Chio-chan no Tsuugakuro – 10 – Rumomoshpringa

This week, Momo asks a favor of Chio and Manana: to “assist” her in buying and consuming sweets. They’re a little confused at first, until they invite her to partake in their years-long tradition of sucking the nectar from flowers on their route. Turns out Momo is really into sweets, and gets really enthusiastic and hyper after eating them.

Chio and Manana decide not only to help Momo, but end up joining in the sugary bliss. I’ll point out that I’ve watched shows in which Momo’s behavior wouldn’t be so unusual (Shokugeki no Souma and Dagashi Kashi come to mind), so it’s refreshing to have someone yelling about how “Hokkaido is in her mouth” be regarded as the weirdo they are.

After all that sugar intake, Chio spots the wee ass-finger-poker and decides to follow her. The girl, named Chiharu, leads her right to Andou, who turns out to be her big brother. Chiharu is pissed that a girl from Samejima Academy made him give up the biker gang life, but she’s mistaken about a great many details.

Do Andou and Chio have…something between each other? Sure, but it’s not as if she’s a succubus who has Chiharu’s once-cool, now-lame brother in her thrall. And yet, when he tries to “scare” her into punching him the way she did before by copping a feel, both of them are embarrassed more than anything else.

Enter Manana, whom Chio informed the poking girl was in her sights, and has come for some revenge. She punches Andou out cold simply because he’s in the way of that revenge, but an unconscious Andou still manages to reflexively rise up and protect his little sister, who now pretty much believes Chio when she says she hasn’t made Andou her sex slave.

The final segment is presented without dialogue in a nice change of pace, and chronicles Andou’s attempts to befriend a cat. It highlights both Andou’s basic decency and humanity, as well as his continued interest in Chio.

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Chio-chan no Tsuugakuro – 09 – A Need for You Somewhere

Chio was up all night gaming and not studying for the exams, so she resorts to praying at a shrine for divine assistance. Instead, they meet the creepy high school girl-obsessed “Master” whom their Kabbadi nemesis “trained” with in the park. While an unapologetic creeper, you have to respect the man’s commitment to his craft. He remembers his time as a high-rolling salaryman that women were only hired for their looks, not their academic bonafides.

Thus he and Manana try to give Chio a makeover, first with a blonde wig that ends up way too Showa Era, then a more classic old-fashioned wig that, while suiting her “plain face”, looks very odd when combined with her school uniform. Manana and Master’s running commentary is a constant source of laughs, as are Chio’s funny little background sounds.

Manana and Master perhaps praise Chio’s ‘do too much, for she starts to believe she’s “made it”, attractiveness-wise now, and decides to show them her sexy side by, ahem, pole dancing on the shrine grounds. Their reaction says it all. And the fact Chio picked up how to pole dance from a video game (and can pull it off due to her surprising athleticism) made it all the more wonderfully weird.

Speaking of weird, Chio appreciates things few other girls her age appreciate, like a pipe hanging over a waterway that’s made as hard to cross as possible…but for a valve that serves as a “safe zone.” Chio compares it to a strong, strict man who nevertheless has a kind side.

Speaking of such men, Chio and Manana encounter Andou numerous times during their walk to school, and it occurs to Manana that he seems to be trying extremely hard to impress Chio, and it’s working. She suspects (correctly) that he likes Chio and this is his way of courting her: using special moves to get papers in slots, smoking a cigar…you name it.

Then Manana imagines a future in which she’s still too poor to buy a small car, but Chio is living it up in her Porsche 718 Boxster with a very successful Andou by her side (and hilariously, sporting the same Showa hair/overdone makeup from the makeover segment)—with a haughty accent to boot.

Manana cannot allow such a future to occur, but Chio figures out for herself that Andou might like her (revealing to Manana that they have each other’s contact info). But Chio is immediately “proven wrong” when she and Manana spot Andou pressing another guy against a wall with his foot high up in the air.

Andou, wrongly assuming Chio was a hardcore fujoshi, decided to lift a special pickup move from a BL video…but Chio is still just occasionally glancing at the one mag she bought at the konbini. Instead, she assumes Andou is into guys and she and Manana give the men some privacy.

Later, Chio curses herself for ever believing anyone would fall for her, but Manana quietly insists she’s wrong. And she is! Who wouldn’t fall for Chio?!

