Shingeki no Bahamut: Virgin Soul – 24 (Fin)

I’m not going to lie and say I was all that enamored by this finale. In fact, it was a bit of a chore to get through, ironically as soon as the titular Bahamut showed up. Now, all of a sudden, Charioce is a good guy like everyone else, and all is forgiven, at least until the more immediate threat of Bahamut is dealt with (and, as it happens, all is forgiven even after that).

Favaro is dead, and Bacchus’ wagon has crashed. Nina decides the only way to fight a dragon is with another dragon (hers truly) while the gods and demons get together and form a barrier to minimize damage to the capital—though Bahamut’s random breath blasts still causes plenty of apocalyptic destruction. I just wish it was more interesting a boss.

Dragon-Nina doesn’t go up against Bahamut head-to-head; that would be suicide. Instead, she flies to Dromos and lands (naked) on Charioce’s back, much to his chagrin. But that’s just tough: if he’s going to put his life on the line to destroy Bahamut, she will too. They interface with Dromos together and it takes the form of a dragon covered with magical circuitry.

Nina and Charioce’s dragon shoots a beam; Bahamut shoots a beam; the beams meet, the first beam pushes Bahamut’s back and eventually blasts his head off, and badda-bing-badda-bang, the capital—and the world—is saved.

Just before Bahamut is blasted away, Nina (but not Charioce) finds herself in “the light of Bahamut”, where Amira is still hanging out. She gives Nina a big ol’ hug (both are naked, so Nina’s a bit bashful) and whispers something. When the day returns, the Dromos dragon has turned to stone and Charioce and Nina are passed out on the deck.

Fast-forward to the epilogue: Nina is still in the capital, helping with rebuilding; still living with Bacchus, Rita and Hamsa; Favaro announces he’s leaving again to resume his wandering life; Nina tells him about Amira, and he’s heartened; Rita has apparently resurrected Kaisar as a zombie.

Nina can apparently visit the palace whenever she wants to dance with Charioce, who is blind now but still king. As I said, all the horrible things he did are forgiven now because Bahamut was defeated…only Bahamut isn’t really dead, and he’ll be back, because he’s the name of the franchise.

But…I guess Nina’s willing to let bygones be bygones in terms of the atrocities Charioce committed against demons, gods, and whatever humans opposed him. She’s also lost her voice, apparently the price she had to pay (along with Char’s other eye) to use Dromos.

I do loathe running out of enthusiasm right before the finish line, but Bahamut really undermined much of this season with its inexplicable insistence that the audience go along with the notion that Charioce was a fellow who deserved redemption.

Nina’s love always felt as blind as the king ended up. She gave and gave and never got anything back for her love, except for the occasional decently-animated dance.

This season was at times fun, often gorgeous, occasionally sweet or funny or even moving. But in the end I just wasn’t buying what Virgin Soul was trying so hard to sell, and as a result I doubt I’d have any use for a third round.

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Classroom of the Elite – 12 (Fin)

The first seven episodes of Classroom of the Elite were solid, but gave way to an increasingly unfocused and often downright tedious Island Arc. After pointing out how delicate and demanding the girls are compared to the guys, demonstrating the class’s appalling ignorance of outdoor fundamentals (except for one character who camps out a lot), and introducing a set of rules and objectives only slightly less complicated than the U.S. Tax Code, we were then treated to thrilling whodunits involving the theft of a girl’s undergarments and the burning of a manual.

Class C student Ibuki was planted as the obvious culprit to everything, but we can’t be sure if she’s really the culprit, because the biggest question mark of them all is, and has always been, Ayanokouji Kiyotaka, whom it’s implied was the sole “survivor” of a “gifted kid farm.”

Meanwhile, his interactions with Horikita Suzune have been dull and repetitive (due in no small part to the nebulousness of his true motives and  intentions), while what had been perhaps the best character dynamic of the show—that between Ayano and Kushida—has curiously been abandoned altogether, with no further exploration of her character. Some of Kushida’s screen time was replaced by Sakura, whose puppy love for the unperceptive Ayano isn’t nearly as compelling.

But WHO CARES? This was a bad-ass finale. It stuck the landing.

It starts slowly, in basically the same place we left off last week: in a state of confusion and frustration. Horikita wakes up to find Ayano nearby, telling her she should drop out and that whatever goal she has in mind, whether it’s making Class A to prove something to her brother, or something else, she’s going to need allies. She faints again, and Ayano carries her to the teachers.

Ayano tells Hirata everything that’s happened and how it will effect the points, and Hirata is devastated, no doubt believing he let his class down…but Ayano asks a favor of him. When the day the Special Test ends arrives, Sakura asks Ayano what he thinks their points will be, and Ayano simply looks over to Hirata, who is holding the leader identification form.

