Zombieland Saga: Revenge – 12 (Fin) – Not Leaving It Up to God

ZSR’s totally epic saga of a finale starts out very stodgily, at the Saga Prefectural Office’s Special Task Force HQ. There’s a wonky procedural flavor to the proceedings reminiscent of the underrated Shin Godzilla, in that it mirrors the real life Japanese collective spirit of 1.) This Is The Problem; 2.) This Is What We Do About It; and 3.) We’ve All Got Matching Jumpsuits. Honestly I think it’s ultra badass that in dire times, even the government officials start dressing like a bike gang. Or is it t’other way ’round?

It is into this disaster CIC that Tatsumi Koutarou insinuates himself, and despite being held back by police, makes sure Saga’s governor hears his pleas to prioritize restoring the infrastructure around the Tosu area—where EFS happens to be located. Koutarou knows what Saga needs is a pure, uncut injeciton of reassurance into the hearts of every Saga resident. Something to unify them so they can all defeat this horrible disaster together.

That something is, obviously Franchouchou, who are enjoying a well-deserved bath prior to the biggest show of their lives that they’re still not even sure will happen due to the ongoing calamity.

While they rest up and make sure they’re prepared come what may, Koutarou is risking imprisonment to plead his case to the people who decide what happens in Saga, while Ookoba uses all of his media connections not for Koutarou’s sake, but for those girls who give everything their all, no matter how dead they are.

Sakura may get the day of the week wrong—and there were a good eight to ten months during Covid when I lost track too!—fate smiles on the group over at Saga FM, which is not only operational and on the air, but in dire need of personalities to fill that air time. Saki then proceeds to give a vulnerable and impassioned pep talk—one of the best monologues of the whole show—and Tano Asami absolutely nails it.

The next morning, Franchouchou, the Legendary Seven, strike out from the mall shelter they’ve called home the past few days and make the trek to EFS on foot. This offers them and us an opportunity to view both the devastation and the enduring beauty of their home.

When they arrive at EFS, it again seems to mock them with its cavernous emptiness. But instead of oppressive, I saw the venue as brimming with potential. Sure enough, people who love Franchouchou and whose lives they’ve touched start to trickle in, starting with their two first and most loyal fans, the metalheads.

Maria and the delinquents past and present file in, followed by Maimai and her classmates, Iron Frill and their followers, Oozora Light and his encourage, Hisanaka Pharmaceuticals, NHBK Fukuoka news chopper who has followed the group’s story since discovering them at the mall shelter, White Ryuu and a contingent of American troops, possibly from Yokozuka. Even the Dancing Chicken Man shows up!

It’s a beautiful and heartwarming reunion of everyone from Zombieland Saga, and their numerous powerful allies and fans combined with the might of both print, TV, and social media, ensure that this time—even in the midst of what could possibly be Saga’s worst disaster in its history—a packed and positively rocking Ekimae Fudosan Stadium.

The governor’s chief of staff reminds Koutarou that all they did was “choose to prioritize the most effective strategy, after logical consideration”, which is politicspeak for “the people need this right now and we’re going to do everything in our power to see that they get it”—”it” being nothing less than the biggest and best Franchouchou show yet.

No, the zombie idols aren’t coursing with electricity and crazy laser lightshows. Their outfits aren’t over-the-top, but call to mind seven angelic figures dedicated with every fiber of their undead being to make the people of Saga not simply forget their troubles, but to give them the courage to face and defeat them through surpassingly catchy song and dance.

This is not an episode satisfied with one climactic song. It opens with a big-league build-up to the energetic first song, then some call-and-response with the Legendary Yamada Tae (whose gibberish eventually coalesces into a franchouchou chant), which transitions into a slower and more contemplative piece.

Sakura, Saki, Ai, Junko, Yuugiri, Lily, and Tae are all at the top of their games, and the crowd—no doubt still traumatized by current events—are well and truly into it. And while not as important as the revitalizing impact they have on the people of Saga, the group gets their revenge and then some.

Not only is every seat and the entire field packed this time, but while the piddling crowd of their first disastrous EFS show didn’t call for any encores because they thought it would be just too cruel, this time there’s nothing that can stop Franchouchou from heading back out onto the stage after a quick breather.

Before they do, Koutarou prostrates himself before them and despite being a “grown-ass man” starts tearing up at the sheer restorative power of the zombie idols. Silly, Koutarou, being open with your emotions is what makes men grown-ass! As they head back out to hit the crowd with their collective soul, Koutarou tries to scrub out his blood from the floor; a truly ill omen.