Chio-chan no Tsuugakuro – 07 – Inner Fujoshi

Chio’s preference for Western-style hardcore shooting games puts her in rare company in Japan, such that she often has to pay extra to play them in Japanese. She also knows of only one konbini where a magazine covering those games is sold, until one day, it’s just not there.

Instead, there’s more BL game mags in its place. However, Chio’s lack of experience in the genre left her with the misconception all the L involves scrawny Japanese Bs. What ultimately sells her is the type of hardened assassin she loves to play in her western games.

Chio has discovered an exciting new world, but she has to interact with her old friend Andou in order to purchase it. She tries to make the mag less pervy by sticking chocolates on the shirtless ad guy’s nipples, but that only makes things worse, so she builds a kind of crop tank top.

Andou is initially distracted by the free driving school catalog Chio originally used to cover the BL mag, thanks in part to a coincidental “BL” in Chio’s email address, Andou gets wise to her purchase despite her efforts, though he makes it clear he’s not judging!

I must not have had a very eventful childhood, because me and my friends never played a game in which we tried to stick our fingers up each other’s butts. However, this seems to be a thing in Japan, and it’s explored in a gross but fun segment in which a girl from a rich middle school challenges Chio and Manana to a duel in; a challenge they initially ignore.

The girl forces the issue by zapping Manana, and is then surprised to find Chio has formidable skills (having had a crappy middle school life herself). But it’s ultimately Manana coming from behind to exact payback. Chio ties off her thumbs and holds her captive in the park to try to discern her motives.

As far as they’re concerned, the girl’s goal is to leave no ass unplugged. She slips out of her bind and gets Manana again. Chio is then given a handicap when the two end up in the middle of a busy part of the park, surrounded by adults and kids. Chio has to be careful about what she does to the girl here; the girl has no such compunctions.

This puts Chio on the defensive, and she ultimately proves her own worst enemy when she backs herself right into a broken protruding tree branch. However, the girl isn’t able to deliver the coup-de-grace, as she’s snatched up by Kushitori, who is still training in the park.

She offers her own ample posterior for the girl’s punishment, then delivers a thoughtful lecture on respecting each other’s bodies. The girl is initially charmed by Kushitori, but Chio snaps her out of it and she leaves having learned nothing.

In the final segment, which is just a quickie but says a lot, Manana and Chio spot a lonely-looking old woman sitting by what used to be a hydrangea patch in the forest, but is now built-up with concrete, glass and steel. They lament how modern society has trampled on the memories of previous generations.

Turns out their romantic imagining of it being the spot where she and her love met was nothing but a fiction. In reality, the woman is slumped over playing an addictive game on her phone. She’s in that particular spot because she can steal free wi-fi from the cafe nearby. When a barista comes out to shoo her away, she chews him out in kind, shattering the girls’ romanticized dreams.

Wotaku ni Koi wa Muzukashii – 11 (Fin) – What We Like Never Changes

We begin the finale of what is likely only the first of two (if not more) seasons of a solid Working!!-like anime that focuses on young working adults and their relationships, with Koyanagi and Kabakura in a kind of domestic bliss, just enjoying a day off reading manga and drinking tea as a couple.

Narumi wants that kind of normalcy in her partnership with Hirotaka, so she decides she’ll arrive at his house unannounced. Neither of the welcomes she comes up with in her head come to pass; instead she finds the door unlocked and Hirotaka all but passed out, exhausted and starving as a result of playing games and doing nothing else.

Before getting into a bickering match with Kabakura about BL and finally getting him to agree to try it out, Koyanagi has a phone chat with Narumi, who is in the act of doing “the girlfriend thing” of taking care of her man like his mother would have earlier in life. It’s an outmoded dynamic, but there is no doubt it is the norm in Japan, and America as well.

Narumi quickly learns that her boyfriend will walk around his apartment naked after bathing in search of a towel, and that even the few articles of food in the house were brought there by Naoya, who performs the girlfriend duties Narumi wants to do whenever he sleeps over.

Kou’s route with Naoya inches ever so slightly forward, with it seeming far more likely Nao is unaware she’s a girl than not; perhaps we’ll see more (slow, steady) progress there in sequels. Meanwhile, Narumi takes Hirotaka out on a mandatory walking “date,” before remembering that not only is her favorite seiyu on a variety show, but that she specifically wants to see it with Hirotaka.

