In / Spectre – 21 – Clearing the Air

Of the three Otonashi family members gathered, Rion (voiced by Iwami Manaka) is the only one whose thoughts we’re privy to. She rightfully wonders just what the hell she’s gotten into, and also realizes she’s underdressed for the occasion. Kotoko breaks the ice with another vulgar remark involving her an Kurou, before leaving the three to decide on an a singular narrative for how the president murdered Sumi, and a mutually agreed-upon order of inheritance.

It takes Susumu, Kouya, and Rion less than three minutes to come to an agreement, which is so fast that Kotoko wonders if it’s an agreement that they came upon in advance. She then reiterates that both the president, his sons, his daughter, and her fiance all had cause to murder her, but since everyone had solid alibis and no further evidence, her death was deemed a random burglary and murder.

Rion picks up on the semi-accusatory tone as Kotoko describes the ways Sumi’s children’s alibis were all too convenient, timely, and fortunate—even her daughter Kaoruko breaking her leg. Kotoko further prods her by calling the theorizing entertaining. Rion speaks up for her older relatives, telling Kotoko she’s completely devoid of taste. In this moment I felt bad for Rion, because I knew Kotoko was so many steps ahead.

Kotoko makes clear that the president was adamant that “the crime get the proper punishment”. This is the opportunity for everyone assembled to come clean, and Susumu is the first to avail himself of that opportunity. To Rion’s shock, both he and her father Ryouma plotted to kill their mother, but someone simply beat them to it, while they were still planning. While Rion points out that her uncle and dad hated each other, they also both standed to gain from Sumi’s death, so they collaborated on a murder plot while remaining at odds about everything else.

Susumu even posits that his brother sent Rion to the meeting in his place so she’d learn of the crime, as a way of atonement. Before Rion can catch her breath, Kotoko gently prods Kouya, who also confesses that he and Kaoruko also plotted to murder Sumi so they could get married. The plan involved Kaoruko pretending to break her leg for the alibi, only to break it for real before she could do the deed.

Now that “the sins of the successors” have come to light, Susumu believes they’re all done there. But Kotoko doesn’t care about their past sins. She’s there to hear them give their explanation for how the president managed to murder Sumi before any of them could. She assumed that all the secrets flying around would disorient Rion, so thought it best to take care of all of those first, and then give everyone a chance to arrive upon a satisfying answer.

In effect, Kotoko proves that she is not someone to be trifled with, as she played everyone in the room like a fiddle. Everyone except Rion, the sole innocent, to whom Kotoko helped reveal her family’s dark secrets. Rion seems like an otherwise easygoing person who didn’t mind being ranked last in the inheritance. Will that change now that she knows the truth?

In / Spectre – 20 – Paranormal Succession

Kotoko’s next case is brought to her by her parents, and the client is Otonashi Goichi, the president of a successful international hotel and hospitality chain. He ascended due to the murder by stabbing of his wife Sumi, who was detrimentally controlling the lives of their three children and about to drive the company off a fiscal cliff. The timing of her death was no accident; Goichi comes right out and informs Kotoko that he is the culprit. Kotoko’s reaction is classic Kotoko: cheerfully sardonic!

While Goichi didn’t wield the blade that killed Sumi, it was Goichi, who had cloistered himself in a mountain villa, who turned to the supernatural to solve his company and childrens’ problems. Specifically, a fox ayakashi known as a yoko came before him and offered to kill Sumi for him if he agreed to acquire and develop the next mountain over, where the yoko’s rivals lived. Within ten days, Sumi was slain by an unknown assailant, and Goichi was president.

He held up his end of the bargain, and not only did he back the company off a cliff, he shored up its finances to ensure long-term survival and success. Similarly, with the influence of their controlling mother removed, Goichi’s two sons and daughter could pursue their own life goals. His first son became a successful chef; his daughter married the man she loved (who was also successful); and his younger son became the heir apparent to the company.

Goichi waited for the consequences for turning to supernatural means to kill his wife to arrive, but the never came until recently, when he has been diagnosed with cancer and given about a year to live. Before he dies, he wants his children to know—and believe—that he was the one responsible for their mother’s death, and that what he did isn’t something that should be repeated lest they invite the wrath of the universe upon them. That’s where Kotoko comes in.

After meeting with the mountain yoko Fubuki, captured by his rivals, Kotoko works out a deal: he’ll tell her everything there is to know about his arrangement with Goichi, and she’ll use her stature in to ensure the severity of his punishment for his crimes is lessoned. From there, Goichi gave Kotoko free rein to create whatever plausible lie or web of lies is necessary to get his kids on board with the idea that he killed their mom.

After Kotoko completes her preliminary investigations, she brings Kurou up to speed, and Kurou is characteristically reluctant to be roped into this, even if he knows full well that’s what Kotoko is going to do. Over several rounds of a crane game to win a pack of naughty pens packed with fantastically adorable reactions, Kotoko lays out the basics of the plan.

