Gauma is in a bad way and Second can only ease his pain, but with Gridknight and Goldburn losing ground to Shizumu, Yume and Yomogi know what to do. Juuga, Mujina and Onija notice the new Shizumu Kaiju, realize they can’t control it, and instead allow him to swallow them up. This makes things even more difficult for Knight-kun.
Koyomi’s Dyna-car just happens to land near enough to him that he can simply hop in and join the battle; ditto Yomogi, who gets to make a dramatic leap over a cliff of debris into his Soldier. Yume trips and falls, but Yomogi soon tracks her down and offers to take her to her Wing. Gauma even manages to pilot his Dyna-thingy with Second, so all six pieces of the puzzle are there to fight the Eugenicists.
It’s here where we get a lot of those trademark super-intense Trigger Faces, as Juuga curses (and confesses?) to Gauma (who tells him to “shaddap!”), Mujina curses Koyomi (who loudly apologizes), and Yume and Yomogi get the silent treatment from their former classmate Shizumu. But once Yomogi realizes he can Instance Dominate the enemy with his Kaiju user power, the battle is pretty much over.
There’s a number of different Dyna-combinations, all of which are great fun to watch as the pilots shout in unison. The coup-de-grace comes from the old standby Super Dragon Dyna Rex (carrying a combo of Gridknight and Goldburn on its back) firing off the most verbose attack yet: Blazing Hot Inferno Burning Grid Rex Roar.
The Eugenicists glimpse their impending deaths and accept their fate (again), but so does Gauma, who passes away shortly after claiming victory. None of them are particularly upset about this; Mujina even thinks it might be “better this way”, while Juuga is certain the time of Kaiju will still come someday. As for Gauma, he finally understands why the Princess didn’t revive with him: because she entrusted Dynazenon to him. And he did good.
Three months later, as the silent credits roll (no OP or ED in this finale, but the opening theme did make an appearance during the battle, as is its wont), we get a very wide shot of Yume and Yomogi walking slowly across a bridge, Yume stopping Yomogi going back for her, and the two continuing on. I don’t know about you, but to me this feels like Yume wordlessly giving Yomogi her answer.
The two join Chise and Koyomi to take one last look at Gauma’s home under the bridge and bid farewell to Knight and Second, who are taking the now-inert Dynazenon and Gridknight with them. It must be tough, but Chise accepts that the best and coolest friend she ever had doesn’t belong in the world of logic and reason.
Speaking of which, Chise is back in her slick street clothes, since her school was one of the casualties of the climactic battle. That’s a pretty cool touch. As for Koyomi, he looks so different three months later with his haircut and well-fitting suit, I assumed at first he was a last-minute cameo from the Gridmanverse. Chise has also ditched her sleeve, revealing a Goldburn tattoo that was there all along. Looks like her friend will always be with her after all.
That leaves the inevitable cultural festival scene. Yomogi and Yume’s class is doing a horror café, and their shift is about to start but Yume is trying to shirk her duty. After pointing his mom and new stepdad—whom he seems to have accepted and even get along with— to the tickets, he is selected by his friends to track Yume down.
After seeing Mai’s photo exhibition (she decided to use photos of Yume after all which…why would you not), Yume finds the highest place in the school and sings a song in tribute to Kano. Then, as she was probably expecting, Yomogi finds her. She reaches out her hand and, after he recalls a final convo with Shizumu about how he was rejecting a future as a fellow kaiju user, but he was okay with that, he takes her hand and helps her onto her feet.
You can really feel the weight of he characters and the touch of their hands thanks to the animation and sound. She then scolds Yomogi for using her last name Minami, Yomogi relents and calls her Yume while blushing all the way, and Yume lets out a cheekily mirthful laugh.
Once they’re done their shift (as a bloody corpse and mummy, respectively), Yume and Yomogi pose for a photo with the others, and notice they still have their scars. Yume hopes they’ll never lose them, since they’re precious reminders of how they found themselves, found other, and learned to find happiness in their lives. These crazy kids are going to be alright.
The final scene is of Knight and Second arriving back in what I’ll call Akane’s illusory world. I’ll go ahead and assume Yomogi & Co.’s world was pretty much our world. While this is pretty cool to see, it’s not as huge or goosebump-inducing as Gridman’s live action mic drop. IN fact, you could probably make a case that Yomogi’s world is also a fake, simply because everyone looks like they’re in an anime.
That’s further food for thought, but in the end, my cerebral stomach is feeling pretty satisfied already. SSSS Dynazenon was one hell of an eclectic, sumptuous meal, a brilliant and epic melding of the absurd and mundane, both impossibly fantastical and piercingly real. I’m really going to miss this gang of misfits, but assuming Trigger isn’t done with robots, kaiju, and alienated, flawed, and immensely charming characters, I look forward to the next entry in the Gridman Universe.