Senryuu Shoujo – 12 (Fin) – The Day They Met

During a rooftop lunch together on a beautiful day, Nanako asks Eiji if he remembers the day they met, and the final episode proceeds to re-tell that reliably adorable story. It was indeed their mutual love of senryuu poetry that brought them together, as they meet, and are the only two young people, at a poetry workshop around Christmas.

When Eiji comes in late with a head of steam, everyone is content to take him at face value—as a thug. Nanako, on the other hand, claps when he quickly comes up with a senryuu asking Santa to stop his dad from smoking so much. They exchange pleasantries outside, but Eiji warns Nanako not to get too close lest people speak ill of her.

But Nanako isn’t interested in what others think of Eiji, she feels she’s connected with him on a major level, and can’t stop thinking about him. They don’t see each other at a workshop again, but begin exchanging senryuu on a public bulletin board, essentially becoming senryuu pen pals. Nanako arranges for them to meet up when the cherry blossoms bloom in Nishi Park—truly a poetic setting for their next rendezvous.

When she sees no reply on the board on the day they’re to meet up, Nanako asks around, but no one knows what has become of Eiji. She starts running in a tearful panic, worried she let the one person she connected to most slip through her fingers. But she had no reason to fret: Eiji shows up under the same cherry blossom she envisioned for their meeting.

Back in the present, as Eiji lazes in the sun and Nanako sits beside him, she simply casts a big, beaming smile at him, and the two of them couldn’t look more content, regardless of whatever relationship boxes Amane thinks they still need to check off. It’s a pleasant, cozy end to a feel-good series about two very different people with the same very specific hobby.

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Attack on Titan – 58 – The Attack Titan

The entire flashback with Grisha being rescued by the Owl, Eren Kruger, is being retold by Eren as Armin writes it down and Mikasa listens in an adjacent cell. Eren is able to provide this information from many years ago thanks to his coordinate status.

Among the things he learns is that once given the powers of a Titan, a subject of Ymir will only live 13 years, something Mikasa dismisses out of hand, as she’s probably committed to making sure her beloved Eren lives to at least 100.

Kruger doesn’t have any comfort or solace to give to Grisha, because he was never given any himself. He’s only been able to survive as an Eldian spy within Marley by actually acting the way a Marleyan would; injecting his countrymen and casting them over the wall one after the other. By the same token, he deems Grisha so suited to save Eldia because he has already set that path into motion by leaving the gates of the ghetto with his sister.

Leave it to Titan to break up all that dourness with a couple moments of levity, such as when Eren seems to pose when he repeats what Eren Kruger called his Titan: the Attack Titan. This is funny on several levels, as Levi waves it off as latent chuunibyou on the teenage Eren’s part, while the older Hange is ignorant about such things. More than that, though, Eren finally gets to say the title line—a title that in English perhaps never should have had that confusing “on” in it…

There’s also the suggestion that for the duration of their imprisonment, Mikasa only ate the bare minimum to stay alive, and thus was literally wasting away without Eren by her side. But their sentences are commuted and they’re free to go, seeing as how they’re heroes of humanity and all.

“Free to go” is relative, however. They’re out of the stockade and back in uniform, but they are ordered to attend an audience with none other than Queen Historia, who feels a connection to Ymir’s letter similar to Eren’s with the books and photo they found in the Basement.

While the words of the letter seem to be not much more than the “love letter” they appear to be, it’s clear Ymir sent it in its form in order to deliver far more and different information to Tory; she’s just not sure what to do with it, or even whom to tell. She’s just glad to see Eren, Mikasa and Armin, and embarrassed when they all bow before her.

At the hearing, Hange delivers the report full of revelations provided by Eren and recorded by Armin, all about the reality that their kingdom within the walls being but a tiny sliver of the real world, and that the vast majority of that world is dedicated to their destruction.

As he listens to the testimony with everyone else, the new memories provided by Grisha continue to swirl in his head. He notes that the Titan into which Dina Fritz transformed was the same Titan who ate his mother and Hannes. When he met that Titan later and touched it, a similar surge of information suddenly flowed into him.

Now he knows why, and he almost blurts it out, but thankfully Hange can sense why he ends up holding his tongue, and chalks it up to his chuuni phase to the assembled bigwigs. What Eren now knows is that it’s possible for him to gain the vaunted powers of the Founding Titan—the main mission Kruger gave Grisha when he sent him to the walls—by touching Historia while she is a Titan.

