Sagrada Reset – 24 (Fin)

Haruki knows she faces a problem if she believes Asai Kei to be perfect and without flaw: it puts an untenable pressure on him to be flawless in order to continue being the Asai Kei she knows. But until she finds out what that flaw or mistake is within him, she won’t know him as well as she wants.

Fortunately for her, the power of abilities enables her to do just that in this, the final episode of Sagrada Reset. Kei has shifted his focus from Urachi (no longer a threat) to Souma Sumire (who has collapse). He wants to save her, and would like Haruki to put aside her differences with Souma and help him.

Haruki agrees – if Kei shares the memories he has of pre-Reset Harukis, through Sakagami’s ability. Kei agrees, and before you know it, Haruki remembers when she first said she liked Kei (having said it a second time just then), but also finds his mistake, which happened two years ago: when Kei kissed her, she was happy.

Kei apologizes for being an indirect and cowardly; Haruki admits she was the same. It’s a lovely and vital new step forward for this beautifully subtle yet increasingly warm couple.

The easy part thus completed, the hard part commences: Kei wants to “save” Souma, but what does that mean? Apparently, he aims to save her from the weight of her own longing over not being the girl who “won” him, and the intense feelings of perceived inadequacy and budding nihilism that realization cultivates.

He isn’t saving her because he’s a hero; he’s saving her because she’s his friend, and he wishes for her happiness to be “second-best” in the world (Kei makes no bones about who is Number One in his heart).

In Kei’s apartment in the dream world, Souma is sitting in the dark, hiding her face because she’s been crying. Kei takes her face in his hand and tells her however she’s feeling now, he can see a future, however far off, where she’s happy and smiling, despite him not being hers.

Souma is afraid of the prospect of being able to smile under such circumstances—where she essentially has lost to Haruki, and always will, every time. So she challenges Kei to one last game: correctly say her name, and she’ll go along with his plan for her.

But if he fails, she wins, and he’ll become hers, living in the dream world with him, like two stones, never being bothered by the world outside in the least. Cut to the end of the game, when Haruki appears to speak to Souma, and Souma holds out a stone she says is Kei, and tells her she’s won.

Haruki isn’t buying it; there’s no way Souma Sumire would wish for such a thing, and accuses her of having a “tantrum” and waiting for her to come and hand Kei over. Haruki tells Souma that she used to be able to use her ability by herself…until a reset led to Souma’s death and hurt Kei.

It stands to reason then, that if Souma’s turning of Kei into a stone also hurts him, there’s no reason to hold back and reset by herself again. But before she gets the word out, she holds back, because she believes that despite the stone trick, Souma really does have Kei’s best interests in mind.

Since Haruki isn’t buying it, and sees the stone trick as a means to get her to use her Reset of her own will, Souma tells her why: If Kei is going to assume responsibility for all of Sakurada’s abilities, he’s going to need someone by his side to help him, and if necessary, provide a check against him hurting himself. Souma concedes that Haruki is the best candidate for that job.

With both Haruki and Souma affirming their roles regarding Kei, Souma wakes up first, and Kei is watching her because her bed is by the moon and she looks pretty. That’s…kinda weird, but Souma doesn’t mind (at least, in this one little instance, she “beat” Haruki for once), and pledges herself to providing a voice of council to Kei, who agrees to listen to that voice.

Souma then shuffles off, and Haruki emerges from behind the curtain around her bed. Souma thought it would be awkward to stick around, while Haruki was embarrassed of seeing her, and lets Kei know that even if he doesn’t (and may indeed never) understand, she and Souma being “moderately adversarial” is “good”, i.e. “natural.”

Finally, Haruki places her hands on the shoulders of her man and tells him she’s thinking of letting her hair grow out, now that she remembers him saying, long ago, how he liked it that way. Now that she has those memories back, Haruki can love Kei of both the past and present instead of merely the latter.

That deeper understanding and affection, as well as Urachi and Souma’s respective redemptions, were only made possible through the existence—and judicious use of—abilities. So even if Asai Kei isn’t righteous or just or a hero, he was right to work so diligently to preserve abilities in Sakurada. They were and are the key to his happiness. They are…sacred.

And thus concludes a sometimes slow, sometimes maddeningly opaque, yet also almost always strange, intriguing and wonderfully offbeat show. I appreciated that the finale not showing us the results of Kei accomplishing all he’s set out to do—that would have felt cheap to go down in just one ep.

Instead, all his relationships are now in good standing, putting him in the best position to succeed. I close the book on this series wishing him and his the best in their endeavors to Keep Sakurada Weird.

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Sagrada Reset – 23

Kei is in the back of a Toyota Harrier with Urachi, with Tsushima driving and Tomoki riding shotgun; Ukawa, Murase, Sakagami and Oka Eri (I’ll say her whole name since everyone in the show always does) escape by bike (and Ukawa turning the road into a slot car track). Haruki is still at the Karaoke parlor with Sakuin and Kagaya, apparently outnumbered…but it’s all part of the plan.

