In / Spectre – 02 – Murder at Mount Tsukuna

Iwanaga Kotoko has a very cool job, a job I would love to have. This week, she’s summoned to a very fretful giant serpent guardian spirit of a swamp on Mt. Tsukuna. This serpent needs the calming, ironclad explanation for why a woman dumped a corpse into his swamp and said to herself “I hope they find you.”

Kotoko probably doesn’t expect this to be a dangerous mision, and this is confirmed when the serpent expresses his general distaste for humans. Her reason for inviting Kuro to tag along isn’t about protecting her or defeating a boss, like last week’s case. So what is it about?

I’d say it’s a combination of her genuine affection for him and desire to be his wife, and part of that if the Goddess of Wisdom can become involved with the human most youkai fear most, perhaps she can show them he’s not really so bad!

That said, she’s unable to convince him to accompany her to Mt. Tsukuna, though when she uses youkai to locate his apartment, he sends her off with a hoodie to keep warm in the mountains and a hot meal of miso soup and onigiri, so he doesn’t come off as completely heartless.

Also, unbeknownst to Kotoko until much later in her meeting with the serpent, Kuro actually does follow her and observe from a distance, perhaps trying to get a feel for who this person is without the benefit of her being able to put on any airs.

What he witnesses is a surpassingly clever and well-spoken young woman who not only shows the serpent spirit respect and deference he doesn’t believe he deserves, but holds his proverbial hand through all the facts of the case she has amassed with the help of the youkai who work with her.

As the serpent attempts to rebut Kotoko’s explanations, Kotoko simply zigs or zags to a new route, adding ever more color and depth to the story of what led to Tanio Aoi dumping Yoshihara Hiroo’s corpse in the serpent’s swamp.

Since Aoi lived at the foot of Mt. Tsukuna, she may well have been aware of the fact the serpent was once worshiped there as a water god who brought rain. While the serpent betrays a bit of godly haughtiness by saying he would have much preferred a beautiful living girl to a dead middle-aged man, Kotoko reminds him there are two ways to bring rain: presenting an offering to please the water god, and one to enrage him; Aoi did the latter.

That’s when the youkai Kuro used to track Kotoko reunites with its sibling, and Kotoko realizes Kuro has been there all along listening in—including the part where she called him her boyfriend. But before their “lovers quarrel” as she calls it, she wants to resolve all lingering questions and doubts the serpent might still have. Not only does she have a cool job, she knows it, and thus does the very best work she can.

Assassins Pride – 12 (Fin) – In the Name of Love

Mule’s spell transports Melida into an Alice in Wonderland-style rose garden, where Duke Shicksal and all of his noble allies put her on trial for, essentially, being a bastard and an impostor. Melida listens to about as much of their prattle as I’d be able to stomach before telling them to STFU. If they don’t believe she’s the real deal, she’ll just have to prove them wrong—and she does, defeating their champion, a reluctant but still committed Salacha.

When Shicksal sees things going badly, he summons a giant ink dragon to undo the recording of these events and eliminate their witnesses, but Melida and Elise are joined by Sala and Mule in helping to evacuate everyone, even Othello, who had had nothing but horrible things to say about Melida. I’m a little fuzzy on why Sala and Mule let things go so far before helping their friend, but whatevs.

When Melida’s Impostor dad reappears to put Melida in her place, Kufa arrives in time to parry his blow. But rather than let her instructor save her once again, she resolves to fight with him side-by-side, showing him what she’s learned. Having endured so much nay-saying and bile from people who don’t know what they’re talking about, it’s very satisfying to watch a defiant Melida take an active role in silencing them and foiling their schemes.

She’s come a long way, which goes for her maturity as well. That’s why she uses the request of Kufa she earned by passing the qualification isn’t to go on a date or to be her boyfriend, but simply to ask him to keep watching her as she continues the work of showing Flandore that she’s not the Incompetent Talented Girl, and never was. Kufa accedes to her request wholeheartedly, as she, who was once his target, has become his greatest pride.

Assassins Pride – 11 – A Vast and Insidious Conspiracy

From the moment Mule and Salacha arrive, Melida and Elise are at Mule’s mercy. Her family administrates the library, and she knows what all the books do, from dressing them in fairy tale cosplay to showing them the way through the labyrinth. The whole time, we know Melida and Elise’s “new friends” are up to something.

