Cop Craft – 12 (Fin) – Forgivable Evils

What had the makings of some kind of grand conspiracy is ultimately boiled down to A Wizard Did It in the exceedingly tidy Cop Craft finale. Captured last week, Tilarna ends up in a penthouse with that wizard with her hands and feet both cuffed. It’s also one of the only instances I can recall where she’s not wearing her Semani cape, revealing an elegant midriff-bearing top.

She has to sit and listen to Zelada drone on about how he believes decadent Earth culture will eventually overwhelm destroy Semani culture: weapons, tools, sex…and that awful, awful rock music. Despite it seeming an awful lot like that ship has sailed, he’s working to make two societies to hate each other…or something. The nerve of someone in Carmen Sandiego pimp cosplay decrying decadence!

Meanwhile, the FBI agent rather ineptly attempts to extract Kei’s iPhone password so he can destroy the last photo of Marla and the assassin (Randall is killed off-camera). Kei, ever the smartass, starts to give it to him: “F-U-C-K-Y…” Hee-hee.

While the camera made sure to show us that Tilarna’s legs were cuffed, Kei’s legs are completely free, and his arms are cuffed to a flimsy folding chair that isn’t even bolted down. All it takes is for Mr. FBI to get too close, and Kei has him in a leg headlock. It demonstrates less how badass Kei is (and he is), and more how excruciatingly dumb Mr. FBI is.

Meanwhile, after ranting virtually all night, Zelada senses that Kei has gotten free and is killing his puppets. After all this time, and with little reason to keep Tilarna alive, Zelada nevertheless takes his sweet old time before finally deciding that yup, he should kill Tilarna. It’s like he’s waiting for Kei to arrive and save her, because that’s what the plot demands!

Even with arms and legs cuffed, Tilarna is also a badass, and manages to dodge Zelada’s attacks until Kei bails her out. Zelada’s invisibility is overcome by activating the sprinkler system (how ’bout that!), but the weakened Tilarna can’t handle the sword, so she and Kei switch weapons, with Tilarna pumping Z full of lead while Kei beheads him with her sword.

With that, our buddy cop odd couple waits for backup that will be late because the town is rife with violent protests. Kei leaves it up to Tilarna whether to give the photo of Marla to the police as evidence of her role in the assassinations, and after weighing the options, decides to do so.

Donald—er, Domingo Tourte wins the mayorship after Marla is arrested, but things eventually cool down as Tilarna thought they would, because for all its warts, San Teresa is still a good town filled with mostly good people. That’s why, as she writes to her father back home, she’s decided to stay put, serving as Kei’s partner in stylish crime-fighting.

And there you have it! A rushed ending, perhaps, which did itself no favors with the idiocy of its villains, but far from eye-gougingly terrible. I’d say Cop Craft would have benefited from another twelve or even six more episodes to give the conspiracy and photographer arcs a little more fleshing-out, but honestly the show probably would have found a way to squander them and be forced to end just as abruptly.

I will say that even if I wasn’t always in love with what Cop Craft did with the episodes it had or the world it built, it was still a neat world, with a solid core duo of likable characters, a smattering of cool supporters, and a fun soundtrack. It wasn’t flawless, but it wasn’t all bad either—much like the situation Tilarna and Kei find themselves in when the end credits roll.

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Cop Craft – 11 – Better, Not Best

Kei and Tilarna meet Domingo Tourte, who kinda resembles Donald Trump, only slimmer and with a more conventional hairstyle. His adversarial relationship with the press, “tell-it-like-it-is” attitude, and anti-immigration policy are also pretty similar to the 45th President. While he’s not creepy with Tilarna, he is terribly condescending to both her and her people, to the point she’s fuming by the end of their brief interview.

She’s made even madder by the fact Kei played the peacekeeper by acting so deferential around the candidate. He knows he wouldn’t have gotten anything out of Tourte if he didn’t play nice, and instead learns something potentially valuable: Tourte says he’s a politician first and an Earthling second, the opposite position as Kei’s old chief.

That could mean he’s not involved in the assassinations—just an unwitting beneficiary. But they need more, much more, which is why Kei’s colleagues Cammy and Jamie hit the streets looking for info on Coal’s assassin while McBee looks up an old flame who may be connected to the only Earth company that can work with Veifaht steel.

For the first time in a while, it feels like a whole police detail is working a case rather than just Kei/Tilarna. It doesn’t hurt that Cammy and Jamie are are both very good at their jobs and very fun to watch (I loved Jamie describing her Wiki rabbit hole!), as it doesn’t take long for them to find a sex worker who had the assassin as a client.

