Fate / Zero – 25 (Fin)

Did the Holy Grail know Kiritsugu would reject it? Who can say? But even if it initially chose him to be its bearer, his order to Saber to destroy it flipped the script. It also flipped the cup, as the Grail’s destruction means the black ooze it contained falls upon Fuyuki, destroying everything in sight, to Kiritsugu’s great despair. Even trying to do the right thing at the right time would seem to have backfired on this exceedingly unlucky and tortured soul.

Speaking of tortured souls, Kariya is still barely alive when he returns to the Matou basement, but while his senses tell him he is reuniting Sakura with Rin and Aoi, in reality Sakura is abandoning him to the Crest Worms and accepting the fate he tried in vain to keep her from.

Perhaps it was the contents of the Grail, not the Grail itself, that mattered most, as those contents fell on Archer, but rather than destroy him along with everything else, it gave him physical form (though not clothes). And because Gilgamesh still had a pact with Kirei, it resurrected him, albeit with no heartbeat.

That literal lack of a beating heart is indicative of his departure from humanity, as is his apparently Grail-fulfilled wish for death and destruction around him, and a hunger to “learn more” and explore the depths of his inhumanity. But as I said, the Grail will never fully satiate; at best it can only lock people—Servants and Masters alike—in a perpetual state of searching.

As for Kiritsugu, he’s done searching. Indeed, he seems to be just about done with everything, owing to the curse bestowed on him by a scorned Grail and his entire life’s work burning before him. The last thing he searches for—a single survivor among the scorched rubble—is something he ironically finds immediately.

By saving that single life—a young Shirou—Kiritsugu himself is saved. It’s a concept a sneering Kirei can’t possibly comprehend enough even to envy.

With that, the clock on the Fourth Holy Grail War reaches…Zero and comes to an end, with the official winner in doubt, though more-or-less claimed by Kirei, since the Grail seemingly brought him back.

Back at his “grandparents”, Waver announces he’s going to set aside his magical studies for a bit, get a part-time job, live with them, and save up enough to travel the world his king once conquered a good chunk of.

Kirei has upheld his promise to his master to look after Rin after he’s gone, likely so that he can observe and absorb all of the grief, pain and suffering Rin is likely to experience on the long, hard road all heads of great families must walk.

Rin maintains a stoicsm beyond her years at her father’s futural, even as she wheels her brain-damaged, delusional mom around. What gets her to crack and shed tears is the Azoth dagger; Kiritsugu twisting the blade like the piece of work he is.

And Saber, poor Saber, is back in Britain, on a battlefield strewn with corpses, having led everyone nowhere but to their own deaths. She remembers Lancelot’s last words to her, about how he only ever sought her righteous judgment for betraying her and falling in love win Guinevere.

Arturia considers herself a failed king who never understood anyone, and considering her surroundings it’s hard to argue with that assessment.

As for Saber’s former Master, he is banned from Einzbern Castle forever, having failed to secure the Grail for them, and never sees his daughter Ilya again. So he adopts Shirou, fixes up the old safe house, and spends the next five years raising his adoptive son and living a quiet but happy life.

One night he tells Shirou how he once wanted and tried to be a hero, but ultimately failed. Shirou confidently promises his dad he’ll become a hero in his place. A heavenly light suddenly shines above Saber; a ray of hope.

Clearly contented by his son’s words, Kiritsugu starts to peacefully pass away, with an answer for his friend Shirley’s question about what he wanted to be when he grew up: he wanted, and still wants, to be a hero.

* * * * *

And that’s it for Fate/Zero! Boy, what a ride it’s been these past five weeks. That was a far better show than I could have imagined…which is why it took so long after UBW to watch it. Burned by previous prequels to beloved works, I was worried knowing pretty much how everything would end would make it difficult for the stakes to matter.

Yeah…I was dead wrong about that. Not only was I far more emotionally invested in Zero, it was a lot more approachable, had a lot more heart, and took a lot more risks than the smoother, shinier UBW. It’s not that UBW is bad, it’s simply a matter of Zero kicking ass in virtually every aspect of the game. It wasn’t just a great anime, it was great television; great storytelling, full stop. So thanks to everyone out there who recommended it to me. It was well worth a look back.

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Fate / Zero – 24

Ever since the childhood trauma that set him on his path, Emiya Kiritsugu has striven to be a level-headed, efficient, logical man. It’s partly why he kept Saber at arm’s length: an emotional connection with his Servant isn’t necessary and exposure to her illogical honor can only create inefficiencies in his plans.

So as Saber finds herself struggling with the insane anger and hatred of her former most trusted knight, essentially making her the logical one in her fight, and Iri’s body transforms into the Holy Grail, Kiritsugu never would have imagined it would not only toy with his emotions, but use his beloved logic against him.

But first, by god was I not wrong when I said the duel between Kiritsugu and Kirei would be something. It’s quite different and more minimalist than any previous battle in the show, with both participants sizing up their opponents, approaching them with a certain strategy, and switching up tactics on the fly as conditions rapidly change.

Kirei would have surely killed Kiritsugu relatively quickly were it not for Avalon imbuing Kiritsugu with a virtual “Auto-Life” status. In the slight sliver of a moment Kirei’s guard is down, Kiritsugu takes Kirei’s right arm away with Contender, and the odds are evened.