He’s loath to bring this up because he doesn’t want to see Historia suffer any more than she already has. But what if, like Grisha and Kruger and so many other subjects of Ymir before them, he’ll have to sacrifice something important in order to gain that which will restore Eldia.

Or perhaps not; perhaps Eren is supposed to break that cycle. After all, another part of Kruger’s mission to Grisha was for him to fall in love with someone in the walls, raise a family, and love them. Now there are people Eren loves, and perhaps there are lines he won’t cross, even for the sake of saving the world.

Fruits Basket – 12 – Someone Scary This Way Comes

This episode starts out so harmlessly…and silly. It’s a new term, Tooru, Yuki, Kyou, and the others are all second years, and the new first year girls are extremely aggressive in making their existence known to Yuki. Tooru is targeted as an “easy mark” by first year boys, and Kyou scares them off with a move that hilariously befuddles her. New first years Momiji and Haruhatsu brazenly flout the dress code: Momiji by wearing half of a girls’ uni; Haru with jewelry and white-over-black hair.

They are immediately singled out by StuCo President Takei Makoto, who seems like a character from another show, even if FB is not above slapstick. This bespectacled dingus has a thing for Yuki, and his two nearly identical female lieutenants are soon won over by Momiji’s cuteness, while Haruhatsu proves he didn’t illegally die his hair by showing him his pubes in the men’s room.

Unfortunately for this half the episode Tooru is just kind of off in the background as all these Soumas bicker and test authority. I’m well aware Tooru was not always the focus of the source material and in some cases was totally absent as the cast expanded, but the broad goofy comedy on display here doesn’t really make a strong case for keeping her out of the anime spotlight.

Tooru does not play a small role in the second half, when she’s confronted by none other than Souma family head, Akito (voiced by Sakamoto Maaya in her best honey-poison imperiousness). Tooru is caught totally off guard by the sudden and very casual encounter, and Akito never says a single thing I am inclined to either take at face value or believe.

The one person Yuki doesn’t want near Akito less than himself is Tooru, so he comes to her rescue, only to be utterly neutralized by Akito, who after all threw him in a dark room and psychologically tortured him for years until Shigure finally put a stop to it by letting Yuki live with him.

So it’s up to Space Cadet Tooru to rescue Yuki-hime, demonstrating quicker thinking than would usually be expected of her in explaining an action that could’ve cost someone else their life (shoving Akito away from Yuki). In the moment, she knew Yuki was in pain, and she did what she had to do to stop it.

In his report to Hatori about the car ride home, Shigure says Akito would later call Tooru “ugly” and not a threat to him, assured that one day Yuki would come crawling back, citing his fear of him as proof. But Akito seems like the kind of person whose threat assessments vary from day to day, or mood to mood. In any case, Tooru is far from safe, nor is Yuki.

Still, Tooru tries to refocus a clearly traumatized Yuki by joining a big ol’ badminton game with the gang. She doesn’t want to waste, or let others waste, the precious time they have, and she has no illusions about that time being infinite, or even indefinite. Something cold could come out of the shadows and freeze these poor warm people and warm life in which they’ve never been happier. But not today. Today, for a little while, they’ll forget their fears and have fun volleying a shuttle around.

BokuBen – 12 – The Sting of Defeat

Nariyuki and Uruka are a great couple I’m proud to ship, and they’re only a five-minute proper conversation away from living happily ever after. While I’d like to say I’m under no illusions that BokuBen will actually ever make them a thing, the teasing keeps me coming back. I guess I’m saying I’m an idiot…but a generally happy one, so who cares!

This week both halves of my favorite couple are sick of the awkwardness that’s cast a pall over their once lively friendship, and both seek the advice of their sensei Fumino. In addition to stringing along a NariUka shipper like me, they continue to lock Fumino in a cycle of pushing her own potential feelings for Nariyuki aside in favor of supporting her friends, Uruka and Riko.

She’s unsure how to break out of this cycle, and is worried Uruka and Nariyuki’s continued problems will have an adverse effect on their studying, so she decides to break neutrality and help Uruka out this time. To closely supervise her two students, she shows up to their rendezvous in a shrewd disguise.