I hope you don’t mind the calm, measured voice of Ishikawa Kaito, because you get a lot of it in this episode, and that’s saying something. He has an adversary with the opposite position to try to convince to his side, after all.

Kei is as persistent as he is righteous, laying out all of the alternative options to simply wiping out abilities, using the abilities of others to lighten the burden of his two “locked” parents—even transferring his father’s ability to a cat.

At the end of Kei’s spiel, Urachi is still not convinced, and Kei isn’t surprised…because Urachi isn’t the one he was trying to convince: it’s Kagaya, back at the parlor with Haruki, who heard the whole debate through Tomoki.

In light of everything that was said, Kagaya chooses to support Kei. Just like that, Urachi loses a vital team member of his crusade. He can no longer realistically carry out his plan without Kagaya’s support, so he essentially surrenders to Kei, handing him his notebook.

As for what occurs at the very end, with Souma passing thorough the boundaries of Sakurada in a train, suddenly having all her memories rush back, and lamenting that she’s “certain nothing was even” for Kei? Your guess is as good as mine. It would seem Urachi has been quite suddenly removed as an opponent, but perhaps the events of this episode were the easy part of Kei’s plan, with the true challenge coming in the finale.

Sagrada Reset – 22

Kei knows he can’t accomplish his goals alone. He needs a little help from friends, classmates, acquaintances…and even his “nemesis” Eri Oka, to whom he genuinely admits defeat for losing in the pre-reset timeline. Before long, he has Eri, Murase, Sakagami, Tomoki, Ukawa, and Haruki in a karaoke parlor, where he lays it all out and asks them for their help.

He gives them time to think it over and leave if they wish, but as he tells Haruki in the stairwell, he already knows they’ll all agree, because he looked a little deeper into the future back in the photo. He feels like he’s lying and he ran away, but Haruki is glad he did, because she knows he’ll always persevere.

Once everyone has indeed agreed, Kei sets his multifaceted plan into operation, inviting Urachi to join him at the karaoke parlor. Urachi brings Sakuin and Kagaya; Kei is all alone…or he looks alone. Perceived vulnerability is key in his gambit, for Urachi has to believe that no matter how things go in their talk, he’s in control and will get the last say.

After remarking how their mutual desire to control all abilities (Kei by keeping them, Urachi by eliminating them) makes them alike, he proposes a compromise: the abilities remain, controlled by Kei, but he won’t be a pure dictator, because people like Urachi will help him.

Urachi agrees to the plan—all to quickly, and after shaking hands with Kei, he has Kagaya shake hands with him too. Only, Kagaya forgets his locking ability because Kei utilizes the combined power of Eri, Murase, and Sakagami.

Urachi isn’t worried, however, since he can simply rewind Kagaya’s time to before he forgot his power. He’s also used their time talking to call for backup, and before long Kei is surrounded by Bureau members. But he makes the slip—and takes Urachi with him—by using Ukawa’s ability to construct whatever she wants within a minute; in this case a network of tubes.

Urachi and Kei end up in a car with Tomoki and a very confused Tsushima, meeting Urachi for the first time. When Kei says he’s kidnapped Urachi, Tsushima thinks he’s joking, but he’s not. But Urachi points out that Tsushima is now an accomplice to Kei’s crimes.

Once again Kei, has only bought time and stayed a few steps ahead, but the struggle is far from over. It very much remains to be seen if Urachi can ever be convinced to allow abilities to remain in Sakurada, or if his plans can be permanently thwarted rather than simply delayed. One thing’s for sure: Kei is not alone in this.

Sagrada Reset – 21

The episode begins back when Souma made curry at Kei’s, and gives us more of the conversation they had, specifically the trickiness of their struggle against Urachi. Their adversary has devised a number of contingencies such that any attempt to undo his plans will be thwarted.

Souma laments that she’s thus far been unable to find a way around those contingencies in order to save the abilities of Sakurada, so she asks Kei to use her precognition to find the best possible future for himself; the one she couldn’t find. For Kei, that’s a future in which Souma doesn’t disappear.

Back in the recently reset present, Souma is about to meet with Urachi at the cafe, but changes course, instigating a pursuit by Urachi and Sakuin. Kei heads to the waterfront with the photo of Souma (whose ability he’ll borrow) Haruki (whose future he’ll read), Sakagami (who’ll be the means of borrowing Souma’s power) and Tomoki (to keep track of time and communicate with the other Souma).

It’s quite an intricate little plan, with a lot at stake and in which timing is everything. The moment Kei gains Photo Souma’s precognitive ability and Haruki speaks to him, the look on his face says it all…but in his infinite coyness, he reveals next to nothing in the way of actual details regarding that future.