So even is the duel, in fact, that the Grail itself, runnething over with some kind of dark, blood-like ooze directly above the fighters, essentially calls a “timeout” by covering both in that ooze.

That indicates the War is finally at an end, and the Grail has chosen the victor. At the same time, Saber runs Berserker through, killing him, as Kariya also expires; claiming she cannot atone to him without winning the Holy Grail.

In an illusory world created by the Grail, an avatar of Iri representing the will of the Grail names Kiritsugu as the winner, and he need only officially pray for his wish to become reality. The only problem is, the Grail, or at least this Grail, cannot give him the miracle he wants. At least, not in a manner that is acceptable.

The Grail then sets to work taking Kiritsugu’s philosophy to its logical conclusion: killing the smaller percentage of people to save a larger one, thought-experiment style; sacrificing the few to save the many.

But if, like his time-altering battle ability, Kiritsugu would continue to whittle down some humanity in order to save another proportion, before long there will be no one left in the world but him and those he cares about the most, presented to him as Maiya, Iri and Ilya.

To save them, he’ll have to kill everyone else. In other words, “saving the world” means destroying humanity. This is the sum total of Kiritsugu’s wish, according to the Grail.

And the Grail stands ready to grant that wish, even though it is not at all what Kiritsugu wants. He rejects the Grail, unwilling to sacrifice the world for his own few loved ones, symbolically murdering both Iri and Ilya in a thoroughly upsetting scene in an attempt to subvert of the nightmare scenario the Grail put forward. The Grail curses him and he is cast out.

Back in reality, such as it is, Kiritsugu has the advantage over Kirei, who rages and fumes at him for refusing and wasting the Grail’s wish. But in killing him it seems Kiritsugu is almost doing Kirei a favor.

This Grail is not omnipotent, and thus would be no more able to reveal the nature and meaning of Kirei’s existence than it could grant Kiritsugu a miracle that would end all conflict in the world. In both cases, the one making the wish does not know what it is they seek.

That being said, the Grail is still immensely powerful and dangerous in the wrong hands, and Kiritsugu decides that no one, including him, has the right hands.

So as Saber and Archer descend on the physical Grail, poised to fight the final duel in the War, and Saber rejects Archer’s offer of marriage and servitude, Kiritsugu forsakes Saber once more, hitting her where it hurts most: he uses his two remaining Command Seals to order her to destroy the Grail with Excalibur…and she cannot disobey.

But perhaps Kiritsugu is right that Saber, like Kirei and he himself before, is merely deluding herself into believing the Grail will grant her wish, only offer shallow illusions in exchange for being possessed by someone worthy. The Grail is not an answer.

Fate / Zero – 12

“Why do I always sit on my smokes?”

After the Rumble in the Marble, most Servants take a step back and assess the situation. Kiritsugu sits in a dark hotel room and pores over intel as he chats with Maiya on the phone…and that’s about it, really.

“I like the way your tent your fingers. Why don’t you work for me?”

Reports and conversation are the name of the game again, but instead of interacting with Saber and Rider, Archer is stuck with Kirei, trying to connect the dots as part of his larger plan to make him one of his men. Kirei delivers his report on the motivations of the other Masters to Archer, who points out that the one that seems to interest Kirei the most is Matou Kiriya, who also seems to be enduring the most pain and suffering.

“I mean, this isn’t how I would drive, but this is fine too, I guess…”

Pain doesn’t seem to be an issue for Iri, while Saber doesn’t seem to be feeling the lasting effects from her throughout putting-down she endured at the hands of Rider and Archer. But Saber does find it odd that Iri has her drive and perform every other task that requires the use of her hands. When she asks Iri about it, she reveals she’s become extremely physically weak as a result of shutting down her sense of touch (a homonculus ability, apparently).

While she believes she can recover a bit of strength by sitting in the right kind of magical circle, the bottom line is that she’ll be relying on Saber more and more as this War progresses. Saber, obviously, is up to it. I must say I underestimated her mental toughness. That circle is drawn in a storeroom on a Japanese mansion that looks very much like the place where Emiya and Saber live and practice in UBW.

“Feel that sting? That’s pride, fuckin’ with you!”

From there it’s back to Archer gradually wrapping Kirei around his finger, Emporer Palpatine-style. He gets Kirei to pretty much admit that he is actually capable of joy, and even if he’s previously considered such feelings to be a sin, Gilgamesh isn’t a fan of this newfangled puritanical philosophy that generated people like Kirei and Saber. Joy is joy, and leads to happiness.

So Archer gets Kirei to ‘find his bliss’, and Command Seals suddenly reappear on his hand. Archer believes it’s proof the Holy Grail isn’t done with him; indeed it’s almost as if the Holy Grail rejected his previous role as Toosaka’s ally and spy and reinstates him as a full Master. Archer also suggests Kirei go out and steal a new Servant, and not-so-subtly picks up the Archer piece from the chessboard to indicate who he should pick.

While there were some nice character beats, you can really only portray two people sitting around talking for so long from so many angles before it gets a bit tedious. In other words, another cool-down episode on the heels of a solid 10. That leaves one episode left in the first cour.

