Overlord II – 01 (First Impressions)

It’s been over two years—833 days—since I last watched or wrote about Overlord, so an immersive episode packed with exposition wasn’t the worst way to be introduced back into its world.

In a lengthy eight-minute cold open, we meet a good number of parties I either have fuzzy memories about or don’t know at all (I haven’t read the light novels).

But the bottom line is, many of these parties spread far and wide throughout the world know of Ainz Ooal Gown, which is precisely how Momonga wanted.

When we finally meet up with the big dude, he’s in Momon Mode, taking out a giant lizard with help from Hamasuke; Nabu by his side. It’s not a tough opponent at all, more of a warm-up, like this episode.

From there, he returns to the Tomb of Nazarick where Albedo is waiting for him, as eager as ever for praise and, well, more physical contact than Momonga’s player is able to consent to (seeing Alby and the other NPCs more as children). Still, Flustered Skullface is always welcome.

Momonga then has a seat, unfurls a big map, and methodically points at each destination, as Albedo gives a report on all the various projects his guardians are working on, from the building of a Fake Nazarick in the nearby great forest, to the status of the investigation to find the one who used a World Item on Shalltear, forcing her to fight her master.

Shalltear is drowning her overwhelming guilt in drink, so Albedo suggests Momonga issue some form of punishment in order to exorcise that guilt, which he considers. He also sends Cocytus off to fight Nazarick’s “first war”, though the details on whom it’s against and where are not shared. There’s also a talking penguin with a very stern look on its face, which…cool, cool.

The episode closes out with a visit to the land of Lizardmen; specifically, Zaryusu, a supposedly disgraced yet respected warrior, and the grizzled chief of his tribe, inspecting Z’s first-of-its-kind fish farm.

Then inky black clouds coalesce and swirl above the village and a super-creepy ball of purple skeletal faces with red eyes announce it is a herald of the “Great One”, declaring death unto the lizards.

So yeah, was this episode a bit all over the place? Sure. But it was still fun. And after so much time, it was great to see the gang back in action (or planning future action) while meeting a few new faces.

Lastly, after the credits, we have a nice little auspicious note from original creator Maruyama Kugane thanking the fans of Overlord for making a second season possible, and dedicating the season to us; a gesture I appreciated.

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Mahoutsukai no Yome – 12

As a restless Elias lounges around the house, lacking the energy to do anything even though there are things to be done, Chise completes her wand (an exhausting process) and basically “contracts” with it by sharing a bond of fate with Nevin, source of the wand’s wood.

She and Nevin meet in a nebulous space between the worlds of the living and dead. There, Nevin hears Chise out, then gets her to address her appalling lack of self-worth and confidence, believing as she has since her mother discarded her that she is readily disposable.

But rather than curse the parents who messed their kid up so much, Nevin thanks them for everything they did, because that string of actions and inactions led Chise to him, and she allowed him to fly again in his last moments.

Nevin also asks Chise to consider everything she’s done and the people she’s met and saved. If a savior such as Chise believes herself of so little value, that reflects poorly on the value of those she saved.

Having concluded her talk with Nevin, Chise returns to the regular world, and wishes to head back home so she can say the things she needs to say to Elias. Can I just say how it feels like she gives us this spiel about wanting to say things left unsaid in every episode, and yet it never happens.

This episode is no exception, though I can forgive it for using the conceit of Chise simply running out of energy, because she did, after all, use her wand to fly home by herself, utilizing fire faeries to transform herself into an elegant phoenix.

Visual similarities to Ghibli films notwithstanding, Phoenix-Chise’s extended journey through the sky was a high point of the episode, with Chise relying on her own power and embracing both the freedom her new wand allows her and the more advanced magic she, a sleigh beggy, can pull off with ease.

The trip knocks her out, and she has a dream involving her parents unlike any other she’d had before: a dream in which her mother isn’t crying or angry, but rather happy and smiling, even at Chise.

