Vanitas no Carte – 01 (First Impressions) – Airships and Airheads

Bones usually does a good job, and Vanitas is no different: it’s a slick, classy, attractive, crowd-pleasing steampunk vampire caper with airships and a healthy sense of humor and great sense of comic timing. It can also be dark and bloody and downright distressing when it wants to be. Vanitas, like its namesake antihero, can and does essentially do whatever it wants whenever it wants, and does it with the utmost style and swagger.

It is also super playful with its reveals in its first episode. I assumed the crowd in the opening were in a town square, only to pull back on a massive ornate airship straight out of Final Fantasy. I was pretty sure the white-haired Noé was a vampire, but that fact is only revealed for certain when it has to be, which is when Vanitas goes after him for protecting Amelia, another vampire who spends much of the episode not feeling so swell at all.

Noé may be a vamp but he’s also a good dude, and whether Amelia is a vamp or not he’s not about to let Vanitas get a clear shot at her with his knife. Another reveal comes when we learn that not only is Vanitas not bent on destroying all vampires like his namesake, but he’s not even a vampire—he’s just a human who is extremely hard to kill thanks to the book he carries.

The show looks great from start to finish, the action and magical artwork is seamlessly integrated, and Murr the Cat is cool. Everything about this production screams consummate professional. The classical music adds more class, and the ED absolutely WHIPS. In fact it’s one of the best anime themes I’ve heard since Dororo’s OP. Its smooth, slick, futuristic production perfectly compliments Vanita’s brassy retro aesthetic.

Vanita’s last trick is framing the entire opening episode as an entry in Noé’s memoirs, which he ends by saying that despite how chummy they seem to be, Vanitas will one day die by his hand. The show can be pleasantly goofy at times, but it’s declarations like that that make the hair on the back of my neck stand up. I’m in!

Rating: 4/5 Stars

Demon Slayer: Kimetsu no Yaiba – 14 – Aurora Boarialis

Tanjirou punches the boar-man to get him off Zenitsu, breaking his ribs in the process while scolding him for raising his sword(s) to a fellow Demon Slayer. The boar-man, named Hashibira Inosuke, decides to fight Tanjirou hand-to-hand (and foot-to-foot).

As both have cracked ribs, they fight on more or less an equal level. Inosuke has an advantage in flexibility and how damn low he can get (Tanjirou likens it to fighting a four-legged beast). Tanjirou isn’t really trying to fight, but when Inosuke won’t let up, he deploys his secret-weapon: his titanium-hard skull.

The headbutt is devastating enough to knock Inosuke’s boar mask off, revealing a beautiful, feminine face that seriously freaks out Zenitsu (though to be honest everything freaks the guy out). Inosuke passes out, then wakes up to find the others burying bodies from the mansion.

When he says he won’t help, Tanjirou chalks it up to Inosuke’s wounds hurting too much, only angering the boar-man more. A Kasugai crow arrives, gives the three rescued siblings a wisteria charm so they can return home safely, and leads the three slayers to a manor with a Wisteria crest at the gate, ordering them to rest there until fully recovered.

A comedy triad ensues at the inn-like manor, whose owners were saved by Demon Slayers and thus allow them to stay there free of charge. Tanjirou is glad for the change of clothes, food, and bedding, and even Zenitsu mostly calms down, but Inosuke is constantly trying to pick a fresh fight with Tanjirou.

Fortunately our laid-back protagonist doesn’t rise to the provocations, preferring to rest up so that he can more effectively fight the real enemy: demons. When the three lay down for the night, Inosuke tells the others how he, an orphan with no family, stole a Nichirin blade from a Demon Slayer who “trespassed” on “his mountain”, then heard about the Final Selection and basically thought it’d be cool to do that.

Zenitsu steers the conversation to the box Tanjirou has been carrying, and asks him straight up why he travels with a demon. Tanjirou thanks Zenitsu for protecting it even though he knew of its contents, and the praise goes straight to Zenitsu’s head (though he vehemently denies he’s strong). Before Tanjirou can tell him that the demon is his sister, Nezuko starts scratching at the door of her box, scaring the shit out of Zenitsu.

She crawls out and grows to her normal size. Once Zenitsu gets a good look at her, he draws his sword on Tanjirou for keeping such a “cute girl” in a box and not telling anyone, and threatens to “purge” him. Meanwhile, Inosuke can’t remember why he first picked a fight, and falls asleep instantly, missing the big Nezuko reveal. This was probably the most laid back and fun episode of Demon Slayer to date, a well-timed breather from all the recent demon battles.

