Karakai Jouzu no Takagi-san 2 – 12 (Fin) – The Real Game Begins

The entirety of Takagi 2‘s finale is devoted to the summer festival, as it should be. We start with Nishikata waiting nervously for Takagi, his hands already sweating with anticipation. She arrives positively resplendent in a yukata, nearly bowling him over with her beauty.

As they walk to the festival together, little kids and old people alike see them for what they are: a couple on a date. Nishikata thinks he can win a game in which no adults say they’re on a date, but he has to rely on semantics, and ultimately loses at the candy apple stand.

As the other members of the cast enjoy the festival, Nishikata tries to distract from the fact he’s on a date with Takagi by engaging in one competition after the other, from goldfish scooping to ring toss. He loses at all of them, but Takagi gives him an out: if he does “date stuff” with her, he’ll automatically win.

For once, Nishikata doesn’t want to win, or rather the little timid voice inside him doesn’t want him to fully open himself to the experience. He won’t feed Takagi, but he does give her the gift of a cute hairpin, eschewing the childish toys also available to choose.

On two notable occasions, the large crowds separate Takagi and Nishikata. The first time, he’s able to locate her quickly, but the second almost spells disaster, as they can’t find each other when the fireworks begin. Thankfully, Nishikata’s mate Kimura, with the assist of the episode, directing Nishikata to Takagi’s location atop the shrine steps.

Takagi has to endure the bulk of fireworks all alone, and her face has never been more morose…but when she spots Nishikata running up the steps her face brightens, and meets him halfway down the steps. Sadly, the fireworks end just as they reunite.

Far more importantly to Takagi, Nishikata finally takes her hand into his, unbidden, calmly explaining how it would suck if they got separated, not to mention the steps can be perilous.

DAWWWWWWWWWW

Takagi’s reaction above tells you all you need to know about how much this means to her. Just one episode after he finally asked her out, he mustered the courage to take her hand, and even if it was the practical move, it shows HUGE growth on his part to actually, you know, make it.

They descend the steps hand-in-hand and later we find them playing with sparklers on the beach; unassailably a date thing. Takagi tells him that throughout all the “losses” he’s endured, he’s never really lost, because, well, he has her. Her attention, her affection, her eyes on him.

No matter how you slice it, Nishikata is a winner. And in what I dearly hope will be a third season of this beautiful, uplifting show, perhaps he’ll keep gaining confidence, shaking off his childish hang-ups, and making the right moves. There’s a lot of game left to be played. But if this is the ending to this particular story, I’m glad it ended on a happy note.

Karakai Jouzu no Takagi-san 2 – 11 – A Big Catch

In a desperate attempt for a win, any win, Nishikata manages to find out from Takagi’s friend that she’ll be walking down a certain road at a certain time, and arranges for a game to guess the steps to a certain spot.

Thinking more than one step ahead for once, he correctly predicts she’ll call for a further target, but he’s such an open book she changes it again, demonstrating that thinking just two steps ahead won’t cut it if you want to beat Takagi!

Still Takagi had fun, and is flattered that Nishikata would go so far to win a game, and asks what he wants her to get him as a souvenir on her family vacation. Later, Takagi’s friend can tell from her face “something nice happened.”

When Takagi is back, she presents Nishikata with another great gift: a 100% Unrequited Love-themed curry kit. He also went on vacation, and surprises her with a gift of cookies. Little does she know they’re sour cookies. When she suggests they go to the shrine to enjoy their gifts together, it’s the perfect chance to see her distressed, puckered face…

…But on the way there, Takagi expresses her happiness so genuinely, Nishikata has no choice but to warn her ahead of time. Turns out the cookies are actually pretty good. Takagi also uses their shrine visit to tell him she had her family vacation shortened so she could go to the upcoming summer festival.

Nishikata isn’t planning to go with anyone, and neither is Takagi, so she tells him in no uncertain terms that if someone asked her to go, she would—someone she teases all the time, for instance. Knowing him all to well, Takagi provides him with everything he needs…all he has to do is, well, ask her out.