It’s the classic In/Spectre move of spicing up what is otherwise a scene of exposition by having Kotoko/Kurou engage in something interesting. There’s a fair amount of suspense in whether they’ll nab the pens or not, and when they finally do, it’s because Kotoko is mad that Kurou tells her there’s nothing sexy about her…not even her paisley underwear. Rude!

When Goichi’s second son Susumu, the daughter of his first son Rion, and the husband of his daughter, Koya, are invited to a meeting with Goichi, Kotoko, and Kurou, they are tasked with coming up with their own explanations for how Goichi killed Sumi.

Kotoko, assisted by Kurou, will judge their explanations, give them a chance to amend them over the two-day-period, and will be the one who decides who has the best one based on truth and order. The winner will receive precedence in Goichi’s inheritance, so there is no small incentive for them to take this seriously.

While largely a table-setting episode, the GF/BF interactions between Kotoko and Kurou and the supernatural Succession-esque tale of corporate intrigue make it a table for a meal I’m looking forward to tucking into, especially once we get to know the three contestants.

In / Spectre – 18 – The Pinocchio of Port Totomizu

Ms. Tae is a woman pushing eighty who doesn’t just walk every day, she jogs. In other words, she’s a badass. When a starving orange cat showed up on her doorstep she nursed it back to health.

When the cat saw her pouring sake and spoke, asking her to give him some, revealing he was no ordinary cat, but a bakeneko. Tae is not one to get overly spooked by such an occurrence; in fact, she decided to keep the cat as both pet and drinking partner.

Tae lives in a once sleepy fishing town of Port Totomizu that suddenly got TV drama famous and started attracting huge numbers of tourists—more than its infrastructure could handle. One of the townsfolk, Zenta, was hosting his son and his family during once such tourist crush, and some inattentive college students hit his grandson, Tsubasa. There was so much traffic, Tsubasa died in the ambulance before reaching the hospital.

Zenta died of heart failure shortly thereafter, but not before finishing an odd Pinocchio-style life-size wooden doll. It is for this reason that the town’s mayor and others suspect that the recent mysterious fish kills now harming revenue and tourism are somehow Zenta’s curse, carried out not by him but by the wooden doll he left behind.

Tae says this is all a bunch of malarkey, but if the fish kills continue the town should consider bringing in someone to spiritually purify the waters. But those opinions of the mayor and co. turn out to be spot-on, as the bakeneko takes Tae to the beach below her house, which is full of yokai all concerned by the cursed wooden doll, and ready to do something about it.

Tae witnesses two of the strongest local yokai, Master Shojo (a gorilla-lke yokai) and Okani-dono (a giant crab), execute a coordinated pincer attack on the wooden doll when it appears, only for it to disable Okani and Shojo’s club with electricity. It then walks into the sea and proceeds to emit electricity that kills still more sea life. The yokai—and the town—are at an impasse. They need outside help.

Of course, we know where this is headed: the bakeneko asks Tae if she’d be kind enough to host the yokais’ “elegant yet fierce” one-eyed, one-legged Goddess of Wisdom when she comes by to assess the situation and offer a solution.

Tae assumes this goddess will be another freakshow, so she’s surprised to learn that Kotoko is a tiny, beautiful young human woman with a polite and strapping companion in Kurou. When scolded by Kotoko for revealing his existence to Tae, the bakeneko tells her if Tae told anyone else anything, they’d simply think she’d gone senile.

Of course, Tae is far from senile, and is in fact a much appreciated elder character of strength and agency. One could also say she’s more attuned to the supernatural since at her age she is closer to the afterlife than most, despite her continued vitality. But this wood golem with an electro-beam might be the trickiest problem Kotoko and Kurou have faced this season. We’ll see if they can wrap it up before they have to head back to college!

In / Spectre – 17 – Stigmatized Property

It’s been a year since Kurou’s cousin Sakuragawa Rikka went into hiding, and finding her remains a priority for him and Kotoko. When we see her, she’s cheerfully interacting with her new property manager Konno Kazuyuki and his girlfriend, Oki Marumi, having moved to her new apartment just a week ago.

Rikka’s trip to the horse races is interrupted by an unannounced cameo by Truck-kun, smacking her head-on and sending her flying thirty meters. A mother tells Kazuyuki and Marumi that she saved her son from getting hit. Marumi calls an ambulance while Kazuyuki checks on Rikka…and is surprised to find her completely uninjured. Rikka even jokes about it being like a TV drama.

She thanks Kazuyuki and Marumi with a six-pack of beer, and they invite her for drinks and a light dinner. Turns out the apartment Rikka has moved into has a dark recent history, as the last three tenants committed suicide within three months of moving in. Rikka offers explanations for the first two when she hears the circumstances: an overworked office drone had a nervous breakdown, and a spurned young woman couldn’t get over a bad breakup.