Rating: 4/5 Stars

 

TONIKAWA: Over the Moon For You – 04 – Never Gonna Let You Down

After a haunting cold open in which Tsukasa is staring at the moon and seeking a warm home, she comes home to an empty apartment. While she’s waiting for Nasa to come home she decides to pass the time with domestic chores. The place is already spotless, so she prepares to cook something.

That’s when the doorbell rings. Tsukasa assumes it’s her husband, but it’s Kaginoji Chitose, her “little sister” from her previous home, who has come to bring her back. The only problem is, Tsukasa has no intention of going back. Also, she’s married!

Chitose is crying on the steps to Nasa’s apartment when he arrives, and offers her a hanky like a gentleman. Chitose mentions the person she’s looking for as a “glass butterfly”; so delicate and fleeting you might lose her if you blink.

As we’ve seen, Nasa understands that, which is why he had Tsukasa spend their first wedded night together. Despite his kindness, once Chitose learns he is the person Tsukasa married, she becomes engulfed in flames of outrage. Simply put, Chitose won’t let Nasa have her Tsukasa.

Tsukasa watches in amazement as Nasa takes total command of the conversation, having clearly studied conflict resolution and mediation among his many other interests. He puts on a high-level rhetoric clinic by not refuting what Chitose says, objectively address her concerns, and propose a practical solution.

Alas, Chitose isn’t interested in discourse, and has her chauffeur pull up, tie Nasa up, and drive them to her mansion, leaving Tsukasa in the dust. Nothing like a spot of abduction to spice up a dull afternoon, eh?

At said mansion, Chitose tasks her two maids, Charlotte and Aurora, to scrape up some tabloid photography of Nasa she can use to convince Tsukasa to divorce him immediately. Charlotte initially takes the request literally and strips; while Chitose covers her back up, Nasa flees.

He comes across a room that smells vaguely of his wife, and there he finds something not just special, but otherworldly: a genuine moon rock, displayed within a nitrogen-filled case to prevent oxidation. Charlotte finds him and swings a huge RPG sword at him, damaging the case and causing a leak. What a klutz!

Fortunately, Nasa is also well-versed in nitrogen museum cases, and is able to repair it, MacGyver-style as Chitose and the maids watch in amazement. Chitose explains that her great-grandmother acquired the rock to “soothe Tsukasa’s heart”—another new hint that could suggest Tsukasa is actually Princess Kaguya from the moon.

Charlotte offers her thanks by pressing Nasa into her bust, and Aurora snaps pictures and rapidly ‘shops them to look like compromising photos, just in time for Tsukasa to arrive. While her voice is calm and controlled, Nasa detects a threatening aura. Did Chitose succeed in torpedoing their union?

Uh, no…duh! Chitose pretends to be mad and takes Tsukasa somewhere private to talk, but in reality she’s giving Chitose the slip. She shows Nasa a secret passage and leads him by the hand to a beautiful but defunct church atop a hill. It’s there where Nasa realizes that while he knows next to nothing about his new wife’s past, it’s their future that matters.

To that end, he makes use of the gorgeously-lit church setting to make a formal proposal to Tsukasa, complete with a kiss. He’ll promise to share everything happy that happens to him with her, and also share in her sadness when applicable. Nasa may be a studied guy, but it’s clear his words come from the heart—and he can be counted on to keep his promises.

I was worried when Tsukasa and Nasa were apart for most of the episode and the focus was once more on new characters. But the madcap comedy of Chitose and the maids was surprisingly decent, and the episode finished strong when Tsukasa rescued Nasa and he proposed.

Rating: 4/5 Stars

TONIKAWA: Over the Moon For You – 03 – Not Your Usual Bath Episode

Tsukasa is impressed to find Nasa has a fully-stocked fridge, but her opinion goes down a peg when she learns he cooks only for optimal nutrition and minimal waste, and after exhaustive research determined the only thing he should ever make is hot pot!

She remedies that monotony by using the same ingredients to whip up an eclectic feast that shows her hubby that cooking can and should be as much art as science. Nasa even references Food Wars while watching his wife work her culinary magic!


After breakfast, it’s time to hit the bathhouse, but Nasa’s taste in toiletries (i.e. the bare necessities) again fall short, necessitating a quick stop to the store for skin toner, serum, and lotion. Nasa is amazed at the complexity of a woman’s skin grooming routine, as it explains both why her skin is so beautiful and why she smells so nice.

