Tokyo Revengers – 05 – Babes and Bikes

When Takemichi, whom I maintain looks way too babyfaced for a dead-end adult, is unceremoniously fired, he returns to Naoto, because it’s not like he has anything else going on in this life. He asks if he could just ask tell Past Hina everything, but Naoto says he only believed him because he was into the occult at the time. He worries Hina might think Takemichi is insane and stop liking him. I was internally yelling at Naoto “So?”

Wouldn’t it be worth a shot for Takemichi to break things off with Hina in the past, thus severing her connection to the gangs altogether? Then again, perhaps too much happened in the time between Takemichi and Hina breaking up for that to work. In any case, Naoto has found articles about a scuffle at the Mushashi shrine on August 3rd (two weeks from now) of 12 years ago between the Mikey and Draken crews of the Toman Gang, resulting in Draken’s death.

Takemichi can’t believe how the articles say it was a fight between two people he observed to be closer than brothers, but regardless of if and how things got that way, his new mission is to save Draken from dying. If he does that, he may be able to save Hina and Akkun. He and Naoto shake hands, and he finds himself in a very compromising position with a beautiful blonde in nothing but her underwear in a karaoke booth.

Completely disoriented and freaked out, Takemichi runs…almost directly into Hina, who’d just been walking home from cram school. Hina’s sharp enough to know when Takemichi is being a “kid” and when he’s being an “adult”. Lately he’d been a kid, and cold and distant towards her. Now, however, he’s considerably kinder. Then Draken calls, and Hina insists on tagging along.

Takemichi’s in no position to argue: since time moves at the same rate in past and present, Past Takemichi has been inadvertently complicating his future self’s mission by being a youthful, impulsive little shit. Takemichi and Hina arrive at the Musashi Shrine and are ambushed by bikers, but it turns out to be a big meeting of all the Toman divisions.

Draken greets Hina warmly and the two exchange apologies, then Draken asks his girlfriend Emma to take care of Hina while they talk. Emma, as it turns out, is the lovely young lady ready to go all the way (sans kissing) with Takemichi at Karaoke. Takemichi has no coherent defense (though he’s not lying when he says he doesn’t remember how he ended up that way).

Hina dispenses swift punishment, beating bloody the same kid she was so worried about always getting into scraps. Aside from still being around when the Toman meeting is over, that’s all we get of Hina, which was a bit frustrating, since so much between her and Takemichi is left up in the air.

As for Emma, she tells Takemichi she’s not actually into him, she just wanted to “grow up faster”, sleeping with him in hopes of making Draken, whom she is into, jealous, and lamenting that all he cares about is “Mikey, bikes, and fighting.”

As for the big Toman meeting, Takemichi is impressed by Mikey’s ability to command and inspire his troops. When the third division’s captain and vice-captain—Pah and Peh—come to him with a problem, they have Mikey’s full attention. A friend of Pah’s got into it with Osanai, leader of the Moebius gang, over “something stupid”. The friend got the shit beat out of him, and the friend’s girlfriend was raped and beaten.

Moebius may be two generations older than Toman and may control Shinjuku, but when Pah says he demands satisfaction nonetheless, Mikey asks if anyone objects, and no one does, which means there’s going to be a battle between Toman and Moebius, and it’s going to take place…on August 3.

That’s news to Takemichi, since the news articles Naoto had said the fight was between Mikey and Draken’s crews. Did the reporter just mix up the names and groups involved, or did the particulars of the conflict change because Takemichi went back in time again?

He doesn’t know either, but one thing he does know is that he has to save Draken. But when he approaches him the next day volunteering to be his bodyguard, Draken curtly declines. Takemichi doesn’t give up right there, however, and decides to follow Draken as he goes about his day.

Unsurprisingly, most of that day is filled with Mikey, whom Takemichi gets to see in a wildly different light than when he’s commanding his crew. For one thing, he’s upset his Kids Meal doesn’t come with a flag, but Draken happens to have one, and Mikey’s spirits are immediately raised.

Draken and Mikey’s day shifts from comedy to drama when Draken takes Mikey to the hospital, where Pah’s friend’s girlfriend has been lying in the ICU with a coma for the last few days. Her parents confront them and her dad levels all manner of curses at them. Mikey is upset because he didn’t do anything, but Draken bows deeply in apology and makes Mikey do the same.

He impresses upon Mikey the need to minimize collateral harm to innocent people, including the friends and family of his crew. Mikey may have nothing to lose, but that doesn’t go for everyone he commands. Draken tells Mikey to always “have a heart that cares for others” while conducting Toman business.

