HenSuki – 05 – Beware the White Rabbit

In an effort to keep “Witch-senpai” from monopolizing Keiki, Yuika joins the Shodou club, even abiding by Sayuki’s directive that she dress as a bunny girl for a day. Mao also joins, but doesn’t have to wear a costume, as Sayuki is already a huge fan of her BL manga.

But Keiki has bigger problems than the three weirdos in his orbit joining forces: a fourth weirdo who took an incriminating picture of him. She intends to blackmail him, but isn’t interested in him, only his friend Shouta.

This fourth girl is Ootori Koharu, who despite being tiny and having a bunny-like aura, is actually older than Keiki, and a third-year. That makes her demand to Keiki difficult, as she’s obsessed with Shouta and wants to meet him, but Keiki knows his best mate only likes younger girls.

Thanks to some inspiration from Mizuha, Keiki crafts a plan: when the summer unis come out, which are all the same color regardless of year, he’ll have Koharu meet Shouta wearing a hoodie concealing the bow that indicates she’s older. She also addresses him as senpai. Shouta falls for it hook, line, and sinker.

Things bode well for Keiki having the photo of him groping Sayuki deleted from Koharu’s phone—though I hasten to note she didn’t actually do it yet. Instead, after another quick check on the shodou club (which is a bit too much concentrated weirdness for Keiki’s taste), he spots the vice-chairperson Fujimoto descending the stairs with a tall stack of printouts.

Predictably, one of the papers ends up under her shoe, and she slips and falls, but Keiki saves her, ending up underneath. In a subversion of cliche, Fujimoto is not mortified by their ensuing amorous position. On the contrary, she’d prefer if they stayed that way a little longer. Could Keiki have finally found his Cinderella?

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HenSuki – 04 – The Desired Outcome

Last week, before I endured a week of high-altitude training, I presupposed that Nanjou Mao has a particular interest in Keiki, but considering she was neither a sadist or masochist, the particular peculiar shape that interest took remained up in the air.

Keiki gets a bit of a reprieve this week when both Yuika and Sayuki independently offer their apologies for “going too far” and urge him to “make up” with Mao. When he confronts Mao after class, she asks if he’ll hang out with her and Shouma at the arcade, like they used to.

There, we get the second hint of Mao’s interest—her first was the very characteristic Stressed Mangaka Girl Look (AKA the School Queen/Home Nerd Look popularized by Kare Kano, but I digress). When Keiki slips and is about to fall backwards, he’s caught in an inadvertent wall slam by Shouma, which excites Mao very much.

Later, while walking Mao home, Mao wonders out loud if he wants to be in a couple rather than a trio. Keiki also notices Mao staring intently at a photo of Shouma, and gets the wrong idea that she likes Shouma. But when he pries too deeply and too directly, she runs off on him, even in the pouring rain, leaving him with the rank of Sex Animal Sergeant.

Having made next to no progress, Keiki seeks advice from Mizuha, of all people, who was previously peeping at his porn stash, puts his head in her lap, and hides an annoyed look from her brother when he discusses other girls.

Still, she advises him to go all out, but act naturally, and if it doesn’t work, she’ll surely will be there to comfort him. When Keiki once more confronts a sleepy Mao after class and apologizes profusely for hurting her feelings, and unwisely offers to do “anything” to make things right.

Mao declares she wants Keiki in a relationship…not with her, but with Shouma. That’s right: Mao is a fujoshi, and her Shortcake series uses Shouma and Keiki as her character models. She wasn’t jealous that other girls were coming on to him; she was angry that they were ruining her image of Keiki as a BL model!

If he refuses to date Shouma, she threatens do everything in her power to impede all of his other romantic endeavors. So now all three of the non-sister girls in Keiki’s circle have some quirk he’s not sure he can live with. If that weren’t bad enough, someone leaves an envelope in his shoe locker containing a photo of him groping Sayuki…perhaps an prelude from one of the yet-to-be-introduced other girls?

HenSuki – 03 – The Third Way

With Sayuki and Yuika declaring themselves masochist and sadist and their intent to make Keiki their master/slave respectively, one thing becomes clear: Keiki isn’t that into this. He avoided dating girls because he felt himself to normal and boring, but now he’s having nightmares as a result of Yuika’s “punishment” last week. He doesn’t even want to go to school, but Mizuha makes him, since he’s not really ill.