As Kei and Tilarna drive past the messes made by both pro- and anti-Semanian protesters, it dawns on her how fortunate she is to be treated as an equal by her peers. Kei tries to cheer her up by telling her she’s not some exception sitting in the clouds above it all; just being the decent person she is has changed the hearts and minds of those she’s interacted with. Some of them hated Semanians before, but because they know and like her, their opinions have softened.

Speaking of hard, Marla Mozeleemay wastes no time picking up her late husband’s torch and running in his stead for the mayorship. In this way, Marla is the Hillary to the philandering Bill Clinton going up against Trump’s populism with concrete policies. Tilarna still suspects she was involved in Zoey’s murder, but isn’t about to vote for Tourte either.

That’s when Kei tells her politics isn’t about choosing “the best” candidate—there never really is one—but the “better” candidate, echoing the compromise many felt they made by “holding their noses” and voting for Hillary after she beat Bernie in the primaries.

But if Kei’s reporter acquaintance Randall is to be believed, Coal wasn’t the only one stepping out beyond the bonds of marriage. He has a photo of Marla engaging in a liaison with a burly man sports a bulldog tattoo on his elbow—just like the Marine who killed Coal, identified as Ethan Dole.

Kei and Tilarna’s supposedly private meeting with Randall in the park is interrupted by armed FBI agents led by Special Agent Roland Chan. It’s only after they’re arrested that Tilarna determines all the agents except Chan are “dead” and under the control of a wizard. Moments later they learn which one: Zelada is alive and well and apparently a key player in this sprawling conspiracy.

Cop Craft – 10 – Democracy in Action

On the way to an interview with Coal Mozeleemay, Kei is stopped by the reporter Kevin Randall, but insists he has no comment. In their meeting with Coal (definitely awkward due to his last encounter with Tilarna), he has no comment either, as his wife Marla handles all the questions, confirming to Tilarna that he’s no leader.

Turns out he’ll never have a chance to prove Tilarna wrong, as he’s shot during a speech. Kei pares down 92 potential suspects in the crowd down to three by eliminating anyone not acting like an assassin would, showing Tilarna that Kei’s pretty good at this detective stuff when all’s said and done.

Unfortunately for both of them, the black suit-wearing culprit won’t surrender or come with them without a lengthy chase, during which he demonstrates superhuman speed, agility, strength, and an uncanny ability to shrug off multiple gunshot wounds.

Again predicting he’d require more agility than a full-size car, Kei commandeers a tiny, quirky Messerschmitt KR200, which is naturally abused and badly damaged in the dust-up with the perp.

Kei and Tilarna have no choice but to put the guy down by whatever means, but before he dies, his appearance completely changes, revealing he wasn’t Semanian at all, but a human soldier using Semani magic. His gun was also disguised as a camera, made of ridiculously precise Vaifaht steel Tilarna claims even the best smiths back home couldn’t come close to creating.

So on one hand we have two dead candidates, and the only one left standing is in favor of kicking out all “aliens,” and on the other you have a highly-trained human soldier using immensely sophisticated magics in order to make it look like a Semanian killed his own.

Chief Zimmer instructs Kei and Tilarna to interview Tourte next; we’ll see if he knows anything about this apparent human-led conspiracy to make him the next mayor, which could well lead to the expulsion of all Semanians, many of whom might not go without a fight—either legal or physical.

Meanwhile all these murders of candidates have the public on edge, and well-organized anti-Semani demonstrations are already underway. Whether they popped up organically due to fear or something arranged by pro-Tourte partisans, we shall see, but in the meantime Kei urges Tilarna to keep her cool, even if what’s going on is both unjust and undemocratic.

Golden Kamuy – 08 – Gone Whalin’

Needless to say, Uchiyama catches up to Shiraishi. However, their “little chat” is interrupted, both by soldiers of the 7th shooting at Uchiyama, and the fact that Uchiyama’s diversionary role is just one piece with the rest of Hijikata’s plan to rob a bank; specifically, to recover a katana that has a special place in his heart.

Say what you will about Tsurumi’s general sanity; the man knows how to smell out the truth of things, and manages to be in the right position to put a bullet through Hijikata’s hat before the old samurai escapes on the horse Tsurumi borrowed. Having met face to face for the first time, both men like what they see and look forward to the second.

Shiraishi has many tools for escape; here, he used confusion and Uchiyama’s duty to Hijikata. However, he makes sure to stop by the brothel to secure an article of Uchiyama’s clothing so that Retar can help him track the guy. When Asirpa says they’re not bothering the wolves anymore, Shiraishi settles for Ryuu, now a member of the party, who helps catch a plump tanuki Shiraishi let get away.