The subtle animation really shines in this scene, conveying Takagi’s nervousness as she adjusts her legs and stretches her trembling hands, matching Takahashi Rie’s superb voice work.

Asking Takagi out is one of the hardest things Nishikata has ever had to do, because it pretty much throws out the window the fiction that, as he’s so fond of saying, “it isn’t like that” between them. When the two run into each other on the street and he offers to carry her groceries in his bike basket, the atmosphere gets more and more awkward as he utterly fails to speak up and say the words that need to be said.

I really can’t overstate how much tension is built up as they walk up to her house and say goodbye and he starts to walk away, without asking her out. Her usual cheerful smile vanishes, replaced by a look of resignation…she tried her best. But then she hears his bike returning, and the shy sonofabitch finally, finally asks her if she wants to go to the summer festival with him.

The answer, of course, is yes, and in her elation she tosses more canned drinks into his arms before he heads off to fish with his mates. Nishikata doesn’t get to see her adorable quivering look of relief and joy as he pedals off. Now this is how you build anticipation for the twelfth and final episode!

While fishing, even when he gets a bite on his line he doesn’t notice, as he’s in a kind of trance state. Not surprising, as he’d already snagged the biggest catch of his life.

Karakai Jouzu no Takagi-san 2 – 08 – A Better Dream

This week Takagi and Nishikata get “stuck” in the storage shed after gym class, as Nishikata pretends he can’t open the door in order to scare Takagi. Honestly it’s a pretty sizable “own goal” on his part, as Takagi doesn’t mind being alone in a shed with Nishikata one bit. She even realizes pretty quickly that the door’s not really locked, but if he’s going to make conditions so perfect for teasing, who is she to resist?

While in the dim shed Nishikata scrapes a knee, so Takagi takes him to the conveniently empty nurse’s office to administer antiseptic. Again, the two are all alone, and Takagi makes sure to point this out, sitting on the bed with Nishikata (the second bed of the episode!) and putting her hand just an inch from his, daring him to hold it and claim victory. Unfortunately, Nishikata…just can’t do it.

When the two compare dreams of what they’d do with a million (then ten million) yen, we can see the recurring theme of Nishikata being an unapologetic, helpless…kid. He wants to buy all the video games and comics; she wants to go on vacation with “someone she loves”—someone Nishikata can’t yet realize or accept to be…him.

Presumably, at some point, Nishikata will grow up a little more and take Takagi’s numerous, increasingly obvious hints. Or perhaps the time will come when Takagi will stop “teasing” and simply tell him upfront how she feels, leaving no room for doubt and not following it up with a “just joking.”

Mind you, I’m not saying that’s Takagi’s responsibility to move this thing forward. For all I know, she’s fine with things the way they are—which is why she’s not pressing—or she’s waiting to see how things play out. In any case, her odds of a desirable outcome are surely better than winning a 10 million-yen lotto ticket.

BokuBen – 13 (Fin) – The Lights in the Sky are Stars

This is it—The episode we’ve all been waiting for: when Nariyuki finally chooses which of the girls he’s going to go out with! Pfft, sure. If only it were that simple! Every girl has good qualities—though as discussed ad nauseum last week, some people have a particular preference, depending on their own type—but however Nariyuki feels about them, he’s either unaware of their feelings for him (in the case of Fumino and Rizu) or has been misled or messed with so much he doesn’t know what to think (Uruka, Kirisu, Asumi).

While she’s serving as a kind of “substitute Nariyuki” at an all-girls pajama study session at Rizu’s, Sekijo Sawako impresses upon them how lucky they are to have such a dedicated tutor, though she’s not sure if it’s because he’s a pushover or simply gets “caught up in stuff so easily”—the answer is somewhere in the middle. Alas, that’s the last we see of Sawako, one of BokuBen’s more intriguing but underutilized supporting players.

