Komi Can’t Communicate – 12 (Fin) – …But Not Because She Doesn’t Want To

The Maid Café (and Komi) are such a smashing success for Class 1-1 that Najimi can’t suppress their enterprising spirit. They start divining new and ever-more-pricey (and niche) services for the maids to perform for the customers…until the faculty advisors shut them down. Sufficiently chastened for the time being, Najimi instead markets the café by simply having Komi walk around the school.

With Maid!Tadano by her side, Komi navigates all of the different things to see and do at the festival, from a haunted house to rooftop confessions. She rejects Ren’s confession with silence, but her own confession she’s only able to get a tiny “meow” out, which most of the crowd indicates Komi is a cat maid. As usual, most of her peers don’t really “get” her, because in a communication vacuum they divine their own interpretations.

Fortunately, there are at least four peers who more-or-less “get” Komi: her first two friends Tadano and Najimi, along with newcomers Onemine and Kaede. As Komi dons a French bun and glasses for a more sophisticated maid look, she’s both a roving advertisement for the café and soaking up the festival. Having Onemine and Kaede but no Najimi in this walkabout gives it a much more casual vibe, which I think both Komi and Tadano appreciate.

Thanks to Najimi’s racketeering, Class 1-1 is disqualified from a slam-dunk Grand Prize win in the overall class contest. Najimi’s attempts to gloss over their role in the DSQ don’t go over well, but when Komi indicates via notebook that she had fun, everyone’s on board. At the after-festival dance, the torturously-dense Tadano goes out on what he thinks is a tenuous limb in asking if Komi wants to dance, even though dancing with him is the one thing Komi wants to do most.

Tadano’s translator still has its blind spots, but at the after-dance karaoke, even he can recognize his only fan—Komi with maracas—in a crowd of otherwise distracted friends and classmates. I like how we only get the first beat of the songs everyone sings, and that Komi doesn’t suddenly show off a beautiful singing voice…sometimes it’s not about the having, but the yearning, ya know? ;)

Speaking of yearning: throughout these whole twelve episodes Komi has struggled to form connections, but not because she didn’t want them. With help from Tadano, Najimi, and the others, she’s become ever more comfortable with social interactions and communicating her thoughts. As she prepares for a much-deserved post-festival rest, she writes the names of all of the friends she’s made, then cradles the notebook with great reverence.

Not surprisingly, we’ll be getting a second season. We’ll see if Komi starts speaking more (and giving Koga Aoi more to do), if Tadano ever realizes that Komi sees him as more than a friend, and which as-of-yet not formally introduced colorful characters she’ll befriend.

The Faraway Paladin – 12 (Fin) – Illness of the Strong

Last week Will hit rock bottom as he fell into the same trap as countless other heroes, anime, isekai, or otherwise: trying to go it alone out of fear of getting others hurt. Fortunately, his beautiful first and best friend and brother Meneldor’s head is harder than it looks, and he’s not about to let Will slink off in the rainy night. Their first fight ensues, with Will even going so far as to break Menel’s arm so he can’t follow him.

He would’ve needed to break the other arm—and both legs, because Menel doesn’t give up. He employs the gnomes to knock Will on his ass so he can use his good arm to help Will up. Will surrenders. Reystov calls what befell Will to be the “illness of the strong”—an instinct to isolate oneself and take all the burdens on one’s shoulders—and knows many who succumbed to it and died.

Thanks to Menel, Will is able to realize the error of his ways. He can’t go it alone against the Chimera and demon forces trying desperately to keep the Beast Woods in chaos. He’s just one in a whole slew of variables in the equation necessary to break the demons’ hold on the region. Through careful scouting and preparation and by rallying his band of adventurers and priests, Will is able to attain a victory he’d never reach all by his lonesome.

Even the final boss chimera isn’t someone Will can take one by himself. Sure, he detects the monster using invisibility and even trying to trick them into lowering their guard, but Menel’s mastery of faeries, nymphs and gnomes provides decisive backup in the Chimera battle. With its defeat, Bee writes new songs of their heroic deeds to be spread throughout the lands.

As the party celebrates their triumph, Menel points out something that had totally escaped a naïf like Will all this time: that he is at this point the new de facto Lord of the Beast Woods. This is where Will learns another axiom common to heroes: true leaders don’t seek power, but it is thrust upon them. Will must either rule his new realm or choose some trusted people to do it for him as he continues his adventures.

And make no mistake: there will be more adventures. A second season of Paladin has already been announced, something I never felt was in doubt (though I’d also like to see second seasons of Shin no Nakama and World’s Finest Assassin). Will also has an ultimate goal: turning the City of the Dead into a City of Living—thus making Blood, Mary, and Gus proud.

