Magia Record – 25 (Fin) – A Record No One Knows

Step One of the Magia Record finale: dig poor Tamaki Iroha out of the yawning chasm of despair into which she was cast by losing both Ui and Kuroe. First, Iroha shoots a Kyuubey or three in the face, not wanting to hear his platitudes about extending the universe. Harder to silence is her own doppel, who says she couldn’t save Ui or Kuroe because she didn’t ever truly know or understand them.

Iroha is no doubt in a bad way, but thanks to the timely arrival of Yachiyo and the rest of Mikazuki Villa, she’s able to share her pain and failures with them, just as they shared joy and happiness in brighter days. They connect with both hope and despair, sharing everything about each other. This maximum understanding means Iroha is able to conjure a giant crossbow airship that conveys the quintet to Embryo Eye.

Mikazuki and a huge army of magical girls manages to restrain Embryo Eye, while Iroha is able to fly through any and all obstacles to end up with her two remaining little sisters in her arms. Nemu and Touka insist she fall back, stay safe and let them keep her alive for a long, long time. But Iroha assures them more time won’t make her happy if it means they must sully their hands, or disappear. She wants to share as much time as they have left together.

While she’s finally able to get Nemu and Touka to stand down, the victory lasts only a few moments when we’re reminded that the wild card Alina Gray is still on the board, and crazier than ever. Of all the hundreds of magical girls deployed in this battle, it only takes one to muck everything up, and that’s Alina, who above all must be entertained and engrossed by art and excitement, even if it means sacrificing herself to merge her doppel with both Embryo and Walpurgisnacht.

Alina’s destructive actions threaten everyone, magical girl or not, and Iroha can’t hold Nemu and Touka back from doing what they can to stop her. In this case, that is summoning their own doppels, going into overdrive, then catching up with the Alina-Embryo Eye and destroying it before it can merge with Walpurgisnacht—sacrificing themselves in the process.

The resulting explosion turns everything white, and Yachiyo wakes up on a train in space, wondering if she’s dead. She’s soon joined by former villa sisters Mel and Kanae, and then by Momoko and Mifuyu. They tell Yachiyo they’re not ghosts, but fragments of their magic that live on within her. Thus is Yachiyo’s magical ability finally confirmed not as the power to survive by sacrificing friends, but the power to carry on their hopes.

After meeting with Ui and saying goodbye one last time (though Ui also says a part of her will remain with Iroha, specifically every time she experiences happiness), Iroha ends up in one last discussion with her doppel. But since she no longer fears her doppel, and has come to understand her, Iroha is able to remain in control, and even draw upon her doppel’s power, combined with Ui’s collective power, to connect each and every magical girl on the battlefield with glowing pink threads.

They’re not threads that collect despair, but seek understanding and sisterhood. One big happy magical girl family, all of whom know each other, and all of whom have a part of themselves in their others. She and Yachiyo connect and conjure a mammoth half-spear, half-crossbow bolt. Declaring that no matter how sad or regretful she gets, she’s going to keep living, Iroha fires the bolt, finishing the Alina-Eye off and dispursing Walpurgisnacht.

The clous part, the blue sky and gleaming sun bathes Iroha and Yachiyo in its warm light. The rest of Mikazuki Villa joins them, and they revel in their hard-fought victory. After the credits we see new occupants arriving at Mikazuki Villa in some undetermined but not necessarily distant future, with framed pictures of former tenants, including Yachiyo and her original group, as well as Iroha and her little sisters.

But they’re just photos of girls. As the girls in those photos narrate that nobody knows nor will know the struggles they faced, the sacrifices they made, the tears they shed and the blood they spilled. They won’t know they failed, were deceived, were stolen from, or that they fought each other, made up with each other, comforted each other.

The damage caused to the city is explained by a combination of earthquakes, typhoons, and terrorist attacks. What actually happened will never be recorded, and to the rest of humanity, magical girls and their record never existed.

It’s a expectedly sobering and haunting way to close the curtain on this bizarre world. But it doesn’t matter to Iroha if she was remembered, only that she got to be a magical girl, save people, and live and share in the lives of those she loved.

Magia Record – 24 – No Choice at All

As Alina Gray revels in the chaos Touka and Nemu have resumed (and paints a picture of it) and Yachiyo chases after Embryo Eye, Kyuubey calmly waxes philosophic about how he’s actually doing magical girls a favor, since their sacrifice is a small price to pay for, ya know, extending the life of the universe.

He also goes on about how “what is right” depends entirely on when you live in human history. In some times “justice” hast meant protecting the weak; in some times it has meant eliminating them to make humanity stronger.

Those lofty areas of rumination are of no interest to Iroha, who is now safely within Little Kyuubey, which means she finally gets to reunite with Ui. Her goal is to get out of there with Ui, but Ui tells her it’s too late for that. However bad a big sister Iroha believes herself to be, Ui believes she’s been a worse little sister.

