Bocchi the Rock! – 12 (Fin) – Ultra Super Bocchi-chan

It’s time to play, and BtR get’s right down to it. But while I was relieved Bocchi was on the stage, but there were still things to dread. Would her dad’s old guitar break, or Kita’s voice fail, at the worst possible time? Turns out, it’s the former.

Their first song goes off without a hitch, but early in the second, a string gives out just before Bocchi’s big solo. Before it happens, everyone (especially Kikuri, who breakes out of her drunken stupor) can tell something’s off, even though Bocchi’s playing is okay.

After it happens, Bocchi is ready to spiral into a full-on meltdown, but Kita has her back, ad-libbing a  sort of rhythm solo for just enough measures to allow Bocchi to pick up one of Kikuri’s empty glass sake bottles and pull off a pretty rad bottleneck slide guitar solo.

Bocchi may be mortified, but both the adults and the kids love it. The former are super amused Bocchi thought to go bottleneck, while a lot of the latter didn’t even know what she was doing, but thought it was freaking awesome.

With their set complete, the band takes a bow, and when some in the crowd call out bottleneck Bocchi, Kita shoves the mic in her face. Bocchi locks up, unable to speak without prepared remarks, then asks herself What Would Kikuri Do? … and leaps into the crowd.

While she almost certainly would have been caught at a club where it would have been more expected, here she hits the ground with a punishing thud. Kikuri, Seika, and Ryou think it’s hilarious and Bocchi is now a rock legend while Nijika and Kita are more concerned.

When Bocchi comes to in the nurses office, Kita is by her side. Bocchi takes the time to thank Kita and to tell her how good she’s gotten in such a short time. Kita’s response is a little somber, since she’s resigned to never being good enough to be a frontman like Bocchi, Kit-aura or no. But Bocchi will happily keep teaching her.

It’s here where Kita officially starts calling Bocchi Hitori-chan, which is incredibly sweet. Bocchi delays the after-party to a date TBD, and back home apologizes to her dad for “breaking” his guitar. He tells her no such apology is necessary, but since his guitar is so old it may be time for her to buy her own. When she says all her STARRY pay goes to quotas, her dad produces a fan of 10,000 yen bills.

At first I thought he and her mom had been saving her weekly allowance for a social life she never had until now, but these are Bocchi’s legitimate hard-won advertising earnings from the clicks her videos receive. That’s right; she’s been posting to the Gotou family account, and they all know she’s guitarhero!

Suddenly having 300,000 yen burning a hole in her pocket, Bocchi gets all psyched up about quitting her job, since the cash will cover not only a guitar but her quotas. But when it comes time to actually bring it up to Seika, Bocchi folds like a cheap suit and issues a declaration of commitment to her current job.

She also considers that Seika might let her quit if she buys her a guitar, but when Nijika asks Seika what she’d want Bocchi to get her she says nothing (while privately blushing over how nice Bocchi is). With that, Kessoku Band is off to Ochanomizu, a historically musically-oriented district, to shop for a new guitar.

Once there, Ryou is annoyed when Kita and Nijika focus on the cute accessories, then unassumingly asks if she can try out a certain bass and proceeds to slap the shit out of it, impressing the store manager (and Kita).

When Bocchi spots a sleek black Yamaha, the manager approaches her and she goes to pieces, but Kita is there to operate Ventriloquist Dummy Bocchi, Oddly, even though the point of going to a physical store was to handle a guitar before buying it, Bocchi buys it without handling it. She even flees the store without the guitar, but her friends bring it out to her.

With that, Bocchi straps into her new guitar which she bought with her own hard-earned cash, and she does indeed look awesome, though her family witnesses her promising her dad’s old guitar that she won’t neglect it. Leaving her heavily bookmarked practice books and closet studio, Bocchi puts her new guitar on her back and heads out, saying Be back later not just to her family, but to us, as that’s the end of Bocchi the Rock!

While this was a pitch-perfect ending to the season, I for one hope we get an encore soon, featuring more confidence, more comedy, and more concerts! Until then, Bocchi the Rock! is a late but deserving addition to the conversation for Anime of the Year.

More than a married couple, but not lovers. – 07 – Okaeri, Akari

I just want to express my surprise and gratitude that Akari’s gyaru-friends Sachi and Natsumi are actually good people too! When they see Shiori with too many bags of garbage (a powerful metaphor for how accommodating and self-subordinating she is), they offer to help, even conscripting Jirou and Sadaharu when they slouch past.

When Shiori declines to carry a bag with Jirou, it’s a critical hit to his heart, but also shows their accidental kiss has left the two more awkward and distant than ever. Sachi and Natsumi can also tell that Akari must feel something for Jirou at this point, and she doesn’t deny it.

They’re not pushing her towards Jirou or Minami—in fact, they say those aren’t the only two guys in the world. They want her to be happy, and to settle on her own choice on her terms. Opportunity knocks when the girls see a poster for an upcoming fireworks festival.

Naturally, dressing Akari in her yukata is a job for her “husband”, and while her talk with her friends leads to her mentioning Minami more as she teases Jirou, the fact of the matter is, having Jirou dress her is as big a deal for her as it is for him; he just can’t see her red face since he’s behind her. It’s also telling that she says a bow-style obi tie is too “childish”—again assuming Minami only likes mature things.

Akari meets Sachi and Natsumi at the festival with her head held high, ready to take a step forward in figuring (gestures everywhere) all this out. Of course, it’s not that easy, as she’s trying to go back to a place where she’s comfortable play-acting as a wife to Jirou and she’s back to thinking only of Minami in a romantic capacity. In effect, she’s trying to go back to a place that no longer exists.

Even if spending the evening with Minami cleared things up, that opportunity is torn away from her at the last minuite, as his friends arrive Minami-less and contrite; he had to take an extra shift at work due to the festival, and was too nice to turn it down.

Sachi tries to salvage the night by having the boys buy them a bunch of snacks and sweets as penance, but after psyching herself up, Akari is rightfully deflated. To add insult to injury, she spots Minami at the festival after all, in street clothes with Shiori and in what looks like pleasant conversation.

It turns out they’re just taking the shortest route to a point where he’ll go off to work while she’ll head home. They’re not on a date, and from their scene together, there’s still no actual romantic chemistry between them. They’re simply both doing their part as partners in a practical exercise.

Of course, that’s not what it looked liked to Akari, and that’s all that matters. Her friends see her turn pale and assume she’s disappointed in not getting to be with Minami. In reality, she’s that way because she did see him. When the other boys said he wouldn’t be coming, a part of her even felt relieved.

Jirou doesn’t have to spend this night alone at home. He could have called Shiori and taken a step towards that route had he wanted; I doubt she would have refused judging from her look back after she and Minami parted. I wouldn’t really have felt bad for him if his self-imposed loneliness had endured.

However, I do feel bad that, like Akari, he’s simply not sure of anything anymore. If he and Akari are a functional and happy fake couple, he knows one day they won’t be, like when it comes time to swap partners. He worries about what they’ll be after that, and even if they’ll be anything at all.