Fumino quickly learns things are much worse than she thought regarding these two. Every effort to spark a conversation is quickly snuffed out when the talk quickly goes back to the source of the awkwardness, whether it’s Uruka’s see-through top after the rain, or her sexily modified uniform at the shrine.

As the two grow more and more awkward and discouraged, their texts to Fumino grow less and less coherent. Matters aren’t helped by Nariyuki and Uruka constantly insisting they’re not talking about themselves, but “friends of theirs,” a conceit that grows less and less plausible as the meeting digresses.

Finally, Fumino’s complicated texting is interrupted by Sawako asking about hairstyles, and she sends the wrong texts to the wrong party by accident. Thanks to pure dumb luck (or good karma on Fumino’s part) it all works out somehow, thanks to one of the hairstyles Sawako mentioned being the same one Uruka has. Nariyuki follows the text and declares Uruka cute, and Uruka gets him to repeat that comment over and over. Ice broken!

Nariyuki attends Uruka’s swimming tournament, in which she wins the 200m free, but loses in the relay when a kohai has a false start. Nariyuki tries to cheer Uruka up afterwards, and ends up with more evidence for why Uruka would be such a good choice for a partner.

Uruka doesn’t pretend either to her kohai or to Nariyuki that it’s not a big deal to have lost, and that she doesn’t want to cry her eyes out about it. But, and this is key, if that kohai learned a lesson she can carry forward and succeed later in her career, their loss won’t have been in vain. That’s Uruka for you: an ace and a team player, through and through.

Uruka even shows signs of boosted confidence when she invites Nariyuki to hang out with her that night. She takes him to their old middle school, where “it all began,” with “it” being their friendship and her feelings for him. Those years ago, when she was ready to quit out of frustration for losing, he encouraged her to stick with it. To be as serious about something as she was about swimming was something rare and precious to him.

All this increasingly non-vague talk about their history together leads Nariyuki to ask her if she ever managed to confess to the “guy she likes”, still—and perhaps perpetually—unaware it’s him. Uruka really shot herself in the foot by lying about it not being him, since now he can offer, without a hint of awkwardness, to be the one she confesses her feelings to as a “dry run”.

But because Nariyuki’s words, out of context, sound like he’s urging her to tell him the truth, a flustered Uruka comes right out and does just that. She well and truly confesses that she likes Nariyuki, a lot, and always has. Too bad then that her previous lie dooms his ability to take her seriously. He thinks she’s practicing on him.

Rather than clear this up by saying something like “no, actually you are the guy I like and there truly isn’t another person”—admittedly out-of-character—she tosses Nariyuki into the drink. He takes her arm and drags her in too. When he protests, calling her Takemoto, she gets him to say her first name Uruka again, and is all better again.

With other characters with routes to wrap up, this may have been Uruka’s last chance. But I do think she’s being more honest than anything else when she told Fumino she just wants things to be good with Nariyuki…and for him to occasionally note her cuteness. So while, like me, Uruka may be a fool when it comes to settling for less than total victory, as long as she’s happy, that’s what matters. I just hope she keeps trying, because I won’t stop rooting!

Ao-chan Can’t Study! – 12 (Fin) – Virgin Saints to Kissing Experts

After consulting with Miyabi on kissing (who is just as much a novice as she is and thus no help), Ao realizes that in all of her scenarios in which she and Kijima do it, she overlooked the fact that a first kiss should happen first. But who should initiate? She’s confident that “Virgin Saint” Kijima won’t, so she resolves to be a saint herself and not expect anything.

That all goes out the window virtually the next time they see each other. Kijima meets Ao in an empty classroom at sunset, he calls her beautiful, she brings up kissing, and when he gives her an opening, she moves with the sudden gust of wind and takes it. Apologizing for breaking their promise, Kijima kisses her right back, twice, so that both of them have broken it and can now start fresh.

That creates a new problem, as even after her first kiss(es) with Kijima, Ao becomes fixated on his previous kisses, when she hears classmates talk about him being “good at it.” Kijima doesn’t know what they’re talking about, as Ao is not only the first girl he kissed, but he practiced with a pillow (as many do). Still, she lets out one last “I’m done!” and scurries away in outrage.

Later, when she realizes she overreacted and really just wants to see Kijima’s face, there he is, at the same bookstore she’s at, and they leave hand in hand. Kijima, after consulting his friends, decides to be as honest as he dares—admitting his first kiss was with Ao (though he doesn’t mention the pillow). They realize neither of them is a “natural” at kissing, but they liked their kiss because they like each other.