She’s not herself anymore, and hasn’t been since she became a magical girl with Touka and Nemu. Unlike those two, Ui is content to admit they failed and gracefully back away (and say what you want about Kyuubey’s designs, the plan ws and is short-sighted at best).

Ui tells Iroha they must part, because while her story is over, Iroha still has a lot of people left to save, starting with Kuroe. Iroha breaks Iroha out of Little Kyuubey just when Kuroe’s doppel is overwhelming her. But while Iroha wants to save Kuroe, Kuroe doesn’t want to be saved, because she doesn’t believe she’s worth saving.

We finally learn why (or at least part of why) Kuroe feels that way. Whether she became a magical girl because Iroha did or for some other reason is not clear. However, once she became one, she was weak, and barely able to scrape by. But just as there’s always a bigger fish in the sea, there’s always a weaker magical girl.

When Kuroe meets one who is stuck in a witch’s labyrinth, she rescues her and the stray cat she meant to save. We never see this magical girl’s eyes or learn her name (nor does Kuroe). But when the girl asked for a spare grief seed, Kuroe lied and said she didn’t have one, when in reality she did have one to keep her above water.

Kuroe believes the choice she made back then was no choice at all. She went so far as to save that girl, only to abandon her to a longer, slower death. She has no idea what happened to her, but it’s likely to have been nothing good, considering her Soul Gem was already in bad shape.

So now, having had to say goodbye to her dear little sister, Iroha now finds herself trying to convince her friend that she can and should be saved. Kuroe is far from keen on the idea, especially as her darker side replaces that mystery girl with Iroha in her mind, thus upping her guilt and despair.

While she’s under the heavy emotional influence of her downer doppel, Kuroe decides she’ll make it so that she doesn’t have to save anyone and doesn’t need to be saved. Her doppel breaks through Alina’s barrier and she transforms into a full-on witch, Iroha watching helplessly as Kuroe’s blackened vestigial human body is torn to pieces.

As the witch soars out of earth’s atmosphere, likely up to no good at all, Iroha’s defeated face turns to one of grim duty and determination. If she couldn’t save Kuroe, she’ll at least put her out of her misery, and spare a great number of lives she’d claim as a witch. Three episodes into this four-part finale, I earnestly hope we’ve reached the lowest depths, and that Iroha and her remaining friends can soon begin to ascend from the shadows.

Magia Record – 23 – Sticking to the Plan

Outside, Yachiyo, Mifuyu, and the other girls are confronted by the Amane twins and Magius acolytes, and it looks like a magical girl-on-magical girl battle is about to take place. But to the twins’ credit, they seem to stand down at least to hear Mifuyu out; such is their respect and love for her. Mifuyu tells them the time has come to stop hurting each other and others, because the Wings of Magius’ plan failed.

Inside, Nemu stops the time suspension, the hourglass shatters, and suddenly Touka remembers everything: life with Nemu, Ui, and Iroha in the hospital, and all of the things she’s done since then to end up where she is. It’s a tearful reunion, but Touka also finds herself crushed by guilt. Kugimiya Rie does some excellent work here.

After hugging Iroha, Touka wants to know why Nemu didn’t tell her the truth when she knew it all along, and the answer is simple: Nemu didn’t want Touka to abandon the plan. The collective fear and misery of countless magical girls who came to Kamihama City drove Touka mad, but Nemu’s knowledge of not only losing Ui but knowing no one knew but her must’ve have driven her mad, too.

That’s because even with the benefit of hindsight, and the fact their efforts thus far almost killed their big sis Iroha, Touka and Nemu decide to press on. They don’t believe the Doppel System to have failed, but simply isn’t finished yet. They decide to keep the promise they made to Ui, even if she wouldn’t want them to, and “get back to making their mistake.”

As they ride off aboard the awakened Embryo Eye bound for Mitakihara, which they plan to fuse with Embryo, I had to hand it to these two for doubling down on their bad bet. It’s not surprising at all that two girls with the hubris to believe they could take on Kyuubey’s powers and control them would believe that they alone can save everyone.

But the immediate effect of Embryo Eye’s awakening is that nearly every magical girl in Kamihara City is overwhelmed by their Doppels. I suppose they’re all simply necessary sacrifices for the greater god to Nemu and Touka. But Mifuyu is determined to protect every last one of them with what power she has. She tells Yachiyo to leave everyone in her care while she heads off to try to stop Embryo and get Iroha back.

Mifuyu puts up barriers around all of the Doppel-ified girls to pr otect them from themselves and each other, but when they all start banging against those barriers, it takes a toll on Mifuyu. Enter Momoko, who offers physical, emotional, and magical support. Their mission is nothing less than reaching out and touching the soul of every affected girl and ripping away the darkness causing the Doppels to form.

