Now that he’s found his rakugo, Kikuhiko works like man possessed – or a man who thinks his success will be snatched away if he rests for a moment. He has increasingly less patience with Sukeroku’s easygoing lifestyle (though continues to spend the lion’s share of his free time with him, and seems to enjoy it).
As for poor Miyokichi, every time Kiku is with her he only seems halfway there and in a hurry to get away. It’s not that he dislikes her, per se, just that for all the stories related to romance he knows, he may not realize he’s in the middle of one, and he’s not pulling his weight. Or maybe he’s well aware of Miyokichi’s intentions, and simply can’t devote any time or thought to them, so caught up in his rakugo.
Of one thing I am certain: Kiku doesn’t notice the hypocrisy he exhibits in spending so much time with Sukeroku (while complaining that he can’t stand him the whole time) while insisting he has no time for Miyokichi. This results in a confrontation when Kiku puts Sukeroku to sleep in his usual way, and Miyo finds Sukeroku’s head in Kiku’s lap.
It’s intolerable to her that these two are so deeply, effortlessly close, but such are brothers. Even if they’re nothing alike, they’re also everything alike in that they need and feed off one another. They are family; she isn’t, and she just isn’t finding any kind of success in squeezing her way into Kiku’s heart or his life.
Yakumo’s dedication to his professional and artistic success and his unconscious monopolization by Sukeroku is isolating him from everything else out there in life. When his master chooses him and not Sukeroku to accompany him on a sprawling tour, he becomes singularly focused on that. Miyokichi, desperate for his company, asks him to come whenever he can.
Her intense frustration and his cold reaction causes her to break into tears, causing her geisha makeup to run. I’ll admit, I wanted to punch Kiku right in his foxy face for so treating such a beautiful, complex creature with such frosty disdain.
This is who he is, who he’s always been, and shameful displays such as this certainly help his future ward’s case that he’s a prickly, self-involved wretch of a man, undeserving of Miyokichi’s tender love. But there’s a difference between being this way on purpose and not knowing any other way to be.
Sure enough, the Kiku we see hanging out with an already-drunk Sukeroku probably doesn’t know how cruel he’s being to Miyokichi, who waits all night and probably many nights for him to come, when in fact he’ll be away for a long time. He’s so excited for his trip and pleased that the master chose him, nothing else matters.
Well, not nothing. At the end of the day, Kiku cares for his brother, and clearly worries about what will happen if he’s gone. Without him there to scold him about dressing better and eating solid food and bathing and cleaning up the place, Sukeroku will go full feral on him.
Kiku promises he’ll join Sukeroku in an independent two-man show that will capitalize on their newfound popularity. But that will be later rather than sooner. Deferred, just like his next meeting with Miyokichi, in favor of further aggrandizing himself.