Ao-chan Can’t Study! – 04 – A New Challenger Approaches

After waking from a recurring dream where a younger Ao is teased by her peers for the origin of her name (which is messed up enough) things only get worse for Ao, as her father presents her with a gaudy envelope left by a young woman. Inside is a photo of the girl in bed with Takumi.

Ao doesn’t understand why he’s chasing her if he already has a woman…unless he wants a threesome (he doesn’t). But his soccer senpai says Takumi attended to a mixer and claims he “went home” with one of the girls there. The “confirmation” leaves Ao a wreck…though her father didn’t help by painting the girl as resembling one of his “insatiable beauty” characters.

The girl in question turns out to be Takaoka Miyabi, one of Ao’s classmates in grade school who knew her raunchy name origin. Miyabi makes it plain to Ao: shit or get off the pot. Correction: just get off the pot; she wants Miyabi and she detests women who string men along, like she thinks Ao is doing

Of course, Ao isn’t doing that: her delaying is the result of her struggling with feelings she’s never felt, doesn’t understand, and which have been warped by her unorthodox upbringing. When Takumi calls her to assure her nothing happened at the mixer, Ao has already made up a narrative of what happened—and what’s happening—in her head.

So she tells Takumi not to talk to her at school anymore. He doesn’t, and avoids her, which neither of them like, and Miyabi swoops in and snags a date with him.

Everything would seem to be going to plan for Miyabi, who is, ironically using the very “manual” written by Ao’s dad, under a female pseudonym, that he also offered to his daughter. There’s just one problem: Takumi has no romantic interest in her, is concerned with Ao, and she can tell.

Fate itself seems to favor Ao when she and Takumi end up together in a haunted house—though it’s so dark they don’t realize who each other are until simulated lightning strikes reveal it. But their fight continues, as Ao insists Takumi find Miyabi and continue on his date.

Later that night, Miyabi is determined to take Takumi to a hotel and get a real picture with him; the one she sent Ao was simply photoshopped. Her impressive ‘shopping skills aside, she can probably no doubt sense Takumi’s distraction from Ao…and so asks what he’s going to do about her.

Takumi doesn’t know because he’s not sure whether Ao likes him or not, but the way he describes her flaws as things he’s not bothered by makes it clear he’s not over her yet. So Miyabi tells him Ao doesn’t like her, and is merely being “cocky” making him wait for her answer. But she assures him that her emotions and intentions are clear.

Quite the stirring soap opera hot pot we have simmering here! I must say I wasn’t expecting such a cliffhanger, or for a half-length episode to be packed with so much story. What will young Takumi do…take the easier route with a willing Miyabi, or try to make up with Ao and, in doing so, provide a means for them to gain more insight into each other’s feelings?

Iroduku: The World in Colors – 12 – The Firework Called Love

Yuito and Hitomi’s embrace late last week felt like a turning point in their romantic development—as scenes  in which two sides of a couple run towards each other in the middle of the night tend to feel. But the aftermath of that embrace is tempered by two factors this week.

The first is the looming dread of Hitomi having to return to her time, despite not wanting to. The second, and possibly most unfortunate, is that as romantic pairings go, Hitomi and Yuito are just a bit dull. The flame of last week’s dramatic gesture was fizzled out rather quickly and anti-climactically, without so much of a hint of the ever-important confession.

But maybe that was the point. After all, what’s the point of confessing your love to someone you may never see again…though considering Kohaku is still around in the future there’s a good chance Yuito could be too—more on that later.

The club has a festival to execute, and despite her issues, Hitomi puts on a brave face and gives it her all. The result is some of her most impressive magic to date; Kokahu notes after the immensely successful first day that it’s the result of Hitomi’s training, not to mention being around people she wants to make happy with her magic, something she didn’t have in the future.

Back home, Kohaku’s folks have prepared a lavish feast to send Hitomi off, but some of their practical logistical talk initially harms the mood until they drop the subject and just let Kohaku enjoy her last night there, while preparing for her last day.

Festival-wise, the second day goes as well as the first; so well that Asagi, having made a mint off her bunny postcards, decides to kick Hitomi and Yuito out of the clubroom to explore the festival together, a sweet gesture on her part that shows how far she’s come.

Asagi later tells Shou people shouldn’t apologize for having liked someone (in his case Hitomi). She respects how Shou was able to put himself out there, and hopes one day she’ll have the courage to do the same. Naturally, she doesn’t specify whom she’d muster the courage to confess to, and even if she did, Shou still might not quite get it.