To do this, Mifuyu and Momoko enter some kind of “soul realm” where the overwhelmed girls are represented as being confined to their own individual four-poster beds. Sana, Felicia, and Tusurno are all freed, but every time Mifuyu and Momoko free someone, their soul avatars crack and threaten to shatter.

Mitama, ashamed by how she’s played both sides for so long, is eager to help, but Mifuyu warns her not to. She and Momoko have made their choice, and there’s no going back. But the girls who remain when they’re gone will still need a Coordinator, so Mitama must live on.

The last magical girl Momoko helps save is Kaede, who finally reunites with Sena. But once all of the magical girls who had been Doppel-ified by Embryo Eye awaken back in the normal earthly realm, they find Momoko and Mifuyu lying beside each other, hand in hand, their soul gems shattered.

Thanks to Nemu, Iroha is trapped in some kind of protective dimension, while Yachiyo is headed off on her own to face overwhelming odds as Embryo Eye and Walpurgisnacht will soon clash and cause unfathomable destruction.

Two girls driven mad by their master plan, another who may be the only one strong enough to stand against them. And then there’s the wild car, Kuroe, slinking along with quite a lot of black goop in tow, followed by a translucent Kyuubey. On to round three.

Magia Record – 22 (Final Season E01) – Collect, Transform, Manifest, Despair

Magia Record’s final season begins where it all began: with the Hospital Girls Satomi Touka, Hiiragi Nemu, and Tamaki Ui. Ui’s big sister Iroha would always visit the three, and they all led a happy, if sheltered and delicate life. They even created uwasa together, but as places that would soothe hearts, not corrupt them.

Then Ui took a turn for the worse, and Kyuubey was ready to pounce on Iroha’s desperation. When Ui was near death, Iroha made a hasty deal that would save her little sister. In exchange, she became a magical girl. At the time, it didn’t matter. If it meant saving Ui, Iroha would do anything.

The three girls took notice of Iroha’s changed behavior and far less frequent visits. Being innately curious, they decided to follow her when she suddenly rushed out on them, and were horrified by what they saw: Iroha battling and ultimately defeating a witch, but clearly suffering a great deal in the process.

Having ensnared Iroha in his little web, Kyuubey decides to try to recruit the three girls, saying he can give them the power to save Iroha. But instead of hastily taking the deal, Touka, Nemu, and Ui science the shit of of this, doing in-depth research and determining the precise wishes that will maximize their ability to do the most good for the most people.

Kyuubey is right that he never lies, but is quite content to mislead, omit, or create misunderstandings his victims will regret far too late. He may have never encountered a trio of such inquisitive would-be victims as these three, peppering him with so many questions they get a far clearer picture of what’s really going on than any of the emotionally compromised girls he turned Magical over the years.

The conclusion the girls come to at the end of their research is to essentially steal Kyuubey’s powers of collection, transformation, and manifestation. They become magical girls, but rather than being on their own and having to make gradual or uneasy alliances, they’re a cohesive unit right from the beginning, setting up an automated corruption purification system on a grand scale.

This ingenious system goes swimmingly for all of five minutes until Ui’s collection power collects too much corruption too fast for the others’ abilities to keep up with. She is transformed into a witch—the first artificial witch—which attracts the attention of another magical girl: Alina Grey, who accepts the role of muscle for the nascent Wings of Magius.

As for poor Ui, Nemu manages to salvage her damaged soul and places it into the only suitable vessel: the deadified Kyuubey, thus bringing about Lil’ Kyuubey. Now we know why the little fella liked Iroha so much; it’s Ui in there!

As for why Touka is so indifferent to Ui’s loss, it’s not because she let power get to her head, but because by placing her soul into Kyuubey, Ui’s existence was erased from the world. Erased from pictures, name tags, and memories. But Nemu remembers.

Thus concludes a thoroughly heartbreaking demonstration of how Kyuubey’s manipulation corrupts even most intelligent and resourceful girls who only want to do as much good as they can, and to help the big sister they loved so dearly. It’s a dark and tragic story, but again, it’s only the beginning. Maybe the ending will be brighter.

Magia Record – 21 (S2 Fin) – Nor the Battle to the Strong

At first, Yachiyo and Iroha believe they failed to Connect with Tsuruno, but they end up basically inside her head, which takes the form of a theater where Iroha watches the past unfold, including the day Yachiyo and Tsuruno’s friend and comrade Meru became a witch. Because Tsuruno was working at her family’s restaurant, she blamed herself, and resolved to become not just stronger, but the strongest.