Later, Nariyuki intends to help his mom with his littlest brother and sister at the summer festival, but when his fam sees his two cute friends in yukata, they quickly ditch him, and Fumino soon follows, leaving Nariyuki with Uruka, which came as a bit of a surprise considering they arrived at a pretty good stopping point last week.

Aside from her showing him her tongue (stained pink from shaved ice) and offering some to him (for an indirect kiss), there’s no further romantic awkwardness between them, as they chip in to help an overworked Rizu and her dad at their udon stand.

Kirisu ends up attending the festival in disguise to keep an eye on students, but when Nariyuki makes her, she runs away, trips, and injures her knee. He has to give her a second piggyback ride (only this time she’s not sauced) to the first aid tent, which of course is being tended by Asumi and her dad.

Asumi leaves Kirisu’s skinned knee to Nariyuki, but he ends up helping out the rest of the night, showing that Sawako is indeed correct about him being a bit of a pushover and easily caught up in things. But hey, if he enjoys helping everyone out, so what if he’s not the one instigating these scenarios?

Fumino, who split off to let Nariyuki and Uruka be alone, ends up losing track of time gazing at the stars, and on her way to the last train, she has to corral a little lost girl and get her back to her mom. Nariyuki also loses track of time at the first aid tent, and ends up finding the little lost girl’s twin sister.

With the twins back with their mom, Fumino and Nariyuki end up missing that last train, and encounter one other at the station. With no taxis (or indeed any cars) around and only an inn to turn to, the do-gooders have to consider an action that, if taken out of context of their situation, could be seen as very bad.

That action, of course, is spending the night together at a ryokan, which only has one room left, and that room has only one futon, and because it’s a chilly night they have to share it. These two have clearly never heard of sleeping head-to-foot to avoid awkwardness, but that’s rarely a comfortable way to sleep anyway.

For the first time, Nariyuki and Fumino find themselves sleeping in a bed with a member of the opposite sex, and it’s tough. Thankfully, it’s a gorgeous, clear, starry night, so they manage to find a topic that sets them both at ease; the very subject Fumino intends to pursue: astronomy.

Fumino tells Nariyuki about a book she first read when her mother was on her death bed, about an old astronaut continuing to chase his dream and conquering his weakness—something she, Rizu, Uruka, and Asumi are all doing. Nariyuki points out how cool he thinks they are for doing so, and expresses envy for not having any particular personal goal of his own.

Fumino tells him she doesn’t consider herself particularly special for having a dream, and it’s clear she doesn’t think he should discount his desire to help make his family more comfortable and prosperous. But if he ever comes up with another dream, she promises to help him, as his “big sis” (they checked in to the room as siblings).

Fumino ends up falling asleep while grasping Nariyuki’s hand, and he doesn’t have the heart to wake her up. Turns out she’s dreaming of that day she read that book with her mom, and when she wakes up, her hand and his are still intertwined. While initially surprised and bashful, she doesn’t see any need to break their embrace, and so curls up a little closer to him.

The night after on the train, the two are mortified by the choice they made last night, but as they part ways, Fumino, back to calling him by his family name Yuiga, smiles and tells him simply that she’ll see him later. And indeed we shall, as a second season of BokuBen is coming this Fall, where I’m sure we’ll be presented with more adventures both wackily comedic and poignantly warm between Nariyuki and the girls he tutors.

I can’t see why I wouldn’t be around to keep watching them. After all, it seems when it comes to this kind of show…I never learn.

Senryuu Shoujo – 11 – Peonies in the Sky, I Can Go Twice as High

It’s summer festival time, and both Nanako and Amane are resplendent in their yukata; the proverbial garden peonies while standing, tree peonies while sitting, and lilies while walking. Eiji looks pretty good too!

But Amane soon detects a problem: she’s definitely a third wheel, even if Eiji’s the kid of dude who spends entire days catching bugs like a five-year-old (he makes Takumi in Ao-chan look like Gene Simmons).

Even so, sometimes he’ll surprise you, like when he tenderly slips a glow ring he won on Nanako’s dainty finger. It’s like he’s already proposing! When Amane and Eiji go to the bathroom, Nanako stays behind and gets snatched up by three classmates who saved a spot for the fireworks.