What we don’t know is why, aside from loyalty to their respective houses. What those houses are conspiring to do to Melida is evil, and all it takes for evil to succeed is for good people to do nothing. So…who are Mule and Salacha, really?

When the quartet completes a trial, which consists of defeating low-level imps and organizing books, four new books bearing their names materialize on a shelf. This is when Salacha decides: forget her bro’s orders, she’s Melida’s friend, and she owes her at least the warning that all of this is a trap, and help her chase down Mule, who’s taken her book.

Meanwhile, the Headmistress and the upperclassmen (of whom apparently only Shenfa can actually fight) are attacked by a Guild Grimface necromancer, but are bailed out by Kufa, who in turn is bailed out by Williams Gin when the necromancer transforms into Ains Ooal Gown’s cousin.

Grimface has apparently come to eliminate any and all witnesses to the screwing over of Melida, but Kufa made sure some students, led by Rosetti and Naqua, stayed on the surface to repel the guild’s raid. Thanks to Salacha, Melida at least knows that even two of her friends are working against her on behalf of their blood purity-obsessed families.

But what does Mule mean when she says she’s doing this because she “likes” Melida? Is she really doing her father’s bidding, or does she have a third, distinct agenda all her own? Was she just putting on an act in last week’s secret meeting? The final episode (at least of this season) has a lot of questions to answer.

Assassins Pride – 10 – No Point Imagining Bad Scenarios

No sooner than Melida returns to Flandore, she’s encouraged to enter the Vibria Goat Librarian Certification Exam, which in addition to being a damn mouthful, involves exploring Flandore’s sprawling central labyrinth library. Melida and Elise are eligible owing to their status as Luna Cadets, but the headmistress just wants them to stay on the safest level and get the feel of the place for a future exam.

Meanwhile, a widespread conspiracy is in motion against the Angel family, whose political rivals are annoyed that a girl of dubious parentage continues to rise. The movement is led by Salacha’s older brother, and she and Mule flank him as he discusses how they’ll take the Angels down. Mule even offers a magical book to aid them, which begs the question: whose side are these girls on? Salacha’s hesitation over harming Melida seems to suggest the answer isn’t so simple.

Salacha’s brother’s first move is to send in a goofy joker-masked man into Melida’s school to loudly and publicly declare he, not Lord Angel, is her real father. While examining her mana, Kufa reminds Melida that he warned her this kind of thing would happen when she started to gain renown, and to simply keep facing forward and doing her best.

Despite the headmistress’ meager expectations, Kufa thinks Melida should try to win the Certification Exam, in order to silence further doubters of her potential and prove that even if she is technically a bastard, she has what it takes to serve Flandore with distinction. So of course, things don’t go as planned when the Exam begins, with the lift being interrupted and a strange tentacle monster snatching up only Melida and Elise.

As the two girls battle high-level undead—apparently the ghosts of past librarians, very Ghostbusters—in the sprawling library, Lord Angel himself visits her school, and is received by Kufa and Rosetti. After the incident with the impostor claiming to be her father, the Lord’s fears about Melida’s fast rise causing trouble for the family has led him to decide to pull her out of school—away from both Kufa and Elise.

Kufa protests, and the Lord can tell he has reason to, but the dispute is interrupted by a message from Guild Grimface, indicating that Melida and Elise are in grave danger. Back in the library labyrinth, just two undead enemies cause severe wear to the girls’ swords, making it unlikely they’ll last if more than two were to appear. Naturally, ten ghosts appear, surrounding them, which is when Salacha and Mule drop in and eliminate them.

Is Salacha here to carry out her brother’s wishes and those of the families who have allied against the Angels? Is Mule seriously going to take steps to expose Melida’s “blunders”? Or are they there as they were at the slumber party: fast friends who want to protect and aid them?

No Guns Life – 09 – Bucking Colts

In what can best be described as a respite/setup episode, a lot of time is spent at Berühren HQ, where we finally see that the board of executives occupy a colossal many-faced robot/idol…thing. It’s pretty trippy. Cunningham beseeches the faces for another chance to redeem himself after a string of failures and is granted that shot.