 

Ryuu leads Shiraishi to Uchiyama, but also makes enough noise to get Shiraishi caught. Hijikata orders his bodyguard not to kill the escape artist; instead, he wants his aid in retrieving the skin of a prisoner; a prolific murderer named Henmi Kazuo.

Shiraishi agrees, is freed, and confers with Sugimoto and Asirpa. He tells them about Henmi, and how he may be hiding amongst the yanshuu, contract herring fishermen who work the coasts.

Asirpa’s uncle is whaling in that same area, so out of worry for his well-being—what with a guy who literally gets off on killing on the prowl—the three head to the beach, leaping joyfully into the sand when they arrive.

The whaling sequence is another simply-yet-effectively realized scenes of Ainu culture, but when the whale takes a turn toward the herring fishing fleet, it drags the Ainu boats along, and Sugimoto, Asirpa, and her uncle must give up the chase to rescue a fisherman who falls overboard.

That fisherman turns out to be Himei Kazuo, whom we learn a lot about in a hurry through his inner monologue. While a relatively normal-looking, soft-spoken guy, his thoughts are anything but. He can smell the same “scent of a killer” wafting off his savior Sugimoto, and takes an immediate interest in him.

The more Himei learns about Sugimoto, the more his crotch starts to glow (subtle!) and the more badly he wants Sugimoto, whom he believes to be “jut like him”, to kill him. He knows that in order get Sugimoto to kill him, Himei will have to try to kill Sugimoto. But that’s a story for next week!

Until then, this was a solid introduction to yet another interesting and oddly likeable prisoner; a guy equal parts goofy and terrifying. Yet he’s not always a walking joke; his nigh unquenchable thirst for homicide stemming from a traumatic moment in his past when he heard his brother struggle in vain against a boar.

Meanwhile, this episode might’ve had the least Sugimoto and Asirpa yet (we don’t even see them until seven minutes in), but while I still like their quiet little story most of all, the show wasn’t hurt by their diminished screen time, as the dance between the 7th and Hijikata’s men commences.

Golden Kamuy – 07 – #NotExtinctYet

Sugimoto, Asirpa, and Shiraishi end up in a good old-fashioned standoff with Nihei and Tanigaki, ending with Tanigaki racing off with Asirpa so she won’t hear the screams of Sugimoto and Shiraishi’s deaths. But because Shiraishi is an escape artist, he and Sugimoto are able to slip out of their paltry binds and pursue Tanigaki.

Nihei underestimated Shiraishi, and Tanigaki underestimates his surroundings, tripping a deer trap that puts a wolfsbane-dipped arrow in his leg. He has no choice but to release Asirpa so she can cut the poisoned flesh out (gross), but when she’s done Nihei catches up with them and uses Asirpa as bait for Retar.

However, Retar was simply no match for Nihei, because Retar had backup, in the person (well, in the wolf) of his mate, who delivers the fatal bite to Nihei’s jugular. When Sugimoto and Shiraishi arrive, Nihei has basically bled out, while Retar rejoins his family, something Asirpa (not to mention nobody else) had any idea he had.

So, reports of the Ezo Wolf’s extinction were grossly exaggerated. Seeing Retar with his family brought tears to my eyes. I also felt for poor Ryuu, who lost his master, but thankfully Asirpa insists on taking Tanigaki to the village, lest the loyal-to-a-fault Ryuu stay with him until he dies then starve to death.

In the village, the young Ainu get another good look at a Japanese fellow with weird ears in Shiraishi, while he and Sugimoto tuck into some deer stew and something I’m going to call “salmonsicles”. When the village elder speaks of how the gold sullied the rivers that brought them fish, she mentions how Ainu from all over Hokkaido squirreled away a hoard of gold far larger than even the prisoners know about.

Tanigaki, wounded but conscious, basically corroborates the old woman, and adds the story of his commander, Lt. Tsurumi, who had to lead a forward advance that led to the deaths of half the 7th. The chief of staff committed suicide in disgrace and left the entire division in disgrace, unpaid and unawarded for their valor. From there, Tsurumi vowed to seize Hokkaido for the 7th and open a weapons factory so that their families could work and be provided for.

Tanigaki’s story paints Tsurumi in a more sympathetic light, but it doesn’t sway Sugimoto from his goal to find the gold and keep it away from Tsurumi and men like him.

Speaking of ‘men like him’, the group led by Hijikata goes into town, mostly so that Ushiyama, a raging hulk of a man, can sleep with some women lest he go even more berserk than he usually is. Then Shiraishi, in his infinite bad luck (why else would he be so good at escaping?), ends up face to face with the man-beast, and unwisely tries to run from him.