But when he gets a call from Akari and there are only tears on the other side of the line, if he’s paying attention he’s answering his own question with his reaction: slipping on his coat and running to wherever she is. Luckily for him, that turns out to be right outside their door. As Akari sobs into her hands, she apologizes to Jirou, and by extention, everyone who worked so hard to create an opportunity for her to move forward.

She also worked hard herself, taking extra time to make her hair, nails, and makeup perfect for Minami. And yet, at the end, she just came home. Jirou dries her eyes with his sleeve, then offers a hand up, saying “Welcome home”. Akari collapses into his arms, saying “I’m home”, and has the big, wet, cathartic cry she needs to have. And only Jirou’s arms will do.

Once the tears have passed, the two stand on the balcony as the fireworks start in the distance. When she teases him more and accuses him of being jealous, he doesn’t deny it, which surprises her, but she likes it. Then she takes his hands, puts them on her obi, and asks him to make the bow he wants to make.

When he gets to a step he can’t do, she takes out her phone to find the instructional video. When it slips out of her hands, it falls into his, and she puts her hands over his and draws them close, asking him to simply hold her and say her name, again and again. If he does, she thinks she can “try again”.

Jirou remembers Akari saying how she loses her confidence sometimes, and this is definitely one of those times. In this moment, and while upside-down heart-shaped fireworks start to explode above them, Jirou does as he’s told. She thanks him for not asking what happened, but simply being there for her.

In his mind, Jirou admits he didn’t ask because he didn’t want to know. Just as Akari felt relieved when she heard Minami wouldn’t be coming, Jirou felt relieved when she came home. While he still considers their happiness in this moment to be fleeting, perhaps both he and Akari would be better-served listening to those little pangs of relief and what that means not for Minami, or Shiori, but the two of them.

This episode surpassed the previous racy couch scenes because this felt a lot more overtly romantic. The two have identified those moments of relief and want to understand them better, even as they are still on some level committed to rooting for each other with their other potential partners. Combine the beautiful visuals, lighting, and colors of these scenes with Akari’s friends being The Best and we have the best Fuukoi outing yet.

More than a married couple, but not lovers. – 06 – Hearts Racing Together

One morning, Akari is acting like a caring, loving wife, the kind that is again propelling her and Jirou into the top of the practical rankings (which are a thing I find myself caring less and less about as the show goes on). The only thing that gives Jirou pause is the fact that Akari keeps calling him by his last name, even seemingly accentuating the “Yakuin”.

Jirou doesn’t know why, but it bothers him, and he even googles “why is a girlfriend suddenly calling you by your last name”. Seems like a step backwards, or some kind of message, right? Then Jirou and Sadaharu happen to witness Hamano Mei rejecting female kohai who just confessed her love for her.

Aside from it being a magnificently gay scene I was waiting for, Mei demonstrates that she’s very good at the gentle turn-down, and I have no reason to doubt she truly is happy that this girl fell for her, even if she can’t return the feelings. Mei also bears part of the burden for not “being mindful enough to notice” the girl’s feelings, then indulges her with a warm embrace and calls her by her first name.

Jirou wants to notice what’s causing Akari to use his last name, so that already shows he’s being mindful. He’s a good kid, thinking about how she feels! When he’s about to shower, Akari barges in with the rankings on her phone: they’re now in eighth place, and she hugs him while he’s shirtless, which is a first.

Later, she helps him dry his hair—which he washed with a shampoo she chose for both of them. When she hits the hair dryer, Jirou says her first name, then again. The third time he says it is when she switches it off, and she hears it, and calls him Jirou in turn. Now he gets it: she simply wanted him to call her Akari first. She says its for the benefit of their artificial marriage, but it’s clear him calling her Akari makes her blush every time.

While Jirou figured out this little mini-mystery of how he and Akari address one another, he’s still largely in the dark about Shiori’s true feelings. In that regard, his lack of mindfulness stems from her years-old friendzoning of him, which he felt at the time meant that was that and there were lines beyond childhood friendship she’d rather not cross.

But that was then, and Shiori regretted it then and has yet to resolve matters. In this, her best friend Mei most likely subordinated her own unrequited romantic feelings for Shiori in order to ensure she’s happy, by doing everything possible to bring her and Jirou together. She makes it clear if Shiori isn’t more aggressive in letting Jirou know her feelings, Akari (or some other girl) will beat her to the punch.

When Shiori gets hit in the head by an errant football, Mei sends her to the nurses office and promises to send Jirou there, where it’s clear she wants Shiori to do what she couldn’t do during their shared classroom duties. When Jirou hesitates, Mei verbally kicks him in the butt to get in there and see Shiori already.

But while Mei can’t understand why her Shiori loves a “coward” like Jirou, she’s missing the fact that Shiori’s been a coward too! Coward is probably too strong a term; more like stubborn in their shared belief that the other isn’t interested despite plenty of evidence to the contrary.

When Jirou visits the nurse’s office to see Shiori, the two find themselves all alone in the dark. They exchange some awkward small talk, Jirou notices that Minami brought her a sandwich and sports drink before he did (though Mei gave him his). Shiori mentions how well Jirou and Akari are doing, he says they still fight a lot, and Shiori remarks how she’d like to see Jirou angry sometime. That is to say, she wants to know more about him beyond the childhood friend.

She also makes it clear when Jirou brings up making romantic progress that she and Minami have done no such thing, and that furthermore, even if it was with someone she liked, she’d worry about being too nervous and inexperienced. This must feel to Jirou like a comfortable mirror.

Shiori makes another blunder by saying she wants to “practice” kissing with Jirou, which suggests she’d rather kiss someone else “for real”, but Jirou, who had just gotten a talking-to from Mei to “go for it”, agrees and leans in to kiss Shiori.

At the very last second Shiori hesitates again, which happens before Akari’s gyaru-friend Sachi comes in to skip class, hears the bed creaking, and sees boy’s and girl’s shoes through the gap in the curtain. Sachi is scandalized and makes a quick exit, but her entrance caused Jirou to slip and fall … right onto Shiori and her lips.

Accident or not, the two have finally kissed, and it was so unexpected and so … so much for both of them they basically short-circuit in unison and agree to part ways for the time being. I feel so bad for both Mei and Akari, as these two are—and I can’t stress this enough—the fucking worst.

I mean everyone has their pace that they must follow (I think about Chuu2Koi handled this quite well). But you don’t have to jump each other’s bones; you can use their words and clear all this up! Say you like him! Say you like her! Boom! But they don’t.

All throughout this time, Akari has been trying to get ahold of Jirou, but he’s ignored her last four texts. Then Sachi shows up and tells her what went down in the nurse’s office, and right after hearing this Akari gets a text from Jirou saying he was in the nurse’s office. Naturally, her thoughts go straight to Shiori.

I continue to feel so bad for Akari. I’m sure Minami is a nice guy, but she doesn’t really know him. She does know Jirou a lot more, and is developing feelings for him that are quickly replacing the more shallow attraction nad idolization for Minami. Also, I doubt Minami is any more interested in her than he is Shiori.