In other words, she wants to share what she likes with the person she likes. Who doesn’t? Hirotaka then puts actual effort into his running in exchange for another girlfriend-cooked meal, just as Hirotaka wants to just Netflix and chill with her after dinner. A very chill ending to a show that I suspect has a lot more stories big and small to tell down the road.

Wotaku ni Koi wa Muzukashii – 07 – Playing a Netoge, Then Eating Out Separately

This week’s WotaKoi is split between two completely different stories involving the core quartet, which is probably for the best as I doubt either one could be sustained for the entire episode’s length. Feeling more than ever like two distinct episodes works to both stories’ advantages, as neither wears out their welcome.

Most of Part One is presented within the virtual world of a fantasy netoge the crew has agreed to play together. The warrior Kabakura and elf assassin Narumi are the first to arrive, and Kabakura is thoroughly charmed by Narumi’s adorable avatar.

Not too much later the sexy black mage Koyanagi joins them, but when they end up in a random encounter with a rare boss, they’re almost undone when Hirotaka’s avatar is being controlled by Nao. Once Hirotaka takes over, he literally takes over, as in defeating the boss and collecting the loot as if he were playing solo, without any cooperation from the others.

Despite being perhaps the least enthusiasm for the game, he’s still the best at it and his player has the maximum level, because, well, he’s a game otaku. Acing games is kinda what he does.

We’re back in the real world for Part Two, as the guys and gals split off for a night of drinks and dinner. Hirotaka and Kabakura must patiently endure their two junior co-workers talking non-stop about Narumi and Koyanagi, including getting their personalities and traits totally wrong due to their lack of interaction with them.

Meanwhile Narumi and Koyanagi are poised to have a lovely dinner chatting over the anime Narumi had Koyanagi borrow and watch…only for the two to, as usual, hold opposite views regarding said anime. They regain common ground in considering their boyfriends in BL situations, but once again butt heads over which of them should be on top.

When dinner’s over, the four end up running into each other on the street. With the junior co-workers there, the two couples play things cool and quiet, not overly indicating they’re dating each other, and merely bidding each other goodnight.

It was definitely a case where things might’ve been easier (or at least less irritating) if Hirotaka and Kabakura had simply said they were dating Narumi and Koyanagi, respectively. But at the same time, it’s really not their business, so the lads are content to endure their ignorance for the sake of romantic privacy. And rightly so!

Watashi ga Motete Dousunda – 12

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And so Kiss Him Not Me comes to an end, with the ending pretty much in the title all along. Mutsumi’s sudden realization of his romantic feelings for Kae make her other four suitors scramble to keep him away from her, but he eventually outsmarts them with a P.A. announcement calling Kae to the school roof.

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Mu, however, does not discourage the others from joining him on that roof and letting their feelings be known. With everyone saying they like her, clearly, and asking if she’ll go out with them, the onus is on her to choose.

Kae flees to A-chan with her predicament; A-chan is understandably frustrated with Kae putting everything in fujoshi terms, but the solution they come up with is for Kae to do things dating-sim-style. The scene is another hint that Kae simply isn’t ready for a 3D romantic relationship.

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She goes on dates with each of the suitors, and has a wonderful time with each of them, as each of their charms are laid bare before her. But it doesn’t make it any easier to choose among them; indeed, it only make the choice harder and more confusing.

All five are great, they’re just lacking that special something that would compel her to choose one over the others. Which is why, in the end, she chooses no one. The status quo prior to their confessions is the situation at the end, for Kae doesn’t “love” any of them the way she loves Shion, who may be resurrected in a new season of his anime.

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So there you have it. Kae has never subscribed to the notion that the princess belongs with the prince, or even that the princess belongs with another princess. She’s all about 5×7, tops, bottoms, and lords. Furthermore, she lives a full and happy life not with a boyfriend or girlfriend, but with her sixteen waifus.

“Sorry, that’s how it is,” she says to her shocked, former suitors. And I can’t really feel that bad for them. They’re all still friends, both with her and with each other. Hopefully they can get over the fact she’s not the kind of girl who’d date them, and never was.

It’s a fitting end to a satisfying, if not perfect show that centered on a genuine ‘unconventional’ girl (whatever that means) who may be a bit naive when it comes to romance, but in the end knows what she wants and what she loves, and isn’t about to conform.

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Watashi ga Motete Dousunda – 11

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Mu’s ill-advised attempt to convince his brother that Kae was already his girlfriend is undermined by everyone else, and only ends up emboldening Kazuma, who now knows that all of them are into Kae, and he’s only too happy to throw his hat in the ring.