As for Hitomi and Yuito, they have fun running around the festival, culminating in a visit to what frankly seemed like a pretty lame haunted house—only one thing jumped out at them. Still, the darkness is an opportunity for the oh-so-timid couple to hold hands some more.

When they exit, Hitomi decides to cut their break short, perhaps satisfied with the moments they shared, but possibly also because she doesn’t want to get too deep into anything so close to ZHIEND.

During the festival wrap party, Kohaku and Hitomi join forces once more to create magical fireworks. While watching them burst in the sky, Hitomi describes how she feels, and Kohaku remarks that it sure sounds like it’s “happiness.” In that moment, Hitomi sees color in the fireworks—a huge improvement from when she saw them in black and white back in the future.

Unfortunately, the fireworks are the only thing she sees in color, and when they’re gone, her vision is back to monochrome. Perhaps there’s one thing she needs to do to make the colors permanent: tell Yuito how (I presume) she feels.

Whether she can do that in the past, or track him down in the future (when I imagine he’d recognize and remember her, as would the others), who can say. Maybe she’ll never confess openly at all, or maybe the magic ritual with the clock won’t work. However happily or bittersweetly it’s likely to end, I’m eager to see how this story resolves.

Eromanga-sensei – 04

Whither Yamada Elf goest, so to does Eromanga-sensei (the show, not the artist). Starting out as a caricature of a super-arrogant, condescending brat with delusions of grandeur, Elf’s become a lot more balanced in the last two episodes.

She also reveals that delusions aside she’s a highly capable, multi-talented person, as evidenced by the lovely, tasty-looking meal she lovingly prepares for Masamune. The reason she’s happy to cook is that she gains perspective on how characters in her stories feel when they’re cooking for those they have their eye on.

Sagiri has also picked up on the quickly evolving relationship between Yamada and Masamune (even if he doesn’t see Yamada as a serious love interest), and calls Masamune a liar for saying they don’t get along, when he’s clearly there all the time.

Combined with the result of bringing up the drawing of large-boobed women (Sagiri can’t do it because she doesn’t have them herself), Masamune ends up shut out of her bedroom once more, though the core of her disappointment is his refusal to come clean about the neighbor.

The day the two authors are to reveal their stories to one another, Masamune arrives at Elf’s house to…no welcome whatsoever. I fully expected him to barge in on her working (or doing something else) in the nude, but I was pleasantly surprised when he found her all covered up.

Specifically, she’s in a very practical sweatsuit, with bags under her eyes instead of ringlets beside them, and a very serious look on her face. This is all Masamune needs to realize all her talk about writing light novels being a mere “hobby” is a bunch of codswallop.

More evidence is presented when the two read one another’s manuscripts before turning them over to Eromanga-sensei. He’s reliably blown away by her story, a page-turner seemingly perfectly tuned for Eromanga’s stylus, right down to the small-boobed characters in cool outfits. But Elf is also blown away by Masamune’s…just not in the same way he is by hers.

It’s not that her story is in any way worse—on the contrary, it would likely sell many orders of magnitude more copies than his—it’s that this isn’t a competition for the most bankable LN. It’s a competition for Eromanga’s services and after reading Masamune’s manuscript, Elf is so sure she can’t compete, she tosses her manuscript straight into the shredder (much to Masa’s dismay).

Reading it also confirms to her that Eromanga-sensei is his little sister next door, and that’s why she can’t compete: it’s a 300-page love letter, for chrissake. It’s not even meant for any other reader but her, which is why Elf is both outclassed and beet-faced she read it at all.

When Masamune finally gains access to Sagiri’s room—via the window in a frankly needlessly reckless stunt that could have gotten him killed and resulted in ending up in a very lewd position with Sagiri beneath him. There, he learns why she hasn’t opened the door for him in two weeks: she doesn’t hate him, she’s been improving her drawing, both battle scenes and bigger boobs.

Her take on his dalliances next door was that the neighbor was a rival artist trying to take “Izumi-sensei” away from her, while he kept the wager secret because he was worried she’d be seduced by the more famous and successful Elf. With the misunderstanding cleared up and his victory sealed (she’d never leave him for another author), she reads the manuscript.

