he’s more of a kid himself), but if there’s one person who appreciates Benio’s Ohagi-man, it’s Sae.

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But yeah, Sae is suspiciously smart, reading whole books, scaling up and building a cardboard dinosaur skeleton, and even picking up a bit of English. She’s also suspicious because of where she came from (Magano), how Seigen looked at her (with a stink-eye), and what’s going on around her (a worsening epidemic of some kind of fog-like infection).

The 12 Guardians are also on their guard due to the possibility someone named Kasukami (said with the same dread as “Voldemort”) is gathering Basara to wreak havoc. Is Sae really Kasukami in mini-configuration? Is she a Basara, like Kamui? A very full and enjoyable episode leaves us to ponder these possibilities. A strong start to the next chapter for the Twin Star Exorcists.

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Sousei no Onmyouji – 20

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If it’s wrong to be immersed in this particular slice of formulaic shounen entertainment, I don’t want to be right. This episode put wasn’t perfect, but it got use through the epic battle between Yuto and the twins with a decent variety of twists, then capitalized on all of the good work it’s done with Roku and Benio to bring the arc to a close.

I’ve been clear about my dislike of the one-dimensional Yuto, but he’s made much more interesting by Benio’s assertion he’s hiding how much damage they actually did to him—without lessoning the threat he still poses as long as he remains on his two feet.

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I was hoping Benio could have ended things with Yuto with her new awesome Kegare legs, but she blasts through all her power too quickly, and Roku has to step in and save her. When Roku just can’t watch Yuto beat Benio anymore, the episode turns his power knob up to 11.

He can fight on the same level as Yuto, and he’s healed when Yuto blasts a hole in him. Furthermore, since they’re in Magano, all of the spirits of Roku’s friends whom Yuto turned into Kegare literally have his back, and he gains the final boost he needs to blow Yuto away.

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Blow him away he does, with a big ‘ol authoritative energy beam…but Yuto isn’t dead. C’mon now, there are 30 episodes left! Also, he merely “fell into darkness.” He’ll be back, but he’s gone for now, and Roku and Benio really can go home and have that ohagi. So I’m happy.

Could I have been happier? Sure. Why didn’t Yuto ever think to break Roku’s legs, or broken his instead of Benio’s? If he had, Benio would have had to save Roku, not the other way around. But I’ll let it go; both of them saved each other; who got the last lick in is not of much consequence.

What mattered was that SnO get the aftermath right after the battle ended. And what had been a nominal 8 up to the end of the battle rose to a 9, thanks to doing just that.

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Roku wakes to a smiling Benio. They meet with Arima and the 12 Guardians, the latter of which threaten discipline. But Benio helps reinforce the facts: the guardians wouldn’t have gotten there in time, their friends and family were threatened, and Seigen failed. So no punishment.

However, Arima’s nice-guy mask cracks more than once in this meeting, as he reiterates Roku’s true mission, which isn’t to train or become stronger or even fight or exorcise anyone or anything; it’s to marry Benio and conceive the Miko.

Roku turns the issue around by first going up to Benio and proposing to her, but then asking what exactly a newborn baby is going to be able to do about calamities that will arrive before he’s a glimmer in Roku’s eye? He isn’t going to wait and put such a burden on an infant. He’s going to keep getting stronger and make sure the Miko has as little left to do in the world-saving department as possible.

Benio are of the same mind on this, so Arima indulges them: they have two years to become stronger than the 12 Guardians. The consequences if they can’t? Marriage and babymakin’.

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Make no mistake: neither Roku nor Benio are ready for those things yet. But right here and now, they are a couple, and both have gotten more and more comfortable with that after everything they’ve been through and how they’ve come through for one another.

After all of that, and then enjoying a festival together, and after Roku buys Benio a new pair of sakura-themed hairpins, Plan B looks less like something they’ve always want to avoid, and more like something they’ll want anyway, when they’re ready.

Oh, and Mayura is going to be an exorcist, so she can stand and fight beside her friends. Good to hear; someone with such inventive expressions shouldn’t be kept on the sidelines.

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