The third tenant is the strangest, as it was the boyfriend of the woman that was dumped. Rikka understandably isn’t concerned by whatever conditions the apartment might serve up—like Kurou, she’s effectively invulnerable. When asked why she moved in, she tells them the story of her beloved cousin and his truly awful girlfriend, and is determined to break them up before she hurts him.

Rikka suddenly leaves late in the night, again thanking Kazuyuki for his kindness and leaving him her key and some cash for his trouble. The next day, just a hair too late, Kotoko and Kurou arrive. Initially, the couple sees the doll-like Kotoko and wonder how she could be so awful, but then she makes joke about Kurou drinking sake out of her crotch, and then they get it (to be fair, Kurou started it by calling her hairy).

Kotoko’s visit had been foretold by Rikka, since she knew Kotoko is looking for her, hence the need to skedaddle. And sure enough, Kotoko offers logical explanations for all three suicides. The third, which was the one that vexed Kazuyuki and Marumi the most, was simply a matter of the ex-boyfriend moving in to confirm that something about the apartment led to his ex’s suicide. When nothing happened, he became consumed by grief for his role in her death.

She surmises that may also have left no note as a small kindness to his own family, so they could explain his death to the apartment. Once Kotoko and Kurou leave, Kazuyuki and Marumi are satisfied by the explanations. Kazuyuki also thought that while Kotoko may be somewhat awful, he could tell Kurou cared a great deal for her. Marumi says that may be the case for now, but Rikka was concerned about their future together.

On their walk home, Kurou asks Kotoko if she told the pure truth, and she says she instead did exactly what was necessary: tell a believable story with the available info she had that could put Kazuyuki and Marumi at ease. She is also certain there are no supernatural beings in the apartment, as they’d be just as scared of Rikka as they are of Kurou.

That brings us back to a chat between Kotoko and Rikka a year ago when Rikka was staying at Kotoko’s house. Rikka asked what she fears, and Kotoko simply made a joke about a rakugo routine. When Kotoko wonders if Rikka told Kazuyuki and Marumi that she was some kind of awful woman, Kurou tells her that could be the impression some people get of her, considering she doesn’t seem to fear anything.

Kotoko says there actually is something she fears, but when Kurou asks, she simply gives him another Rakugo joke. But as fireworks start to explode in the sky above them and Kurou lifts her up for a better view, Kotoko’s eyes shimmer. I imagine the thing Kotoko fears most is losing Kurou, but is too proud to get serious and say so.

Instead, not knowing what the future holds for either of them, and Rikka still out of pocket, she tells Kurou that relationships between a man and woman tend to go better with a secret or two, then brings his lips to hers for a romantic kiss.

As with the Yuki-onna story, Kotoko and Kurou don’t show up until later, but with Rikka involved in this new “case”, they’re a lot more involved, since Rikka rejects them as a couple. Kazuyuki and Marumi are a nice realistic couple with a cozy, lived-in relationship. This season has shown that the more time we spend getting to know the folks Kotoko interacts with on her travels, the more fun and compelling those interactions are.

In / Spectre – 16 – Honeymoon Period

Kotoko tells Masayuki and Yuki-onna that she knows precisely who the culprit is, and furthermore, that the police aren’t really seriously suspecting him at the moment, which explains why they haven’t been hounding him of late.

The reason? Evidence indicates that the victim Mahiru didn’t have any of her effects taken, and there’s every indication that she and the murderer had time to converse. In that time, she would have surely warned the murderer about the formal accusation she’d written up beforehand.

After all, Mahiru wasn’t trying to be killed, and would do everything she could to avoid that outcome. And if Masayuki killed Mahiru, he would have taken steps to obscure her identity and/or the location of her body. And the cops already all but ruled Masayuki out as a serious suspect after he was wishy-washy about his alibi, and unprepared to defend himself from the facts they’d collected thus far.

As for why it looked like Mahiru was trying to write Masayuki’s name on her hand? That was written by the true murderer after killing her. Before Kotoko says the name of the murder—Iizuka Nagisa—the name already pops up in Masayuki’s name as the only possible culprit.

Iizuka was the only one who sided with him when he was forced out of his company. She loved him, and murdered Mahiru and framed Masayuki so that he’d have no choice but to go to her for support. Sure enough, as Kotoko discuss this, Iizuka calls Masayuki, but he doesn’t answer.

Kotoko reveals that she didn’t deduce this from the mere facts of the case as they stand, but from the eyewitness ghosts who were at the scene of the crime when it occurred. They identified a woman that matched Iizuka’s description. If that’s “cheating”, Masayuki can hardly complain, as the information Kotoko gathered from the ghosts categorically clears his name.