Things don’t get any easier for Keiki, as he’s greeted by Yuika’s bra in his shoe locker, followed by a photo of him with his shirt open lying with Sayuki, with the implication it will be distributed if he doesn’t meet with her. When he gets there, Sayuki is dressed as a maid and handcuffed; he must fish the key out of her cleavage.

All the while, the third girl in his life (not counting his sister), Nanjou Mao, keeps watching silently from afar, her gentle blushing going completely unnoticed by Keiki. But when he tells his best mate he doesn’t believe Sayuki or Keiki are the Cinderella, that friend points out Mao’s staring, who it’s directed at, and what that entails.

Mao’s passive role thus far becomes more active by necessity when Keiki is once again summoned to the clubroom by Sayuki, but is intercepted by Yuika, who ties him up and orders him to kiss her foot or she’ll steal his first kiss on the lips. Sayuki barges in to put a stop to it, and the girls, who have known about each other’s proclivities since they met, start to bicker, with Keiki in the middle.

Enter Mao, who drags Keiki, chair, rope and all, into the hall, away from the two warring girls. He blames him for being so nice to both of them and indulging them too much, and in the process betrays that she’s been observing his interactions with them very closely (we dohear a camera click when he’s fishing out the handcuff keys…was that Mao?).

When Keiki asks why this concerns her at all, Mao has no choice but to be more direct: she just plain doesn’t like it when he’s with other girls. That could well be because she’s developed feelings for her childhood friend, but it also means a third girl has decided to try and assert control over him. Perhaps not as a formal master or slave, but it’s definitely possessive and unbidden by Keiki.

Considering how uncomfortable the other two girls’ antics have made Keiki, perhaps Mao is the “Goldilocks” answer, but first he has to determine whether her particular kink (stalking?) is more or less manageable.

HenSuki – 02 – Kohai Master

Keiki flatly turns down Sayuki’s request that he make her his pet—he’s just not sure if he’s into S&M, and probably never thought about it. But that doesn’t stop her from hanging around him, even in the library, where she gets too close and draws the ire of their mutual kohai, Koga Yuika. When Keiki admits he took Sayuki out for a parfait and performed a romantic wall slam, she’s angry, but he can cure that anger by taking her on a date.

Keiki does everything right thanks to some pointers from his little sister Mizuha: Arrive early, compliment often, go to a movie she likes, have a relaxed lunch, match her pace, let her shop till she drops. He even has the opportunity to rescue her from some leering mall trolls. Yuika gives Keiki a pat and kiss on the head as thanks and then falls asleep on his shoulder on the train home. All in all, it’s a wonderful first date for the both of them.

Yuika always kept to herself in the library and was hard to approach (which he chalks up to her mixed heritage, which…okaaay), but he was persistent in his friendliness and kindness, and her suspicion and “ice in her eyes” gradually melted away to the point they’re now much closer. But is she “Cinderella” who included a pair of underwear with her love letter? The jury’s still out.

What becomes painfully clear, however, is that Yuika is not like Sayuki, and she does not want to be his pet. In fact, when she asks him to meet her in the library storage room, she reveals that she wants to be his master, and wants him to be her slave. As an incentive, she removes her underwear and offers them to him. When he doesn’t immediately take them, she punishes him by stuffing them into his mouth. Yikes!

Suffice it to say, this development comes as something of a shock to Keiki. He was so enchanted by their conventional date, he would have been content if he died the next day. Instead, he finds himself passed out in a closet with Yuika’s underwear in his mouth, and a commando Yuika sitting astride him. They’re tricky, those tides of fortune!

Hensuki – 01 (First Impressions) – A Short Leash

Kiryuu Keiki gets to hang out with three cute girls in the Shodou Club (four if you count his imouto, which he doesn’t), but he wants a girlfriend. So imagine his shock when he finally receives a love letter from a secret admirer…along with a pair of underwear.

From there, Keiki tries to investigate which of the three girls (excluding his sister) could be the “Cinderella” to his Prince: the cool, mature senpai Sayuki (Taketatsu Ayana), the adorable blonde kohai Yuika (Hidaka Rina) or the approachable classmate Mao (Nomizu Iori).

In his interactions, the girls exhibit what could be construed as signals indicating they are the culprit, in addition to having feelings for Keiki beyond mere friendship, but nothing concrete until Sayuki happily accepts a date offer he accidentally makes when thinking out loud.