Ushiyama will have his “little chat” with Shiraishi, and he bowls through four people like they’re ninepins, shakes off being buried by rocks, tosses a horse-and-sleigh aside like they were nothing, and is generally an cartoonishly unstoppable monster of a man. Shiraishi finally finds some soldiers of the 7th—four of them—but what are a few bullets to Ushiyama? We’ll have to wait until next week to find out.

ShoBitch ShoDropped

ShoBitch was never great, or even good. It was merely okay, and watchable in a nothing-else-is-on kinda way.

But after an episode that was less watchable—due to the addition of a sheltered rich girl with views on courtship every bit as quirky as Akiho’s and her mom’s—I’ve decided to cut bait.

Unlike Aho Girl, this is a full-length show, and despite decent voice work from Yuuki Aoi, the repetitive humor and predictable MC reactions just aren’t enough to keep me interested or coming back.

To even out the author responsibilities to four apiece, I’ll be taking over 3-gatsu no Lion reviews. Expect little change, as both Preston and I love the show—not to mention she initially took over the first season from me in a similar balancing maneuver.

Carry on, all!

My Girlfriend Is ShoBitch – 03

Honestly, one of the worst things about ShoBitch is its title: it should actually be called Watashi no Kanojo wa Totemo Iidesu. (ほんとに私の彼女はとてもいいです。or My Girlfriend is Really Nice). Because Akiho is not a bitch! She just goes way beyond what is decent in normal daily conversation when it comes to analyzing her boyfriend’s sexual preferences.

Now we learn the reason she is the way she is: her mother Fuyumi gave her this “education.” Haruka learns this rather quickly upon meeting Akiho’s mom, while Akiho’s dad is essentially…Haruka, grown up. You can kinda see in his eyes that it’s been a lot of work living with Fuyumi, but the fact that every other aspect of her is perfect (like their daughter), he has no cause to complain.

In fact, Fuymi is almost too dutiful, to the point of making her husband feel like there’s no way he deserves someone so good. Then he remembers: not everyone could put up with all the innuendo…not to mention imbue their daughter with an almost identical attitude towards…that kinda stuff.

The day of Akiho and Haruka’s first date arrives, and Akiho predictably over-analyzes and over-prepares, to the point of deciding that 30 degrees is the ideal amount of head tilt to maximize her attractiveness to her man, which…yeah, Haruka doesn’t care about your head angle, especially when you’ve got such a cute outfit for the date!

Haruka runs into a bit of bad luck when across from him and Akiho is a real-life pervert with what looks like a blow-up doll-kinda thing(?), and Akiho takes comprehensive notes on both that and the movie they go to see, which is far raunchier than Haruka thought it would be.

That being said, Haruka, like Akiho’s father, is built for this kind of relationship, able to take any and all strange comments and requests, and only gently steer her back in the right direction of things veer off too far. Just being with her for the day made him happy, but that only makes Haruka feel bad for letting her research dominate the date.

Haruka says it’s no biggie; they can just go see the cherry blossoms on Sunday. The thought of another date so soon fills Akiho with joy, but she goes right back into her pattern of over-preparation, and she’s so anxious about the day she becomes sleep-deprived and even gets a fever.

After a trip to the (very inappropriate) nurse’s office and her mother picks her up, Akiho vows to get better for Sunday, and Haruka, not getting his hopes up, is shocked to discover on the day of their date her fever has disappeared. Let’s call it an efficient immune system, shall we?

Alas, most of the cherry blossoms already fell before they got there. Akiho is crestfallen, but again, Haruka reiterates that it’s no big deal (not a lot is  big deal to him, unless she’s on her knees before him in the school hall, speaking in a tone of voice that could be easily misinterpreted).

They can always come back next year, he tells her. Insinuating they’ll be together an entire year from now is awfully bold, but I don’t currently see anything getting in their way. I mean, look how happy Akiho is to hear that!

Speaking of ‘getting in the way’, I was glad none of the other girls in Haruka’s circle made an appearance this week; after the last episode I needed a break, and the show shines best when the lead couple is on screen. It was also neat to meet Akiho’s parents—It was essentially like looking into Akiho and Haruka’s future.

3-gatsu no Lion – 24

A new tournament bracket has been released, and Nikaidou is furious that he and Rei are in different groups…as if Rei had anything to do with the seeding. The only thing for it is for the two to win their respective groups and face each other in the finals.