We see a glimpse of her life that she had forgotten, as it had likely been buried under years of emotional trauma. Her mom, pregnant with her little sister, and her dad, enjoying a lovely sunny day.

That’s the day that awaits Chise back home in the waking world, albeit with a sky full of floating sheep insects waiting to be shorn. After a bath and breakfast, Chise slips back into the warm comfort of her life as an ancient mage’s apprentice. Realizing the “bride” part, however, will require more time.

Mahoutsukai no Yome – 11

Lindel’s fireside infodump-er-saga with Chise continues as he recounts his early travels with his new apprentice Elias. While making a house visit to heal a sick child, the child’s sister has “the sight” and spots Elias in Lindel’s shadow.

The girl assumes it’s an evil demon, and before long the entire village is mobilized against Lindel and Elias. When Lindel is injured by a thrown rock, Elias loses his temper and attacks the villagers with his thorny vine appendages, basically confirming their worst fears.

And here is the start of the trouble with Elias Ainsworth that I’ve had for the past ten weeks; a problem no closer to being solved in its eleventh. As Lindel’s master noted, he has a tiny amount of human in him, but there just isn’t enough humanity for me to fully emotionally connect.

That’s made any exploration of Elias and Chise’s relationship—in terms of her status as his future wife—feel incomplete and unsatisfying. As Lindel said to Chise, Elias “seemed to be missing something”, and for me, he’s still missing it.

(There’s also the little matter of Elias having a vague memory of—and occasionally feeling the urge to—eat humans, though Chise claims she’s never once feared Elias, even during that tense bed scene.)

But perhaps I’m not being open-minded enough with the premise that it isn’t that Elias isn’t human enough, but that for all the years he’s lived, Elias is still a child, and not just in Lindel’s eyes.

As a child, he’s insecure, emotionally stunted, and prefers the shadows. Chise, with her own stunted childhood, is in a similar state, leaving us with two would-be “lovers” who really have no clue what they’re doing.

A large part of that is neither Elias nor Chise have really taken the time to dig that deeply into who they are and what they want, aside from the big things like “survival” and “being wanted/needed”.

But never mind that for now; we’ve got a long way to go with these two crazy kids. For now, Chise gets tossed back into the water by baby dragons, meets a leviathan (neat!) and then sets to work whittling down a wooden log into her wand, which is meant to be an introspective process.

When night falls, Lindel, AKA Echos, sings the song of a hundred flowers, and all number of magical beings emerge and join in a dance. Chise dances for the first time, and then inadvertently opens a “water mirror” through which she can communicate directly with Elias.

Chise says Elias “looks troubled”, which is a bit silly since his bony face never really changes that much, and then the two remark at how much they miss one another, despite not having been apart all that long.

Home is cold without Chise, and Chise wants to show Elias the beautiful scene Lindel has created. “Two kids”, as Lindel said, both trying to figure out who they are and what the other person means to them.

And since Chise has learned so much about Elias—things he couldn’t or wouldn’t say—she wants to reveal to him more about her self; something she hasn’t yet been able to do to her satisfaction.

Mahoutsukai no Yome – 10

Lindel sends a selkie along with one of the young dragons (now big enough for a human to ride) to invite Chise to the Land of the Dragons so the “Robin” can have a wand made. For this journey, Elias will stay behind, though Ruth will remain by her side.

Chise’s dragon ride through the wind and clouds is appropriately epic in presentation, with stirring orchestral accompaniment to boot. It’s also nice, for once, to have an episode without any imminent or even perceived threats. There are more sides to Chise’s life than peril…procuring a wand, for instance.

Nevin’s Tree is as big and majestic as ever, and Lindel directs Chise to saw off a piece of it for her wand. Her lack of surefootedness in the tree results in a spill and a demonstration of how crucial it is she have a familiar nearby to, among other things, catch her. Back home, Elias notes how quiet it seems without Chise.