Like Elf, it’s embarrassing for her to read; doubly so since it’s about her. And while she considers it an interesting story, he’d never be able to release it as a book, because it’s just too personal. She also, not in so many words, rejects the implied confession the manuscript represents (at least, Masamune seems to take it as a rejection).

Masamune is fine with that rejection, but he’s committed to re-working the story into something he can show to his editor, something that will sell and garner a huge audience, and eventually, get awarded his first anime adaptation, putting him on the same level as Elf. Most importantly, his goal is to get Sagiri out of her room so they can watch the first episode of their anime together in the living room.

While I thought this was Masamune going too far and was sure it would put Sagiri off, I am surprised yet again when Sagiri take a couple steps outside her room; the first steps in many to come on their quest to create an anime-worthy book. Let the goal-striving begin.

Eromanga-sensei – 03

When Masamune investigates the abandoned, possibly haunted house next door, he’s surprised to find Yamada Elf has just moved in: and likes to play the piano naked after a shower to get inspired to write.

After the standard accusations of peeping tommery, she invites him in, and most of the episode is given over to making Elf a little more dimensional, if still grating in her intense, obnoxious arrogance.

As Sagiri’s bedroom window faces Elf’s office, you’d think it wouldn’t be long before she found out who Eromanga-sensei is, but Elf sees Masamune’s sister and thinks she’s just that: a little sister who has fun drawing, not the person whose services they’re fighting over.

It’s also a bit shitty of Masamune not to even mention to Sagiri his little wager with Elf, considering Sagiri is the ‘prize’. Then again, it’s a good thing that Masamune isn’t the perfect MC while everyone around him is flawed in some way.

Indeed, Masamune’s flaw seems to be that in spite of Elf’s toxic personality, incessant pretentiousness, and pronunciation of ahhh-neee-may, he can’t help spending time with his new neighbor, nor indeed being a fan himself, even if meeting Yamada-sensei wasn’t what he expected.

For a time, it doesn’t seem like Elf invited Masamune in just to rub his nose in her superior success, but to spend time with a fellow author. She earnestly asks why he’s a fan, and he earnestly answers: after a death in the family, her books cheered him up. They taught him that novels can “save lives” of some readers, and for that she has his heartfelt thanks, competition or no.

Elf’s reaction betrays a softer, more genuine side to her, even if it’s short-lived and she’s back to being awful the next day. But it’s also clear that she’d rather have Masamune around than not, and also strongly disagrees with his workaholic approach to authoring, as she considers her job a “hobby” and only writes if her motivation is maxed out.

Despite knowing nothing of their competition involving her, Sagiri is uneasy anyway because her big brother, who has been All Hers up to this point, is suddenly ‘in the web’ of a cute, rich next-door neighbor.

While her music and online fans keep Eromanga merry, I feel one of the factors that drives her motivation to draw is knowing Masamune will always be there in the house, serving her meals and protecting her.

Yamada throws a thorn in that arrangement, and it will be interesting to see whether that motivates Sagiri to explore beyond her room. But yeah…Masamune really should tell her about his wager with Elf.

Hibike! Euphonium 2 – 06

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Still basking in the glow of the band’s great victory and progression to the October Nationals, the girls relax a little at Kita High’s cultural festival. Kumiko, Hazuki and Midori try their hand at a maid cafe (so passe), and on her break Kumiko and Reina hang out a bit; all the while with Kumiko wondering whether to tell Reina what she knows about Taki-sensei.

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The festival also marks a rare appearance by Shuuichi, whom I sometimes forget exists. He’s kind of a weird but novel male romantic interest in that regard: he’s almost never on Kumiko’s mind, and she makes the same exact annoyed noise whenever she spots him, yet she still relies on him to help her get through the haunted house. Shuuichi has something to say to Kumiko, but the poor bastard is blocked by Reina dressed as a pretty scary ghost.

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Throughout the festival, Kumiko seems almost restless, and sure enough the “nonchalance” ends when a typhoon arrives, and she and the others get back into their routines, preparing for the run-up to some serious Nationals prep. But when Kumiko gets home, the colorful fun of her school’s festival is replaced by desaturated colors, a lack of eye contact, and an older sister who looks to her like a hypocrite now that she’s threatening to quit college.

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Kumiko, so quick to do what she can to help her friends (without getting too directly involved, mind you) is far less comfortable with her own personal problems, whether it’s whatever the hell is going on with Shuuichi (ahem, nothin’) or her family strife, her go-to move is to separate herself from the situation.