And hey, what do you know, Akari is so preoccupied with Jirou that she doesn’t even notice Minami served her that drink! I am HERE for the Minami erasure. We’re in episode six. If we go another six without him so much as uttering a line, I’ll be perfectly content.

What we have here, then, is a love triangle. And with her assumption Jirou went and did something with Shiori in the nurse’s office, Akari is understandably lonely and depressed. It doesn’t help matters that her gyaru-friends stand her up at the café, though Minami gives her some free extra whipped cream and a note to cheer her up (though again, you get the impression he’d do this with anyone).

When she comes home late, Jirou is passed out on the couch. Akari sees the chocolates and deduces he waited for her. She doesn’t check her phone and see the text warning that the chocolates contained whiskey. She does unfold the couch (which of course becomes a bed), disrobe and curl up next to the dozing Jirou, asking him if this is what he did with Shiori, or did they take things even further.

What’s so heartbreaking is that Akari isn’t mad that Jirou might’ve slept with Shiori. After all, who wouldn’t want to have their first time be with someone so clearly important to them? Even more heartbreaking? Lines like “Did you go off and become an adult without me?” and “Don’t leave me behind,” and “I’ll cheer on in your love … but just for now, while I’m your wife, could you wait?” Just one dagger after the other.

Jirou regains consciousness from his inadvertent choco-bender very confused Akari is sleeping beside him in her underwear. When he asks what happened, Akari teases him for forgetting what happened … for forgetting what he did to her. She then asks “was last night your first time?” to which he answers yes, because he assumes she means the two of them.

When he proceeds to apologize if he didn’t perform to her standards and such, she admits she was lying, they didn’t do it. When Jirou is a bit too emphatic in his relief, since it means he’s still a virgin, Akari is miffed. I’m not sure he meant to imply he’s glad he didn’t lose it to her because he’d rather lose it to Shiori (I think he’s just glad he didn’t pop his cherry and not remember it)—but that’s how she interprets it.

It sucks that this is how the episode, and the first half of the season, wraps up: with another misunderstanding. But even if Jirou picks up on what Akari is mad and is able to smooth things over, the underlying triangle remains. While Shiori did stop them from kissing for real, they did lock lips, and once she and Jirou fully process that, that dance will continue. And this conflict will surely drive the second half.

Could Akari be clearer about how she’s acting toward Jirou is less about being a great pretend wife for the sake of getting Minami and more about legitimate feelings for him? Sure! Could Shiori, for the benefit of both Akari and the long-suffering Mei, please kindly shit or get off the pot? Perhaps! But Jirou can also keep being as mindful as he can be. As long as he’s wracking his brain, there’s potential for progress on all fronts. Whatever happens, I’m loving these characters, and this show.

More than a married couple, but not lovers. – 05 – Sharing fabric softener

Akari’s crush continues to be supplanted by feelings for the mock husband right in front of her, and throughout the episode she expresses this though lots of teasing and physical contact, starting with a loving wife’s hug before Jirou heads off for school duties. Little does he know that Shiori has arranged to swap duties with her sporty pianist wife Hamano Mei so she can get some quality time with Jirou.

Before the arrangement, Mei is trying to get Shiori to do what needs to be done to get the man she wants—which may yet involve a giant Acme-brand mallet with which to smack him over the head. Shiori says “Jirou doesn’t think of me that way” but Mei knows better; Shiori just needs to make her feelings plain and obvious before Akari snatches him up. Akari’s galfriends only tease her about the prospect of falling for Jirou, but they’re on the right track!

Despite my increasing affinity for Akari and Akari x Jirou, being a sucker for childhood friends I relished the opportunity for Shiori and Jirou to hang out together without interruptions from Akari, Minami, or Sadaharu (who sits this episode out; I don’t mind the guy but appreciated a break from him).

The results are predictable: having class duties together reminds them of when they had them in middle school, and the two settle into that warm, happy nostalgia and familiarity. But when it comes time to leave the safety of the past and try to grasp the future with a solicited kiss, Akari thinks he’s dreaming, while Shiori withdraws at the last moment and must beat the shit out of the erasers in frustration with herself.

Unfortunately, this leaves Jirou with the same impression as the start of the day: that while there are occasional signs here and there, Shiori doesn’t like him “that way”. That leaves him gloomy on the balcony an otherwise dazzlingly starry night, and Akari joins him with mugs of hot milk in a genuinely heartwarming gesture of trying to cheer him up.

That inherent kindness in Akari’s character is at odds with a deep resentment that he’s feeling so down over another girl, which of course reflects how he feels whenever she gets riled up about Minami. Akari decides to press the teasing by insisting he start calling her by her name, and is shocked when he does it immediately, while explaining why he had trouble before.

Akari gets much more than she bargained for here, and has to retreat before Jirou sees her beet-red face and ears. Gathering her patio door curtain around her, she curses these confusing feelings. To this point she’s been in love with the idea of Minami, but that idea is losing ground to the reality of Jirou.

When their teacher announces that practical couples’ scores will be combined and everaged together, Jirou is anxious, as he’s not sure the extent of Akari’s academic prowess. But rather than simply presume she’s a dunce, he asks her about it, and her tone and body language make it clear she’s far from confident about it.

He asks her to cancel her karaoke plans so they can study together, but she says it’s “not so easy” to break said plans because she was invited by other guys, as opposed to her galfriends. To this, Akari says “I’m asking for you too here,” and she relents, but believes he’s only being this “desperate” for Shiori’s sake. Meanwhile, Mei continues to prove that she may just be the most deserving of Shiori’s hand in marriage. If nothing else, she’s trying her best to make Shiori happy and successful in love.

Jirou finds that while Akari picks things up fast, she hates the fundamental idea of studying. Her frustration from the assumption he’s only doing this for him and Shiori leads her to up her teasing and flirting game considerably, cozying up to Jirou and saying he can “do whatever he wants”.

Jirou averts his gaze, and ends up seeing that Akari figured did a challenging math problem correctly. The rest of the study session progresses and their couple score continues to go up. When they’re done, Akari isn’t ready to eat dinner yet, and would rather get Jirou to admit she makes his heart race.

She does this by jumping into his lap, but she grows more frustrated when he tries to ignore her, so she turns around so they’re front-to-front, and tells him he can look at her if he wants. When he still won’t, she grabs him even tighter, and he ends up flipping them over so she’s on her back.

At this point the two are in dangerous territory, and Akari can hear his heart pounding now. It’s here where Jirou starts to let his hormones take over, caressing her cheek. Akari says he can’t once, then twice, but then takes hold of his shoulder to pull him nearer, and closes her eyes to prepare for a kiss …

I knew amorous congress was going to be interrupted by something, be it doorbell, phone, or Sadaharu. This time, it’s Jirou’s nose, which suddenly starts bleeding. Though Jirou thanks his nose profusely for stopping him from doing something he’d regret. Once the bleeding is stemmed by a tissue, the two fold laundry together—the hot-and-heaviness replaced by a picture of domestic bliss.