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One by one, the group falls before Kazuma, who uses tactics that exploit the weaknesses of each person, be it Shi’s skittishness, Nana and Iga’s reputations, or Shina’s first doujinshi.

It feels a little Wile E. Coyote, in that each character gives up after one attempt to thwart Kazuma, but the point is that only one person can stop him, and he can only stop him by shedding the “meek little brother” act of always conceding everything to him.

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Kazuma is the way he is because Mu always gave him what he wanted. But as he demonstrates in the obscure Sengoku era-themed card game duel, Mu is not willing to cede ground to his brother. He cares too much about Kae.

In an amusing, if not particularly thrilling card duel (during which the gathered crowd and everyone but Kae constantly mention they have no idea what’s going on) Mu executes a just-barely-legal, gutsy move Kazuma did not expect, defeating him by all means at his disposal.

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Mu’s newfound intensity and confidence gets through to Kazuma, who accepts defeat graciously; not something I thought would happen after he locked and taped Mu in a locker just a couple days before. But Kazuma is happy Mu finally stood up for himself.

The group is happy Mu won…right up until the moment he capitalized on his victory by confessing his feelings to Kae, who seems to react positively. That naturally puts the others on edge, as with Kazuma (probably, hopefully) out of the picture, Mu is now back to being their rival for Kae’s heart. Even though she’s content to have sixteen fictional waifus.

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Watashi ga Motete Dousunda – 10

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This week marks another single guy-centric episode, but like Shinomiya’s, instead of the same Mutsumi we’ve gotten week-to-week, we get an overdone charicature, only not quite as overdone as the klutzy Shi. Combined with a somewhat lame first half involving a cave adventure that turns out to be pointless and a disaster of a second half, this was Kiss Him Not Me’s worst outing.

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The adventure is stale, and while the idea of Mutsumi not knowing whether he romantically likes Kae (like the others) is interesting, Mutsumi has always been the kind but rather dull one, and having him carry an episode, even half of one, just doesn’t do it for me.

Nor does his sudden intense fear of darkness, which is not much more than an excuse for Kae to take his hand and lead him through the cave. This is a guy who stripped both himself and Kae down to warm up her underheated body. It makes zero sense for him to be so flustered about holding Kae’s hand now.

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Things only get worse when Mutsumi’s older, creepier brother shows up as a student teacher. Setting aside the fact that his bisexualism (if it’s really even genuine) is handled about as seriously as a show like this could be expected to handle it; this guy straight up tells underage kids he could totally sleep with any one of them. That’s a fireable offense at best.

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Not only that, he takes an interest in Kae, to the point he invites her to lunch after running into her in Shinjuku (despite her clearly being uncomfortable with the idea), then takes advantage when he has to catch Kae from falling to make a move on her. Mutsumi is able to stop him before anything happens, but the look on Kae’s face is all you need to know to determine that this guy’s a sketchy creep, and I’m not sure how else we’re supposed to see him.

That he intends to “bide his time” until he’s no longer teaching there to “pursue” Kae (without any input from her about what she’d think about such a pursuit) doesn’t make him any less detestable. Even if he’s only putting on an extra-skeevy act to try to motivate Mutsumi to ask Kae out, it doesn’t change the fact he’s being totally inappropriate with a student.

I can forgive this show’s dancing around the whole weight thing, but not this. The fact is, the show just isn’t that funny right now, and that’s a problem.

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Watashi ga Motete Dousunda – 09

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It’s a beach episode, folks, with a lot of familiar elements from that subgenre, including vertical pan up to unveil the ladies’ swimsuits. Shiny! It’s also a rare Shinomiya-centered episode, in which most of the inner dialogue comes from him as he struggles to impress Kae, and makes mess after mess of trying.

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From accidentally launching himself into her boobs on the beach to having to hide behind his bigger friends as they scare off some creeps, Shino’s feeling particularly inadequate this week. When he knocks her down trying to save her from a snake, causing her to drop all her kebabs on the ground, it’s the last straw, and he runs off in tears.

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Concerned for Shinomiya’s well-being, the gang chases after him, but he manages to get way far ahead of them for some reason, while Shina seems oddly un-knowledgeable about the environs of her family’s beach manse. The gag with the bridge that breaks but the gang (sans Kae) only “plummets” a little is funny enough, until you wonder how that fall (which is at least ten feet) didn’t hurt anyone. They can’t blame mushrooms this week!