When he asks Sayuki straight up if “she has a secret” she’s not telling him about, she flees, and spends the entire next day at school very obviously avoiding him. Mao suggests he employ the “wall slam” tactic (much more effective in anime than IRL), which he does when he spots her walking home.

He tells her he knows her secret (assuming its the note and underwear); when she asks if that means he dislikes her now, he tells her it’s quite the opposite; after the initial shock, he was glad. Mind you, he makes no mention of what he’s talking about.

The next day, Keiki reports to the clubroom as requested, Sayuki makes him close his eyes, and when he opens them, she’s wearing a collar and leash,  exposed her bra, and asking to be Keiki’s pet. That’s when Keiki knows he’s in for something a lot stranger than he bargained for!

Hensuki is another show that would probably benefit from being 12-13 minutes instead of double that; the “investigation” drags on too long even if it’s also meant to introduce the main players. While a decent-looking, this show is utterly by-the-numbers and generic except for the twist at the end, which doesn’t definitively answer the question of who gave him their underwear.

This will be the story of a guy whose female acquaintances each have their own unique kinks, which they’ll reveal to him because he’s a kind and understanding dude. It is notable that the show so far exhibits a particularly soft touch when it comes to its ecchi element. But where this goes from here—and whether and how the premise can be sustained for 12 episodes—very much remains to be seen.

BokuBen – 10 – A New Challenger Appears!

As thanks for his tutoring services, Nariyuki is able to attend classes at a prep school on the school’s dime. He incorrectly assumes his petite purple-haired desk-mate Kominami Asumi is a middle schooler, drawing her immediate ire. However, his nineteen-year-old pixie senpai actually has a kind heart, and shares her notes with Nariyuki when the teacher erases the board too fast.

After class, Nariyuki gets lost, but is picked up by a couple of heavies and tossed into a maid cafe…the very maid cafe where Kominami not only works, but is the star of the place. She makes her adorable entrance as “Pixie Maid Ashumi” before she notices, then excoriates the heavies (who look up to her as their big sis and boss) for bringing in another broke kid.

Howeva, the coincidence turns out to be a boon to “Ashumi.” While she may not admit it, when Nariyuki knocks her science mock exams over while getting up to leave, he learns that despite trying to get into med school, her science grades stink. Turns out she’s just like his other tutees: her passion doesn’t match her talent (in this case, for business and being a people person, as she cleans up doing the maid thing).

You can see where this is going: Nariyuki starts coming to the cafe to help tutor her, and she makes fast progress with her studying. Then she runs after Nariyuki with his bus pass he left behind to find that he’s collided with her father, who owns a clinic. Backed into a corner, Asumi blames her “boyfriend” Nariyuki’s “tastes” for her get-up.

Nariyuki salvages the encounter by telling Asumi’s father he’s confident she has what it takes do what she’s set out to do; that even if it seems like she can’t do it now doesn’t mean she’ll never do it. Asumi wants to take over the family clinic from her father some day; it’s not obligation, it’s what she wants!

Later, Asumi teases Nariyuki by suggesting they kiss as long as they’re pretending to be dating, but then pats his head and praises her kohai for helping her out. Another day they encounter one another at a family restaurant, where Nariyuki is with Uruka, Fumino and Rizu, all of whom are amazed by her beauty and petite-ness. She’s even smaller than Rizu!

To Nariyuki and Asumi’s surprise, the next time they’re at the prep school, the three girls have taken up supplemental classes, figuring they can’t rely exclusively on Nariyuki all the time. However, like Nariyuki they learn that prep school is no cakewalk. While Asumi finds these three girls annoying busybodies, she still helps them out by offering pointers.

Then it suddenly rains after class, and she invites them to her clinic to dry off. Super nice! Nariyuki even gets to see the bra he recommended for Uruka. She might not know it was him under that mascot costume, but the bra was bought with him in mind…not that she thought through how she’d get him to see it. Well, job done!

When Fumino hears that Asumi’s dad thinks Nariyuki is his daughter’s boyfriend, she pulls Nariyuki aside and thrusts her hand into his midsection, hard. On one level, she’s angry that Nariyuki might be off with some other girl while Uruka and Rizu continue to pine for him.

On another, and as Asumi herself brings up (after explaining the situation and clearing Nariyuki of wrongdoing), Fumino herself clearly has some kind of feelings she needs to work through.

While studying at the maid cafe, Asumi asks him who he’s crushing on. Nariyuki serves up the usual “no time for that before exams”, but Asumi follows that up with “what about after exams?” It’s a good question, and one I hold out hope will get answered, even if it probably won’t.