But she wasn’t strong. Against the Witches and Uwasa, no magical girl is strong; not really. That’s why they have to band together…though the Wings of Magius took it a bit too far into cult territory. As this episode demonstrates, small but close-knit groups can get it done. Thanks to Felicia, Sana, Mifuyu and Momoko, Yachiyo and Iroha are able to free Tsuruno.

Similarly, thanks to Kyouyko and Akemi, Madoka and Sayaka are able to free Mami. Like Tsuruno, she had been forced into believing she had to be strong enough for everyone even though in reality she wasn’t, leaving her exposed to Uwasa corruption…or something. I’m just glad Tsuruno and Mami are back…though the fact they were freed so easily somewhat blunts all of the built-up stakes.

It wouldn’t be a finale without Iroha Connecting with Madoka, and the two pink magical girls end up unleashing an attack so powerful, it disperses all of the assembled witches at the hotel/amusement park. With no witches their to lure it, Walpurgisnacht changes course for Mitakihara, somewhere Akemi pointedly doesn’t want Madoka to go because she knows it may well be the end of her.

But the OG gang soon says their goodbyes and heads to Mitakihara, leaving the Magia Record gang fully reunited. Tsuruno is a bit out of it but sure looks like she’ll make a full recovery, while all the bad blood between Yachiyo and Mifuyu seems to have dispersed along with the witches, which is good to see.

Less good to see is what becomes of poor Kuroe just as she exits the hotel and sees Iroha and the others celebrating their victory. Kuroe’s Doppel rises out of her shadow and stops her, saying she doesn’t belong with them. This must be at least a little meta, as Kuroe is an anime-only character.

Still, it seems almost cruel at this point for the show to torment Kuroe just as she seemed poised to deepen her bond with Iroha, and perhaps the other girls through Iroha. Her doppel clearly has other plans, though if Iroha & Co. could save Tsuruno, maybe they can save Kuroe too.

The only thing left to do is for Iroha to do what she came to Hotel Faint Hope to do: speak to Touka and Nemu. Touka, for her part, is recalcitrant and doesn’t even seem to recognize Iroha. She’s about to attack her when Nemu stops her. Nemu then reveals that she’s been keeping the truth about everything that’s happened so far from both of them. That said, she seems ready to come clean…in her way.

So ends the middle part of the three-cour Magia Record. This part had a nice focus and rhythm to it along with many satisfying badass magical girl moments, but still managed to end with me scratching my head, like the first cour. Not the worst thing, mind you; as long as the final third of the series helps alleviate that cranial itch with at least some solid answers.

The Duke of Death and His Maid – 11 – The Logbook

Viola’s mom kicks her bitchiness up to 11, not only insisting her daughter dress a certain way, but accept the fact that she can’t wear what she wants or live her own life. For her mom, Viola’s future consists of being married off to the eldest possible son of the richest possible family.

Not content to sheepishly accept her status as a mere commodity to be traded, Viola “runs away” from home with her luggage, though she only ends up having a girl’s sleepover with Alice and Caph. Viola’s situation reminds use that she suffers a curse just like her brother: one that threatens to limit her prospects for life. If, say, Bocchan were to lift his curse and become the head of the family, he’d likely let Viola live her life as she saw fit.

That’s one reason why Viola gives Alice an old servant logbook which may hold answers about when and how Bocchan’s curse was first established; that, and Viola really does care for her brother. Alice ends up discovering a passage about two women in white nun’s habits visiting the main house right around the time Bocchan was cursed. It’s clearly no coincidence.

One of the white nuns in question is Daleth, leader of Zain and Caph’s order, and thanks to her being able to use the eyes of various wildlife to spy on Alice, Daleth knows the maid has her hands on the logbook. She orders Zain to take it and destroy it, with the implication that if he doesn’t harm could befall Caph. But when Zain is honest about what he’s doing and why, Bocchan offers the book back for Zain to burn. He knows Zain would do anything for Caph, just as he’d do anything for Alice.

Zain ends up “destroying” the book with his magic, but retains a tiny scrap with which he can fully restore the book once Daleth’s eyes are no longer watching. But it’s doubtful he was able to fool Daleth, who finally reveals her face this week, as wel as the bombshell that she has the corpse(?) of Alice’s mom Sharon in her possession.

The slice-of-life episodes made sure we thoroughly cared about Bocchan, Alice, Viola, Caph and Zain so that when the plot-heavy episodes like this come around, they have some bite. There’s now a non-trivial possibility the curses is lifted next week. But even if it isn’t, I don’t see Bocchan and Alice’s love for each other waning anytime soon.

Rating: 4/5 Stars

Magia Record – 20 – Giving Their Best

In what are not their first rumblings of disagreement by any stretch, considering their very different personalities, Nemu voices her concern that she and Touka are hurting Magical Girls when they were supposed to be saving them. Touka, who has clearly drunk on power for a while now, says the only way they can do that is by becoming “gods.” If Nemu is going to stop her friend, the window is closing as that storm nears.

