Fabiniku – 03 – No One’s Watching

Jinguugi learns that the beast he slew was a guardian deity, just not the one the villagers worship. Tachibana learns that having long, lustrous hair means it takes forever to dry, and looks a lot better when dried properly. After walking in on her half-naked (which was inevitable with the two of them living together), he does the drying, but wishes Tachibana would hurry up and “return to being a man.”

Regarding the previous night’s forest fire, it was put out by rain, but the damage was done, and the Elf Premier and her two attendants visits the village with hell to pay. Rather than apologize, Jinguugi adopts an arrogant and combative attitude with the Premier, who has a tendency to throw off her cloak to reveal a skimpy outfit, mimicking her naked goddess.

After a battle of words, the Premier, enraged by the destruction of the forest and slaughter of her guardian deity, breaks out the magic arrows bestowed upon her by the Goddess of Love and Beauty. Jinguugi has to grab Tachibana by her scruff to keep her from buying it. She objects to being handled roughly, but the alternative was death. Jinguugi promises her that he’d die to protect her, but she points out that if he died, she wouldn’t last long.

Jinguugi returns fire by launching a rock in the Premier’s direction, which snips of her braid, her mark of elvenhood. After a sobbing session, she vows to her attendants that she won’t return to the village until she’s gotten justice. Meanwhile, Jinguugi and Tachibana head to the nearest big town, about three days’ walk away.

Tachibana soon succumbs to exhaustion, so they stop for the night and enter the apartment. She comes out of her bath to find Jinguuji has prepared a proper dinner, the centerpiece of which is a delectable-looking meat he learned to prepare from the village huntsmen. It turns out to be deity meat, but it’s tasty, so whatevs! The two have a grand old time enjoynig their meal al fresco under the stars, but they soon learn Tachibana’s tolerance for alcohol is as diminutive as her new stature.

As one with a skill called “Troublemaker” is wont to do, the drunk Tachibana runs off into the forest. By the time Jinguuji finds her, she’s restrained by tendrils, hanging upside down over a carnivorous plant…and far more of her skin is showing than Jinguuji is comfortable with. His resulting “Charmed” status paralyzes him, but Tachibana manages to shock him out of it by declaring that, even at 32, he still doesn’t like green bell peppers.

Jinguuji destroys the plant and frees Tachibana, who launches into a drunken rant decrying why she and she alone became a woman, when, for instance, both of them have cute girly names (Hinata and Tsukasa). While helping her walk back to the apartment, Tachibana steals a lingering look at Jinguuji and asks “between body and spirit, where do you think gender lies?”

Jinguuji’s reply is “I think whichever you think is right, is right.” It’s a good answer, and one that clarifies the mission statement of Fabiniku, that no matter whether they’re both guys, both girls, or one of each, these two old friends love and care for each other more than they love anyone else. No exhibitionist goddess or elf premier can take that away!

Rating: 4/5 Stars

The Genius Prince’s Guide to Raising a Nation Out of Debt – 02 – Heart of Gold

After bathing and dressing, Ninym goes to wake Prince Wein up, only to find he’s dreaming of a woman with a bigger chest than hers. What would have been a sweet moment was marred by a dumb boob joke. It’s kind of a harbinger for what’s to come: a tolerable story marred by poor execution.

Last week I forgave the fact that armies looked like grey blobs, and that CGI chess pieces replaced the combat animation for the most part. But after this week’s siege of the gold mine Natra just conquered, I no longer see clever workarounds, but cheap shortcuts. Weeks supposedly pass in this episode, but the action is so poorly portrayed it feels like a long afternoon.

The whole premise of the show is that Prince Wein is a genius, but this week it’s abundantly clear that it doesn’t require a genius to defeat Marden’s larger numbers. Not only are the enemy commanders one-dimensional mustache twirling villains—and racist against “Flahms” like Ninym—they’re also dumber than a sack of bricks, falling for the most obvious traps and failing to understand concepts like “high ground” or “bottlenecks”.