The thing is, Nanako’s one wish on this night was to see the firworks alone with Eiji. Eiji knows this, so when the two are separated and fireworks time draws near, he starts searching for her.

While doing so, he leaves Amane and the bulky “Famistation” she won behind, but fortunately she runs into Eiji’s family and thus isn’t alone. Eiji manages to find Nanako thanks to the glow ring, and takes her hand just as she’s tearing up from having to watch the fireworks without him.

It’s a very well-orchestrated, powerful moment when the two lovebirds finally reunite at just the right time. I’ve maybe witnessed dozens of this kind of scene before, but it gets me every time when executed well, and it couldn’t happen to a nicer pair of kids here.

Koi wa Ameagari no You ni – 09

I had high hopes for some enjoyable festival times with a newly reunited Akira and Haruka, but the reveal of the episode’s title, “Rain of Sorrow” (yikes!), After the Rain had other ideas. While Akira made a nice gesture by inviting Haruka out, there’s no avoiding the fact the two have drifted apart considerably.

When Haruka watches Akira interact with Kondou (who is there with Yuuto), Haruka is thrown for a loop when Akira makes it clear she likes someone so “old.” It’s a reasonable thing for a high schooler to say, but Akira doesn’t take kindly to it, and cuts off the discussion.

That, in turn, leads Haruka to lose her temper, since Akira has made it almost impossible to talk to her about anything anymore. With a few words that probably weren’t meant to cut as deeply as they do, Akira has Haruka running home crying. Those words? “We can’t go back to how we used to be.”

That’s damned harsh, and I’m a little disappointed in Akira for going there so quickly, but then again, perhaps a degree of maturity and pragmatism have rubbed off on her, both from Kondou and the reality of not being able to run. Bottom line, harsh or not, Akira is right, and she’s not quite sure how to integrate Haruka back into her life.

Somewhat conveniently, Kondou is going through the same thing, only at a more advanced stage: he’s meeting an old friend and classmate Kujou Chihiro at their old watering hole, where they’re the only two guys who aren’t college students.

Kujou is the author of the book Kondou checked out of the library and got mad at the Amazon reviewer about. And it’s lovely to see these old friends gel so nicely right out of the gate (beer and delicious food help grease the proverbial wheels).

It’s also apparent Kujou holds Kondou’s opinion and skills as a writer in high regard; perhaps even beyond his own, which is why he doesn’t believe Kondou when he says he doesn’t write anymore. He does, but rather than a dream he wishes to achieve, it’s “just a little something.”

But there’s a reason Kondou and Kujou haven’t seen each other in ten years. Kondou was meant to join Kujou and other classmates on a trip to India, but he ditched them to marry Yuuto’s mother, while Kujou’s experience kicked off his successful writing career Kondou wanted but apparently put aside for love and family.

Kondou and Kujou never had a grand public yelling match in full yukata regalia like our girls, but through their individual choices and the passage of time, grew apart to the point they couldn’t go back to how they used to be. There may be other times when they see each other to drink and talk. When together, they’re not adults, but classmates. But there will never be a time like back they enjoyed in their youth. Nostalgia, indeed!

The new term starts for Akira, and while her other track friends are friendly, since she hasn’t made up with Haruka, things are still awkward between them, and Akira isn’t sure how or even if she can mend fences, because she’s just as behind in what Haruka is thinking and feeling as vice versa.

Kondou (who made sure to tell Kujou his depiction of high school girls was inaccurate, no doubt based in part on his friendship with Akira), can sense Akira is down about something, and unlike with Haruka, Akira can relatively easily tell him what that something is.

Their talk is interrupted by work, but at close Kondou has Akira join him outside once more, where he presents her with a gorgeous supermoon (and what a great closeup of Akira’s eyes reacting to it’s glory) upon which to wish.

