Adachi & Shimamura – 03 – Chipping Away

Shimamura isn’t sure why Adachi suddenly ran away from her, but it looked to her like she had something to say but couldn’t say it. Unlike Adachi, who is increasingly obsessing over Shimamura in her inner thoughts, Shimamura is more introspective about herself, whether it’s the way she keeps “having regrets” or starting to “catch on to [her] lack of interest”.

Is Shimamura naturally just not interested in anything? Could Adachi be changing that part of her? When Adachi is absent for school and doesn’t answer her texts, Shimamura heads to her house. On the way, she meets the astronaut girl without the spacesuit, who thinks it’s “fate” that they keep meeting. Thankfully the spacegirl splits—I still honestly don’t know what her purpose is—and Shimamura’s unannounced visit is rewarded by seeing Adachi in her jammies.

Shimamura agrees to Adachi’s request to go out on Saturday—though Adachi’s original intent was to ask Shimamura to formally go out with her. Unfortunately the spacegirl is already with Shimamura when Adachi arrives, and proceeds to be a glittery blue-haired third wheel the whole time. Due to her little sister-ish size and demeanor, Shimamura can’t ignore the spacegirl’s attempts to grab her attention, which means Adachi gets less attention.

Moreover, the fact Shimamura so readily engages with the spacegirl makes it seem to Adachi that she’ll “take care” of anyone small and cute—including her—without thinking much of it. Adachi is thinking very much about Shimamura and Shimamura only, yet Shimamura is cognizant of everyone she spends time with.

That leads to a somewhat dark ending where she admits she allows “pieces” of herself to chip off in an attempt to keep herself “afloat”. These are the things she should be telling Adachi! I wish spacegirl would either explain her business with Shimamura or go away and give the main couple some space.

Adachi & Shimamura – 02 – Casting Your Line, Awaiting a Bite

Adachi starts out by saying Shimamura will “always probably just be Shimamura” in her heart, as we watch her fantasy of the two of them in pure white slips, about to kiss. Back in the real world, she introduces Shimamura to Chikama Yashiro, the tiny astronaut who claims to have come to Earth to find their “compatriot”.

I’m really not sure where the show is going with this little astronaut, but she does offer sage advice to Shimamura when she needs to hear it. With life, as with fishing, sometimes you don’t get a bite, but all you can do keep casting your line and hope for a bright future. Back at school, Adachi relaxes in Shimamura’s lap, and agrees to attend at least some classes so they can both be second-years next year.

Adachi believes she met Shimamura will give her a brighter future. She loves the peaceful way she feels around her, and works up the courage not just to call her pretty, but find more ways to spend time with her. Rather than play more ping pong, they go to the mall, share donuts (and indirect kisses), and hold hands while on a walk. But their quasi-date is interrupted by Chikama seeking sweets.

Adachi has another dream of being with Shimamura all in white and kissing her before waking up and wondering why she’s having these dreams. “It isn’t like that”, she insists as she bikes to school, only to suddenly brake hard when she envisions them kissing again. And even though she’s coy about telling Shimamura where she works, Shimamura finds out anyway when she and her family go to the restaurant where she waits tables while wearing a lovely blue Chinese dress.

Adachi comes to see herself as relying on and even wanting to monopolize Shimamura for herself, or at least wants to be put first in her eyes. Shimamura in turn seems willing to coddle and spoil her, but Adachi notes that she doesn’t seem to seek anything in return.

Even so, Adachi can’t help but ask if she can come to Shimamura’s house, and of course she’s welcomed with open…legs?! Yes, seeing Shimamura reclining on a bean bag compels Adachi to ask for something she thinks will make her seem like a “complete weirdo”: to sit between her legs. But again, Shimamura gladly accommodates her; her little sister sits like that all the time, after all.