All of the classes assemble on the beach, except Class C…but a dirty, disheveled Ryuuen does appear…in his mind, to declare victory. Once he lays out his scheme to gain the names of all three class leaders, things don’t just look bad for Class D, but Classes A and B as well.

Ryuuen’s plan is extra-complex, as befits the finale of CotE: signing a binding contract with Class A in which they’ll supply 200 S-points in goods and provide the names of B and D’s leaders, using Ibuki and another C-class student as spies D and B.

Of course, Ryuuen intended to betray Katsuragi, because an ally of Katsuragi’s rival Sakayanagai gave him the name of Class A’s leader…which was never Katsuragi to begin with. Ryuuen runs the math as the calculations are displayed on the screen.

Then the points are announced: Class C gets ZERO points, Classes A and B make just over 100 each, and Class D…WINS, with 225 points. SHOKU!

How’d it happen? Cough-cough. C’mon now, you know: it was all Ayanokouji-frikking-Kiyotaka. What Horikita doesn’t know is how. Class A continues its internal strife as Sakayanagi’s ally antagonizes Katsuragi’s furious levies, while Ichinose doesn’t feel too bad about her class’s high score, since she’s likely close to amassing enough points to buy her way into the class of her choice (which I’m assuming would be A).

Ayano managed to win by pivoting from a strategy of spot-occupation points to leader identification points, and used virtually everyone and everything he had on that island to discover the identities of the leaders of Class A and C (leaving B alone to preserve their alliance). He even used Horikita’s illness, which was actually crucial to giving him a “legitimate reason” to change the leadership of Class D to him at the very last minute. Thus, Ayano was right about Ryuuen and Ryuuen was wrong about him – a 100-point swing.

As an apparent apology for using Horikita and potentially making her even sicker, he had Hirata tell the rest of Class D they owe everything to her, not him. It’s a brilliant move that accomplishes two things: it keeps Ayano in the shadows where he can do the most, and brings the class together, which was Hirata’s goal all along.

Kushida seems to know there’s something a little off about Horikita being the hero here, but can’t get a straight answer out of Ayano when she asks which girl he’d choose. It’s not much, but I did appreciate one last scene with “Real Kushida,” especially in which she resents the fact a girl like Horikita doesn’t have a “side to hide.” But Ayano rightly points out that most people have one.

In his chat with Chabashira-sensei in the ship’s theater, she commends him for having performed up to the standards not only she, but “that man” (AKA his dad) expected. There’s talk about Daedalus and Icarus, but Ayano doesn’t intend to lose his wings any time soon. That’s good, because Ryuuen (and his loyal lieutenant Ibuki) are coming for him, armed with a windfall of points thanks to one other stipulation in their contract with Class A.

Finally, Horikita loses her throng of admirers long enough to track down Ayano and ask him why he told Hirata to spread the word that she, not he, was the class savior and mastermind behind their victory. He tells her, in a scene that’s played quite tenderly at first, to remember when he said she needed allies to succeed – giving her the credit helps get her those allies (and she did suffer in sickness for the cause).

Horikita’s Tsundere Levels reach critical levels as she both thanks Ayano and acknowledges him as an ally while making it clear their future interactions will be purely professional in nature and focused on getting to Class A.

She’s fooling no one, but Ayano is fooling her along with everyone else, because, at least according to his inner thoughts, he’s only looking out for one guy: Ayano. Hirata, Sakura, Ichinose, Kushida, and Horikita are nothing but stones he’s all too willing to step on to win, because winning is all that matters to him.

A dark ending…but also a wide-open door for a sequel down the road. Horikita has changed a lot, and she says it’s all Ayano’s fault. Maybe she, along with Kushida and the others, will get a chance to change him. Or maybe he’ll just dance on their corpses when he’s king of the world. Here’s hoping we get to find out!

Re:Creators – 21

Thanks to Magane, Souta was able to create a miracle in bringing Shimazaki Setsuna back to reunite with her creation Altair. But early in the reunion, I was filled with a constant uneasiness—and was no doubt meant to be—would the all powerful Altair truly accept this?

If not, how long would it take before the spell was broken, she breaks the train station world, and returns to the real world. What the heck will Team Meteora do then? Everything is on the line here.

Well fortunately, there are no further twists or turns or defeats for Souta and the team; this really is it, and as soon as Setsuna speaks, Altair is well and truly neutralized as a mustache-twirling, world-ending villain. She becomes something far more complicated and interesting; something she only could have become by meeting her creator.