Fate / Zero – 11

Iris detects the massive mana of Rider heading towards the castle, and Saber suits up for a battle…only for Rider to show up in his t-shirt and pants with a giant barrel of wine. He’s not there to fight, he’s there to drink and talk. A Holy Grail “dialogue”, as he puts it.

Saber has no objection, and drinks from the barrel with Rider. Soon, Archer also arrives, on Rider’s invitation, and after rejecting Rider’s “swill” opens a portal to his treasury to draw out…a golden jug and three golden cups.

This would be absurd if it wasn’t also frikking brilliant, for Iskandar and Gilgamesh share one thing in common: they are hedonistic tyrants of yore.

Gilgamesh is such a tyrant he considers all treasures in the world to be his, since they all sprang from his treasury—a treasury so vast he isn’t even aware of all it contained.

Iskandar wants to be reincarnated as a flesh-and-blood man to take up his world conquest anew. Saber…wants to save Britain, in part by erasing all of the perceived mistakes she made in life as king. She wants a redo.

Archer laughs in her face at the fact she harbors regret for the deeds in her life, and Rider can’t help but agree. As far as they’re concerned, it’s the duty of the nation and its people to serve and sacrifice for their ruler, not the other way ’round as Saber would have it.

By insisting upon being a “slave to what’s right”, Saber might be able to save Britain, but she can never lead it, and so Rider ceases to see Saber as a real king.

Kingship, to him, has always been a wondrous gift, and throughout his rule he lived and fought as grandly and greedily as possible, living life to the extremes of both good and bad, that he might inspire men to fight and die for him. When Assassins surround them (a test by Kirei and Tokiomi), Rider transports everyone into a Reality Marble.

There, in the vast desert sands, Iskandar’s endless armies march, and when he mounts his trusty horse and orders them to advance, the Assassins are quickly routed. Saber, Iri and Waver can only sit and watch in stunned awe, while Archer does his best to look unimpressed. It’s the biggest spectacle since the port battle, and it is well and truly momentous.

When the battle is over and everyone’s back in the courtyard, Rider takes one more drink, then takes his leave, which is just as well, as I don’t think anyone’s ideals could have been shat on as thoroughly and mercilessly as Saber’s (If I didn’t know better, I’d say Rider was a cruel drunk). Archer remains to mock Saber, urging her to go ahead and continue believing in her ‘backwards’ philosophy so he can laugh at her some more.

Their words cut as deeply as any blade, as Saber remembers one of her Knights of the Round Table stepping down because he didn’t think Arthur understood his people…and Rider and Archer’s words only served to reinforce her growing crisis of confidence.

But while it doesn’t end well for Saber, like at all, it was fantastic to see three Servant Kings simply sitting in a courtyard, drinking wine, and shooting the breeze…and for Rider to show that he can back up all his big talk, and then some.

Fate / Zero – 06

“I may be an ancient king…but I don’t think you should be driving like this!”

And now I’ve come to it: the Fate/Zero equivalent of a meh episode. It had to happen sometime, so better early on than not; also, after last week’s multivector face-off and just-as-rapid standdown, it’s hard for the immediate aftermath episode to not feel a bit…anticlimactic.

And while I’ve enjoyed the moments of levity Zero has managed to weave into the action and drama, Iri’s crazy drive along a twisty mountain road kinda fell flat for me. I totally get the joy she feels from being ‘let out of the birdcage’, so to speak, and perhaps it was the animation, but the drive felt way too reckless for no reason.

“We can’t exchange insurance info if you’re all the way over there!”

It’s a good thing Caster seems to be standing in the middle of a straight and not on the other side of a blind turn; otherwise Iri would have hit him (and what a shame that would have been); instead, they get out and have a deeply unpleasant exchange with him.

Since taking out that kid after letting him think he was home free with his dark tentacles, Caster has not endeared himself to me, and his ranting about Saber being Jeanne d’Arc reincarnate does him no favors. I’m totally with Saber that I dislike opponents who you can’t reason with because they lack reason.

Thats…not…good…

In addition to being illogical and maddening to deal with, Caster is also a despicable monster, like his Master Uryuu, crucifying kids while still alive. They’ve abducted fifteen from a couple of towns, which just seems like a lot, though to be honest I’m not sure how much time they’ve had to do it.

In any case, Caster insists they must sacrifice all the children they have as soon as possible, then go out and get more, which, sure, fantastic. Even Uryuu is like, ‘I guess we’re just different kinds of serial killers.’

“Why do I have two Masters…and why are they so lame?”

Archie sits in his hotel room, scolding a brooding Lancer, until his companion Sola-Ui, who despite Archie’s Command Seals, is the Mana behind the Master. She’s not afraid to speak her mind to Archie about his hiding in the shadows, but Lancer then scolds her for badmouthing his Master. Even though technically, the two of them are more like Co-Masters.

In any case, Archie belives (rightly) that Saber will try to attempt a rematch with Lancer before fighting anyone else, to undo her cursed wound. So he’s laid a trap, filling an entire floor of the hotel with magical booby traps, and is very excited to see how everything works out.

“Look, that building had all kinds of code violations anyway.”