That leads to her ending up in Taki’s awesome Citroen Ami 8, as he offers her a ride home when her umbrella breaks. All of a sudden, Kumiko is up close and personal with a problem not her own: the Reina and Taki situation. And everything she sees and hears in this scene indicates Taki doesn’t seem ready to love anyone else anytime soon; after all, he still buys Italian Whites and wears his ring on the anniversary of his wife’s death. A

s lovely and mature as Reina is, I just don’t see it, and while I’m glad this didn’t descend in to a farce of Reina (or Shuuichi) spotting Kumiko being dropped off by Taki, it’s looking like Reina is setting herself up for heartbreak, whether or not Kumiko tells her anything.

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Watashi ga Motete Dousunda – 03

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R to L: Snow White, Eren Yeager, Shion

The Japanese government mandates that at least one episode of romantic comedies must be a cultural festival episode, but Kiss Him Not Me didn’t treat it like legal compliance; it put quite a bit of effort and its own wonderful brand of energy into it, making for twenty minutes of television that felt much longer, but had me wishing by the end it was longer still. All the positive aspects I mentioned in the first two eps apply here, and then some.

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This KHNM took its real life otome game theme to its natural next step: growing mutual resentment among the boys. The four of them are only together because they like Kae. Kae, a fujoshi, its perfectly content to keep things this way, but they aren’t. They want to court Kae properly, which means they need alone time with her (the last thing she wants).

It’s a great dynamic, and I’m glad it comes to a head so quickly in the series, and so organically, as a result of the give-and-take of the otome scenario. Kae formed a coalition so her class would vote for a cosplay cafe, and she gets to dress up all her boys the way she sees fit. But in exchange, she has to tacitly accept it when they set up time slots for alone time with her during the festival.

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To the show’s credit, despite her amazing physical transformation, Kae remains steadfastly Kae, even if she often manages to hide her baser instincts from the lads. She worries she won’t do well alone with guys, and then she goes and doesn’t do well alone with the guys. It’s the English title in a nutshell: She wants them to Kiss (or do other romantic things with) Him, not her.

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It doesn’t help that the guys are a little overeager. Nana backs her into a wall and they come close to a kiss, Mu achieves an indirect kiss through chopsticks; Iga takes her hand in his, then puts it on his knee; and Shi leaps into her arms in the haunted house, resulting in a fall and his face in her bosom.

It’s all just too much for Kae, who is completely un-inoculated against such romantic gestures. She rushes into the arms of her friend Akane, lamenting how impossible it all is. A-chan was initially amused that Kae had four dates with four hotties, but she’s quick to drop the ribbing and offer support when it turns out badly.

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But while A-chan is grabbing Kae a drink, Kae is accosted by three less-than-savory classmates, who make her guys’ aggressiveness seem coy by comparison. These guys aren’t even trying to be subtle: this girl’s hot and they’re going to get as much out of her as they can.

Then she gives one of them an uppercut, which both he and she thought was overreacting…but how the hell else is a girl supposed to act when there are hands all over her and a crotch in her face?

They chase her down the hall, but she’s rescued by Iga and Nana in the nick of time. Soon Mu and Shi are also there and the four locked in combat with the punks. Kae stops gawking and spluttering and yells, at the top of her lungs, “KNOCK IT OFF!” 

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Kae’s four guys hear her, and realize that and how they erred, and apologize, and all agree to take things slower so as not to overwhelm her again. Thus we return to the status quo, as expected, but it was a fun ride. The show didn’t want us to forget not just that these four guys really like Kae, and not just in a buddy-buddy way, but that when it comes down to it, they also don’t hate each other’s company.

When the time comes for the bonfire dance, the four agree to drop the romantic pursuits for the day and give Kae a little something for tolerating their forwardness (and the brawl, for which there was somehow no punishment). That something turns out to be another dream come true not just for fujoshi Kae, but her fujoshi BFF Akane: the four pair off and dance with each other.

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Momokuri – 21 + 22

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In a monologue around the halfway point, Momo describes his girlfriend as cute, smart, kind, hardworking…and a little weird. That last adjective sets her apart from other cute/smart/kind girls, some of which Momo knows, and one of which (Rio) harbors unrequited feelings.

And Momo likes the weird. She may like collecting his “used stuff”, but he’s always thinking about her in clothes he sees on TV; and is only too happy to get an indirect kiss from the teddy bear he won for her. Her weirdness helps him realize he’s a little weird too.