Kondou also lays down some adulty wisdom: even if she and her friend are growing apart, the irreplaceable moments they shared won’t disappear, so perhaps neither will the possibility they’ll grow closer again someday. Sometimes people need to grow apart to truly find themselves. But in Akira’s case, I think she should attempt to make up sooner rather than later; I don’t think they’re irreconcilable.

Koi wa Ameagari no You ni – 08

The opening moments of this week’s episode almost felt like a dreaded recap, but thankfully was just meant to establish the fact that Akira and Kondou are FRIENDS! Yes, JUST FRIENDS.

After that hug, the show—and Kondou!—wisely slows things way down while the episode spends a lot more time with the secondary characters that populate the couple’s life, to very pleasing effect. Also, Akira has a big pimple on her right cheek!

Take Yoshizawa: He’s spent many an episode trying to befriend Akira, to absolutely no avail. When Yoshizawa hears Kondou is friends with Akira he wants to be friends too, but Kondou sidesteps the issue by scolding his long bangs, threatening termination before they have a chance to be friends. It’s a joke, but Yoshizawa takes it seriously.

Enter Akira’s other co-worker of similar age, Nishida, who likes Yoshizawa and wants to get closer. She finds one in offering to cut his hair for him after work, which he’s a lot more enthusiastic about than she expected. After he leaves, she and Akira engage in “guy talk” for the first time, to the benefit of both.

Nishida stresses the importance of taking things step by step, which Akira needs to hear, while Akira tells Nishida that a friendship can turn romantic given enough chances for them to get to know one another and deem them more than friends. But there’s no rush!

What’s nice about this post-hug transition is that Kondou doesn’t avoid or ignore Akira; he’s not even bothered or uncomfortable by her presence. This is to be expected: we know, especially from last week, that Kondou is a decent sort, along with being, you know, a full-fledged adult.

As such, Akira uses his loud proclamation of their friendship to take a very logical step: she says “friends text each other”, and successfully acquires his contact info. A little step that brings them closer; now she can converse with him and learn from him even when he’s not around.

As she leaves work she’s practically floating on air, but so are Nishida and Yoshizawa, clearly hitting it off as he’s given a haircut. There’s just good vibes all ’round, and Akira finally gets to dance in giddy delight without being interrupted by a self-important Kase!

The second half expands the show’s horizons to a very satisfying scene between Haruka, arguably Akira’s best friend, and the recently-retired captain of the soccer team, Yamamoto. At first his presence displeases her, especially when he brings up Akira (imitating her almondlike eyes). But when she runs away, he follows, and he gets hurt.

Like Akira, Yamamoto had to leave the club because of a leg injury. Haruka wonders if Akira doesn’t love running anymore. Yamamoto asks if Akira said as much, and if she didn’t, it means that’s not the case. He considers Akira far more talented than him, so while both he and she might still want to play soccer or run, respectively, the high expectations the track star has from both within and without make her extra-cautious.

Yamamoto thinks Akira will be fine, especially when she has friends like Haruka who care about her. It’s just what Haruka needs to hear, and he manages to cheer her up considerably. Like Nishida and Yoshizawa hitting it off, Yamamoto and Haruka simply feel right together, showing that After the Rain isn’t just a one-couple pony!

From there we’re back in the office with Akira doing her homework. She’s unfortunate enough to be applying ointment to her pimple right as the manager comes in, but much more fortunate that the subject of her homework is in Modern Japanese, specifically Rashomon, which he’s recently read, and not for the first time.

I love how into it Kondou gets, calling the very question she’s stuck on a bad one, unless it doesn’t count towards her grade, because it’s a question with many answers depending on the individual. It’s almost fate that Akira has a pimple in the same place as the servant-thief of the story.

The end of the story—with the servant running into the RAIN towards a town to commit a robbery—finishes with the words “what happened to the lowly servant, no one knows,” which Akira believes is the perfect opportunity for a sequel, something Kondou had never considered.