Setsuna doesn’t transparently beg Altair not to destroy the world. Instead, she starts by apologizing for making Altair carry the burden of “curses” she carried with her until death and transferred to Altair. Without judging her, Setsuna earnestly thanks Altair for her efforts, even if they were ultimately misguided.

Setsuna also impresses upon Altair the fact that she is no longer simply her creation; she’s become accepted and loved by everyone as a “king” or “knight of the weak” who took her weaknesses and made them strengths. Altair will always have power, and never be alone, as long as those others exist.

So, realizing her presence is a miracle, but a “twisted” one that shouldn’t be (at least in her world), when the train alarm sounds, she walks to the same spot where she walked before and leaps out over the tracks. Only this time, because she’s not alone, Altair rushes in front of the train and destroys it with her Holopiscon.

When she finds no matter how much she hacks at it, the train will still come in a fraction of a second, Altair redirects the infinite power Setsuna and the world has bestowed on her, into creating Setsuna’s story from now on.

That means creating a world where she and Setsuna can live—them, and no one else, it would seem. Altair is no longer interested in destroying worlds, only creating one world where she and Setsuna can be together, and where her story can continue. They’re basically gods now.

There, in the water, Altair finds a pair of glasses, but they’re not Setsuna’s—they’re Souta’s. Setsuna recognizes them as such, and without saying his name, tells Altair that she was drawn in the first place because of Souta, and others who liked her creations and wanted to see more.

Whether the Setsuna we saw was a combination of who she really was and Souta’s own interpretation of who she was, or one or the other, Souta poured his own heart and soul into creating her, which makes her basically the opposite of Sirius.

All Souta wanted was to “see the same world” as Setsuna. And he did, thanks not just to his own efforts, but to those of the other Creators, their Creations, and the people whose acceptance made them endure.

With one more strum of her Holopiscon, Altair and Setsuna are transported away to their own little infinite world, leaving the normal world safe and bringing a happy (if somewhat bittersweet) ending to Chamber Festival. The hosts sign off, the stadium roars with approval, and the creators and Meteora stand in the control room, basking in the knowledge they saved their world.

While Altair’s transformation was quite sudden, and doesn’t fully absolve the fact that she was fairly one-dimensional up to this point, the means by which she transformed were credible and even, at times, genuinely affecting, for which a lot of the credit goes to seiyus Toyosaki Aki and Ohashi Ayaka.

I also appreciate that the main conflict of the story came to a climax and was resolved with one episode to go, which means there’s time for a closure-giving epilogue.

Isekai Shokudou – 05

While Gaganpo was primarily a hunter, this week’s demi-human is a warrior who ends up crossing swords with the famous half-elf Alexander, who sells him into gladiatorial slavery. While preparing for an arena match against a manticore that may well kill him, the door to Nekoya opens.

He goes through, is greeted warmly, and treated to not one but five pork cutlet rice bowls, which he wolfs down with gratitude. Because “katsu” means victory, he returns to his world and makes short work of the manticore, which is just as well, as he must win 99 more fights to win his freedom – as well as pay his restaurant tab.

Like our liony warrior, the next customer, Victoria, has a very limited niche in society in which to operate. Because she’s a half-elf, she had the choice of becoming a sorceress, an adventurer-for hire, or the resident of a remote village of her own kind. Vicky chose sorcery, and quickly rose to the upper echelons of magic users, tutored by the venerable Sage Artorius.

Both Victoria and the Sage are regulars at Nekoya; Artorius ordering his fried pork cutler, and Victoria preferring pudding a la mode, in contrast to the full elf who won’t eat anything from an animal. She also takes some of the soft, velvety, delicious, springy pudding to go, storing it in a magical mini-fridge she keeps in her bedchamber. As noble a use of ice magic as I can imagine!

Eromanga-sensei – 10

The gang is still at the island “data gathering” retreat…but I’m not exactly sure why. Everything that needed to happen in such a setting between Masamune and Elf happened. Now the show switches gears to focus on Muramasa, without changing that setting, lending the episode a static, dilatory feel.

Masamune pulls an all-nighter on work specifically for Muramasa and not the little sister novel. Muramasa quickly scarfs down every page with giddy enthusiasm, but after Masamune catches up on some sleep, Yamada tries to get up close and personal with him.

Muramasa exacts punishment, while Chris takes Yamada away to work. But if he wants her to work, why not send her home to a more work-appropriate environment free of distractions?

Those distractions only compound with Masamune, Yamada and Muramasa in the same room, with Muramasa admitting her submission was a love letter to Masamune, she’s in love with Masamune, and isn’t wearing underwear because she’s in a kimono.