Asumi then serves him some omelette rice and provides some service by sitting quite close to him and adorning it with a ketchup message. Clearly already an expert in torturing the naive young scamp, and just as clearly enjoying it, she wonders what he’d do if she said their “lie” wasn’t a lie, before pointing down to the ketchup, which reads “YOU DAMN WOMANIZER.” Nice.

Kominami Asumi is certainly a latecomer to BokuBen—there are only three episodes remaining after this one—but she’s a welcome one, offering some notable and refreshing differences over the other “suitors” while effectively and efficiently positioning herself as a worthy one herself, including being the only one of them who at least jokes outwardly about being a couple. I don’t know how much of the remaining time we have will be spent on Asumi, but I liked what I saw.

Bloom Into You – 06 – Flawless Performance

With midterms over, the council is full speed ahead on the cultural festival stage play…although they don’t yet have a scriptwriter. Yuu thinks she knows the perfect one in Koyomi, whose novel was so interesting she read it twice before handing it back with her endorsement.

But Yuu still isn’t 100% in on even having a play, and if circumstances such as having no scriptwriter means there won’t be one, well…better that than having to worry about Touko working too hard.

This is the week Sayaka’s silk gloves come off, as she takes every opportunity to lay into Yuu on stepping the fuck off her turf. Sayaka knows the “real” Touko just as Yuu does, and deems herself the one, only, and best person to look after her.

She also gives Yuu a clue to start digging into why she’s adopted the “perfect” girl persona so far from who she really is. Her sleuthing leads her to learning that seven years ago Touko’s sister Mio was StuCo President, but before the stage play she was killed by a traffic accident.

It’s pretty clear to Yuu now why Touko is so gung-ho about the play, and about continuing to put on a “flawless performance:” since she was ten and badgered by everyone around her to do so, she’s always been committed to being just like her sister. Someone beloved, praised, and relied upon. Even if it’s all an act, she’s not going to stop…not even for Yuu.

What Yuu leaves unsaid when she confronts Touko with what she knows and asks if she’d reconsider not doing the play is that she’s coming close to falling in love with Touko. Not “Perfect” Touko, but “Weak” Touko, who you could also call “Real Touko.”

Yuu wants Touko to be who Yuu deems to be “her true self,” but it’s ultimately not her call, and she knows that. But it pains her to wonder who she’ll ever love if she can’t ever fall for the Touko she’s been dealt; one who detests the very idea of giving up on being like Mio to everyone else.

As her self-proclaimed guardian, Sayaka seems to be fine with the status quo, and doesn’t want Yuu mucking it up. But when Yuu holds back what she should say in order to maintain her comfortable limbo with Touko, it seems like a seed that could grow into something unpleasant.

Add to that the post-credit sequence, which repeats Yuu and Touko’s evening walk while holding hands but switches from Yuu’s to Touko’s head. In Yuu’s head, we can hear her desire to change…specifically into someone who can fall in love with Touko.

But here’s Touko telling her to never change. Why’s that? Touko believes words like love to be “shackles”, and that if Yuu changes she might become someone Touko won’t love anymore, leaving her alone again (clearly, Sayaka doesn’t do much for her).

It’s a reasonable position for a little sister who was essentially treated as a spare by her family and utterly lost in the dazzling glare of her big sister, only for that light to suddenly go out. Touko filled the vacuum by transforming. It wasn’t just obligation; it was fear of loneliness.

Bloom Into You – 05 – Nice to Be Chosen; Nicer to Choose

Yuu likes working at her family’s bookstore, because it lends her some insight into her friends via the kid of literature they purchase. She’s primed to excoriate Touko when she shows up during her shift to buy a raunchy yuri novel, but it turns out she doesn’t know the story takes such a turn until later, and then she’s contrite.

I was mistaken about what Koyomi was working on; it wasn’t a love letter, but a novel, something she took on and didn’t let things like fatigue or looming midterms to keep her from finishing it. She lends it to Yuu to read, but Yuu is focused on midterms first and foremost. She’s also constantly telling herself that Maki is wrong. He must be.

He may claim to see affection for Touko in Yuu’s behavior, but she’d insist she’d worry about anyone she deemed fragile and in need of someone for support—even if it wasn’t Touko. She’d be “happy with anyone,” to which I say, isn’t she assuming a lot, not tomention missing the forest for the trees?