The bulk of those Magical Girls Touka is fine sacrificing are locked in battle with their respective friends-turned-opponents: Madoka’s crew dodging Mami’s impossible number of old-timey rifles while Yachiyo’s crew going toe-to-toe with the evil Tsuruno Aqua, who combines devastating attacks with creepy amusement park P.A. announcements.

Thanks to Sana and Felicia providing some cover, the two crews are able to withdraw for a spell, as it’s clear talking with Mami and Tsuruno is useless. When they’re in a safe place to regroup, Mifuyu contacts them via charmed origami, giving them a map of Chelation Land and the location of Touka and Nemu as well as Embryo Eye.

Mifuyu even does them one better and has the origami stream her meeting with Mitama, in which she attempts to get her to break her neutrality. Thanks to Momoko, the two learn that Mitama has been neutral all this time because she’s too weak to fight on her own; too full of shadows and despair. Were she ever dropped into a battle she’d become a witch immediately, but Momoko gives her a hug and assures her that she’ll help her carry those burdens.

Thankfully we check in on poor Kuroe, who is still being chased by Magius girls and is all alone except for her needy Doppel, who wants very dearly to help her out…no doubt at the cost of sanity and control. With only one episode left, it remains to be seen if Kuroe will reunite with Iroha and Connect with her and Yachiyo, as they do in the OP…or meet her ultimate fate in this cour.

Once Mitama tells them the best way to save their friends is to attempt to Connect with them (and Iroha & Co. tell Madoka and CO. what “Connecting” even is) The two groups head back out into the chaotic battlefield to attempt to do just that to Mami and Tsuruno. We’ve got big bold boss music as the projectiles and bodies fly.

But once the dust settles, Tsuruno falls from a great height, her human body is mangled, and the Uwasa she fused with seemingly takes over full control. If the Tsuruno Iroha and Yachiyo love is dead, her body is still being made to move like a marionnette by the Uwasa within.

Combined with the fact Madoka & Co. make little progress with Mami, and the eighth and final installment of Magia Record’s second cour will be a very busy and impactful affair. As penultimate episodes go, this was solid, but not groundbreaking. Hopefully the best Magia madness will be saved for last.

Rating: 4/5 Stars

Magia Record – 19 – Not a Bad Fate

While Kuroe struggles with trying to keep her Doppel under control so she can get back to Iroha, Yachiyo encounters Madoka, Sayaka, and Akemi…and it’s just an extremely cool game-recognize-game moment.

This is what good fanservice looks like: pleasing the crowd without compromising the story. And the story is that Iroha and Yachiyo are going to need every independent thinking magical girl on their side if they’re going to stop Touka and Nemu from scorching the world.

After being shaken out of her state of despair and fatalism by Sana and Felicia (who themselves regret letting Magius lead them by the nose for so long), Mifuyu chooses friends and bonds both living, frayed, and dead over loyalty to Magius, and pleads with Touka to terminate the operation before too much damage is done.

But that’s the thing: Touka is determined to involve everyone in the world, as she’s convinced humanity has only advanced to its present state of development on the backs of suffering and dying magical girls. Nemu then siccs the reprogramed, aqua version of Tsuruno on Mifuyu.

Down in the bowels of the hotel she meets Alina, who seems to be neutral now. She’s not interested in “partying” with a bunch of sheep, but also not quite willing to help out Mifuyu more than the minimum, which is to toss her a grief seed.

As they all have people they want to save and know their best chance is to work together, Yachiyo, Madoka, Sayaka and Akemi pile into a pickup truck headed to the absolute bedlam that is the hotel fused with an amusement park. Couintless witches are battling the Magius witches, creating chaos and discord.

But as Yachiyo is busy driving the truck, the O.G. girls show what a well-oiled machine they are, dispatching all comers. When Madoka and Sayaka are sent flying, Akemi stops time and saves them. No doubt that ability, so crucial in the films, will play a pivotal role in the final battles to come.

As for Iroha, who is already inside the gates, she’s not content to wait for Kuroe or for Yachiyo to break through the gates from the outside; she’s going to smash them from the inside. When borrowing Kyouko’s white Magius robe doesn’t work and gets her surrounded, Kyouko saves her out once again.

Rather than retreat, Iroha asks Kyouko to Connect with her, resulting in the fusing of her crossbow and Kyouko’s spear into the perfect gate-smashing weapon. Teamwork inside the gates and out not only makes the dream work, but keeps Iroha’s and everyone else’s wishes alive. The moment when Iroha and Yachiyo embrace, finally reunited again, is definitely the most heartwarming moment of the episode.