Kondou also says that if he were the thief he’d likely stay under the rashomon, out of the RAIN, to avoid causing trouble, since he’s old and lives timidly. He also sees her pimple as a sign of youth, since he doesn’t get them anymore. It’s all him trying to maintain his stance that he’s not worth Akira’s affection, and that she’s better off with some guy who still gets pimples.

In any case, the discussion is cut short when, while flipping through her book, Kondou finds the same doodles that first got her in trouble with Kase, and the manager retreats. In the meantime, Nishida is on cloud nine and Yoshizawa gets the praise he so desperately wanted from the manager.

While watching a potential couple blossom before her, one of whom she can consider a new friend in Nishida, Akira looks at all the Summer Festival posters Kondou put up and thinks about her older friend Haruka. A couple taps on her phone, and the next we Akira she’s positively resplendent in her yukata, meeting up with an overjoyed Haruka and taking her hand.

Akira has apparently decided to take her time and trust the process vis-a-vis Kondou, having faith that in time a friendship can become more, but not to worry about it so much she can’t enjoy that friendship with him or anyone else. It’s very encouraging that she can contact and hang out with Haruka. Like Haruka, I was worried about her for a little bit there!

Tsuki ga Kirei – 09

Now that Kotarou and Akane have (mostly) overcome the largest impediment to their relationship with each other—their timidity—we see them hanging out alone together a lot more often and more comfortably, even discussing the ideal situation for the future: attending the same high school.

But no sooner do they swap first names and share a kiss does another obstacle come along; this one isn’t either of their faults, but an external factor.

Whenever a dad in an anime has to make an announcement, it’s probably because he’s being transferred and will be moving the whole family with him. That would be fine…if Akane didn’t have a boyfriend and had no interest in being uprooted. Alas, her dad’s gotta go where the bacon is.

It isn’t a sure thing, so Akane keeps it a secret as long as she can. She has her final junior high track meet approaching, after all, and has to keep her head in the game. Incidentally, that also means keeping Kotarou away when he asks if he can watch her run; it would be to embarrassing to her.

But Kotarou attends anyway, keeping a secret of his own, for the best of reasons: wanting to cheer his girlfriend on without distracting him. I honestly thought Akane would look up at the stands and catch a glimpse of Kotaoru there, but she doesn’t, and instead sets a personal best which she’s quick to snap with her camera and send to Kotarou, not knowing he saw her be awesome.

While Kotarou gets the slip on Akane, Chinatsu sees him, and because she’s still not quite over him, she doesn’t let Akane know she saw him. Hira asks Akane if she’ll still pursue track at high school, and she lets slip to Hira that she might be moving to Chiba.

Chinatsu, like Hira, is still stinging from her recent romantic defeat, but Hira seems to instill her with a glimmer of hope; after all, neither of them have actually taken a proper shot at getting the object of their affection to look their way; they’ve only dealt with the other member of the couple; with Kotarou being firm with Hira and Akane making her feelings for Kotarou plain to Chinatsu.

Whether Hira or Chinatsu give up may ultimately become moot if Akane moves, and when Kotarou confesses he watched Akane, Akane tells him about the possibility, and he’s suitably devastated. That being said, Kotarou has an awesome, progressive dad who wants his son to put happiness above fulfilling some kind of obligation; to “take it easy” and live his life doing what he loves.

With that in mind, if Kotarou decides to take a creative pivot towards light novels, he may find himself living in Tokyo before long, and Tokyo is not far at all from Ichikawa, where Akane and her family might move. If not, and the two end up being broken apart do to something as silly as a parent’s transfer, well, that’ll suck!

Tsuki ga Kirei – 08

Simplicity can contain multitudes. By that, I mean sometimes there’s a lot to be found in a pure, unembellished tale of first love of the kind blooming between Koutarou and Akane. With Chinatsu out of the way (an unpleasant but necessary step), all that stands between the two is their gossiping peers at school, eager to know all there is to know.

But there isn’t that much to know. Akane doesn’t even give a straight answer to the question “Why Azumi?” She may not be able to put it in words, but that doesn’t bother her; she doesn’t care why she likes him, she just…does. And he likes her, which is why they now actively do all they can to see as much of each other as possible, during which time they’ll explore more about the ‘why’.

