Shikimori’s Not Just a Cutie – 09 – All Aboard the Friend-Ship

Don’t get me wrong: I like Izumi, and feel he’s both delighted and transcended his male damsel-in-distress archetype. That said, it’s not his name on he show, so to have a whole episode where he’s basically in bed sick is a great opportunity to explore Shikimori’s other relationships, starting with Inuzuka.

Inuzuka has known Izumi far longer than Shikimori, and so when you factor Shikimori’s need to compete in everything, that disadvanage is a sore spot. Thankfully, by spending some time with her (and due to the sleuthing of Hachimitsu) he learns she doesn’t just see him as some kind of rival, but that she often projects her big brother on him.

It’s gratifying that while Shikimori is initially competitive and pouty, she ultimately chooses not to usurp Izumi’s wishes for Inuzuka, not her, to take his notes and visit him while he’s sick. She can rise above those more possessive aspects of her personality.

After the Inuzuka segment, the episode becomes a tribute to girlfriends, i.e. girls who are friends. Nekozaki shines as she and Shikimori spot Kamiya at the bookstore. She invites Kamiya to join them in hanging out and Kamiya accepts, which makes Nekozaki’s day as she’s always wanted to get closer.

Little does she know how close Shikimori and Kamiya already are thanks to their shared adoration for Izumi and their intense rooftop encounter, and after returning from the bathroom she assumes the two became instant best buds in her brief absence.

The truth is that they’d already become closer on that rooftop, but hadn’t quite had the opportunity to build upon that moment to expand a relationship for which there was no reason not to become more of a friendship. Nekozaki is a useful facilitator for that purpose here.

In a wonderful segment, Shikimori and Kamiya team up against two aggressive but also highly virtuous gyarus on the basketball court, mopping the floor with the former high school champs with ease thanks to some baller teamwork. The power of friendship is on full display, but since it’s two-on-two Nekozaki is the odd woman out, and plays referee.

The girls’ bond is revealed to Nekozaki first by watching the two interact at the mall and now play together on the court. Nekozaki heard the chatter from other classmates establishing Kamiya as either a stuck-up/aloof cool beauty or a tragic loner, but the Kamiya she watched today seemed nothing like that externally-manufactured concept.

Later, when Nekozaki is walking with Kamiya, she wonders what or who brought about this change, because from Nekozaki’s perspective, it looked like Kamiya was carrying some pain. Kamiya isn’t quite ready to say who, but she will say that that person told her to treasure what she feels.

Kamiya apologizes for never saying yes to Nekozaki’s many offers to hang out in the past. But being the sweetheart she is, Nekozaki apologies right back for coming off as a little pushy about it. Nekozaki did it not just because she sensed Kamiya’s hurt, but also because she recognized Kamiya was a person it would be an honor being friends with.

Nekozaki is perfectly fine letting Kamiya take her time discovering more of her feelings, and when she’s ready, Nekozaki will be there to hear her or be a shoulder to cry on. Nekozaki wants nothing more than for Kamiya to smile from the bottom of her heart. That desire is at the heart of friendship … where everyone is welcome aboard and no one goes overboard.

Karakai Jouzu no Takagi-san 3 – 07 – Pumped Up for Peace and Quiet

Most anything short of officially dating could have topped last week’s on-stage confession, but if Takagi is anything, she’s patient, so this week is a return to slow, steady, and cozy. Soft and fluffy too, thanks to a dog Takagi is walking for someone. She knows Nishikata will come running when given the opportunity to walk a dog, while Takagi is fine simply walking beside Nishikata, dog or no dog!

After snapping a pic of Nishikata going all gooey over the fluffy good boy, the next segment involves him having to backtrack to school to get his homework. Naturally Takagi tags along, and Nishikata learns that the after-school scene is all about couples. He has absolutely no chance against the assumptions of other couple—like Nakai and Mano—that he and Takagi are one of them—another couple.

The brief but cute segment with Mina, Yukari, and Sanae underscores how the rest of the class views our two lovebirds, as we get a Yukari’s-eye-view of the two in their natural habitat. Sanae heard word they’re not actually dating—yet—but Yukari is 100% right in saying “they might as well be…just look at them!” Also, Mina still believes in Santa, bless her!

