Mushoku Tensei: Jobless Reincarnation – 22 – Home Alone

Following his extremely close brush with death by Orsted’s hand, Rudeus has a series of disturbing dreams while unconscious, which are something of a culmination of his journey and his yearning. All this time he’s not only sought to keep his beloved Eris safe and restore Ruijerd’s rep, but to return home to his family. These dreams give him a glimpse of what that might look like, but also show him his old reality of being alone in a dark, cluttered room, only to be impaled once more by Orsted.

He awakes to find Eris dozing peacefully beside him as usual, and Ruijerd sitting by the fire keeping watch. Ruijerd is still trying to wrap his head around a Man-God and the fact the Seven Gods of ancient times are still kickin’ it. For a second, I thought Rudy was going to tell him that he came from another world. Instead, he says the Superd curse has been fading since Ruijerd shaved his head, and is all but gone; this moves Ruijerd to tears. Ruijerd!

After many travels and trials and tribulations, Dead End have come to their destination, Rudy and Eris’ home, only to find it a grey, dreary ruin, lacking all the green vitality it had before the disaster. As Rudy walks pasts spots where he, his mom, dad, Roxy and Sylphie once shared simple moments made so much more meaningful by the fact those moments are no longer possible; only in memory. Again, it feels like the series summing things up.

Now that Rudy and Eris are home, and no longer children, Rujierd declares them them as no longer needing a babysitter. He treats them like children once more by patting them on the head, then says goodbye, hoping they’ll meet again someday. It’s a perfect farewell for Ruijerd, as there’s little more he can teach Eris. Now that she and Rudy are back home in their new, more adult-ish form, it’s time for them to stand on their own, just as Ruijerd must walk on his own, after Rudy helped him take the first step.

The good news: Ghislaine is in town, as is Alphonse, both alive and well. The bad news: Eris’ family is dead. We know her gramps was executed, but her parents passed away after being teleported. Alphonse is primarily concerned with the future of the Boreas family and the fate of their lands and people. To that end, he mentions an alliance whereby Eris becomes the concubine of a neighboring lord in order to secure that future. Ghislaine is against it. Eris needs time alone…not even Rudy can stay by her side.

Later that day Rudy learns that Sylphie is among the missing, but not confirmed dead, so she’s out there somewhere. That was the first hint that his and Eris’ paths would diverge, but it didn’t come into focus until later that night when Eris visits Rudy in his tent wearing a flowing nightie. Eris mentions that she just recently turned fifteen—of age in her society—and for her birthday she wants a family. She wants Rudy to be that family; she wants them to sleep together.

Rudy hesitates, his head swimming with all the reasons he shouldn’t; Eris is feeling hopeless and needs connection; he’s not fifteen yet…but then Eris draws closer and tells him all the reasons they should, and so they do. What ensues is one of the more tasteful lovemaking scenes you can pull off considering the ages of the participants. In any case, it’s a long, long time coming, considering how much these two have come to love each other.

Alas, that night was just another dream. In the morning, Rudy only gets a few magical moments of having “gotten it made” as a normie before he realizes Eris isn’t in the bed, has chopped off her hair, and left him a note stating “You and I aren’t well-matched right now. I’m going away.” Rudy learns from Alphonse that Eris set out on a journey with Ghislaine, and told him not to tell Rudy where.

So Rudy finds himself back home, totally alone but for Alphonse, with whom he never had the closest or warmest relationship. No more Ruijerd, and more devastatingly, no more Eris, on whose proximity day and night he’d become so accustomed. He wanders the tent city aimlessly, wondering what Eris meant in her note. I suspect she meant for it to sting so he wouldn’t follow, as she has things she needs to do without him at her side to rely on.

But Rudy doesn’t know. He’s not back in his smelly apartment in Japan, but he’s just as alone now as he was then. The question is, what will he do and where will he go next? His mother and Sylphie, for instance, are still missing; does he set out alone to search for them? Does he rejoin his dad and Norn and aid their efforts?

His possibilities are as endless as the horizons of this sprawling world, but just right now he’s paralyzed with sudden, crippling loneliness—the end of one journey marks the start of a new and far more difficult one.

Sonny Boy – 05 – The Creator

If you thought Sonny Boy was going to pick up right where it left off with the Bond Girl-like arrival of a teacher (like ahem me) well…you haven’t been paying proper attention. Sonny Boy, you see, picks up where and when it feels like it: in this case, a 2D Pac-Man-like world that Nagara, Nozomi, Asakaze and Mizuho manipulate in order to “liberate” all of the digital mice.

Their “reward” for “conquering” (i.e. clearing) this world is a corded desktop mouse with the power to unravel things, from computer code to sweaters. Turns out each time a world is conquered, a new power is “unlocked”. Back at Rajdhani’s lab on the beach, he’s recording and cataloguing all of the team’s successes and failures, gradually narrowing down what can and can’t be done…slowly unraveling the big tangle that is their predicament.

The rest of the class probably would have tolerated this as long as they were kept fed and busy, but along came that Aki-sensei, who claims to have been sent by “God” and only seems to be their to stir up some shit. She immediately plays favorites with Asakaze, and encourages him to take up the mantle of the class’s savior. With him, she’s less Swiss Family Robinson and more Mrs. Robinson.

She also insists that no matter what they do, none of the students will ever be able to return home. She also assigns a scapegoat in Nagara, cultivating the idea that the only one of them with the power to teleport was trying to escape the world they came from, and happened to drag them all along with him. The StuCo brings Nagara before the class, but due to his social anxiety and ineloquence, his answers only make them more suspicious and angry, and even Hoshi can’t sway them to take it easy.