That moment is immediately followed up by another one of the coolest and most satisfying: when Iroha and Madoka come face to face. The closest analog I can think of is in Avengers: Infinity War when Thor meets the Guardians of the Galaxy, making the crossover official. Madoka, Sayaka, Akemi, and Kyouko are no longer token cameos, but pivotal players in this newly-merged, exciting, and purposeful Madoka universe.

The good girls are amassing fast, and when Kuroe (who is hopefully okay), Sana, Felicia, Mifuyu, and maybe even Alina join their ranks, tit’s looking like they have a fighting chance, even against two very challenging sub-bosses in the Re-programmed Mami and Tsuruno. That’s not to say it will be easy, or devoid of sacrifice.

But as Madoka said in the back of the truck, if anyone can turn this situation with Embryo Eye and Walpurgisnacht around, it’s magical girls. So she’s glad she’s a magical girl, and her friends old and brand-new concur. It’s time to get to work!

Magia Record – 18 – The Future They Chose

Not content to sleep beside Kaede’s isolation bubble, Iroha sneaks out to meet with Nemu, not wanting to further burden the others with her problems. Once more, it’s great to see Iroha really driving the narrative. Kuroe, poor thing, thinks she and Iroha were only friends in Iroha’s dream, but that’s not the case, and when she follows Iroha and wishes to help her in any way she can, Iroha is grateful for the help.

As Iroha and Kuroe take charge like the blossoming Magical Bosses they are, Tsuruno Rui is slowly losing it, and we also check in on Felicia and Sana, who are naught but grunts performing menial labor for Magius at Hotel Faint Hope. They, in turn, meet Sakura Kyouko from the original series, who’d saved Felicia once before.

While Kyouko is ostensibly there to steal grief seeds/soul gems (one or the other), she along with the other two stumble upon the witch factory none of them knew anything about, especially the scale of it, while Touka announces to all of Magius that “Operation Embryo Eye” is about to commence.

It’s named after their prized “Artificial Witch” Embryo Eye, who ravenously feasts on the farm-fresh witches—the trains going straight into it’s creepy live-action human mouth. Felicia and Sana are not okay with any of this. Yachiyo, having forced the Amane sisters to withdraw, also overhears of Touka’s plan.

So do Iroha and Kuroe, and it doesn’t sound liek the Touka or Nemu she knew. They’re no longer not just bent on liberating magical girls everywhere, but on executing their grudge against the rest of humanity who aren’t magical girls. They will suffer as all of them have suffered, and Touka won’t forgive anyone.

But despite how dastardly this plan is—and how far gone her former friends must be to be going forward with it—Iroha still wants to try to talk with them. And who knows, maybe she can make a difference! Before that, however, she and Kuroe have to get past hordes of Magius security on high alert.

At first Iroha leads the fight, deflecting the feathers’ weapons with her crossbow without flinching. But Kuroe doesn’t want to sit back and let Iroha do all the work, so after her very cool and elegant transformation sequence, she builds a huge wall between them and their opponents, then blasts a hole through the wall for Iroha to escape.

Iroha only leaves because Kuroe promises she’ll catch up to her. When Kuroe says this, she’s not just talking about this present situation; she wants catch up to Iroha in general. If you ask me, she’s already well on her way; she was a rock star this week, right up to when she unleashes her very distinctive Doppel.

Touka and Nemu move Hotel Faint Hope to Daito Ward, then implement the operation. All of the witches in Kamihama City and within a 200-kilometer radius are gathered up to be fed to Embryo Eye, which I’m assuming they’ll use against the “Big One” they end up reeling in, which arrives like a giant typhoon: Walpurgisnacht.

Is this what happens when two of the most powerful and intelligent magical girls ever created develop a vendetta against the world and systems that made them? Was Iroha naïve to think that her visits to them and Ui would be enough to preserve their humanity and morality? It certainly looks that way…but you never know. A lot can happen in the remaining three episodes, plus the third and final season still waiting in the wings.

Rating: 4/5 Stars

The Duke of Death and His Maid – 07 – Suspension Bridge Effect

Not about to be discouraged by Daleth’s insistence they give up, Alice spends much of the episode trying to find alternative methods of lifting Bocchan’s curse. She begins by procuring a second-hand witch’s cauldron complete with a book containing recipes for curse-lifting brews. Unfortunately it’s unsuccessful, but it as worth a try.

In the next segment, Alice finds some odd sheet music from a composer named MacFarlane (not Seth) who wrote the music in white ink on black paper because it looked cool, which also makes it hard to read. That said, it’s believed if you play his piece perfectly it can lift a curse, so Bocchan does just that, powering through both the distracting ghost of MacFarlane and Alice’s usual flirting. Turns out the curse that is lifted is…the curse of MacFarlane’s ghost.