Nikaidou then launches into a torrent of trash-talk, calling Rei arrogant and pompous, and their loudness almost gets them kicked out of the watching room where the other pros are watching Souya and Kumakura. The two are still kids, after all…they need to argue with shoji, not words.

A couple other younger pros start talking about Shimada’s mental and physical state after losing to Souya, and Gotou, who hears a bit too much of it, is having none of it, sticking up for the absent Shimada by saying unproven young whelps who may never get within a mile of a title match shouldn’t be running their mouths about those who have “been in the ring.”

Rei is glad Shimada is being defended, but laments that the defense is coming from the same person who has caused, intentionally and unintentionally, his sister to suffer. It gets to the whole idea of “chaos” in this segment, in which both humans and shogi are full of contradictions and paradoxes; all mysteries that will never be solved, but we must simply live with.

In a move that surprises all spectators young and old, Kumakura responds to Souya’s seemingly innocuous move made to force a reaction out of his opponent…suddenly resigns, giving Souya another successful title defense. It’s only after everyone plays through that Rei and the other see what Kumakura saw: that Souya had beaten him, seeing many many moves ahead to Kuma’s doom.

Meanwhile, Kyouko is performing all of the duties of your classic wife figure for Gotou, and we learn why: his actual wife is in a coma in the hospital.

Rei may only see a villain and a scoundrel (or at best, an uneasy ally against those who would drag Shimada thorough the mud), but Kyouko’s been around him a lot more time, and while she may be blinded by infatuation, she also sees a role to play in Gotou’s wife’s absence…especially if her prognosis is such that soon Gotou will be a widower.

It’s not pretty to see him getting along with, even sharing the bed with, another woman poised to “attack” him while his wife still draws breath, but who ever said humanity was pretty? Not to mention, without Gotou, Kyouko always seems lost and alone, and Rei can’t be the one to fill the hole in her heart.

But Gotou made a good point to Rei that echos his own thoughts about chaos: seeing everything in good and bad or black and white is a recipe for a poor understanding the world. Life isn’t Go! If I had to choose between the two games, it’s more like Shoji.

As for the man who gives his name to this segment, Kumakura: he’s lost again, but takes the defeat with a cool calmness that makes many of his peers swoon. Of course, that is a public calmness; below the surface boils a man who has been shattered into pieces having to collect them all and re-construct himself in time for the next title challenge.

It’s a thankless, cruel task, but it’s the only way he knows how to live. Not to mention, kicking the shit out of a wall is always a quick way to release pent-up frustration!

This episode had solid slice of life and some good internal stuff with Rei…but after only catching a brief glimpse last week, I definitely missed the Kawamotos.

I realize the show is probably following the source’s chapters and the sisters and their grandpa are just one part of Rei’s life, but they’re an important (not to mention adorable!) one, and I hope we get to spend more quality time with them soon.

Hibike! Euphonium 2 – 11

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All we needed was the slightest look from Reina to know, with relative confidence what was amiss and why: Thanks to Hashimoto, Reina learns that Kumiko knew about Taki’s wife before she did, and she’s angry Kumiko never told her.

Whether Kumiko was busy with Asuka and the other girls, and was going to eventually tell Reina, we’ll never know. But we do know that Kumiko hesitated as long as she did because she didn’t want to hurt Reina.

During Reina’s suitably elaborate procedure for confronting Kumiko – by going to the summit of the mountain that seems to accentuate Reina’s beauty – Reina yells at the top of her lungs, asks Kumiko why, and gets the answer she already knew.

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Reina turns out not to be that mad at Kumiko after all, but at herself: at the weakness she exhibits upon hearing this news; the fact she didn’t know. Her armor has cracked just as the Nationals approach, and while she can say she’s going to “forget about it” until they’re over, it’s likely she’s not 100% sure she can follow through.

Kumiko, for her part, tells her she’s still rooting for her, making sure Reina hears that Taki isn’t married anymore, even if it’s hard both to say and hear. She’s almost making up for not telling her to begin with.

It’s another wonderful scene between the two friends, and a very welcome one after Reina’s presence had dwindled in recent eps. Both the animation and the voice performances soar.

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In a quick flashback, we see a young Reina first lay eyes on Taki and fall for him right then and there. She quickly finds how hard it is to follow through, having an elaborate, warm daydream in which Taki compliments her playing and gives her a piece just for her to play.

She’s ripped from her reverie by the real Taki-sensei calling her playing “weak.” She needs to get it together. But how?

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Reina finds a way. While delivering the practice room key back to Taki at the end of the day with Kumiko, Reina asks him about his wife. Not about where she went to school or who she knew, but what she was like.