Meanwhile, Souma is quickly caught and cornered on the top of a fire escape by Urachi and Sakuin, and believing her work to be done, is prepared to jump over the edge to prevent herself from being taken hostage, and thus becoming a potential liability to Kei.

But since Kei can see Souma’s future as well as Urachi’s, he knows what she’s about to do, and stops her before she can, using Tomoki as a go-between. Instead, he tells her he has to meet her again, and has her wait five more minutes, during which time she tells Urcachi what she really is (‘not’ Souma) and the mistakes he made that allowed Kei to reset.

What she doesn’t tell Urachi is what Kei did with his planner in the timeline with no abilities, in which Urachi has a gap in his memories. That’s because the five minutes are up, Souma jumps off the ledge, and rather than fall to her death, she’s caught by Murase (Hi Murase!), who Kei just so happened to have searching for her.

As Kei learns more and more of the futures of Haruki, Souma, and himself, he gives Souma very precise instructions on how to leave Sakurada until returning noon tomorrow. All the while, Kei is conversing with Haruki about favorite colors, and how Haruki has come to like a lot of things she once had no preference for.

It’s that Haruki Kei wants to preserve, as well as all of the abilities in Sakurada. But he won’t do that by sacrificing Souma; he wants her to be able to live a life where she’ll be able to wake up and go to sleep happy day after day.

Is he being selfish, insisting on so many conditions for victory? Perhaps, but as the only person in Sakurada who will always remember everything, no matter what, it’s kinda his show.

Fate / Zero – 12

“Why do I always sit on my smokes?”

After the Rumble in the Marble, most Servants take a step back and assess the situation. Kiritsugu sits in a dark hotel room and pores over intel as he chats with Maiya on the phone…and that’s about it, really.

“I like the way your tent your fingers. Why don’t you work for me?”

Reports and conversation are the name of the game again, but instead of interacting with Saber and Rider, Archer is stuck with Kirei, trying to connect the dots as part of his larger plan to make him one of his men. Kirei delivers his report on the motivations of the other Masters to Archer, who points out that the one that seems to interest Kirei the most is Matou Kiriya, who also seems to be enduring the most pain and suffering.

“I mean, this isn’t how I would drive, but this is fine too, I guess…”

Pain doesn’t seem to be an issue for Iri, while Saber doesn’t seem to be feeling the lasting effects from her throughout putting-down she endured at the hands of Rider and Archer. But Saber does find it odd that Iri has her drive and perform every other task that requires the use of her hands. When she asks Iri about it, she reveals she’s become extremely physically weak as a result of shutting down her sense of touch (a homonculus ability, apparently).

While she believes she can recover a bit of strength by sitting in the right kind of magical circle, the bottom line is that she’ll be relying on Saber more and more as this War progresses. Saber, obviously, is up to it. I must say I underestimated her mental toughness. That circle is drawn in a storeroom on a Japanese mansion that looks very much like the place where Emiya and Saber live and practice in UBW.

“Feel that sting? That’s pride, fuckin’ with you!”

From there it’s back to Archer gradually wrapping Kirei around his finger, Emporer Palpatine-style. He gets Kirei to pretty much admit that he is actually capable of joy, and even if he’s previously considered such feelings to be a sin, Gilgamesh isn’t a fan of this newfangled puritanical philosophy that generated people like Kirei and Saber. Joy is joy, and leads to happiness.

So Archer gets Kirei to ‘find his bliss’, and Command Seals suddenly reappear on his hand. Archer believes it’s proof the Holy Grail isn’t done with him; indeed it’s almost as if the Holy Grail rejected his previous role as Toosaka’s ally and spy and reinstates him as a full Master. Archer also suggests Kirei go out and steal a new Servant, and not-so-subtly picks up the Archer piece from the chessboard to indicate who he should pick.

While there were some nice character beats, you can really only portray two people sitting around talking for so long from so many angles before it gets a bit tedious. In other words, another cool-down episode on the heels of a solid 10. That leaves one episode left in the first cour.

Sagrada Reset – 20

Urachi strikes the first blow, and as soon as Kei commits to preserving the abilities in Sakurada, all the abilities in Sakurada go bye-bye in an instant. After some momentary disorientation from the memories clashing in his head, Kei finds himself in a new world.

But from the moment this world “begins”, Kei doesn’t seem comfortable in it. How can he, when he has all his memories from the previous one? And how can he live life here knowing there’s a chance he can reverse Urachi’s handiwork and bring abilities back? If he can make it so Haruki’s last text to him isn’t an unnecessary apology?

In this world, Souma Sumire attends his high school and is an ordinary girl who likes him. But she notices something’s ‘off’ about him and through some discussions about the fallacy of memory, the five-minute hypothesis and being happy with the simple, unflashy life one has been given, Souma can help but feel rejected.

