“I have no doubt other women have thought of doing what I did. They just didn’t do it.”—Abe Saba, who cut off her lover’s genitals while making love. She also worked at a restaurant, FWIW…
Minare’s first radio job in the field is turning out to be a weird one, but she and Mizuho are able to calm Shinji down enough to talk about his lost dead Slavic girlfriend, Azohara Ritsuko. When he proposed they “cross the line” from friendship to romance, they agreed upon a secluded volcanic hot spring in Zao as the dramatic venue for their inaugural doing of the nasty.
However, after disrobing but before getting down, Shinji passed out from the volcanic gasses. He woke up in a cabin, rescued by good Samaritans…but they only found him. For all he knows, Ritsuko could be dead or still wandering around Zao as they speak.
With his tale of woe out of the way, Minare climbs into the ceiling to investigate the stinky dark liquid, and finds an absolute nightmare: six fly-covered garbage bags filled with what she assumes to be the remains of a petite woman, soaked by a leaking shower line.
Minare calls the police, and Shinji is arrested on suspicion of killing Ritsuko and storing her remains in the ceilng. But at no point does Shinji admit this, or even get overexcited: he merely calmly asserts his innocence, all while Minare is certain “evil was destroyed” in that apartment.
In the face of such a traumatic experience (Mizuho got less of the meat juice on her but still needed three showers), Minare crafts an even more fanciful story nevertheless rooted in reality rather than the supernatural.
She imagines that Ritsuka was a Russian spy, and Shinji proposed the remote site to speak to her without being surveilled. Ritsuka was trained to kill if her cover was blown, but whether due to her love for Shinji or the effects of the gas, she couldn’t do it.
However, neither the murder and dismemberment story nor the spy thriller make it to her first official broadcast of Wave, Listen to Me! The afternoon before the show she stops by the police for questioning, and the real, unvarnished mundane truth is laid bare: the stinking dark liquids, and the bags from which they seeped, were originally put there…by Minare herself.
They were the remains not of a murdered Ritsuka but of 50 kilos of on-the-bone mutton delivered to her apartment by her parents when she first moved there. She stowed them in the under-floor compartment as a temporary measure but then completely forgot about them. They sank through the floor into the space above Shinji’s apartment, mixed with the leaking water, and the rest is stinky history.
This puts Minare in a bind, as she’s facing charges to be brought by Shinji, whom it’s indisputable was someone to whom she did harm, even if she didn’t mean to, and then went further by having him arrested. But Shinji magnanimously provides Minare with an out: she’ll break down the truth of what happened and apologize to all involved. Shinji is in the booth when she does this, just to make sure.
Not only that, Minare makes the theme of the show for, about, and by “people who have caused countless problems for others” in hopes of finding ways for those people (including her) who don’t want their lives going to waste simply because they’re predisposed to such troublemaking.
It’s not at all what she expected to be doing, but rotting mutton comes at you fast, and it’s actually a great subject for a radio show airing so late at night. An audience will no doubt project themselves in the stranger-than-fiction scenarios Minare puts herself, and appreciate how she’s is open, vulnerable, and ready to be redeemed.
She won’t claim to have all the answers—that’s for that sumo guy—but she’ll have plenty of entertaining questions!