Komi Can’t Communicate – 11 – KokkoFest

There was a beach episode and a sports day episode, so a cultural festival episode was almost inevitable. Due to being a class full of very specific weirdoes, the class is unable to decide on what they’re going to do. They’re stuck in an 12-way-tie largely, with everyone imagining how Komi will participate in all those various activities.

While everyone makes a big racket, no one is asking Komi what she wants, until Tadano does. Turns out she wants to do the first thing suggested: a maid café. That’s right: no one is forcing her to this; it’s her choice. Everyone changes their vote to match hers. But when it comes time to start preparing, no one will let her lift a finger. She’s supposed to simply sit on the throne provided and be Komi.

It takes a “space cadet” like Otori Kaede to ask Komi if she’ll join her on a supply run to the home improvement store. Between Otori’s unreliability and slow reaction time and Komi’s taciturnity, Onemine decides to be a big sister chaperone for them both. When Komi asks (via notebook) why Otori chose her to accompany her, Otori simply says she wanted to be friends, which works out just fine for Komi!

Next task: marketing the festival to the Itan community. Najimi, Tadano and Komi go from business to business distributing flyers. Komi succeeds thanks to the salon owner being as good a Komi translator as Tadano, and the ramen shop owner and her being kindred spirits who don’t need words to understand each other. When they knock on the door of a busy mom with a crying babe, Komi instantly silences him by stealthily making a face at him. He then calls Komi “Kokko”, a nickname both Tadano and Najimi proceed to try out.

The night before the festival, a lot of the class stays late to complete the prep, and soon run out of energy. That’s when Komi and other classmates present them with some homemade onigiri for recharging. While the workers guess which rice balls are Komi’s and take those, it’s the perfect cube of rice Tadano takes that was pressed into being by her hands. She seems particularly happy that he likes it!

The big day arrives, and a self-professed “Maid Expert” Akido Tatsuhito just happens to choose their cultural festival maid café as his spot for the day. He’s impressed by the attention to detail and diversity of personalities (this is Itan High), but like many people, he’s intimidated by Komi’s resting expression, and he mistakes her as an “ice queen” maid when really she’s the warmest and sweetest maid of the bunch. Books and coves, man!

Najimi can’t help but suggest Tadano try on the short-skirted maid outfit Komi rejected. Tadano doesn’t want to, but Komi really wants him to, so he relents. It’s just his luck that both Komi’s mom and brother and his sister show up to see him in all his pink-haired cross-dressing glory. But dressing up just might have been worth it, as Komi tells him he looks really cute, and the two sit two chairs apart, the atmosphere suddenly awkward. To Be Continued…

Shin no Nakama – 13 (Fin) – Warm Milk with Honey

Last week certainly ended about as distressingly as it could, what with a sword-hypnotized Ruti having just gravely, possibly mortally wounded Tisse and looking for her next target. So I was both surprised and satisfied with Red’s elegant solution: getting Ruti’s sword caught in his butter-soft bronze sword and flinging it away, thus snapping his sister out of it.

Could the solution have been more difficult and drawn out? Absolutely, but more action would have taken time away from the emotional fallout of what had just transpired. Instead, the awakened Ruti sees her only real friend with a gaping wound and can’t do anything about it; her Hero’s Blessing ignoring her call. Thankfully, Theodora has the power to heal Tisse.

Theodora doesn’t ask Ruti or anyone else for forgiveness, because she was doing both what she thought was right and what her own blessing demanded. However, recent events opened her eyes to the cruelty and crushing loneliness of an unwilling Ruti’s Hero Blessing, and she that even if Red hadn’t left, she simply didn’t need a party anymore. I have to concur with everyone else that Theodora would make a better hero, because it’s what she wants.

Turns out Ruti’s new Blessing is called “New Truth”, with a skill called “Ruler” she’s using to suppress the Hero’s Blessing, losing its boons along with its burdens but in the exchange, becoming the ordinary girl with free will to choose her own future. Feeling the cold and sneezing from it is an amazing new experience; Ruti even looks forward to her first cold! I can’t tell you how cute that is, or how lovely it is to see her finally enjoy being able to taste food again.

After so much excitement earlier in her life, she seems to want the same thing as her brother: a slow, quiet life. In her case, that means starting a farm that grows medicinal herbs, thereby not only doing what she wants, but doing it in part to help contribute to Red and Rit’s business. Naturally, Tisse will be by her side the whole way, supporting her, because Tisse is unassailably The Best…as is Mr. Crawly Wawly.