But it’s not just her: it’s this entire world. Kei can’t stay; not as long as he has those memories. And due to his ability, his memories will never go away.

In this world, Kei was born in Sakurada, while in reality he was born elsewhere and only moved to Sakurada in the sixth grade. In this world, his parents are dead and he is adopted. But he remembers the apartment he grew up in, and also remembers the taste of his mother’s curry. So he pays a visit to that hometown.

What I didn’t expect was that he would meet his mother, and the sister he never knew he had, whose name, Megumi, shares the same kanji has his name, Kei: both represent deep love, as their mother says to them; since names are what others use to call you.

Of course, Kei’s mother has no idea Kei is her son, so when he brings up something horrible he did to his parents and doesn’t think he has the right to seek forgiveness, she firmly corrects him. She may not know who his parents are, but they surely love him, even if they can’t forgive him, so he should apologize.

Of course, he can’t. Leaving his family was the price of remaining in Sakurada.

Little did I know (and possible little did Kei know himself) that his visit with his mother and sister would be crucial in his plans to undo what Urachi has done. When he visits Haruki, she’s back to her robotic, emotionless self of two years ago, and does not remember or trust him.

What she does do is humor Kei quite a bit, coming along on a bus ride, conceding a text was sent from her phone, proving they are acquaintances, than helping him hold a Polaroid of the cherry tree they’re standing in front of.

That photo, which was in Haruki’s hidden diary, turns out to be Kei’s key to getting back in the fight, as it transports him and Haruki to the time the photo was taken, back when she had the reset ability. All her memories rush back, but they’re a jumble, and she struggles to stand from the stress.

For whatever reason, she still can’t quite remember him, and when he tells her she should Reset, she tells him she can’t, because it “doesn’t feel like the right time.” That time comes almost immediately, however, thanks, again, to Kei’s experiences earlier in the day.

He thinks about the home and family he can never go back to, and the true meaning of his name, and dearly wishes for one last chance to undo some of the things he’s done. He didn’t cry over his past experiences on this day, but he does cry here, and Haruki remembers that that is her cue to Reset: when she sees someone crying. So she Resets.

And what do you know, Sumire Souma is also crying, by the water, in that very moment, upset that even after everything that happened, she’s not the one.

Back on the evening of October 22nd, Kei and Haruki are outside her house, and he can’t help but steal a big hug, so happy he is that his Haruki is ‘back.’ She can tell a lot has happened, and is worried about him. Kei tells her what’s going to happen the night after tomorrow unless they do something…they, not just him.

Haruki asks if abilities are really necessary, and Kei says no…the town would be fine without them, but he likes them, so he’ll do everything he can to protect them. With her help, he’ll attain the MacGuffin.

Sagrada Reset – 19

This week, in the “Boy, Girl and —” arc finale, Souma Sumire comes to Kei’s place, makes chicken curry, telling him about how Urachi grew up while she cooks. Urachi is basically Kei’s opposite: he wants all abilities to be wiped out, because he believes they’ll hurt, rather than help, the weak in the world (though we’re just talking about one small town here).

Then Souma takes a shower, because, as Kei presumes, she knows she’s going to cry. She tells Kei that Souma Sumire died so that when she was ultimately brought back by Kei’s efforts, she wouldn’t really be Souma Sumire anymore, which allowed her to pass Sakuin’s lie detection.

This “artifact”, as she calls herself, still intends to hinder Urachi, and so did everything possible to give Kei a chance to thwart his plans—except tell him everything before she set her plan into motion.

The fault for this lies in the Souma of two years ago who no longer exists, and though “Souma II” admits she and her are pretty much the same, it was that first Souma who acted “foolishly”, letting Kei get stolen away by Haruki, then forcing all of the “hard parts” onto her replacement. She can’t forgive her, but like her, Kei’s happiness comes first.

Kei expresses his gratitude to both Past Souma and Souma II, and as they eat the curry, he notes how the flavor is “oddly nostalgic.” Souma used her ability to draw from his mother’s know-how, but just as she’s not 100% the Souma Sumire she used to be, something made with “a mother’s love” cannot be 100% replicated.

Kei commits to beating Urachi, which he intends to do by claiming all of the abilities in Sakurada, as the MacGuffin promised to do. The miracles they’ll create will be happy, not a danger or nuisance as Urachi so strongly believes.

Kei made sure to warn Haruki that Oka Eri may pay her a visit, and to let him know if she takes her Reset ability (again). Sure enough, Urachi arrives with Oka, and instead of having Oka take her Reset right there, he uses his own ability on her, “rewinding” her to two-plus-years ago, before she met Asai Kei (and when she had really long hair.)

He leaves the sleeping Haruki with Oka, telling her to take her Reset once she wakes up in the hospital.

Oka Eri wants to beat Senpai, but a part of her still admires, looks up to, and loves Kei, and so when she heard his voice message in her head, telling her he’s been “backed into a corner”, and asks if when the time comes she won’t take Haruki’s reset…it puts Oka in a moral bind.

