We’re in A.C. as of Thursday afternoon, so no anime reviews until Sunday afternoon at the earliest. Have a lucky day—RABUJOI STAFF
The tipsy Haruno invites everyone upstairs so Yukino can say what she wants to say, and even pops out some solo champagne as she listens. The operative word there is listen: she actually does so, now that she can tell Yukino has something to clearly say.
Haruno says she’ll support Yukino in her efforts as a big sis should, but warns that if she goes back home, she may not be able to leave for a while. Yukino already knows the difficulty of what she’s doing, but she can’t win (her independence) if she doesn’t play, so she’s decided to finally take the field.
As Yui stays over to help Yukino pack her things, Haruno walks with Hikigaya, and expresses her astonishment over her little sis finally making herself clear. The ol’ Haruno cynicism is still there, citing that “nothing will change” whether thing works out Yukino or not, but that giving up on “various things” is part of becoming an adult, and it’s good to see Yukino take those first steps.
She also confides in Hikki that she’s not actually drunk, even though her face is flush and she’s favoring his shoulder. The flushness suddenly fades and she stands straighter, and her demeanor and voice suddenly more closely resemble Yukino’s.
No matter how much Haruno has drunk, a part of her has always been able to stay calm and observe and temper herself. And she has a sneaking suspicion Hikki is the same, whispering “you can’t get drunk” in his ear. Whether it’s alcohol…or love.
The next day at school, after a slight problem unlocking the club room, the trio are back at their places sipping tea when Isshiki Iroha makes her first appearance this season. She hooks up a portable projector and plays a TV drama, but not to just goof off. Instead of the end-of-year “thank you” party for grads, she wants to throw a prom, like Western high schools.
With so little time to prepare, it’s going to be a close call whether Iroha can actually get such an undertaking off the ground, and it wouldn’t even be for her class, but she’s determined to make it happen, stating her desire to be Prom Queen to be her primary motivator.
When Yukino tells her she’ll be queen for her own prom in two years even if she doesn’t “lay the groundwork”, Iroha stands her ground, insisting the prep is crucial to achieving her goals. Left unsaid is that within her selfish motivation there likely lies a desire to see Hikki, Yukino and Yui have a prom.
Yukino can probably sense this, and considering she has a lofty goal of her own, she’d be hypocritical if she pooh-pooh’s Iroha’s. So she agrees to help Iroha, but as an individual, not a Service Club member. She also tells Yui and Hikki they’re under no obligation to help her since it’s not an official request, but a personal one.
While they realize she wants to try to do this on her own, they’ll always be around to help out when needed (which is certain to be the case).
When Yui comes home and sees the photo of her between Yukino and Hikki, she frowns, and tells herself to forget the thing she saw while helping Yukino move: a photo of Yukino holding Hikki’s arm on the water ride, hidden behind the stuffed animals on her bed. Of course, Yui can’t forget what she saw, because it’s just another confirmation of the “place she can’t get into”, no matter how many times she stands in front of the door.
She interprets Yukino’s treasuring of that photo as further evidence she has feelings for Hikki. Yui has feelings for Hikki, but also loves Yukino, thus leaving her perpetually on the outside looking in. She’s had to be content with that limbo, in which her and Yukino and Hikki’s genuine feelings—and the conflicts they create—have been left unsaid, clearly or otherwise.
But with Yukino starting to speak clearly, that’s coming to an end. There’s an unavoidable element of destruction inherent in all acts of creation—in this case Yukino’s New Start, but also the overarching physical and psychological transition into adulthood. Yui sees that on the horizon and fears she’s unprepared…but isn’t everybody?
Due to a power outage of indeterminate duration at RABUJOI HQ, all reviews will be delayed. —R.S.
Kokura Hikari loves rifle shooting and aims to refine that love up to Olympic levels. However, her school’s Rifle Club Four girls is discontinued the day she tries to join it and blah blah blah a new club of four girls comes together before the mid point of the first episode.
Active Shooter on Campus is a shelter in place it’s so bad because it’s so generic Girl’s Club anime. It is visually competent, with crisp line work and broad color, but there is nothing else positive to say about it. The cast has no depth or interesting motivations. The humorless story telling and setting has no gimmick or novelty. At 22 minutes, this is absolutely not worth your time.
We’re on vacation! No reviews scheduled for the rest of the week, except whatever Oigakkosan writes up. Regular service to resume next week. —RABUJOI STAFF
Like we the viewers, Mangetsu begins this episode not sure why or how she ended up nude in Ernesta’s bed. Meanwhile, Mangetsu’s family panics and calls the police to report their daughter’s disappearance. While a literal hand wave (of magic) fixes the situation, I can’t help but feel like a more interesting plot line was waved away with it.