From there we move on to Juuzou, who is back at his office, being courted by the others for some hot pot togetherness. Mary also announces she’s moving in with him, for various reasons. While undergoing routine maintenance, Tetsuro asks Mary why she became an Extension engineer.

Her reluctant answer? In short, so that she’d one day cross paths with…someone she’s been waiting for a long time. We later learn that someone is her brother, Victor.

When one of Mary’s clients, Colt, passes out outside the building, she fixes him up, and she and Tetsuro learn that the news reports about Berühren offering restitution to the families of testers killed by their latest research is B.S. As payment for her work, Colt offers her a fancy extension hand and forearm assembly that she geeks out on—turns out it was build by Victor.

But Colt also steals something of Mary’s, and Tetsuro spots it and follows him. After a brief scuffle, Colt asks Tetsuro to join him on his “job” which inevitably involves something bad. When asked if he wants to do it, Colt only replies only people with futures have stuff they want to do. Everyone else does what they have to.

Fire Force – 11 – Flowers of Edo

On Captain Oubi’s order, Hinawa regales the newer members of the 8th with the tale of how the 8th got started. Hinawa was a sergeant in the Imperial army at the time (as was Maki, a general’s daughter), and his lieutenant was a kind fellow named Tojo who had his sidearm “baptized” in case he has to put an Infernal to rest.

Well, Tojo is the one to be infernalized, and when the time comes to put him down, Hinawa can’t pull the trigger because his gun isn’t baptized. While off duty, he comes upon the scene of a fire where Oubi, head of the amateur firefighters, takes exception to the Fire Force soldiers who delay putting a docile Infernal to rest because it won’t “score enough points.”

Hinawa and Oubi decide to team up and put the docile Infernal to rest, and Oubi eventually starts the 8th Company as a different kind of Fire Force, one primarily concerned with putting Infernals to rest as respectfully and properly as possible while ensuring the safety of the living.

The company starts with just the two of them, but Hinawa urges Oubi to recruit Maki, whose work ethic, compassion and dedication to her duty make her the perfect match for the company they want to create. When Maki hears this in the present, she’s overcome with happiness, as she initially thought she was just brought in as a “meat shield.”

The reason for all this reminiscing? Aside from the fact it’s fun to learn about how the 8th got started, it was their first call that brings them to the present matter at hand, as it’s likely that the first Infernal they put to rest was artificially created by the Evangelist.

The location of that first call was Asakusa, the jurisdiction of the 7th Company, headed up by Captain Shinmon Benimaru. Beni does things a bit differently too, as his company doesn’t officially answer to the empire, and they dwell and work with traditional technology.

Oubi and the 8th visit the 7th’s HQ unannounced, and meet Benimaru, his lieutenant Sagamiya and two tiny twin fire soldiers Hinata and Hikage. But Beni doesn’t like another company stepping on his turf, and won’t hear them out. Just as Shinra is challenging him to a fight he’ll likely lose, fire bells sound outside—an Infernal has been spotted.

Shinra and the 8th then bear witness to the way Beni does things, as well as demonstrates his compound 2nd/3rd-gen abilities to both create and manipulate flames. He uses them in much the same way firefighters of the hikeshi system of old Edo: to demolish buildings and even entire blocks in order to stop the spread of the fire. His ability just enables him to do it on his own and with great efficiency (not to mention style).

The people in his jurisdiction, much like the people of Edo during those fires, aren’t outraged by the apparent wanton destruction. On the contrary, they know Benimaru is doing what must be done to protect the city, and hope that if they ever Infernalize, he’ll be the one to put them to rest. Fires and the destruction caused to stop them are a fact of life for them. For as the saying goes, “Fires and quarrels are the flowers of Edo.

Fire Force – 10 – Promises, Promises

With Arthur back, Hibana hanging around feeding Shinra, and Tamaki joining the 8th, the company has never seemed livelier, as noted by both Captain Oubi and Lt. Hinawa. Shinra and Tamaki join those to for a meeting of all eight company Captains before the Emperor of Tokyo.

This is made out to be such a big deal that there hasn’t even been such a meeting the whole time Oubi has been a captain, but like Rail Zeppelin’s Mystic Eyes auction in another show, the actual event itself is pretty underwhelming.

We get a quick peek at all the captains we’ve seen before, but nothing that’s discussed in the meeting couldn’t have been said in a phone conference or email thread. Basically, the emperor wants all the companies working together to find and stop the Evangelist.