While she’s hardly a Chatty Cathy, she’s a motormouth compared to Silver. Then Elias receives a message via bird-intercom from Adolf Stroud of the College administration, who’d like to learn more about what Elias has in mind for Chise’s future.

That night, Chise arms and hands are covered in scrapes and scratches, which Lindel instantly heals with a touch. As a “bedtime story”, and because Elias hasn’t told her, Lindel regails Chise with the tale of how Lindel met Elias.

Lindel himself didn’t even have a name before his master found him, and Elias has a similar “birth”, one brutally wintry day simply appearing out of seemingly nowhere, nameless, without any memories or idea of what he was. Lindel gave him a place to rest and a meal, but its clear if either of them want any answers, the best bet is to take him to his master.

Lindel finds his master with a sprig of spruce and a red string. When they arrive, when Elias is too big to enter the house, he shrinks himself to child-size. The master, kind and curious, pegs the creature as almost a fairy; as close as one can get, yet still with a bit of human, which pretty much describes the Elias we’ve come to know.

She’d normally chalk his state to the result of a human transformed after abusing black magic, but she keeps her other guess close to her chest. All she can get out of him memory-wise is a color: red. She tells Lindel to take care of him, giving him the name Elias. Lindel is initially hesitant, but when Elias starts to take off (not wanting to be a bother), he agrees, though makes sure to call him his “acquaintance”, not his “apprentice.”

Back in the present, Elias’s bird-call from Adolf is interrupted by Renfred, who warns Elias that he’ll “ruin” Chise if all he does is let her live with him. Everyone from the college to Lindel wants her to spread her wings, but Elias is taking things slow, and Chise, happy simply to be wanted by someone, is being complacent on purpose.

Of course, this episode only provided part of Elias’ past, and we still don’t know exactly who or what he is, particularly before that scene in the forest where he had to fight back wolves. Ultimately, Chise’s future is up to her and no one else, but she’ll need more knowledge before making any concrete plans.

Mahoutsukai no Yome – 09

After the dispersal of Cartaphilus, life returns mostly to normal for Chise, who enters a nice, steady routine along with her new familiar Ruth. The part that isn’t normal is Elias: he’s confined himself to his room and Chise doesn’t dare enter. Eventually, Silky tires of her standing by Elias’ door and throws her and Ruth out of the front one with spending money.

It’s not long before Chise runs into Angelica, and the two do some sightseeing and shopping around town. Angelica first tells her she needs to learn to rely on people more, but later wonders out loud if she’s being too dependent and fixed on Elias. While Angelica apologizes for saying too much, Chise latches on to her latter point, and turns it into a larger criticism on her own perceived “selfishness” for not wanting to be abandoned.

Obviously, Chise’s being too hard on herself. Considering how much she’s already lost in her sixteen years (and how few years she may have), I’d say she deserves a measure of selfishness. Besides, even as an apprentice she’s touched a number of lives in meaningful ways. She’s a good person becoming a good mage.

As if she heard my words about her, Chise decides to do what she wants, which is storm in Elias’ room and ask him what exactly is going on. The Elias who she meets is even farther from human than usual, and he warns her (with a steady voice that belies his fearsome appearance) he’s having trouble controlling his body. I couldn’t help but think of Howl (of the Moving Castle) when he’s extended himself too far and become beast-like.

Chise was startled initially, but doesn’t remain afraid for long (thinking it’s because she’s cursed). In fact, she spends the night with Elias, during which she dreams of him on top of her turning into her mother, who tells her she should never have given birth to her. How creepy and messed up is that? She wakes up to find Elias gone and a note saying he’ll be back that night.

That’s not sufficient for Chise, who didn’t get all the answers she wanted, and initiates a search for Elias with Ruth. Along the way, they encounter an old man apparently in thrall to a leannan sidhe, a kind of vampire that gives their host talent in exchange for their blood – but she is invisible to him.

The thing is…while Joel Garland is a big reader and occasional writer, he doesn’t have the talent or fame one would expect the Sidhe to give him. Nor does she even take his blood, because he lacks the ambition that is usually the opening her kind uses to gain a host.