Adachi, who doesn’t want to be thought of as a little sister, would probably be content to stay in that position and stare into Shimamura’s eyes until sundown. Unsure whether she’s merely thinking of confessing to her or actually saying the words, Adachi’s lips draw closer to Shimamura’s, on the cusp of making her dream a reality…

Alas, Shimamura asks if Adachi is okay since she’s blushing and not breathing right. So no, Adachi didn’t say she likes her out loud, and they clearly weren’t quite on the same page. Back home she’s quite frustrated by that, but the fact she got as far as she did means she shouldn’t assume Shimamura doesn’t feel or want the same things. She should keep casting her line and hoping for the best. She may get it, or not…but at least she’ll have tried.

Rating: 4/5 Stars

Adachi and Shimamura – 01 (First Impressions) – Let’s All Skip Class and Play Ping Pong

Adachi Sakura and Shimamura Hougetsu, are friends and partners in crime, skipping class to play ping pong together. The way the ball is volleyed back and forth, the subtle tapping sound it makes when it bounces, and the way it sometimes misses the table and rolls away, is all pleasantly indicative of their delicate, tentative friendship, which seems to both of them like it could easily become more, if they let it.

They first met in that disused second floor of the gym, and even though neither school nor ping pong matters that much to either of them (this is not a stealth sports anime!), when they’re alone together, being bad, nothing else matters. Where they differ is that Shimamura has two friends in Hina and Nagafuji, but the two of them are closer than Shimamura is to either, and in any case she considers relationships with others to be akin to free diving (though the ping pong metaphor was right there…)

Adachi, on the other hand, has no other friends. No doubt that’s part of what makes Shimamura feel their bond is special. They didn’t grow up together, they found one another. So when she asks Adachi if she’d rather go to class or go home together, she knows Adachi will pick the latter. Shimamura rides with Adachi on her bike, and her house is out of the way, but she doesn’t care. It was a weird, but fun day.

Their little hideout is violated when Shimamura’s friends discover them playing ping pong, and regard Adachi wearily as a class-skipping delinquent. The next day Adachi doesn’t come to school at all, and Shimamura isn’t happy. She doesn’t want to share Adachi, nor does she want to subject her to Hino and Nagafuji, who seem somehow so much more superficial.

There’s a profundity to Shimamura and Adachi’s respective inner monologues about themselves and each other that keeps bringing them together, such that when Shimamura is dejected when she considers never seeing Adachi again, she happens to appear behind her on her bike, with the lunch they would have shared that day.

Adachi is glad Shimamura was alone, which makes Shimamura elated enough to fly around like an airplane. That elation gave her wings, and the courage to act silly for a while. She may not know Adachi the best, but she knows she wants less diving and struggling to breathe, more flying.

So begins a calm, quiet, highly introspective story of two girls gradually growing closer together as they try to figure out the lives of which we’re witness to slices. In fact, A&S is such a serene, almost mousey show, it threatens to be drowned out by the bombast of louder, flashier series this Fall. It has more fanservice than it needs, and I can’t begin to comprehend what’s up with that tiny astronaut, but I for one am glad to have it.

3D Kanojo: Real Girl – 11 – Just Trying to Help

With Hikari and Iroha’s problems behind them the focus turns to Itou and Ishino, both apparent victims of unrequited love (or in Ishino’s case, lust?) On Hikari’s suggestion, Itou works up the courage to ask Ayado out to a movie, without overtly labeling it a date, but her easy acceptance and lingering smile doesn’t set Itou at ease; quite the contrary.

Hikari watched Itou asking her out from the classroom, and starts to wonder if Ayado, the girl who just confessed to him, is the girl his first (and for a long time only) friend has come to like after years of saying 3D girls aren’t for him (a philosophy Hikari himself subscribed to until meeting Iroha).

As for Ishino, she sees everyone apparently pairing off and having fun, and is jelly. She’s also feeling legitimately lonely and undesirable due to Takanashi’s constant rejections, so when her objectively awful ex offers to hang out with her on the weekend, she not only accepts, but cuteifies herself up to the max. I honestly mistook Ishino for Iroha, so infrequently does she clean up thus.