With Masayuki’s name sure to be cleared and only a matter of time before Mahiru is arrested, Kotoko gives him and Yuki-onna her blessing—as long as they use protection! Kurou shows up shortly thereafter, terrifying Yuki-onna (as he tends to do). Kotoko then tells Masayuki and Yuki-onna to get lost and bone already, since they’re now in “the optimal mood.” Yuki-onna  scoops Masayuki up and flies them back home.

While riding a flying yokai home, Kotoko and Kurou talk about the case a bit more. Kotoko explains further how Mahiru had overplayed her hand. She wanted a suspected Masayuki in the palm of her hand, but ultimately didn’t go any further lest the consequences of framing him cause him distress. The two conclude that Masayuki has and may well continue to have horrible luck with women.

Even Yuki-onna, who has been good to and for him thus far, is still a thoroughly volatile yokai who could one day freeze him to death for a slight real or imagined. Kurou likens Masayuki’s plight with his own, not just where his ex and Rikka are concerned but with Kotoko. Kotoko is not amused by this remark!

In / Spectre – 15 – So Generous, It’s Creepy

This episode was an emotional roller coaster! It begins by rewinding from Yuki-onna’s request to Kotoko to the police detectives questioning Masayuki. Their reasons for suspecting him of murdering his ex-wife are numerous: Mahiru left a note accusing him should she die suspiciously; the beginning of his name scrawled on her hand; and camera footage of Masayuki with a woman that looks just like her.

The police have reasonable cause to suspect, but not arrest Masayuki, and his failure to definitively state he had no alibi doesn’t help his case. But what choice does he have? He can’t tell the police he was having tempura and drinks with a yuki-onna on the night of Mahiru’s murder. Why, they’d think he was nuts…even though it’s the truth! Days pass and the police don’t bother Masayuki again, but it’s still looknig bad.

Then Yuki-onna, who was present in rabbit form for the entire talk with the police, asks him if she looks like his ex-wife, and he admits that she does, so it was Yuki-onna in the camera photo. Hers was the face of the one person in his life who didn’t betray him, but he admits he felt bad for marrying for whom he was otherwise unsuited.

Masayuki decides he’ll head out and try to find the real culprit, but Yuki-onna tells him to wait, and when he keeps going with a full head of steam,. she freezes him in his tracks—literally! 

Yuki-onna correctly diagnoses this as Masayuki being impatient and restless and wanting to prove his innocence at any cost, but with no leads and nothing to go on, the best move is to stay put, eat some food, get some rest. Then she remembers that her Ladyship, the Goddess of Wisdom, is just the person to solve this case, so she reaches out to her.

Yuki-onna flies Masayuki deep into the mountains to a cave where Kotoko is waiting. Rather than her going right into the particulars of the case, Masayuki gets a better taste of who Kotoko is, namely someone still quintessentially human despite her status as a goddess to supernatural beings near and far. That’s because Kotoko is upset that Kurou blew her off and she had to get cold pork cutlet from the local konbini.

I was so happy to see my favorite goddess of wisdom meeting my new favorite human-yokai couple, about to dish out the solution to their problems. But that’s where the roller coaster starts hurtling down to the earth, as Kotoko points out that not only does Yuki-onna’s wishy-washy sense of human time make her a poor alibi, but Masayuki might have capitalized on that poor sense to manipulate her into trusting him implicitly.

With Yuki-onna’s unwavering trust, Masayuki could kill his ex-wife one night, have tempura with Yuki-onna, and say they were doing the latter on the night of the murder, thus making him look innocent in her eyes and persecuted by the police. He could even convince her to kill the business partners who betrayed him.

Kotoko is so precise (as always) in laying out this theory that it even had me questioning if Masayuki really did have such a diabolical plot in motion, and had pulled the wool over Yuki-onna’s eyes with food, drink, and companionship. But you know who didn’t suspect Masayuki, even after hearing all this? Yuki-onna herself. She prostrates herself, says Masayuki has a truly kind heart, and demands that her Ladyship reconsider her stance.

Kotoko responds to Yuki-onna’s display by making it clear she’s all too aware that Masayuki isn’t the culprit, and that everything she uttered about otherwise was a lie. Among the reasons she trusts Masayuki? He’s been refusing Yuki-onna’s sexual advances! If he’d wanted to gain her trust quickly, he’d have swept her off her feet.

While Kotoko’s theory of Masayuki being a yokai-manipulating criminal mastermind was harsh and at times cruel, it was still crucial for her to say what she said, so she could enlighten Masayuki to the fact that Yuki-onna trusted him so much, she was even willing to defy her goddess for his sake.

By underscoring the courage Yuki-onna demonstrated for him, Kotoko hopes Masayuki will make the effort to regain some of his own courage. Even if this criminal investigation is all tied up with a neat bow and he gets off scot-free (as he should), Kotoko suspects that won’t be the end of Masayuki’s troubles.