What of Shinra? One thing Hoshimiya wasn’t lying about is that Shinra’s flames are what’s called an Adolla Burst, an extremely pure form of flame identical to the ones that power the Amaterasu power plant, as well as those that created the world in which they live (how flames create things, I do not know).

In any case, the captain of the 3rd Company wants to “secure” Shinra (i.e. make him a test subject) since the Evangelist is likely after Adolla Bursts like his. Oubi manages to assure everyone the 8th will continue to keep him safe, though right after saying that he leaves Shinra on his own.

The Joker shows up, but not for a fight. He tells Shinra that his brother Shou is not only still alive, but is the commander of the “white-clad” Knights of the Ashen Flame, who serve the Evangelist. After acting sullen and awkward for most of the day back at the station, he finally tells the rest of his company mates after a family meal.

Even if I’m not super-excited about Shinra having to go up against the brother he once thought to be dead (this kinda angle is done to death), what I did like about this episode is that it re-established the 8th as one big family, and I liked the warm quiet scenes where they’re all just working or eating.

I’m also glad Shinra didn’t keep the news about Shou secret, due in large part to the sense of family and trust he feels from everyone…even Arthur.  As for how Tamaki suddenly ended up naked but for a pink apron when she and Maki tried (and failed) to start dinner…I’ve got nothin’.

Carole & Tuesday – 13 – Army of Two Steps Back

I’m not sure why every episode of Carole & Tuesday needs to begin by reminding us about the “Miraculous Seven Minutes” that haven’t happened yet, as if we forgot. We get it: they’ll set it into motion! It will change Mars forever! Shut up about it, would ya?!

For now, all C&T get for not winning, but also not quite losing, Mars Brightest is a lot of notoriety, not all of it welcome. They muddle through talk shows and interviews, while Angela, owner of a new contract with a 20 million Woolong singing bonus, has already released her first single.

It features such stirring slogans as “breaking chains”, “keep moving”, “taking control”, “today’s a new day”, and “find my heaven,” collections of words no one has ever thought to put together before! New day, same crappy lyrics.

C&T’s new fame is earning them zero Woolongs but plenty of headaches. At a laundromat, Tuesday is surrounded by brusque gents, and is only saved further harassment by the intervention of a fellow clothes-washer who is probably Carole’s long-lost father (or at least, we’re supposed to wonder if that’s who he is).

When Gus and Dahlia cross paths, they’re all smiles and passive aggression, but Angela cuts through the crap: C&T better get their heads out of the clouds and start making hits soon, or else she’s going to leave them in the dust come Mars Grammy time. Heck, she’ll probably leave them in the dust anyway, but like Mars Brightest, she still wants a fair fight.

There’s nothing fair about the contract meeting at Brightest Records, the studio run by Catherine. As Tuesday’s suddenly very Trump-like mom starts talking about deporting illegal immigrants (which makes one ask the uncomfortable, what exactly is Carole’s official immigration status?) Gus rejects Cathy’s offer without consulting the girls, taking money out pockets and food out of their mouths without any guarantee of alternate sources of income.

Daddy Gus has simply decided, unilaterally, that C&T are going to be an indie group, selling their songs online to “boost their commercial value” and make their negotiating position better. And the girls just…allow it. It’s baffling; they’re just not developed enough as a group to be turning down reasonable offers; not when it’s really past time they started, you know, earning money to “live” and “eat”.

And don’t get me started on Gus dragging them to the rougher side of town to play an impromptu concert no one there asked for, all to lure out a “genius producer” who loves swinging a goddamned ax around. But hey, I guess it will all work out. Those Miraculous Seven Minutes are coming, or so they say! I just don’t know if I’m going to make it there…

Carole & Tuesday – 12 – Setting the Stage to Stardom

As a dejected Carole tells Gus and Roddy what just happened, Tuesday is briefly scolded by her mother upon returning to her mansion. Her mom couldn’t give to shits about her beyond how her actions reflect on her, and she basically says as much before locking her daughter in her room for a week.

You’d think for a politician worried about the scandal of a runaway daughter, subjecting that daughter to solitary confinement might not be the best look! Anyway, what follows is an effective montage of the two girls suddenly ripped apart becoming more and more morose. They are both The Loneliest Girl all over again.