When Bocchan accidentally breaks a flowerpot, he runs and hides from the wrath of Rob, and Alice tags along. While he started out the segment wanting to create the “suspension bridge effect” in her by scaring her and causing her heart to race, the fact of the matter is there’s no need to scare her. Alice’s heart is always racing when Bocchan is around, racing all the faster the closer in proximity they are. She’s long since established she’s not scared of dying, she just loves the guy.

The final sequence, which takes place after the credits, involves Bocchan and Alice sharing an Alice in Wonderland-themed dream in which they must secure the White Rabbit in order to exact a wish from Alice (the book version).

Their mission is derailed by the fact they can touch one another in the dream, with Bocchan waking up just before committing to kissing his Alice. The book Alice is mad for them totally slacking off, but Bocchan is content to fall back asleep, hoping to pick up his dream with Alice where he left off.

The Duke of Death and His Maid – 06 – Knight in a Top Hat

By introducing the overgrown conservatory this week the show finally acknowledges that it’s hella hard to maintain a vast mansion with just two servants, one of whom has a bad back! But should Bocchan never lift his curse and his younger brother becomes the head of the family, he always has a lucrative future in landscaping, as his curse becomes an effective brush-clearing blessing.

After losing himself a bit in the satisfaction of clearing away all the excess greenery, Bocchan checks in on Alice to find her admiring some purple flowers. Rather than wither them, he manages to dry them and make a charming garland headpiece for Alice, who promises to treasure it along with the rose he gave her. If you can’t touch the one you love, at least make yourself useful!

One night, Bocchan can’t sleep and hears Alice call out. He inadvertently catches her naked, and she puts on a towel reports that a black cat has run off with her dressing gown. Bocchan gallantly offers to track down the cat and retrieve the gown, but Alice accompanies him. I mean, I know Bocchan wasn’t going to accidentally murder the cat, but there’s still that edge to his interactions, especially with animals that move unpredictably.

With Alice donning Bocchan’s coat so she won’t catch a chill (and absolutely loving the opportunity to smell his scent), the two eventually find the cat, and discover the gown is not in recoverable shape. Since the cat took it to make a warm nest for her litter of kittens, neither Alice nor Bocchan feel that bad about letting the gown go. As Alice demonstrated earlier in the episode, she has a pretty extensive wardrobe.

After these two cute little “home” segments during which Alice and Bocchan putter around the mansion, we get to the meat of the episode: the long-awaited Witches’ Sabbath. Caph and Zain arrive, repurpose a mirror in a storeroom into a portal to the meeting spot, and give Bocchan and Alice robes that will mask their scent so the witches won’t, ya know, murder them or feed them to their carnivorous plant.

As soon as they arrive, Bocchan is on edge; while there are some witches with human form (and who are dressed like they’re ready for the club/beach/beach club) there are many more witches who appear to Bocchan to be nothing but monsters. While the sheltered Bocchan shouldn’t be judging books by their covers, since he’s been judged by his curse for most of his life I suppose it’s easy for the pot to call the kettle black.

The witches’ leader, Daleth, runs the Sabbath like high school homeroom, with the stand-and-bow, roll call, and mundane announcements. It’s actually pretty funny how laid back it all this, especially considering how wound-up Bocchan got; he intended to bring along a suitcase full of weapons, but Caph burned it to ash.

Alice actually already crossed paths with the skull-masked Daleth when she and Bocchan went on their little town date, and Daleth recognizes her too, seeing right past her and Bocchan’s frankly half-assed disguises. She also happens to know—and hate the fucking guts of—the witch who gave Bocchan his curse. The bad news? That witch is dead, and even Daleth has no idea how to lift the curse.

She recommends Bocchan give up now rather than later for his sake. When he protests, she deems the conversation over, then covers her withdrawal by burning away Bocchan’s robe. With his human stench exposed, the witches chase him en masse.

When the club/beach chicks sic their carnivorous plant on Alice, Bocchan need only touch one of the tendrils to kil the whole damn thing. Still, Alice does not understate the fact that Bocchan risked his life to save hers, doubtless causing her love for him to only grow.

Bocchan, Alice, Caph, and Zain make it back to their mirror portal, which closes before any of the witches can press their pursuit. After a short stint in a most magical and whimsical land, they’re back in the relative normalcy of Bocchan’s huge mansion. Bocchan isn’t about to let himself be discouraged by Daleth’s words, and continuing to believe there is a way to break the curse is crucial to breaking it.

As for Caph and Zain, he thanks them profusely for all of their help. Caph again explains that seeing him go all out inspired her to take a chance with a human, and she didn’t regret it. She assures him that the next time she and Zain return to his mansion, it will be as friends, not merely magical facilitators. As for the curse, well…who’s to say it’ll take a witch to break it?