Itou and Ayado’s movie date-not-date goes swimmingly, though Itou can scarely deride any enjoyment, so skittish and silent she is around the always bright and ebullient Ayado. Her enthusiasm and gratitude for being invited is all well and good, but the one thing Itou is afraid of revealing through further engaging her is the fact that she, the girl he’s come to like, doesn’t like him that way. So he keeps his feelings to himself.

The next day at school Ayado visits Hikari and Itou’s class to give Itou his ticket stub she accidentally took. Hikari, acting a lot like his mom acts toward him (proud of and excited for Itou), but one careless question has Ayado asking Hikari if he wants to see it, she’ll see it a second time.

That has the one-two punch of demonstrating to Itou that Ayado still has eyes for Hikari and devaluing their date by saying it could be so easily replicated. Mind you, neither were Ayado’s intentions, but if she still likes Hikari and has no idea how Itou feels, who can blame her?

Hikari tries to make things right with a “double date” picnic with him and Iroha and Itou and Ayado. He even grabs Iroha and runs off so the Itou can have some time alone with Ayado. When Iroha learns what he’s up to, she scolds him, because he’s taking romantic shortcuts.

That evening on the ride home, Hikari apologizes for being careless, and sees now how Itou needing so much help could make him feel pathetic. Hikari’s heart, as usual is in the right place: he just wants Itou to be happy, like he is, now that he knows how fortunate it feels not only to love someone, but to be loved by that same person.

As for Ishino, she’s stood up by her ex, but Takanashi happens to pass by, and as much of a cad as the guy is, he’s not about to walk past a crying Ishino, and takes her out for ramen.

While walking hand-in-hand, both hoping things work out for Itou and Ayado, Hikari and Iroha come across a very handsome young man in a red jacket whose immediate reaction upon seeing them holding hands is to cold-cock Iroha, breaking his glasses (and almost his jaw). It turns out not to be an ex of Iroha’s but her younger brother Chika.

Iroha is furious with Chika, but still lets herself get whisked away by him, despite the fact he just committed assault on her boyfriend. Chika’s a guy who makes judgments based on covers, and thought Hikari was a stalker and can’t understand why Iroha is dating him

Back home things get a little creepier when he caresses Iroha’s face. Possessive and possibly incestuous? Greeeaaaat. Looks like Hikari’s final trial of the show will be winning over this guy, or at least punching him back! That, and enduring the inevitable goodbye that was pre-loaded into his romance with Iroha when it began.

Steins;Gate 0 – 06 – New Year, Same Old Problems

“Kana” is definitely Shiina Kagari—even if the Oopa were a copy, there are certain things (the sound of her name, words from her future adoptvie mother) that give her an odd sense of nostalgia. And Suzu would recognize the girl who pulled a gun on her a mile away.

Okabe contacts Kiryuu to tell her Kagari has been found, but to request she continue investigating the group that was after her. After Kiryuu hangs up, we get our first sense that something is going to come to a head this week.

Little did I know when watching her teasing Maho that Judy Reyes of all people could also be involved.

It’s New Years, so the whole gang goes to the shrine, both to pray and give offerings and see Mayushii, Rukako, and Feyris in shrine maiden garb.

Everyone has lots of fun, but Judy shows up with Leskinen to say a quick ‘Hi’, while turning to leave she spots Kagari and gives her one hell of a sidelong glance.

There are more foreboding doings as Tennouji acts particularly shifty and a man in black lurks behind a wall, all while Mayushii & Co. bring the party to the lab and continue enjoying themselves.

Maho is among those having a good time, but gets a sudden video call from Amadeus, and answers the phone without leaving the room. Before long she’s surrounded by everyone curious about who her caller is, and Maho has no choice but to reveal the AI with Kurisu’s memories to them.

She apologizes to Okabe as the others talk with Amakurisu, but Okabe isn’t mad; he knows he has to start thinking of Kurisu, Amadeus, and Kagari as three distinct individual entities. He also needs to keep protecting the world Kurisu sacrificed herself to protect, no matter how much it might hurt or how easy it is to look back.