Unfortunately for Ao, the title of this show ends up being on point: due to her preoccupation with Kijima and kissing, she does horribly on her mock exams. Even so, thanks to Kijima she learned something very valuable: Never underestimate how much your ideas about love have been warped by your erotic novelist Pops!

Sarazanmai – 11 (Fin) – Just Like That

Sooo….yeah. True to form, Ikuni chooses not to go with the simple, straightforward finale, at least not in terms of presentation. A frikkin’ lot happens in these final twenty-odd minutes. It’s a torrent of ideas, metaphors, and processes; almost too much to take in all at once.

While it retained several elements of previous episodes, I still felt like I was back in that first episode, wondering what the hell was going on. But like that first episode, I also didn’t particularly care if I wasn’t quite absorbing everything Sarazanmai was confidently emitting.

At the end of the day, for all the window dressing and CONCEPTS, Kazuki and Enta’s odyssey into the darkness to rescue their friend was nothing more than that: They simply weren’t going to allow their connection to one another be severed—not by a Toi wracked by guilt and grief, not by the Otter egging Toi on, and not by Keppi’s dark half.

When they finally get to Toi, who is in the midst of erasing his memories and thus connections from them, the other two put their faith in the talisman that started their connection in the first place: the miçanga. As they plummet into the abyss watching their connections vanish one moment at a time, Toi himself cries for a stop to it all; for once he doesn’t want to give everything up for anyone. He wants to keep what he has: the friendship of Kazuki and Enta.

As Keppi and Dark Keppi battle and eventually fuse into a Full Keppi, the three friends in kappa form deliver the miçanga to a young Kazuki, shoring up the connection at its source and causing Mr. Otter to crumble away to dust, frustrated that he, an abstract concept, would be defeated.

NO YOU DON’T! STOP LYING!!!

A-Ahem…anyway, Once they’re all back in the normal world (whatever that means), Toi does the right thing and turns himself in, and is sent to juvie, from which he emerges three years later only to throw himself off a bridge. Fortunately, not only does the jump not kill him, but Kazuki and Enta jump in after him, having waited for him to get out all this time. They proceed to run around and have fun, together again at last.

Now that they, as the Kappa King put it, connected their desires through the pain of loss, they and only they can take the future in their hands. Does that mean the three will compete at the World Cup in Qatar? Probably not. But perhaps they no longer have any need for dishes of hope, transformation into kappas, or shirikodama extraction.

Carole & Tuesday – 11 – Plucked from the Jaws of Success

Tuesday’s hand is badly burned, and once bandaged, she cannot play the guitar. As the MC delays by appealing to the boundless ego of Ertegun, Gus tries to find the culprit with the security cams, with no success. We know that it was Cybelle, but everyone in the show has to play catch up, which leads to more interpersonal problems.

What I didn’t know? Whether Cybelle was sicced on Tuesday by either Katie or Dahlia, whether it was egging on her anger or giving her access to the dressing room. When Katie mentions who has motive, Angela suspects her mama. but Dahlia seems too proud for that kind of trickery. Katie has been very shifty the last couple episodes, and her “dumb assistant” act seems almost too practiced.

Whent C&T take the stage, the judges immediately note Tues’ injury and lack of a guitar. Carole passes it off nicely by saying they’e going to show they’re more of a guitar-and-piano duo; which isn’t really lying, since they may well want or have to branch out without either of those instruments at some point.

Carole is also asked about being a refugee and her family. She’s not sure what she’d say if her parents were watching, just “I’m here.” There’s not much of a crowd reaction to her background, so they move on with the song. It’s…fine, again. No ear bleeding thankfully, but the lyrics are reliably trite, sparse, and poorly structured. We see Cybelle is still somewhere in the building, watching on.

Ertegun starts the judge’s review by stating that someone who gets injured just before a performance has no business being a musician, and as harsh as he sounds, he’s not wrong. If Tuesday wants to make the big time, she’s got to learn how to protect herself, speak up, say no, and be a better judge of character. Unable to do all of the above led directly to her burns.

That said, the other judges loved them, and the woman who was introduced as the Simon Cowell of the trio states that the duo “stole her heart.” All the Insta followers in the world can’t keep Pyotr from losing this one, but like GGK he’s a good sport about it, happy he gained even more followers and has a bright future.