Instead, she fell for him, years ago, when they met eyes. They meet eyes again, and the Sidhe believes it’s because Chise, a sleigh beggy, is there. She gives Chise a couple of kisses as thanks and asks her to come see Joel again some time, but insists, almost tsundere-like, that she doesn’t actually love the guy, since she can’t give him talent or take his blood.

Chise doesn’t think she can talk of love when all she can think about is herself…but is she really doing that? Does she only worry about Elias because he saved her; because gives her a reason to live; because she benefits?

Ruth finds Elias resting in a pool and Chise races to him, demanding more answers even though she expects only a few mixed with half-truths and deflections. Elias always assumed a minimum of information was needed since she understands and accepts him so quickly.

What he didn’t realize was that Chise cares about him to the extent a note and a little bit of explanation isn’t always going to cut it; she’s going to want more sometimes. Elias, taken aback by her “new faces”, now understands, but still needs more time to recover and gather his thoughts.

Just then, Echo’s familiar appears on behalf of Lindel, to invite Elias and Chise to the Land of the Dragons where he has “business” with her, revealing the setting for Chise’s next adventure.

Juuni Taisen – 09

When we begin Aira Kanae’s backstory, she’s just an ordinary high schooler riding her bike to the dojo…but she’s too good. She surpasses everyone, and becomes head of the Aira-style school, and is put to work as a warrior. The practicalities of a hand-combat specialist in bullet and grenade-strewn war zones escaped me, but apparently she’s just that damn good.

The hypocrisy of the war-torn world starts to weigh on Kanae, until she finds that drinking lets her forget so she can move forward and kill more efficiently and viciously. She engages in each successive battle drunker and drunker.

She’s kicked out of her dojo for abandoning the teachings. Heck, she abandons everything, including her humanity, and reason, all to become an unstoppable raging beast—the Tora of the present. But I’ll admit: watching Kanae drink, kill, and repeat got a bit repetitive (even if that was kinda the point).

I can’t say I got a whole lot out of her backstory, aside from the fact that she can only be an effective warrior by killing her brain cells. She also doesn’t seem to have a wish in mind after victory.

Tora remains in a temporary alliance with Ushii (Ox) this week as they face off against Zombie Snake and Zombie Dragon. Oh yeah, Usagi used Sharyu to propel himself into the sky and kill Dragon, then make him another member of his little team. So while there are only two twins, it’s essentially four-on-one against Tiger and Ox.

The resulting battle has some of the smoothest and most interesting motion to date, though it’s pretty clear when the characters are drawn and when they’re CGI models. Still, the battle looks great, even if it only lasts a few moments, as Tora busts open Dragon’s tank of liquid nitrogen, which takes out both Dragon and Snake…at last.

That leaves Usagi on his own against Tora and Ushii, and they charge at him and appear to tear him to pieces…but I’m not convinced he’s dead by a long shot. He must have something up his sleeve, as well as a reason he didn’t involve the very capable Zombie Sharyu in this encounter. Indeed, his red eyes may indicate he himself was never “alive” to begin with.

Of course, Tora and Ushii believe he’s dead, which is dumb, and prepare to duel one another. It doesn’t help these purported elite warriors’ credibility to have such gaping blind spots all the time. As for Rat, the last character shown in the end credits, he’s still alive, somewhere. Could he end up being the last warrior standing?

Juuni Taisen – 08

Juuni Taisen finds itself at the bottom of the Fall 2017 barrel, and while that’s due in part to an overall above-average season, it’s also due to the show’s own up-and-down, variable quality.

When there’s an interesting warrior’s story being told parallel to the present events of the battle, it’s a good watch. But when present events are halted in order to deliver even more backstory on the Tatsumi Brothers, who are boring…it’s a bit harder to get through.