That exchange clinches it for Takemichi: Draken isn’t just Mikey’s muscle,  piggyback ride, or consigliere. He’s all of those things too, but most importantly, he’s Mikey’s heart; his conscience. Which explains why Mikey turns bad when Draken dies. Conspicuous in his absence throughout this episode was Kisaki Tetta, who filled the void left by Draken, a relationship eventually leading to Hina’s death and Akkun’s suicide. It feels like Kisaki is a wild card in the scheduled August 3 battle with Moebius.

Rating: 4/5 Stars

Tokyo Revengers – 04 – Crybaby Hero

So far Takemichi’s mission has been all about saving Hinata, and just in case we forgot, she demonstrates that she’s a hero in her own right, using her cuteness and forwardness to make some boys make space for an old lady to sit down on the train. From this display, to how embarrassed she is by her mom, to the way she watches fireworks, she is unassailably one of the Best Girls.

It’s not a question of if Takemichi can save her…he has to, or this show and I are going to have some words. But of course, it’s not so simple, just as Takemichi trying to hold Hinata’s hand somehow goes wrong and he ends up shaking young Naoto’s instead, thus torpedoing a beautiful romantic scene he never experienced the first time around. Heck, he’d never even been in Hinata’s room before.

It’s for the best that Takemichi return to the present, even if it was on accident. For one thing, it confirms that no matter which timeline he’s in, shaking Naoto’s hand sends him to the other, and his body ends up in a state of “suspended animation”, meaning they shouldn’t do it again except in the safety of Naoto’s apartment.

Takemichi also learns that while there’s still much more to be done, he did manage to change history again; specifically, Akkun’s fate. Originally, Akkun did stab Kiyomasa and ended up being arrested and convicted at sixteen. But now that Takemichi’s bravery stayed Akkun’s hand, he went on to join the Toman Gang, meaning they have a potential in for meeting with present-day Mikey.

After tracking down his old contact book, Akkun’s old phone number amazingly still works, and leads him and Naoto to a hostess club Akkun runs. There, Akkun introduces himself and his new, close-cropped and life-worn appearance. Honestly upon seeing him I worried he was dying of a terminal illness, or had become a drug addict.

Instead, Akkun is simply haunted. Takemichi is right that Akkun considers them friends for life, but he admits that he was the one who pushed Takemichi onto the tracks. That should have killed him, but Naoto saved him, which planted the seed in Akkun’s head that Takemichi can travel through time.

Takemichi tries to deflect Akkun’s ideas as insane ravings, but the bottom line is Akkun had been waiting for him. You see, it may look like he made the big time and has anything and anyone he wants, but the one thing he doesn’t have is freedom. He’s one of Kisaki Tetta’s soldiers, and the way he talks about him, disobedience is death. As for Mikey, Akkun hasn’t seen him in years.

Akkun must’ve been following Kisaki’s orders when he pushed Takemichi, but between failing to kill him and telling Takemichi all these things now, Akkun has already sealed his fate…at least in this timeline. So as Takemichi watches in horror, Akkun climbs up to the ledge, tells his “crybaby hero” Takemichi to save everyone, then jumps to his death. As Takemichi cries out in anguish, Kisaki is on that same rooftop, utterly unmoved.

It must’ve been tough to witness what he did, but in doing so Takemichi finally realizes this is about far more than Hinata. Hinata died because Mikey turned evil, but he turned evil because of Kisaki Tetta after Ryuugjuu Ken died. If Takemichi wants to have any chance of saving Hinata, he’ll have to save Akkun and Draken too. He has to stand his ground, tears and all, and keep fighting for a brighter future for everyone.

Rating: 4/5 Stars

Tokyo Revengers – 03 – A Rare Thing

Once Takemichi calls out Kiyomasa, he’s determined not to let him win. No matter how many crushing blows he lands, the pain can’t compare to the pain of having failed to save Hinata. So he tells Kiyomasa straight up: unless he literally kills him, he’s not going to lose.

That’s just fine with Kiyomasa, who asks for his bat, but his fun is interrupted by his bosses, Koman Vice-Commander Ryuuguuji Ken and Commander Sano “Mikey” Manjirou. After beating Kiyomasa for making Koman look bad, Manjirou declares Takemichi his friend.

This is precisely what Takemichi was hoping for in fighting Kiyomasa. Honestly, it’s a little too tidy, except for the part where Takemichi put his very life on the line with no guarantee he wouldn’t lose it. There’s also something about the eccentric “Mikey”…for one thing, he can’t believe Takemichi is really a middle schooler, which…well, he’s not.

After heading to school on time Takemichi encounters Hinata, who arranges a date before her cram school. Then Mikey and Ken barge right into his class despite being from a different school, and insist Takemichi hand out with them. Hinata intervenes, slapping Mikey and vowing to protect Takemichi from the bullies who keep beating her beau up.