Happily, Nagara at least gets a small respite from all the finger-pointing when he joins Nozomi for some nighttime fishing. When she spots “guardian angels” in the otherwise inky black water, she dives in without hesitation, and pulls Nagara in with her. Under the water they soon become surrounded by a shimmering silver school of minnows, a wondrous and beautiful moment in an episode full of bleak cynicism. Nagara is glad he jumped in. He’s also glad he met Nozomi.

Things go south when Nagara is again confronted by the class, with Aki-sensei apparently trying to get everyone to turn against him as the one villain on whom they can pin all their blames. One student even shoves Nagara to the ground, causing him to run away once again. As she pulls Nagara down she builds Asakaze up, as he demonstrates he can cut through the world Nagara teleported them to and return to the island.

But that’s the first clue that Nagara’s power isn’t actually teleportation. He ends up escaping to a burned version of the island from before they set up a barter system that obeyed the world’s rules of fair exchange. Nozomi, Mizuho, and Rajdhani end up being able to travel to this burned island where they find Nagara. Mizuho in particular masks her genuine concern for him by being super prickly with him upon their reunion.

But the fact that the burned island wasn’t healed, but a second island created, seals one of the many theories Rajdhani’s simmering in his head: Nagara isn’t a teleporter…he’s a creator. Each and every one of the worlds they’ve visited was made from his power.

With Aki-sensei grooming Asakaze into Nagara’s nemesis, destroyer of those worlds, and savior of the class, all while painting Nagara as the devil, it seems like it’s only a matter of time before things boil over into something ugly.

Meikyuu Black Company – 06 – Meteoric Rise, Temporary Escape

Ninomiya celebrates his promotion to the Demon Lord Army’s Western Invasion Force Director with a trip to a hot spring with Ranga and Rimu. He revels in the fact that at this pace of advancement he’ll soon be a board member who can meet the Demon Lord face-to-face, and possibly return to Japan.

Little do the three know that they’re under surveillance from a camera owned by one of the Three Ravens, high level corporate executives who feel threatened by Ninomiya. One is an old fart who’s always spitting and wearing out the phrase “kids these days”; one is a voluptuous meatheaded amazon, and one is a four-eyed calculating perv.

Knowing what we know about Ninomiya, Rimu, and Ranga, it was a foregone conclusion that their petty schemes would fail one by one, much like Wile E. Coyote is always defeated in his efforts to capture Road Runner. Meathead unleashes a giant worm which Rimu quickly deals with; the worm even joins Ninomiya’s team!

When it’s the old fart’s turn, he challenges Ninomiya to cultivate some barren land, which is easy thanks to giant worm tilling and Ranga’s growing magic. Finally, the four-eyed perv tries to take unconsensual photos of Ranga nude, only to be defeated by the revelation he’s a boy.

If the first half is all about Ninomiya continuing to rise due to his ability to assemble a powerful and talented team, the second half is all about one of its members: Ranga. In what is clearly a dream in the style of Alice in Wonderland, Ranga witnesses the drudgery of unending labor in the form of a group of rabbits turning a wheel to power the Queen’s fountain.

When he laments that she can’t get them more tolerable hours or paid time off, he suddenly shrinks to a tiny size. While escaping the horde of evil rabbits (very Re:Zero-esque, that) he falls through a chute down into a massive underground…internet café.

If the rabbits toiling above ground represented one extreme of the labor spectrum, this café represents the other: all the mole people there have no goals other than repeating the same actions over and over again, calling into question whether life is even worth living.

From corporate grunts to NEETs, oppression and stagnation, Ranga finds himself trapped, both spiritually and physically (in a cage). His ancestor Belza, the Queen of this world, insists that he take her place by her side. That’s when the real Ninomiya stomps the White Rabbit Ninomiya and head-butts Ranga back into reality.

Apparently, the team was on a mission to defeat a Mobile Suit-like giant robot when it shot a strange beam into Ranga’s head, placing him in that dream prison that drew upon his own fears and insecurities. When he asks Ninomiya if always running away is bad, he tells him perhaps usually, but there’s always the useful phrase “strategic retreat”.

As long as Ranga’s overall goal hasn’t changed, he’s free to run away as many times as he needs to for the sake of future victory. Of course, Mobile Suit Gundam, the source of inspiration for their defeated mecha, was packed with those kinds of strategic retreats.

Defeating the mecha means Ninomiya can finally meet the Demon Lord…and she (or he) appears to be a Bahamut-like dragon in human form, like Rimu. Like Ranga last week, s/he asks Ninomiya to “save this world”. I know what he’ll probably say: Assuming he does, can he go home?

The aquatope on white sand – 05 – We only have august

Fuuka’s mom arrives, but she’s not a bitch, nor a force of nature. If anything, she’s apologetic towards Kukuru’s gramps for making him board a stranger for so long, and ashamed by how long she didn’t know where her child was. Despite her stern look that served as last week’s cliffhanger, she is someone whose position you can totally understand and respect. there’s no “bad guy” here.

That being said, Fuuka’s mom’s initial position is quite clear-cut: Fuuka is to come home to Iwate with her at once. Fuuka isn’t ready, so Kukuru and Kai aid her escape. Her mom could turn the corner at any moment, so they have to act fast—so fast, there’s no time for a proper goodbye between two friends who have only just begun to know each other.

Fuuka replicates the long, hot, sweaty walk she made upon first arriving there, making her wonder if she’s ended up right where she started. The major difference is, a friendly stranger in Karin saved her the first time; this time, she seeks refuge at Udon-chan’s family diner. Udon serves her up a quick and tasty lunch, along with this excellent nugget. When you’re busy, you don’t have time to think about things that don’t matter

Also, Udon’s mom is the fortune teller who told Fuuka she’d make a fated encounter. But that can be said not just of Kukuru, but the Gama Gama Aquarium, as well as the first creature she connected with: the shy little coral blinny. Udon’s mom offers to drive Fuuka to a free room in Haha, but when she remembers the blinny wasn’t looking so swell last time she saw it, she suddenly asks Udon’s mom to turn around and head back.