Before heading off with Tisse to find some suitable farmland, Ruti joins the others at Ares’ funeral. It’s to the credit of this mild-mannered and decent series that he doesn’t suffer eternal agony; indeed he is someone to be pitied and not hated, for his plight wasn’t much different from Ruti’s. The fact the First Hero had six swords lends credence to the possibility they were an Asura Demon—with no blessing, which means they were a hero by their own free will.

The episode’s title is “Guide”, referring to Red’s Blessing, which I’d honestly forgotten until it was brought up several times this week. After Gonz and Mido help Red and Rit fix and clean up their shop and home, Rit confesses to often freaking out at night, worried Red won’t be by her side when she wakes up, because he’s the Guide, and one day he may have to guide someone else. Red assures her that won’t happen; that his journey has ended, and that she is his one, only, final destination, because he needs and loves her as much as she does him.

“Really? Then prove it!”, one might ask. Well, they proceed to do just that. After some adorable awkward fumbling attempts at foreplay, Red and Rit disrobe, hop into their big, newly-repaired bed, and make love for the first time. As one would expect of this show, it’s handled gently and tastefully. They even have a bit of profound post-coitus pillow talk, as Red admits his previous journey may be over, but he’s looking forward to a new one with Rit and the family they’ll have in the future.

Such is the narrative efficiency of this episode (without feeling rushed at all like a couple of previous episodes), we still have time for Red to take Ruti on a tour of Zoltan’s sights, sounds, and tastes. Thanks to New Truth she’s able to experience so much that feels like the first time, and is simply grateful she can be with her brother like old times…and sleep! Red promises he’ll always be there for her.

This leads to a potentially cliché scene where Ruti sits down next to Red at the shop (because she’s tired…and appreciates how good it feels to sit down when you’re tired!) and gloms onto her dear brother. Rit, suddenly jealous, proceeds to grab Red’s other arm. The two glare and growl at each other…and then break into laughter, all while a bemused Tisse watches.

Suddenly, the guild girl arrives at the shop to report an emergency: some demons have captured the adventurers sent to deal with them. She doesn’t need the Hero, just a hero, which Ruti proves she is regardless of Blessing when she picks up her sword and goes with the guild girl…because it’s what she wants to do.

This was pretty much a pitch perfect finale and the perfect way to end the series: by giving me what brought me to keep watching in the first place: a warm, cozy, almost iyashikei atmosphere to an isekai setting. I now appreciate the more action and plot-oriented penultimate episodes more knowing they were meant to make us long for the slow life, just like Red, Rit, Ruti, Tisse, and Mr. Crawly Wawly.

If they make another season of this mug of warm milk with honey in anime form, I’ll watch it in a slow heartbeat. The post-credit scene with Yarandrala and Godwin hints that that’s the plan.

86 – 21 – Good Knight

As expected, 86 gets right down to it with continuing the pursuit of Morpho. Shin seems to have gotten the hint that it’s to be a team effort, but then in the first five minutes he loses Anju, Theo, Kurena and Raiden in short order. They got him as far as they could take him; the rest is up to him.

Frederica, who had been riding with Raiden, transfers to Fido, whom Shin then orders to hide with Frederica confined in the cargo hold. He wants her, at least, to survive to try to do something about Kiriya, especially should Shin fail.

As Shin and Kiri/Morpho stare each other down, there’s a distinct epic “final showdown” atmosphere to the proceedings, which is all too appropriate considering how close we are to season’s end. It’s not as if this isn’t going to be resolved one way or another within these last episodes.

Taking out all of Shin’s comrades in such short order raises the stakes to a ridiculous degree; now most of the pieces are off the board. Shin is still flashing his gallows smirk, but isn’t in any hurry to commit suicide, and shows off his full complement of talents and skills as he draws ever nearer to Morpho.

Raiden, who we last saw with quite a bit of shrapnel in his arm, manages to gather himself enough to save Shin from what could have been a fatal attack, but it’s ultimately Frederica breaking free from Fido and contacting Kiriya directly that truly gives Shin the opening he needs.

It also gives Frederica the opportunity she’s always desired to try to bring her trusty knight back from the darkness. Alas, all that is left for him is the battlefield, even as his princess stands right there before him. Killing his fellow Nouzen Shinei remains a top priority, but when Frederica puts a gun to her own head, he’s suddenly very distracted from that priority.