In the last segment, Takagi psyches herself up over library duty with Nishikata, and can you blame her? Hanging out with the boy she likes is hardly “duty”. Nishikata, who has already long since been duly impressed by Takagi’ repertoire, discovers she’s also a knitter. She says a slow one, but looks pretty fast to me! (Also, the knitting action and accompanying foley is wonderful low-key sakuga).

Nishikata accepts a brief knitting lesson—backing out when she guides his hands with her own—then feels pangs of jealousy when she hears she’s knitting something for “a 15-year-old boy”. Sensing he’s troubled, she offers him a release valve in the form of a photo of said boy—and he’s a good boy—an old, shivery Chihuahua!

Takagi and Nishikata don’t seem like the couple to attack mountain ranges or hit up raves or ragers once they start “officially dating” (whatever the heck that means). Netflix-and-chilling, or knitting-and-reading, is much more their speed. Fitting, considering no couple makes me more excited about peace and quiet!

Rating: 4/5 Stars

P.S. it has come to my attention that Takagi was crocheting, not knitting. Nevertheless!

Karakai Jouzu no Takagi-san 3 – 06 – It Was Spring When We Met

With the Culture Fest imminent, rehearsals for Romiya and Juliot are well under way, but when Nishikata first lays eyes on Takagi in her princess regalia, he forgets half of his lines as Dumpling A and gets an earful from Director Yukari. Nishikata knows he needs practice, so he arranges for Takagi to meet him…on a rooftop…at sunset.

It’s not until he’s almost to the top of the steps that he realized that in his absent-mindedness he set up the perfect conditions to ask Takagi out, recalling an iconic chapter of 100% Unrequited Love, in which he should know by now Takagi is also well-versed. But such is her knowledge of the workings of his mind, she knows he’s up there to practice their lines…though she’s a little disappointed it’s not for more than that.

The day of the festival arrives, and Nishikata is 5 billion percent certain he can beat Takagi in a contest of who can get out of the haunted “diner” first (can I just say how wonderfully random a haunted diner is?). Takagi gets in and out in 43 seconds, dashing his hopes of her getting freaked out. But for a moment there, he considered going in, so concerned that she’d be too scared. Sure enough, Takagi wants to go through the house with him together, not separately.

Intertwined with Nishikata and Takagi’s slow dance of love are Houjou and Hamaguchi, the latter of which initially disappoints and pisses off the former by telling her not to come to his class café. When she arrives anyway to spite him for being a jerk, she discovers why he didn’t want her there: all the guys in his class had to dress like maids!

But the big draw of the fest is the play, and things get off to a smooth and encouraging start. Even Nishikata knows all of his lines and delivers them with confidence, no doubt a product of his thorough off-camera practicing with Takagi. But when Kimura is “turned into a ham” and leaves the stage, the chestnut atop his scepter pops off. Then Kimura has digestive issues after winning the eating contest.

This leaves Nishikata to fill in for him, but things don’t go as Yukari, Sanae, or Nishikata planned. That’s because during the scene where she’s about to take her life, Takagi trips on the chestnut, and Nishikata darts onto stage to catch her so fast his pig head falls off. The crowd believes this is all intentional, so he runs with it—emphatically declaring his return to human form is a “miracle born from our love.”

Surely the adrenaline has him, but that doesn’t matter. Takagi is loving every moment of this improvisation, as it means she gets to be in the arms of the boy she loves for real, and Nishikata has nowhere to hide. It’s only when an entire gym full of eyes are on them that they’re finally able to say how they truly feel, even if Nishikata would dispute that’s what’s going on.

At the after-festival karaoke party, I was glad to see Nishikata and Takagi sitting next to each other. She praises him for the improv, and he claims not to remember any of what he said on stage. Takagi assures him she remembers “each and every second” of it, and probably will never forget it.

Then Nishikata asks why one of her improvised lines mentioned how they met in spring when Romiya and Juliot met in the fall…to which Takagi says, while looking straight into Nishikata’s eyes, that “it was spring when we met each other.” We, not the characters they played. While Nishikata’s 8-bit brain tries to process these words and their meaning, Takagi is called to the mic to sing another lovely vintage song. A perfect ending to a perfect episode.