And then Kiritsugu just burns the whole mother down. I’ll admit, it’s a fine fake-out, and yet another stealthily bad-ass move from Kiritsugu, who approaches his work in a very deliberate, disciplined, military fashion.

I also appreciated that he’s aware that he has disrupted and possibly ruined more than a few lives by blowing up the building, but he’s going to defeat the other mages by any means necessary—but not by killing innocent people.

Kirei manages to briefly corner Maiya in an adjacent structure, but Kiritsugu bails her out with a well-timed smoke bomb. As for Archie, Sola-Ui and Lancer…I’m sure they’re just fine.

“Hey God Boy—run out and get me some more libations!”

Later, Kirei’s Assassins inform him, Risei and Tokiomi of Caster and his Master’s horrific crimes, which threaten the secrecy of the War. As observer, Risei stands ready to exercise his power to make minor rule changes; in this case, ordering all Masters to take out Caster ASAP. He’s a rogue element, and clearly Saber and Iri (and I) aren’t the only ones who’d rather he went away as soon as possible.

After a long day of morally ambiguous activity, Kirei encounters Archer getting drunk (or attempting/failing to do so) on a couch, who not only voices his disappointment in his Master, but also tries to pry out of Kirei what he’s getting out of this; what he desires. If Kirei doesn’t know, Gil figures he should use his Assassins to determine what motivates the others, so he might gain insight into his own motives.

So while Kiritsugu and Maiya’s special ops exploits were pretty cool and I dug the potential realignment of the War to focus on taking out the most irredeemably loathsome Master-Servant pair, I wasn’t as enamored with Lancer’s Co-Masters (indeed, I kinda just feel sorry for him), Saber and Iri only showed up for two minutes, and Waiver, Rider, Kariya and Berserker took the week off—and at least two of them were missed. So yeah, a 7 seems about right.

Fate / Zero – 05

This episode just wouldn’t quit. It shouldn’t work as well as it does: piling character after character into what was, at least on the battlefield, a one-on-one duel between Saber and Caster, but because of the build-up in the previous episodes, each and every time someone new takes the stage, it adds a new glorious layer to the conflict.

And even if this battle only turns out to be a big tease, now six of the seven Servants have met one another, and have at least a cursory idea of what to expect form each other. We also learn that if there’s one Servant who’s going to keep a kind of noble order and balance in this War, it’s Rider.

When Lancer declines out of obligation to his Master and Saber is insulted by Rider’s offer to make them his retainers, the Master who originally meant to command Rider appears, at least in voice-form; Archibald is tickled that Velvet would actually become a combatant in the Holy Grail War, and intends to teach him a lesson.

\Rider isn’t having that. Whoever this Archie guy is, he won’t let him torment his Master (that’s his job), who is at least by his side. He calls out Archibald for hiding like a coward, and calls out any other Servants who were drawn to Saber and Lancer’s excellent duel (though if he found it so excellent, why not let it unfold rather than interrupt?)

And so two more Servants appear in quick succession: first Gilgamesh / Archer, then Berserker (true identity unknown). Gil, as is his wont, deems all other kings in his presence to be pretenders (and he has a point, he is the first of them, historically speaking). But Matou decides that now is the time to test Berserker—as well as his own tolerance as a Master.

Archer takes Matou’s bait and exposes his Noble Phantasm for all the other Servants and Masters to see, but ends up with nothing to show for it, since Berserker is not only crazy, but an extremely tough customer, turning every blade Gil sends his way into his own NP. Ultimately Tokiomi has to spend a Command Seal to reign Gil in.

I love how powerful, frightening, and unpredictable Berserker is depicted; he’s a very cool design that seems to shudder in and out of solidity, as if he’s just barely being kept together.

But what I loved even more was Gil’s attempt to save face by basically saying “You’re all beneath me; kill each other off until there’s one left and then come at me.” He’s an arrogant prick as always, but he’s surprisingly likable in this version—perhaps because he was thrown off his game so effortlessly by Berserker.

With Archer gone, Berserker turns his attention (such as it is) to Saber, whose injured hand quickly puts her at a disadvantage, forcing Lancer to save her from a potentially vicious blow. He doesn’t do it because they’re friends, or allies, but because she’s his opponent. If Berserker wants to fight her, he’ll have to get past Lancer first.

That’s Lancer’s will, but unfortunately for him, Archie has Command Seals, and uses one to override that will, ordering him to team up with Berserker to eliminate Saber.  In the ensuing one-on-one (after Lancer apologizes to Saber), Kiritsugu and Maiya have their weapons trained on Archie and Assassin, respectively.

Their careful work is ruined, however, by Rider (again), jumping between Saber and Lancer and driving Berserker into the ground, forcing him to retreat, then telling Archie to order Lancer’s retreat as well. Rider has decided that no one is going to die tonight, and nobody challenges him.

I have no doubt that Saber would have gladly fought Berserker and Lancer at once, bad hand and all. But she’s clearly grateful to Rider for his intervention this time. The primary reason for that is Irisviel: if Saber falls here, she’ll be on her own, surrounded by enemies. Rider also decides to stay out of Saber and Lancer’s fight from now own; he’ll face whoever prevails.