A new start is in order. Masayuki owns up to being terrified of interacting with people—that lack of interaction is why he doesn’t have a human alibi—and tenderly gathers Yuki-onna’s cold white hand into his to thank her for going to bat for him. As for the true culprit of his ex-wife’s murder? Naturally, Kotoko already knows that too!

My Stepmom’s Daughter Is My Ex – 12 (Fin) – Weaving a New Tale

As predicted, Yume knocks it out of the park with her festival yukata and hair, but it’s her who wants a picture of Mizuto in his the second she sees it. Instead, he snaps a pic of her, and happens to know her phone’s password.

In her thoughts, Yume admits to feeling considerably lighter after having a good cathartic cry. Now she can hold hands with her stepbrother without embarrassment, and mimics Madoka’s treatment of Chikuma by helping “steady” Mizuto during the shooting game.

Just when the fireworks are about to start, Mizuto disappears, something Madoka says he always does around this time. All of his relatives have told her to make sure to look after him, like he wouldn’t be able to “survive” without someone watching over him. But as she volunteers to go find him, Yume celebrates how she’s been able to see all these new facts of Mizuto since becoming family.

When they were merely in puppy love and dating, she idolized and glorified him, projecting her ideal of a Boyfriend^TM without looking deeper. Meanwhile, while sitting alone at a shrine, Mizuto muses about how he considered the world of books to be the true reality, and the outside world a mere illusion.

The first thing in the world that felt real was Ayai Yume, who was also the first person to evoke the same sentiment everyone had for him: that he would not survive if left alone. That’s why Ayai Yume still occupies that “slot” in his heart that even Isana could never hope to replace.

Yume finds Mizuto at the shrine, and the two have the mother of all passive-aggressive verbal duels with one another, all the while happy they were on the same wavelength. She recounts the phone call they had that he ended abruptly, and she gathered that he called her from this very shrine.

Yume also gathered that Mizuto knew her phone code because it’s 1027, the day of their first kiss, a day they both remember with fondness. Then Yume asks Mizuto why he went out with her, and he says it really just amounted to her finding a seat next to his in a game of musical chairs.

Sitting side by side as the fireworks begin—the fireworks they never got to see together until now—what initially stirred in Mizuto towards Yume stirs again. A tear falls down his cheek before Yume takes his face in her hands and kisses him.

It’s her second first kiss, and with it comes a vow that she, Irido Yume, will eventually win him over, defeating Ayai Yume for that single slot in his heart. The next morning, and then back at school, the two are back to their playfully adversarial selves.

The happiness of the past will never leave either of them, etched into their souls as it is, and they will never feel that particular novel happiness ever again. But that doesn’t matter, because now that they’re both a little older, wiser, honest, and clear-eyed they can now achieve a new happiness; weave a new tale together.

Love After World Domination – 04 – Can’t Take Me Home

This week showed that while many of the characters play rather cartoonish heroes or villains, at the end of the day everyone’s a normal human being. Desumi even attends high school and has normal friends while she’s not “at work”. But while hanging out after school, she spots Fudou with the new Pink Gelato, and her reaction—running away in tears—is as intense as her friends are confused.

Pink, AKA Haru, is also confused…by the photo of Fudou with what looks an awful lot like a girlfriend. She and Fudou aren’t on a date; she needs to ask him about the photo. But instead he intuits the reason for their meet-up is that she’s interested in upping her physical training regimen. Haru is helpless to stop him from going off on his favorite topic, and she ends up relieved, as there’s simply no way Fudou would have a girlfriend.

But he does, and she’s pissed. When Fudou and Haru’s coffee is interrupted by a call of duty, Fudou finds and engages with Desumi expecting them to go through their usual dance, only this time Desumi’s dropkick lands. He thinks it’s an accident, or they’re just a little out of sync today, but eventually he realizes Desumi is hitting him on purpose.

The two end up in a secluded warehouse, where Desumi admits that even though her brain didn’t really think Fudou was cheating on her, the sight of him with Haru sent her heart into such turmoil she didn’t know what to do with herself. In fact, she started to think maybe someone “girly” like Haru would be better for him than a jealous, violent, loathsome outcast like her.

Fudou is swift in both his comforting hug and his rebuttal: he will only love her, with everything he’s got, as long as he lives. With her totally undeserved self-loathing out of her system, she and Fudou simply exist together for a bit, hand in hand, planning an afterschool date in their school uniforms…when all of a sudden they notice that Pink Gelato is sitting right next to them.

Fudou and Desumi are certain they’re 100% busted and doomed. But the thing is…they aren’t, at least not for the time being. They both believe Haru is planning something, and simply biding her time before she drops the hammer. But Haru is conspicuous in not only not telling anyone what she saw, but acting like she never saw it; like everything’s normal.