RABUJOI WORLD HERITAGE LIST

Karakai Jouzu no Takagi-san 3 – 05 – The Ultimate Prize Catch

We begin with a girl who looks like Takagi beside a boy who doesn’t look like Nishikata sitting in the same part of the classroom as our two lovebirds. The girl is upset about having green peppers in her lunch, so the boy eats them. Her friend tells the girl he doesn’t like peppers either, but ate hers, and teases her, because he likes her.

The girl reacts just like Nishikata would, which makes sense, as she’s his daughter. That’s right, our cold open (which is actually quite warm) takes place in the future when Takagi and Nishikata have a kid. We even see Takagi from behind hanging laundry as the scene ends. Note I didn’t say “a possible” future. I said the future—because this is a sure thing. It’s only matter of time!

Back in the present, we see where their daughter gets her dislike of green peppers. Nishikata had to eat some for breakfast, and it’s enough to let out a big sigh. Because Takagi knows him, she immediately identifies what’s eating him (or rather what he doesn’t like eating).

He, in turn, proceeds to ask her what she dislikes as a new challenge, and she even offers him a number of hints…but not too many. Here’s how she  puts it: “You’ll eventually get it right if I just keep giving you hints forever.” The same can be said of their relationship.

Nishikata guessed wrong this time, but he won’t stay wrong forever about what matters, and Takagi won’t have to keep giving him hints forever. Why am I so sure? Well, why else would we get a glimpse of their adorable daughter?

Mina, Yukari and Sanae have a similar discussion about food dislikes, with Mina eating Yukari’s carrots and offering Yukari a gyoza as thanks. While Mina and Yukari bicker, Sanae snatches it up and eats it. Rather than apologize, she walks off, but soon returns with some melon bread, which she offers to exchange for the rest of Mina’s gyoza.

After that intricate transaction, Sanae, Yukari, and Mina take center stage, as they are the writer, director, and costume designer for the play the class will perform for the culture festival. After their presentation of the story, a mélange of the Princess and the Frog and role-reversal Cinderella, they immediately appoint Takagi for the role of the princess. Naturally, there are no objections.

That leaves the crucial role of the Prince. Naturally, all eyes fall upon Nishikata, as the three girls running the play clearly have him in mind for the role, at least initially. He’d have had it, too, had the girls not been distracted from his heartfelt and very real performance that moves Takagi.

They’re distracted by Nishikata’s own friend Kimura, who is still so verklempt from the class not having a karaage café, switching “karaage” for “hime” instantly wins him the role. Nishikata is consigned to the role of “dumpling A”—unfortunate, and yet oddly appropriate.

While both Takagi and Nishikata are disappointed in their ways, it’s hardly the end of the world. In fact, they’ve shaken it off completely by the next segment, when Nishikata leads Takagi to a fishing pond for their next challenge. Nishikata went out of his way to get up early to prepare the bait and tackle, so Takagi honors that effort by giving it her all.

For some time after they both cast, they’re simply sitting by the pond together, taking it easy, something Takagi points out is super-nice. She’s clearly overjoyed that Nishikata has decided to share something he loves with her.

Then she gets a bite, catches a fish, then shows Nishikata she knows how to unhook it, tosses it back, and catches another fish! She may not have fished before, but she is comfortable handling them since she deals with fish often in the kitchen at home.

A frustrated Nishikata suddenly gets a bite—a big one—and it appears to be the prize catch of the pond: a giant koi. It pulls so hard he gets pulled forward, and would have certainly fallen in the drink…if Takagi doesn’t rescue him in the nick of time by grabbing him from behind.

She tightens her grip around his waist, his line snaps, and the two linger in this embrace for a few moments before Takagi withdraws with catlike quickness, once she realizes just how close she and Nishikata are.

She seems to shake it off and even manages to gently tease Nishikata about it as they walk home during the golden hour. But Nishikata’s heart is thumping like a death metal bass drum. When his inner voice asks “what is this?” Takagi, seemingly hearing his thoughts, says “love”. Well, she says koi, which means both love and the kind of fish that got away from him.