Franchouchou’s final song is interspersed with scenes of Saga rebuilding and people overcoming adversity together, echoing their own personal struggles as well as their struggles as a group. Let it be said that both Franchouchou and Zombieland Saga as a series left absolutely everything on the stage in its finale.

In fact, if Saga were to, say, be destroyed utterly by an alien warship reminiscent of the City Destroyers from the 1997 blockbuster Independence Day, immediately after the concert wrapped, I don’t think a single person on or off EFS’s stage who’d deny that they went out on a good note.

That’s a good thing, because immediately after the concert wraps, Saga is in fact apparently destroyed utterly by an alien warship reminiscent of the City Destroyers from the 1997 blockbuster Independence Day. It’s kind of a downer, but it’s also the kind of irreverence and absurdity I’ve come to know and love from Zombieland Saga, and why I will miss it and each and every member of Franchouchou so damn much. What a frikkin’ ending!

RABUJOI WORLD HERITAGE LIST

Head over to Crow’s World of Anime for the latest discussion on our beloved zombie idols with Irina from I Drink and Watch Anime. Always a great read!

Zombieland Saga: Revenge – 11 – Mall Zombies

Sakura wakes up in the morning to find she’s not feeling quite right, but it’s not due to her deteriorating zombie body, it’s because the mansion is literally adrift at sea. Yuugiri, master of understatement, declares things seem to have “taken a turn for the troublesome”.

Ookoba, who was about to publish an exposé that could have potentially shut Franchouchou down, is among those Saga residents wandering the muddy flooded streets in a daze. The goofiness of the floating mansion aside, this week takes a frank look at an all-too-realistic disaster befalling a part of Japan.

But when disaster hits, people tend to come together. After the mansion beaches itself and collapses (as flashes of their fun life there flash heartbreakingly by), Ai’s factory co-worker Machiko invites the girls to the Kaiton Mall, which has been set up as an emergency shelter. She finds a quiet spot for the girls to stay at the top of the stairs.

But the girls have no intention of sitting around idly. Even without Kotarou’s masterful human makeup at their disposal, they don’t shirk from pitching in wherever they’re needed, from helping out with cooking and distributing meals, to assisting with the sandbagging, to keeping the kids’ minds off their situation by having fun with them.

When night falls, many of the kids are scared and want to go home, but their tears dry up fast when Lily starts up her infectious scat-singing and dancing routine. The way Lily likes up the kids’ faces, even Saki can’t help but be wowed by Shrimpy’s idoly power.

The next day Ookoba finds himself at the mall, where NBK is interviewing the families who lost their homes and likely everything in them. To a person everyone keeps their chin up and stays upbeat and positive, both for their own sakes and for their children’s. That’s when Ookoba overhears a man being interviewed mention “the girls” who have been doing so much for the shelter.

On a makeshift stage lit by car headlamps, Franchouchou put on a show every night both to entertain the hell out of the kiddies (who are unassailably adorable) and soothe the adults’ hearts. There was more than one occasion when I teared up, their good works were so heartwarming.

The Grinch-like Ookoba was all gung-ho about exposing Koutarou’s “exploitation” of the idols for profit, but being in that dark mall full of people trying to avoid letting their minds stray to dark places, and seeing the light and joy Franchouchou give both on and off the stage, and he finally starts to understand why Koutarou brought them back to life.

And whither Koutarou, you might ask? Like the girls were initially on the S.S. Mansion, he’s in a somewhat ridiculous situation: the underground bar is completely flooded and both he and an ailing Gramps are just barely keeping their noses and mouths above water. Fortunately Policeman A finds them, making the first time Policeman A has done something useful!

Koutarou is freed from Davy Jones’ Locker none too soon, as the girls’ hastily applied makeup finally begins to chip, flake, and crumble. Before long all of them are in full zombie mode, and with a show to put on that night, their options are limited. An eavesdropping Ookoba spots them all with their natural looks, astonished more than anything else.

Koutarou is on his way to reunite with Franchouchou (thanks to a ride from Misa, using her boat to transport releif supplies) but won’t make it in time to help them. No matter; Junko comes up with a rather ingenious solution, using the materials she brought to make Ozaki dolls to make masks for everyone.

Unfortunately, while they’re able to sell the masks to the kids, who notice their resemblance to the dolls, as soon as the idols leap into the air and come back down, the masks crumble and fall away, and the crowd gets a good hard look at their dead gray skin, scars and bandages.