Gus, who had a similar falling-out with a loved one that in hindsight he believes he could have salvaged, offers some sage advice to Carole about not letting things fester too long without making amends. Carole, eating her feelings in the form of a double Whopper, is way ahead of him: She needs Tues, and she thinks Tues needs her. Gus agrees, which means it’s time to plan the rescue mission—which, yes, may technically involve kidnapping!

Meanwhile, Tuesday’s only non-robot visitor is Spencer, who is as supportive as Gus about getting the duo back together, and letting his sister pursue her dreams. He reveals to her he saw her in the club, and while he admits he never thought his sis was capable of running away to the big city or getting into music, he can relate (having once pursued music but gave up, likely under pressure from mom).

I like Spencer. He’s a good brother! He didn’t give in to their domineering mother when it mattered most. Mom’s too self-involved and distracted by politics and toy boys to realize her hold on him is not as strong as she thinks. And while he couldn’t make it, he can tell she’s got what it takes, and so will do everything to free her from her gilded prison.

That night—the night before the finals, as Carole, Gus, Roddy take the train to Tuesday’s district—Angela is at the Artience Lab with Tao, asking him why the AI lyrics seem to be almost reading her mind. His answer is that, well, the lab itself has been reading her mind all along, as well as her body. It’s been listening and watching and writing, and perhaps even drawn out words from her subconscious she’d never be able to draw out alone.

In this regard, Angela is not a solo act, despite appearing alone on stage. Tao is her collaborator, since he’s the one who developed the AI. After getting into singing to please Dahlia, she can’t sing the final song to her Mama, so she asks Tao to indulge her and look at her and only her throughout the performance.

Tao agrees, but only this once. Like Carole and Tuesday, there’s nothing overtly or explicitly romantic in play here, but it’s also not like there’s nothing there.

The next morning, the rescue attempt, in which Spencer aids Carole, Gus and Roddy without even knowing it by unlocing her door and holding back a security robot so she can run away in her very inappropriate-for-running fancy shoes. They also catch a bit of luck when a driver in a car that’s faster than the cops recognizes them and offers them a ride to the station.

Gus and Roddy are arrested, but the mission is complete: Carole & Tuesday are on their way to their destiny. On the train, Carole apologizes to Tues for the things she said, and the two make it clear to each other that they want nothing more than to by each other’s side. Carole also finally manages to give Tues her birthday gift: a shiny acoustic guitar pin.

When the two return to Alba City, the grandeur of the first episode in which Tuesday arrives for the first time returns, only now she’s not alone and unknown, but running hand-in-hand with her new bestie as the throngs of people recognize and cheer them on. The only problem is, they’re very late; the season finale of Mars Brightest has already started, and as promised, Tao is in the back of the hall, his gaze locked on Angela.

Angie takes that gaze and runs with it, turning in another lovely performance. The vocals are good, but as usual I’m just not that impressed with the lyrics. She sings two identical verses without any change, which makes me wonder, are they that deep and sophisticated as to make Angela believe the AI was reading her mind? I don’t know, but as usual I have to grade on a curve and for this show, it’s a damn good song, well performed.

The judges agree, and are ready to crown Angela a winner until the sudden belated appearance of Carole & Tuesday. Catherine whips out the rulebook and states that any performers not present at the start of the show will be disqualified. Despite this, Carole, Tuesday, Benito, the crowd, and even Angela all compel her to allow them to perform anyway.

Since they had no time to write or practice a new song, they go with their very first song, Loneliest Girl, the song that marked the beginning of their friendship, the end of their loneliness, made them a viral sensation (thanks to Roddy) and put them on the road to musical greatness.

While we’ve heard the song a few times throughout the series, it’s never been performed so powerfully as this time, and with both this and Angela’s finals performance, Mars Brightest finally sounds and feels like a genuine reality TV competition, breaking through the walls of mere imitation.

That’s carried forward with the deliberation of the judges afterwards. Even DJ Ertegun is moved to tears! Catherine initially holds her “rules are rules” ground, but allows an exception that satisfies everyone from the crowd, to Angela (who wanted a fair-and-square fight) to Gus and Roddy (still stuck in jail): Angela is the official winner, but both acts will be permitted to make their pro debuts.