That last bit comes up when Masamune calls up Sagiri on Skype to play “The King’s Game”, and Sagiri is characteristically lewd in the orders to her “subjects.” Pretty inconsequential messing around…until Muramasa declares she won’t write novels anymore because her dream of having interesting work supplied to her by her kohai has been fulfilled.

Of course, precisely zero people buy Muramasa’s threat to quit writing, and indeed all it takes is a five-minute talk with Masamune—who relays to her his discover his spirit-lifting fan-letters were written by her—to convince her to keep writing after all, since it’s okay to have more than one dream to fulfill, and to keep working for them all.

One of those new dreams involves Masamune falling in love with her, which means for all of Yamada’s maneuvering, Muramasa remains a player in the game that is Masamune. But as usual, it’s getting increasingly harder to buy these girls’ intense love for a generic MC like Masamune.

Oh yeah: Fifth wheel guy is old enough to drink, so he gets cartoonishly drunk and slurs his words for, like, no reason whatsoever. Shrug…

Eromanga-sensei – 09

I don’t know if I’m in the minority among Eromanga-sensei viewers, but I’m not the biggest fan of the Masamune-Sagiri relationship, which is rife with inevitably icky undertones, whether or not their love is purely familial or not. So when the show gets away from that relationship and focuses on the more standard unrelated boy-girl variety, I’m all eyes and ears.

We certainly get an eye-full in this week’sbeach episode, but it’s not just empty skin calories. I couldn’t be happier with the fact that we’re out of Masamune’s stuffy house and focused on Elf, whose plans are right there in the subtitle in the cold open.

Shidou and Muramasa also attend the “data collection trip” approved by Sagiri in various off-camera negotiations, but aside from Muramasa appearing in a far smaller swimsuit than she planned, Masamune and Elf have the beach to themselves.

Elf tries to take advantage, passing off legitimate activities lovers undertake on the beach—applying the lotion, playfully splashing, walking arm-in-arm—for role-playing and research. But whatever the context, the fact remains they’e doing these things alone, together, and enjoying it.

At least, Masamune tries to enjoy it, but finds it a bit awkward whenever Elf’s big bro and editor Chris appears. That awkwardness follows Masamune to the men’s bath where Chris joins him and asks him about Elf, including whether he’d marry her.

Masamune insists they’re not actually dating, despite Elf telling Chris so; but Chris manages to get Masamune to say an awful lot of complimentary things about Elf—which Elf herself can hear from the women’s bath.

Really, it doesn’t take much coaxing; Masamune exhibits some much-needed awareness of what he has in Elf, even taking exception to Chris saying his sister’s flaws can overshadow her charms; for Masamune, it’s the opposite, and believes Elf would make a good wife. His wife? Well…

Because Elf overheard everything, she visits Masamune’s room that night and takes him to the same firefly-bejeweled “elven forest” that inspired her novels, as well as the place where her dad proposed to her mom. We know immediately where this is headed: she tells Masamune that she considers him a candidate for marriage, which is a roundabout way of saying she likes him. She even tells him her true name: Emily.

This is Yamada Elf at her most vulnerable, earnest, and endearing. She’s come such a long way since her first appearance, where she was introduced as a generic arrogant loli pest. The little tidbits about her family and upbringing that come to light only serve to deepen my emotional investment in Emily and her happiness.

A-1 Pictures’s pretty character design, sutble animation, and seiyu Takahashi Minami are all working in concert to brine Emily to vivid life. And to his credit, Masamune doesn’t come right out and reject her the way he did Muramasa two eps back. He’d have been a fool if he had.

Emily realizes he might not be in love with her enough to propose marriage, but she’s going to work to make sure that he is one day. Considering all she’s managed to accomplish so far in life, I’m not betting against her, even if the show ends up going in a different direction at her expense.

Eromanga-sensei – 08

Whether she likes it or not, Sagiri can’t have Masamune all to herself, not matter how adorably she dresses. And though he technically rejected her, the fact Masamune compares Sagiri’s yukata to Muramasa means she’s still in his thoughts, because she was the first person to say what she said about his novels.

Elf also tries to nab her share of Masamune’s attention by dressing like Muramasa; in her case, a school uniform. But despite the fact she and Muramasa are rivals in love and novels, Elf offers the advice she’d offer Masamune even if she didn’t like him: stop worrying about what may or may not be, and have one little chat that settles it all. Of course, she’s clearly not happy at all when he says he wishes she was his big sister.

She is, right, however, that being direct with Muramasa is the best strategy, as her feelings for him haven’t changed since he turned her down, nor is she too uncomfortable to attend the short story competition wrap party he’ll be hosting. They also both acknowledge that they’ve only met each other three times—not enough to get to know each other—and so would both welcome a fourth, fifth, and more.