In this interminable outing, there’s another “flashback-within-the-flashback” as the brothers are put on trial (in what looks like the Supreme Court) for acting far beyond their purview as warriors.

The defense (which Dragon provides himself, but seems to include two of the judges?) note that they’ve done a fair bit of Robin Hood-style stealing from the rich to give to the poor, and even sponsored a little kid by funding the procedure to restore his sight, only to kill his big brother on an evidence and witness-liquidation mission.

Neither the trial nor the events it covers really tell us anything new about the Tatsumi Brothers. Even when they’re doing good deeds, it’s basically for the same reason they pull off heists: to kill time. These guys don’t really seem to have any real motivation in life, except to stay occupied.

We only get about five minutes of time in the present, during which Ox’s saber sparks ignite Tiger’s alcoholic mouth-foam (no one has ever combined those eight words before), and Ox learns Zombie Snake can be killed with fire. The brief Ox-Tiger alliance proves successful, though Ox promises a proper duel with her at a later date.

Meanwhile, high above the fray, Dragon seems to be preparing to team up with his brother Snake one last time (despite dead Snake being loyal Usagi now), hoping he’ll destract the others while he prepares a “memorial” for him, which I assume will involve Dragon’s signature ice.

Unfortunately, most of this episode felt like filler.  I await the backstories of Ox and Tiger, which will hopefully be both more interesting and less long-winded.

Juuni Taisen – 07

We finally get a bit of story on Snake and Dragon, the only two warriors who came into the Juuni Taisen as a built-in pair of allies, at least until only the two of them were left. The older Dragon is more serious and into hacking, while the younger Snake has a little less caution and prefers to do the smash-and-grabbing.

When the two learn they’ll be in the Taisen, fighting in a battle where there is only one person left standing, they’re…mostly fine with it? I guess? I mean, neither seemed interested in going against the path laid out for them. Of course, we learn that being matched pair going into the battle meant absolutely nothing against the psychotic Usagi.

If Dragon can barely muster a shrug at the death of his younger brother, um…why should I? These two are probably the most boring of the twelve warriors.

Sharyu is more interesting even as the undead servant of a necromantist, as Usagi has her collect the expired Uuma from the bank vault, likely to make yet another servant. He’s really running the table here.

Tiger’s talents seem to include being able to consume an infinite amount of alcohol (though we don’t get her story this week) and striking how and when her opponent least expects it, owing to her drunken-fist style.

In this case, her opponent is the headless Snake. She easily snatches his fuel tanks from him, and then…starts drinking them. Why she just assumed it was potable alcohol (and not de-natured or, worse, gasoline) I don’t know, but perhaps she could smell the difference?

Ox drops in on the headless, tankless, and one armless Snake…and then takes his other arm, and threatens to take his legs too. Why the “genius of slaughter” is being so sporting with a corpse is a bit beyond me; all he does is make himself a sitting duck for the instance when Snake’s disembodied arms fly out from the darkness and put a choke hold on both Ox and Tiger.

Ox ignites Tiger’s flammable mouth foam, seemingly incapacitating the Snake but also seemingly burning Tiger. And above it all, watching closely, is Dragon, still alive, but not seen since the opening meeting.

At this point, I’m starting to wonder if anyone will be able to succeed against Usagi, his growing legion of corpse friends, and his bottomless bag of underhanded tricks.

Mahoutsukai no Yome – 03

Turns out that while she was just plucked up by a dragon at last episode’s end, Chise is actually not in danger. She’s simply being brought to a dragon’s nest by its caretaker, Lindel. There, she learns more about dragons, meets both an ancient Uin and three playful hatchlings,  and ultimately experiences something few mages ever do: a dragon’s end-of-life return to the earth and transformation into a tree.

Lindel’s dragon unceremoniously spits Chise into a very cold deep lake, but she manages to get out on her own, and once Elias catches up with her (appearing out of her shadow, as badass mages do), he has a very nifty insta-dry spell that prevents hypothermia.