Not for long, mind you, but long enough for Shin to reach Kiriya’s cockpit and put his very last round through his head. This final boss battle is 86 combat at its very best, with visuals at moments approaching the lyrical or profound. Fancy words aside, it’s very awesome looking, and accompanied by some top-notch SFX and that always excellent Sawano Hiroyuki score.

In the end, Kiri’s demise is immediately preceded by Frederica looking upon him, Shin, and Rei together in royal Giadian military attire, before Kiri joins Rei walking into the light, leaving Frederica and Shin. Seconds after Kiri dies, Morpho self-destructs, seemingly enveloping both Shin and Frederica and leaving us to wonder who, if anyone, will still be breathing next week. Until then, I need to catch my breath.

My Senpai is Annoying – 12 (Fin) – All Grow’d Up

The Fall’s cutest, sweetest, most life-affirming series ends on a suitably cute, sweet, life-affirming episode all about Futaba and Takeda. With Sakurai and Nakama’s relationship status in a good place, it made sence to focus on the main couple, who have been a lot more on the fence about where they stand despite their obvious chemistry and mutual affection.

Futaba’s growth as a salesperson, which she largely attributes to her senpai’s care and guidance, results not only in her scoring a good deal, but gives Takeda the confidence to send her off on a solo presentation that she then nails. This allows him to score a company-saving deal, and he’s soon surrounded by impressed ladies who want to throw a drinking party for him.

Not really in a hurry to watch other women fawn over her senpai, Futaba still insists Takeda join them at the party while excusing herself. With everyone else off doing something, Futaba ends up going to the usual izakaya alone. She immediately realizes it’s not nearly as fun there without Takeda, which…girl I’m sure if you asked him out so it was just the two of you, he’d have agreed in a heartbeat!

As the draft beer flows, Futaba reminisces on her first day at the office when she was a green(-haired) rookie. She immediately makes it clear to Sakurai that she’s not some doll to fawn over, while Takeda buys her a can of soup but then mistakes her for a junior high student, making their introduction as senpai and kohai thoroughly awkward.

Still, Futaba marvels at how far the two of them have come. She probably loathed the man who thought she was a little kid, but now that she knows Takeda and he’s helped her so much, that’s not the case anymore. Color me 100% un-shocked that Takeda blew off his own party as soon as he could to join Futaba, and just in time to keep a drunk salaryman from pawing her.

While a pretty dense fellow, Takeda has never been one to mince words or obfuscate about his general feelings towards Futaba. And yet he’s certainly not one to realize his feelings are romantic, nor is he bold enough to come right out and say that. What he can say, and Futaba can easily accept (with no small amount of blushing) is that he knows drinking with her is a lot more fun than drinking with anyone else.

He takes this a step further on their walk to the train station, after both he and Futaba have had a little too much beer. Nevertheless, it’s the perfect amount for him to be able to say that no matter who Futaba “ends up with” (in a general sense), he promises to always be there to protect her “until then”. Mind you, I’m sure both he and Futaba would be just find if that “someone” ends up being him!

After that lovely little nightttime scene and the credits, we get one more cute scenario—the famous Umbrella Walk. Futaba forgot hers, but Takeda’s is more than wide enough to accommodate her beside him. When she gets self-conscious and moseys over to the end, he draws her closer with his beefy hand. She freaks out, and calls her senpai annoying, but in truth there’s no one she’d rather be with under an umbrella.

The Faraway Paladin – 11 – The Other Side of the Coin

At the start of this outing, everything’s coming up Maryblood, as he, Menel, Anna, Reystov, and his merry band of adventurers march throughout the Beast Woods, clearing them of demons. With help from Bee and Tonio, the newly-safe villages are gradually revitalized. When Will returns to places he’d seen at their lowest point, he can see firsthand what his good works have wrought.

Then one grey day Reystov reports that one of the more talented adventuring parties is two days late from a scouting mission. Will rolls out with Menel, Reystov, and two capable parties in search of them, and eventually find their corpses. They’re then led into a ravine and surrounded by demon beasts, led by a particularly ferocious chimaera.

Will & Co. put up a stout front, but the bottom line is they’re very nearly outmatched, which comes down to a lack of caution and preparation. When Menel is severely injured by the chimaera’s dragon breath, Will flies into a panic. He tries to cast lightning on all of the beasts, but is interrupted and hits himself, a rare unforced error. He has to resort to pure adrenaline and matching the beasts in viciousness with his demonblade to survive the day.

When he wakes up, he learns from Reystov that he and Menel were carried out after the Chimaera fled, and that he burned himself out fighting too hard. Even so, Will doesn’t see this as an inevitable occasional slip-up. Rather, he suffers a total and complete crisis of confidence, cursing himself for believing he could treat Menel and the others as equals despite being so much stronger than them.