Just as Souma got around Urachi’s lie detector through rather desperate measures, I wouldn’t be surprised if Kei has to make similar sacrifices in order to succeed in his mission.

The stakes couldn’t be higher: his relationship to Haruki and the abilities of the town hang in the balance, and Urachi, preparing to wake up his “petrified” mother after 20 years, is playing for keeps.

Sagrada Reset – 18

Now that Kei knows that Urachi Masamune is trying to eliminate abilities from Sakurada, he tries to determine what Urachi’s next move will be…and that inevitably leads to Ukawa Sasane, quietly the most powerful—and thus most potentially dangerous—of all the town’s ability users.

Urachi indeed pursues Ukawa, but not directly. He sends Tsushima, a non-user, to convince her to join the cause, siting the potential danger of ability users unconsciously and spontaneously activating their powers.

As Kei enlists the help of Murase and Nonoo to locate Ukawa, Haruki, whom he doesn’t enlist, just happens to visit the cat shrine, just for the heck of it.

Haruki expresses how she feels and how she’s worried her recent increased “selfishness” will annoy Kei. Nonoo doesn’t think it will, nor does she subscribe to Haruki’s notions of “being good enough.”

Haruki already has become more than Kei could ever have hoped for. The emotions she now feels are still new, but fiercely felt; a warm fire now burns within her cool, calm exterior. If she were to kiss Kei now, as opposed to the first time, I don’t doubt she’d actually feel something…feel quite a bit, for that matter.

As for Kei’s attempt to get to Ukawa before the Bureau, it fails. Ukawa unleashes her ability, and the rainy clouds part. Kei’s entreaties to Tsushima, about why abilities are the one problem out of all of the problems in the world, that must be dealt with, are largely brushed aside.

Tsushima urges Kei to embrace becoming a normal high school student, which also means being a normal boyfriend, and eventually a normal salaryman and husband and father. And as I’ve mentioned in earlier reviews…would that really be the worst thing? Kei and Haruki are, as their advisor says, burdened with too many unnecessary things.

Those things are very much putting a lot of strain on someone, trying to be a hero, but sacrificing his own life and happiness in the process. Tsushima thinks that’s wrong, and it’s why he convinced Ukawa to use her ability, thus compelling the Bureau to eliminate abilities.

But this episode presents a new and potentially terrifying prospect: Asai Kei can’t ever be normal. Urachi and the Bureau will eliminate abilities by eliminating memories of them in every man, woman, and child in Sakurada. But Kei’s memories won’t be affected.

Kei alone will remember the forty years of time Sakurada was a town of ability users. He is a loose end, and the way he sees it, killing him is the only way to eliminate his memories. Will Urachi stoop that low? Can he really call the town he’s trying to bring about “sacred” after that?

I’m gonna say no. I’m also gonna say…Poor Kei and Haruki! These kids can’t catch a damn break.

Sagrada Reset – 17

Another week, another dense, intricate Sakurada Reset. Let’s wade in, shall we? First of all, Souma’s second voice message to Kei leads to another incident involving abilities – specifically, an entire supermarket breaks out in laughter, including Kei and Haruki, which is actually pretty momentous considering how subtly the two usually express emotion.

That night, Hitsuchi calls just when Kei is about to call him, asking him for a head shot of Souma Sumire. He also tells Kei about about the Bureau’s current fear of every ability user in Sakurada using their abilities simultaneously.

Kei then remembers what he read in Manuscript 407, which is about the events of 40 years ago when the Bureau was first founded by the only three ability users who were aware of their abilities. Two were a married couple; the husband could “take something” from the entire world at once, and the wife could “retain” something. The third would later be known as the Nameless Witch.

Because of the husband, none of the people in Sakurada know of their abilities, but when he dies, the “spell will be broken”, and there will be chaos. So the Witch proposes they work together to expand the boundary of the wife’s ability (which negates memory loss the husband is causing worldwide), so that when the husband does die, people will know about abilities and they’ll be in a position to keep them under control; thus the Bureau was born.

Back in the present, Hitsuchi eventually sends Kei info on the ability users involved in the last two incidents, then calls Kei to report that after seeing Souma’s photo, he remembered certain things about two years ago. before Souma died, she went to Hitsuchi, who she used to borrow the ability of Tomoki to create voice messages without Tomoki remembering what he did. The messages, then, are from the Souma of the past, before she died.

Traveling with Sakuin, Souma engages with the human lie detector in non-superficial conversation, asking her opinion on the Bureau. Sakuin believes the Bureau’s foundation has started to crumble, even going so far as to call her boss Urachi a “monster” that nothing can be done about. Urachi’s plan is to eliminate information on abilities from the town, which would, after all turn Souma back into a “normal student,” which is her intent.