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The only things that frustrate him are not knowing where Yuki gets information on him he himself did not provide. It’s a secret she possesses, which means it’s distance she’s keeping from him.

Mind you, all healthy relationships have a measure of distance – you can’t be with someone every waking moment – and this is hardly a major crisis for Momo. He’s just…curious. And yes, tartar sauce on omelette rice is perhaps the weirdest part of him revealed thus far!

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Momo is also an easy-to-read, jealous fellow who is very possessive of Yuki. Under normal circumstances this would be distasteful, but Yuki happens to love his fierce protective nature, even when he slaps away the hand of Seiichirou (Ikue’s brother), who happens to be Yuki’s “Momoformant”.

It demonstrates he thinks and cares about her every bit as much as she thinks and cares about him, which makes her very happy. Neither of these weirdos could be good matches for just anyone, but they seem to be perfect matches for each other, which is why it’s so easy to root for them.

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Momokuri – 19 + 20

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Our next episode pair starts off with a nice monologue by Momo explaining where he’s coming from (loving parents he doesn’t see a lot) and how Yuki’s undivided attention is a new and exciting thing. This is the closest the show comes to drama, and while it’s no Orange, it gets the job done.

Since he’s come to like her attentions, Momo takes Rio’s words to heart about the distance Yuki seems to keep, but only confuses Yuki when he tries to rectify it.

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The thing is, there’s nothing that needs rectifying. Rio is observing this relationship from the outside; she can only tell Momo what she sees, how she sees it. Ditto Norika. But Yuki is just fine when it comes to Momo. While 90% of girlfriends would get jealous upon overhearing Momo call Rio cute, she seconds Momo’s opinion; Rio is cute.

Rio worries Yuki is an airhead, but it’s not really obliviousness. It’s a matter of point of view and confidence. Rio doesn’t have it, and Momo is still working on it, but Yuki is already there. She’s over the moon that Momo is on stage dressed up like a wolf, and not only happy all the other girls like him, but would think something was amiss if they didn’t. Momo’s a wonderful person; they should all like him.

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But it never crosses Yuki that Momo might slip out of her hands. What others think or her or Momo or the two of them as a couple is ultimately irrelevant. When Momo sees that as being passive or a pushover, and asks her to be a little jealous once in a while, it’s only more confirmation that he likes her. She’d probably be fine going out of her way to seem jealous for his sake, but not because he asked her to…because she wants to.

I honestly thought Momo already told Yuki he liked her, but perhaps I was taking his agreeing to go out with her as a confession. But the actual official confession happens here, and it only deepens Yuki’s feelings for him, to the point she gathers the courage to tell him the truth about her “collecting.”

The episode ends before Momo has quite grasped what Yuki means, but as I said, this isn’t a drama, so whether he ends up truly understanding the extent of Yuki’s…activities, I’m sure they’ll be fine.

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Momokuri – 17 + 18

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The rest of Summer Break breezes by without any contact between Momo and Yuki after accidentally ending up so close together. It wasn’t a matter of Yuki not liking it, but liking it too much and not being able to withstand any more. As a result, Momo is a little confused by their distance when the new semester arrives, but a nervous Yuki is later comforted by the fact that Momo not only worries about her, but is willing to call her to make sure everything’s okay.

Norika and Sawaguchi have a nice sidebar wherein the latter notices Yuki’s stalking, but comes to Yuki’s friend instead of Yuki directly, showing a degree of tact and delicacy. Norika is impressed by this, but as easily as Sawaguchi was able to detect Yuki’s bizarre behavior, he has a much tougher time reading Norika, who I feel genuinely believes he is a nice guy, even if her vitriol-spewing gives him cause to doubt it.

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Momo invites Yuki to a date at an amusement park, and the two have a grand old time, eventually ending up at the haunted house (where Yuki wants to hang off of Momo’s arm). A fortuitous power outage gives them both far more than they bargained for when Yuki trips on Momo, falls on him, and her hair gets tangled on his sweater button.

The house had legitimately made Yuki tremble in fear, so Momo’s correct and natural instinct is to hold and comfort her, which is what he does. Momo is surprised she’s more receptive to being held after running off and not being heard from the rest of the Summer, but due to the button entanglement they’re both in a situation of forced intimacy, and neither really has a problem with it.