When she’s tasked with babysitting the lil’ dragons (who are extremely cute and childlike) curiosity draws her nearer to Nevin, the oldest extant dragon, who is old even for a dragon, and is very near death. While in contact with his brittle, flaking hide, he reads her memories; specifically her emotional downfall following the suicide of her parent.

Nevin uses this as an opportunity to enlighten Chise with dragons’ sense of death: they do not fear it, but live their lives to the fullest and pass on with gratitude and contentment, with no regrets. “It’s just nature”, Nevin says to Chise, who lost someone to unnatural means, long before their time. Chise is far from done processing that grief.

Instead, Nevin allows Chise to share in his “last dream”, a vision of freedom, flight in a gorgeous vista that stretches on forever. When the vision ends, Chise returns to the normal world, and a tree quickly sprouts from the now passed-on Nevin. It’s a gorgeous, moving sequence, epic in scope, in which Chise takes a big step towards understanding her role in the world (and that she has a role).

I imagine Lindel (and probably Elias as well) are glad Chise was able to experience this, as she may well be of the final generation of mages, just as the little hatchlings may be the last generation of dragons. They tell Chise not to grieve Nevin’s loss, at it’s all part of the circle of life and all, but still, a kind, wise stranger was there a minute ago is now gone forever.

Her solace is that, as Nevin recommended, when she has need of a wand, she take the wood from the branches of the tree he became. That way, in a way, he’ll always be with her. But it will never be the same as when he was alive.

Mahoutsukai no Yome – 02

This week, Chise gets a better idea of what her new life will be like, though she still dreams about the awful life she used to lead; a life she was willing to discard because she didn’t think it had any value. Now people treat her gently and with respect.

Silky, Elias’ “landlady” cooks and cleans and provide Chise with clothes. After watching her mother commit suicide after telling Chise she shouldn’t have been born, this kind of care seems welcome.

Chise accompanies Elias to London—an up-to-date London that includes The Shard—and while there he swaps his “bony” face for a human one—a handsome one, at that.

Elias takes Chise to the shop of another mage, Angelica, who has some issues with how Elias procured his new apprentice, and is taken aback when a simple rookie mage test—turn a crystal into one’s favorite flower—nearly gets out of hand, with Chise transporting herself to a memory of her and her mom in a field of poppies.

Elias tells Angelica that Chise is a Sleigh Beggy, an individual for whom the miracles that comprise the practice of magic come far more frequently than they would for someone less attuned to magic. After seeing the crystalline growths that populated Angelica’s arm, I felt nervous about Chise’s feet upon creating a partial landscape of her memory from that crystal.

Angelica doesn’t blame Chise, though; she didn’t know Chise is a Sleigh Beggy—something Elias didn’t tell her because that’s a dangerous nugget of information in their line of work. But like Elias, Angelica can tell that, like her own daughter, Chise will make a fine mage one day; it’s just a matter of proper training. Chise and Elias head from London back to the countryside.

After meeting with the local priest, who more or less gives Elias and Chise his blessing and an offer of assistance, Chise and Elias head to Iceland, a a land of dragons—and Chise almost immediately gets kidnapped by one said dragon.

Again, this show makes me recall Akagami no Shirayuki-hime, whose redheaded heroine was kidnapped more than once and had to be rescued (though during captivity she helped facilitate that rescue). We’ll see if Chise manages to use her newfound magical powers to attempt escape from her captors, if it once again falls mostly to Elias to rescue her. At this early stage in her apprenticeship, I won’t hold it against her for needing a hand…especially against a dragonrider!

Shingeki no Bahamut: Virgin Soul – 24 (Fin)

I’m not going to lie and say I was all that enamored by this finale. In fact, it was a bit of a chore to get through, ironically as soon as the titular Bahamut showed up. Now, all of a sudden, Charioce is a good guy like everyone else, and all is forgiven, at least until the more immediate threat of Bahamut is dealt with (and, as it happens, all is forgiven even after that).