That is, until Fudou and Desumi’s after-school date. After a civet(!)-based false alarm, Desumi realizes Haru is lying in wait, and sends Fudou off on an interminable and ultimately doomed Starbucks run. Haru doesn’t mince words, challenging Desumi to a duel. Despite her transforming into Pink Gelato, Desumi handles her easily even in her school uniform. After all, Pink’s only been at this six months; Desumi’s a veteran enemy commander.

Desumi puts the end to the fight by knocking Haru out, but Haru is shocked to find that when she wakes up, Desumi is still there beside her. She admits that she joined Gelato 5 because she was in love with Fudou. She always suspected someone so amazing would have a girlfriend, but never expected it to be someone else she knew. Turns out Desumi rescued her from some thugs in an alley…and inspired her to become stronger.

Haru heard everything Desumi said to Fudou in the warehouse about how “love was making her weak”, but after fighting her, Haru assures her she’s as strong as ever. As for why she didn’t snitch on them, well…as much as she wanted Fudou to be hers, it just wasn’t in her to steal happiness from Fudou or Desumi. When Haru says this her eyes well up with big soppy tears. Desumi can’t help but hug her, and then she starts crying too.

When a very confused Fudou sees Haru’s head in Desumi’s lap and asks what’s going on, Desumi simply shushes him; let Pink Gelato rest a little more. Once she’s awake and back in her uniform, the three walk a bit together. Having experienced a catharsis, Haru is now rooting for Fudou and Desumi…but playfully won’t rule out stealing Fudou if given the chance.

It’s amazing how quickly this love triangle came together this week, and how affecting it was throughout its progression. From Desumi’s early jealous spiraling and Fudou’s stalwart vow he’ll never leave her side, to Haru’s discovery of their tryst and how she handles it, this was Koiseka at its best and most heartwarming.

Love After World Domination – 03 – Never Want to Touch the Ground

There haven’t been any battles between Gelato 5 and Gecko for two weeks, and both Fudou and Desumi are missing each other something fierce. So when Gelato detects a new weapon at Gecko HQ, Fudou impresses both Misaki and the Professor by valiantly volunteering to undertake a potential suicide mission alone.

Naturally, his comrades are unaware he just needs to see Desumi really bad. Dropping in suddenly makes her happy, but she has to use her lightning speed on more than one occasion to keep him from being spotted by her comrades. This results in her sitting on his face, then getting smushed into her locker with him and her bras.

When Culverin Bear comes in her dressing room, it looks like the discovery of their secret forbidden love is imminent…until Desumi lashes out in embarrassment, sending Fudou flying out of the locker, knocking Bear unconscious and activating his new weapon, which then self-destructs. Fudou gives Desumi his phone number, only for her to learn it’s the land line of his family home.

Fudou’s drop-in is followed up by a meeting of colorful, eccentric Gecko baddies, naturally led by a boss named…Bosslar. The various villains try to come up with the manner and location of the next battle against Gelato, and all Desumi comes up with are fun date locations, because she wants to see Fudou again. Bear actually backs her on the suggestion of an amusement park.

Misaki, suspicious of Fudou’s new smartphone, decides to stalk Fudou when he heads to the amusement park, dragging Haru with her. While Misaki clearly has a tendency towards sisterly meddlesomeness, Haru is more trusting of Fudou, and also seems to be hiding a hidden crush on the big lug.

When Fudou and Desumi meet as planned and begin to grapple, they are both surprised by the sudden arrival of Yellow and Pink Gelato. No matter; they speed away to fight a duel as in previous battles, only here they change into street clothes and ride a series of fun amusement park rides. All the while, both Misaki and Haru are convinced that Fudou is just his usual good hero self and nothing is up.

Despite being a superhero, Fudou gets motion sickness form the rides, including the intimate Ferris Wheel. Desumi no doubt finds this cute about him, and is happy to learn something about her sweetheart she didn’t know. But she also uses it as an opportunity to take Fudou’s hand, which causes his sickness to subside, replaced by warm, happy vibes.

Those vibes may not last much longer, however, as Haru has a quick passing glance at photos of people on rides and spots Fudou riding a roller coaster with some woman. If we’re going by anime logic Haru can’t recognize the Reaper Princess unmasked, but the fact Fudou is with a girl at all is a huge shock for Haru, and will likely have far-reaching repercussions. One thing I’m sure of is that the added stakes won’t detract from the snappy comedy or the sweet romance.

The Rising of the Shield Hero S2 – 02 – Do It, Then Think Later

Remember when the latest season of TenSura started with a bunch of long, boring meetings? Well, in the first half or so of this episode Shield Hero takes the same tack, putting Naofumi and Queen Mirellia in a room full of crotchety generals bickering over who should take command or lead the forces against the rampaging Spirit Tortoise. It’s all…a bit dry?

It seems more fun outside as Filo and Rishia are joined by Elrasla, noted tough old broad, and Eclair, whose dignity and decency I admire even as I rack my brain trying to figure out who voices her (I’m sure ANN will list it eventually). They’re basically at the kids table on standby while the brass talks things out.