As for his “penalty” for losing the fishing challenge, Takagi decides that he’ll help her prepare for her role as the princess. Nishikata doesn’t protest—it’s her win, so it’s her call. So it’s settled: even if the two won’t share the stage, Takagi will ensure her prince—her koi, her dumpling—is closely involved.

Every week Nishikata seems to make another encouraging stride in the right direction: closer to Takagi. Not only will that likely culminate in their ferry date from the OP and promo art, but also in that cute daughter, carrying on her dad’s tradition of taking a while to realize someone likes them.

Karakai Jouzu no Takagi-san 3 – 04 – Tease the Night

The weather is starting to turn in TakaKata Land, but the day Nishikata decides to change to his warmer winter uni, Takagi is still in her short-sleeved summer fuku. We see just how accustomed to losing challenges Nishikata is when she says that because he changed first, he wins a game she had goin on in her head—that doesn’t sit right with him!

He makes up a new game—one he’s sure to lose—in which Takagi loses if she says the word “cold”. He tries to get her to respond in a manner that would sound like the word cold, but as usual she’s too sharp for him. When he tries again, she turns the game to her advantage, drawing very close and asking if she says “cold” like he wants, will he…warm her up?

After the three girls are out of sync due to an undelivered text, Nishikata finds all his usual lunch buddies are out sick (or pretending to be sick), so he resigns himself to eating lunch alone on the steps, which he tries to make the best of but can’t help but feel lonely. Sure enough, Takagi sensed he might be lonely and joins him.

It occurs to me that these two rarely eat lunch together since they each have their own circles of lunch buddies. It’s so lovely to see them just sitting together silently munching away. Then Takagi has Nishikata guess what’s in her onigiri, claiming one of his prized karaage should he be wrong. She wins, but feels bad about taking his food, so gives him one of her crispy lotus roots, acting until the very last second like she was going to feed him, lovey-dovey style.

The next segment involves Nishikata trying to snap a photo of a thrown rock that looks like a UFO in the sky. Takagi helps by doing the throwing, and while she admits she doesn’t really believe, she likes that Nishikata does. It’s part of what makes her adore him. In a lovely whimsical twist, she spots a actual UFO, but he doesn’t see it.

One day the bath in the Nishikata household is inoperable, so he has to use the public baths. Takagi asks him what time he’s going and he tells her, then spends the entire time there either looking for her or wondering why she didn’t come. Then she surprises him by the milk vending machine, admitting she not only came, but came early, perfectly calculating how much longer she’d take compared to him.

Nishikata’s longing for Takagi’s company, even if they were separated by the different sections of the bathhouse, speaks to his growing affection for her and desire to be by her side more often than not. The feeling is obviously (to everyone but him, of course) mutual, as Takagi remarks how they don’t usually walk together at night, and how it obscures their faces.

After Nishikata very foolishly challenges Takagi to a “whose face turns red first” contest— as soon as she leans into him he loses—the two continue their nighttime walk until it’s time to part ways to head to their respective homes. As she departs, Nishikata offers, unbidden, to walk her home, since it’s nighttime and thus not as safe for a young lady.

Takagi is so shocked by his offer, and loves so much how it sounds like something a boyfriend would say, she simply stands there in a perfect blend of befuddlement and delight. Then she thanks Nishikata for the offer and darts off, strategically hiding from him what must be a beet-red face.

Karakai Jouzu no Takagi-san 3 – 03 – It’s a Nishikata Thing

It’s a hot October morning, so much so that both Nishikata and Takagi arrive at school early, and find themselves the only ones there. When Nishikata proudly whips out a fan and starts fanning himself, I knew it would only be a matter of time before he was fanning Takagi.

First she asks him straight up to fan her. When he won’t, she makes up a game to see who can move her eraser across her desk further with the fan. Nishikata, like a dolt, furiously fans the eraser, causing it to move…a few millimeters. In the process, he fans Takagi. Then Takagi beats him by pushing the eraser further than him with the fan.

That said, Takagi repositions herself for his fanning so that a.) he gets a bit of the cool air too, and more importantly b.) she can be closer to him!