The extra characters dam finally opens this week as we’re introduced first to Kaname, who despite being a year younger than Tsukasa practically runs the family bathhouse with her sister (who is Nasa’s age). Naturally, someone who’s known Nasa for years is shocked that he’s suddenly married, but even more upset that he hasn’t properly proposed, or bought Tsukasa a ring, or planned a ceremony!

When Nasa brings up the fact all of those things are wasteful and inefficient, Kaname, wise beyond her years, responds that’s irrelevant. No one will hold him to account if he doesn’t make those gestures, but he still has a primary responsibility to make his wife happy however he can.

Nasa assures Kaname he’ll do just that, because, and he proclaims this loud enough for all to hear, he loves Tsukasa. She comes back to grab the toiletries from him just as he’s saying this, and while she tells him it’s embarrassing, it also makes her happy. Her delivery and face are enough to make both Nasa and Kaname blush!

Once in the bath, Nasa is soon further teasted by Kaname, who for some reason has to clean the part of the bath where he is. She overheard his childhish monologue about this being a “bath episode”, but thankfully that’s not what he or we get. Sure, Kaname gets a good look at Nasa, but that’s nothing new; they go way back.

While there are subtle shots of legs and cleavage, the fan service is kept to a minimum, and instead Tsukasa is introduced to Kaname’s older sister Aya, who is gorgeous but easily mistaken and confused, and has a low opinion of herself, as she repeatedly promises to kill herself for walking in on Tsukasa’s bath.

She ultimately offers to make up for it by washing Tsukasa’s back, during which time she likens her skin to “silk” before questioning why the secretion of a worm is appropriate compliment, then goes too far in the other direction by saying her skin is like “an IPhone X,” which I’ll just say is a really good joke!

Nasa dreams of when he was laid out on the pavement bleeding to death in the cold when he suddenly wakes up in a massage chair to the cold feeling of a bottle of milk on his cheek, put there by his wife. Then Tsukasa watches Nasa and Aya interact, and witnesses the blatantly easy chemistry and bonhomie between the two.

Aya, for her part, isn’t aware they’re married; she just knows they’re “family”, but Tsukasa understandably gets a little self-conscious, as despite her quirks Aya is a true beauty. When she mentions Aya’s looks, Nasa proceeds to gush about Aya. He noticed the change in mood, which he chalks up to the fact he and Tsukasa just walked past a church where a wedding is taking place.

Because of this, when Tsukasa comes right out and says it would be nice if “he called her pretty”, he mistakes it as being in the context of being a bridge in a wedding gown at a ceremony. That means Tsukasa doesn’t understand his response—that he needs to think about it, and even runs off to do some research and “make the impossible possible!”

It’s the first misunderstanding between the two, and yet nothing that should cause bad vibes going into next week. Instead, there will be bigger fish to fry, as a straw-blonde girl in a huge limo has found Tsukasa, someone she’s apparently been seeking. Marriage is all about balance, so after Tsukasa met Nasa’s people it’s only fair for him to meet Tsukasa’s!

Rating: 4/5 Stars

3D Kanojo: Real Girl – 14 – Festival of Conviviality

Hikari and Itou are alone in the classroom painting and sewing late at night, and falling behind, but Ishino arrives with a squadron of classmates to help out. They thought she was a ghoul at first, so unaccustomed to being assisted in things that were foisted upon them. Things have certainly changed for the better with these two.

The day of the festival arrives, and Itou goes all out for the class, cross-dressing and wearing a wig. To the surprise of male and female classmates alike, he’s stunning, and even Ayado can’t help but take a break from her own busy day to check in on Itou, and is similarly enchanted.

When Ishino asks Itou why he’s working so hard, Itou tells her: because someone helped him get the lay of the land maid cafe-wise, and it would be an insult to her not to give it his all. Ayado happens to hear this from the other side of the wall, and she’s both glad her advice went to good use and flattered it was taken to heart with such conviction.

As the preliminary beauty contest vote comes in, Takanashi tries to joke around with Ishino about not having a chance…until she starts legit crying. Knowing he went way too far, he course corrects by giving her his honest opinion, with no joking around: she is pretty, and was cute in the maid outfit, and for what it’s worth, she has his vote. Frankly, his vote is probably all she wanted anyway!