Unfortunately, Fuuka is too late, and Kukuru admits that when you’re dealing with living things every day, eventually you’re going to have to deal with death. As soon as she first remembered the little guy while in the car, I was just as emotionally invested in the poor doomed blinny as Fuuka was, resulting in this episode’s Goddamn Tearjerker status.

Fuuka’s mom happens to come into the back room just as her daughter is cleaning out the blinny’s tank, looking both pained and diligent. Kukuru steps up to the plate to tell Fuuka’s mom how much Fuuka means to her and the aquarium, but Fuuka stops her, and tells her mother directly that she wants to stay. Having been charmed by this place and its warm and generous people and seeing that Fuuka is serious, her mom agrees…but only until the school year starts in September.

Fuuka’s mom spends the night, lamenting at dinner to Kukuru’s grandparents how between Fuuka going off to be an idol and now, she’s barely been able to be a mother. Udon’s mom says letting a child go when they’re old enough is part of a parent’s job, while Kukuru’s grandparents assure her that everything will work out…even as the shrine of their daughter, Kukuru’s mother, sits in the corner.

Fuuka and her mom end up having a nice mother-daughter moment later that night as they sleep in adjacent futons, with her mom admitting she looked pretty good in those red boots. So the immediate threat of Fuuka and Kukuru being separated has passed, but they only have one month to achieve Kukuru’s dream (not to mention be together). I wonder if the remaining nineteen episodes will cover only that August, or the months of separation that follow.

GODDAMN TEARJERKER™ CERTIFIED

Tokyo Revengers – 10 – Stand Your Shaky Ground

Takemichi finds Draken stabbed in the kidney area by Kiyomasa, but everyone else is busy brawling, including Mikey with the surprisingly formidable Hanma. So it’s all up to Takemichi whether Draken bleeds out or gets to a hospital.

Despite being half his size, Takemichi puts the hulking Ken on his back and sloooowly trudges his way to the hospital. Thankfully, Hina and Emma catch up to him, and have already called an ambulance.

While they wait longer than usual due to the festival and the rain, Kiyomasa’s crew tracks Takemichi and Draken down. Thankfully none of them threaten to do anything to Hina or Emma, but Kiyomasa is going to have to insist that Takemichi take them and fuck right off so he can finish Draken off.

But Takemichi is done running. He doesn’t care how absurd it is to try to go up against a beast like Kiyomasa, he has to make the most of his second chance. So he rushes the guy, shrugs off a stab wound to the hand, leaps onto his back, and refuses to let go.

Eventually, Kiyomasa passes out from lack of oxygen, and comes crashing down on Takemichi like a damn felled tree. But just because Kiyomasa’s down doesn’t mean his buddies are going anywhere. They advance on Draken and Takemichi, both of whom are barely able to stand and losing lots of blood.

They’re rescued at the last moment by Akkun and the rest of Mizu Mid’s Ferocious Five, who are even goofier and more embarrassing than Takemichi…but it doesn’t matter. Victory for them is buying enough time for the ambulance to get there, and when that happens, Kiyomasa’s pals have lost. Takemichi is free to savor the win, but the work to salvage his future has still only just begun.

Fruits Basket – 60 – Moving Toward that Someone

After starting with Shigure wishing he could be less of a meddling shitstain (fat chance), we thankfully shift to two of my very favorite Fruits Basket characters in Arisa and Saki. Upon visiting Tooru in the hospital they meet Akito for the first time, who claims responsibility for Tooru’s injuries. Saki, the true God of Fruits Basket, says Tooru doesn’t believe anyone is to blame.

Then there’s the matter of Kureno, whom Akito confesses to have stabbed , after emotionally tying him down and trampling on him for years. She’s at a loss about what to do, since neither Tooru nor Kureno will blame her for anything, and that’s when all the years of being raised as a boy are shattered by Saki, who causally, correctly identifies Akito as female. Then Arisa gives Akito a hug, because Akito needed one.

It doesn’t change the sting of Arisa now knowing that she’s been nothing more than a brief blip in Kureno’s life up to this point; that she’s been “polishing a single day’s memories like they were some diamond”, which, goddamn that’s some pretty writing right there. But here’s the thing…what if they were some diamond?

When Arisa visits Kureno in the hospital room, and he says he thought she wouldn’t come because he didn’t deserve her, nothing matters to Arisa anymore but the love she’s feeling. Whatever Kureno wants to do; wherever he needs to go to “leave the sight” of Akito as one final kindness, Arisa will be by his side without fail. She’s done not being a participant in his life. The diamond is nice, but she wants the mine, and she’ll have it, because she’s Uotani Fucking Arisa.

The screen is once more soiled by Shigure’s presence as he and Yuki encounter Haru at his house. Haru notes how Rin has been “impressively worried” about her BFF Tooru, but he’s likely there because he’s worried about Kyou, who hasn’t once visited Tooru in the hospital and is rarely seen leaving his room.

Yuki admits Kyou has “his own pain and his own reasons”, but he also doesn’t give a shit about them. He’s done being Mr. Nice Ratboy, and storms upstairs, where he’s even more incensed to find Kyou packing to leave before Tooru comes home. Kyou says listlessly that his being there would hurt her, that he can’t protect her, and that she’s better off with Yuki.

Yuki then kicks Kyou through the damn door, mocking him for thinking he has to be some kind of superhero plucking Tooru out of midair or save her from getting hit from a car. Of course he’s not that—he’s just a stupid cat—but he doesn’t need to be a superhero.