That brass is soon joined by the same woman voiced by Hanazawa Kana who asked Naofumi to please kill her last week before suddenly disappearing. We learn her name is Ost Hourai, and while everyone knows her as the concubine of the now-deceased king of the Tortoise Kingdom, reveals that she’s actually one of the Tortoise’s familiars in human form.

She was created to seduce her way to the highest levels of human political power, and then use that power to get them to start wars. The Spirit Tortoise, ya see, uses human souls to stop the Waves. But someone has gone and unsealed the Tortoise itself, and its resulting rampage is not by choice.

Ost is there to help in any way she can, but rather hilariously, none of the advice she offers is anything anyone in the room doesn’t already know. I love how offbeat and quirky she is, it really spices up the otherwise dull meeting scenes (as does the Kevin Penkin score, as always). Also nice is Raphtalia meeting Naofumi on a moonlit bridge that night, telling him if the other generals will follow a good plan, they just need to come up with one.

Naofumi thinks he has one, and will utilize the unique qualities of the various allied kingdoms to pull it off. Manpower, siege machines, mages, and explosives, there’s a wealth of resources with which he will stop, pin down, and eventually behead the Spirit Tortoise. Everyone pitches in, even Rishia and Ost pulling Tortoise research duty at the library.

One night while Naofumi’s suddenly much bigger party is gathereda round a fire, Ecliar mentions that she brought some new weapons and gear from Elhart in Melromarc, including a new sword for Raph, a new gauntlet for Filo…and a stat-boosting Filo mascot suit for Rishia, which is pretty adorable.

It’s while she’s in that bird suit that Ost picks up on Rishia being in love with the Bow Hero, and encourages her to “get intimate as soon as possible” and not overthink things. Honestly I can’t imagine what Rishia sees in that stuck-up prick, but hey, you can’t choose who ya love!

While a bit stronger than last week owing to Ost’s weirdness (and Eclair’s profound uprightness), this was still a table-setting episode packed with exposition and information leading up to the trip to the Tortoise-beheading fireworks factory…and is thus scored accordingly.

86 – 23 (FIN) – Something New

Having dealt with the potentially civilization-ending Morpho and lived to tell the tale, the five Spearheads return “home” to their adoptive father Ernst’s home just in time for the Giad equivalent of Christmas. As Frederica finishes her homework, they open their gifts, all of which could aid in their most difficult mission yet: living civilian lives.

Like the first time they were brought to Giad and given the freedom to choose, the kids all find their respective niches and genuinely enjoy the time they spend in those niches, as well as sharing various first-time experiences together. But the Legion are merely down, not out, and the battlefield beckons. When informally asked to join an independent unit, the five don’t hesitate to take up the call.

It’s there where we learn their unit will be led by a “foreign officer”, and where I once again started to get my hopes up about Shin & Co. meeting Lena—despite knowing how 86 loves to operate. As he visits Eugene’s grave, apologizes to Marcel and Nina, and finally places his brother’s shard of metal in the memorial with the others, Shin wants to find “something new” with his four comrades. He wants to take them to the end, and he doesn’t want that end to be a battlefield.

In a return to the first season formula of splitting the episodes between Shin and Lena, we see her visiting her father’s grave, walking around the ruined first district, and asking her departed uncle for more time before her “hopes are crushed”. Her white-haired brethren throwing racial slurs at the Giadian solders feeding them shows that it could be generations before the state-sanctioned bigotry fades…if ever. 

But just as Shin found peace with Eugene, Marcel, and his brother, Lena comes to a détente with Annette, who is now no longer of the mind that nothing she does matters. She’s also curious about the Giadian’s Para-RAID resembling her own so closely, and has decided to accompany Lena as a tech officer. Lena, who already found a stray cat to keep her company, is elated at the news. Annette knows that the more she stays by Lena’s side, the more surprises she’ll see.

But the biggest and most pleasant surprise of all is that 86 doesn’t go out without letting Lena come face-to-face with Shin, Anju, Kurena, Raiden, and Theo for the first time. Even when she sees these five soldiers, she doesn’t know who they are, having just paid her respects to the five soldiers she believed to have died. Her reaction to Shin introducing himself was priceless, and so earned by everything that had preceded it.

While I worry about their trials in the battles to come, it fills my heart with joy and glee to see Lena triumphantly standing shoulder to shoulder with her  comrades. These are the final moments that made the long wait more than worth it. This final episode provided both closure and enduring hope for the future of these crazy kids.

86 – 22 – Somewhere Left to Go

Remember 86? The show left us hanging, but it’s finally back to give us a conclusion. Shin succeeds in defeating Kiri, but is knocked out by the blast of Morpho’s self-destruct. He dreams of those who died before him, from his brother to his fellow Eighty-Six who thank him one by one.