The fifth wheel, Shidou, arrives first, and has no idea what he’s walking into until Elf and Muramasa arrive at the same time and start immediately fighting over Masamune until Sagiri starts pounding on the floor above them. Elf is also sporting her most ridiculous outfit yet – a frilly lolita-style yukata and flamboyant hairstyle.

The initial awkwardness of the party eventually smooths out, especially when Masamune breaks out all the festival themed food, hoping to create a festival-like atmosphere for Sagiri, who can’t go outside. Everyone shares their ultimate dreams, including “Eromanga-sensei”, who says she wants to be the bride of the one she loves. Oh, girl…

After everyone else files out to go see the fireworks, Masamune stays with Sagiri, and confesses that he’s always been afraid of being alone ever since his birth mother died in an accident. He’s also truly thankful for Sagiri, his new family, for putting up with such a pathetic brother, but she feels no less pathetic for losing the will to leave the house.

As they watch the fireworks from the window of her room, Sagiri reiterates that she never considered Masamune family or her brother; her love has always leaned more towards romance, insomuch as she knows what that is.

Still, if Masamune wants or needs her to just be his little sister, she thinks she can “pretend…for a bit”, only to later remark somewhat ruefully to herself while lying in bed how she’s “gotten much further away”, presumably from her dream of being the bride of the one she loves.

I dunno if that’s a bad thing, Sags! Get over him, get out of that bed, that room, that house; go to school, meet someone whose father didn’t marry your mother. Is that so much to ask?

P.S. Kuroneko Sighting. Repeat: Kuroneko Sighting!!! With her adorable sisters too. That confirms Masamune, Sagiri, & Co. live in the same world as Oreimo, whose MC also had to grow a spine and pick someone, anyone, as long as it wasn’t his damn sister. Obviously, Kuroneko was his best choice.

Eromanga-sensei – 07

Senju Muramasa doesn’t back down on her intention to crush Masamune, and easily dispatches Elf by having the editor inform her just how many more sales she has (14+ mil vs. 2 mil), forcing a quick Elf retreat. Masamune responds with a challenge to his “senpai”: whoever loses the contest will have to do whatever the victor says.

We knew this was the challenge that was coming, it’s just a matter of what Masamune will write, and whether it will be good enough to beat a platinum powerhouse. He decides he’ll convert his little sister novel to a short story, but short stories aren’t his forte.

Enter Elf, who uses her expertise gained by her own strong sales and puts Masamune through a gauntlet of drafts, until he’s got a “passable”, if not yet good enough, manuscript.

Then the enemy pays him a visit, intentionally wearing a school uniform in order to “make a better impression.” You see, she wants Masamune to surrender, and instead agree to “be hers”, i.e. write novels just for her.

Elf and an on-screen Sagiri are suspicious of her appearance in the midst of the contest, but it would seem Muramasa isn’t trying to sabotage her kohai, just make him pivot to something she sees would benefit both sides. She also doesn’t flinch at Elf’s claim she and Masamune are living together.

She comes in, and after briefly getting distracted by a sudden jolt of inspiration forcing her to stop her conversation in the middle and start writing (and she’s left-handed!), tells Masamune what her dream is: to be able to go beyond writing stories she’s rate 100-out-of-100, and create something even she, not just a fan, could rate 1 million out of 100.

She only writes at all because of Masamune, whose battle novels were the only things that moved her to the bottom of her heart. When he shifted to rom-com with the little-sister proposal, and stopped writing her favorite novel, she became a wreck, and only by writing her own stuff could she keep going.

So Muramasa, certain her dream is more important than Masamune’s, once again pleads with him to become “hers” and write only for her, promising she’ll support him and his sister the rest of their lives if that’s what it takes. But Masamune’s dream isn’t just his own, and Sagiri leaves her room to tell Muramasa as much.

Also, Sagiri won’t accept any scenario in which she gives up Masamune for anyone else. She earlier says he’s not allowed to date other girls ever after seeing Elf’s tweet. This is highly unreasonable behavior, but younger sibling jealousy is nothing new or abnormal. Masamune shows a united front with his sister and declines Muramasa’s author, saying he’ll instead get her hooked on his rom-com.

I mean, that’s great and all, but surely Masamune realizes he can’t keep indulging Sagiri’s possessiveness, right? And that any future romantic partner has to be chosen from among girls he’s not related to by marriage? Just asking for a friend…

Masamune ends up winning the contest, because even though Muramasa got 15 more votes, her short story ran double the allowed length, and she was disqualified. Whether this was intentional on her part, or if she simply wrote the number of pages she had to write and didn’t care what happened afterwards, the story was all about her and Masamune.