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After they get entangled and Momo sees Yuki home, he crosses paths with Rio, who we know full well is jealous of Yuki, something she may only just be starting to realize when she gets to sit down, mend Momo’s sweater, and simply comes out and says things one could construe as critical of Momo and Yuki’s relationship.

Specifically, Rio sees Momo keeping a distance from Yuki, putting more value in his absence (and the trinkets he discards, like his button) than his presence, since his presence is often so overwhelming. At the same time, she sees Rio looking at Momo but not really looking.

What she really sees, jealous googles or not, is that Momo and Yuki are still fumbling through the basics of romance. Like Rio herself, neither of them have the slightest clue what they’re doing, and continue to put up walls when things get too intense. But there’s every indication, especially taking into account the progress they’ve made thus far, that they’ll figure it out eventualy.

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Tanaka-kun wa Itsumo Kedaruge – 11

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You’d think a pool episode would wear Tanaka out, but he can always float listlessly on the surface. When his normally relaxing, ordinary school life is infected by vigorous preparations for the cultural festival, we learn what is truly anathema to him.

In preparation for the bedlam, he tries to perfect his cloaking device, but to no avail: he has to perform some task, and the final ones available to him and Ohta turn out to be the role of haunted house ghosts.

Of course, initially, Tanaka doesn’t scare Shiraishi so much as surprise her when he so nonchalantly flashes her while switching how he wears his funeral robe (fortunately, he was wearing underwear).

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Ohta and Tanaka also have a sweet moment when they look on proudly as Echizen interacts with people other than the two of them and Miyano (though she resents their pride as somewhat mocking).

The haunted house turns out alright too, with a couple of little issues: Rather than a ghost in a well, Tanaka looks more like a leisurely bathing spa patron.

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As for Ohta, he’s far more scared of the house than anyone else, and so he must be replaced as star ghost. Miyano steps in, but ends up charming patrons rather than scaring them with her adorable demon catgirl get-up, even posing for pictures. Hey, it’s not what they were originally going for in a haunted house, but if the customers come away happy, who cares?

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During Tanaka’s break, he sees class 1-E has a Maid Cafe, and as a girl with very similar long black hair runs off to watch the drama club, I was all but convinced Tanaka would be forced into a maid outfit to substitute, with hilarious results. Instead, we got something even better: Echizen in a maid outfit, complete with bubbly welcome.

Of course, she realizes far too late who she’s welcoming, resulting in the longest—and best—comedic pause of the episode, ending with Echizen reverting to her usual brusque nature, demanding Tanaka go home and forget what he saw.

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Tanaka continues his quest for a refuge from the hustle and bustle of the festival, barging in on a kissing couple and coming up against a sign barring roof access. He settles on a cardboard box near the roof door, where he soon falls asleep. Ohta, who lost sight of him during the break from helping everyone who asked, searches desperately for his friend, stopping at nearly every food and sweet stall on the way—this is a cultural festival, after all, one must sample all they can!

When he does find him, Tanaka is so accidentally scary-looking that Ohta clean passes out. All Tanaka can do is sit by him and wait for him to come to, but of course he dozes off in the process. When they both come to, it’s time to clean up and celebrate a festival well done. But Ohta doesn’t forget the ghoul he spotted, and presents Tanaka with consecrated salt to ward it off…even though “it” was Tanaka himself.

Another wonderfully solid and hilarious Tanaka-kun, adding new life to a well-worn anime theme two weeks in a row with its uniquely bizarre and unexpected yet warm and charming comedy. I hope it gets a second season!

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Sousei no Onmyouji – 04

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“I get it, okay?” says Rokuro, after running off in a snit after the guy who is basically his older brother annoys him: “I know I can’t run away forever.” He’s implying he needs more time to put the past behind him and move on. But…we’re a quarter into the show now, and he’s still angsty and hesitant while we haven’t heard the full story about why, so…hurry it up, willya? Thankfully, Rokuro takes a couple of steps forward.

It starts with the old woman who runs a candy store he used to frequent as a youngin’ with Ryougo. In a five-minute exchange, she’s able to cheer him up and make him feel silly for being so harsh to his big bro when all he’s doing is looking out for him. By running off, he was also refusing to tag along on an exorcism mission with Ryougo and two others.

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When those two others show up at home without Ryougo, Rokuro doesn’t hesitate to do what he needs to do in order to spring into action, which at this point is to bow his head and beg Benio to accompany him to Magano. He’s afraid to go himself, plain and simple. And that’s perfectly okay. Benio, for her part, insists he rise his head – no one should have to beg an exorcist to fight for or with him.