Takagi’s desire to be closer goes beyond physical proximity. She knows Nishikata and his friends love a new baseball manga, so she baits him with a ping pong ball, then uses a broom to play the role of hitter to his star pitcher. Nishikata allows the fantasy of the manga to wash over him, with the rest of the cast playing the roles of other characters.

Takagi swings through the first pitch, but Nishikata isn’t even able to get her into an 0-2 count as she belts his next pitch “over the wall” for a homer. She said she wouldn’t tell anyone what she saw if he struck her out, and he couldn’t, but when he asks again nicely for her not to tell, she says fine; in exchange, lend her the baseball manga. She wants to know as much as possible about what he likes!

After an interlude featuring the three girls and a supposedly stuck fat cat who turns out to just be fluffy (and I loved that cat’s design and voice), the final segment—simply called “Rain”—has Nishikata in the driver’s seat. Before class is out it starts to rain, but he forgot his umbrella.  Moments after the bell rings, he rushes to the lost-and-found and is in luck: there’s one umbrella left.

He heads home alone with the borrowed pink umbrella, eager not to miss a minute of the baseball/soccer anime crossover where the two teams play kickball. But in his haste to secure an umbrella for a dry walk home, Nishikata neglected to ask Takagi if she had one, and concludes that he can’t be sure she didn’t forget her’s—especially when it’s happened before (back in 2018!).

Sure enough, Takagi is waiting out the rain by staying at school and doing her homework, when Nishikata enters and is surprised to find he didn’t worry needlessly: she did indeed forget her umbrella again. So Nishikata, blushing like a tomato the whole way, manages to ask her if she would “like to go together”. We only see the bottom half of Takagi’s face when the sides of her mouth turn up as high as they’ll go.

Takagi teases him about wanting to “get cozy” under his umbrella again, but checks herself, seeing as how he was kind enough to come back for her. She even knows he missed his special anime episode for her sake, and when he asks her how she knows that, she replies “that’s easy. Because I know everything about you.” She then plans to forget her umbrella next time it rains, too.

The title card parting shot of them walking together under the umbrella is a snapshot of where they stand right now as a couple: Takagi is all-in and having a gas, while Nishikata, all flushed cheeks and elusive gaze, can’t quite temper his self-consciousness. But he’s under the umbrella—this time of his own volition. He went back for her! He put her before anime! I tell ya, the kid’s learning.

Karakai Jouzu no Takagi-san 3 – 02 – He Can’t Win…He’s Won

The Blue Marble

For its opening salvo, Takagi-san goes part-Charlie Chaplin, part-Looney Tunes, ditching all dialogue for a full orchestra. Takagi’s instrumentation is predominantly flutes and strings, while Nishikata’s is very horn-forward. It’s PERFECT. But what warrants this sudden change in style? Nothing more than a different take on the pair’s routine walk to school, which is more than worthy!

Takagi is feeling playful and decides to tail Nishikata without being spotted. That said, his “Takagi-Meter” goes off multiple times, turning this into a kind of Sly Cooper sneaking game. The music and silent body language kept me utterly enthralled, while the silent version of Nishikata imagining Takagi losing his “guess what I found on the ground” game contrasts perfectly with the reality that she knows it’s a blue marble, leaving him to ponder whether Takagi has ESP.

“You Didn’t Scare Me, Ma’am”

After the three girls have a little silent segment of their own, we return to Takagi and Nishikata on classroom cleaning duty. Takagi mentions that a  desk check is coming up, and suggests they do a dry run together. This means the two playing the roles of teacher and student.

Naturally, Nishikata is nervous despite having no contraband, while Takagi is cool as a cucumber when they switch roles…only revealing after the check that she did have a manga hidden under her gym clothes…the one he lent her. There wasn’t even going to be a desk check; Takagi just wanted to roleplay and return his book in the most adorable way possible!

“Dinosaurs!!”

Fortune continues to smile on these two, giving them multiple chances to be alone together even during school hours. To whit: library duty. Takagi suggests they pass the time by reading books they choose for each other. She saw how excited Nishikata got about a dinosaur picture book, so picks that out for him. No doubt she genuinely likes that cute childish side of his.