We even get the first glimpse of Will in his previous life before coming to this world, just when I’d come to grips with the fact the show didn’t care about that part of Will’s story at all. But the person he was is crucial to how he’s feeling now: full of guilt and regret for expecting too much of his comrades because he doesn’t want to be lonely. He doesn’t have to say anyting to Bee and Tonio for them to know something’s very off about him.

Will decides he’ll never let something like this happen again, visiting the still-unconscious Menel and healing him a bit more before going off on his own. However lonely he might feel, he’ll feel even worse if he ends up killing those who have stood beside him. Still being an impressionable young whelp, he instantly agrees with the chatter of passing soldiers referring to him as a “monster”, and concludes that he must walk his path alone.

You can tell from Gracefeel’s expression that Will is off-base here. He never forced Menel or anyone else to stand beside him or be his friend. It’s pretty clear Menel, and Bee and Tonio, and Reystov and Anna, are with Will because they believe in him and his strength and want to do everything they can to make a difference in this world with him. The question is, will they be able to bring Will out of these doldrums, or does his new self-imposed isolation represent the new normal?

Rating: 4/5 Stars

SAKUGAN – 12 (FIN) – THICKER THAN BLOOD

The Big Twist that starts the SAKUGAN finale is that Memenpu actually is a “Rainbow Child”, a child with an exceptionally advanced brain. This not only explains why she’s a genius, but what the “place in her dream” is all about: it was never a dream, it was a memory. Rainbow Children retain vivid memories even from their infancy. As Rainbow Children were bred to be the guardians of the Labyrinth, they are anathema to Shibito, who want them all dead.

Fortunately, Muro’s boss doesn’t let her kill Memenpu right away, even though it’s debatable what if anything he intends to do with her before killing her. This gives the remaining members of Team Memenpu the time they need to zero in on her location and rescue her. It’s definitely a team effort, with Yuri using a second-hand computer in a store to guide Gagumber and Zackletu, then Zack distracting both Shibito and the Bureau with sheer ballistic chaos.

Gagumber locates Memenpu, but by then she’s been placed in a bell jar, which soon shatters due to the Animus dripping on top of it. Memenpu seems to be immune to its deleterious effects due to her Rainbow-ness. But by the time her pops arrives, Muro’s boss (I don’t believe we got his name) has convinced Memenpu that she has no father. Whether their surroundings were meant to evoke that same father-y scene from Empire, I don’t know.

All’s I know is, this Shibito guy is a huge prick for messing with Memenpu’s head, and for all her advanced intellect, Memenpu betrays just how sensitive and naïve she his, simply accepting the guy’s words about Gagumber not being her father. She even puts herself between the guy and Gagumber, offering up herself in exchange for her not-dad’s safety.

Gagumber, rightfully so, says fuck that, treading through the shallow pool of Animus to reach Memenpu, melting away his boots and burning his feet. He tells her he is, always was, and always will be her father, and she is, always was, and always will be his daughter. Whatever she wants to do and wherever it leads them, he’ll be by her side on her journey. Memenpu, realizing she does have a dad in Gagumber after all, has herself a good cry in his arms.

Seemingly moved by this dramatic and cathartic exchange, the Shibito boss decides to let Memenpu and Gagumber go…for now. Gagumber recharges Big Tony and they take the shortest route back to Dream Colony proper—by drilling through the colony’s retaining wall. There, Gagumber zeroes in on Muro and blasts her through a hole in the floor for making his daughter cry.

There’s a ceremony honoring Team Memenpu hosted by Merooro, but when he produces arrest warrants and the team is surrounded by Bureau cops and bots, Memenpu unleashes a cloud of purple smoke from Tony and the quartet escapes with the Bureau in hot pursuit. Not sure why Merooro held a ceremony just to arrest them, but whatevs.

Back on the Labyrinth “road”, Memenpu leads her team on their original mission: to find the place in her dreams, come what may. It’s what she truly wants to do, and that’s more than enough for Gagumber to accompany her, and by extension Zack and Yuri. It’s been fun watching this found family iron out their warts and beat the bad guys…fun enough that I’ll likely give the expected second season a watch.

Rating: 4/5 Stars

Komi Can’t Communicate – 10 – 200 Degrees

It’s Sports Day, which means a good half of the episode is spend outdoors, rain or shine. Komi meets the fiery upperclassman Netsuno Chika, who assigns specific temperatures to people. Netsuno regards Komi as “chilly” and hopes she won’t hurt her class’s chances, but as we know, Chika is misjudging a book by its cover.