The final, then, is set: Carole & Tuesday vs. Angela. This leads Gus, absent any hard evidence, to accuse Dahlia of sabotaging Tuesday, just as Angela initially did. But when the culprit is described as “a slender young woman”, Angela’s suspicions shift immediately to Katie, and she reams her out for doubting her ability.

Katie, who we previously see smelling Angela’s lipstick, is either a very good actor, or legitimately devastated by her favorite artist’s accusations. Thankfully, the cops find Cybelle while she’s trying to flee, all thanks, incidentally, to Roddy spotting her in one of Pyotr’s many video posts. During her perp walk, Cybelle blows up at Tuesday, telling her she got what she deserved.

Like Ertegun, Cybelle isn’t the most tactful here, but she’s right. Though even a firm rejection at the start may have caused Cybelle to go after her, leading someone like her on was playing with fire…or in this, case dry ice. Carole tells her as much outside the hospital, where Tues was told she could play again in a week.

Carole doesn’t hold back in telling Tuesday she needs to not only learn how to handle people better, but also seemed unfocused in their performance, and that perhaps her commitment is less serious because she has a big fancy home to go to if this doesn’t pan out. It’s definitely the most distant these two have been for a while.

But things could always be worse…and they become worse almost immediately after Carole’s shots are fired, as burly goons sent by Tuesday’s family roll up and roughly toss her into the car. Carole gets punched when she tries to interfere, and when she manages to jump onto the fleeing car, the driver switches to manual mode and she’s thrown from it, though she suffers no serious injuries due to good rolling form.

Still, just like that, the duo has been severed, moments after cracks started to form due to their deeply different backgrounds. The timing is horrifically cruel, almost as if it was meant to be. But as we’ve seen, Tuesday is, like a young princess out in the world, not quite equipped to survive in it, and her injured hand was clear for all the millions of viewers to see.

A lot of those viewers are voters, so it behooves Tuesday’s pragmatic mom to put her house in order. I smell a rescue mission in the works.

One Punch Man 2 – 10 – Stating the Obvious

Saitama may be bored with a life of beating everyone with one punch and never losing, but thanks to King he’s able to forget about that for a little while, as he is beaten over and over again in a Street Fighter-esque combat game, to his unending frustration. “THIS GAME IS SHIT!” is his only defense. Reminds me of me when I play video games!

As for the Monster Association infiltrating the executive board room, the eyeball that serves as a conduit through which King Orochi’s adjutant, Gyoro-Gyoro, can mess with the humans by offering an olive branch than shooting the first taker. Thankfully for the other suits, resident Class-S hero Superalloy Blackluster—basically Luke Cage—has no trouble dispatching the baddies.

Still, shots have been fired, and the Monster Association officially declares war on the Hero Association. It’s in all the papers and on all the news channels. Over at MA HQ, the amassed monsters aren’t impressed with Gyoro-Gyoro’s motivational speech, but actions speak louder than words, as Orochi demonstrates when he eats Cockroach for losing.

Speaking of losing, a badly-wounded Garo wakes up, assuming it was King who knocked him out, while Genos gets a shiny new upgraded metal body from Dr. Kuseno, who only asks that win or lose, Genos is careful enough to live on and fight another day.

As the top heroes debate the merits of the HA’s plan to storm MA HQ , the news spreads to independent monsters, who pour out of City Z full of piss and vinegar, eager to join up with the MA. Unfortunately, they’re all obliterated by Saitama while he’s taking out the trash.

Garo ends up healing up in a shack that happens to be used by the brat with the hero guide he’s encountered in the park. That brat is the runt of his circle of friends, so he has to go in to see who’s in their secret hideout. Garo offers some obvious advice—the kid should become stronger, duh—but before sending him on his way, the shack is surrounded by eight Class A and B heroes led by Death Gatling, who tracked him there.

Even having unknowingly been recently pummeled by Saitama, Garo could probably take on, say, four of these heroes, but not eight, and certainly not all at once. Thanks to the brat’s guide, he at least gets some intel on all of them, and learns that they possess quite the diverse and complementary skill set.