That’s fine with Saber; she can’t fight anyone else at 100% until she defeats Lancer and lifts the curse on her hand. It’s just as well that Berserker withdrew when he did, as a longer confrontation might have killed Matou, who vomits blood and worms in a dark alley, but remains as committed as ever to protecting Sakura by winning the war.

What of Uryuu and Caster, the only Servant who wasn’t on the field? Bluebeard observed everything from a crystal ball, and has taken a particular—and worrying—interest in Saber.

Fate / Zero – 03

“Oh sorry, did YOU want wine?” | “What channel is He-Man on?”
As Tokiomi apologizes to his Servant Archer (AKA Gilgamesh) and begs him to be patient as the plan unfolds, Waiver celebrates the death of Assassin, but his Servant Rider (AKA Iskandar) doesn’t really care, and is far more concerned with acquiring B-2 Stealth Bombers and other weaponry with which to defeat…Bill Clinton.

I enjoyed the contrast between these two Servant-Master pairs, with Tokiomi exercising the utmost deference to Archer, who abides by his wishes while Rider is more of a constant nuisance to Waiver, who can’t even get him to enter spirit mode. I can’t blame Rider; Waiver may have shown guts in stealing the relic with which to summon him, but he hasn’t done anything to inspire confidence since then.

They’ve already won the Holy Fashion War.
Rider’s not caring about Assassin’s death is just as well, since Assassin isn’t actually dead; he can take the form of many different people. What is dead are Kirei’s chances of winning the War, so he withdraws and is granted asylum in the Church by the observer, his dad Risei, and plans to use his Assassins to spy on all of the remaining Servants for Tokiomi.

Meanwhile, with Saber summoned and ready to go, she accompanies Irisviel to Fuyuki City, her love’s hometown, and the first place she’s ever left Einzbern Castle to visit. While Iri sightsees, Saber is her knight and bodyguard, wearing a stylish, practical black suit that contrasts nicely with Iri’s snow-white garb. They make a stunning pair…even though Iri isn’t Saber’s real Master.

“I sense my man kissing someone…”
That guy, Kiritsugu, arrived in Fuyuki a bit earlier, and enters a hotel room to find his assistant Maiya and a cache of weapons with which he’ll fight the War. When his thoughts turn to his frail daughter and he momentarily despairs, Maiya re-centers him by taking him in her arms and kissing him.

Whatever history those two have, I doubt it’s a threat to the union Kiritsugu and Irisviel, an unexpected pairing, but both a necessary and intriguing one. Their love for and trust for one another is above reproach. Irisviel, meanwhile, enjoys a walk on the beach with her night in black tailored suit, until Saber detects trouble nearby.

“Okay…let’s see what you got.”
The women head to the harbor, where the Servant Lancer is waiting for them, but with no Master in sight. Far from being concerned by a potential attacker in the night, it would seem Irisviel was acting as a faux Master of Saber in order to accomplish what came to pass: luring out the last Servant unaccounted for.

As for who commands Lancy, I’m not ruling out Archibald, who has been curiously absent despite Waiver having stolen his relic for Rider. And as for who will win this duel, I suspect neither party will end up dying, since we’re only three episodes in. A draw, perhaps? Either way, I can’t wait to see it.

Zero continues to excel where often UBW fell down, managing to make virtually every patch of dialogue (or monologue) compelling, integrating just enough comedy to avoid being too stodgy or serious, and most important, making every participant either eminently rootable, deliciously loathable, or a lovely synthesis of the two.

Fate / Zero – 02

“OMG I LOVE MAPS!”

This first normal-length episode Fate/Zero leaves out a few faces so it can spend more time with others, starting with the first meeting between Waiver Velvet and his Servant, Iskandar (AKA Alexander).

The contrast in personalities is wonderful, as Iskander immediately pooh-poohs Waiver’s “small” goal to get people to treat him fairly and take him seriously despite not being from a grand old family.

Alexander, meanwhile, wants to re-conquer the world as soon as possible. That means winning the Holy Grail War first, so at least he’s motivated. He also enjoys reading atlases, as I do.

Illyasviel von Einzbern : Good Anime Kid

We return to The North, where Kiritsugu is enjoying his last hours with his young daughter Illyasviel, hunting for Chestnut buds. Saber watches from inside and can’t help but think she must’ve offended her Master in some way for his demeanor to be so different than it is with Ilya.

Iri, however, chalks it up to Kiritsugu and Arturia “never being able to see eye-to-eye”…because…she’s shorter than him? Both he and Iri expected a male King Arthur, after all; for the King of Kings to appear as young woman was a shock. But perhaps that’ll wear off and they’ll establish a rapport, in time.

You got KRAKEN’D

Meanwhile, in an episode where Sakura’s tormentor Zoukan is mercifully absent, we meet a new contender for Worst Guy in Zero: Uryuu Ryuunosuke, a serial killer who “prefers little boys and girls”, and has been using their blood to paint magical circles.

His grisly rituals end up ‘accidentally’ summoning Caster, who calls himself “bluebeard” after pretending to free one of Uryuu’s captives, only to jump him in the genkan with eldritch tentacles, teaching his new Master a lesson about the ‘dynamism’ of terror; Uryuu blushes with glee at his new Servant. Wonderful.

“There’s no such thing as TOO much hair gel.”