Komi’s austere beauty is intimidating and aloof, but beneath that exterior is one of the warmest and kindest souls you’d ever want to meet. That soul yearns to break free of her social anxiety, and on some brief occasions, succeeds…like when Komi verbally cheers Tadano on from the crowd, giving him the boost he needs to place third in his race.

When there’s a sudden rainstorm and Komi’s class meets her mom Shuko, she’s understandably embarrassed, especially since her classmates initially mistake her mom for her and are amazed she’s talking. When the rain stops and the big relay race completes the day, Komi slips and gets covered in mud, but responds to her classmates cheering her on and completes the race, finishing second only to Netsuno, who admits she misjudged her.

The next segment involves another new character, Onemine, seemingly moving in on Komi’s man. The narrator says people with social anxiety tend to get jealous when one of their friends talks to another they don’t know, but add to the fact Komi likes Tadano, and the effortlessness with which Onemine interacts with him, and it’s doubly troubling to her.

The thing is, other than Tadano, Onemine seems like one of the most normal characters in the school. She’s a genuinely kind, decent, nice person with absolutely no ulterior motives. But like Netsuno she’s only seen Komi from afar, and worries that Tadano is stressed out by being with Komi all the time. Tadano assures her that’s not the case, and if she spoke to Komi she’d feel the same way…but when Onemine tries, Komi runs away.

Later, when Onemine is settling in to help Tadano with more class rep paperwork, Komi is more assertive and communicates via notebook that she wants to help too. This is when Onemine gets to watch Tadano and Komi interact naturally, then reads the room and makes up an excuse to leave the two lovebirds alone, later telling Komi she’s rooting for her. As I said, she’s just a nice girl!

We close out the episode with another hanging-out segment, this time with Komi, Tadano, Najimi and Ren going to a photo booth and taking some adorable photos. I particularly like how Komi is “filterproof”—any supposedly appearance-enhancing filters would only make her look less perfect than she already does. But on two occasions, Tadano notices Komi gazing at a crane game.

The next day at school, Tadano surprises Komi with the gift of a kitty keychain he won (on the first try!) at that crane game. Turns out Komi already played the game and won a kitty keychain of her own, but the two then decide to trade, so they’re giving gifts to each other. After school, Komi is so happy with Tadanos gift, she rolls around her bed and kicks her feet in the air in pure unbridled joy—a moment her mother dare not interrupt with a dinner announcement!

Shin no Nakama – 12 – Life Comes at You Fast

Even in his twisted current state, Ares believes what he is doing is both right and righteous. He was born to serve the Hero, but to do so, there must be a Hero, and it’s Ruti. He and Shisandan defeat Danan and make it to the chamber deep in the futuristic/ancient ruins where five of the six “Sacred Avenger” blades reside. They only need Ruti to touch one in order for the Hero’s Blessing to take hold once more.

But Shisandan, who like Ares wants nothing more than for Ruti to return to being the Hero, knows that won’t be enough; they’ll have to kill the one thing making Ruti not want to be the Hero most: her brother Gideon/Red. Neither Red, Rit, nor Ruti make it easy, as the three have no intention of letting Ares or Shisandan get their way, but those two find an odd ally in Theodora, who likewise defers to the Almighty’s Will.

A wyvern or two show up in the ensuing battle, and a magically-chained Rit rejects Theodora’s strict dogma that places so heavy a burden on unwilling shoulders. Ares, becoming more undone by the minute, conjures a giant iron cube that sends Red and Rit flying down the elevator shaft to their deaths, causing the biggest emotional outburst from Ruti yet.

Danan, who has recovered from his fight with Shisandan and Ares, uses “Rising Dragon’s Roar” to halt their fall and fly them back up to where Ares is. Ares, meanwhile, turns his attention to Tisse, and even squashes Mr. Crawly Wawly! Fortunately he’s fine, and he manages to clandestinely bind Ares’ hands with his spider silk, allowing Red to chop off his hands and deliver a near-fatal blow to his former comrade.

Ruti and Shisandan, who at some point fell down a level or two, continue to battle each other. The angrier Ruti gets, the more powerful she becomes, until she wrests one of Shisandan’s swords from him, slices him to bits, and beheads him. The animation and lighting here really bring the scene to life and lend it an epic quality.

Of course, it wasn’t Shisandan’s intention to win a fight against Ruti, but to get her to touch one of the Sacred Avenger blades. She does so, and almost immediately, it re-takes a hold over her mind and stifles both emotion and free will. After watching a Ruti enjoy her independence, it’s a gut-wrenching moment seeing it all snatched away in an instant.