That said, the Marden general’s biggest mistake is the racial slur his pompous envoy directed at Ninym. Wein confirms that the envoy’s words are the general’s, then sets up a raid on the enemy headquarters that ends with him telling the guy that Ninym is “his heart”, and any who wound his heart shall die by his own hand. This is devotion we didn’t quite see last week, and it at least gives this part of the battle a pulse.

Sadly, the rest of the episode doesn’t really measure up, as between the awful personalities of the enemy commanders and the awful production values that I sometimes worried would stray into Wizard Barristers Episode 11. With Wein’s common sense tactics being laughably portrayed as potentially empire-shattering genius, I struggled to find something to keep me watching next week, and for now, that’s the easy rapport between Wein and Ninym.

Fabiniku – 02 – Fanning the Fires of Fancy

Jinguuji and Tachibana discover that they can summon the latter’s apartment—recreated in perfect detail, right down to the trash—anywhere they want, a portable inn. Unfortunately, Tachibana only has two small TV dinners and nothing else in the way of food. When Jinguuji asks him what he’d do if there was a major earthquake, Tachibana, unguarded, says that obviously Jinguuji would come and save him!

That sweet sentiment aside, the current situation is they have a place to sleep and a reliable source of water, but will have to secure more food soon. Fortunately, a typical medieval fantasy village is not far from where the Goddess dropped them off. When Tachibana (wearing the clothes his sister left at his place) comes afoul of some bandits, they immediately fall in love with her, resulting in all of them brawling each other for her hand.

Jinguuji rounds up all the ruffians, and with Tachibana’s intensely persuasive adorableness they learn the location of their base. But when Jinguuji tells Tachibana to hang back while he handles things, she says that isn’t right. It reminds him of how the two of them first met in middle school.

Jinguuji was raised to be someone who could follow orders, resulting in everyone dumping all the work onto him. But Tachibana pitched in when he didn’t have to, and in doing so restored Jinguuji’s faith in humanity.

Combined with the Goddess’ “Curse”, Jinguuji’s reminicing about his beloved best friend results in him thinking about dating and marriage. When he checks his lovey-dovey behavior by smacking his head into a tree, Tachibana uses a handkerchief to stop the bleeding, and in doing so inadvertently exposed a bit of cleavage.

This, in turn, causes the “Charmed” Jinguuji to wrap Tachibana tightly in his blazer so she’s not revealing any skin. The two bicker as the bandits emerge from their base, thinking they have the upper hand, but the moment they say something about Tachibana, he buries them one-by-one in the ground like rice plants.

With the bandits defeated, Jinguuji and Tachibana discover an expansive horde of loot. They give much of it to the village (from which it was originally stolen anyway), but Tachibana does ask the village to provide her with a new outfit: a pink smock-like dress with a red bow and black fingerless gloves. By now, Tachibana has started to embrace the “omnipotence” of cuteness.

Unfortunately, her “Troublemaker” passive skill results in the bandits’ hideout burning down, along with the entire forest, which comes as a horrendous shock to the local Elven premier. While a step down from the first episode (as second episodes so often are), I’m still enjoying the chemistry between the two old friends, complete with looks back at how and why they are friends.

Fabiniku – 01 (First Impressions) – Old Pal-idigm Shift

Life with an Ordinary Guy Who Reincarnated into a Total Fantasy Knockout is a stupendously ludicrous title; honestly, even my horribly punny title would be better. Fortunately, the show seems to be far more clever and engaging than its name, and it all comes down to its nucleus of two old friends.

Ordinary but horny Tachibana Hinata and hot but woman-averse Jinguugi Tsukasa aren’t friends because they’re similar—they couldn’t be more different—but the fact of the matter is they’ve been friends for 25 of their 32 years, and you can feel that history in the way they act.

A combination of a typical night of drinking and the classic tongue-in-cheek serious-voiced narrator gives us the skinny on their attributes and internal thoughts about one another. Tachibana is trying to get Jinguuji married off, while Jinguuji is fine being with Tachibana forever.