The last Master featured in this episode is Kirei, who I thought would be a little more discrete in his alliance with Toosaka Tokiomi, but wastes absolutely no time sending his Servant Assassin on an extremely ill-advised mission to eliminate Tokiomi.

I loved his ‘shrug, don’t worry about it’ when Assassin asked Kirei if he’s sure he wants to do this. Assassin shows off some moves in taking out and dodging various magical security devices, but before he gets near the house, he’s run through by a number of weapons belonging to none other than Gilgamesh, Tokiomi’s Servant, for whom Assassin was never anything other than a bug, squashed and left to die face down on the ground.

I had nothing against Assassin, but his quick exit was an unexpected surprise, to the point I wonder if he’s actually gone. As for Caster, he’s a sadistic dick but I still like him better than Uryuu, who looks to be another wild card. They’re both pretty grating, though.

Fate / Zero – 01 (First Impressions)

“Your Dad and I are just going to slowly orbit you for a while. You don’t mind, right?”

I have watched the UBW anime, but not the original Fate/stay night. I intend to watch and assess stay night’s prequel Fate/Zero on its own merits, forgetting/disregarding wherever possible what transpired before or after, since. That being said, having watched UBW I’m not a complete novice to the Fate franchise, so I know the basics of the Holy Grail War and its Servants.

Zero takes all of the limited information I know and recontextualizes it and expands my understanding of its players, all of them operating ten years before the events of night. Things obviously feel familiar to UBW for the most part, but they are still, in fact, quite different. Dare I say, more significant…and more emotionally resonant?

“Hey Rin! Here’s hoping the next time we meet I don’t have white hair and a face full of bugs!”

I’ll admit I was a little lost in the woods as I watched flashback after flashback to the present day of Zero, in which Irisviel von Einzbern and Emiya Kiritsugu’s newborn child Illyasviel, or Kotomine Kirei’s father Risei and Toosaka Tokiomi informing Kirei that he’s to ensure Tokiomi’s victory.

But as I carefully watched and took a few notes, the complex network of characters and relationships—both good and deeply troubled—gradually took shape. Rin, Sakura, and Illyasviel are all players I’ve known and seen, but this is the story of how their older relatives assembled and summoned their Servants to fight the Fourth Holy Grail War.

I thus found myself gaining lots of insights into the kind of families and personalities those familiar faces came from. For instance, I had no idea Shirou and Illyasviel have the same dad…or that Sakura and Rin are biological sisters.

“What is this bullshit…A5? I wanted LEGAL.”

Watching this epic introduction jump from one party to another as they begin to circle one another and size each other up is, in a word, thrilling (I say that despite the mundane-ness of the image above). And without exception, I found myself invested in everyone for very different reasons, even though I know they’ll all be at each others’ throats and most of them will have to lose and/or die.

Kirei and Kiritsugu may think each other the most underhanded, dangerous men alive (in a masterful dual-monologue in which the two shit on each other for what seemed like five solid minutes), but I never felt the compulsion to take a side, because both men have their reasons. I also never felt like the show was trying to make me take a side.

The exception to that is, of course, the clearly demented Matou Zouken, who needs go fuck off immediately to hell with Sugou Nobuyuki and/or some similar assholes. It’s good to see Kariya sacrifice his freedom, health, and maybe life to keep poor Sakura out of the fighting. I also appreciated the layered characters of both Rins’ dad Tokiomi and apparent wild card Waiver Velvet.

“I like what you’ve done with the lighting in this place.”

This episode is long and talky, but it’s length well spent and talks that kept me interested. Call it a crash course in Fate, only with a little bit of prior knowledge, and far more comfortable and entertaining than a crash course has any right to be. This is setting the stage done right.

Speaking of that stage: once all the talking and sizing up ceases in this first episode, it’s time to start summoning some Servants, and the inter-cut scenes between Saber, Archer, Berserker, and Rider’s awakenings form a compound momentousness (just as Assassin’s intro was stealthy and low-key, as befits an assassin).

In short, I was pleased with this opening. The fact that nobody so much as laid a finger on anybody for nearly an hour only reinforces my confidence in this show’s narrative chops. Timelines and venues may jump around, but it’s just people talking-talking-talking in rooms, to one another, to themselves, about each other…then summoning some Servants. It just…worked.

Captions by sesameacrylic

Fate/Grand Order: First Order

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“Who are you callin’ a foo?”
What do we have here? A Fate/stay night spin-off involving a time-travelling, future-saving organization. The first fifteen minutes are full of interminably dull introductions and info-dumping, including those of the supposed two leads, Fujimaru and Mash, who are also dull.

There’s also Fou, a weird white squirrel thingy that wears clothes, makes awful high-pitched sounds, and generally doesn’t need to exist, and Director Olga Aminusphere, who aside from having an obnoxious name, seems like a low-rent Tousaka Rin.

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When the doctor’s the highest-ranked officer left in your compound, time to start worrying
First Order essentially blows up that dull beginning by putting Fujimaru and Mash in an emergency situation that has them travelling back to 2004 where the outcome of a standard Fate-style Holy Grail War has ended up suspended for some reason.

Mash becomes a demi-servant prior to dying, with the inexperienced “commoner” Fujimaru becoming her master, to the chagrin of the aristocratic Olga.