Things get even worse when she ascends to where Red and Rit are, he greets her warmly, and without warning she lunges at him, sword drawn. It’s only thanks to Show MVP Tisse Garland (never thought I’d write that!) putting herself between Ruti and Red that he’s not killed right then and there. But things don’t look good for Tisse, while nobody who tried to wrest Ruti from her blessing is safe now that she’s been re-brainwashed by the sword.

This is all very intense and dramatic and I’m not sure how our happy couple (or poor Tisse!) is going to get out of it alive, let alone content to return to their slow life. There’s only one more episode to sort it all out.

Rating: 4/5 Stars

The World’s Finest Assassin – 12 (Fin) – Gungnir Big or Gae Bolg Home

We know it’s going to be a different kind of episode when we begin with the Robo-Goddess in her realm, which has taken on the stark monochromatic aesthetic of the OP (which remains my favorite of the Fall). It seems the World’s Finest Assassin is her latest and possibly last best hope against the Hero ending the world.

Back on that world, her champion Lugh is ready to burn Dia’s house down and whisk her away with the story that she committed suicide so that none of the sides in the war could have her. There’s just one problem: Setanta MacNess has arrived with Gae Bolg, and partially demolishes the castle before Lugh can implement his plan.

Lugh deflects Gae Bolg’s attack with one of his “grenades”, then launches the biggest cannon attack he has. Setanta survives the blast with some superficial wounds that soon heal, but the knight is amazed at having finally seen and tasted his own blood, goes into Berserk mode while maintaining his sense, and challenges Lugh to a duel.

Suspecting Setanta is indeed the Hero as Maha’s intelligence suggested, Lugh makes it clear to Dia that he can’t run from Setanta’s challenge, nor can he have a hope of winning a duel against him. That said, Lugh also reminds Dia he’s neither knight nor hero, but an assassin. Assassinating’s all he can do, and it’s all he will do against Setanta.

After a little trash talking and negotiating of the terms of the duel, Lugh gets Setanta to agree that the duel will begin when a coin he flips into the air hits the ground. This essentially locks Setanta’s gaze on the coin, so he doesn’t look up when a solid tungsten missile comes crashing down on top of him, causing an enormous explosion and shock wave.

That solid tungsten missle was initially casually launched into orbit while Lugh was still in Dia’s castle, but is the culmination of months of careful preparation and collaboration. He and Dia designed the spells to launch it, and he and Tarte scouted the island Maha found to test it. It even employes the same shielding Tarte used to help Lugh conserve his energy on the way to Dia. The name of the spell is Gungnir, which is fitting as Odin’s spear is believed to be the prototype of Cúchulainn’s Gae Bolg.

Lugh’s extremely aerospace-y and not necessarily assassin-y or knightly gambit pays off. He takes a considerable lick himself, but soon awakens to a concerned Dia, whom he’s so relieved is okay he kisses her just as the sun rises over the mountains. When Dia asks why he agreed to take on a non-Tuatha Dé matter, Lugh tells her he never forgot his promise to always come running.

As he promised Tarte, Lugh arrives home having failed his first assassination job ever yet still triumphant, because he brought Dia with him. Cian decides its best for now for Dia’s identity to be concealed; she’s to live with them in Tuatha Dé as Lugh’s younger sister, with her shared bloodlines with Esri making it a believable lie.

With that settled, Cian brings up another order of business: the Hero has apparently arrived in the Alvan Kingdom. Lugh’s confused by that, since he assumed Setanta was the Hero. Alas, he apparently wasn’t; the actual Hero, whose presence closely precedes the certain arrival of the Demon Lord, is one Lord Epona Rhiannon, and the close-up on his alternate-Lugh like visage is the last image we see in The World’s Finest Assassin.

Despite the fact there’s no immediate news of a second season, I can’t believe we won’t be getting one sometime down the road. There’s a lot of story left to tell and a lot of cute moments between Lugh/Dia, Lugh/Tarte, Lugh/Maha, or any other combinations therein. Not to mention…what if this Epona lad is just like Lugh: originally from another world?

That’s one of dozens of questions I’m hoping a sequel would explore. Until then, this was a bold ending to a thoroughly enjoyable and engrossing isekai series.

Takt Op. Destiny – 12 (Coda) – Addio, Signor Disperazione

After one more look at the OP, beautifully animated but for the fact Anna and Cosette lack toes (that always bothered me), we go right into the final boss battle. Orpheus packs a punch and has a suitably calm yet menacing voice, but by making it a two-against-one fight, she allows herself to be distracted by a kick to the fact from Takt, allowing Destiny to blast the top half of her away.