Akari laughs at Jirou for getting a bloody nose in such a situation, but Jirou in turn asks her what is up with her pestering him so heavily all night. She brings up how she’s frustrated by how desperately he’s trying to prevent Shiori from leaving him behind. He, in turn, tells her he’s not just doing it for him and Shiori, but her and Minami, and further tells her he’s sure she’d reach A-rank with anyone, not just him. He simply hoped that after she’d gained so many points for them, he’d try to contribute by helping with her studies.

Jirou doesn’t know just how happy it makes Akari to hear that, because as far as he’s concerned she doesn’t feel anything serious for him, and her amorous actions have only been to tease him. But Akari is feeling less grateful that he’s doing this for her and Minami when it’s currently the two of them together that makes her heart race for real. She thinks about a future where they switch partners, and their clothes no longer smell like the same fabric softener, and … it’s not necessarily something she wants.

Fuukoi continues to do tremendous character work in the midst of what will always be a silly and contrived premise, and its deft “couch time” animation and Akari’s facial expressions in general continue to impress. There’s still a lot of confusion and awkwardness from all parties, but Shiori is gradually fumbling her way closer to Jirou, while dangerous couch session Akari’s true feelings may be coming into better focus.

Jirou’s self-loathing-fueled obliviousness can’t hold out forever. If it isn’t already, his confidence in Shiori being his one and only will surely start taking the same dents as Akari’s in Minami being hers.

Call of the Night – 02 – Not Just Any Neck Will Do

Kou and Nazuna met quite by chance, so it’s not surprising the next night when Kou looks everywhere and can’t find her. They set neither a time nor a place. Fortunately fortune smiles upon him as Nazuna eventually drops in on him, saying she was busy looking for some rando to drink blood from.

Since Nazuna told Kou before that drinking blood is like eating and “copulating” at the same time, he’s a little miffed that she’d copulate with just anyone, but she tells him that’s just what vampires do. Different necks are like different kinds of food to them.

What matters is they found each other, and Kou wants to make sure it’s easier next time, so asks if they can exchange numbers. Only problem is, Nazuna doesn’t have a phone. Well, she does, but she apparently bought it in the 80s, because it’s almost the size of her boombox.

Nazuna led Kou to her place to find said gigantic phone, and once they’re there, she soon plops into bed after a long night of searching for necks to bite. Kou isn’t sure what to do until she opens the covers so he’ll join her. But the prospect of her sucking other necks sticks with him.

That’s when Nazuna confesses she was looking for him all night too…she was just too embarrassed to say it. Kou accepts her apology, and unlike the last time when he whipped out his neck willy-nilly, here he gets the timing right, and she leans in for a drink.

Both the character design and Amamiya Sora’s voice acting really nail that combination of predation and vulnerability has always made vampires so fascinating. As she dozes next to him, happy as a clam, Kou is relieved and happy not that she finds his blood tasty, but because they both felt the same way: they wanted to see each other again.

The next night they have an equally hard time finding each other, but the inevitably do, and Kou presents her with a solution to her problem that avoids her having to buy a (new) cell phone: a pair of receiver watches. While a desperately dorky thing, I’m not surprised that Nazuna is into it and wants to play with them.

This leads to Kou telling her a story of how he bought a pair when he was younger, even though he didn’t have a friend. Instead of making one, he hid the watch hoping someone would find it, but while it was eventually taken, he never worked up the courage to use it to call that person (or rodent).

Nazuna is right that it’s a bleak story on its face, but Kou is also right that being around people can make some people more lonely than being on their own. The two dorks proceed to have a grand old time communicating and laughing together on their watches, culminating with Kou remarking that they’re like a couple that just started out.

Nazuna puts the perfect capper on the evening by giving Kou another aerial ride over the city lights, this time to a new insert song. At times, the pair look like they’re dancing in the sky, ’cause they kinda are. The puppy love is strong here, and these two are simply the cutest.

Nazuna lands them on the school roof, and even though Kou hates school during the day and has not been going, the night makes it a more enjoyable place to be. Nazuna walks up to him and casually sucks his blood for the first time outside her apartment—and at school, no less! As she puts it, “Talk about indecent behavior!”

But while Nazuna is super casual about drinking his blood, showing a lot of skin, and saying “copulate”, Kou soon picks up that when it comes to love and romance, she gets super-embarrassed, which is how Kou “gets back” at her stolen neck bite by calling her by her first name and adding “-chan”, which turns her beet-red and has her covering her face with her awesome cloak.

On the way home just before daybreak, Kou wonders if the blue receiver watch he left atop the mailboxes is still out there somewhere. Just as he’s dismissing that idea, he gets a signal from his red receiver watch, and a girl in a school uniform and messy dark hair calls him by his name…

Aharen-san wa Hakarenai – 09 – An Assembly of Aharens

When Raidou is feeling under the weather one day, he just happens to resemble the love interest in a shoujo romance novel. We know Aharen to be sensitive to how Raidou looks at her, especially after their tender moment at the fireworks festival, so his misleadingly amorous face is almost more than she can take. As for Raidou, he passes out from his fever and goes home early.

The next day Raidou is fully recovered (as one would expect of one with such a hardy build as him), but Aharen is out sick. He’s asked to deliver printouts to Aharen (a time-tested but by now obselete practice in the ageof the internet) and ends up encountering a third member of the Aharen clan: Reina’s much taller little sister, Eru (Hidaka Rina).

Eru exhibits certain tsundere qualities, treating Raidou with initial hostility but later admitting to her sister that she finds him “interesting” and “doesn’t dislike him”. She also has somewhat extreme notions of cooking what with bringing a whole tuna home and cutting it up with what could only be a katana.

Reina is very grateful Raidou came by, but he doesn’t impose further on the Aharens by staying for dinner. Eru watches as her big sister clings to him. While bathing with Ren, Eru admits that she suspects Reina to have “special feelings” for Raidou, but whether they’re actually going out remains a mystery to her.

Lil’ Ren sets out on a shopping trip and runs into Raidou, perhaps for the very purpose of finding out for sure whether he’s dating his big sis. When Ren realizes he’s lost his wallet and all the money for the groceries he intends to buy in order to help his sisters out, Raidou produces his wallet, only to find it’s empty too.

Thankfully, the Aharen dog Nui produces Ren’s wallet with the cash needed, but before Eru can get a straight answer out of Raidou about his relationship with Reina, Reina appears, and the discussion is tabled for now. Sure enough, in the presence of two Aharens Raidou effortlessly calls Reina by her first name, making her steam and blush.

Maybe there’s nothing Raidou could say to Ren or other curious parties to satisfy them. Maybe he and Reina simply defy specific labels.

Akebi’s Sailor Uniform – 06 – Call Me By My (First) Name

Where the last few episodes involved Akebi forging new friendships, this one returns to her first one: Erika. Akebi, having never invited a friend over to her house before, is unsure how to go about it and extremely nervous to boot. This results in her staring a lot at a puzzled Erika, who thinks Akebi is acting even weirder than she usually does.

