The Dangers in My Heart – 20 – Birthday Wishes

We begin with a White Day misunderstanding, as under his gyaru mom’s orders, Adachi tosses thank you cookies into Moeko’s shoe locker a little too nonchalantly, and they fall out. Just as Yamada and Moeko are rounding the corner, they see Ichikawa putting the cookies … into Yamada’s shoe locker by mistake.

Adachi manages to actually make Moeko look somewhat serious bless him, but when he leaves she still thinks they’re for Yamada from Ichikawa. When Yamada reads the lovey-dovey note, her face goes beet-red and her eyes do that tight-spiraly thing.

As the day the classes change nears, Chihiro tries some reverse psychology on the teacher, urging him not to put her in a class with Yamada, Moeko, and Serina. Unfortunately she just might get her wish! Ichikawa stays behind, feeling nostalgic about the classroom, when he gets a text from Yamada.

She’s still there too, and invites him to the gym for a one-on-one basketball game. While she’s got the length, she’s go to touch to her shot, and ends up scoring on a rebound from Ichikawa’s jumper. Ichikawa was going to ask her out if his shot went in, but instead Yamada claims the win and asks if it’s okay to call him “Kyou”.

Thing is, he didn’t need to make a shot to ask her out, he could just do it and she’d say yes. Oh well! At least when his birthday rolls around and he’s resigned to a quiet evening with fam, she sends him a photo of her fresh off a shoot looking super-cute by the sakura trees.

They meet up at the station, and on their way home, he notices she’s still calling him “Ichikawa.” Like him, she’s still very nervous about it. Then he senses someone following them, and he shields Yamada like her gallant knight. Turns out it’s just his dad!

When Pops tells Yamada it’s Ichikawa’s birthday, she’s invited to join the family for dinner, which Kana is super-hyped about, such that she gets all dolled up. When she learns Yamada is an honest-to-God pro model she feels silly and embarrassed, but she shouldn’t; her style rocks!

After a dinner of sukiyaki where Yamada only has a few bites (her saying she’s a “light eater” may just be the biggest lie she’s ever told), Ichikawa’s mom turns out the lights and brings the cake, humming the wedding march, definitely a subconscious slip-up with her son’s pretty friend present.

Yamada starts singing “Happy Birthday” and everyone joins in. After he blows out the candles, Yamada quietly whispers “Happy Birthday, Kyou” in his ear, leaving no room to mistake about whether she said “today.” Girl wants to call him by his first name. He’d do well to reciprocate!

Kana urges Yamada to spend the night, and she gets permission from her mom because she’s staying at a girl’s house. Yamada leaves out the fact it’s also Ichikawa’s house! Yamada has a bath first, and Kana gives Ichikawa some girl’s clothes and undies for Yamada to wear, then falls asleep.

Clearly Kana always intended to give Ichikawa and Yamada a chance to have a sleepover, once again demonstrating what a superb big sis she is. When Ichikawa pops into the laundry room to leave Yamada her clothes, the two are very aware that they’re talking while she’s naked in the bath, separated by a thin door.

When Ichikawa prepares to leave her rubber band by that door, Yamada opens it to make the exchange directly. The resulting postcard memory is so pretty it looks like a Renaissance painting.

Yamada is set up on the sectional in the living room, and when Ichikawa comes down “to get a drink of water” he sees her reading a script for a film she’s in that shoots in two days. She admits she’s having trouble being the rebellious girl because she never had a rebellion.

Ichikawa admits he did, but it wasn’t because he didn’t like his clearly very nice parents. Instead, he was mad about not letting himself be himself, and worried about not being a good kid. When Yamada hears this, she takes him by the shoulder and draws him into her chest, to wordlessly say “it’s alright” and “you are a good kid.”

The two remain seated together at the foot the couch all night, or at least until Yamada nods off. Ichikawa draws ever so close to her ear, perhaps planning to either kiss her goodnight or say her first name, but he draws back, tucks her in, and bids her goodnight before returning to his room.

Yamada, who was actually awake the whole time, opens her eyes, blushes, and smiles ever so softly as that trademark heart-soaring, often tear-inducing piano and strings plays them off. I daresay she wanted a kiss and to be called Anna. Hopefully Ichikawa, or should I say Kyou, musters the courage soon.

The episode ends with a gag, as Ichikawa realizes that since Kana’s undies are still in the laundry room and Yamada’s are still in the wash, Yamada is and has been going commando since her bath. Encouragement from the black-winged manifestation of his libido aside, he’d better not do anything with this information!

Author: sesameacrylic

Zane Kalish is a staff writer for RABUJOI.