Karakai Jouzu no Takagi-san – 01 (First Impressions)

It’s said that boys tease girls that they like. It’s also said they do this because, in their adolescence, they don’t yet know how else to express their like properly.

Well, in Karakai Jouzu no Takagi-san, the titular girl Takagi teases the Nishikata, the boy who likes her, and the time and effort she puts into getting him to laugh, shout, and/or otherwise disrupt class and get in trouble, suggests the affection is mutual.

Of course, this is middle school, so Nishikata treats Takagi’s incessant teasing as something that must be responded to in kind. He focuses on the fact this girl is beating him at the teasing game he wants to win, instead of the fact that, hey, this pretty girl is interested in me.

This teasing takes three forms in the first episode: an eraser (upon which one writes the name of their crush), during early day duty (where Takagi lies in wait behind a curtain) and with funny faces (which Takagi immediately turns back on Nishikata).

In every case, Takagi always wins and is always at least one step ahead, and Nishikata always fumes internally, his pride constantly being shattered.

To which I say WHO CARES? If this lady wants to tease you, let her! Don’t get so worked up about being beaten. (I know, I know, he can’t hear me. Even if he could, he wouldn’t listen.) 

In any case, I never tired of watching Takagi get one over on Nishikata, and I don’t think I ever will, which is why I think I can keep this on my Winter list. Takahashi Rie and Kaji Yuki’s voices are a delight to listen to. The show is oozing with warmth and charm.

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Just Because! – 06

Morikawa’s Sunday request to Souma for a chat goes unanswered into Wednesday. Why? Souma is weary of breaking the “stalemate,” unaware of what someone who outright rejected him could possibly want to talk about.

While that’s festering, Komiya continues her campaign to become Izumi’s friend, believing it will net her the benefit of him giving permission to use the photo. Rather than absense, she’s hoping her constant presence will make his heart grow stronger.

They have lunch in the depressing office where Izumi studies alone, and Souma catches him being fed by Komiya. “It’s not what it looks like!” Izumi protests. Maybe not, but things seem to be moving in that direction!

Souma and Izumi have a talk about Morikawa’s text, and Izumi suggests they settle it with baseball…again. If he hits a homer off Izumi, Souma must respond. If Izumi strikes him out, he’ll “be clear” with someone whose name he’d rather not say (though I’m assuming it’s Natsume; isn’t that why he’s studying; to get into a college near hers?)

Once more, Souma and Izumi’s two-man, one-out game becomes the focal point on which all others are focused, from Komiya (literally focused with her camera) and Natsume (who can tell Izumi’s doing his best) to Morikawa, who almost, almost breaks out her trumpet, remembering Souma liking it, even though she thinks she sucks.

The next day, Komiya gets some reasonable advice to back off from Izumi since getting closer isn’t working, but it becomes immediately clear Komiya isn’t capable of backing off in a realistic manner, and even if she did, it would have no effect on Izumi.

Natsume, inspired by both Izumi and Souma, gives Souma an eraser as thanks for him lending her one years ago. Souma is understandably confused, and unfortunately Natsume leaves it there without any further information, forcing Souma to, as Izumi says “figure it out for himself.”

Later, one of Natsume’s friends (one of three all rooting for her and Souma) asks straight-up if Natsume even likes Souma. Natsume doesn’t know anymore. She’s torn between the elation of that eraser lend in the past, and the presence of Morikawa in the present, and of course, the tests that will determine her future.

Souma, meanwhile, finally gets back to Morikawa, only for her to procrastinate over responding to him. These damn kids, I tellya! Fortunately, Inui kinda forces the issue by telling Souma where to find Morikawa, who is practicing trumpet by the river. She plays for him, and it only makes him repeat how much he likes her. Her playing! But her too.

Then Souma gets a victory (well, he’d call it that) he never saw coming: Morikawa wants more time to give him a final answer; he’s not rejected. His raw elation upon hearing this was palpable. They come to a detente; planning a celebration when Natsume’s tests are done. But they dare not hang out one-on-one…why, I don’t know.

Meanwhile, Izumi is jogging when he comes upon Komiya, who has been busted by the cops for taking photos of someone without permission. The sequence is chopped up a bit, but it’s apparent he came to her aid, and he offered to ride her home on her moped.

Natsume just happens to spot the two, looking every bit like a couple to the untrained eye, before they motor off. Could Izumi actually be warming to the more accessible girl? Or is he just being the good friend Komiya wanted him to be? Whatever the case, it’s pretty likely Natsume will see what anyone else would see: Izumi and Komiya looking very close.

Koi to Uso – 01 (First Impressions)

To combat its low birth rate, the Japanese government institutes a system of arranged marriage, selecting partners for its citizens when they turn sixteen. Romance between unassigned partners is FORBIDDEN. This…is a comically ludicrous system, but in Koi to Uso (Love and Lies) it’s the law of the land, and apparently it’s not only okay with most of the population, but has actually stabilized the population.

But c’mon, what the heck is up with that system? That’s straight-up eugenics right there. And when you dabble in that, you invariably end up with evil warlords like Khan. Thankfully, our two protagonists, Nejima Yukari (who has the same damn name as the system) and Takasaki Misaki (Hanazawa Kana), are among those who don’t subscribe to a system that coldly forbids them from being with the one they love; namely each other.

Unfortunately, the “romance” of Takasaki Misaki and Nejima Yukari is almost as big a farce as the Yukari Law. Consider: one day, years ago, after four class periods of hesitation, Yukari lends Misaki half of his eraser. She whispers “thank you” in his ear and smiles, and he falls deeply in love. Okay, he’s a little boy; she’s a pretty girl; fine.

But…But…that’s the extent of their contact together…for years, until he approaches her in the hall and asks her to meet up with him after school. After waiting about four hours, Yukari gets up to leave (after building sand burial mounds [??????]), but Misaki shows up at the last second.

When Yukari confesses, Misaki not only quickly returns his feelings, but the two embrace, have their first kiss, and then start french kissing in the space of a couple of minutes. After watching the slow development of a first romance in Tsuki ga Kirei, this development is waaay too fast and unearned. I don’t know either of these jokers! They barely know each other! I’m usually the one who thinks it takes too long to get to first-name basis or hand-holding or kissing…but this didn’t take enough time by half.

As if that wasn’t enough ludicrousness, right in the middle of making out, Yukari gets his government notice, but his phone is on the fritz like a TV, and he thinks he sees Misaki’s name before it cuts out completely.  Moments later, government officials appear in the park, at midnight, to personally deliver Yukari’s notice, which does not name Misaki, but someone named Sanada Lilina.

Did they use his GPS to find him? Couldn’t it wait till morning? Would a system as strict as this really allow such loose language about never marrying in its schools, like the kind we heard earlier in the episode. Devastated by the fake-out, Yukari then finds himself having to chase a distraught Misaki, and because she’s not on the track team, he catches her and they embrace once more.

So there you go: really bizarre authoritarian breeding system in an otherwise normal Japanese society; forbidden love that’s extremely fast-paced in its development, leaving no room for suspension of disbelief…and REALLY BIG EYES. Interested? No lying!