Favaro is dead, and Bacchus’ wagon has crashed. Nina decides the only way to fight a dragon is with another dragon (hers truly) while the gods and demons get together and form a barrier to minimize damage to the capital—though Bahamut’s random breath blasts still causes plenty of apocalyptic destruction. I just wish it was more interesting a boss.

Dragon-Nina doesn’t go up against Bahamut head-to-head; that would be suicide. Instead, she flies to Dromos and lands (naked) on Charioce’s back, much to his chagrin. But that’s just tough: if he’s going to put his life on the line to destroy Bahamut, she will too. They interface with Dromos together and it takes the form of a dragon covered with magical circuitry.

Nina and Charioce’s dragon shoots a beam; Bahamut shoots a beam; the beams meet, the first beam pushes Bahamut’s back and eventually blasts his head off, and badda-bing-badda-bang, the capital—and the world—is saved.

Just before Bahamut is blasted away, Nina (but not Charioce) finds herself in “the light of Bahamut”, where Amira is still hanging out. She gives Nina a big ol’ hug (both are naked, so Nina’s a bit bashful) and whispers something. When the day returns, the Dromos dragon has turned to stone and Charioce and Nina are passed out on the deck.

Fast-forward to the epilogue: Nina is still in the capital, helping with rebuilding; still living with Bacchus, Rita and Hamsa; Favaro announces he’s leaving again to resume his wandering life; Nina tells him about Amira, and he’s heartened; Rita has apparently resurrected Kaisar as a zombie.

Nina can apparently visit the palace whenever she wants to dance with Charioce, who is blind now but still king. As I said, all the horrible things he did are forgiven now because Bahamut was defeated…only Bahamut isn’t really dead, and he’ll be back, because he’s the name of the franchise.

But…I guess Nina’s willing to let bygones be bygones in terms of the atrocities Charioce committed against demons, gods, and whatever humans opposed him. She’s also lost her voice, apparently the price she had to pay (along with Char’s other eye) to use Dromos.

I do loathe running out of enthusiasm right before the finish line, but Bahamut really undermined much of this season with its inexplicable insistence that the audience go along with the notion that Charioce was a fellow who deserved redemption.

Nina’s love always felt as blind as the king ended up. She gave and gave and never got anything back for her love, except for the occasional decently-animated dance.

This season was at times fun, often gorgeous, occasionally sweet or funny or even moving. But in the end I just wasn’t buying what Virgin Soul was trying so hard to sell, and as a result I doubt I’d have any use for a third round.

Shingeki no Bahamut: Virgin Soul – 23

War explodes in, over, and around Anatae, as Lucifer joins the battle in his flagship, and the Onyx Soldiers and Charioce loyalists battle the alliance of demons, gods, and men. While these zoom-outs to the wider fighting certainly make for nice eye candy, what truly interested me was when they zoomed back in on the smaller, more intimate moments between various pairs of characters, be it Jeanne and Azazel, or Dias finding Alessand.

Alessand cries, begs for his life, and then stabs Dias when his guard is down, betraying him again. At that point, Dias is done with Al, except to drive a sword into him, but a little demon boy, who can see through Al’s forced smile, doesn’t fall for it, and kills him with a dagger.

After making the wrong choice to murder El in sight of a grander station, Al ended up slain by a small, frail, hungry child and died bleeding out in a dark alley. No songs will be sung of Alessand. But hey, he did get Nina into the palace, right?

Nina doesn’t understand Charioce one bit…but she sure wants to, and that means going to him once more, even if previous instances of doing so didn’t really turn out so well for her or anyone near her. Charioce waits on the top deck of aboard his flagship, surrounded by the Onyx Soldiers…who aren’t doing too hot.

Their bodies reach their absolute limit at just the wrong time: when their king needs them the most to protect him. But the combined force of Jeanne and Azazel proves too much for them, although not by much…if the Commander had had just a few more moments of life, he might’ve managed to stab Jeanne in the throat with a hidden blade.