Taki opens up to her, and confirms what Reina had suspected, but wasn’t ready to face until now, when her playing is being effected by the doubt. There is not doubt; Taki still loves his wife, and he very likely became their director for his wife’s sake. He wants to go to the Nationals and win Gold for her sake.

And so, we see both Reina and Taki at their most vulnerable and emotional this week. I guess Christmas came early!

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Having gotten all the answers and confirmations she needed for the time being, Reina returns to normal, and starts playing the way she and everyone else have come to expect. Niiyama gives her the location of Taki’s wife’s grave, where takes Kumiko and prays.

That flashback was the beginning of Reina wishing time would move faster for her, so she could catch up to Taki. But now she has another goal to set her sights on, something that she wouldn’t have been able to accomplish if she was his age: She’s going to help Taki win Gold.

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Dimension W – 09

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I can’t say I fully grasp all of the metaphysical aspects of Dimension W, but as Kyouma delves deeper into Easter island, both he and I are getting the answers we wanted, and things are starting to make a tentative kind of sense.

Take the sudden confrontation with Loser. He’s not there to kill Kyouma, just stop him. Kyouma has no memories of went on there, so Loser feels he has no right to desecrate the ground where he lost his wife. Then one of those mysterious spheres appears and Kyouma makes contact with it, and passes out. We didn’t know until this week what happens next.

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Kyouma wakes up to Al looming over them; he’s in a memory of training with Grendel. Then news comes of a revolt in the African Union, where Kyouma and Prince Salva’s lives overlap. War is official declared by the leader of the scientists rebelling against the New Tesla execs, a guy named Haruka Seameyer, who looks like a Bleach villain and demands “scientific freedom” to shape the world how he sees fit.

Prince Salva is set upon by an assassin, but Lasithi takes a bullet for him. When Salva orders the assassin killed, Lwai shows up right behind that assassin, and Salva ends up blasting both of them. Seameyer was there too; always present when “confusion” crops up.

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Hell, we even get some Loser backstory, as a younger, strapping Julian Tyler—who has all of his skin!—is working at Central 61 (AKA Adrastea) with his wife Sophia (Ellie’s mom) when Seameyer starts his rebellion and makes Julian choose a side.

While not in one of those weird spheres like Kyouma or Salva, the place itself is filled with memories for Loser. Only when he reaches ground zero of the dimensional calamity, there is only nothingness. He presumes he still needs at least one more Numbers to proceed.

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Kyouma continues reliving the past, and when he spots Mira for a moment sitting beside his dying wife Miyabi, he realizes he’s being made to relive his past, perhaps in order to get him to question the choices he made and the possibilities that resulted from those choices.

Seameyer reveals he is the energy sphere, and like Loser seems to think Kyouma is uniquely suited for this kind of dimensional speculation or some such. This is the harder shit to understand, but suffice it to say a ghostly Miyabi reassures Kyouma that his choices were sound, and to trust in himself and not let Seameyer push him around.

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Back in the real world, Mira sees the picture of Miyabi, and remembers Mary telling her that her own body was once meant for Kyouma’s wife, which is why they have the same exact height, measurements, and shoe size. With this in mind, and knowing Kyouma can’t help but be reminded of his dead wife and what could have been every time he looks at her, Mira comes to an understanding with herself.

She may not be Miyabi, but she wants to be someone worthy of having the body meant for her. She also wants Kyouma to know he can rely on her. So when another killbot descends into the tunnels, and their escape is cut off by nothingness pocket, Mira resolves to protect Kyouma until he wakes up.

It’s the least she can do for someone who, however indirectly, was responsible for her being able to exist, and who despite his rough manner with her, has given her a chance to be a productive individual.

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Sakurako-san no Ashimoto – 07

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To Shou’s apparent amazement, Sakurako graces his school festival with her presence—in a skirt, no less!—though it could have more to do with the fact she’d have access to delicious pancakes than any particular urge to see or hang out with Shou. Or is that being too harsh? In a show full of mysteries, Sakurako remains the largest, though we’re now 7/11ths into the show.

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Suddenly disappearing after her meal, Shou finds her in the one place in a school she’d go: the lab, to check out skeletons. She couldn’t care less about rudely off and going without saying something, either because she just doesn’t conform to social norms, or because she knew Shou would be able to find her if he needed to. Far more important to Saku once she inspects the bones, is that a grave injustice is taking place.

The skeletons are gathering dust as decor rather than being handled by students for educational benefit. I loved her matter-of-fact indignation and scolding of Professor Isozaki who maintains the lab but is more of a plant guy, but promises improvement, which matters to Saku more than apologies.