During their private lunch in the library, Kotarou gets a text asking him to attend a hayashi practice, and Akane pounces on the opportunity to see her boyfriend perform, which he does. Just as Akane seemed to run harder, Kotarou dances harder, impressing the hell out of his girlfriend.

Kotarou also gets nods of approval from his hayashi peers, one of whom suggests the couple attend Hikawa Shrine’s Summer festival, famous for its hanging wind chime fortunes. Akane arrives at their meeting spot for the date in full yukata. Kotarou is loving the look; Akane is loving how he’s loving it.

A near-perfect festival date ensues, with no one getting lost or bumping into unwanted secondary characters. Akane also cuts her foot on her sandal, but Kotarou tenderly bandages it when she can’t bend over in the yukata. They don’t let anything spoil their enjoyment of the night and of each other.

Akane ducks away for a bit, but only once she hears Kotarou’s most recent birthday has already passed, and decides to get him a little present: the same beanbag stress toy she has. The only remaining ‘drama’ is her trying to finding the right time and place to present it to him.

Once she does, she feels much better, and Kotarou is grateful, and decides the time has come for him to call his girlfriend by her first name, and she, in turn, calls him by his. And with no one around to suddenly stop them, they finally connect for real on their first kiss, finishing what they started last week and hadn’t been able to stop thinking about.

It all happens to the tune of a rendition of “Summer Festival”, which I last heard in Re:Life. The camera keeps a tasteful distance, underscoring how the two must feel like they’re in their own little world. The next time her friends at school ask, Akane can tell them being with Kotarou makes her feel safe.

The parting shot of what the two wrote on their chime wishes—they both wrote the same thing: to be together forever—is a little mushy, but who cares! I daresay these kids are gonna be alright, and there’s a quiet thrill in watching them steadily improve at this thing called courtship.

Momokuri – 13 + 14

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Momo and Kuri are taking their time, to put it mildly; so much so Momo’s friends are getting a little antsy with his slow progress. Because of her frequent assertions he’s cute, Momo’s worried Kuri doesn’t see him as a man (which his friends know not to be true), so they suggest he kiss her and see if that “does the trick.”

Turns out Momo is coming down with a fever, so his friend texts Kuri with Momo’s phone and she comes, full of nervousness. The fact is, both Momo and Kuri are incredibly timid when it comes to…one another. Krui constantly hides her more intense thoughts towards him (which we’re privy to), while Kuri…does pretty much the same thing.

They cannot deny how much their hearts pound when around one another, but as we see, Momo isn’t able to quite pull the trigger, faking a feverish collapse rather than go through a first kiss that Kuri definitely would have accepted.

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Still, as Chu2Koi! effectively demonstrated, every couple has it’s pace, and while Momo and Kuri’s pace may be slow for some, it shouldn’t be construed as anything other than the only pace they should be taking things: a pace they’re both comfortable with. They both love each other, so progress will be made given enough time.

Take their first-name-basis: Kuri has already started mixing in some “Shinya-kun’s”, and Momo decides in bed that he truly wants to start calling Kuri “Yuki”.

They’re both still very embarrassed to do it, but the fact they both do it, and share in that embarrassment, is a step in the right direction. The fact that hearing one another’s first names spoken by the one they love also serves as motivation to continue taking steps forward.

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Momokuri – 11 + 12

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Another week, another familiar rom-com scenario: the Summer Festival. While Momokuri’s didn’t come close to the heights of, say, ReLIFE’s festival, it was still Momokuri’s best episode to date, because it progressed, and characters came in contact with one another, so naturally and effortlessly. Not only was it a fine bit of slice-of-life, it also developed Rio’s relationship with Yuki.

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Momo and Yuki are having a fine time as a couple at the festival until they become separated, and Momo’s phone dies. Momokuri subverts the typical instance of a cute girl left alone falling prey to some wolves. In this case, the wolves are older women, and it’s diminutive-for-his-age Momo who is the prey.