Erika doesn’t buy that Akebi only wanted to ask her what she thought of houses with leaky roofs (obviously she thinks they should be repaired!). So she invites her to join her at the library, where she reads a book about fishing and learns Akebi fishes at a lake by her house.

Sensing Akebi wanted to hang out on Saturday, Erika asks if she can go fishing with her, whispering it in her ear since it’s the library, then helping Akebi execute a proper pinky promise.

Erika, who has never fished, gears up to the max, and arrives a full hour early, so excited she is she to fish with Akebi. I’d be pretty psyched too, considering how effing gorgeous the lake and its environs are. Like, it’s beauty that strains credulity, but that’s fine; a great slice-of-life can and should transport you to idyllic places.

Akebi uses nothing but sewing threat, a hook, and rice to catch a bevy of minnows, but the more traditionally-equipped Erika manages to get a bite from a char. Akebi rushes into the lake in her swimsuit to assist, and eventually secures the fish Erika caught in a satchel Erika is beyond overjoyed to have caught a fish on her first day trying, and Akebi makes sure to mark the occasion with some photos—which lends the series’ artists another opportunity to flex their considerable aesthetic muscles.

Erika and Akebi end their fishing day thoroughly satisfied…and thoroughly soaked. Akebi, somewhat hesitantly, invites Erika to shower and change at her house, which again, is something straight out of a picture book, and not something to be ashamed of in the least. Erika also gets to meet Kao AKA Mini-Akebi, as well as Akebi’s mom.

It’s here where Erika gets to see “Home Akebi” for the first time; someone who is always attentive and on top of things when it comes to the operations of said house, as well as a warm and caring host. The two bathe together, Akebi washes her back, then carefully blow dries and combs Erika’s hair, something she has a lot of practice with her little sister’s hair.

When Erika asks Kao what she likes about her sister, Kao has a perfect pecocious little kid response: smacking her sis on the bum and saying she likes the sound it makes.

Akebi’s mom drives Erika home, cementing Erika awe of this amazing loving family. After they drop her off, Erika calls out to Akebi, but by her first name Komichi, declaring she’ll be calling her that from now on, and she can call her Erika. Relieved by how well her first visit by a friend to her house went, Akebi enthusiastically agrees.

Akebi, or should I say Komichi’s interactions with all her friends have been lovely to behold, but her relationship with Erika just hits different, transcending mere “school friends” territory and entering the realm of sisterly, even yuri love. Regardless, it’s as crystal clear as that lake these two care about each other a great deal and had an absolute blast hanging out, so first name terms were long overdue!

Komi Can’t Communicate – 10 – 200 Degrees

It’s Sports Day, which means a good half of the episode is spend outdoors, rain or shine. Komi meets the fiery upperclassman Netsuno Chika, who assigns specific temperatures to people. Netsuno regards Komi as “chilly” and hopes she won’t hurt her class’s chances, but as we know, Chika is misjudging a book by its cover.

Komi’s austere beauty is intimidating and aloof, but beneath that exterior is one of the warmest and kindest souls you’d ever want to meet. That soul yearns to break free of her social anxiety, and on some brief occasions, succeeds…like when Komi verbally cheers Tadano on from the crowd, giving him the boost he needs to place third in his race.

When there’s a sudden rainstorm and Komi’s class meets her mom Shuko, she’s understandably embarrassed, especially since her classmates initially mistake her mom for her and are amazed she’s talking. When the rain stops and the big relay race completes the day, Komi slips and gets covered in mud, but responds to her classmates cheering her on and completes the race, finishing second only to Netsuno, who admits she misjudged her.

The next segment involves another new character, Onemine, seemingly moving in on Komi’s man. The narrator says people with social anxiety tend to get jealous when one of their friends talks to another they don’t know, but add to the fact Komi likes Tadano, and the effortlessness with which Onemine interacts with him, and it’s doubly troubling to her.

The thing is, other than Tadano, Onemine seems like one of the most normal characters in the school. She’s a genuinely kind, decent, nice person with absolutely no ulterior motives. But like Netsuno she’s only seen Komi from afar, and worries that Tadano is stressed out by being with Komi all the time. Tadano assures her that’s not the case, and if she spoke to Komi she’d feel the same way…but when Onemine tries, Komi runs away.

Later, when Onemine is settling in to help Tadano with more class rep paperwork, Komi is more assertive and communicates via notebook that she wants to help too. This is when Onemine gets to watch Tadano and Komi interact naturally, then reads the room and makes up an excuse to leave the two lovebirds alone, later telling Komi she’s rooting for her. As I said, she’s just a nice girl!

We close out the episode with another hanging-out segment, this time with Komi, Tadano, Najimi and Ren going to a photo booth and taking some adorable photos. I particularly like how Komi is “filterproof”—any supposedly appearance-enhancing filters would only make her look less perfect than she already does. But on two occasions, Tadano notices Komi gazing at a crane game.

The next day at school, Tadano surprises Komi with the gift of a kitty keychain he won (on the first try!) at that crane game. Turns out Komi already played the game and won a kitty keychain of her own, but the two then decide to trade, so they’re giving gifts to each other. After school, Komi is so happy with Tadanos gift, she rolls around her bed and kicks her feet in the air in pure unbridled joy—a moment her mother dare not interrupt with a dinner announcement!

Komi Can’t Communicate – 09 – Compliance-Wise That’s No Good!

This week’s wonderful and varied Komiucopia of segments starts off with a New Character Alert: Inaka Nokoko, who has a complex about being a country girl. Her “glow-up” consisted of hiking her skirt to just three centimeters below her knees instead of her usual five! No doubt she’s also self-conscious about her dialect, so she rarely speaks lest these cosmopolitan kids learn her dark secret.

Nokoko all but worships Komi-sama, the class god—though not to a creepy degree like Yamai. As she follows Komi (and Tadano follows her, wondering what’s up. Doublestalk!) into a Subway where Komi has been given another very long order from Najimi, she misinterprets Komi’s demeanor, actions and thoughts over and over, to Tadano’s amusement. In reality, she and Komi are a lot alike…I just wish they’d have actually met. Maybe next week!

Part II involves an established character in the chuunified Nakanaka, who invites Komi to her house on a whim and to her shock and amazement, Komi agrees. Before she knows it, Nakanaka is sharing her room with the Great Komi—her first guest since elementary school. The two sit in tranquil silence for a bit before Nakanaka breaks out the video games, something Komi doesn’t know a whole lot about.

Nakanaka gets so nervous about boring a “normie” like Komi such that she’d never return to her house, she invites Najimi over, who too Nakanaka’s surprise also brings Tadano over. The four end up playing a Super Smah Bros. game, with the show going into the game and giving the four characters Mario-esque identities. Watching Komi try to figure out her controller is a delight that brought back memories.