As Hinata tries to flee with Takemichi, Ken  puts his hand on her, but while Takemichi notices her shaking, she stands her ground. Takemichi then puts his hand on Ken and warns him to get his off off Hinata. Mikey says it’s a shame Takemichi doesn’t want to be friends, but now he’ll have to kill him. Again, Takemichi doesn’t back down, and Mikey turns out to simply be messing around.

Hinata’s misunderstanding is cleared up, and both Takemichi and Hinata gain respect from Mikey and Ken. Hinata, glad they’re his friends, tells him to go hang out with them, and after a bike ride they end up watching the sun set from an embankment while Mikey talks about creating a new kind of delinquent—one who will need people like Takemichi, who are willing to put everything on the line for something they need to do.

After this encounter, Takemichi can’t imagine Mikey or even Ken bringing about the kind of Koman Gang that would kill Hinata in the future. But that’s because he hasn’t met Kisaki Tetta, of whom Takemichi catches his first glimpse without quite realizing. One look at Kisaki and you can tell he’s the kind of sadist and bad influence who could one day corrupt Mikey’s heart. Befriending a pre-Kisaki Mikey was no problem for Takemichi. The true challenge will be preventing a post-Kisaki Mikey.

Rating: 4/5 Stars

Tokyo Revengers – 02 – Done Running

MPD Sergeant Tachibana Naoto has been busy since Takemichi told him the day and manner of his and Hinata’s deaths. At first Takemichi think the kid has gone off the deep end, until he remembers that Naoto is only here because he can, in fact, travel back in time. If he’s a Hinata-saving, gang-stopping time agent, Naoto takes up the mantle of his operator, briefing him on what actions should be taken once he returns to the past.

Naoto’s first task is simple: try to cut off the head of the Tokyo Manji Gang in the past before its the big deal it is in the present. That means Takemichi needs to make contact with its two founders—Sano Manjirou and Kisaki Tetta—and ensure they never meet.

As for how he’ll get back to the past, that’s solved pretty quickly: he just has to shake hands with Naoto again and he’s back in his middle school body, just in time to take a knockout punch to the face. Honestly, the “science” of his time travelling is unimportant, so I’m glad Revengers doesn’t dwell on it.

Unfortunately, the meat grinder doesn’t end with that single punch. Older delinquents like Kiyomasa and his henchmen had money riding on their “slave” putting up more than a fight, so they punish him by beating him again. Takemichi then makes things worse for himself by mentioning the two names Naoto said he had to meet. Kiyomasa takes a wooden bat, beats him bloody, and threatens to kill him if those names come out of his mouth again.

Having suffered three brutal beatdowns in less than a day, part of me wonders exactly what kind of high-strength alloy Takemichi’s bones are made of…but then this is a shounen series, and as such carries with it a heightened sense of reality with an appropriate suspension of disbelief.

More to the point, Takemichi is emotionally beaten, and all he wants to do now is run back to the present. His life there might suck, but it doesn’t involve the regular beatings of his tortured youth. He goes to the Tachibana residence so he can shake hands with Naoto and end this charade…but Hinata greets him instead.

Their exchange goes pretty much the way it did the other day, with her scolding him for fighting (not understanding that it’s the last thing he wants to do), but this time she laments not being a boy, because she’s sure she’d be stronger than him. In fact, since she knows karate, she probably is stronger than him, regardless of gender.

Knowing she’d go to bat for him soothes Takemichi’s bruised heart, and he thrusts his fist out promising to protect her, he accidentally blurts out the shortened form of her first name—Hina—causing them both to blush. Hinata tells him to call her that from now on, and insists that she’ll be the one to protect him.

Considering how Takemichi’s interaction with Naoto saved the guy’s life and set him on the path of law enforcement, part of me hopes these new exchanges with Hinata he never had in his first go-around may similarly influence Hinata’s actions and choices. If he can just stay with her, protect her, and let her protect him, maybe her death can be prevented.

But for now, Takemichi still has to at least try to meet the founding members of the Tokan Gang, and after meeting with Hinata, he no longer wants to run; he wants to fight with everything he has, even if it’s not much. He’s further inspired to action when he watches his friends offer emotional support to Takuya, whom Kiyomasa has chosen to fight next despite (or maybe because of) his frail constitution.

When he first arrived in the past, Takamichi thought his pals were as pathetic and lame as he was when he first saw that bright hair in the mirror. But now he sees he was lucky to have such good friends, whose bonds never broke no matter how much the older kids stomped on them.