The heroes marvel at his ability to dodge their attacks, but as he gets tired cracks in his defense start to form. Worse, the guy he worried about the least, Megane, is actually a hand-to-hand specialist with a lot more stamina and endurance than he currently has. Gatling demands he surrender and let them take him alive. How’s he going to get out of this one? Does the brat have a role to play in rescuing him from a bad end?

Isekai Quartet – 11 – Let’s Get Nuts!

Field Day starts orderly enough, with members of Class 2 and Class 1 exchanging pleasantries, and Yunyun, apparently from “Class 3” challenging Megumin to a battle (turns out she’s the only member of Class 3).

From there, a series of contests from tug-of-war to…donut grabbing(?), to the cavalry battle. The latter is worth 100 million points, rendering all the previous exercises and their somewhat random pointless.

Then the teachers join in, with Roswaal, Vanir, Pandora’s Actor, and a reluctant Rerugen wondering what he’s doing with these weirdos. Classes 1 and 2 decide to join forces to beat back the faculty, who then deploy their trump card, the Mobile Fortress Destroyer from KonoSuba.

While the show should be lauded for bringing in so many more familiar faces, it’s odd that Class 1 is only around half the size of Class 2 (though “Class 3” is a good joke), and for an episode with so much activity, there’s precious little action, which is to say…animation, only the suggestion of it through panning montages.

Attack on Titan – 57 – Prisons

We return to Grisha’s accounting of the day he learned he was a prisoner, and always was. A prisoner of the oppressive Marleyans who confine all the Eldians to internment camps. A prisoner of history, for the Marleyans punish the Eldians for the crimes of their ancestors.

He’s a prisoner in his powerless child’s body, unable to save his little sister Fay from a terrible fate—being attacked and eaten by guard dogs—just for the crime of leaving the camp without permission. And he’s a prisoner to his father, who is a full-on collaborator who is happy to condemn his ancestors if it means being able to live out his humble life.

We also learn that the lands where the three walls that were the entire setting for Titan up to this point are only a tiny sliver of the world; in fact, everywhere Eren & Co. have ever known occupy a relatively small island called Paradis—the last refuge of King Fritz and the Eldians.

When Grisha learns the truth about Fay (confirming his suspicions), he joins an underground movement of “restorationists” bent on restoring once great Eldians—and of course, exacting revenge on Marley for their brutal oppression. They are aided by a member of Marleyan security, known only as the “Owl.”

That informant sends them the last surviving descendant of the Eldian royal family: Dina Fritz, and she and Grisha soon fall in love, get married and have a son, Zeke. But their attempts to indoctrinate him and make him the instrument of Eldian salvation fail miserably, as he turns in his own parents to save himself and his grandparents.

Grisha doesn’t blame his son—after all, he ended up building a prison for Zeke just as his father had tried to build for him: the prison of adopting the beliefs (and grudges) of one’s predecessors. But after thorough torturing, he, the other members of his cell, and Dina, are all sent to the island of Paradis, to be injected with serum to transform them into wandering Titans. Dina is transformed first.

Eren suddenly wakes up in a stockade in the present—he realizes he’s been connected with his father’s memories, such that it feels more like he’s been re-living Grisha’s experiences rather than simply having a normal dream. He and Mikasa are behind bars for their insubordination of Levi, but Armin, whom they defied Levi to save, is there with them.

Back in Grisha’s recounting, he finds himself at the boundary of the Titan penal colony, having just seen his friend and his wife transformed into mindless giant monsters, and the same officers he and Fay encountered the day she was killed are present with him. The mustachioed officer tells him he doesn’t feel remorse for the terrible things he does to Eldians because it was their ancestors who started the fight. Besides, life is more “interesting” if every day is lived like it’s your last.

As it happens, it is the last day for Mr. Mustache, as his colleague, Kruger, who was there back when Fay died and is here now, pushes him and not Grisha into the pit to be eaten by a Titan. Turns out Kruger is the Owl, and he cuts himself to transform into a lucid Titan, in order to demonstrate to Grisha what a Titan can do.

This was another trippy journey that vastly expanded the show’s universe and revealed more crucial answers about What This Is All About: a seemingly endless, vicious cycle of retribution between two races of men, neither of which can ever forgive the previous generations of the other; one ultimate prison, containing everyone in the world. So, when will Eren & Co. try to squeeze through the bars?