They earned it, and Angela is cordial in congratulating them. She, Carole and Tuesday have come a long way, and many challenges remain. Will their continued chilly rivalry curdle into outright hostility? Will Cybelle break out of prison and finish what she started? Will Tues’ mom take harsher measures, despite the blowback from the duo’s growing legion of fans? We’ll find out in the second half of the series. I’ll be on board!

Sarazanmai – 09 – Only the Bad Ones Survive

Things go from bad to worse in the Azumi Sara comedy of errors. While trying to free Prince Keppi from ice, he slides out into the street, where he’s shattered by a passing otter-aligned Dekotora truck. Not a great start! Still, with all the comedic musical stabs, it was clear Keppi was probably going to be fine in the end. After all, he’s a magical creature!

Enta, on the other hand? Not a magical creature, just a boy who was shot by the police. Since Mabo and Reo brainwashed all the other cops, they won’t listen to his story, and instead place all the blame on Chikai. Tao sees Enta on the news, he leaves Enta in Kazaki’s care. Tao, meanwhile, is the only one who can stand with his big brother. As expected, through extremely whimsical means Sara manages to reassemble and thaw Keppi.

Enta’s sister Otone eventually convinces Kazaki to finally face Enta and try to talk to him, and to his surprise, Enta is alive and well…only in Kappa form, thanks to the newly-built Keppi springing into action right away. There’s a catch, however: there’s a ticking clock on Enta’s kappa cap, indicating when he’ll die. If they’re going to save him, they’ll need dishes fast. Time is of the essence.

Once off the ferry, Chikai meets up Masa with a former little bro in his gang who knows the truth about Tao killing the boss years ago. After hanging around with him for a while, before they depart Chikai kills him because he was “to good to survive,” and when he’s confronted by another gangster, Chikai is surprised to find Tao has a pistol of his own, and is providing covering fire for his escape.

To drive home the fact that Mabo and Reo are not your conventional two-dimentional villains, the latter is excited to have been reunited with the former until he catches him being worked over by a desirous doppelganger; a mirror of the desires within Reo. The real Reo resolves to take back the real Mabu with his own strength, suggesting he’s not in lockstep with his otter kin.

When Kazaki collects a dish from his room, Haruka is awake, and asks him if he’s leaving again. Kazaki doesn’t sugar-coat things; he may be going into danger, but it’s to help Enta, whom Haruka recognizes is someone more than deserving of help from his brother for everything he did for both of them. Haruka also produces a drawing of Kazaki playing soccer that he drew with Enta, and Kazaki suddenly remembers meeting Tao when he was little.

Tao, meanwhile, follows his brother as far as he can, before he realizes that even he isn’t safe from being offed once his usefulness is at an end. That time seems to arrive when Tao catches up with Chikai, only for Chikai to pull a gun on him. Before he can kill Tao, he’s shot by the other gangster from long range, who is, in turn, shot by Chikai before he collapses.

Turns out Chikai was wrong; it’s not always the bad ones who survive. Or is he? As he lies dying and Tao weeps on the roof of the suddenly very funereal-looking ferry, memories of their brotherhood flash by, showing a loving Chikai and Tao who were always there for one another, even as Chikai grew darker and more troubled, Tao never ceased to stay beside him.

In Chikai’s pocket is a photo of their family with everyone scratched out by Sharpie except for Tao. As terrible a person as he was, Kuji Chikai wasn’t always that way, and he never stopped loving Tao. But now he’s gone, and Tao has a choice.

Sarazanmai – 08 – Giving Up Something Precious

Where did Kazuki originally get his miçanga? From Toi, years ago, after he shot his brother’s foe. His brother had given up so much for him, he wanted to return the favor, and so gave up soccer, just like Kazuki would end up doing after Haruka’s injury. The thing is, Kazuki doesn’t remember.

That may be part of the equation of why Toi is alright leaving Kazuki and Enta, but it doesn’t mean he’s okay with it. Still, family comes first, and Toi would do anything for his brother. Unfortunately, Chikai is such a selfish jerk that he exploits Toi’s utter devotion to him at every turn, not letting him have his own life. “You need me, I need you.” Neither is true; not anymore.

On the contrary, Toi would be better off if his rotten brother were apprehended and faced justice. He has new connections. Not to be cold with regard to Chikai—he may well genuinely love his brother and wants them to be together. But he’s also an adult who made his choices, which come with consequences.