Not only that, it’s “Prince” Rio who swoops in to save him from the “panthers”—more androgynous than ever due to her tan and boy’s clothes (provided so she could serve as protection for Ikue and Yuzuki.

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Despite looking like most like a boy (and a delinquent at that), Momo remarks how he’d rather see Rio in a yukata. Rio has spent much of her most recent years enduring those who say she could pass a a boy, so she’s heartened by Momo treating her like the girl she is.

Rio heads off on her own to look for Yuki, because a part of her wants to be one-on-one with her. It’s just as good, because when being with Yuki, Rio learns a little more about her rival-in-love, and determines maybe she’s not as weird as she thought. Indeed, she helps Yuki come to grips with feelings she’s not able to understand all on her own.

Like Momo and Yuki, she too was a bit lost early this week. But by the end, her stated desire for Momo to be happy above all else is evidence enough for Yuki that what Rio has isn’t just a like for someone, but love. Of course, Yuki isn’t aware that it’s Momo Rio likes. I doubt she’ll ever find out, either; this isn’t a drama, after all!

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ED of the Week – ReLIFE 12 – “Summer Festival”

The summer I spent with you, is like a faraway dream
the fireworks display that disappeared into the sky

That’s pretty much the perfect refrain for ReLIFE, which ends with Hishiro likening Kaizaki to those vanishing fireworks, in addition to decribing similar moments between Kariu and Oga. I can see why the producers dusted off a sixteen-year-old single to bridge the gap between the 12th and 13th episodes.

Also, Whiteberry is singing about a Summer festival, so of course they’re donning yukata while playing. How badass is that?

DISCLAIMER: RABUJOI is not responsible for any ear bleeding caused by this song.

Here’s a more contemporary version of the song, covered by the vocaloid Hatsune Miku (based on the voice of Fujita Saki, AKA Inami from Working!!).

This version was used in the ED of Watamote Episode 6, but I never watched that show:

I like both, but I think the original has more charm.

Kimi no Iru Machi – 11

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With Takashi, Rin, and the others not expected back from the sea until late at night, Yuzuki and Haruto attend the Summer Festival together, just the two of them. They have fun, but while watching the fireworks from the pond, Yuzuki confesses that she still loves him, but tosses her necklace away, promising she’ll never “hinder his happiness” again. He jumps into the water and retrieves it, telling her not to go anywhere. Just then, Asuka calls, asking where Haruto is. He lies, saying he’s home, and ends the conversation, saying he’s busy. He tells Yuzuki to give him some more time to form a proper answer for her. When he and Yuzuki return to his place, Asuka is there, waiting for him, and calls him a liar.

More than once this week while he’s with Yuzuki, Haruto asks himself: “What am I doing?” He has a perfectly good girlfriend who loves him, after all; he really shouldn’t be on dates with his ex, but it’s as if he can’t help himself. It’s as if his bond with Yuzuki is simply winning out over his loyalty to Asuka, the girl who fell in love with him even as he was fetting over the girl he could no longer have because of Kazama. That the series wants us to believe that Asuka is simply an unfortunate but inevitable victim of the winds of fate. Haruto counts four major points in his life when he’s encountered Yuzuki, starting with when they were tots, then when she moved in with him, and then when she insisted he give up on her.

In this fourth and latest encounter, she tells him she loves him, but not about to let that ruin what he has with Asuka. But Asuka and Haruto are apart at this crucial time, and the distance doesn’t make the heart grow fonder. Haruto has an abrupt and heartbreaking conversation with Asuka, essentially brushing her off with yet another callous lie; a lie he’s thankfully caught in. Was Asuka always doomed to be a placeholder to be discarded once those winds of fate blew Yuzuki and Haruto back together? Or will Haruto atone and stay by Asuka’s side (if she’ll have him)? Haruto’s in a most unenviable position mostly of his own making, but judging from his conduct thus far, things don’t bode well for poor Asuka.

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Rating:7 (Very Good)