When Maki slickly declines studying with Yuu in the library the moment Touko comes up from behind her, Yuu ends up in a series of study sessions with a senpai with a crush on her, and that crush is only intensifying. The first time, Yuu isn’t sure how to repay Touko for tutoring her, but Touko simply says she did it because she wanted to, and Yuu will “just have get used to it”.

Again, Yuu insists to herself (and us) that she’d be happy studying with anyone; that she didn’t choose Touko. Still, she admits she doesn’t hate being chosen. There’s anyone, and there’s the person in front of you. Yuu may say she’d be fine with anyone, but the fact remains, she’s fine with Touko, and so not opposed at all to “getting used” to being around her.

To that end, when the library is completely full, it is Yuu who invites Touko to her place to study, not t’other way round. Indeed, of the two of them only Yuu is clear-headed (and bold) enough to suggest they continue their studying in private.

This is not, then, a matter of will, only intensity for Yuu. Touko is desperately and adorably nervous alone in Yuu’s room as she prepares tea. She’s delighted to meet Yuu’s mom, older sister Rei, and Rei’s boyfriend (who “jokes” that Touko might be Yuu’s girlfriend). She’s elated to learn more about Yuu, who talks about herself so infrequently at school.

It isn’t until Touko’s longing eyes meet Yuu’s that Yuu asks her if anything’s wrong or if she’s not feeling well or too hot. Reading Touko’s blushing face finally clues Yuu in on what’s going on, and she confirms it by taking Touko’s hand and reading her very quick pulse. Touko is taken aback by Yuu’s boldness, but that boldness is tempered by the fact she’s not acting out of lust, but pure logic.

And that logic is the barrier Yuu must cross. If she “waits for her heart” to tell her she likes Touko, she’ll be waiting forever. She has to move beyond the probability that someone, anyone else could make her happy when there’s already someone right there, and their being there isn’t just a matter of coincidence or convenience. Yuu is overthinking and over-analyzing things. She was alone. Now she’s not. Go with that.

Meanwhile, as she’s leaving Yuu’s house, Touko is a completely, helplessly open book to Rei and boyfriend. Touko is bashful when Rei tells her to “take care” of Yuu; and Touko is way too eager to learn the recipe for the cheesecake Yuu likes so much. That’s why, in addition to the recipe, Rei sends Touko a photo of Yuu sleeping on the floor.

Bloom Into You – 04 – The Spectator

Yuu’s friend Koyomi is distracted from after-school study since she’s busy writing what I’m guessing is a love letter. She doesn’t reveal this fact to Yuu, preferring to keep it secret, as such things should be, at least until you have a better handle on how it will go. Yuu doesn’t have time to give her friend’s reaction too much thought, because new Student Council President Nanami Touko has arrived to pick her up to go to the council office. Touko also introduces the fifth and newest member, a first-year boy, Doujima Suguru.

Touko lays out the general areas when they’ll be busiest, no more so than the cultural festival. She wants to bring back the StuCo stage play, in which they’ll fill performing roles while the various creative clubs provide script, costumes, sets, etc., in lieu of a theater club (which the school doesn’t have). Touko is enthusiastic about the idea (obviously; it’s hers), as is Doujima. VP Sayaka can be counted on to go along with whatever Touko wants, as always.

The two holdouts are Yuu and Maki Seiji. Yuu doesn’t like big crowds (she did quite well with her speech, but that doesn’t mean she enjoyed it), while Maki prefers to work “in the background” in a support role, as he did in the past in sports clubs. Ironically, it was that speech that inspired Doujima to join; Yuu seemed so fired up about joining in that moment!

After a long day of council work, much of it organizing the mess of files of the previous administration, everyone heads out except for Touko and Yuu. Yuu was going to leave too, but gets a Look from Touko that keeps her there. The fact she stays, and for no reason other than to keep Touko company…that innate kindness of Yuu gets Touko all hot and bothered.

She wants to kiss Yuu…badly. Yuu brings up how she made it clear ‘she can’t return the same feelings so why is Touko coming on to her’. But it’s Yuu letting Touko love her that makes Touko love her that much more. That same kind Yuu doesn’t exactly hate being kissed, and if she said she “wasn’t interested”, she’d be lying. So they kiss. And as they kiss, Maki comes back to grab his pencil case…and sees them. But they don’t see him.