What follows is a by the numbers plot where Ernesta joins Mangetsu’s class as a transfer student, demonstrates or explains more about magic, and the source of Mangetsu power remains a mystery (and she continues to grow more powerful).
Side characters are developed a bit on the edges, such as a now magicless Rosa being kicked out of Anna Fugo’s mansion, and twins being introduced in Hong Kong, but those elements each felt isolated and inconsequential to the main plotline.
Granbelm’s broad color pallet, use of gradient fills, and subtle audio style make it pleasant to watch. However, these same qualities emphasize how frustrating its utterly incompetent narrative structure is at the same time.
Mangetsu has a Mary Sue quality, as seen by her natural immunity to magic and substantially higher powerful when casting magic. However, Mangetsu’s absence of personal flaws and lack of immediate challenges to overcome are more frustrating. She’s passive, too kind, and too removed from the magic world. The resulting character feels generic and the pairing narrative doesn’t have stakes. It’s underwhelming.
At its core, Granbelm is a show that could easily be a lot better. Replacing the short and scattered side character ‘check in’ scenes with a clear B-plot would have given the episode more focus.
Ernesta would make a stronger protagonist because she has stakes in the magic battle, relationships to build upon, and her point of view would structure the mystery about Mangetsu’s power as an actual mystery.
From Mangetsu’s dull characterization, to her lack of agency, to her lack of interest in her own mystery, to her apparent OP magic status, nearly everything Granbelm idea feels wrong. Anna’s declaration at the very end of the episode gives me a sliver of hope — that Mangetsu is a demon could be an interesting twist on the demon lord and magic girl genre conventions — but it’s just a sliver of hope.
After Chinatsu’s request to confess to the same boy Akane is dating, Tsuki ga Kirei hits the pause and rewind buttons for a “the road so far” recap. BAH!
The only thing to note is that after six episodes of a highly-filtered live action Shinto cultural dance sequence in the middle of the OP, it looks like they finally got around to animating it (see above).
Alas, there’s no new story until next week. Booo :(
The Gist: Lucifer falls to hell but passes her blood to a mortal on the way down. Then she meets the seven deadly sins, which are demon lord ladies that want to kill and or do her or both. None of it makes much sense and none of it is voice acted or presented in an interesting way, but she beats them and sets a story min motion…
The Verdict: it’s slightly sexy, in so far as the uncensored version has nipples and touching between girls with huge breasts but it is not coherent nor H-enough to fill that kind of thrill. If you need an nonsensical christian’ish themed girl touching show… honestly, you can do better than this?
I mean, I know why it was made and who it is for and it is higher quality than your typical ecchi girl-touching fight genre show, but not by much. Seriously, just hang out at a bar till closing time and take whatever desperate hook-up that’s left home with you. You’ll feel less dirty in the morning…
The Gist: imagine a world where WWF from the 1980’s was really real and the absurd backstories of its actor/wrestlers were harsh and traumatic. Now imagine that world is crudely drawn, quickly (but incoherently) paced, and you have Tiger Mask W.
The plot is about two boys who enter wresting to take revenge upon the man who destroyed their father/ father figure. Each boy ends up wearing a tiger mask, but for different organizations and will, probably, have a show down with each other at some point in the season.
bad figures, color pallete, composition and scale… at least it has a picture of a motor cycle in the middle of it…
The verdict: Tiger Mask’s plot is almost terrible enough to be funny but it’s too convoluted to engage. The whole Global Wrestling Monopoly Conspiracy is weird and distracts from the initial thrust of the story, and I’m not even getting into the whole gym of under dogs that somehow get rolled into ‘Monopoly’s plan to take over Japanese wrestling.’
Maybe I’m too old for this? But, even if I liked wrestling, animation this ugly and narratively slapped together would probably be a turn-off.
The Gist: 5 generic girl-types in skimpy clothes prance around talking to the viewer, who doesn’t talk back. A mouse digs into one girls boobs, another girl does leg splits in front of us, there’s a 8th grade syndromer, and a clutz with big boobs and glasses. Also, a white haired girl on a mover board.
While the first person perspective participatory role of the viewer is interesting, there’s nothing novel about Anitore! XX. It’s just tame ecchi with blushing girls showing their stomaches and making cute noises. It’s not even clear what the plot is from the episode, since no one bothers to explain what is going on and there’s no twist or reveal.
While the art style is serviceable, and the angles are actually creative, you have so many cuter or raunchier shows available. Add on that this is a short format (4 minute run length) show and there is no reason to expect anything to develop during the season either.