Kyou admits to Yuki that he always wanted to be him, which in turn causes Yuki to admit that he always wanted to be him. Of course, neither of these facts comes as a surprise to us, but Yuki and Kyou have been so mired in playing out their respective Zodiac roles they failed to notice how much they admired and envied one another.

But here’s the thing, Kyou can’t be Yuki and Yuki can’t be Kyou; Kyou has to be Kyou and Yuki has to be Yuki (though Shigure should probably stop being Shigure). From how Yuki’s seen it, Kyou has protected Tooru just fine by being Kyou; by simply loving her being the one she loves; by being the only one of the two of them to make her truly smile.

Yuki leaves a stunned Kyou with the words “Get your damn act together!”, and Kyou is moved, though not, at first, to the hospital. He has to take care of something first, namely standing up to his grotesque, loathsome creature of an audiophile father. As he heads to his dad’s place, we get a cute little scene of Hiro and Kisa discussing how Hiro breaking the curse hasn’t changed their affection for each other.

When Kyou quietly concedes that his mom’s death was his fault as his “dad” claims, said “dad” tells his maid to call the main house to have him dragged away to the Cat’s Cottage. Kyou, tasting the stew of hatred, fear, and grief he’s got going, refuses to go there. He’ll live outside, because there’s someone he wants to be with.

While listening to his ranting, Kyou comes to recall that his dad said horrible things to his mother, so while Kyou might still claim some responsibility for her depression, it’s much more likely his dad was the one who put her into a state where she decided to “throw herself away.” Well, Kyou won’t do the same thing. He’s going to live.

Akito gets the call, but tells the long-serving attendant to ignore it. She’s decided to free Kyou of his impending sentence, tear down the cottage, and quit this wretched place forthwith (hopefully to go stay with Shigure, as the two unassailably deserve each other). The attendant laments how unlike all these young people, poor old her can’t just start over in the outside world. Oh, cry me a fucking river, you deeply despicable woman. Akito certainly won’t…and good for her!

Kyou has adopted the philosophy of continuing to stand on your own two feet, accepting what you are, and moving toward something—or in his case, someone. After his pep talk with Kyou, Yuki is sulking in the dark when he gets a call from his someone, Machi. It doesn’t matter what she wants, he just wants—needs to see her. Tooru? More like Toor-who?!

Just as Arisa’s anxious racing thoughts of how insignificant she was in Kureno’s life melted away at the sight of him, the gears of Kyou’s feline brain are also spinning furiously with questions like Will she still accept me? Do I still love her? Why? How much? The answers are: Yes (eventually), Yes, Because, and A Lot.

Those questions are meaningless as soon as he spots her leaving the hospital and thos big brown eyes. But then, because this is not a show afraid to crack a joke even in a moment like this, Tooru gets spooked and gives Kyou a taste of his own running away medicine. Unfortunately for her, Kyou can run much faster than her, and quickly gives chase as Arisa and Saki look on approvingly.

Everywhere you look, love is in the air, and I am here for it. And let me reiterate: I’ve never read the source material, so I have no problem with the direction or pace of the adaptation. The way I see it, I’ve been invested in this anime for sixty episodes totalling twenty-five hours over three years, and so far this is the ending I both want and deserve. Keep it up, Furuba!

RABUJOI WORLD HERITAGE LIST

Higehiro – 09 – The Things She Carried

Like Sayu, I was dreading the day someone from her family finally found her and forced her to come home…but that isn’t what happens. It turns out Issa is just as decent and kind a person as Yoshida, and doesn’t jump to conclusions even when Yoshida and Sayu greet him at the door in their PJs.

Instead, he’s the latest in a long line of refreshingly reasonable, level-headed human beings that populate Higehiro and make it feel more real. He’s not simply doing their mother’s bidding; he wanted to be the one who found Sayu, because he loves her and is worried about her.

Issa is greatly relieved Sayu managed to find a good soul who took her in without asking for anything inappropriate, and takes both of them at their word when they say nothing’s happened. As a high-achieving corporate type, I imagine Issa trusts his instincts when it comes to reading people.

But that’s not all: Issa can also tell, even if Sayu can’t, that she’s taken some important steps forward as a person. He notes how she’s more able to speak her mind, as she explains why she needs a few more days to think about things. He’s proud and caring n a way only a big brother can be, and grants her one more week.

I have to say, I never imagined in a million years that Issa would be such a good guy, especially considering the uncomfortable way the series has handled the bastard who took her in for sex and ended up her co-worker. But it’s not the show’s fault I automatically expect the worst…it’s because men, and especially anime men, are so often just that…the worst.

Of course, women are the worst too, as we learn when Sayu invites Asami over and sits her and Yoshida down to finally tell them about everything that’s happened that led her to run away. In effect, she’s unloading all of the burdens she’s carried before two friends who are all too happy to help share that load. Her first step in getting ready to go back is telling the people important to her about where she came from.

Sayu and her mother never got along. Her mother put all of her hopes and aspirations into her firstborn son Issa, and never had a kind word for Sayu. Because she never received love, Sayu didn’t bother putting any effort into anything, be it academics or socializing. She was alone, emanated a “stay away” aura, and came to prefer it that way.

But along came another outcast in Yuuko, for whom Sayu’s repelling aura had the opposite effect. Yuuko always told Sayu she was pretty and cool—as pretty and cool as Yuuko claimed not to be—and the two became fast, close friends. But Sayu’s looks and unimpeachable “goodness” kept the other girls from bullying her directly when she turned down a guy one of them liked, so they started bullying Yuuko instead.