Takamichi interrupts the conspicuously in-the-open fight club match (where are the cops? I guess there are lookouts) before Takuya has to fight, and challenges Kiyomasa himself to a fight, billing it a “king vs. slave” match. Crying and running has gotten him nowhere but a shitty life and a dead ex-first-and-only girlfriend. He’s done with both. He has to be: for his sake, his friends’ sakes, and for Hina’s sake.

Rating: 4/5 Stars

Tokyo Revengers – 01 (First Impressions) – Keen on the Grindstone

“We are kept keen on the grindstone of pain and necessity.”
― H.G. Wells, The Time Machine

Hanagaki Takemichi, 27. Former delinquent, peaked in middle school. Virgin. Aimless. Menial employee, prone to mistakes. Too used to the mess in his apartment. Too used to apologizing and having it not be enough. A pebble worn smooth and shiny, the better to be carried by the whims of the river.

Then a news bulletin arrests Takemichi’s listless flow: gang violence has claimed innocent lives, including Tachibana Hinata, his first and only girlfriend, and her brother Naoto. That name from his past makes him look at his present and wonder Where Things Went Wrong.

Then Takemichi falls—no, is pushed—onto the track as a train approaches. There’s a flash of light, and the first image in his head is of Hinata, shamefully blurry for someone he was once so close to—a symptom of the dreary inertia of the ensuing twelve years.

Before Takemichi knows it, he’s not under a train, but on one. He catches a glimpse of himself in the mirror: open collar, bleached hair, baggy pants. To his contemporary eyes it’s all too brutally lame…and yet this is when he says he peaked. When he was a delinquent in middle school. When he was Hinata’s boyfriend.

Sensing that his life must be flashing before his eyes, those times twelve years ago slowly come back to him, making him realizing how easily he forgot them. By the time he realizes he and his four delinquent friends are walking into an ambush by third-years and his tough-talking cousin is merely their errand boy, it’s too late to avoid the beatdown by the hands of the Tokyo Manji Gang—the same group responsible for killing the Tachibana siblings.

And yet, as Wells quote above makes clear, it is only through adversity and failure, personal or collective, that we are compelled to change and improve. The beatdown is a wake-up call to the adult Takemichi. He splits off from his friends and rushes to Hinata’s apartment.

When he rings her doorbell, Hinata answers, and her first reaction is concern that he’s been fighting again, asking if he needs help. Takemichi is so happy to see Hinata’s face clearly for the first time, and so ashamed that he forgot it and his love for her, he begins bawling.

Hinata, in turn, doesn’t believe for a second that nothing is wrong, and tells him to come out with it. After all, she’s his girlfriend, and she wants to know everything about him. Seeing her face and feeling her hands on his serve as another wake-up call—another turn on the grindstone—in twelve years, this wonderful person will die needlessly.

As Takemichi contemplates his present situation, a small boy is being hassled for changed by three slightly older kids. They’re interrupting the moment Takemichi is trying to have, something in him snaps, and suddenly all of the worries and questions that flooded his head earlier when he first realized he’d be getting into a fight disappear.

He slugs one of the harassing kids, then breaks a bottle in half and threatens to kill the other two if they don’t piss off. He’s left with the small boy, whose first instinct isn’t to thank him for saving him, but to say it’s dangerous to just throw the broken bottle on the ground.

After properly disposing of the glass, Takemichi gives the kid some pointers about having confidence and resolve—things he never had—before learning that the kid is Tachibana Naoto, Hinata’s little brother. Takemachi goes for broke and tells Naoto how he’s travelled back in time, and Naoto, possessed of the open, curious mind of youth, believes him: on July 1, 2017, he and his sister die. But now that he’s warned him, Naoto can protect her.

If this is real, then I want to change the future, Takemichi thinks to himself before shaking on it with Naoto. Upon that handshake, an odd spark runs through Takemichi, and next thing he knows he’s coming to in the train station infirmary, very much not dead, on July 4, 2017. He’s told a man saved his life at the last second, who is there to speak to him.

That man is none other than Tachibana Naoto, who credits Takemichi with changing his fate. Thanks to his warning twelve years ago, he worked hard to become a cop so he could protect Hinata, and survived the gang attack so he could save him in turn. Despite all that, in this timeline, Hinata is still dead. Which means Takemichi’s quest is far from over.

While no one can mistake this for a fully or even remotely original affair (with elements of Erased, ReLIFE, and Steins;Gate, along with Groundhog Day and Back to the Future), its straightforward, confident execution and blooming emotional resonance count for a lot.

And while even his 27-year-old self is a bit of a wide-eyed baby-face (some weight gain and scraggly beard would better sell his plight) Takemichi makes for a surprisingly likable protagonist, ready and willing to make the most of the second chance the universe has given him. It remains to be seen if he can change enough of the future to save Hinata, but I’m committed to watching him try.

Rating: 4/5 Stars