Despite knowing Urachi’s methods may not be the most moral, Sakuin is of the mind that abilities are “unnecessary,” but as she lacks the means to remove them from the town, she leaves it in Urachi’s hands. As for Kei, all the remembering of information—including the realizaiton Souma may have died for him—has led to him having a rough time; something Haruki can sense when he visits her house.

Why does he visit her house? No, not for a booty call…Souma’s third voice message instructs him to deliver a copy of his favorite book to Haruki. We don’t learn what that book is, nor does Haruki (he left it in her mailbox to look at later), but when Kei opens up about his problems to her, Haruki is heartened. She suggests he rests, but there’s more he needs to do, and Haruki isn’t about to stop him that.

That ‘something more to do’ apparently involves returning to Haruki’s dreamworld, where he finds both Michiru and Chiruchiru “locked” by Urachi’s underling. According to a blue bird Chiruchiru created to tell Kei what happened, the Bureau entered the dream world and locked Michiru, Chiruchiru, and the world’s Souma.

The bird implores Kei to help Michiru escape the lock, and also gives him the name of his “nemesis”, which he hadn’t known was Urachi until just then. It’s a name he knows, because two of the three founders, the husband and wife, had the same name, making Masamune their son.

After his parents basically kicked the abilities can down the road, Masamune is looking for a permanent fix, and seems to be getting closer. It remains to be seen if he’ll succeed, or what succeeding will mean for Kei, Haruki, Souma, and everyone else in Sakurada.

Sagrada Reset – 16

Urachi has a plan. His plan is to wipe out all of the abilities of Sakurada and start everything anew as if the last forty years of people with abilities never happened. In effect, it’s a plan to “fix” something that is not in its natural state. Sakurada should be a normal town, and yet it isn’t, and hasn’t been for four decades. He merely plans to fix that.

Considering it’s the job of our protagonists, or ‘heroes’, Kei and Haruki, to use their abilities to help people and improve lives, Urachi’s plan would seem to be at odds with their reason for being…and yet I can’t regard Urachi as a ‘villain’, no matter how much he may smirk (in his sleep or otherwise).

For if there were no abilities, Kei and Haruki would no longer have the responsibilities that come with them; they could merely carry on as normal humans, as a normal couple, in normal love with each other. What’s so wrong with that?

Nothing, IMO, which is why I won’t be “held hostage” emotionally by this latest four-episode arc, in which Souma believes “everything will end in a few more days.” I’m game for any outcome. I’m along for the ride.

Souma reaches out to Urachi, agreeing to identify herself (though only as the “second witch”) if he halted investigations into her (and Kei) for one month; he agrees. Meanwhile, Kei takes stock of his relationship with Haruki, and concludes that while she has progressed a great deal despite all the resets (they save all the time, after all), he has “stopped”, keeping what they have as a collaboration of ability users.

He is his own worst enemy, so during the cultural festival at school (in which he and Haruki will play lovers on stage despite not really being lovers), he makes a concerted effort to get moving again; to progress, as Haruki has progressed. Meeting her on the rooftop, Haruki is the first to speak, apologizing for the reality that she has come to hate Souma as a rival for his attention, both ability-wise and romantically.

But Kei makes it clear to her that he’d want to be with her even if she didn’t have her ability. I think that’s huge, becaue all signs seem to be pointing to that anyway. It’s not Souma he wants to be with; it’s Haruki. Upon hearing these words, out loud, and not having to worry or create scenarios in her head, Haruki blushes and beams…while Souma stews in a dark bedroom, accusing Haruki of being in a place where she “can’t get hurt” while she, Souma, feels all of that hurt. She’s tired.

After Kei and Haruki save (not wanting to risk resetting their time on the roof), Kei receives a voice message from Souma that Tomoki says he didn’t send, suggesting someone else out there can send such messages. She tells Kei to go to a very specific intersection with Haruki and collect trash.

Souma then meets with Urachi in person, and he brings along not just his lie detecting underling, but another who can “lock things” in time, whether to give them a private instance in which to talk over things, or to prevent his notes from being reset. Urachi’s notes are key, because his ability is “memory cancellation,” making it hard for a precog like Souma to use her ability on him specifically.

However, Urachi and Souma seem to be in agreement that abilities should disappear from the town; and she says she’ll do nothing to impede him. When his lie detector confirms Souma is speaking the truth, he’s satisfied his plan will succeed. Will it actually succeed? Well, we’ll just have to keep watching, won’t we!

The next morning Kei and Haruki do clean up duty and…a very odd sequence of events occurs: A girl trips on the sidewalk, a car backs into another car, causing minor damage and minor injuries to one man…but neither Kei nor Haruki can turn their heads to see the actual accident, almost as if they’re being prevented from doing so by some unknown ability.