Yuuko always said Sayu looked best when she was smiling and happy. But as the bullying intensified and Sayu dug in her heels, determined to stand beside Yuuko and fight for her, she stopped smiling and laughing, and was always depressed, because she felt responsible for her friend’s suffering and felt powerless to stop it.

Yuuko, however, felt differently. When Sayu told her she’d support her and fight for her against the bullying, it hurt Yuuko more than anything, as she believed she was ruining Sayu’s happiness by deigning to become friends with her in the first place.

So one day, Sayu found Yuuko standing on the wrong side of the balcony, waiting for her. Yuuko told her what happened was her fault, but it would be better if she were no longer in her life. Before leaping to her death, Yuuko asked Sayu to keep smiling, obviously in no mental state to realize how hard that would be if she killed herself.

Witnessing her first and only friend commit suicide for her sake would have been plenty of trauma for any teenager or adult to bear, but that wassn’t the end of Sayu’s suffering. As the Ogiwara household became besieged with press and stories and rumors of the true cause of Yuuko’s death, her mother did all the exact wrong things, only exacerbating Sayu’s despair.

Rather than support her daughter and help her grief, she blamed her for their predicament, and even went so far as to ask, seriously, if Sayu really did kill Yuuko. That despicable question is the last straw for Sayu, and you really can’t blame her for not wanting to spend one more second inside that house with that despicable woman. Instead, it’s Issa who offers Sayu a shoulder to cry on as she prepares to run away on foot.

Demonstrating he was just as empathetic and kind back then as he is in the present, he actually helps his sister get the distance and time she needs, giving her $3000 for a decent hotel and food for two weeks, if she promises to call him if she ever gets into trouble. If there’s a right way to run away, this was it: acknowledging and respecting what Sayu needed, but building checks into the arrangement.

But even with those measures in place, Issa would still need Sayu to actualy call him if she got in trouble, and she never does that. As she burns through her cash, she continues to be crushed by isolation and self-loathing, with no one there to help pull her out of her downward spiral. Issa’s mistake wasn’t getting Sayu away from their mom, it was sending Sayu away all by herself when she was in no condition to be entirely alone.

The episode includes a scene we previously saw only a flash of, in which Sayu masturbates and looks down at her hand afterwards. As this happens before she first sleeps with a man, I’m not sure why such a graphic scene was included, except to underscore that there was really not much for Sayu to do during this time but sleep, eat, and pleasure herself, and none of it was helping.

When Issa calls Sayu to check on her, her battery dies, and she tosses her phone out, believing in that moment that his kindness was merely pity she didn’t want or deserve. She wanders the streets, bumps into a man, and when she explains her situation he offers her a place to stay. He eventually asks for sex in return, and Sayu gives in, though doesn’t even remember the name of her first. She then went from guy to guy, trading sex for shelter, until ending up on Yoshida’s doorstep. The rest, we know.

The first to speak after her tale of woe is Asami, who gives Sayu the affection she needs and tells her just how hard she hung in there all this time. Having gotten all of this out, Sayu breaks down, having a much-needed cathartic cry. Once she’s calmed down and in bed, Asami asks Yoshida on the balcony what he’s going to do about her.

Yoshida says it’s up to Sayu’s family to figure this out and it’s not his place to interfere. Asami points out that’s not what she asked, idiot, and again asks: what does he want to do? He may say he’s a stranger, but he’s not; he and Asami are as much family to Sayu as Issa, and certainly more than Sayu’s mom.

What they want matters too, especially if it aligns with what Sayu herself wants. But first those things must be said, just as the things Sayu carried needed to be said to fully understand where she’s been, and determine what she should do. It’s not just Sayu who needs to think about things in the week she has left.

Kemono Jihen – 10 – Good for Something

When born in their snowy village far to the north, Akira and his twin brother Yui were the first male yuki-onoko born in a century. While they were treated like princes with every need tended to, they were also prisoners in a guilded cage, their mother dead and their father imprisoned and mad. Akira was weak and a crybaby, always being led around by Yui.

One day they found some supplies left behind by humans, including a magazine that teaches them about life in Tokyo. Fast-forward to the present, Yui is in Tokyo searching for his brother. When a drunk tries to extort him he demonstrates his immensely powerful ice manipulation. Immediately, we’re not quite sure we want this guy to find our kind, gentle Akira!

Unfortunately in an ongoing effort to be more useful, Akira ends up only making more work for Shiki and Kabane. Kon and Aya take the week off so that the focus stays on the core three lads and their dynamic. Akira writes a note and takes off on a jourey to find his brother, taking with him his plushie to which Mihei added AI when he repaired its stuffing. Sure, why not?

There must be some unseen force that draws the twin brothers together, because Akira finds Yui in his first five minutes of his “journey.” Akira buys him a crepe like the kind they saw in that magazine…but Yui doesn’t want it. Akira has shown that despite being a snow boy he’s the warmest of the lads. Even for a yuki-onoko Yui is oddly cold.

Still, when his brother mentions a certain frozen castle from a certain popular American film in which ice plays an important role, Yui instantaneously builds him a massive Japanese-style castle in the middle of a park. It’s a gorgeous and glorious thing, but also very unnerving, because it again demonstrates how powerful Yui is. Then he smashes Akira’s phone and locks him away.

Unaware their princess has been taken captive and locked away in a castle, Shiki and Kabane start clashing immediately in Akira’s absence. Kabane realizes, as Inugami hoped they would, that Akira is the glue that holds their little misfit group together. They decide to go find Akira, and his sole posting of the ice castle helpfully points them in the right direction.

As the post is now trending, a large crowd and even a reporter have arrived to investigate this strange ice castle that appeared out of nowhere. Leaving Inari to the inevitable cover-up, Inugami, Kabane, and Shiki confront Yui, who isn’t really interested in talking. Inugami also notices Yui has a “nullstone” lodged in his heart: basically the opposite of Kabane’s lifestone. which is keeping Yui’s heart well-chilled.