Ryougo is up against a huge, two-headed, constantly-chortling Kegare with no way out and no talismans—except the one Rokuro made for him, appointing him his servant when he’s the baddest exorcisin’ mofo in the world. He’s kept it ever since as a charm, and it comes in handy as Ryougo shows up just in time to save him from going out in a blaze of glory.

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Benio is there to assist, and while Rokuro later scoffs that he could have handled the peripheral Kegare she takes out during the fight, the fact of the matter is, he wouldn’t have even been able to go there without Benio by his side, and he freely admits this when he waits outside for her to finish purifying the house, to thank her from the bottom of his heart.

Rokuro’s earnestness and heart-sleeving catches Benio off guard, insisting he doesn’t have to thank her any more than he had to beg her. So here, both in moments of emotional vulnerability, the two exorcists begin to see something besides contempt in one another. Rokuro sees her nice side, while Benio sees the greatness in him, when he fights in spite of his trauma.

Sure they start slinging insults in an attempt to backpedal, but they’re not fooling anyone: they’ve made real progress this week, and they’re sure to make more, which is very encouraging.

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Re-Kan! – 13 (Fin)

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Yamada’s Brother’s Impression of how high school girls should dress in the Summer. Actual bust size may vary.

Re-Kan! wraps with a multi-stage slice-of-life episodes, starting with a trip to a theme park (or is it amusement park? I believe Amaburi pointed out the difference). The usual gang of Amami’s classmates come, and Yamada’s often inappropriate brother also tags along.

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Finally, Kana and Kyouko surprise Amami by inviting any and all of Amami’s ghosts friends who want to come. Amami also meets a new ghost, or rather an old one who helped her reunite with her dad when she got lost at the park as a small girl. In return, the ghost girl asked Amami to come back one day with her friends. Amami may have forgotten, but she still honored the request, and fun is had by all.

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From the theme park the gang has a sleepover at Amami’s place, complete with dinner, fireworks, Old Maid, and the guys sleeping out in the yard, per propriety. (The episode cuts to their classmate Yoshida several times, not participating in all these boilerplate summer activities so he can presumably draw a manga, unaware he’s missing out on some great material for said manga).

Narumi isn’t as scared of spending the night in Amami’s ghost-filled house as she thought, but she still can’t sleep. Turns out no one is asleep, but only resting their eyes, but before they can agree to pull an all-nighter, Narumi dozes off thanks to Amami holding her hand, the same way Amami’s father used to hold hers when she couldn’t sleep.

With that fun-filled Summer day, Re-Kan comes to a close, proving you can stay upbeat and heartfelt in a supernatural anime and still deliver creative, consistent laughs, both of the high- and low-brow variety.

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Re-Kan! – 05

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After working hard on getting their haunted house ready for the cultural festival, Hibiki’s crew meets her dad Asahi, a widower with white hair from “being through a lot”, but who is grateful Hibiki has such kind friends to depend on. He and Narumi tend to get frightened by the same things, which is to say anything involving Hibiki.

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Of course, Hibiki’s dad knew what he was signing up for the day he met her mom Yuuhi, who was just as beautiful and mysterious as their daughter would turn out to be. It was the ghost of a pigeon that brought them together, warning Yuuhi that a young man was going to get hit by a car trying to recover his pigeon corpse.

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The next day at the festival, Narumi (in Sadako cosplay) is the first to encounter Hibiki’s dad, and they have a nice chat about Hibiki. Specifically, Yuuhi’s ability to not only see ghosts, but see the future.

Yuuhi knew she would die shortly after giving birth to Hibiki, and she knew Hibiki would go through pain and anguish, but she also knew she’d find friends. As scary as it was and is to live with the ladies in his life, Asahi wouldn’t give it up for the world, and is elated that his late wife was right.

Narumi is modest and bashful about praise, as always, but she also feels bad about being so hostile about Hibiki’s sixth sense, now that she knows it was passed down to her and is actually a pretty amazing gift.

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Unfortunately for Harumi, when she’s wearing her Sadako wig all the school ghosts think she’s Hibiki, and put her and Asahi through a haunted gauntlet that results in her hair turning white like Asahi’s; not from fear, but from an incident at the okonomiyaki booth.

Another fine effort from Re-Kan: blending personality-based comedy and slapstick with a good dose of feels.

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