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Dark Saber – Almost worth the price of admission
The two dull protagonists must, with the limited help of Olga and a lot of help from a particularly helpful (and badass) Caster, take out the remaining “dark” versions of Archer and Saber, in order to end the Holy Grail War and correct the singularity that is dooming humanity’s future.

If that sounds a bit vague, it is. And while there’s a bit of a thrill seeing the heroic spirits back in action, albeit on different sides, it’s all a bit bloodless. No, not literally; there’s plenty of blood, but the dead, empty city isn’t the most exciting stage for otherwise cool-looking battles.

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“Look Mash, I’m helping!”
Mash’s transformation into demi-servant may have been a sign of her inner courage and toughness, and her new dominatrixy outfit is pretty boss, but neither she nor Fujimaru manage to ever make me care all that much about them or their sudden newfound friendship, as they’re less actual characters and more combinations of character traits. Takahashi Rie and Shimazaki Nobunaga try their best, but simply don’t have enough to work with here.

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And aside from a few nice images and some competent action, the most striking thing about this Fate spin-off is its lack of the same distinct visual sumptuousness of Unlimited Blade Works (to date the only other Fate property I’ve watched), due to this not being a ufotable series, and clearly having a smaller budget to work with.

Placing the fate of humanity’s future on the shoulders of two barely-there, uninspiring characters we barely got to know in over an hour-long special just doesn’t provide the gravity or stakes it should. As we’re between seasons, I had time to check this out, so I did. And it was…okay. In all, it feels like a superfluous wade into the shallow end of the Fate franchise pool, rather than a deep or meaningful dive.

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Fate / stay night: Unlimited Blade Works – 25 (Fin)

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UBW’s epilogue drops us in London two years after the end of the Holy Grail War, with Shirou tagging alongside Rin as her pupil at a Hogwarts-like magical college. It would also seem they’re living together, and are quite happy about it.

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After we’re shown some glimpses of their new life—home-cooked breakfast for Rin (still not a fan of the morning), an English love rival who spars with Rin in a kind of magical MMA bout; Shirou nursing Rin’s wounds after her defeat.

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The couple takes a day trip to Glastonbury to visit King Arthur’s tomb, a trip Rin plans so Shirou can properly say goodbye to Saber. It’s a nice touch, and the English countryside and ruins are lushly rendered.

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While on the bus ride home, with Rin asleep on his shoulder, Shirou reflects on the events that got him here to this point, by her side. A month after the war, Rin tells him of her plans to move to London and attend the mage’s university, inviting him to come along; an invitation he gladly accepts. Rin’s primary postwar goal is to make the man she loves happy, which means keeping him by her side.

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Back in the present, in an encounter I’m sure had more resonance for those more familiar with the franchise, a tall, stern man questions why Shirou is there, and remarks that it’s a “small world” when he hears of Shirou’s desire to be a HoJ. My guess is this guy knew Kiritsugu.

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Shirou has been invited to join the Mages Association and eventually Clock Tower, but he declines. Rin isn’t particularly surprised, but is more than willing to follow him as they see the world they saved. Lots of great loving smiles from Rin in this epilogue.

Shirou and Rin’s indications, along with the post-credits sequence, suggest Shirou will never be able to escape the same path as Archer, but until then, he and Rin are going to have as many good times as they can. When the time comes, she hopes her positive influence in his life will enable him to move a little further forward and get “the right ending.”

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Fate / stay night: Unlimited Blade Works – 24

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UBW really kicked into high gear as expected, delivering a powerhouse finale to the battle to save the world from Gilgamesh. From the moment Shirou got back to his feet, to Rin’s beautifully dorky victorious thumbs-up, it was an intense ride, with some of the best action sequences yet delivered on a show that specializes in such things.

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As Gilgamesh and Shirou continue to bandy words, the latter begins to understand what his magic is all about, and why he’ll be able to defeat Gil without Saber’s help, a laughable proposition to the king. But it’s because he’s a king that Shirou, a warrior who’s very body is made of infinite swords, will always be able to stay one step ahead of GIlgamesh one-on-one in the reality marble of his making.

 

Gilgamesh owns swords, i.e. Noble Phantasms, and stores them in his treasury. But it’s still a finite number, and he’s mastered none of them, just like Shirou. If any other servant was the last one standing, he or she would easily defeat Shirou with their mastered Noble Phantasm.

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That…actually makes a lot of sense, at least relative to the show’s mythology. Speaking of warriors, Saber comes to Rin’s aid, but is a bit too late and Rin and Shinji are consumed by the Holy Grail goop. Rin’s about to give up and Saber is about to obey her command seals and blow the whole thing up, but a brace of arrows from the sky cut Rin free. Turns out Archer, our Archer, is still around, which makes sense, since he made it clear he remains irrevocably trapped between life and death.