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Some odd choices about the journey to save Shino aside, I did enjoy how the two fujoshis embrace him for his “klutz appeal”, which ties into the themes of the show thus far. But it felt like someone jacked up Shino’s Klutziness and Anxiety Quotients to 11 for this and only this episode.

In trying to deepen the character, the show turned him into a outlandish caricature of himself. Of the episodes thus far that have centered on a single guy, Shino’s has been the worst. It wasn’t a bad episode, but I know Kiss Him Not Me can do better.

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Watashi ga Motete Dousunda – 08

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Every time it looks like one guy, say Iga, has the inside track (gradually teaching Kae to be comfortable touching a guy with innocent handshakes), conditions allow for a shake-up. Enter Nana, who is concerned about being the least close to Kae of all the others.

When Kae, dirt broke from the pilgrimage, gets a job at a theme park dancing in a Puri Puri Moon show, it’s Nana’s time to shine, as he’s watched, danced, and sung every song in PPM’s repertoire every weekend with his adorable little sister Kirari.

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As such, Nana is the one and only one who can get closer to Kae this way. The others try, but the hiring staff of Usami Land find other part-time jobs that better fit their particular skills and circumstances. As for Nana, he puts everything he has into training for the role of the Dark Prince, even at the cost of his health, suddenly collapsing with fever.

Kae has him brought home, then takes care of him by cooking him food before he takes his medicine. She manages to bond with Kirari a little, but not to the point Kirari is willing to let Kae have her brother, whom she wants to marry. But their shared knowledge of PPM is a definite ice-breaker.

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Then things get dark, and I mean really dark, as a fever-addled Nana, essentially dreaming while awake, grabs, kisses, and holds down Kae, who isn’t strong enough to break away. If it wasn’t for an improbable Iga to the rescue, who knows what might have happened.

The show does not contend for a second that Nana was just getting the better of his hormones to awful result; he was well and truly not in his right mind. I have no reason to doubt that, and neither does Kae, but that doesn’t change the fact it was an awful and terrifying experience; one that makes her nervous about touching any guy again, including Iga, the guy she was making such nice gradual progress with.

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After apologizing profusely both on the phone and in a very public display of begging outside Kae’s bedroom window (much to the chagrin of her older brother), Nana regains Kae’s trust in the heat of a PPM show gone awry, when three otaku n’er-do-wells must be dealt with, requiring Kae to take Nana’s arm/hand on numerous occasions.

I’ll admit the frozen faces of the character outfits were a little unsettling (not to mention an obvious trick to save money on animation), but that’s often how such theme parks operate; the labor they have at their disposal isn’t always going to remotely resemble specific anime characters.

Indeed, the frozen faces served at least two laudable purposes: they provided a literal “padding” between Kae and Nana to facilitate healing between them, and it also served as a semi-biting commentary on the culture of such shows: play the right tune and bust the right moves, and facial expressions, to say nothing of plot and character, are all irrelevant.

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Watashi ga Motete Dousunda – 07

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In the most bizarre and surreal episode of WagaMoDo, the newly-restored duo of Kae and Shina suddenly declare they have to go on a pilgrimage to the resting place of Hyakki Sametora, the feudal lord upon which the Lord in their anime is based. The only truly enthusiastic guy is the history buff Mu, but the other three tag along nonetheless. Reasonably priced-but-not flashy hot spring innage ensues.

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The night they stay at the inn, Iga accidentally falls on Kae during a pillow battle, and her reactions indicate to Iga that she didn’t dislike that accident. When they end up on the same swan boat (to the possibly cursed island where the lord’s head is believed to reside), he takes her hand and tells her if she’s not used to being so close to a guy, to get used to it…and she does not protest.

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Unfortunately for Iga (but fortunately for us), when a sudden storm maroons the group on the island, Kae ends up rescued by Mu (while Iga has to give Nana mouth-to-mouth; an event Shina captures from many angles with her waterproof phone). When Kae collapses from fever, Mu has no choice but to get her to shelter, disrobe her, and use his body heat to get hers up. He does so with the utmost gentlemanliness, while Kae is too out of it to be embarrased.

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After that…things kinda go off the rails, as the show suddenly picks up a lot of supernatural elements. The ghost of the lord makes the others walk around in circles, then attacks Kae and Mu, who use the charms they bought at the gift shop to neutralize him. Eventually Kae “exorcises” Sametora when he realizes his legend is not a negative one (thanks in part to the anime that pretties him up and makes him either a top or bottom).