Unfortunately, Okabe is caught quite off guard when an armed gang once again infiltrates the lab and points their guns at Mayushii, Kagari, and the other guests. Suzuha is also caught off-guard, so it’s not like Okabe was alone in being lulled into a false sense of security. They weren’t direct witnesses to all of the strange things going on on the periphery of this episode like we did, after all.

When Kiryuu’s SERN assault team raided the lab back in the first season’s twelfth episode, it marked the official end of “fun and games.” That moment arrives six episodes earlier in S;G 0, and it also has the burden of trying to top that devastating, show-defining moment. Suffice it to say the ending of this episode wasn’t nearly as shocking, for the simple reason that we’ve seen it before.

History would seem to be repeating itself, and his loved ones apparently aren’t safe even here, in this Kurisu-less World Line. Then again, Mayushii wasn’t shot…yet. Perhaps, like Kagari and Kurisu, events only resemble what happened before, but may in reality be something completely different. But whatever that ends up being, it probably won’t be pleasant.

Steins;Gate 0 – 05 – Time Goes On

Needless to say, the sudden appearance of Moeka Kiryuu puts Okabe on edge, and even if this is not the same world line in which she killed Mayushii, he suspects she’s still a “Rounder”, and cannot fully trust her. Suzu can tell almost immediately that Moeka is someone Okabe knows (or knew), even if he won’t come out and say it. Nevertheless, Okabe assents to Daru’s hiring of Moeka in order to find the lost girl.

Meanwhile, Hiyajou can tell that Okabe hasn’t been answering Amakurisu’s calls, and feels partially responsible for telling him that Kurisu he knows is dead, even if a part of her is jealous that he was so much closer to her. With Leskinen’s unsolicited blessing she strikes out into Akiba to meet with Okabe, but suddenly feels extremely paranoid about being followed.

The camera angles, editing, and music all conspire to make us really feel that paranoia, initially brought on by the sudden appearance of Moeka and only intensified here. By the time Hiyajou is calling Okabe in a near-panic, and he runs out to find her dropped bag, I truly feared for the worst, as he did.

Mercifully (though also a bit disappointingly) the person initiating contact with Hiyajou turns out to be Professor Judy Reyes, a colleague at her university. While communicating in English Okabe fails to correct Reyes’ assertion that he’s Hiyajou’s boyfriend (though the prospect makes Hiyajou blush).

Once they’re alone, Hiyajou brings up Okabe’s lack of responding to Amakurisu. She’s no dummy (obviously), and can tell Kurisu had an incredibly “large presence” in Okabe’s life; far larger than he lets on.

When she reminds him that Amadeus is merely a system, Okabe tells her he simply needs more time. He’s confused, but that’s because he’s not willing to dismiss Amakurisu out of hand, at least not yet (and with no other alternative).

Okabe (and the episode) finally remember the somewhat urgent call Rukako made to him about a guest of his family’s…he comes to the lab with that guest in tow, and Okabe is shocked to find that guest is a dead ringer for Kurisu. However, he later chalks it up as a coincidence (plenty of blue-eyed redheads with bangs out there, after all).

Rukako informs Okabe that the girl has amnesia, and they’ve simply been calling her “Kana” in lieu of her name. She’s hoping Okabe with all his brainy sciency know-how can find a way to help Kana find her real name, where she came from, and how she lost her memory.

While flattered, Okabe is honest about not being an expert in any of that stuff (even if he knows people who are), but Kana’s identity is quite surreptitiously revealed by Mayushii, who recognizes the oopa that is the only possession of Kana’s that might be a clue.

What’s odd is that the oopa is from a very recent movie, but looks like it’s much older than that. Upon the pointing out of that fact, Kana suddenly collapses, just as Suzuha shows up, and instantly recognizes the girl for Kagari, the girl she lost. Well, now she’s found. What’s next; and is it merely a coincidence that she so closely resembles Kurisu?