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With Rin out of harm’s way, Saber gives in to her command seal and unleashes Excalibur on the Grail/Servant Monster, blowing it to bits in an awesome display of light and power. But using the Holy Sword means the end of Saber, who wishes she could stick around, but is content in knowing Rin is around to take care of Shirou. (She also probably realizes that if she stayed, the love triangle that would persist would be a pain in the ass ;)

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Saber’s exit is quick, but not unexpected, because the show had foreshadowed quite a bit up to now that she’d be the sacrifice necessary to save Shirou and Rin and end the war. With the grail destroyed, it’s left to Shirou to continue hacking away at Gilgamesh, who is forced to “go all out.” Even so, Shirou slashes his arm off before Ea can touch him.

The reality marble vanishes as Shirou runs out of mana, but Gil can’t kill him because a remnant of the grail attempts to make him its new vessel. Gil, not wanting to die, tries to tether himself to Shirou with a chain, but Archer helps Shirou out one last time by delivering an arrow to Gil’s head. He’s sucked into oblivion. And just like that, it’s over. Cue victory fanfare and calculation of loot and EXP.

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Archer visits Rin one last time to say goodbye and laugh at the “state” both of them are in. His usual scowl and tough-guy talk gone, he looks and sounds more like the Shirou. He urges her, as Saber did, to take care of Shirou so he won’t end up like him, before vanishing before a gorgeous sunrise.

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With Saber and Archer gone, we’re left with two humans (three, if you count Shinji, which I don’t). There’s a big exhale and feeling of heady relief as Shirou suggest to Rin they go home, clean up, get some food in them, and get some rest. Having wrapped up all the big stuff here, UBW can give the entire last episode over to epilogue, an arrangement I can get behind. Let’s see what all this fighting and sacrifice wrought.

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Fate / stay night: Unlimited Blade Works – 23

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The calm is over, bring on the storm. And my oh my, is that storm ever gross. Let it be said: shutting down the Holy Grail is a task akin to wading through refuse in the bowels of the Death Star; at least that’s the vibe I got. This is mana given physical form, but that form is nasty. It seems too crude weapon for a King of Heroes would use to “cull the mongrels” as he so eloquently puts it. Then again, I imagine it’s the only weapon he has to get the job done.

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Shirou, Rin and Saber’s plan falls apart almost immediately, as Gil confronts the former two while the latter is tied up for the entire episode by Assassin, who has not vanished yet, due to…good fortune? Don’t you mean ‘plot convenience,’ show? Regardless, I’m glad the show didn’t forget about Assassin, and even though he’s fading away, he puts up his usual tough fight at the temple gate, complete with his original brand of stoic banter.

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As for Gil, the glimpse of yore is striking, but his grandeur is let down by his unceasing monologues, which make him sound like a garden-variety villain, contemptuous of humanity, seeking to reshape the world to the way it was, when everyone’s life had purpose. I don’t remember the Gilgamesh of the eponymous epic to be such a dick towards humanity.

Then again, I haven’t read it in a while. He also seems to take his sweet old time killing Shirou, even saying out loud he’s going easy on him, since he’d consider taking the “Faker” seriously a defeat in and of itself. Look, I don’t need all villains to have a sympathetic side, but Gil is essentially nothing but a harbinger of death. He’s barely even a character, and for all his talk of originality, he’s always felt like the thinnest, least developed Servant in UBW. 

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His bluster about not going all out is also an opening to his defeat, as arrogant villains like him are often their own worst enemies. His complete lack of understanding of humanity’s complexity is also demonstrated as Rin casually wades through the goo, climbs the grail, and pulls its vessel Shinji out, disrupting Gil’s plans. Rin isn’t doing it for her would-be sexual predator, but for his sister, someone the show has totally forgotten about but we know to be a good person.

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Gil think’s Rin’s actions are part and parcel of what’s wrong with humanity, but hey, the grail ain’t got a vessel any more, and it forms a giant arm to reach out to him when Shinji is gone, interrupting a fight that Shirou is hanging in fairly well, now that he’s copying all of the weapons Gil sends at him.

In one of Gil’s cooler moments, his mouth is actually mostly shut. Instead, he summons a strange lock-like mechanism which he then unlocks, summoning a bizarre-looking sword Shirou neither recognizes or nor can scan. Gil calls it Ea—no doubt named after the Sumerian deity also known as Enki—and dispatches the grail arm with ease, also destroying the temple he’s standing on and knocking Shirou out.

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Meanwhile, as their battle rages on, Assassin reveals nothing he’s ever done has had any meaning, since he was always a false, fictional servant. Sasaki Kojirou was never his name; he has no name, and only exists to replicate the skills of the real Sasaki.

Yet despite all that untold time as nothing, doing nothing of consequence, he considers the final moments he spends locked in battle with Saber to finally provide him with purpose. Saber manages to cut him through with her Holy Sword, and he lets her pass, making me wonder if she’ll now disappear because she used it…

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So that leaves us with a Rin with an out-cold, messed-up Shinji in her arms, a grail seeking a new vessel and being rebuked by Gilgamesh, a Shirou who is severely winded and lying in a pile of rubble, and a Saber whose time on this earth may or may not have just become severely curtailed a result of using her trump.

Of these people, Gilgamesh certainly seems to be standing on the firmest ground, but with his grail sabotage Saber sure to bear down on him momentarily, he may want to start thinking about a Plan B. I’m certain he’s going down—he’s the bad guy and this is that kind of show—it’s a matter of how fantastically he’s brought down, and what it will cost our heroes.

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