The next day, Maki acts naturally with Yuu, which is to say, they have a good working relationship as student council colleagues. Yuu brings him the pencil case he couldn’t grab. We don’t know Maki all that well, except that we know that “the background” is his wheelhouse; he likes to help out, not stand out. To that end, him spreading rumors isn’t something he’d do.

All I can say is, thank God it wasn’t Doujima who spotted Yuu and Touko, or it might already have spread to the whole school. Maybe that’s not being entirely fair to Doujima, whom I also barely know, but from what we gather in his interaction with a distracted-looking Maki, we can glean that he’s a more “conventional” high school boy; he has a specific type of girl he’s into and asks Maki what his type is (to which he says he has none).

The more he observes Touko and Yuu, the more he learns and realizes about them. He also observes Sayaka, who he can tell feels threatened by Yuu, and she isn’t even that good at hiding it, saying, in effect, Touko’s first-year obsession “will pass” which is clearly wishful thinking on her part. That outcome serves her, but she’s not really thinking about what Touko wants, is she now?

When Maki heads back to the school from the office, Yuu accompanies him, and on the way. They talk about her and Touko, and he informs her that he saw them kiss, asking if they’re dating. Yuu is petrified; not knowing who Maki is, she envisions her version of the worst-case scenario: word spreads, and it hurts Touko.

But again, Maki isn’t going to use what he knows for anything malicious; it’s just not who he is. Touko and Yuu didn’t do anything to him; why would he do something to hurt them? It does nothing for him. What does do something for him, on the other hand, is knowing they’re a couple, and specifically being the only one who knows.

You see, Maki is not your normal high school kid either. He’s not interested in getting into or being in a relationship; only observing them from a comfortable place. It doesn’t matter if it’s a girl and a guy, or two guys or two girls; as long as he’s a spectator and not a participant (the closest to anger we see him exhibit is when he himself was confessed to in the past, shattering his “fourth wall.”

Somehow, some way, this doesn’t come off as creepy. Perhaps it’s because the way he expresses it felt so innocent to me. I’m not saying it’s a healthy or unhealthy way to live your life, and neither does the show judge him either way.

What matters to Yuu is that Maki discretely told her, alone, in a prompt fashion. So when he says he won’t tell anyone—not even Touko—both Yuu and I trust him.

Maki’s passive way of navigating the tempestuous seas of high school affords him unique insights that more active participants will often overlook. For instance: he can tell Touko is special to Yuu, because without even thinking Yuu put Touko’s wellfare before her own vis-a-vis their secret.

Maki doesn’t hate love, he just wants to be above the fray and watch it…one more reason he won’t mess with Yuu and Touko. To do so would be as unthinkable as standing up in the middle of a play and interrupting the actors on the stage (assuming, of course, it’s a non-interactive play).

And so for the first time, Yuu is flustered by someone other than Touko on the subject of her feelings for her. What she thought to be “normal” may actually be the “special”-ness she thought she’d never achieve. This changes everything.

Bloom Into You – 03 – Too Kind, or Just Normal?

This week Yuu stays by Touko’s side at every turn, giving her an indirect kiss-through-bottle-sharing like it’s not biggie and then surprising Touko about her family owning the bookstore she likes. Yuu’s fam is certainly impressed with Touko (and why wouldn’t they be) while Yuu’s older sister Rei seems to cut right to it, perhaps without realizing what she’s doing, by referring to Touko Yuu’s “girlfriend.”

During vacay Yuu hangs out with friends, one of whom the others know is pursuing a senpai. She doesn’t break it to them until after they watch the mushy romance movie that she already confessed but was kinda-sorta rejected, with the guy saying he wants to focus on basketball.

Yuu is both envious and bemused by her friend, but also her other friends’ insistence things will “turn around” if she keeps at it. Speaking of persistence, before Vacay is over Touko makes it a point to stop by Yuu’s to give her a gift…but also, likely, simply to see Yuu at work at the store.

Yuu “guesses” she’s “pretty” happy about being given the gift of a mini-planetarium, but seeing the stars projected on her ceiling call to mind how the distance from her understanding of why Touko likes her sometimes feels as vast as the distance from those stars.

She just might gain a little bit of understanding the day of the stump speeches. Touko looks like a picture of calm…until Yuu notices her hands are shaking. She takes Touko outside, where Touko admits she can’t hide from the likes of Yuu. So she doesn’t: she bares her feelings right there, and also goes into her past, when she was “nothing” (i.e. shy and introverted).