The mixer they attend goes poorly for Tachibana as usual (all the women gave Jinguuji their contact info) and he gets so drunk he’s face down in the park wishing he could be a beautiful woman whom everyone fawned over. Then an exhibitionist goddess makes it happen!

Just like that, Tachibana and Jinguuji find themselves in a strange forest in the daytime. More concerning, Tachibana’s body melts into green goo than reconstitutes into the body of a petite blonde beauty (with very sharp teeth!) voiced by MAO.

As Tachibana so eloquently puts it, she’s gained stuff up top and lost stuff down below, but her speech patterns and mannerisms are still the same old Tachibana Jinguuji knows…and she’s honest, loves, either in the same way as the friends played by Jonah Hill and Michael Cera in Superbad, or something more romantic in nature.

It’s not even that much in doubt that at least part of Tachibana feels the same way…and that’s before they insult and anger the naked Goddess of Love and Beauty while she’s trying to give them their mission to save the world that she casts some kind of mysterious curse on them.

The immediate effect of this curse seems to be that Tachibana and Jinguuji suddenly find each other even more attractive, something neither one wants the other to get wind of. Their brains simply are too used to each other as best mates to properly process what their hearts are doing.

To their credit, neither one immediately dismisses their feelings as a direct result of the curse. Maybe the curse increased their affection for one another, but it was always there. Only now Tachibana is a woman, and because she is still fundamentally Tachibana, she also happens to be the only woman the distrustful-of-women Tachibana could ever fall for.

This results in a Love is War style battle of wills, with the two trying to get the other to admit their attraction. As the the one with the cute girl’s body, Tachibana goes on the offensive, only to find Jinguuji irresistible simply by being Jinguuji.

Meanwhile, Jinguuji hides his outsized reactions behind his usual stoic calm—a skill well-honed throughout the years staving off all those women who fancied him. He’s never thought about his type, but now he knows it, and it’s his best friend in a girl’s body.

As the two struggle with their new reality, a seemingly harmless and cute-looking fluffy white bunny thing interrupts. No sooner do they call it cute than its face unfurls reveal a grotesque monster. Suddenly survival mode overrides scoring flirting points against one another.

Jinguuji instinctively gathers his suddenly much smaller, lighter, and pleasant-smelling best friend in a princess cary and shows off the fruits of leg day. The two fall down a cliff, enabling the monster to catch up, but rather than continue running, Jinguuji decides to make a stand. He never let some woman take away his best friend, and he’s certainly not about to let some nightmare-faced Gossamer do it!

That’s when he punches the monster right in its core, quite unexpectedly creating a huge hole in said monster’s body. Turns out while he doesn’t look any different, Jinguuji is actually a Level 70 badass. Yes, it’s revealed this world has RPG-style menu screens that pop up in front of one’s face.

Tachibana is a Level 1 Hero, by the way, making Jinguuji her ideal trusty knight. As for their castle, Jinguuji is able to summon what looks like the door to a modern Japanese apartment with one of his active skills; the proverbial rest and save point.

While all the isekai and RPG trappings and their quest to defeat the Demon Lord are sure to play a larger role as our two best friends continue to explore their new lives (and meet more people), I hope the focus remains on how the bond between those two old friends continues to morph and evolve due to a very new and unexpected development.

Rating: 4/5 Stars

The Genius Prince’s Guide to Raising a Nation Out of Debt – 01 (First Impressions) – Can’t Lose for Wein-ning

Despite the obnoxiously-long title, this is not an isekai, but a comedy that happens to take place in a renaissance-level fantasy world. In it the Empire of Earthwold lords over many lesser kingdoms, including Natra, presently led by Prince Wein, whose father the king is ill. The thing is, Wein doesn’t wanna rule Natra, which is in dire financial straits.

He wants to make it just attractive enough to sell to a greater power, then begin the retirement stage of his life. He’s lazy, and wants to take the nearest shortcut, but he’s hampered throughout this episode by another quality he possesses: tactical and strategic genius.

Yes, while he acts petulant goof in front of his personal aide Ninym (and no one else), Wein is in fact too smart for his own good, and enjoys the fierce loyalty and admiration of his older military advisors, who would no doubt change their tune if they knew the jerk was planning to sell their kingdom!