Nishikata accepts it despite his embarrassment, because he really does love dinosaurs. He just picked a random novel for Takagi, but it’s precisely because of that she can blurt out “I love you” and immediately pass it off as a line from the book, when it’s actually another confession. It’s the latest in a series of tentative lines Takagi has cast. Fishing is all about patience, and Takagi seems to have plenty…for now.

Takagi Sweat

The concluding segment begins with Takagi and Nishikata again running into each other by chance; the former is on an afternoon jog, the latter running errands. They chat about his informal jogging regimen, and he can’t help but boast that he once made it all the way to the beach one time.

The problem is, he reads Takagi’s reactions as skeptical rather than impressed—precisely how she intends—and the two part. Nishikata was near the end of his jog, but he’s determined to “defeat” Takagi by impressing her for real. So he fights his fatigue and groaning muscles and jogs all the way to the beach, fueled by the future sight of Takagi in genuine awe of his accomplishment.

I fully expected him to make it to the beach only to realize he hadn’t taken his phone with him to snap the all-important evidence. But that would have been too obvious, and the show knew that. Instead, he takes a photo of the sunset on the water, sends it to Takagi, and gets a sweet response back: “The sunset looks so pretty. Thank you.”

Then, in a beautiful piece of both romantic timing and camera framing, Takagi appears behind Nishikata. She raced to the beach on her bike after finishing her errands, because she knew with certainty Nishikata would go there to prove it to her. She hands him a bottle of Pokari Sweat—a reward for his hard work for her sake—and sits beside him on the sand.

Takagi says it was “so worth it” chasing after him so the two of them could watch the sunset together. Hearing this, and seeing Takagi’s face in the dramatic light and her hair gently flowing in the wind, Nishikata’s face turns red as said sunset, unable to accept that Takagi is being dead serious about all of this.

Then they sit in silence, calling back to earlier silent sessions in the episode. It’s established that once Nishikata calms down and quiets his mind, he can relax and simply exist together with Takagi, without any talking or teasing. Nishikata keeps trying to win in stupid ways, but he’s already long since won what truly matters: Takagi’s heart.

I maintain hope that one day—maybe this season—he’ll accept that win for what it is, and dismiss his lingering doubts for what they are: weak and pathetic excuses.

Karakai Jouzu no Takagi-san 3 – Sweet Dreams are Made of Tease

My dreams were answered: Master Teaser Takagi-san has returned for a third wonderfully warm, fuzzy season; the perfect balm for the bracing cold of a mid-Atlantic winter. After last season ended with Nishikata taking Takagi’s hand, this newest outing starts with them holding hands almost right away! After sensing she intended to beat him at the grip exercise tool, rather than hand it to him he took her hand instead.

Suddenly, Nishikata and Takagi are transported back to the steps of the shrine on that night. Then Takagi vanishes, and then he finds himself at the pool, with Takagi taking a dip. Then a number of his friends pretend to be Takagi. Then the main couple from their favorite manga/anime transfer to their class, and Takagi falls for the MC. Then Takagi in cowgirl cosplay shoots him with her six-gun. I believe she also appears in cow-full-stop cosplay, complete with moos.

Turns out the show was teasing us; it was all a dream. Nishikata hasn’t even been back to school since his festival date with Takagi; it’s still summer break. For a few moments, Nishikata panics: what if the festival, and with it all the good times he had with Takagi, was a dream too? He sees the robot mask he bought at one of the stalls and breathes a sigh of relief. It’s a welcome moment of honesty for Nishikata: He doesn’t want that night to be a dream. It happened, and he’s glad it did.

In the next segment, it’s the last day before school re-opens. Nishikata shows off the tan he got from going to the beach, remembering too late that his back was sunburnt and that Takagi would be quick to pat said back if she found out. Not only does she find out instantly, but challenges Nishikata to a guessing game: if he can tell her the reason she asked him to join her today, he wins. For each incorrect guess, he gets a pat on the back.