BokuBen – 11 – The Fast and the Kirisu

This week it’s Kirisu-sensei’s turn to get dressed up every which way, as she breaks off from boring work drinks (with guys who think she lives like a princess) and happens upon Nariyuki hanging outside a seedy maid cafe. Turns out Asumi is one of her former students, and the two start yanking at Nariyuki’s arms, as you do.

In the midst of the horseplay, another cafe employee is injured, and Kirisu decides to make things right by dressing up as a maid and filling in. Unfortunately, despite her confident bluster, she’s no better at cleaning in a commercial setting than a residential one, and one tiny sip of alcohol sends her into a “praise spiral” as Nariyuki carries her home on his back.

If that wasn’t enough humiliation, Kirisu runs out of clean clothes to wear when she has to stop by school to “drop off some documents”—everything, of course, but her old school uniform, which still fits like a dream but immediately attracts police attention.

Again, Nariyuki is there to bail her out, and even thought she repays him by giving him a lift in a Honda Jazz she drives like they’re getting away from a robbery, he still helps her navigate the school without being seen.

Seeing Kirisu in her uniform makes Nariyuki wonder how she was in high school, and she mentions she never got to stop anywhere after school due to her dedication to skating. He rectifies this by buying her an ice cream, but the two end up having to hide behind a bench and then pretend to kiss when Fumino and Rizu show up at the same stand. That night, just when Kirisu thinks she’s in the clear, she turns around and finds Asumi there, ready to mock her school uniform “cosplay.”

Kirisu is…fine as focus characters go, but after an Asumi-centric previous episode I had hoped for a return to the main trio of Fumino, Rizu, and/or Uruka. The comedy also leaned a bit too heavily on Kirisu’s arrested development, penchant for running into students outside of school, and talent for humiliation that verged on piling on.

Senryuu Shoujo – 11 – Peonies in the Sky, I Can Go Twice as High

It’s summer festival time, and both Nanako and Amane are resplendent in their yukata; the proverbial garden peonies while standing, tree peonies while sitting, and lilies while walking. Eiji looks pretty good too!

But Amane soon detects a problem: she’s definitely a third wheel, even if Eiji’s the kid of dude who spends entire days catching bugs like a five-year-old (he makes Takumi in Ao-chan look like Gene Simmons).

Even so, sometimes he’ll surprise you, like when he tenderly slips a glow ring he won on Nanako’s dainty finger. It’s like he’s already proposing! When Amane and Eiji go to the bathroom, Nanako stays behind and gets snatched up by three classmates who saved a spot for the fireworks.

The thing is, Nanako’s one wish on this night was to see the firworks alone with Eiji. Eiji knows this, so when the two are separated and fireworks time draws near, he starts searching for her.

While doing so, he leaves Amane and the bulky “Famistation” she won behind, but fortunately she runs into Eiji’s family and thus isn’t alone. Eiji manages to find Nanako thanks to the glow ring, and takes her hand just as she’s tearing up from having to watch the fireworks without him.

It’s a very well-orchestrated, powerful moment when the two lovebirds finally reunite at just the right time. I’ve maybe witnessed dozens of this kind of scene before, but it gets me every time when executed well, and it couldn’t happen to a nicer pair of kids here.

Ao-chan Can’t Study! – 11 – Takumi Can’t Get the Picture!

Takumi suggests he and Ao study together some time, but Ao is against it because she knows what such things can lead to. However, Takumi says “pretty please,” so she grudgingly agrees, and orders her first pair of silky panties so that if and when Takumi makes his move, she’ll be prepared.

Then she goes to Takumi’s and they’re both alone together, and there’s never an if or when. One, two hours pass, and Takumi only seems interested in…studying. Even when they make a wager for the loser to do whatever the winner wants, he just wants her to make her lunch again.

This steams Ao’s beans, because she went out of her way to wear sexy panties for the occasion, and Takumi is so pure and dense he can’t take the hint that it’s okay for him to make a move. It either never occurs to Ao that SHE should make the first move instead, or she, like Takumi, is too inexperienced and timid and afraid of coming on to strong.

So Takumi fails to resemble anything like the crazed sex beast of her imagination, and ends up a lot more like…well, like her. Only he likely wore comfortable boxers with the knowledge she’d never see them, while she ends up with a stomachache due to being unaccustomed to low-riding underwear. If she wants…that from Takumi, simply waiting isn’t going to cut it. She’s going to have to say or do something, and deal however he ends up responding.