Iroha’s main rival tries to rattle her, and when it’s time to give a little speech on stage, that rival’s voice is suddenly an octave higher and much more playful. While Iroha played around with the idea of winning this thing, her own attempts to sound stupid and cute ultimately fail when she gives up in the middle and instead tells the assembled student body that she’s plenty satisfied that the friends she has love her for reasons other than her looks, and she doesn’t really give a crap about anyone else, especially if they don’t know her.

Her no-BS honesty probably ended up helping her cause, as all it would’ve taken is a vote from her boyfriend to win. But because she told him she wasn’t really all that interested in winning, Hikari votes for the other girl instead. Iroha predictably takes her defeat in stride, and is consoled by hearing some (but not all) of the many reasons Hikari likes her besides her looks.

That night, as the festival winds down, Iroha’s class rep serves her some soup from their cafe, knowing she probably didn’t have an opportunity to try it, while she insists he use the opportunity at the bonfire to talk to the girl he likes.

Itou finds Ayado still hard at work cleaning up, and when he tries to lend a hand, that hand ends up touching Ayado’s hand, spooking her. She runs off to collect/admonish herself, even giving herself a slap and calling herself stupid. She feels she has no right to have any feelings for someone she turned down.

But Itou, worried about her, heard every word, and doesn’t care; if holding his hand helps her to see him as someone she could love, then he wants her to hold it as much as possible. Iroha and Hikari almost intrude upon this tender moment, but thankfully don’t. So maybe it’s not as hopeless for Itou as he thought last week!

Karakai Jouzu no Takagi-san – 07

Nishikata may not be able to fully appreciate it because of all the stress he assigns to his interactions with Takagi, but he’s having the best summer vacation of his life. And he’s simply not being honest with himself if he privately enjoys manga like 100% Unrequited Love but can’t see the requited love right in front of his face. When Takagi leaves her mom’s side at the mall to buy a bathing suit, her first thought is what kind would Nishikata like?

She doesn’t have to see Nishikata buy the latest volume of 100%, since he’s already established he’s a fan of it. She plows through all of his lame obfuscating and happily takes the bet that what she believes he bought is what he actually bought. Not sure what he was going for with his futile bluff; he should know by now he simply can’t fool Takagi. He’s “punished” by being “forced” to pick out a swimsuit with her.

Now I get it; Nishikata’s right in that awkward phase between thinking girls have cooties and actually liking them. Those conflicting feelings are constantly swirling chaotically, while Takagi is an island of tranquility. He can’t hide his embarrassment at the situation, but she lets him call it “being hot”—as long as he helps her pick out a bathing suit she looks good in.

Nishikata is simultaneously thrilled at the prospect that Takagi is a mere few feet away from him removing her clothes, but also terrified of being seen, worried about what his classmates might think. Well, two of his classmates actually do appear, but they’re a couple, and they’re there for the exact same reason he and Takagi are there.

Finally, Takagi takes advantage of Nishikata’s automatic “yeahs” in response to the suits she shows him by slipping in a swimming date proposal, knowing once he says “yeah”, he won’t go back on that “yeah,” because going swimming with her is hardly the end of the world.

After the girl trio heads to the beach, we’re back with Nishikata and Takagi, and the latter proposes they do some of their summer homework together. The most logical place to do it turns out to be Nishikata’s house, and suddenly, like some kind of surreal dream, Takagi is in his house, in his room, and doing homework on his bed.

While watching the lovely Takagi right beside him writing lovely kanji, Nishikata makes a mistake in his book and reaches for the eraser…at the same time she does. Their hands touch and linger.

He’s reminded of an identical scene in 100% where the guy doesn’t let go and draws the girl in for a kiss…but he’s currently incapable of doing such a thing, preferring to live through the guy vicariously…despite the fact he’s far more similar to the girl in that manga than the guy!

In any case, while Takagi’s visit is stressful as all interactions with her are, he doesn’t not enjoy himself, and when she leaves for the day, saying she’ll be back soon, he decides it’s only proper to clean his room for that future occasion. Maybe, just maybe, Nishikata is getting into the swing of things.

Karakai Jouzu no Takagi-san – 06

It’s Summer Vacation, which means, presumably, that Nishikata won’t have to deal with Takagi’s teasing. But one can never presume when it comes to young love, as Takagi and Nishikata end up spending a lot of time together despite not being beholden to it by school schedules.

When Takagi proposes the two of them practice tandem riding during the summer, Takagi might bristle, but he doesn’t refuse. After all, while he’d probably never admit it he enjoys her company, and not just for the challenge of trying to best her.