Yuu isn’t shocked by Touko’s sharing. Even if others see Touko as perfect, Yuu knows perfect people don’t exist…but nor does she look down on Touko for not being perfect and trying to hide it. Touko may say she’s “hardly special” for showing her “weak side”, but Yuu thinks having such a side is perfectly normal.

But out there, Yuu realizes she saw a “special” side of Touko, one she wouldn’t show to anyone else. Simply being that person makes Yuu herself special, and not just to Touko, but in general. Her speech doesn’t betray what she’s learned about Touko, but nor does it lie about who Touko the Student Council member is. She really does put the work in, and really is kind, and really would make a good president.

But it also means Touko’s hands will shake sometimes, and she’ll need someone to help her steady them. Yuu lists the boxes Touko checks, but includes her personal take on her, including using the speech to announce that she’s joining the council.

Touko win the election handily, and celebrates with Yuu via a PDA that their classmates don’t read too much into. As for Yuu, she’ll stay close to Touko and see where this goes. Will things “turn around” if she merely “keeps at it”? She’s resolved to find out.

Bloom Into You – 02 – Really Unfair

It’s not just Yuu; Nanami Touko IS pushy. It looks like she has been for a while. I don’t think she works at it, its just the way she is. Others may hold back or defer or concede, but she knows what she wants, she knows who she wants to help her get it, and as of the other day, she also knows who she loves, and it’s Yuu. If you can’t present a strong enough argument not to go along with her, you’ll get caught in her current by default.

Nanami choosing Yuu as her campaign manager has caused a rift in her longtime friendship with Saeki Sayaka. Nanami knew it would, but she did it anyway, and she presents a solid argument why: to reach out to and galvanize the first-year vote when no one else will. Nanami and Sayaka are always in sync on the volleyball court, but this is a lesson to Sayaka that at some point quite suddenly they weren’t, and that time has come.

Sayaka doesn’t fight it, and shows absolutely no outward aggression towards Yuu, save agreeing with Yuu’s assertion that Sayaka may well do a better job as Nanami’s manager. Sayaka isn’t blaming Yuu for this; she knows Yuu is as swept up as she is.

When Yuu finally brings up Nanami’s sunset confession, it’s at a railroad crossing. When the barriers come down and the train passes, Nanami steal’s Yuu’s first kiss, to make no mistake what kind of love she was talking about. Considering neither of them know much “what to do” following that kiss, it’s apparent Nanami may just as along for the ride as everyone in her orbit.

When Nanami asserts that she didn’t choose Yuu simply because she loves her, but still asks again to stand by her in the election as a friend, Yuu doesn’t have a problem with it. What she does have a problem with is that she feels she can’t properly respond to Nanami’s feelings, not matter how much she may want to.

During an interview and photo shoot with the school paper, Yuu suddenly takes Nanami’s hand in her’s, behind their backs where no one else csan see. She sees Nanami’s reaction, and is further frustrated: how can Nanami feel that “special feeling”, while Yuu feels nothing? What drew her to Nanami was the feeling they were similar in being unable to fall for anyone. That’s no longer the case. She feels left behind.

A meeting at a cafe to go over a speech provides Yuu with another opportunity to express how she can’t fall in love with Nanami, but the barista interrupts them with their coffee, and then Nanami steps in and speaks first: She knows what Yuu is going to say, and is willing to accept it. All she asks is that Yuu let her love her, not expecting anything in return.

Yuu thinks that’s weird, and it kinda is, but for someone like Nanami, who was like Yuu for so long—never knowing what that special feeling was like—finally feeling it made her that much more fulfilled. Yuu says fine, she doesn’t mind…but she doesn’t know why she said it, as she’s not even sure whether she really doesn’t mind.

For all of this, Yuu calls Nanami “unfair”, but that’s not really, well fair; it’s just that Nanami is a little older, and a lot can happen in the years between them. Yuu shouldn’t be measuring her own feelings against the older, wiser, more daring Nanami’s—that’s not being fair to herself. Nanami is a little older, a little wiser, and most importantly, a different person. It’s not a question of fairness for Yuu…it’s a question of patience.

Bloom Into You – 01 (First Impressions) – Waiting for Wings

Be it shoujo manga or song lyrics, Kaito Yuu has been trained to know what true love is supposed to feel like. That it’s a feeling so conspicuous and powerful and different from anything you’ve felt before, you’ll know it when you feel it, so just be patient and wait for it.