Nishikata eventually guesses that it was just so Takagi could tease him, but he’s only half-right. She gives him a telling hint: they’ve already been doing what she wanted to do. Even a simpleton like Nishikata can put two and two together: she just wanted to see him. But the challenge is to say the reason, and Nishikata is just too gosh-darn bashful to say it out loud, even if he’s secretly quite happy about it!

After an interstitial involving the trio of girls (who also got tanned and contemplate being three wrinkly grannies together due to the skin damage), the third segment announces itself as the first day of the new semester…yet both Nishikata and Takagi’s tans are gone, which I found odd. What isn’t odd is that Takagi is able to deduce that Nishikata wanted to spook her with a new dino-themed jack-in-the-box he meticulously hand-crafted rather than doing his summer homework.

When she finally opens it, she lets out a little yelp of surprise, thus handing Nishikata one of his only true wins against her! Then the two are transported onto a beach full of fireworks, and then to those same shrine stairs Nishikata dreamed of. Takagi holds out her hand, and as Nishikata reaches out to take it, they’re once more transported to a grove of cherry trees. Then Nishikata seemingly confesses to Takagi…and then she wakes up in her bed.

She throws open her window and basks in the morning sun and summer breeze, happy Nishikata said what he said in her dream, but also hopeful he’ll someday say it to her for real. I may have dreamed for a third season of the sweetest romance committed to television; little did I know dreams would play such a large role in the premiere.

Takagi and Nishikata are well and truly in each other’s heads, but I’m looking even more forward to watching their tender love continue to grow in the waking world in this season to come.

Mieruko-chan – 12 (Fin) – Best Butt Bun Buds Forever

The fox spirits’ initial attack doesn’t completely destroy Zen’s mother-ghoul, but their second attack does, and they mutter something in their bizarre language before skedaddling. Naturally Zen can’t see any of it. Hana and Yulia stop by just as the tormented cat demons all turn white and pass on. Whether this was due to his mom-ghoul being gone or Hana’s aura, Zen is no longer burdened by any spirits.

Once he recovers, Zen-sensei stops by Miko’s to pick up Mocha, the kitten he found that they were fostering. He dwells on the words Miko said about setting him free, and he takes it to mean he should be more honest with people. This leads to him flatly telling his neighbor he doesn’t want any leftover stew. Turns out she was putting something in it. That’s not cool…and it’s a good thing he didn’t eat any of it! He’s moving anyway, to a place that allows pets.

After the big Zen-sensei mom-ghoul dust-up, things pretty much return to normal. Hana is still constantly eating, but isn’t desperately hungry like she was before. She and Miko go out to watch the sequel to the Totoro analog while urging Yulia to watch the first; the fortune teller receives a picture of Miko and Hana at the shrine in the mail; Zen-sensei captures the animal abuser, and Arai-sensei has her baby.

Miko decides she should offer her gratitude to the fox spirits, so she visits their creepy shrine, this time going alone (and thus without Hana’s apparently built-in divine protection). She offers one stick of sweet dango and then several and then a mess of coins, but the fox spirits and their big, big brother only seem to get more and more angry with her. Things look very bad indeed until Miko wakes up in her bed. It was only a nightmare…and perhaps a message to her: just don’t go back there!

Miko continues to see ghosts, ghouls and monsters pretty much everywhere, every day, but it has become easier to ignore them…practice makes perfect! But one thing she’s learned is that when it seems like it’s in her power to help her friends or others, she should face those monsters head-on. Maybe she’s out of fox spirit bailouts, but as long as she has Hana and now Yulia by her side and a scrumptious butt bun in her hands, life is good.

Komi Can’t Communicate – 09 – Compliance-Wise That’s No Good!

This week’s wonderful and varied Komiucopia of segments starts off with a New Character Alert: Inaka Nokoko, who has a complex about being a country girl. Her “glow-up” consisted of hiking her skirt to just three centimeters below her knees instead of her usual five! No doubt she’s also self-conscious about her dialect, so she rarely speaks lest these cosmopolitan kids learn her dark secret.