But that threat of being found out doesn’t really factor into this first outing. Rather, Wein plays the role others aks him to play, rallying the troops and coming up with a plan to fend off the army of a neighboring kingdom. Again, he doesn’t wanna, but he’s backed into a corner.

As such, he gives a rousing speech to the toops and executes the battle plan, which works out far better than he was expecting. Part of that is due to his agreement with the Empire to train Natra’s royal forces, once again potentially shooting himself in the foot.

But when the enemy’s general charges his camp, Wein and his aides retreat, goading the enemy into giving chase right into a canyon trap, where Ninym and a force of archers mow the enemy down, cementing Natra’s victory. It’s here where the brutality of war and the quirky comedy clash the most.

Once back at the strategy table with his military advisors, whom Wein knows want to invade their now-vulnerable neighbor, he tries to propose a plan far too preposterous for them to accept…only for them to accept it immediately and assume he’d seen the plans they’d already made.

Prince Wein’s inner voice has a chibi avatar who does all of his internal, genuine reactions while maintaining his princely façade. But if it’s money he wants to put his kingdom in a better position to be sold, invading a gold mine is probably a net-profit proposition.

Genius Prince isn’t going to win any awards with its production values, but other than some muddy-blob-looking armies and quite a bit of still-shots with streaking white lines indication action, it’s an inoffensively adequate-looking affair. The comedy is similarly unimpressively competent.

Mostly, should I continue this show I shall look forward watching Wein’s interesting friend/confidant relationship with Ninym, who stays by his side despite his shenanigans, as well as watching him continue to succeed despite trying to fail. It’s Machiavelli-meets-Bialystock!

Rating: 4/5 Stars

Mieruko-chan – 04 – Chestnut Pudding

First of all, a ghost haunting the konbini Miko frequents adding three percent tax to the items the living cashier is ringing up, and Miko’s dry observation of it, got a huge laugh out of me. I just loved the creepy, absurd, yet mundane nature of it.

You’d think Miko would want to watch something, anything other than paranormal TV shows, but either she’s being a good big sis by watching with her little brother Kyousuke, or she genuinely likes ghost stories…she just doesn’t like being able to see said ghosts.

Something spooks Miko into going to the nearest vending machine, where she finds tiny little spirits when she drops her 500-yen coin. Oddly charmed by these bitty, seemingly harmless little guys, she follows one as he skitters away, only to end up in an alley with a giant ghost who eats the little ones like a snack. When she tries and fails to pick up the coin, a crow bails her out by stealing it.

Mieruko-chan once again proves its horror movie bona fides by giving us the classic situation of being visited by a ghost in one’s most vulnerable state: while naked in the bath. This is apparently the first time it’s happening to Miko, and she’s genuinely voicing her limits. She thought she could rely on the bathroom for solace, but now that’s no longer true.

This time her savior is Kyousuke. Worried she’s dating some dude (she’s not) wants to get in the bath with her, and she enthusiastically offers to wash his back. If he’s in there with her, the ghost isn’t as scary.

Every morning, Miko tells us she makes a wish to no longer “see them”, but that wish is seemingly ignored day after day, as she’s seemingly seeing more ghosts in more places all the time. She’s not even given a moment’s peace to eat breakfast with her family thanks to ghosts swarming the table and breathing on her food.

Throughout the episode, Miko had been all gung-ho about procuring some chestnut pudding. In addition to sounding freakin’ delicious (seriously, I need to find a recipe and make some if I can’t find some at the Japanese grocery store), I figured it was one small way Miko copes with her ghost sightings.

Then the episode throws us a twist by showing that the chestnut pudding has special significance: it’s not for her, but as an offering for her dad…who was dead all along! It’s a hell of a twist that builds on the fact Miko can see more than the ugly invasive ghosts, but ordinary ones too.

The post-credits sequence is a replay of the first segment in which Miko was watching TV with Kyousuke, only this time we see what Miko saw, and why that shampoo commercial freaked her out enough to go out for drinks.