Akira learns that his plushie has Wi-Fi, but only just when Yui returns to tell him the claw-foot bath, four-poster bed and chandelier he requested are ready. Yui leads Akira downstairs, where he learns his brother has also decided to decorate a bit…with Akira’s frozen friends.

It’s pretty clear by now that the strength, precision, and control of his ice manipulation far exceeds Yui’s, and and that Yui isn’t the brother Akira knew, due to that nullstone. But assuming some combination of Kon, Aya, Inari, Nobimaru, and Mihei won’t drop in to save the day, it’ll all be up to our favorite useless scaredy-cat snow boy to set his twin straight and thaw his peeps.

Horimiya – 10 – Pure White Snow

First of all, I’d like to simply make the observation that for a show called Horimiya, which is short for Hori-san to Miyamura-kun, there sure hasn’t been a lot of the title characters! They show up in the beginning for a brief comedy bit in which Hori is more worried about Miyamura being stolen from her not by girls, but guys like Tanihara and Shindo.

Miyamura’s growing discomfort with Hori’s kink isn’t addressed, and so simply continues to hang there in the background without a satisfying resolution. Hori simply hasn’t been a very likable character lately, and doesn’t help her case with her biphobia this week. Instead, the episode is dominated by Yoshikawa Yuki, who for me was always a character best enjoyed in small portions.

To be frank, Yuki’s crisis isn’t compelling enough to me to carry a whole episode, and starts to grow repetitive as she continues her M.O. of running away from her problems. Unlike her sister, I don’t mind her turning down Yanagi, as she barely knows the guy, and likes Tooru. What I do mind is just about everything else she does and says.

While we don’t hear her say the actual words, it’s later clear Yoshikawa comes clean to Remi about her feelings for Tooru at least to some degree, and in exchange Remi agrees not to correct Kouno’s misunderstanding about Tooru and Yuki dating. Yuki doesn’t like lying or pretending, and wants the lie to be real. She’s just too scared to put herself on the line.

As such, she runs away from the problem, staying home from school for four whole days and stewing in her present state of frustration simply because she fears feeling something far worse if she were to take action: the sting of knowing for sure that Tooru doesn’t like her “that way”, shattering the limbo in which she resided all this time.

Yuki’s sister points out something it’s logical for a big sister to know, but which we already knew from watching Yuki: she never tells anyone what she wants, and almost always regrets it. Yuki is also hung up symbolism surrounding her name, which means “snow”, while “sakura” means the beautiful things that bloom after the snow melts.

Still, when her sister requests she make more of the “snow white” cookies she baked, Yuki at least finds the courage to turn her phone back on. As she suspected, she’s confronted with hard truths, as one of the dozen texts she got is from Tooru telling her that Sakura told him she likes him.

Yuki returns to school but pretends like nothing is wrong, but Tooru wants to talk about it. Yuki assumes he said yes, and that this is the end of their game of pretend, but Tooru surprises her when he says Sakura didn’t ask for a response; she just wanted to get it off her chest. More to the point, Tooru considers Sakura way out of his league, and is certain she’ll find someone better than him.

Yuki ponders the effort Sakura must’ve mustered to bake cookies for Tooru everyday, and the courage she amassed to tell him how she felt. Meanwhile, she just runs, at all times terrified of rejection. Sakura is warm cherry blossoms in the spring while she’s “gross, muddy, freezing” snow, like her name.

Then Yuki exhales, and Tooru notes he can see her breath, and says if it’s going to be this cold it could at least snow, as he was bummed it didn’t snow as much as usual this year. Yuki lists all of the negative aspects of snow and why no one wants it, particularly the part where it ends up melting in the spring.

Tooru surprises her again, saying the snow doesn’t melt because it’s spring, but because it decides to melt…to recede…to run, even when there are some (cough) who want it to stick around. It doesn’t melt because the cherry blossoms ask it to. Hearing all this from Tooru makes Yuki happy, as does when he gently takes her index finger in his hand and leads her back inside where it’s warmer.

For the first time, Yuki hopes it will snow…the pure-white kind. And then it does. Sengoku doesn’t make the symbolic connection, instead asking Remi what’s up with Sakura, as she seems to be acting especially happy. All Remi says is that it’s “the exact opposite” and heads out for tutoring. Sakura arrives in the office, notices Remi didn’t open the window.

She walks over to open it and spots Yuki and Tooru together outside, clearly enjoying each other’s company. Suddenly Sakura has to go, but Sengoku stops her to ask what’s wrong. Going by what Remi agreed to do for Yuki, we can assume Sakura believes Yuki and Tooru are dating, which means she was rejected before she had a chance to ask the guy out.

Sengoku calls this guy a complete idiot and moron who should be expelled—who wouldn’t want to be with her? I’m sure he considers this the right thing to say, and Sakura is grateful for his compliments, but there’s really nothing he can say to stop her from dropping to the ground and sobbing, because her heart was just recently broken. She’ll get over it, but right now it sucks.

That said, if Yuki and Tooru have come to an understanding, they never did come right out and say it. Does Tooru know how Yuki feels about him? Does she know he feels the same way? The next time we see them will they be the way they always are, with neither having explicitly confessed to the other? Can they graduate from pretend dating to the real thing? I hope so, considering all the time we’ve spent on this triangle—and not spent on Hori and Miyamura!

Adachi & Shimamura – 11 – Desiring the Future

Back when Shimamura was in P.E. and suspected Adachi was on the second floor, but didn’t go up to see her, Adachi was indeed on the second floor, and didn’t expect her to come up and see her. For a couple moments she thinks she might be proven wrong, but it’s not Shimamura, just a third-year (whom I believe is a Hanazawa Kana voice cameo) looking for a quiet spot to read.