In the next segment, Najimi has conscripted both Komi and Tadano (who hides in a bear mascot) to assist with their part-time job at a Docomo analogue. Their task? Hand out 5,000 packs of tissues during their shift. It proves to be a fine science, as everyone reacts to Komi in different ways based on how they interpret her behavior and mood and whether they notice her at all.

After multiple Firings-up and Re-Firings-Up, quite possibly the person most in need of a tissue in the whole city crosses paths with Komi. At first the lady is weary of asking outright, while Komi feels weird tissuey vibes from the lady. But her first pack of tissues goes right in that lady’s hand, it the catalyst Komi needs to start handing them out to everyone who passes. Yamai even sets up a line for her! (This week I learned Yamai is best enjoyed in small, brief appearances).

The final segment starts with a harrowing dream Komi has in which one by one all of her friends show up with a black sesame seed stuck to the same part of their face, but Komi has no idea what it is, how to communicate it’s there, and even whether these are even her friends! Again, it’s only a dream, but I’m glad the show reiterated that Komi’s anxiety extends to nights alone.

Back in the waking world, Tadano actually has a sesame seed stuck to his face. Hearing Tadano call Najimi Najimi, she asks if he’d call her Shouko. Najimi urges Tadano on, but he’s utterly unable to do so. Then Najimi turns the challenge on Komi, asking her to call Tadano Hitohito.

Komi only gets a tiny “Hi-” out before she gives up as well. Like Komi meeting Nokoko, them actually saying each others’ names would have been lovely to behold, but maybe the show is saving that for later. For now, this was still an immensely fun and hilarious variety pack of segments.

Kageki Shoujo!! – 06 – Such Sins Shall Not Be Endured

The 100th Class is restless. For four months they’ve been subjected to basics basics basics when each of them are anything but. They’re fed up of boring lessons…they want to ACT. Sarasa, never one to shy away from making her thoughts known, whatever they may be, airs the united class’s grievance to Andou-sensei.

He seems miffed by her impression of her, even though everyone agrees it’s as spot-on as her impressions of all the other teachers. They wonder if it’s because it’s so good that it struck a nerve. Such is Sarasa’s performative power.

Oh, it’s also Sarasa’s 16th birthday! Akiya’s older kabuki kolleague took the liberty of delivering sixteen roses to Sarasa under an alias, living as he is vicariously through Akiya and Sarasa’s chaste, minimalist long-distance relationship. But Ai isn’t going to lose to some “frog bot”; so she plays and plays the store lottery until she wins a figurine she knows Sarasa will cherish.

She also uses the opportunity to try to call Sarasa by her first name instead of “Sara…Watanabe-san”, and when prompted by Sarasa herself to do so, Ai is finally able to do it. More than by the figurine, Sarasa is made happiest by seeing her first name in Ai’s handwriting and hearing it in Ai’s voice. I love these two so much it hurts.

I could honestly deal quite well with a Kageki Shoujo!! that’s nothing but Sarasa and Ai hanging out and gradually becoming closer, but we’ve got a whole ensemble to cover here, and the results of spreading the love across multiple Kouka students isn’t bad either!

This week focuses on the other members of Sarasa and Ai’s Group E, who along with the other groups have two weeks to prepare to do a scene from Romeo & Juliet. Rock Paper Scissors is used to determine who plays what role, resulting in the suboptimal pairing of Hoshino Kaoru’s Romeo with Ai’s Juliet. Sarasa has to play the much darker Tybalt.

The role of Juliet was really won by Chika, one of the Sawada twins, but she decides to be the lesser role of Juliet’s nurse, later seeing her sister Chiaki claim the role with giddy elation. Is Chika less ambitious than Chiaki, or is she simply trying to differentiate herself from her sister in order to shine on her own? The twins have just been background noise until now, so I’m looking forward to them getting a bit more fleshed out.

Kaoru, whom I’d forgotten wishes to be a otoko-yaku like Sarasa, does not surrender Romeo to Sarasa. Instead, she takes Group E firmly by the reins and does not spare the whip. She harshly criticizes both Sarasa and Ai for seemingly not giving it their all, then finally snaps at Sarasa for daring to propose they practice on the sidewalk like common street performers.

As with Ayako last week, Ai sees a member of JPX in Kaoru, specifically the leader, who was always angry and never satisfied. She also learns why from the other girls; both of the previous generations of Hoshino women were Kouka performers. Ai bridges the gap between her and Kaoru by acknowledging the pressure Kaoru is under, while also admitting something she deems to be shameful and almost disqualifying for a Kouka actress.

Due to all of her years performing from a young age, she never properly learned to read kanji. Ai tells Kaoru there’s nothing wrong with her having a short fuse or being tough on them; if she’s not tough on them, Group E will fail. And if Kaoru doesn’t want to be the bad guy of the group, they’ll also fail!

Speaking of bad guys, Sarasa has zero experience embodying characters like Tybalt, but while she sucks at reading a script, watching a Blu-Ray of Romeo & Juliet is another thing entirely. She absorbs every moment of the performances on the screen, and the shape and color of every line, like a very tall, very efficient sponge. And lest you think I’m being harsh on Sarasa, I hold living sponges in high regard! We should all wish to live such an elegant existence!

When the time comes for the first-ever Great “Let First-Years Act” Experiment, Andou chooses Group E to go first. As they perform in their tracksuits on a rehearsal stage, the audience (including us) are transported to the fully-dressed performance stage, complete with lighting and costumes. This is a nice stylistic touch.

Kaoru makes a good Romeo, but Andou can see her gaze is uneven, indicating she’s distracted and letting her self intrude on her performance. Chika flubs a line by repeating it, but after a momentary breakdown, remembers Ai’s words about them continuing to the end even if they mess up, and improvises a great save. Ai isn’t bringing true love to the performance (because Sarasa is her true Romeo), and she’s also doing what she was trained to do as an idol: performing to an audience of one. A Kouka actress must perform for everyone.

Then Tybalt takes the stage, and we finally see why Kaoru said what she said earlier about people normally improving gradually. Sarasa isn’t normal. After watching the video, once, she manages to serve up a perfect performance of Tybalt, causing her classmates to audibly gasp in unison. Andou is also impressed by the way Sarasa stands, locks her gaze high as if she were performing to a packed Kouka theatre crowd of 2,500. It is stirring, but in the end, it’s too perfect.

In his critique of Group E, Andou-sensei tells Sarasa flat-out that she will never be a top star of Kouka…not unless she changes. As I am prepared to give my life to defend Sarasa’s smile (not to mention Ai’s), it’s here where I must apply Tybalt’s line “Such sins shall not be endured” and “He is naught but a villain” to Andou-sensei. He is a villain whose sin was turning Sarasa’s smile into a look of pained bewilderment. Curse him!

But here’s the thing…he’s absolutely right, and Sarasa needed to hear his harsh words sooner rather than later, because she wasn’t really acting on that rehearsal stage, she was mimicking what she saw—down to the last precise detail. That is an impressive talent, foreshadowed when she did impressions of the other teachers, but it isn’t acting. Sarasa can’t be a top star of Kouka by simply perfectly replicating what she’s seen and heard. At least, that’s what I think Andou-sensei is on about.