This episode really accentuated the sheer weight of Miko’s ESP, and how it’s adversely affecting her sleep, behavior, and appetite. Could the new character who’ll (finally) be formally introduced next week, be a fellow “seer” who might have some tips for Miko finding some relief? I hope so!

Rating: 4/5 Stars

Mieruko-chan – 03 – A Bus Ride, Don Juan, and Beads

It’s the weekend, and Miko is meeting Hana at a Starbucks ripoff, but she has to take a bus, and the bus is full of ghouls. She comports herself pretty well throughout the ride, only to miss her stop because she’s trying to distract herself from the monsters so much, she forgets to get off at that stop. Fortunately the airheaded Hana did the same thing without an assist from ghosts.

That means Miko arrives at the cafe first. There, she finds a dashing young man waiting for his date, but that doesn’t stop him from hitting on Miko before she arrives. He thinks Miko is staring at her, but she’s staring at a possessive ghost haunting him, while his girlfriend has a half-dozen ghosts haunting her, suggesting these two heartbreakers were made for each other. Miko’s solution for not drawing the ire of the lady-ghoul is to pretend she’s into super macho wrestlers on her phone.

Once Miko and Hana finally meet up, it’s time to buy some prayer beads. Only the first instance in which Miko has to use them, the elastic snaps and the beads go everywhere. Miko knows how much Hana attracts ghouls and wants to protect her, so she takes one for the team and walks through a particularly big and nasty ghoul in a yellow jumpsuit, so Hana doesn’t have to.

Seeking stronger beads leads Miko to a fortune teller whom we learn is just a petty scammer since we can hear her inner monologue. However, she can not only tell that Miko is haunted by ghouls, but that Hana has a dazzling aura that’s like frikkin’ catnip for ghouls. So the lady decides to give Miko a set of beads with what seems to be legit ghoul-repelling power…only for those beads to break too.

Ultimately, Miko decides to give up on prayer beads, as they seem to welcome more ghoulish attention. As for the fortune teller? She closes up shop and turns a leaf, accepting her kids’ invitation to move in with them. Little does Miko know the change she instilled…

Mieruko-chan – 02 – Wrong Line

This week’s Mieruko-chan starts with Miko and Hana changing. Hana overhears other girls talking about a TV show featuring a severed head, and is scared there might be a head in her locker. Miko checks, and it looks clear…until she looks up at the top shelf, where there’s a severed ghost head only she can see. It’s all she can do not to react to it.

In the next segment Miko has to watch in horror as her airheaded friend Hana is slowly enveloped by pervy ghost limbs she can neither see nor feel. They don’t seem to be hurting Hana, but Miko still tries to get them off of her, even going so far as to douse Hana’s blouse in hand sanitizer. Ultimately, the ghoul shifts to their buxom teacher, spurning the slighter-chested Miko.

The next segment is a quick one involving a long line for half-off donuts. Miko, distracted by the menu on her phone, steps into what she thinks is the right line, but it’s actually a line of dead people waiting to get devoured by a larger ghoul. Hana grabs her and puts her in the right line. Miko is eternally grateful.

In the most heartwarming segment of the series yet, Miko and Hana find an abandoned kitten in a box on the street, but both live where pets aren’t allowed, so they put an announcement on social media. The handsome young man who responds is rejected by Miko, since he’s surrounded by what look like evil cat spirits and God knows what else.

Rather, it’s the huge, super-scary looking yakuza who gets the kitten. He may look scarier than the handsome guy to Hana, but Miko can see good cat spirits on the yakuza’s shoulders. After the credits they’re joined by the spirit of his dearly departed loved one.

Mieruko-chan – 01 (First Impressions) – I Don’t See Dead People

Mieruko-chan’s premiere featured, by my count, twenty shots of fanservice: two busts, two butts, and twelve legs/thighs. I won’t say they didn’t distract me, but not in a necessarily bad way. This is a show that is very good at building up tension and then releasing it, and in creating patterns that lull us into a sense of security. Those shots are part of that.