Like Masamune’s story about his sister, Muramasa’s is a love letter…to him. So now Muramasa is not just in love with his novels, but with him in general. Masamune doesn’t have a satisfying answer: “there’s [already] someone I love.”

It leads me to wonder if Muramasa’s only purpose on the show was to be defeated twice in short order and retreat as Elf did upon hearing about her sales…or if the battle has just begun. Either way, he harem has become really crowded.

16rating_7

Shingeki no Bahamut: Virgin Soul – 07

While watching the first half of this Baha Soul, I felt like the calm before the storm achieved last week didn’t need the supplemental calm we got here. Just get on with the parade and let things unravel.

Don’t get me wrong, Nina is adorable as always, especially post-first-date, it’s ironic to think the fact she dressed Mugaro as a girl means Sofiel can’t tell he’s the kid she’s looking for, despite staring straight at him.

It’s also laudable for Kaisar to warn his king not to attend the parade, because unpleasant doings sure to transpire. But we know Charioce isn’t going to miss a parade celebrating his great day of victory—when Cocytus fell and with it the fear of demons—for fear of demons.

But when the parade finally starts, the tension keeps building until that first concussive blast, followed by several more. It’s a terror bombing the king was almost daring the demons to pull off, and being surrounded and unable to retreat is no sweat off his back.

It’s a nice touch that in a carefully-planned battle in which she was meant to be the pièce de résistance for the resistance, Nina doesn’t have a clue what’s going on. She’s suddenly scooped up by Azazel, who proceeds, in hilarious fashion, to alternated between staring deeply and intensely into Nina’s eyes and hugging her.

But the blushing never comes. Nina’s heart doesn’t race for Azazel anymore, not necessarily because of anything he did, but because of what her mystery date did: make her once general discomfort with pretty men much more specific. She doesn’t know why she’s not transforming even after almost being kissed by Azazel, but she also seems relieved. I know I would be.

I can’t fault for Nina not cooperating with Azazel – she wants her dragon form under control, not weaponized, and certainly doesn’t want to hurt people. At best, she’s annoyed by the kind, shrugging off missing him in the parade (incidentally, if they’d locked eyes while he passed I wonder if she’d see her date and if her heart would’ve raced accordingly. Alas).

But, Nina not playing ball with Azazel means the demons are dealt another defeat, picked off one by one by Charioce’s forces. Many start to think they were betrayed by Azazel, until he swoops in to fight beside them. But when they asked what the hell happened with the red dragon, he has no answer.

Post-credits, the big tank demon and sultry demon are taken out by a flurry of arrows and the fist of one of those giant golem/mecha guys (that don’t seem like a good idea in a crowded city), respectively. Azazel is also in big trouble, and Nina still isn’t yet caught up on what’s even happening.

Finally, the preview was handled by Gabriel and Sofiel, who haughtily boast of the fact they’re beautiful gods.

Eromanga-sensei – 06

When Megumi repeatedly calls LNs “creepy”, Ishikawa Yui breaks out a more Mikasa-esque voice for Tomoe, going at Megumi as if she were trying to hurt her beloved Eren. Masamune avoids blows, but Tomoe enacts her revenge by getting Megumi totally hooked on the books she once so cavalierly looked down upon.

Megumi’s original purpose for checking out some novels was to get closer to Sagiri, and she gets closer than she bargained for, not only being allowed an audience with Muramase’s sister, but serving as a lewd model, bound and blindfolded.

Sagiri is so excited and inspired by her new model, she can’t help but impulsively relieve Megumi if her shimapan, an effective if dated way to blow up her “lewd girl” persona. That being said, Megumi gets what she wants: actual contact with Sagiri, and a promise of continued novel exchange—the foundation of a friendship.

When Masamune’s publisher tells him they won’t be publishing his little sister LN for a year (because the younger, more popular Senju Muramasa snatched his earlier publishing spot), Yamada offers to help him get published. But they’re both early for the meeting, so they have a little date that both know is a date but pretend it isn’t.

Yamada, who is surprisingly not the most irritating girl in the show, and has grown quite a bit as a character in her last few episodes, explains how book sales are like the ultimate game, so it makes sense to always keep score. Despite losing to Senju like Masamune in that department, she dismisses Senju as someone playing a “one-player game” with different rules.

She doesn’t believe Senju would be disappointed in the slightest if Yamada crushed her. Yamada accidentally tells Masamune she loves him, because she knows he would be disappointed, and thus a more worthwhile opponent. She quickly walks back the “I love you”, but the vulnerability and honesty of that moment, along with an earlier scene where she stops when she realizes she’s acting tsundere were nice touches.