She eventually regenerates, but it takes enough time that Takt is able to continue on to Sagan. It then becomes a duel between Destiny and Orpheus, and the lack of a frail human in their midst means they can really let their bedazzled hair down and have a proper brawl, captured with all the requisite concussive Mappa/Madhouse sakuga.

Turns out Orpheus really is the final true boss; Sagan can’t do anything but try to convince Takt that his cause is right and just. Oh, and the show finally lets us in on the secret of why exactly he’s doing all this: he wants to lure all of the D2s in the world to a sacrificial North America so he can take them all out at once, thereby saving the remaining six populated continents. Uh, my dude … Antarctica was right there!

Turns out both Heaven and Hell, and thus Orpheus, aren’t really trying to save the world so much as save their Conductor, whom they love despite his fatal flaw of choosing the wrong continent to sacrifice. Just as Takt isn’t hearing Sagan’s excuses, Destiny most emphatically Does Not Care what Orpheus says or thinks, and somehow powering up, manages to pummel the hell (and heaven!) out of her. Destiny just wanted it more, I guess!

Destiny joins Takt, cementing Sagan’s defeat, as Takt uses her sword to kill him, which shuts down all of the D2s running amok in the crippled Symphonica. Sayonara Sagan…you were never much of a character, and the little bit of pathos the episode tries to squeeze out of your situation in the eleventh hour didn’t really work. You were just another of the dime-a-dozen villains populating lesser anime. Takt Op. Destiny deserved a better baddie.

It’s main duo won me over, however. Destiny has been showing more and more emotion as she’s come into her own as an individual and not just an musical alien inhabiting Takt’s dead soul mate. She basically becomes another soul mate to Takt, staying beside him, holding his non-existent right hand as they lay on the beach, then giving him a farewell kiss before vanishing in a cloud of rose petals. It’s a beautiful scene filled with bittersweet love.

That brings us to the brief epilogue, which indicates Takt made it into suspended animation alive. Anna has joined the Symphonica, trading her belly-bearing tops for the organization’s marching band-y uniform. She also looks after a gold trinket with red trim, the only thing Destiny left behind, and which seems to allow Anna to transform into the next Destiny. As her out-of-left-field kiss hinted, she’s dedicated herself for being there for Takt when—not if—he wakes up. There’s still a lot of D2s out there.

Rating: 4/5 Stars

Irina: The Vampire Cosmonaut – 12 (Fin) – Moonlight Dreamers

Having watched Irina and Lev risk their lives so many times for each other and their country (very much in that order), Anya has decided it’s her turn to put everything on the line. And boy, does she ever, drugging the guards and sneaking off to the ceremony in the Zirnitran equivalent of Red Square.

There, a seemingly obedient Lev is giving the speech he was told to give…until suddenly he’s talking about how he actually isn’t the first cosmonaut, but the second, after a 17-year-old vampire girl! As he gives her her proper due by describing everything he loves about her, she breaks from the crowd, and with help from Anya (using herself as a missile!), manages to reach Lev before the sun knocks her out.

I expected there to be some bittersweet way Irina and Lev would be reunited. I did not think it would be in front of 200,000 Zirnitrans, Chairman Gergiev, and a TV and radio audience of 3 billion. In front of the largest audience in human history, Lev decided that lies wouldn’t do. He made his estranged parents, and more importantly Irina, proud. He told the truth. Then he hands the mic to the true Hero of Zirnitra.

A lot of the crowd is not initially open to listening to what they perceive as an evil monster to say, but the more Irina talks, the more she sounds like just a young girl who dreamed of reaching the stars, and frikkin’ did it. Later, Gergiev uses Lev’s and Irina’s modifications to the ceremony to tell the world that, actually, Zirnitra is the progressive, tolerant nation of the future, and these two crazy kids are proof positive!

Lev makes a stink about being used as a pawn by Gergiev and Harlova, but it ultimately doesn’t matter that much because a.) somehow, Lev and Irina (and presumably Anya) escape any kind of consequences for basically committing high treason—at least in the country that had been portrayed to this point—and b.) they’re both alive, together again, and the twin faces of hope for a better world, and a future where they travel to the moon together.

Did this ending strain credulity a bit? Sure. But is it a cold Monday, the second-shortest day of the year, and this was exactly the fun upbeat ending I both wanted and needed? ALSO SURE. All it was missing was a first kiss…though their first “bite” a few weeks ago arguably already achieved that!

Rating: 4/5 Stars

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