Things take a very Sakurako-san-like turn when Isozaki offers Saku the job of organizing a prep room full of unorganized bones left there by the former teacher who is now deceased. Saku agrees in exchange for three pumpkin Mont Blancs from Patisserie Dandelion, a very specific but also delicious-sounding (and fair) price.

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During the long, dusty process of organizing the prep room and taking inventory of the bones, Saku comes across the skeleton of a dog and a cat, which disturbs Shou quite a bit due to their status as pets. He also remembers seeing a cat skeleton with the name “Ulna” in Saku’s house, and she tells him Ulna was the name of her pet cat, who died an “unnatural death.” She wanted to learn the cause, so she performed an autopsy.

This really unsettles Shou, who gets frustrated when Saku reacts so differently than him. He feels she’s being cold and heartless, even if that’s not really quite the case. It’s another depressing sign to him that Saku is so very different than him, which more than the fact she has a fiancee (that’s more of an excuse not to pursue her, not a true obstacle, as Isozaki opines), keeps him from making a closer connection, to say nothing of pursuing a romance.

They also find a chest full of the bones of a cremated human named Sone Natsuko, who judging from the writings among Sasaki’s personal effects, had at least some connection with him, possibly a close one. Alas, it isn’t a case for Sakurako-san, as the police are called and take the remains away.

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The next day, Shou is confused by the lack of a cat skeleton in the inventory, when he could swear Saku was stroking a cat skull, just as he was talking about her petting Ulna. Because of the way Shou thinks and makes connections to interactions, he believes he might have upset Saku with his in hindsight over-the-top reaction to her comments on Ulna.

But of course an analytical person like Saku would want to find out why her cat died. That, not burying her in the yard and burning some incense, is how she processes the pain of her loss. And when Shou comes to her mansion to deliver her Mont Blancs, the gate is locked. Not because Sakurako is angry, but because she’s gone to visit her uncle, Shitara.

Shitara’s a professor of forensic medicine, now confined to a bed and requiring some kind of SGD to communicate. Saku, perhaps inspired by Shou bringing up Ulna, has come for Shitara’s unsolved case, which she wants to investigate, and she has Shitara’s blessing, provided she doesn’t do anything dangerous. I wonder if Saku will let Shou in on this. She’d better, if she wants those Mont Blancs…

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Sakurako-san no Ashimoto – 06

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When Kougami Yuriko’s friends encourage her to ask Shoutarou to be her date for the Asahikawa Summer Festival, she has her usual coffee with Shou, but all he talks about is Sakurako-san. When she shows up to the festival resplendent in her yukata, but alone, one wonders why she didn’t press. Does she believe Shou is out of her reach, preferring the older, more amazing Sakurako, or is she just not that concerned about pursuing Shou, or anyone else, that way?

As she spots all of the lovey-dovey couples holding hands, seemingly rubbing in her face that which she lacks, she also spots a grandmother and child, and seems comforted and less lonely. It’s not that she doesn’t like the idea of walking hand-in-hand with someone she likes; but she’s more concerned with becoming someone who can protect those she cares about.

Then she spots an ethereal-looking woman with dark black hair throwing an envelope over the bridge, who then vanishes, leaving the envelope behind. Suddenly has on her hands something more interesting, at least to her, than a date. She has a mystery. Then she turns around and encounters another lonely heart, Isozaki-sensei, from her school.

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The envelope contains a ring, and Isozaki opens it to learn more. They determine it’s a synthetic diamond solitaire ring; most likely a wedding ring. The note inside asks forgiveness “for going to him.” Yuri is worried the woman was trying to throw herself off the bridge along with the ring, and wants to find her so she can help in some way. Izosaki…doesn’t.

The two butt heads, with Izosaki standing up for logic, analysis, rights and responsibilities, while Yuri cites human nature to not someone to die, and do whatever they can to prevent it. As the day turns to night, Izosaki considers taking off, but when he hears how serious Yuri is, he’s loath to leave her alone lest she get in trouble, so he agrees to look for the woman with her one more hour.

It’s strange; throughout their interaction, I couldn’t stop thinking how much more I’d enjoy it if it was Shoutarou by her side rather than Izosaki. The two have a good rapport, even if it doesn’t seem likely to turn to romance, and I think that Shou would be on the same page as Yuri. At the same time, the philosophical conflict that occurs from her and Izosaki can’t be discounted.