The date over, the two mosey to the publisher, and encounter a girl who like Yamada is not dressed in normal modern attire, but traditional Japanese garb. Yamada assumes she’s a rookie when she spots her manuscript and is back to the haughty self she was when she first met Masamune. I guess this is just how she initially interacts with peers in her field? The girl doesn’t give her much in return, but accompanies them to the offices.

There, Masamune’s publisher denies his request to go with another house for his novel, but does suggest an alternative: he’ll enter a short-story competition with four other young authors, and the winner will get published not next year, but in September. Masamune emphatically expresses his intense enthusiasm and signs right up, claiming it’s the first brick of the road to realizing his dreams.

Perhaps a bit too emphatically, as the yukata girl finally speaks up, and not in a docile tone, announcing she’ll be the one to crush his sentimental, shonen-esque little dreams in favor of her own dream. She’s no rookie, after all…she’s Senju Muramasa, and she won’t have Masamune speak her name without the -senpai honorific.

So…Senju is a cutthroat, competitive maniac, eh? Well…I guess that’s probably better than what I expected (someone who is pre-in-love with Masamune / his work despite being more successful than him). In any case, the whole group of girls has now been introduced; we’ll soon see if and how Masamune interacts with the newest and most hostile.

Eromanga-sensei – 05

I wasn’t really serious when I stated last week that Sagiri saying “she’s in love with someone” meant a rejection of Masamune. This week Sagiri barely hides her brocon, and if anything is brassed off that her brother won’t return those feelings, because he doesn’t want to admit he’s a siscon. What both can agree on is that if Masamune is going to write a novel about a little sister, she’s going to illustrate it.

Masamune ends up ignoring Elf’s initial pleas to be rescued by her fastidious editors, so caught up in planning the look of the heroine with Sagiri (the more it looks like her, the better), but Elf manages to finally get his attention with a barrage of arrow fire, and he catches her in a manner she later romanticizes when she finally gets to meet Sagiri, and has fun both playing video games and posing in lewd positions until Masamune gives her up to the editors.

While working on his project proposal, which if approved will get the fast track to publication, Sagiri is eager to show him her completed work using Elf as a model. The illustration inspires Masamune to put an Elf-looking character in the novel, which I thought would really irk Sagiri (since another girl is intruding on her life with her brother and now their art) but she takes it well, and wants to continue inspiring him by drawing different kinds of girls she can only draw if she sees in the flesh.

That would create a problem for Masamune…if he wasn’t surrounded by girls. While I still loathe Megumi, at least her role as the only “otaku outsider” becomes clearer, as she so blithely looks down on the kind of books Masamune and the others create and adore.

The final member of the harem also comes a little more into focus, though she’s only mentioned by name: Senju Muramasa, sharing her name with the legendary student of the legendary swordsmith Masamune; fitting since it’s implied she’s younger. With Elf now a neighbor, friend, and collaborator, Masamune needs another distant rival…at least until that distance suddenly closes, which on this show is pretty likely.

Eromanga-sensei – 04

Whither Yamada Elf goest, so to does Eromanga-sensei (the show, not the artist). Starting out as a caricature of a super-arrogant, condescending brat with delusions of grandeur, Elf’s become a lot more balanced in the last two episodes.

She also reveals that delusions aside she’s a highly capable, multi-talented person, as evidenced by the lovely, tasty-looking meal she lovingly prepares for Masamune. The reason she’s happy to cook is that she gains perspective on how characters in her stories feel when they’re cooking for those they have their eye on.

Sagiri has also picked up on the quickly evolving relationship between Yamada and Masamune (even if he doesn’t see Yamada as a serious love interest), and calls Masamune a liar for saying they don’t get along, when he’s clearly there all the time.

Combined with the result of bringing up the drawing of large-boobed women (Sagiri can’t do it because she doesn’t have them herself), Masamune ends up shut out of her bedroom once more, though the core of her disappointment is his refusal to come clean about the neighbor.

The day the two authors are to reveal their stories to one another, Masamune arrives at Elf’s house to…no welcome whatsoever. I fully expected him to barge in on her working (or doing something else) in the nude, but I was pleasantly surprised when he found her all covered up.

Specifically, she’s in a very practical sweatsuit, with bags under her eyes instead of ringlets beside them, and a very serious look on her face. This is all Masamune needs to realize all her talk about writing light novels being a mere “hobby” is a bunch of codswallop.

More evidence is presented when the two read one another’s manuscripts before turning them over to Eromanga-sensei. He’s reliably blown away by her story, a page-turner seemingly perfectly tuned for Eromanga’s stylus, right down to the small-boobed characters in cool outfits. But Elf is also blown away by Masamune’s…just not in the same way he is by hers.