Sarasa will have to change. She may even have to forget everything she knows about performing and start over from scratch. Her friend Ai will be there for her, as will the other girls of Kouka. After all, if there’s one person they want to see on stage more than the Sarasa they’ve already seen, it’s the future Sarasa who has mastered how to deliver performances all her own. I know Ai wants to see that Sarasa, and I do too!

The aquatope on white sand – 04 – The girl with the red boots

Aquatope continues to meld stories of personal pain and growth, hints of romance, and slice of life in a unique setting with aplomb. This week we meet another employee of the aquarium, the gentle giant Umi-yan. He’s the first to realize that Fuuka is the Fuuka formerly of Yona Pro, and soon spreads the word to Udon-chan and Karin.

After work when Kukuru stops by Udon’s, she and Karin tell Kukuru while Fuuka sits in awkward silence with Kai, who just happens to flip to a channel on TV showing Yona Pro at an event. Just seeing the girl she let usurp her causes a visceral reaction in Fuuka, and Kai, also in on the big secret, quickly changes the channel.

The next morning, three old ladies are drawn into the aquarium before opening time to bask in Fuuka’s youthful beauty. The next day is a big one; the “Touch Pool” where kids get to touch sea creatures rather than just look at them.

Kukuru decides to give Fuuka more responsibility by being an attendant to the pools. While gathering creatures for the pool, Kai asks Kukuru whether Fuuka, who entered their lives so suddenly, will leave it just as suddenly some day.

Fuuka takes to her new job like a fish to water, taking voracious notes and adding her own cute little touches to make it a more colorful and fun experience. She even upgrades to bright red boots, surprising the rest of the staff. But considering they all knew she was an idol, should they be surprised?

When the day comes, things go swimmingly…at first. The kids love Fuuka and she crammed enough knowledge of the creatures to back her charm up with helpful knowledge. But then some older kids spot her, recognize her as the fallen idol, and prepare to snap pictures. Karin steps into their shot just in time, asking that they please not take non-consensual photos of the staff.

Umi-yan takes over the pool while a visibly shaken Fuuka, who tried so hard to buck up, is taken to the back by Kukuru to calm down. Kukuru apologizes profusely for getting so caught up in making the touch pool a success that she didn’t consider how Fuuka would feel.

But Fuuka doesn’t want her to apologize. She chose to be an attendant, and was happy when Kukuru put her to work and praised her. It’s here when Fuuka realizes that she wants to do a good job because she wanted to get to know Kukuru better and get closer to her.

Kukuru, in turn, realizes she wanted to give Fuuka more work so she’d fall in love with Gama Gama even more, so she could become closer to her. Pracicing what they preach to the kids about how touching a sea creature is worth a hundred words about it, Fuuka takes Kukuru’s hand and places it on her face, and Kukuru does the same with Fuuka’s hand.

Like Karin and Udon, I was absolutely slain by this scene, as it was surpassingly adorable and heartwarming in equal measure. It’s also to date the most overt expression of the show’s shoujo-ai overtones. Kai seems to have a thing for Kukuru but they’re old old friends; it’s different. Fuuka, on the other hand, inspires passion in Kukuru, and the feeling is mutual. They make each other better while helping each other heal from their wounds.

Fuuka returns to the touch pools with heightened confidence and poise, looking the older kids head-on and welcoming them to ask her anything…provided it’s about sea creatures. They look suitably chastened…how would they like it if someone took pictures of them when they were working?

After a long, exhausting, but ultimately successful and immensely fun day, Kukuru and Fuuka ride home, and before hitting the hay exhibit a far closer and more comfortable rapport, with lots of smiles and laughs. No doubt due to the exertions of the day, they end up oversleeping, but don’t sweat it. In fact, Kukuru decides to start the day by pouncing on Fuuka.

Naturally, someone had to piss in this blissful bowl of Cheerios, but thankfully the dread I felt as they approached the aquarium that those loan sharks had committed some kind of vandalism was mistaken. Instead, Fuuka’s stern-looking mom has arrived in Okinawa…and she doesn’t look happy.

Considering we’ve got twenty more episodes to work with, would the series dare separate Fuuka and Kukuru just when they’ve gotten so close? I dearly hope not! Instead it’s my wish that, as they pray to Kijimunaa each morning, as long as they keep doing what’s right, everything will work out.


SSSS.Dynazenon – 12 (Fin) – E Pluribus Gundum

Gauma is in a bad way and Second can only ease his pain, but with Gridknight and Goldburn losing ground to Shizumu, Yume and Yomogi know what to do. Juuga, Mujina and Onija notice the new Shizumu Kaiju, realize they can’t control it, and instead allow him to swallow them up. This makes things even more difficult for Knight-kun.

Koyomi’s Dyna-car just happens to land near enough to him that he can simply hop in and join the battle; ditto Yomogi, who gets to make a dramatic leap over a cliff of debris into his Soldier. Yume trips and falls, but Yomogi soon tracks her down and offers to take her to her Wing. Gauma even manages to pilot his Dyna-thingy with Second, so all six pieces of the puzzle are there to fight the Eugenicists.

It’s here where we get a lot of those trademark super-intense Trigger Faces, as Juuga curses (and confesses?) to Gauma (who tells him to “shaddap!”), Mujina curses Koyomi (who loudly apologizes), and Yume and Yomogi get the silent treatment from their former classmate Shizumu. But once Yomogi realizes he can Instance Dominate the enemy with his Kaiju user power, the battle is pretty much over.

There’s a number of different Dyna-combinations, all of which are great fun to watch as the pilots shout in unison. The coup-de-grace comes from the old standby Super Dragon Dyna Rex (carrying a combo of Gridknight and Goldburn on its back) firing off the most verbose attack yet: Blazing Hot Inferno Burning Grid Rex Roar.

The Eugenicists glimpse their impending deaths and accept their fate (again), but so does Gauma, who passes away shortly after claiming victory. None of them are particularly upset about this; Mujina even thinks it might be “better this way”, while Juuga is certain the time of Kaiju will still come someday. As for Gauma, he finally understands why the Princess didn’t revive with him: because she entrusted Dynazenon to him. And he did good.

Three months later, as the silent credits roll (no OP or ED in this finale, but the opening theme did make an appearance during the battle, as is its wont), we get a very wide shot of Yume and Yomogi walking slowly across a bridge, Yume stopping Yomogi going back for her, and the two continuing on. I don’t know about you, but to me this feels like Yume wordlessly giving Yomogi her answer.

The two join Chise and Koyomi to take one last look at Gauma’s home under the bridge and bid farewell to Knight and Second, who are taking the now-inert Dynazenon and Gridknight with them. It must be tough, but Chise accepts that the best and coolest friend she ever had doesn’t belong in the world of logic and reason.