Lucifer’s flagship, Bacchus’ wagon, and yes, an elevating bridge made out of zombies amassed by Rita bearing her and Kaisar, all descend on the same spot, where Charioce is about to be charged by Jeanne and Azazel. It’s Kaisar who makes it just in time to protect his king, and gets stabbed and impaled by their snakes and spear. Rita is beside herself, while Jeanne and Azazel are sheepish.

Charioce is shocked, but he shouldn’t be: Kaisar Lidfort is, and always has been, a true knight. If the world survives this latest attack from Bahamut, it will need more Kaisars, not more Charioces. A few Favaros wouldn’t hurt though…

Shingeki no Bahamut: Virgin Soul – 20

The Demon assassin is eager to fight a dragon, as I assumed he’d killed one or two in his checkered past. However, his true beef is with the fact that Nina is a mongrel and a pathetic abomination for having a human parent. Nina transforms into the Red Dragon, but the assassin transforms into a bigger one. A much, much bigger one.

The resulting fight is one of the cooler, more impressive battle sequences—after all, two dragons are better than one—but Nina is completely outclassed and the assassin’s attacks quickly transform her back into human form.

Naked and beaten up, the Onyx Commander looms over her and tells her the order to kill her came from His Majesty himself, twisting the proverbial knife before killing her with a real one.

Favaro and Kaisar have heard enough, and spring into action, breaking free from their captors—but they’re pretty outmatched themselves, so it’s fortunate the cavalry arrives in a timely fashion, in the form of El, Sofiel, Azazel and Jeanne. The lads are…humbled by the sight of the surpassingly ethereal, angelic Sofiel, but she’s not here to dilly-dally.

Summoning a giant avatar to match the assassin dragon’s scale, she launches a devastating ice-based attack that turns the dragon into a solid chunk that shatters under its own weight. And to think: she is of those who have found themselves flummoxed and beaten back by Charioce.

With the dragon eliminated and the Onyx Soldiers tied up with magical binds, all that’s left is to finish saving Nina, who appears down for the count not due to any physical exertion, but because she’s suffering from a broken heart.

Kaisar leaves the Onyx Commander and his men alive, but the Commander makes sure he knows there’s nothing he or his friends can do to stop Charioce, so there’s no point in continuing to oppose him, aside, I supposed, from a death wish. Alessand also takes note of the fact that El is the “holy child.”

Back at base (which is surprisingly still intact and safe after all that) Sofiel insists that it’s time to go: Her, Jeanne…and El. But El is reluctant; he believes he was born for a greater purpose that can only be served on the surface world. Bacchus, for once given some dramatic meat, tells him he’s being foolish; that all he his at the moment is a child, a gift from his father to his mother. It’s enough to convince him to go with them.

Meanwhile, Nina whips herself into a rage and tosses aside the necklace Charioce gave her, trying and likely failing to get over the guy who not only rejected her, but tried to kill her. She neither needs nor wants these feelings, but unless Rita has a spell or potion for it, they’re not going anywhere. El stops by to say goodbye, and can tell Nina isn’t alright, even though she puts her usual cheerful face on in front of him.

The next morning, the Onyx Commander informs Charioce, who is headed to Eidos to finish opening the rift, that the dragon has been eliminated; Charioce, like Nina, may well be hiding his true feelings on the matter from the world. Ready to set off back to the Land of the Gods, Sofiel admits to Bacchus that she left without permission, and furthermore, can why he stayed on this world: there’s never a dull moment, after all.

After El says his final goodbyes to Azazel, he walks back through the caves alone, and is confronted by Alessand, who stabs him in the chest, making his holy blood pour onto the ground and surround his black ocarina. Alessand, who was humiliated and judged as worthless by the Onyx Commander, still wishes to prove the man wrong.

So Al chose to make himself worth something by eliminating a potential weapon of the Gods. Whether he’ll get any acknowledgment—or even get out of the caves with his life—remain to be seen.