But here’s the thing: the kids are more confused than anything else. When the idols come clean and say they’re zombies, the kids dispute this. They define zombies as being scary. Franchouchou aren’t scary to them, they’re fun and cool and cute. Ergo, they’re not zombies, they’re Franchouchou.

Ai and the others go for it, hardly able to believe their luck. But in a way, it’s only appropriate that their hours of tireless, selfless hard work at the shelter, doing what they can taking care of others because it’s the right thing to do, be rewarded with a pass on their zombie “disguises.”

Ookoba can also hardly believe how lucky the girls are, but now appreciates how many risks they take every day of their existence. Koutarou sidles up to him and declares, simply, that Franchouchou are the [dis]”embodiment of pure idols”, and Ookoba is in no position to disagree.

As he lovingly reapplies each of the girls’ proper makeup to make them look alive again, Koutarou declares that their revenge concert at EFS will go on as planned in sixteen days, with little or no practice. It has to go on, especially now. Saga was hit by catastrophe, but came out all the stronger and closer for it.

As he takes his leave, Sakura tracks him down and thanks him for making her in idol from the bottom of her no-longer-beating heart. Sakura’s words cause Koutarou to recall flashes of his own failed past trying to make it big  when he attended Sakura’s funeral and held her battered, un-mailed audition package. While he knew he couldn’t save Saga on his own, he reached out to Gramps to bring back Sakura and the rest of the best of Saga throughout history.

For what I believe is the first time ever, he fully acknowledges Sakura, telling her she has “it”. She and the others have the potential to become “eternal idols loved around the globe, and being Franchouchou’s manager, he’ll eternally have “it”, too. It all starts with their revenge!

Irina and Crow talk episode 11 here. Check it out!

TONIKAWA: Over the Moon For You – 10 – A Life of Firsts

This week we get four more cozy, sweet, heartwarming, adorable, feel-good slice-of-life segments with Nasa, Tsukasa, and the Arisugawas. Tonikawa has long since established itself as a wonderfully earnest crowd-pleasing show, and continues to not let me down!

Fry, Don’t Buy—Nasa and Tsukasa’s temporary new home was previously used to store all of Kaname and Aya’s dad’s “nerd crap”, but the couple is welcome to whatever useful items they find. The result is a thoroughly “old-fashioned” living space complete with huge CRT TV.

Tsukasa prepares tonkatsu for dinner, a favorite of mine, and Nasa is again shocked and impressed by his wife’s culinary skill. Nasa’s a super-utilitarian person, and was raised with rice cookers and a “buy-not-fry” mentality, but Tsukasa shows him the rewards of an honestly home-cooked meal. Nasa, in turn, feeds Tsukasa some delicious melon for dessert.

A Model Home—A favorable update to their living sitch, his landlord is rebuilding and they’re welcome to move back in with the same rent and no deposit. They even arranged a model room for Nasa and Tsukasa to inspect before making a decision, and they are surprised to find it’s an ultra-luxurious apartment with a bird’s-eye-view of the city.

Tsukasa sits in the huge bathtub with a view and the two get red-cheeked over the prospect of sharing a big bed together, but in the back of their heads they’re always wondering if this was really meant to be the model room for them to look at. Turns out it isn’t—their landlord made an error—but the couple isn’t disheartened. Big or small, new or old, home for Tsukasa will be wherever Nasa is. He feels the same way.

Helping out at the Bath—Kaname opens this segment, going over her morning routine of getting up at 5:30 to clean and prepare the bath for customers before heading to school. Tsukasa offers her services as thanks for her continuing kindness and hospitality, and shows she’s just as highly competent at cleaning as cooking.

In cleaning the entire men’s side of the baths, Tsukasa comes to admire Kaname for the hard work she does every day. Kaname comes to understand why Nasa loves her, and they adopt informal nicknames and by morning’s end are officially friends. Aya, on the other hand, laments the prospect of being shunted off to a spin-off.

An Evening Stroll—After Nasa declares after thorough mathematical analysis that his favorite food is curry, he and Tsukasa head to the store to buy some curry powder and decide to make an evening stroll of it. A cheeky Kaname and Aya’s mom tells Nasa about a nice quiet secluded park where he can make out with Tsukasa, adding some spice to their marriage after buying spice.