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Still, one gets the feeling Yuri would prefer the counsel of a professional investigator like Sakurako, so she keeps calling Shoutarou (since Saku doesn’t have a cell, Shou’s her only means of reaching her). When Saku finally appears, it’s by chance, on the very bridge where the mystery first began. Since Saku got lost in thought, she also got lost, which makes Shou and Utsumi have to send out a lost child address for her, which she’s not pleased about.

It’s here where Shou gets scolded by an angry Yuri for leaving his phone in Saku’s office, keeping her from contacting Saku earlier. Is Yuri masking her anger for not being able to spend the day with Shou, or is Shou really nothing more than a conduit to Saku that didn’t come through? The truth seems somewhere in between those extremes.

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Anyway, once Sakurako gets her hand on the ring, she determines it is not in fact a wedding ring, but a mourning ring, and the diamond itself was made with carbon from the bones of a departed loved one. She surmises that the woman sought to toss the ring away because she found another love. Sakurako then tosses the ring in the drink, and the fireworks commence.

It isn’t at all the conclusion Yuri expected, but she’s glad she worked hard and didn’t give up. It no doubt gives her strength and hope that not giving up on other things—or people—could also lead to good things.

I’ll be honest: this was very close to another 9 to me, and it all comes down to Yuri. I’d never have guessed in the first episode that she’d be anything other than a side character and (unrequited) love interest for Shou, but she’s become far more than that.

She’s complex, and feels like a real person, with ideals and beliefs and shortcomings that don’t always fall into easy categories. She’s both admiring and jealous of Sakurako. She’s chummy and warm, but also tentative with Shou. And as I said above, she’s in no hurry to define herself as one half of some couple so much as she wants to know she can stand on her own two feet.

It’s Sakurako’s show, and once she shows up she more or less dominates all the screen time she occupies. But I definitely wouldn’t mind more Yuri here and there.

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Sakurako-san no Ashimoto – 05

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Just as Sakurako assembles piles of bones into completed skeletons, she assembles piles of clues into solved mysteries. And this week she wastes no time revealing Fujioka’s “curse” by applying a hefty dose of science. All the rain and humidity caused mold to grew behind the frame of his painting; a mold that reacts to the arsenic-based Sheele’s Green paint to generae diethyl arsine gas.

Fujioka’s banded nails and cough were symptoms of arsenic poisoning, from being in close proximity to the painting in his closed-off room. She “lifts” the curse by opening a window, hopeful the fresh air and truth will set Fujioka at ease. But when Fujioka goes off to smoke his last cigarette, Sakurako senses this skeleton isn’t quite complete: more bones lay scattered whose proper place must be found.

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Among those bones: the fact Fujioka was fine having both a dog and a painting he believed to be cursed nearby; the fact he closely researched the causes and age of deaths of all his male relatives and printed out the results; the large life insurance policy he took out on himself; it all points to him looking to off himself and make it look like an accident; another victim of the family curse.

It almost works, too, but thanks to an alert Hector and a razor-sharp-minded Sakurako, his plan is foiled. She turniquets the leg he wounded with an axe, and as they wait for the ambulance, he confesses that after the global financial crisis, he’s broke, and could see no other way to provide for his wife and child than by sacrificing himself. But as someone who was “left behind” herself, Saku is personally offended by such an attitude.

Being alive and with his family is far more important to them than solving money troubles. So they sell the big black house—black, Saku believes, not because of that color’s association with death, but because of its psychological healing power: those in mourning who wear it aren’t merely expressing their grief, but fighting their fear of death.

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We hear bits and pieces of what becomes of Fujioka and his family: his leg on the mend, he gets a job at an IT company; they sell the house and move into a small apartment; and Sakurako adopts Hector so he can have the proper space to run around. Despite being taken down a couple of pegs, it’s still a happy ending for Fujioka, because his wife’s hope that they’ll grow old together and see their great grandchildren remains.

Sakurako remains weary of the art appraiser who insisted Fujioka get close to the painting with his wife and son, believing he may have had sinister intentions toward the family. Ultimately, his manipulation of Fujioka, and all the heightening anxiety it entailed, may have been the real curse that threatened to kill him. Hopefully, it’s gone now. But Saku still carries her own curse; one pile of bones she has yet to touch, and which Shoutarou continues to remind her of. I wonder when we’ll learn how those bones fit together in earnest—those of the titular ‘corpse under Sakurako’s feet’.

Last week’s episode felt a bit too deliberate and hesitant, but the resolution (imperfect as it is in typical Sakurako-san fashion) more than made up for it, using every bone laid out last week to construct a beautiful skeleton. Saku’s science-y deductions continue to make this one of the smartest shows of the Fall, and references to the Great Recession firmly ground it in reality.

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