The premise is wonderfully, beautifully simple: Yotsuya Miko can see ghosts and ghouls, but tries to act like she can’t. She doesn’t do this out of genuine indifference; she is actually very afraid of them, just as I’m sure I would be. She’s just worried that letting them know she can see them will only make things worse. It probably would!

Throughout the episode, Miko goes through things no one wants to go through, and reacts the way you’d expect someone to react. This makes her very relatable, as well as someone to admire. I can only hope I wouldn’t just scream my goddamn lungs out if one of these creepy ghouls suddenly crept into my vision or invaded my personal space.

Other than ghosts, Miko’s life consists of her busty best friend Miko, a third girl who is aloof this week but looks to become another friend, and her little brother. But mostly ghosts. Studio Passione takes a simple premise and really goes out with the execution, featuring suitably creepy ghosts designs that are thankfully CGI-minimal, crisp, clean character designs, and if the fanservice is frequent and in-your-face, at least it’s competently done. Overall a good, spooky start, just in time for October!

Rating: 4/5 Stars

TONIKAWA: Over the Moon For You – 13 – Love In the Time of LINE

It’s been over eight months since the last TONIKAWA but this extra OVA episode doesn’t skip a beat, delivering all of the notes that made the first twelve episodes so endearing and comforting, especially at the end of one of the worst years of many peoples’ lives. Things are going a bit better now, so it’s especially nice to check in on these two sweet young lovebirds in that context.

Tsukasa’s smartphone finally arrives, which means she’s finally arrived in the 21st century (though she still contemplates how much one could accomplish with a smartphone in the Sengoku era, one more hint that she’s either lived a very long time or carries the memories of past lives).

Something as simple as adding contacts is made much more profound as only one person in their address books can occupy the “spouse” category. But no sooner does she gain a smartphone (and LINE app) than she loses Nasa…if only for the day, as he’s summoned to his old work for a last-minute project.

Tsukasa goes in to work at the bathhouse, only to get bored and start wavering over whether to send Nasa a text or sticker. Aya doesn’t help matters by saying she’s sure he’ll message Tsukasa, since when he doesn’t do so all day, it only adds to her loneliness and anxiety.

While sitting out on the back patio after dark, she tries and fails to hold back tears despite knowing how ridiculous it is to be crying. But is it so ridiculous? Tsukasa and Nasa have been together—and close—for most of their married lives, and love each other dearly. So it’s no surprise that they both feel lonely.

That intensity of their love also makes it that much more satisfying and relieving when we finally hear that little alert sound and Nasa confirms he couldn’t use his phone while working. He misses her every bit as much as she misses him; smartphones or no, their hearts remain tightly connected.

When Nasa shambles home at four in the morning, he fully expects Tsukasa to be asleep, but she’s wide awake, having not been able to sleep “for some reason”. His futon is out, so they lie down together, and Tsukasa, still out of sorts from being without her darling for so long, takes the initiative for the first time by giving him a passionate goodnight kiss.

Nasa is wide awake at this point, contemplating how his wife suddenly seems more aggressive, only for Tsukasa to visit his futon and insist that he hold her tight. Now, I’m not saying they go on to make full-on love for the first time in that early morn, nor am I saying they don’t, but this is definitely the most hot and heavy we’ve seen them.

Even in the morning, with the couple’s faces beet red and smoking it’s not clear exactly how far the two went a few hours prior, but it is clear from Kaname that they “had fun” in the early morn. She’d love the details (as someone with a “sexy radish” as her LINE picture), but also knows these two well and how easily they’re embarrassed whenever they contemplate the prerogatives of their status as husband and wife.

Because this is a check-in OVA, we also check in on Chitose and her maids Aurora and Charlotte, the latter of whom was at the bathhouse and overheard about Tsukasa’s potentially fun night. Charlotte, despite being an adult, has no idea what that “fun” entailed.

After doing a coffee spit take Chitose tells her it’s “far more intense” than the horseplay she and Char get up to. Chitose demonstrates her growth from last season as she doesn’t immediately head to Tsukasa’s house to investigate/put a stop to it. After all, Tsukasa is married; it’s perfectly normal for things to get intense.