It’s not that her story is in any way worse—on the contrary, it would likely sell many orders of magnitude more copies than his—it’s that this isn’t a competition for the most bankable LN. It’s a competition for Eromanga’s services and after reading Masamune’s manuscript, Elf is so sure she can’t compete, she tosses her manuscript straight into the shredder (much to Masa’s dismay).

Reading it also confirms to her that Eromanga-sensei is his little sister next door, and that’s why she can’t compete: it’s a 300-page love letter, for chrissake. It’s not even meant for any other reader but her, which is why Elf is both outclassed and beet-faced she read it at all.

When Masamune finally gains access to Sagiri’s room—via the window in a frankly needlessly reckless stunt that could have gotten him killed and resulted in ending up in a very lewd position with Sagiri beneath him. There, he learns why she hasn’t opened the door for him in two weeks: she doesn’t hate him, she’s been improving her drawing, both battle scenes and bigger boobs.

Her take on his dalliances next door was that the neighbor was a rival artist trying to take “Izumi-sensei” away from her, while he kept the wager secret because he was worried she’d be seduced by the more famous and successful Elf. With the misunderstanding cleared up and his victory sealed (she’d never leave him for another author), she reads the manuscript.

Like Elf, it’s embarrassing for her to read; doubly so since it’s about her. And while she considers it an interesting story, he’d never be able to release it as a book, because it’s just too personal. She also, not in so many words, rejects the implied confession the manuscript represents (at least, Masamune seems to take it as a rejection).

Masamune is fine with that rejection, but he’s committed to re-working the story into something he can show to his editor, something that will sell and garner a huge audience, and eventually, get awarded his first anime adaptation, putting him on the same level as Elf. Most importantly, his goal is to get Sagiri out of her room so they can watch the first episode of their anime together in the living room.

While I thought this was Masamune going too far and was sure it would put Sagiri off, I am surprised yet again when Sagiri take a couple steps outside her room; the first steps in many to come on their quest to create an anime-worthy book. Let the goal-striving begin.

Ao no Exorcist: Kyoto Fujouou-hen – 12 (Fin)

With the Impure King defeated and the Kyoto Saga all but in the books, I was up for pretty much anything Ao no Exoricst wanted to do in the post-battle epilogue episode. It turned out to be chock-full of nice character moments, and felt like a thank you to the audience for watching. For instance, there’s no such thing as too much Mamushi, and her lovely scene in which Juzu comforts her kicks things off nicely.

Rin comes to in a room with Kumo resting beside him, but he soon spots Shiemi lying right next to him. They have a nice exchange, until she seemingly permanently friendzones him, and we learn that Renzo, Izumo and even the ventriloquist kid are also in there. It’s a need little gradual reveal.

After Mephisto has a chat with Yaozou (who gives all credit for the victory to Rin), a seemingly tipsy Shura comes onto him, but he sniffs out her intent, and soon she has a kunai at his throat, wondering if the Impure King was yet another test for Rin (which it most certainly was). Mephisto isn’t forthcoming with details, but his polite threat sends Shura flying off him, then warning him she has her eye on him…from a safe distance.

The next morning, Bon is headed to the room where his dad is resting, only to find him in an inn uniform sweeping the floor. It would seem Master Tatsuma has hung up the sutras, and wishes to live a simple life helping out around the inn. This irks Bon, who thinks it’s up to Tatsuma to re-unite the Myoda sect.

Turns out, neither Tatsuma nor Bon had to do anything for that to happen, as Juzu announces his intention to marry Mamushi. I’ll admit I wasn’t really shipping these two, but I can’t deny they work as a couple, and the scene in which he convinces her to agree to the marriage represents a nice melding of tradition and modern sensibilities. The protesting from Mamushi and Juzo’s siblings are also delightful, while Mamushi’s eyepatch is very chuunibyou.

The students have the day off, so they spend it together, this time not fighting for their lives, but sightseeing in Kyoto, the city they all helped to save from turning into the toxic forest from Nausicaä. It’s mostly a montage of stills, but they’re pretty stills that contain a lot of nice little character moments. I also liked how Rin’s friends did a running gag of having to do what the “son of satan” says, or else he’ll fry them.

Finally, Yukio meets Rin by the riverbank so Rin can tell him he’s still committed to becoming an exorcist and leaving his little brother in the dust, despite being the son of satan. Yukio doesn’t approve, and he has lots of good reasons, but Rin’s going to keep training nonetheless. So he tells Yukio he can go ahead and keep having his back, and he’ll have Yukio’s in return. With that, the brothers return to the group and they continue their pleasant, and well-earned, day off. Not a bad way to end.