Sakamichi no Apollon – 10

When Kaoru learns the gloves are indeed for him, he’s unsure about what it means. He asks Ritsuko why she made them for him and not Sentaro, frustrating him. When he takes ill, Ritsuko visits him, and finally snaps him out of it; as she’s leaving he races out to meet her and confess, but passes out before he can kiss her. Kaoru and Sentaro plan to perform at the school festival again, but when news comes that Sentaro’s father is returning, he takes off, sending Kaoru a note by pigeon.

And then there were two. With Yurika eloping with Jun and now Sentaro taking off for parts unknown, it’s just Kaoru and Ritsuko, which, at one point in the series, was all he ever wanted. And to his credit, he stands up (not an easy feat when you’re riddled with fever) and makes his feelings clear, after much hand-wringing and looking of gift horses in the mouth. It was thanks to him Ritsuko built up the confidence to knit him gloves as a symbol of her love; she makes it clear she may lose that confidence if he doesn’t cut the crap and exhibit some of his own, which he thankfully does in a very romantic scene that even impresses his aloof cousin. There’s no kiss, but he already stole one a while back, so we don’t feel cheated.

On to Sentaro: throughout the episode, he hides the pain of losing Yurika well, even letting two students take down Yurika’s painting he modeled for. But the moment we see the look on his face when he hears his father’s returning, we knew something would come up. The question is, will Kaoru blame himself for Sentaro leaving – for coming between him and Ritsuko, or will both he and Ritsuko be overcome by sadness and possibly even anger towards Sentaro for checking out so suddenly. If his dad is a problem, he should face it, not run away…but he runs away anyway.


Rating: 9 (Superior)

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Ikoku Meiro no Croisée 12 (Fin)

In the finale, Yune offers to help in the workshop, and when she grabs a pair of gloves, he yells at her and tells her to leave. She goes outside, and later, nobody can find her, and Claude starts to worry. He finds her on the roof of Galerie du Roy, chasing after the sound of a theoretical cat bell. While saving her from a fall through the dome, he reveals why he was angry earlier: the gloves reminded him of his father,who died falling from a scaffold at the Grand Magasin, which is why he didn’t want her to go there. Having found her, he insists all he wants is for her to stay safe and enjoy life in Paris, then changes his mind and offers to take her to the Magasin.

This last episode was a good microcosm of the series, as well as a showcase of everything good and bad about it. First the bad: Claude can be really angsty and impatient at times. Yune is a girl from a foreign land, and she’s very fragile, yet time and time again, he barks at her or scolds her, without telling her the reason. That grew a little repetitive. Also, I believe we’ve already had the “Yune Gets Lost” episode, did we really need another one?

That said, the episode does make the best of things, using the search for Yune as a vehicle to give all the various characters of the show a little sendoff, including Alice and Camilla. As usual, the visuals of the Galerie du Roy are gorgeous, and we get to see them from a new vantage point, the roof. And finally, we learn a little more about what’s eating Claude all the time; anyone who watches their father die is entitled a little angst now and then. Just…try not to frighten the tiny Japanese girl!


Rating: 3.5