After a parting scene of Char teasing Aurora, who actualy would like to hold hands in bed, the standard credits roll. While a couple of decent romances like Horimiya showed up in Tonikawa’s wake, that series grew more scattered and disinterested in its main couple down the stretch. It was nice to be reminded how good, steady, and consistent Tonikawa always was, and how deftly it portrayed young love—or in Tsukasa’s case, very very old young love! XD

Rating: 4/5 Stars

Slime 300 – 05 – Who Ya Gonna Call?

Azusa and the others get the wrong idea that Halkara is preparing to move out, so they arrange a surprise party, only to learn she was only looking for a new location for her energy drink factory. The fact remains, she’s working long nights and Azusa is concerned. Turns out the reason is that there’s a ghost at the new factory that has scared away all of Halkara’s local employees.

In order for Halkara to start coming home at a reasonable time, the “bound spirit” must be dealt with. Azusa summons Beelzebub for this purpose, though because her incantation is a little off, Beelz ends up in the bathtub full of cold water (for the crops…it’s eco-friendly!) As Azusa and Halkara cower and tremble behind her, Beelz quickly finds the ghost and makes her visible.

Her name is Rosalie (voiced by Sugiyama Riho, Minare from Wave, Listen to Me!), and she’s the ghost of a girl who took her own life centuries ago after her parents were preparing to sell her off for “chump change”. In the ensuing years, she “went bad”, which explains her rudeness (and makes Sugiyama a great choice).

Rosalie has wanted to leave the factory for a while, but without success. After her offer to erase her without a trace is shot down, Beelzebub suggests that if she possess one of them, she’ll be able to relocate. Halkara seem the most suitable vessel as she has the most “weak points.” The possession is successful, and Rosalie!Halkara strikes a samurai pose as she accepts Azusa’s kind offer to live in her house.

A problem arises when Rosalie arrives at Azusa’s to find she isn’t able to separate from Halkara’s body; apparently they were ridiculously compatible! After a number of attempts to shake, shock, and spook Rosalie out of Halkara’s body, Azusa gets the idea to make her drunk (easily done with Halkara’s tolerance). When Rosalie passes out, Halkara’s personality surfaces.

That just leaves the matter of how to exorcise the dormant ghost from her body. Beelzebub has a solution: toss her into that eco-friendly cold bath water. Rosalie pops right out from the shock, and is now successfully separated from the location of her death.

With that, Azusa arranges for Rosalie to meet the townsfolk to prove she’s a friendly ghost, and she’s happy to use her ghostly telekinesis to do chores for people to build goodwill. Rosalie announces she’s Halkara’s newest employee at the factory, and nobody needs to fear her. And that’s how Azusa’s family grows by one once more.

Slime 300 – 04 – Mount Rokko Rumble

Turns out Laika’s announcement she’s returning to her home isn’t a permanent arrangement; she’s simply attending her older sister’s wedding, and invites everyone to join her. They’re all pumped for a dragon wedding, with Halkara in a particularly romantic mood (and somewhat disappointed by Azusa’s complete lack of love life).

Laika also provides transportation in her dragon form, and Halky gets motion sickness. After they land and she’s able to hurl (with Azusa lovingly holding her hair back) Halky says she wouldn’t mind a kiss, but as there’s sparkly vomit drips from her mouth, Azusa ain’t interested!

When they arrive at the village of Red Dragons on the volcanic Mt. Rokko, Azusa & Co. are dwarfed by Laika’s partying and feasting family and friends, but Azusa also learns her pupil once attended the dragon equivalent of a fancy rich girl’s school, which is a nice mental image. Laika’s mom is warm, her dad is loud, and her sister Leila and her husband-to-be are glad she’s there.

But then the festivities are crashed by the Blue Dragons and their leader Flatorte, who is bitter and envious that in 400 years she hasn’t been able to marry. She and her band of goons start ruining everything with their icy cold breath. Azusa is initially content to leave internal affairs to the dragons…but then the Blue Dragons go and make her kids cry.