That he’s okay with Toi getting dragged down with him out of fraternal loyalty is proof of Chikai’s self-serving nature. More proof? Relying on a 14-year-old stranger in Enta to keep him hidden from the roaming Otter policemen. At least during this interaction, Enta learns the truth about the origin of Kazuki’s miçanga, and that Kazuki an Toi’s connection goes back further than he thought.

While the sudden presence of the “bro” of the guy Chikai (though technically Toi) killed wanting revenge seems rather sudden and contrived, when Chikai tosses Enta in the line of the guy’s sword, it’s Strike Three; dude should be in jail.

Thankfully for Enta, Reo and Mabo rescue him from the gangster, and then Reo shoots said gangster dead. Two other police hear the shot, but he and Mabo use special otter pins to brainwash them into telling the story of their choosing.

In a theater, Keppi consults with Sara on the Otter situation, and Sara unveils an apparatus that will flash freeze them alive upon capture, all to get back “Dark Keppi.” It’s interesting to see these two work so closely together, and to see Sara’s intermittent extreme clumsiness on display as she sneezes from pepper and accidentally kicks Keppi into the device, freezing him.

When Toi calls Enta to say his farewells, Enta tells him he knows about the miçanga, but that Kazuki doesn’t realize it’s Toi who gave it to him. Toi doesn’t think it matters, nor is there any reason to tell him, and says goodbye, wishing Enta and Kazuki the best as the Golden Duo.

When Toi calls Kazuki, he tests him by saying the same words he said years ago about having to “protect the connections he has.” Kazuki assumes, quite wrongly, that Toi is leaving because Enta betrayed them and stole the Dishes of Hope.

That makes Enta’s next encounter with Kazuki fraught with a great deal of anger and sadness over the misunderstanding. Even though Enta returns with the dishes and urges Kazuki to hurry up and help him get Toi back, Kazuki is still burning from Enta’s betrayal, and won’t believe or even listen to another word he says.

This is how, on the same day his friend Toi leaves his life, possibly never to be seen again, Kazuki puts all the blame on Enta and disowns him as a friend. To make matters worses, Keppi is nowhere to be found and thus can’t protect them when Reo and Mabo show up in the park.

Reo pulls out his pistol and shoots, and Enta takes the bullet for Kazuki…a love bullet! As the cops leave with the dishes, Mabo tells Kazuki he may still have time to save Enta’s life, and Enta comes to sprawled over Kazuki’s lap, and laughs that he couldn’t even joke about ever hating him before passing out again.

No doubt unsure what else to do, Kazuki calls Toi, but Toi is already on the boat out of Tokyo with his brother, and doesn’t bother answering. One imagines if Kazuki texted him that Enta got shot, he might ask the boat to turn around, but Kazuki doesn’t text him, so he doesn’t know how dire things are back on land.

With Kazuki a definite emotional wreck, Enta possibly dead, Toi on a boat and Keppi an ice kappa-cube, the Otters couldn’t be in a stronger position, nor could the good guys be mired in a deeper abyss of despair. Where does Sarazanmai go from here?

Carole & Tuesday – 05 – The Trees in the Wind Will Lead the Way

After burning down a famous DJ’s house and getting taken in by a scambot, the C&T Dream Team needs a win desperately…not to mention some scratch to keep the lights on! So Gus and Roddy set out to meet with their connections in order to arrange the duo’s first gig.

On the Angela front not visited last week, Mama comes to her daughters defense, accusing Tao of treating her like a lab rat due to his background in neuroscience. Tao’s rejoinder is to bring up Mama’s assault charges…and her apparent “androgynous” status.

Finally, Tuesday’s brother has arrived in Alba City, determined to find his sister and bring her home as per their Mama’s orders.

Upon trying to meet with his old pal Hofner without an appontment, Gus is met by stubborn guardbots, whom Hofner himself orders to stand down, after which Gus is able to voice his intent to do business.

Tao takes Angela to Schwarz, an investor at Intergalactic, and asks her to sing an a capella song she learned during the car ride to convince Schwarz to invest 12 million Woolong.

Roddy meets his friend Beth, who owns one of the last independent clubs, and asks her for a slot for C&T. The overarching theme here is, in order to make it big, you’ve got to put in the legwork, and connections are key.