All the supernatural elements are (mostly) explained at the very end once the group gets to shore by a very unexpected and hilarious twist: the restaurant where they ate lunch accidentally used hallucinogenic mushrooms, so they were tripping balls the whole time, likely including during the storm and “lake whirlpool”. Overall a pretty fun episode.

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Watashi ga Motete Dousunda – 06

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This week’s WagaMoDo explores one of the pitfalls of fujoshi friendships: what happens when they develop opposing views on which guy in a new anime is on the left side of the shipping “x” and which guy is on the right. Kae is adamant that it’s Lord x Akane; Shina the opposite.

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Once the guys figure out what the heck the girls are actually on about, they set to work trying to mend fences. Igarashi in particular tries to counsel Shina on the error of her ways, but both girls remain ruthlessly stubborn, finally entering into a fan-fiction writing duel that Shina will likely win with her superior writing experience.

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Shina is so caught up in her “justice” that by the time she’s loudly gloating her (surprisingly narrow) victory, Kae is on her hands and knees on the roof, sobbing her eyes out, still not willing to concede Shina’s right. That’s when Iga brings the hammer down: Shina, who claims to love only what is beautiful, has done something ugly…and she knows it.

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We get a lot of Shina’s backstory, from when her talents were shrugged off as a product of her family’s wealth and status, to her need to “find a place for herself” in the world, to her interactions with Kae, whom she always thought was beautiful.

Reminiscing on the events that led to her friendship to Kae, Shina soon realizes she must make amends. Enter Iga once more, giving up Kae’s whereabouts when she won’t answer Shina’s call. Shina arrives just as Kae is also coming around to realizing that she doesn’t want her friendship with Shina to end just because of a relatively petty squabble.

They both compromise, stating Akane and his Lord to be “versatile.” A great episode that deepens our understanding of Shina and presents a very realistic situation in which something small and seemingly innocuous can turn into something big and destructive, but the two girls’ friends never stopped trying not to force them back together, but get them to see for themselves that together is where they belong.

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Watashi ga Motete Dousunda – 05

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This week Kae quickly gains a lot of weight and puts her gang of boys on the spot about why they stay with her. It’s an episode that tries to have its failed Valentine’s chocolate and eat it too, and it almost worked.

First, I like the idea that Shina, whom we don’t know that well, may have actually planned to fatten Kae back up, even if it’s never explicit that’s the case. All we know is, she wan’t entirely joking in drawing a line in the sand between her and the guys for Kae’s heart. She likes Kae, and not simply because she’s thin.

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When Kae shows up at school back to her original self, the guys’ reactions are predictable: Nana and Shi don’t know what to do with themselves and what it to just be a bad dream, as they’re the shallowest and least adaptable of the guys. Kae’s weight has never been much of an issue with Asuma, but he barely makes an impression in the episode.

And while Kae is willing to train to lose weight back, Nana and Shi are overzealous and as a result she ends up overworked and exhausted, without any quick loss to show for it. That gets the protective Shina mad at them for having ulterior motives for her “re-self-improvement”, but she’s no saint herself, as she goes on record as saying she loves round cute things like Kae has become.

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I like then how neither Shina nor Nana are portrayed as right or wrong, only that they both need to think about what’s motivating their actions (their own desires), blinding them from what Kae might actually want herself.

It’s Igarashi who attains a certain level of growth this week, when after a whole day of being doted on by Shina, he takes Kae to the roof and her inner beauty of kindness and honesty is re-revealed to him. Regardless of Kae’s appearance, Igarashi is certain that he likes her.

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Where the episode kinda falls down is when Kae inevitably returns back to her rail-thin, magazine-gorgeous self by the end, returning things to the status quo. I liked how despite some very vigorous attempts by the guys, simply changing Kae back wasn’t as quick or easy as her regression-by-chocolate.

While Fat Kae really yuk-yuks it up with her exaggerated voice and movements, I still would have preferred a more gradual, less black-and-white transition that felt less “magic”. The first time she slimmed down, it was due to an extended fast. At least this time it was coming from a far more positive and healthy place, but it’s still rushed, moving us along without fully exploring the ramifications.

It makes me wonder if the show will bother with another “regression” to her original self, or if this has closed the matter of whether the guys will stick with her no matter what.

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