Souma is as close to Urachi and his associates as she can be, and his lie detector is always confirming she’s being truthful…but that’s only because Souma didn’t tell Kei anything face-to-face; she relied on a voice messaging ability. She uses it again to instruct Kei to go shopping with Haruki at a certain mall, at a certain time. It’s almost as if she’s lulled Urachi into a sense of supreme confidence…but she’s clearly up to something she’s not telling him.

 

Sagrada Reset – 15

Katagiri Honoka has gotten to a state where she’ll soon stop using her ability, essentially rejecting her “Fake Eden”, an action akin to suicide. The Stray Cat House Man is awake, but insists to Nonoo that she carry on and not worry about him; he doesn’t mind being alone.

Kei calls for a Reset, but before doing so, asks Haruki if there’s anything of note she told Chiruchiru. She lies to his face that there’s nothing, despite the fact the talk with the fake god led to the discovery of her true desire: to “grow up” and become the person with the “greatest worth” to him.

Kei knows she’s hiding something, but lets it go, and the Reset happens. Kei and the others go back in, and Kei tells the Michiru who greets him he wants to help her find her blue bird—her real blue bird.

With the help of Souma, Kei gets a meeting with Chiruchiru and informs him of Katagiri’s impending rejection of the world and the steps that need to be taken to save her—part of their deal where he helps with Michiru’s problem and Chiruchiru will lend him a hand with his “Souma Exit Project” research.

Meanwhile, Nonoo meets back with the STHM and they talk again of friendship, specifically the role of friends: to rid one another of their loneliness. As she asks him for a favor, Michiru, who ran away from Kei, is chased by the monster, only to be rescued in heroic fashion by…Kei.

It’s all part of Kei’s plan to show Michiru, or rather Katagiri Honoka, that the “One Hand Eden” will never be as stable as a “Two Hand” one, of the kind that can only be made and shared between friends, not on one’s own.

While Kei carries out his plan, Haruki has nothing to do so she confronts Souma on a rooftop, asking her her objective (a secret), whether her actions will sadden Kei (maybe, but so be it), and whether she’s Kei’s enemy (she’s not). Okay then, glad we had that little chat! I tell ya, this is one bizarre love triangle…

Kei bows out and is replaced by SHCM, who tells Michiru he was sent to help his friend’s friend who was crying. He talks of the difference between gods (smile for others) and demons (for themselves), and that he considers her the god of this world.

As such, he asks the god to do something about the monster, which destroyed his house…and she does. Katagiri has her real blue bird back and now accepts who she is. The monster is gone, SHCM’s house is back. It would seem Kei has fulfilled his end of the bargain, which means now Chiruchiru will help him with his Souma experiment.

Only we don’t see Chiruchiru again, and Souma herself doesn’t actually want to leave Sakurada, ever. Furthermore, as if twisting a knife, Souma casually points out what Kei erased in the last reset: a Haruki on the cusp of escaping her own One Hand Eden and becoming the “normal girl he had wanted two years ago”.


Ouch. Of course, that’s not to say she’ll never reach that point again; just that it took a unique individual like Chiruchiru to bring it out there and then. And the fact remains, no one is affected more by a reset than Haruki herself.

By resetting again and again, one could say she is going two steps back after one step forward; forever the ideal, perfectly “pure good” human that would otherwise be impossible. And Kei is the one directing those resets.

That final jab by Souma—both its implications for Haruki’s growth and its role in bringing into focus what kind of character Souma has become (or always was)—was compelling, but I’m not sure four episodes of dream world lead-up were quite worth it.

Rather than crescendo, this arc was pretty steady and level throughout before falling off, groaning under the weight all of its plot machinations. I’ll also admit to having not gotten much out of the B-plot involving Nonoo and the SCHM.

Sagrada Reset – 14

As was fairly evident the first time we entered Michiru’s Dream World, said world is a kind of prison (or birdcage) isolating her from the outside world and from any connections to anyone.

Ukawa, who can alter anything that’s not living, decides this isn’t any kind of world to live in, and so, by placing a ring on her finger and activating her ability, erases all of the buildings in the world in an effort to “rectify” it.

In doing so, Ukawa doesn’t really destroy the dream world but only the buildings, but hopes that the shock will drive Michiru to remember that she’s Katagiri Honoka.

As Urachi uses abilities like Ukawa’s and Kagaya’s to further his goals, he tells his underling Sakuin that it’s good that she hates her ability, because all ability users should hate their own abilities. It makes me wonder what, if anything, is Urachi’s ability…beyond being an ominous jerk.


But hey, at least he doesn’t follow through on his desire to “snuff out” a troublemaker like Kei…at least this week. Rather, he pretty much leaves Kei alone, and Kei capitalizes by figuring out that the inverted world they’ve been in is actually a world within the dream world, which isn’t inverted.

Approaching the wall of white wind with Haruki (who describes the building-less place they’re in as looking “like the end of the world”), Kei appeals to Chiruchiru for an audience, and a hole in the wall appears.