I don’t think Shin’s interested in thanks, or for the gratitude of scores of people who died before him. Rather, he’s tired of being the one to survive; for everyone to fight till the end, only for their ends to come before his. This is someone who never thought of the future because the only future he could see was one of soul-crushing solitude.

But when the Legion flak fly away en masse, revealing a vivid bed of funereal higanbana, a solitary female soldier appears and makes contact. We know it’s Lena, but since Shin has never actually seen her, he’s not sure at first. The two exchange cordial words as Lena draws closer, teasing the long-awaited in-person meeting between these two seeming soulmates…

That said, a part of me prepared for the possibility Shin and Lena actually wouldn’t actually come face-to-face, despite being so close…and being kind of oddly okay with that, despite how cruel it felt. Seeing Lena alive and well, in the flesh, and unwilling to run from the war restores Shin from his doldrums. Seeing her hold Theo’s drawing of her as a pig and a photo of Spearhead in her hands, and hearing her say she wants to catch up to him, brings a rare smile to his face.

We learn that Lena is the commander of what’s left of San Magnolia’s forces, which isn’t surprising at all considering she was one of the only soldiers who took her job (and the threat of the Legion) seriously. We also learn that the Giad Federacy will be assisting San Magnolia with rescue efforts.

Shin expected his trip would be a one-way variety, while he would be the last person standing against the overwhelming might of the Legion. And yet here we are, Morpho gone, the Federacy still intact, and, to his delight, Kurena, Raiden, Anju and Theo are still alive, as are Frederica and Wenzel. In Frederica’s case, it was Kiri who protected her from his own explosion.

When the Spearhead gang is back together in the briefing room, everyone is eager to hear Shin describe what the Major looked like. He lies and says he couldn’t see her, but it’s clear to them Lena has grown quite a bit, and that Shin always had a soft spot for her.

More importantly, the universe decided to cut Shin a break for once. Be it Lena or his Spearhead colleagues, those he thought dead weren’t dead after all, but fought and survived. Lena, not knowing she was talking to the Reaper, said that’s something to be proud of…and for the first time in his life, Shin was.

TenSura – 48 (S2 Fin) – Complacent No More

Last week hinted that Round 2 with Clayman might not be a cakewalk, but that was not the case, as not only does he end up defeated, but straight up executed by Rimuru. That’s fine with me, good riddance, really. If can’t keep track of how many times Clayman says “Okay, NOW I’m going to get serious”, it’s happened too many damn times!

Rimuru dealt with Clayman in the time it took to roll the opening credits, leaving the remainder of the episode the boring part of Walpurgis, in which I got scary flashbacks to the opening six (seven?…eight?) episodes of this season that were nothing but people discussing things while seated in a circle. At least it’s a little more interesting here due to the new characters.

The business of Walpurgis is as follows: Clayman is defeated, Guy Crimson officially recognizes Rimuru as a Demon Lord with no objections, Roy Valentine’s maid turns out to be the real Demon Lord, Luminus (whose name Veldora couldn’t remember). Frey and Carrion, having seen the strength Rimuru demonstrated, decide to resign their Demon Lordships and become disciples of Milim.

Finally, after Guy draws very close to Rimuru and insists he do so, Rimuru gives the Former Ten Demon Lords a new name, something that was apparently took up an entire Walpurgis last time they needed one. I kind of like the idea that these guys are so powerful that they don’t have much to do, and that they take something like naming their group so seriously. Rimuru comes up with Octogram: The Eight-Star Demon Lords, which everyone likes.

While Rimuru is over being a big hit with his new fellow ‘Lords, Roy Valentine returns home just in time to encounter Laplace, who was sneaking around Luminus’ mansion until he encountered Sakaguchi Hinata (Hi Hinata!) and double-timed it out of there.

But while the Harlequin is afraid to even face Hinata in battle, he eliminates Roy quite easily, apparently unaware he isn’t the real Demon Lord Valentine. Doesn’t matter; Laplace is pissed that Clayman is dead. No doubt he’ll seek revenge on Rimuru.

Rimuru, however, won’t be so naïve or vulnerable next time. Out of the crucible that was the coordinated attack on his domain and his people, Demon Lord Rimuru Tempest was forged. This Rimuru is a little harder, a little more cognizant of the big dangerous world he lives in, and a lot less complacent. That said, I’m sure he’ll allow himself a few days of celebration, rest, and relaxation back home.

With the three remaining members of the Harlequin Alliance, Kazalim, Hinata, Yuuki, and who-knows who else (I imagine there are still some fiercely-powerful beings we’ve yet to meet) still out there, Rimuru has plenty to be vigilant about and prepared for.

As for TenSura, looks like it’s getting a movie in Fall 2022. Until then, the second part of this second season got a bit rough at the start there, but led to some fine payoffs. TenSura is nothing if not consistent.