Now a first-year at high school, Kaito Yuu does not get run over by a truck, but ends up getting tricked into a position with the student council. On the way to the far-flung, isolate council office, Yuu encounters a confession in progress, followed by a prompt rejection.

The one doing the rejecting is second-year Nanami Touko, who also happens to be her senpai, and it isn’t her first, or even ninth, rejection. She always says she’ll never go out with anyone, because her heart never flutters when she hears them confess, be they boys or girls.

Yuu is in a similar situation. When her good guy friend from junior high confessed and asked her out, she expected that to be the moment she finally felt the same “blinding radiance” (or “sparkles”) she knows to look out for from her years of consuming conventional media.

But it wasn’t. He asked her out, and she felt…nothing at all. That was a month ago, and she’s been delaying her reply all that time. Now that she’s met someone with confession experience in Touko, Yuu decides she’ll try to ask for advice. She almost chickens out, but Touko can tell something’s on her mind, and Yuu is able to tell her.

Touko replies very wisely that there’s nothing wrong with Yuu not feeling anything special with her friend, nor should she feel like there’s a way she should be that she’s not being. When the guy rings as scheduled, Touko holds Yuu’s hand, giving her the courage to gently turn him down.

It goes so easily and is over so soon, Yuu wonders what took her so long and why she was torturing herself all that time. But Touko hasn’t let go of her hand yet. Unlike Yuu’s, Touko’s hand is trembling and clammy, and she’s blushing. The moment neither of them have ever experienced? Touko is suddenly experiencing that moment, right then and there.

She draws Yuu closer in and gazes into her eyes…but Yuu doesn’t understand what’s going on. At least, she doesn’t feel the same way as Touko at the same time. To be confronted with someone saying they’re “falling in love with you” immediately after turning someone else down must be a bit disorienting for Yuu, not to mention the fact they’re both girls, which Yuu isn’t quite sure how to handle.

Time passes, and nothing more happens between Touko and Yuu. But that afternoon is always weighing on Yuu’s mind, even as the whole council assembles to celebrate the impending transfer of power. Touko is running for president, and essentially asks Yuu to be her campaign manager. That means they’re going to be spending a lot more time together, often alone.

Bloom Into You is solid, straightforward shoujo romance. Yuu’s sparkly internal monologue about her ideal of love (how she thinks she’ll sprout wings and fly off) is beautifully illustrated, and Kotobuki Minako’s strong, assertive voice is a great choice for Touko (I don’t know much of Takada Yuuki, but she does fine work as Yuu). I’m in!

Eromanga-sensei – 10

The gang is still at the island “data gathering” retreat…but I’m not exactly sure why. Everything that needed to happen in such a setting between Masamune and Elf happened. Now the show switches gears to focus on Muramasa, without changing that setting, lending the episode a static, dilatory feel.

Masamune pulls an all-nighter on work specifically for Muramasa and not the little sister novel. Muramasa quickly scarfs down every page with giddy enthusiasm, but after Masamune catches up on some sleep, Yamada tries to get up close and personal with him.

Muramasa exacts punishment, while Chris takes Yamada away to work. But if he wants her to work, why not send her home to a more work-appropriate environment free of distractions?

Those distractions only compound with Masamune, Yamada and Muramasa in the same room, with Muramasa admitting her submission was a love letter to Masamune, she’s in love with Masamune, and isn’t wearing underwear because she’s in a kimono.

That last bit comes up when Masamune calls up Sagiri on Skype to play “The King’s Game”, and Sagiri is characteristically lewd in the orders to her “subjects.” Pretty inconsequential messing around…until Muramasa declares she won’t write novels anymore because her dream of having interesting work supplied to her by her kohai has been fulfilled.

Of course, precisely zero people buy Muramasa’s threat to quit writing, and indeed all it takes is a five-minute talk with Masamune—who relays to her his discover his spirit-lifting fan-letters were written by her—to convince her to keep writing after all, since it’s okay to have more than one dream to fulfill, and to keep working for them all.

One of those new dreams involves Masamune falling in love with her, which means for all of Yamada’s maneuvering, Muramasa remains a player in the game that is Masamune. But as usual, it’s getting increasingly harder to buy these girls’ intense love for a generic MC like Masamune.

Oh yeah: Fifth wheel guy is old enough to drink, so he gets cartoonishly drunk and slurs his words for, like, no reason whatsoever. Shrug…