Ever since their second year began, Adachi has witnessed Shima easily find new friends, and can’t discern between her smiles and laughs with them and those with her. She gets the (wrong) impression Shima doesn’t care about her, yet can’t help but bike to the mall where they made happy memories, or think of which puppy she’d like best.

That’s when Adachi and Tarumi bump into each other, unaware of their connection with Shimamura, and Adachi notices Tarumi dropped her strap. Like Tarumi, Adachi thinks it would be just the tops if she and Shima had matching straps. But when spotting a lonely but quiet puppy, Adachi realizes she’s looking at a mirror.

That attitude is nurtured by a very random and fortune-teller, who looks and talks as eccentrically as Adachi is normal. Her advice is solid: the future can’t really be told, it must be desired, which means no running away from what is needed to achieve them. She has nothing to say to Adachi that she doesn’t already know, she just needs a little push to be more assertive in seeking Shima’s attention.

That brings us to a shift in POV to Shimamura, picking up from last week with her “Finally, it’s Adachi” remark. Having not heard her voice since the term began, Shima seems surprised how much she welcomes Adachi’s voice. This new assertive Adachi sits on the same chair as her and shares yummy bread, and Shima just knows that as her fake friends fade, Adachi will keep burning bright.

Shima sees all of Adachi’s moves as a sign her friend has made up her mind that she is the only one she needs. But is the reverse true? Shima can see Adachi has the same interest in straps and need to hold her hand (albeit her other hand) as Tarumi. She envisions her hands being held by the other two, all three of them with straps, in a Shima sandwich.

But only Adachi takes Shimamura aside, draws her into a big hug, and exclaims “I think you’re the best!” and plans to call Shima at 7 PM. She doesn’t stick around long enough for Shima to tell her that’s her usual time, so Shima arranges to eat dinner early, knowing full well Adachi will call her at 7 PM on the dot.

Adachi doesn’t call to say anything specific, she mostly likes the feeling of having Shima all to herself while on the phone. Shima calls her possessive, but Adachi thinks it’s normal, and it is normal, for someone who has feelings for someone and has decided not to run away or equivocate any longer.

Shima admits it’s “not a bad feeling” knowing someone cares about her, and is caught off guard by Adachi’s over-the-phone tears. Still, with Adachi, Shima feels her “possibilities are fixed.” If, not when, she were to choose someone to walk beside, it would be whoever is “best for her”.

While Adachi opened this episode believing she wouldn’t officially graduate to her second year until she confronted Shima, she’s actually well ahead of Shima in terms of knowing exactly what’s best for her and what she wants.

Shima isn’t sure about either, and weary of “surrendering” to Adachi’s puppy-like whims. How can Shima know she’s choosing someone who has already so heartily chosen her? I certainly don’t know, but at the end of the day (and hopefully by the end of this series!), Shima needs to learn what kind of future she desires.

The Quintessential Quintuplets – 02 – Matcha Soda

While there are a couple of friendly voices among them (namely Ichika and Yotsuba), as a group the Nakano quints are adamantly opposed to being tutored by Fuutarou. When he challenges them to score at least a 50 in a test he provides, they manage to score 100…combined. They then physically run away from him, but they underestimate how bad he needs the money, not to mention not shirking from this challenge is a matter of personal pride.

Fuutarou knows the sisters hate studying—and him, Yotsuba and Ichika aside—but he’s determined to find a way to get to them, even if it’s one sister at a time. This week his focus is on the third sister Miku, the only one to score a certain question correctly. When he approaches her about it he’s interrupted by Yotsuba and then Ichika, the latter of which thinks they should be more focused on falling in love than studying.

Little does Ichika know that Miku has already fallen in love…with Sengoku period warlords. She slips what looks like a love letter in Fuutarou’s desk and meets him on the rooftop to confess that love, which he thought for a minute was love for him. She dismisses her encyclopedic knowledge of them to be something weird, but he encourages her to have faith in what she likes, finally seeing a path to get her excited about studying.

Miku initially agrees to let him tutor her, but when she offers him a can of her favorite matcha soda and mentions it doesn’t have snot in it, Fuutarou fails to identify the reference, and she recinds her offer to cooperate, labeling him as “all talk.” This irks him, so he checks every Sengoku book in the library, and the next day challenges her to a trivia game. Because it’s a subject near and dear to her heart, he knows she won’t back down.

However, she not only backs down, but runs away, forcing Fuutarou to chase after her as they play a game of warlord shiritori, until they both collapse from exhaustion. Miku removes her stockings and shoes and relaxes on a bench as Fuutarou gets her a matcha soda and tells her he figured out the snot reference—but only after Yotsuba googled it for him. Miku reiterates her lack of confidence in herself, telling him she’s the “biggest loser” of the group, and that her four sisters can do anything she can.

Fuutarou counters by showing her the sisters’ test answers, which show that no sisters got the same answers right. That means it goes both ways: Miku can do anything her sisters can, if she applies herself. Fuutarou can see light at the end of the tunnel; if each quintuplet has a specialty that will help make being tutored acceptable, than he can pool their collective knowledge to help them all succeed.

But while he seeks to be the grand uniter of the quintuplets, for now it’s just Yotsuba and Miku who have stopped running away from studying, and from him. Complicating matters is Yotsuba’s suspicion that Miku is in love with Fuutarou, which Miku neither confirms nor denies but blushes an awful lot when pressed. This proves to be a fascinating journey!