From that point on, Azusa goes into full Protective Mama Witch Mode, making full use of her maxed-out stats to mop the floor with all blue dragon comers. After her significant powers have been largely underplayed the last three weeks, here we finally get to see her in action—and more importantly, motivated by her love of her family and desire to keep them safe.

Flatorte proves a slightly more challenging opponent then the grunts, but she’s still no match for Azusa’s fire magic, as well as her devastating Flying Axe Kick—all executed perfectly even in her nice going-to-a-wedding clothes and shoes!

They move on to the village to find the Blue Dragons there have already been handily dealt with by Beelzebub, who just happened to stop by to avail herself of the mountain’s famed hot springs and didn’t like how the dragons were threatening to cause trouble, so she cast a severe weakness spell on all of them. This nets Beel a big Azusa hug she claims not to want, but her blushing indicates otherwise.

Azusa then has Flatorte assume her human form and agrees to release her and the others only if they promise to cease their hostilities with the Red Dragons via a non-aggression pact…and pay for the damage and grief they caused. With that, the second dragon reception can commence, in which all the dragons are in human form, and Halkara quickly succumbs to the open bar.

Even Flatorte (who is quite the cutie in human form) offers a concilatory rose to Laila for her wedding, only for the Red/Blue Dragons’ “complicated” relationship to rear its ugly head once more, as Laila can’t help mock Flatorte’s lack of success in love.

Azusa has a quiet moment of rest away from the party with Laika, who asks her master if she can use her as a lap pillow. At the episode’s beginning we saw this is what Leila did for Laika whenever she was feeling down, and Laika understandably feels a little lonely about her sister being married off. Azusa is all too happy to be her pillow whenever needed.

Upon returning to the party, Beelzebub already has a completely boiled Halkara on her back and suggests everyone stay the nightat the hot springs hotel. All are in agreement, and once they’re all in the baths Azusa basks in the light and warmth of her colorful new family. Isekai OP ass-kicking and Iyashikei-style coziness combine for the best episode of Slime 300 yet.

Rating: 4/5 Stars

Slime 300 – 03 – The Elf and the Fly

Just as Shalsha and Falfa are reading about the Elves of Hrant, one arrives at the door in a state of anxiety, demanding to be let in.

Her name is Halkara, and she’s a very successful apothecary and energy drink entrepreneur who happened to make a demon named Beelzebub mad when that drink caused an adverse effect. She also has a killer bod!

While her extra witch outfit is far too tight for Halkara’s three sizes, Azusa agrees to keep the elf under her protection, casting a barrier over the house and inviting the elf to join her foraging for medicinal herbs.

Azusa ends up learning a lot about the mushrooms of the forest, as well as the existence of a condiment very much like soy sauce. Halkara also accidentally eats an aphrodisiac mushroom (due to poor sorting methods) and starts involuntarily making advances on Azusa, who isn’t interested in a drug-addled tryst!

Halkara eventually recovers, and the matter is not spoken of. Then they find that there’s a huge reward poster at the guild for anyone who can locate Halkara. Azusa preps for a potential confrontation by having Laika take her daughters to safety, but Beelzebub was there all along in the form of a bee.

Beelzebub attempts to seize Halkara, abut Azusa won’t hear of it, and the two agree to take it outside and settle it with a fair fight. Beelzebub immediately makes use of her ability to fly, but ends up hitting the inside of the barrier and gets zapped. Azusa takes her in and heals her with magic.

After recovering, Beelzebub reveals that it wasn’t Halkara’s energy drink that made her sick, but overwork. She and the other demons actually love her product and only came to meet her in person and procure more. With the misunderstanding cleared up, Laika and the kids return.

Beelzebub still wants to have that fair fight sometime, while Halkara wants to move her production to Azusa’s province for tax purposes, so Azusa’s family swells by two. Her peaceful life is as lively and fun as ever, but the episode ends on a cliffhanger as Laika declares she’ll be returning to her own home.

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