Wandering Witch: The Journey of Elaina – 12 (Fin) – The Multitudes of Me

Elaina’s final trip takes her to the suspiciously foggy “Country That Makes Your Wishes Come True”. Elaina enters the country wishing to become rich, and is utterly mystified when she happens upon a landscape comprised of all of the places from her travels thus far.

Things get even stranger when she enters Mirarosé’s palace to find no less than fifteen alternate versions of herself. Some of them represent individual personality traits she possesses, while others are just random like the gel and ghoul versions.

Hondo Kaede has a blast voicing all these different one-note versions of Elaina, but I have to admit…it’s all a bit much. The intros were fun, but the gimmick wore quickly. This wasn’t one of those dreaded Recap finales, but it did borrow elements from the previous episodes, without adding much new or compelling, which gave it the sheen of a recap.

Deemed “Protagonist Me” by her intellectual version, Elaina sits down on the throne and orders the others to go out and investigate, but all of a sudden the “Violent Me” everyone else had been avoiding bursts into the palace.

Violent Me’s hair is still short from being cut by the ripper, as apparently she never emotionally recovered from the events at the town with the clock tower. All the other versions kind of hang around while the Protagonist and Violent Elainas fight to a draw (as expected).

Only when both are completely exhausted of magic and can no longer fight does Elaina try to calmly discuss things with her violent self. While we heard Elaina wish to become “rich” back in the beginning, it seems the country interpreted that as becoming rich with different “experiences”.

As such, all of the versions Elaina has now encountered represent different paths and possibilities available to her on her journeys. She also believes her other selves wished for the same thing, which brought them all together to pool their stories into a single book: Wandering Witch.

Elaina then wakes up in a meadow; the whole ordeal with her versions was just an elaborate dream. She hops back on her broom and continues her travels, cognizant of and excited for all of the possibilities and choices those travels will present.

In an epilogue that seems to preview a second cour of Elaina I’m not sure it earned, Elaina (in plain clothes) bumps into someone with similarly ashen hair but green eyes. They’re both holding red books, and when they bump into each other, those books get switched. This person’s name is apparently “Amnesia.” Um…alright then!

It’s a curious yet also fitting way to end a show that was never quite sure what it wanted to be: episodic or serialized; lighthearted and comedic or dark and dramatic. It started strongly and had a couple of powerful episodes, but that lack of decisiveness and focus in the stories it wished to tell ultimately dulled its impact.

Read Crow’s episode 12 review here!

Wandering Witch: The Journey of Elaina – 11 – Love is In the Air

Elaina arrives in Qunorts to find that the Curio Company from the Niké stories has been revived. Townsfolk say mages are once again at risk, so she dresses like an ordinary, non-magical traveler to avoid any hassle. However, it’s because she appears to be a random NPC that she is targeted by Curio.

Specifically, Curio’s aged leader shoots both Elaina and the newly-arrived Saya with balls of magical dust that cause them to swap bodies. Elaina opens the mystery box Saya was delivering on behalf of the Association, and a massive cloud of love potion spreads across the town, causing the complex situation of Saya’s little sister Mina falling madly in love with Saya while Elaina is in Saya’s body.

Much hilarity ensues, and both Hondo Kaede and Kurosawa Tomoyo demonstrate their talent by wonderfully mimicking the voice styles of Saya and Elaina while in opposite bodies. Having been caught in the love cloud while looking at the reflection of Elaina, Saya is even more in love with her senpai, while Elaina in Saya’s body is decidedly Not Amused.

Fortunately, the Curio Company’s grand plan was as sloppy as it was dependent on numerous suppositions to succeed, and because Elaina is a witch, she and Saya have no problem rounding up the company before they can cause too much damage. When the captured leader gloats about dozens of her cohorts still out there, Fran and Sheila finally make their appearance, having mopped up the remaining bandits.

The love potion is returned to the box, while Elaina, Saya, and Mina eventually return to normal. Sheila reveals she’s Mina’s teacher too, and the one who forced Mina and Saya apart lest they fall into a codependent spiral. Saya for one is glad Mina loves her so much, while an embarrassed Mina would prefer if the subject were changed.

One subject that doesn’t come up is whether Elaina is aware that Niké and her mother are one and the same. This latest adventure in Qunorts should have provided all the clues she’d need to make that determination, yet when the four witches part ways, she remains coy about the revelation. Elaina promises Fran that she’ll return home to see her parents at some point, but as Niké had five volumes of adventures, she remains committed to writing at least six of her own.

That means a lot more traveling and a lot more situations, both fun and trying. As to the latter kind, I was disappointed but not particularly surprised the show swept her time travel trauma under the rug. In its place  was another fun and hopeful outing. Her closing monologue and broom ride into the sunset felt like the end of this particular volume with one episode to go, while hinting at the possibility of a second cour—something to which I certainly wouldn’t be opposed!

Rating: 4/5 Stars

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