Speaking of which, Chise is back in her slick street clothes, since her school was one of the casualties of the climactic battle. That’s a pretty cool touch. As for Koyomi, he looks so different three months later with his haircut and well-fitting suit, I assumed at first he was a last-minute cameo from the Gridmanverse. Chise has also ditched her sleeve, revealing a Goldburn tattoo that was there all along. Looks like her friend will always be with her after all.

That leaves the inevitable cultural festival scene. Yomogi and Yume’s class is doing a horror café, and their shift is about to start but Yume is trying to shirk her duty. After pointing his mom and new stepdad—whom he seems to have accepted and even get along with— to the tickets, he is selected by his friends to track Yume down.

After seeing Mai’s photo exhibition (she decided to use photos of Yume after all which…why would you not), Yume finds the highest place in the school and sings a song in tribute to Kano. Then, as she was probably expecting, Yomogi finds her. She reaches out her hand and, after he recalls a final convo with Shizumu about how he was rejecting a future as a fellow kaiju user, but he was okay with that, he takes her hand and helps her onto her feet.

You can really feel the weight of he characters and the touch of their hands thanks to the animation and sound. She then scolds Yomogi for using her last name Minami, Yomogi relents and calls her Yume while blushing all the way, and Yume lets out a cheekily mirthful laugh.

Once they’re done their shift (as a bloody corpse and mummy, respectively), Yume and Yomogi pose for a photo with the others, and notice they still have their scars. Yume hopes they’ll never lose them, since they’re precious reminders of how they found themselves, found other, and learned to find happiness in their lives. These crazy kids are going to be alright.

The final scene is of Knight and Second arriving back in what I’ll call Akane’s illusory world. I’ll go ahead and assume Yomogi & Co.’s world was pretty much our world. While this is pretty cool to see, it’s not as huge or goosebump-inducing as Gridman’s live action mic drop. IN fact, you could probably make a case that Yomogi’s world is also a fake, simply because everyone looks like they’re in an anime.

That’s further food for thought, but in the end, my cerebral stomach is feeling pretty satisfied already. SSSS Dynazenon was one hell of an eclectic, sumptuous meal, a brilliant and epic melding of the absurd and mundane, both impossibly fantastical and piercingly real. I’m really going to miss this gang of misfits, but assuming Trigger isn’t done with robots, kaiju, and alienated, flawed, and immensely charming characters, I look forward to the next entry in the Gridman Universe.

Horimiya – 05 – Breaking Through the Noise

I knew when Shindo was conveniently blocked out by Miyamura’s head that there would be trouble. Souta spots him with another girl and mentions it to Hori, who is already better but taking another sick day to avoid Miyamura post-his “I love you”.

To hear the words so clearly when she was meant to hear them has had a paralyzing effect, as Hori fears their relationship changing in any way from the lovely way it is. Only her inability to text or even face Miyamura for the next day and a half proves there’s no going back; the relationship has changed. There’s no putting the proverbial toothpaste back in the tube.

In a way, Souta’s extremely vague “other girl” report gives Hori leave to speculate that Miyamura is cheating, thus justifying their distance. But she can’t avoid him forever, and as soon as he has her alone by the lockers, he reiterates that he said he loved her knowing she was still awake.

Hori diverts to talk of the other girl, and Miyamura says it’s just Chika-chan, Shindo’s girlfriend, who was leaning on him because she twisted her ankle (Shindo was leaning from the other side because he too twisted his ankle, which is hilarious).

Hori buys the explanation, but is still angered. Why? Because Miyamura won’t stop saying “Chika-chan”. She throws two books in his face and runs off, but before long he’s at her place, calmly returning the books to her in case she had homework that night.

But Because this is Horimiya and not a lesser romantic show that would drag this conflict out over an episode or more for cheap drama, Hori interrupts Miyamura’s apology with her own for the misunderstanding. The awkwardness and tension fades away, and they return to being soothing presences in each other’s lives.

As they share a chair, Hori confirms she was awake when he confessed…which comes as no surprise to him. He apologizes again for springing something like that on her then running away, as he was more scared of how she’d respond than whether she would.

I wish they had more time in this moment to talk more, but they’re suddenly interrupted…by Hori’s dad, Kyousuke. She calls him by his name rather than “dad”, perhaps because he’s a total man-child, but he takes an instant liking to Miyamura, and—this is key—when he asks his daughter if he’s her boyfriend, Hori steps up to the plate and says “yeah, got a problem with that?!”

This, more than anything else Hori says or any other look she gives him, seems to affect Miyamura most powerfully. Just as he blurted out a confession not once but twice in the midst of a bunch of mundane conversation, Hori takes a page out of his book and essentially gives him a response to his confession by telling her dad he’s her boyfriend.

When their mom comes home and is worried not by Kyousuke’s presence, but the fact they won’t have enough dinner (though didn’t Hori just feed her dad?), Miyamura takes himself out of the equation so the whole Hori fam can eat together. Hori walks him home, apologizes for how annoying Kyousuke is, and casually starts holding Miyamura’s hand, blushing all the way.

Miyamura weaves his fingers into hers and they walk like this, affirming their desire to learn more about each other little by little. When they release to part ways, Miyamura takes her arm once more and thanks her, both for being her and for what she told her dad. When Miyamura texts Tooru about these developments, Tooru allows himself to despair a bit over losing to him.

The skies aren’t all cloudy for Tooru, however, as he has the normally serious and highly capable Kouno Sakura going into a daze while admiring him from inside the school. Remi notices Sakura’s uncharacteristic behavior and asks what’s up, but when Sakura sees Remi, she sees someone who is cute—unlike her—and so wouldn’t understand what’s bothering her. Remi, in turn, is bothered by that assertion.

Remi and Sakura have been nicknamed “Beauty and the Beast”, and that label has clearly affected Sakura’s self-esteem. She’s always stayed in her lane, but now that she has a crush on Tooru, she finds herself changing. It’s in the brief time after she ran away from Remi Sakura realizes that having “Beauty as a best friend” is more blessing than curse. When she next sees Remi, she tells her about her crush. Remi notes that Sakura is making a blushing face she’s never seen before…and it’s very cute.

Of course, Tooru is still 100% oblivious to Sakura’s feelings, but that’s not entirely his fault; he’s still feeling the sting of Hori’s rejection compounded with the fact that Miyamura and Hori are all but officially an couple. Still, Tooru doesn’t want things to get awkward, and insists to Miyamura not to worry about it. His pain is his to bear, and he’ll get over it.

The episode closes with another lovely cozy moment with Miyamura and Hori studying. Hori suddenly says “Izumi-kun”, and MIyamura assumes she’s calling him by his first name. Turns out it’s just Souta’s friend’s last name, but the truth is Miyamura would like her to call him by his first name.

She tries it, but amends it with a Baka, then descends into a baka spiral just as Souta comes home, causing his friend Izumi to ask if his family’s okay. Trust me, it’s just fine, kid! As for Miyamura, I’d advise him to start calling Hori Kyouko if he wants her to call him Izumi!

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