Somali and the Forest Spirit – 12 (Fin) – Hanging In There

Berserk Golem is terrifying to behold, but at least initially, his attacks aren’t very coordinated. That gives Yabashira a chance to intervene before Golem makes Somali witness something she shouldn’t. He’s tossed aside, and Golem targets Rosa, only for the freed Somali to come between them.

She has enough trust in her dad that he won’t hurt her with his outstretched hand, but pat her on the head. He may have lost a lot of resources when he went into overload, but the love he has for her wasn’t among them, and it serves as a fail-safe switch, and he passes out after acknowledging his daughter.

We part ways with Rosa off-camera, though I’d hope she learned a lesson and will do some serious soul-searching about her attitude towards humans after the one she was ready to dissect saved her life. Golem comes to in a forest, with Somali sleeping by his side.

The pair continue their journey with Shizuno and Yabashira, but after assessing his damage, it’s not looking good for Golem. His left arm is gone for good, as is nearly a third of his skin and much of his internal fluids. He’s at 76%, max, and it’s all downhill from there…though he notably can’t set an exact date of final shutdown.

The quartet arrives in a new town full of horned dog people celebrating their harvest. Never mind that there may be more human hunters here who would recognize Somali’s smell; the show clearly cedes that the time of external threats to Somali are done, as long as she keeps her hood down. I’m skeptical!

Of course, the main issue is that while on their way to town, Golem noticed that his senses are becoming duller and it’s getting increasingly hard to move. Add to that the potential for him to lose control like he did in the cave, and he considers his continued proximity to Somali a liability. So at the town festival, while Somali is distracted by performers, he gives her the slip.

Shizuno fills Yabashira and Somali in on why Golem left, and why he couldn’t persuade him otherwise; he made his choice. But Somali is hardly satisfied with such an adult conclusion, and chases after her dad, leaving town and finding him in the nearby woods, staring at a pond. When he spots her, Golem orders her to stay away, but she won’t obey, and demands to know why they can’t be together like he promised.

When he denies it’s because of anything she said or did or because he doesn’t like her anymore (Somali is just a little kid, this is where her mind would go first) and tells her he’s worried about being a danger to her, she again rejects his reasoning. She’ll be too lonely without him, and she knows he’ll be lonely too. She gets him to admit the emotions within him (despite that not jiving with his “natural order”)—and even sheds the equivalent of a golem tear.

With that, Golem reverses his decision to run away, and instead vows to stay by Somali’s side as long as he can, enduring whatever hardships might arise. The two of them acquire some nifty new threads and continue their travels with the Shizuno and Yabashira.

This seal the ending as an ellipsis rather than a period, and opens the door for a possible sequel. But that aside, I was pretty certain the show wouldn’t kill off Golem in the last episode, despite some of the “death is not the end” flags during the town festival.

Instead, it galvanized its hopeful outlook with a hopeful ending, in which there’s still time for Golem to find a way to repair himself, and in the meantime, Somali’s formative years can continue to be filled with happy and fun memories with her dad, as long as they can.

HenSuki – 12 (Fin) – After Much Deliberation…

Keiki wakes up from a nightmare (in which he takes his new wife Sayuki out for a walk, like a dog) to find Mizuha in his bed, reiterating her love for him, kissing him, and essentially urging him to choose her among all his choices. Needless to say, she comes on too strong, and ends up pushing Keiki right out of the damn house.

He ignores Mizuha’s many calls and instead gets in touch with Shouma and Koharu, to tell him his situation and ask for a place to crash. Alas, Shouma’s house is full and he won’t allow Keiki to stay at Koharu’s. He also encounters Mao, fresh off a BL-writing all-nighter, who has bean cakes and milk at the ready for the hungry Keiki.

Mao only lends more evidence for her case as Best Girl by supporting Keiki without judging, while having her own thing going on separate from him. She may not be aware of Mizuha’s romantic love for him, and assumes they had a sibling spat, but she knows in the end the two of them will be fine. She even gets an accidental indirect kiss in!

The episode then widens into an extended montage with both Mizuha and Keiki attempting to text their feelings, but not actually sending any messages to each other. Keiki also called his dad, who confirmed that Mizuha was adopted, and Keiki warmly and immediately welcomed her into the family. It seems very odd he’d forget this.

In any case, even a single day away from home proves too much for Keiki, as he only just manages to get in the front door after getting caught in the rain before passing out, cold and feverish. Mizuha puts aside their present issue and takes care of her brother.

Mizuha calls Sayuki, who rushes to Keiki’s side and jumps in his bed to warm him. Sayuki also texts Yuika, reporting their boy is “defenseless,” but they ultimately can’t put their competition on hold long enough to calm down, so Mizuha kicks them both out so Keiki can get better in peace.

Keiki wakes up in the middle of the night, his condition improved, and once again walks in on a naked Mizuha in the bathroom. They stay on either side of the door trying to talk this thing out, and Mizuha mentions that her love for him began on that day when he welcomed her (which again, he forgot) and only grew from there. She lost her family in an accident, but gained a new one.

Still, Keiki had never viewed Mizuha as anything other than his little sister, and even though things will never quite be the same whether he accepts or rejects her love, he decides to remain that caring brother going forward. It’s a safe, sensible chocie that’s true to the character he’s been thus far.

That being said, he can’t weasel his way out of granting the command of the winner of the confession contest, and Mizuha wants him to be her boyfriend for a day. She concedes that going from brother to permanent boyfriend isn’t like flipping a switch, but seems determined to gradually change his mind.

It doesn’t help her case when he finds out her phone is full of selfies of her in various stages of undress. Turns out she’s a full-on exhibitionist! Looks like “normal” for Keiki was, is, and will always involve attracting women with particular tastes. A girl bereft of said tastes probably isn’t in the cards for him. Might as well go for Mao!