C&T’s only connections are people with connections, who happen to have faith in their talent and charisma. As for Angela, she sings well (though I’m not a fan of the lyrics) and gets the 12 mil…but like us is still unclear exactly what Tao has in store for her.

Tuesday’s brother finds Carole’s landlord utterly unhelpful in positively identifying his sister, who gets a job as a poster girl for a food truck while Carole unsuccessfully walks AI pets. On the bright side (literally) the lights come back on and Carole’s AI suitcase finally makes it back to her.

Finally, there’s C&T’s first gig where they knew they were being watched. Despite the somewhat dingy digs and just ten people in the audience including him, Roddy considers this a seminal moment, the genesis of what will become a great musical duo, where those ten people will be able to say “I was there.”

Mind you, Roddy is pretty much in love with C&T at this point, so he might be biased. I for one found the song perfectly inoffensive but the lyrics were trite and cloying. It’s hard not to be harsh on the pedestrian nature of their tunes when the entire premise is that the duo are some kind of rare and monumental talents that will literally change the world with their music.

But if those in the world of the show say they’re really good, that’s I guess all that really matters. Watching Tuesday perform is enough for her brother to seemingly give up his search and let her be, despite the blowback he’ll get from Mom. I just wish their songs were amazing full stop, not just “amazing” in the context of the show.

Tenrou: Sirius the Jaeger – 12 (Fin) – Bringing the World Together

Fallon manages to land the plane without killing anyone, and Dorothea deals with their vampy stowaway. Willard gains access to the airship’s bridge and brings the ship close enough to the ground so Yuliy can grab hold and board it. Yevgraf immediately becomes drunk with power and spends a lot of time smirking, laughing, and gloating about it.

Indeed, Yev proves just a few minutes into his “merging” with the Ark that he’s only in it for number one. Having gained the knowledge of the Ark, he believes vampires to be a weak and inferior race just like humans, and plans to purge both in his new world.

This naturally comes as a shock to his always enthusiastically loyal underling Tamara. But even more shocking to her is that Yuliy is the one who comes to her rescue against a Yevgraf who has changed a great deal in a very short time…and not for the better. Like myself, she did not see such an alliance coming!

Yuliy isn’t interested in killing vampires for the sake of killing vampires. He made a promise to his father to keep the Ark, and the pride of Sirius alive, and to prove him right about all of the races of the world being able to peacefully coexist. I mean, if the Ark doesn’t have the answers to such a future hidden somewhere within it, what good is it, really?

The Jirov brothers team up to fight this new “deformed final boss” version Yevgraf, who is little more than a monster now; all subtlety regarding his lamenting the end of his kind by some random disease utterly evaporated for the sake of a good-vs.-evil showdown.

Yev can heal super-fast, but eventually the power proves too much even for his body, and the regeneration slows and eventually stops altogether. This leaves him a far more vulnerable target for attacks by both Yuliy and Mikhail, who work together to finish him off.

Not soon thereafter, Misha succumbs to the disease and his wounds, but not before handing Yuliy the Ark he pulled out of Yev’s chest and telling him to keep living, this time with the Ark.

The airship crashes into the sea, and Willard washes up on the shore, but while he’s out, Yuliy reaches out to him, telling his second father he’s found a new way to live: by using the power of the Ark to help the world, as he believes those who bestowed it upon his predecessors intended.

Willard wakes up surrounded by the rest of V Company, Iba and Ryouko. A bit later Ryouko returns home and enrolls in college business classes, hoping to one day walk by Yuliy’s side once again. Willard & Co. receive word of the location of a couple matching Yuliy and Tamara’s description, and are ordered to capture them.

While their superiors now see Yuliy as an adversary to keep in check, nobody in V Company is against what he’s doing, which is why they intend to be the first to find him. When we leave Yuliy, he’s on a train, preparing to meet with vampire elders about reaching some kind of détente.

And that’ll do it for Sirius! I’ll admit it took me a while to get through it, but that wasn’t out of lack of enthusiasm. On the contrary, despite its lukewarm reception in the halls of MAL, I quite enjoyed P.A. Works’ foray into the vampire genre. It tweaked the blueprint with period and steampunk touches and a likable (if not particularly unique or deep) cast of characters.