Ultimately, Tsukasa declines Nasa’s offer to kiss, since they both just ate garlicky steamed buns from the store. Nasa doesn’t care (and indeed most people who love each other don’t really care about mildly bad breath) but she’s self-conscious about it. So instead, Nasa suddenly embraces Tsukasa from behind, both surprising and exciting her.

He asks her how her married life is going so far, and she remarks on how many firsts she’s experienced with him and will continue to experience—among those being the intimate position they’re currently in. She looks forward to experiencing more firsts with him, and Nasa doubtlessly feels likewise.

Rating: 4/5 Stars

TONIKAWA: Over the Moon For You – 09 – New Digs, New Threads

As  foreshadowed last week, Nasa doesn’t lose much when they return home to find the apartment building burned down. All his valuable paperwork and data is either at the bank or in the cloud, and he not only has renter’s insurance, but a full grasp on what’s needed to make a claim. Tsukasa marvels at how much Nasa keeps proving why she loves him so much.

It’s not just because he keeps a cool head and doesn’t express anger or regret in the face of what would be a disaster for most people. It’s that the first thing on his mind is that everyone else in the building was okay (they are). The only possession that survived was the tree commemorating their marriage, which can easily be transplanted.

When Nasa and Tsukasa head to the bathhouse to have a nice long soak and consider what’s next, Kaname ends up offering a detatched house on their property where they can stay until they find a suitable new place. Nasa thinks it’s good luck, but Tsukasa knows otherwise: by being someone so kind and well-liked, people are quick to help someone like Nasa.

Kaname does consider one potential problem: now that Nasa and Tsukasa are staying on the Arisugawa’s property, the time will come when Aya finally realizes Tsukasa isn’t just any “relation” of Nasa’s, but his wedded wife. In the end, no amount of hints can crack Aya’s Airhead A.T. Field, but Kaname and Aya’s mom just comes right out and says it.

Aya starts to go into a flashback about Nasa, her first and only love, but her mom cuts her short. As someone whose own husband cheated on her and left her for a younger woman, Aya’s mom wants her to do whatever she needs to do—cut her hair, go to school abroad (on her own dime), whatever—to get over it and move on.

Aya knows that in times of heartbreak one should hold their head high, so she does so and congratulates Nasa and Tsukasa, then considers becoming a YouTube idol…an idea quickly shot down by everyone.

Nasa and Tsukasa may be set with a new place to live for the time being, but Tsukasa did lose quite a bit of her wardrobe in the fire. That means it’s time to go to the laundromat, but the new husband and wife quickly become embarrassed over the prospect of handling one another’s…unmentionables.

They decide to go to the ‘mat together, and watch their clothes mingle in the wash together, something that’s so mundane and yet also so intimate. Tsukasa also lets slip that under her tracksuit she’s not wearing any underwear, since it’s all in the wash. Not wanting to make a big public display of affection, Nasa instead snaps a picture…and draws Tsukasa’s ire.

At the end of the day, what’s called for is a clothes shopping trip, and not to the department store’s discount clothes section, but to Harajuku, a place Nasa has neither ever been to shop. He gets to see Tsukasa try on one cute outfit after another, and even a few outfits he picks out for her, revealing his girly side.

When the time comes to buy underwear, Tsukasa initially holds Nasa’s hand, but changes her mind and deposits him on a bench, instructing him to simply not look like someone who should be arrested. When their shopping is done, Nasa makes, as Kaname calls it, another manly “move”, asking Tsukasa if, at some point, he, her husband, would be able to see her in her underwear.

She turns beet red and turns away, but doesn’t reject the request out of hand; in fact, she says he can see “as much as he wants”. Of course, that won’t be much for the foreseeable future; the two are so embarrassed by the subject being broached that they drop it immediately so they can then shop for clothes for Nasa. Still, it’s a good thing those questions are being posed. They are married, after all!

Rating: 4/5 Stars

TONIKAWA: Over the Moon For You – 08 – Nostalgic in Nara

The big day (well, evening) has arrived: It’s time for Tsukasa to meet the parents! When they arrive in Nara, she notes that they’re near the Kasuga Grand Shrine, making the unusual comment that “even after a thousand years, it’s not like the mountains move that much.” I guess she was here back then, huh?

Anywho, Nasa’s parents, Kanoka and Enishi both claim to not be quite emotionally prepared for something as momentous as meeting their son’s new wife, but his dad proves he’s a bit odd when, right in the middle of official introductions he basically orders Nasa to take a bath. He wants to talk with Tsukasa alone for a sec. But about what?