Nokoko all but worships Komi-sama, the class god—though not to a creepy degree like Yamai. As she follows Komi (and Tadano follows her, wondering what’s up. Doublestalk!) into a Subway where Komi has been given another very long order from Najimi, she misinterprets Komi’s demeanor, actions and thoughts over and over, to Tadano’s amusement. In reality, she and Komi are a lot alike…I just wish they’d have actually met. Maybe next week!

Part II involves an established character in the chuunified Nakanaka, who invites Komi to her house on a whim and to her shock and amazement, Komi agrees. Before she knows it, Nakanaka is sharing her room with the Great Komi—her first guest since elementary school. The two sit in tranquil silence for a bit before Nakanaka breaks out the video games, something Komi doesn’t know a whole lot about.

Nakanaka gets so nervous about boring a “normie” like Komi such that she’d never return to her house, she invites Najimi over, who too Nakanaka’s surprise also brings Tadano over. The four end up playing a Super Smah Bros. game, with the show going into the game and giving the four characters Mario-esque identities. Watching Komi try to figure out her controller is a delight that brought back memories.

In the next segment, Najimi has conscripted both Komi and Tadano (who hides in a bear mascot) to assist with their part-time job at a Docomo analogue. Their task? Hand out 5,000 packs of tissues during their shift. It proves to be a fine science, as everyone reacts to Komi in different ways based on how they interpret her behavior and mood and whether they notice her at all.

After multiple Firings-up and Re-Firings-Up, quite possibly the person most in need of a tissue in the whole city crosses paths with Komi. At first the lady is weary of asking outright, while Komi feels weird tissuey vibes from the lady. But her first pack of tissues goes right in that lady’s hand, it the catalyst Komi needs to start handing them out to everyone who passes. Yamai even sets up a line for her! (This week I learned Yamai is best enjoyed in small, brief appearances).

The final segment starts with a harrowing dream Komi has in which one by one all of her friends show up with a black sesame seed stuck to the same part of their face, but Komi has no idea what it is, how to communicate it’s there, and even whether these are even her friends! Again, it’s only a dream, but I’m glad the show reiterated that Komi’s anxiety extends to nights alone.

Back in the waking world, Tadano actually has a sesame seed stuck to his face. Hearing Tadano call Najimi Najimi, she asks if he’d call her Shouko. Najimi urges Tadano on, but he’s utterly unable to do so. Then Najimi turns the challenge on Komi, asking her to call Tadano Hitohito.

Komi only gets a tiny “Hi-” out before she gives up as well. Like Komi meeting Nokoko, them actually saying each others’ names would have been lovely to behold, but maybe the show is saving that for later. For now, this was still an immensely fun and hilarious variety pack of segments.

Komi Can’t Communicate – 08 – Last of the Summer Juusu

Obon has come, so we get to spend some time with Komi’s family, both immediate and extended, talkative and taciturn. Turns out she’s even nervous about what to pray about and so has nothing to say to her ancestors, but she bonds with her middle school-aged cousin, and gets to lay her head in the lap of her granny, who is glad she’s having fun and making friends…but who is this Tadano Hitohito fellah on her phone?!

From there we move on to the next Summer Event: the festival. Najimi has Tadano arrive in a yukata, and he gets to be the first to see Komi in hers, looking tremendous as usual. Komi tries to get some actual words out, but only manages a staccato “Ta-“ until she finally hunkers down and says Tadano looks good too, which is the response to his compliment of her yukata hours ago. Better late than never…and always good to hear Komi speak.

When the two get separated from the rest of the gang, Tadano remarks at how fun it is with everyone. Komi writes with a twig in the dirt how it’s also fun when it’s just the two of them, but Tadano isn’t watching as she writes, so when he prepares to glance over, she wipes it all away. Komi, if you like Tadano, you’re going to have to be very obvious about it, because he’ll never believe it otherwise!

With the end of summer break comes the last dash to get summer homework done. Najimi invites themself over to Tadano’s, and Komi and Yamai also come, which means Tadano’s sister Hitomi gets to meet the two main women in her brother’s world.

She gets the wrong first impression of Komi, but by the time they’re reminicing on all the fun things they did and Komi tearfully presents her notebook saying how she wish it wouldn’t end, she gets it: this is a sweet gal whom her brother would be immensely lucky to snag.

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