Because Nishikata can’t pull off the tandem riding on the first day, he owes Takagi a juice, but can’t afford one of his own. Takagi first offers a sip from her can, which would be an indirect kiss, but then buys him a juice with her own change, because more than wanting to tease him, she wants him to be hydrated.

After a rainy day during which only the class president does her homework, Nishikata is late for his “appointment” with Takagi, and when she arrives, she’s in such a cute summer outfit he hardly recognizes her, so used he is to seeing her in her sailor fuku.

But there are too many puddles in their practice lot, so Takagi proposes they hang out anyway by doing a test of courage in a nearby “haunted” tunnel. Predictably, Nishikata falls for a number of pranks Takagi all too easily executes, capitalizing on the fact he’s scared even though he insists he isn’t.

Once they emerge on the other end, two young siblings passing by spot them and the sister deduces Nishikata and Takagi are another couple having a date. Which, sorry Nishikata, you kinda are. Sucks to be you! Oh wait, no it doesn’t.

The next day Nishikata doesn’t expect to see Takagi, who is on a family vacation. But when he spots her in the road (in another adorable outfit) he attempts to follow and surprise her, only for her to spot him first and devise a countermeasure.

She succeeds in scaring him, but more importantly, she wants to know what he’s up to, and since they’re both going shopping, she makes it another “date.” However, she did not expect a cicada to be under her hat, and almost falls backwards; Nishikata tries reflexively to catch her, but trips and falls himself, skinning his knee, while Takagi managed to regain her balance.

The caring Takagi comes out once more, insisting Nishikata wash the wound at a water tap. She gives him her personalized handkerchief to tie around his knee (thereby literally marking him as hers), then slips off her sandals and soaks her feet in the tap, inviting Nishikata to join her.

Nishikata had been having the “worst summer vacation day”, but Takagi counters his assertion by saying she’s having a good one because she got to see “a certain someone.” Lady, just tell him you got to see him. Either that, or fall for someone less dense!

Akagami no Shirayuki-hime – 15

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After a brief introduction to Raj’s siblings Rona and Eugena, we see that things aren’t exactly going so smoothly between Raj and Shirayuki. It’s nothing dramatic; he just can’t seem to strike up a proper conversation with her, perhaps feeling the pressure of not saying the wrong thing. His difficulty contrasts sharply with Shirayuki’s effortless chat with Obi on the balcony overlooking her hometown. It’s the conversation she should have had with Raj, but couldn’t.

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The siblings were a hint that the whole of Scheherazade is singularly focused on Raj’s interactions with Shirayuki, which explains why he feels like he’s on the spot. So he decides a change of scenery is best, and wouldn’t you know it, the castle has a greenhouse, which is Shirayuki’s wheelhouse.

The only problem is, while Raj has gotten a little nicer and more considerate, he’s still inept at most things, such as finding his way through the labyrinthine (and booby trap-laced) vaults that lead to their destination. Raj is doing his best to seem on top of things with his authoritative snapping, but he soon gets the three of them lost – which surely doesn’t help his confidence.

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Meanwhile, as Zen meets with that island hottie Kihal and her awesome birds, Mitsuhide runs into Prince Izana. He decides to ask point-blank if he’s testing the lovebirds, to which Izana responds point-blank (to Mitsu’s surprise) that yes, he is. If Zen and Shirayuki are for real, this little forced separation in the midst of an at-large would-be kidnapper should be a walk in the park.

Meanwhile in Tanbarun, Obi starts to notice they’re being followed, and manages to catch Rona and Eugena (and show off his mad ninja skillz). That gives Raj a rare moment alone with Shirayuki, during which he expresses his (wrong) opinion that she knows this was all going to go pear-shaped, and that she’s only sticking around so she can “say she couldn’t do it and leave as soon as possible”.

Shirayuki rightly takes exception to that assertion. In fact, she legitimately wants to change her relationship with Raj for the better. She believes she was sent to him for a reason and she’s going to stick it out. Once Obi and the twins (who know a way out) rejoin them, Shirayuki praises Raj for looking her in the eye when speaking to her, a first.

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Once they reach the greenhouse, Raj could, ya know, escort her around the grounds and stike up some kind of conversation about plants, but he’s so exhausted he collapses onto a bench and leaves her to Obi. Still, he makes sure to apologize for his mistakes – another first, by his siblings’ reckoning, and when the sun sets, Shirayuki says she’ll see him tomorrow.