In Nasa’s room where he only ever stayed when he helped his folks move, Tsukasa notes the lack of material possessions, mirroring his apartment, and Nasa proudly proclaims he’d be fine even if their apartment building burned down, because all of his irreplaceable possessions and data are either on him, in a safe deposit box, or on his person.

Nasa’s mom warns him that while the walls are “pretty soundproof”, he and Tsukasa probably shouldn’t “overdo it”…causing Nasa to realize he’ll be spending his first night sleeping on the same level as Tsukasa. He offers his arm for her to sleep on and learns how painful a position can be, and Tsukasa gives him a sweet goodnight kiss when prompted.

Tsukasa ends up waking up early, since Nasa was too excited to sleep much (also, Tsukasa curled up beside him during her nighttime acrobatics). That said, he’s only pretending to be asleep so he doesn’t disturb her while she’s changing, and a momentary glance at her proves “too stimulating”.

Watching the sun rise, Tsukasa notes how the smell of the wind “really takes her back”. When her father can’t think of what to talk about with her, she suggests he show her his office, where she’s able to read ancient Japanese love letter without any trouble.

From there, Tsukasa decides to spice up their historical sightseeing by taking photos of her cute husband; eventually, he suggests they take one together, which is surely a picture they’ll both treasure.

Tsukasa is unusually knowledgeable about Nara’s landmarks—almost as if she were around when some of them were first built—and wistfully observes how many thousands of ordinary people faded from history, while modern technology will allow people to be remembered virtually forever.

We eventually learn why Nasa’s dad made him take a bath: it was so he could properly thank Tsukasa for saving his son’s life. Nasa’s parents feel almost undeserving of a son as great as Nasa; he is their pride and joy, which is why his finding love could only give them happiness.

Tsukasa takes her father-in-law’s request that she look after Nasa very seriously. On the bus ride home, Tsukasa admits that while it was fun to visit his folks, she’s looking forward to returning to their little place together, where she feels most at ease.

Unfortunately, while they were gone, the entire apartment building…burned down! 

Even if they were going to hold off on moving, now they have to find a new place. But with his parents’ enthusiastic blessing of their marriage, that shouldn’t be a problem. As for whether Tsukasa is the human incarnation of Princess Kaguya, well…the evidence continues to mount and is getting harder to overlook!

1,000,000 Views!

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All the money we could have made if we’d spent time working instead of watching and writing about anime. Ah well, it was worth it!

Last night, we quietly reached a milestone and went over one million page views all-time. That’s not a lot, really, but it isn’t not a lot, either. So, as always, thanks so much for reading our stuff! Here’s to two million! :D

– RABUJOI STAFF

Okage de futatabi!

Everyone here at RABUJOI wish to express our sincere gratitude to you for taking the time to visit us. RABUJOI’s philosophy has been, and will always be to deliver timely(ish) anime reviews for your reading pleasure, and read you have: In the last five months we’ve more than doubled our monthly readership. 2011 has been very good to us and we hope for that success to continue as we near the Summer season.

We’re well aware that there are a seemingly infinite number of blogs out there reviewing anime. We pride ourselves on providing reviews containing wit, humor, information, and correct spelling, and we’re glad you’ve come, and keep coming, to read them. Regardless of how many people visit or read or come back for more, we cannot look at the future of RABUJOI remains…luminescent. So keep reading, and don’t be afraid to post a comment! Thanks again!

-RABUJOI STAFF

Thanks!

As the year of 2010 and the very long, dense Fall 2010 season winds to a crawl (only four episodes left to review), we here are RABUJOI would like to once again take the time to thank everyone who has visited the site and skimmed, read, and/or perused our reviews. We don’t believe in such a thing as a blog thanking one’s readers too often — without readers, RABUJOI would be no more than digitally talking to a wall. Thankfully that hasn’t been the case, especially this December, which has brought us more than double the readers as November, an increase unexpected by all.

It’s always nice to see people reading your stuff, whatever it may be, but ultimately, watching good anime is its own reward; watching great anime, more so. With 2011 comes a brace of fresh new series, some from studios and starring seiyus we know well, while others are unknown, or at least less well-versed. But like the beginning of a new sports season, everyone starts out undefeated; unblemished; perfect. In the next couple weeks we’ll be putting the new series through their paces and share with you our impressions. We’re looking forward to it. So, keep reading, if you wish, and from all of us, have a happy and a healthy New Year!

– RABUJOI STAFF