So sure, there’s room for improvement, but large strides have already been made between Raj and Shirayuki; strides forged in those vaults. If only things could stay this breezy; but it would appear Mihaya may be forming an alliance with Kazuki, who promises to reward him handsomely through his “villainous” associates.

I’d say Shirayuki is safe in Raj’s castle with Obi in a room right next door to her, but surely there’s a Shirayuki-napping quota to be met, and Kazuki (who isn’t bad at the mad ninja skillz himself) will find a way.

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Akagami no Shirayuki-hime – 14

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Shirayuki knows this visit to Tanbarun is a little suspicious, and so does everyone around her. Like Obi, who splits his time looking for the bishounen Kazuki and observing how Shirayuki is taking her sudden orders.

Naturally, she’s working as hard as she can to learn enough about dancing, etiquette, and comportment in order to not bring shame upon Clarines during her visit. Whatever plot, if any, has been hatched, it’s starting with a gentle whisper, rather than a bang, which if anything, is more unsettling, considering how many times Shirayuki has found herself captured by someone.

But maybe there isn’t a plot…right? (No, there definitely is.) But theoretically, if there weren’t one, Shirayuki wants to take advantage of this opportunity anyway. She’s also heard Raj is a “new man”; and I’m as curious as she is to see if that’s true.

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As for Zen, well, he’s pretty sore about the whole thing, but like Shirayuki, keeps himself busy with palace and state matters, and whenever he’s not, he’s sparring with himself, in order to vent his frustration. I enjoy watching his entourage watch and comment on their master, who is more than just their master.

More and more since he became a permanent member of the posse, Obi seems like he’s cultivating a little bit of a crush on Shirayuki, or otherwise wants to be close to and protect her. That would make his master his rival for her affections.

Even if he suspects he has little chance against what the two lovebirds have, he’ll do what he can, like beat Zen in a match (proving how tough he is even unarmed), and granting his permission to accompany Shirayuki instead of Mitsuhide.

And I like this development. Mitsuhide, bless him, is too stiff for this trip. Shirayuki and Obi’s chemistry, while perhaps not as magnetic as her and Zen, has its own strange-but not-in-bad-way energy; not to mention the show is pushing the suspicion that Obi likes her, not Mitsu.

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If Obi had been peeping in the windows of the palace wing where Shirayuki is boarding, he might’ve seen just how steep a hill he’d have to climb to change Shirayuki’s heart. For the first time in this second season, Shirayuki and Zen get to share some quality time, be calmed and reassured by each others’ presence.

Zen’s last-minute hug-from-behind may not have been steamy, but it was so warm and sweet and lovely, as the atmosphere tends to be when these two are alone. But lest we forget, this is a farewell, for perhaps up to a month, even if all goes smoothly. So the encounter’s sweetness is tinged with the bitter truth that they’ll be apart, something neither of them want but are strong enough to accept.

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Loved the very sudden surprise appearance by Lord Haruka, Eternal Stodgy Sourpuss, only this time he’s fully accepted Shirayuki’s right to be at court. Of course he doesn’t miss out on the chance to remind her not to return in disgrace. Shirayuki very adorably asks for a trinket of Zen’s to keep with her, and he gives her his pocket watch, which she promises to give back upon her return. Even Prince Izana, the apparent mastermind in this dastardly scheme, shows up to see Shirayuki off.

As for Izana’s reasons for doing this, I can think of three: he wants to make sure Prince Zen can still function as a Prince of Clarines when his girlfriend isn’t constantly by his side; he wants Shirayuki to learn more about court life, in preparation for her to one day become Zen’s consort; and finally, to give Shirayuki the opportunity to spend some time outside of Wistal Castle and return to her home; offering her a good look at other potential paths, to ensure she’s on the right one.

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And Shirayuki will definitely see other things and people on her journey, from an Obi who acts a specific way around her (and knows how to clean up and speak pretty when he needs to); and a Prince Raj who upon welcoming her (back) to his kingdom seems to have changed somewhat for the better…only to revert back to his old goofy, wishy-washy self once they’re in the throne room.

I actually thought the transition was too quick; I kinda wanted to see Raj on his best behavior a little longer. Nevertheless, he seems shocked and a little overwhelmed that the girl he tried to forceably marry not long ago is actually there. Maybe he has changed, in that he realizes how badly he acted, and acknowledges he owes her a debt to her from his last stop in Clarines. Time will tell, but for now, all eyes are on Shirayuki–and not just for that dazzling apple-red hair.

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