Kei and Haruki go through, and after jumping on a bus with a destination marked “Chiruchiru” find themselves at school… another Monogatari quality to go with all the lengthy dialogue.

In a dark classroom, Chiruchiru, fake god and creation of Michiru, isolates Kei and Haruki, and tries to play some mind games with both, perhaps to test their mettle. He hits a lot of nails on the head with Haruki in particular, even taking her form, resulting in Haruki debating with Haruki the merits of—and threats to—her special relationship with Kei.

While it’s clear she just plain likes the guy, it’s never been as explicitly stated what her situation is than by Chiruchiru: “strongly tied down by one boy”; a “facade of not wanting anything”; “two contradicting selves” (hence the two Harukis); the thought of Souma Sumire dominating Kei’s attentions; “the possibility that [she] personally might not be making Kei’s happiness [her] top priority”; hating “the geeling of wanting to keep him all to [her]self”…

“Chiruchiru Haruki” tries to make the argument that Haruki, like Katagiri Honoka, created an “easygoing paradise”—the titular “one-handed Eden”—but Haruki is never all that fazed by her pseudo-self-grilling, adamantly standing by her man; abiding by his decision, and claiming not to let jealousy or some perceived competition with Souma play a factor (Souma is notably absent all episode).

As for Kei, he turns his one-on-one with Chiruchiru into a negotiation; the “god” doesn’t take his form. Chiruchiru admits “the true objective [he] was meant to fulfill” is the only one he never can…but Kei believes he may be able to. Michiru wants to connect with people, but having created a god—and a monster, something the god must protect her from—has had the opposite effect.

So Kei tells Chiruchiru he’ll come up with a way to solve Michiru’s problem and erase her lonliness, if Chiruchiru helps him with Souma’s case, using the dream world as his testbed.

The dream world isn’t just Katagiri Honoka’s birdcage…it’s Katagiri Honoka. The buildings, the white wall, Chiruchiru, even the monster, it’s all her, because it’s all her dream. The monster represents the part of her that is sad, alone, and lashing out at world she’s made, which is a poor substitute for the real thing at the moment.

We’ll see what Kei manages to come up with. Whatever it is, Haruki seems sure to abide by it, while Urachi will continue to sneer at Kei and possibly even try to undermine his efforts. Just one episode left in this four-episode arc, which is already Sagrada’s most dense, ambitious, introspective, and intriguing.

Re:Zero kara Hajimeru Isekai Seikatsu – 18

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In which Subaru truly does return to “Zero”, and this show continues to surprise

Other than a thorough and devastating dressing-down by MegaPuck (during which time Subie slowly freezes solid and shatters) and another Return by Death, this episode consists exclusively of one conversation between Subaru and Rem, presented only with intermittent flashes from the past.

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lot is covered, with a great deal of emotion flying around. It takes a great deal of attention to sit through and absorb, but if you like Subaru (or are at least rooting for him) and you like Rem, you probably liked this episode a lot, I for one was riveted.

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There’s also a good deal of rejection in their long, sprawling discussion, which takes place in a very pretty part of the city with a lovely view, on a clear, crisp day. First, Rem rejects Subaru’s desperate plan to run away together, because it would mean giving up on the Subaru she fell in love with.

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Rem can’t possibly know how much Subaru has been through already, and how he finally decided to give up after much suffering. But damn it all if I don’t get soppy-eyed as she beautifully describes the perfectly fine future they’d have together if she went with him. But again, she’s not ready to give up on him, even if he’s given up on himself.

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Initially in the talk, I was on Subaru’s side, because I was right there with him when Rem, Ram, and Emilia died again and again, often in awful, horrifying ways. Like him, I’m from the real world, where I, unfortunately, am not a hero. If I ended up in a fantasy-RPG-style world like he did, I might think for a time, that I had suddenly become one.

But Subaru learned the hard way that he is, as Puck put it, useless. That every time he’s talked big, he’s come up short in the quest to save everyone. It’s hard to argue, considering this is the most persistent impasse he’s come to, which has led to the darkest places…and there’s only so much a dumb do-nothing kid from the modern world can take, right?

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Subaru tries, with the same passion he ranted at Emilia, to drill into Rem’s head all the ways he is a complete and utter failure of a living thing. But she simply doesn’t buy it. She comes back with all of the reasons she loves him, and describes in detail how she felt when he rescued her from herself. Not only did she fall in love with him then, but he restarted a clock that stopped for her when her village burned. He is her hero.

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Rather than run away from everything, she’s going to stay right where she is, and so is Subaru. Whatever troubles they have, they’ll figure it out together; support each other; make up for each other’s weaknesses. Do what they’ve done up to this point. Rem makes her love for him plain as the blue sky above them.

So when Subaru rejects her because he still loves Emilia, it stings quite a bit, but for Rem, better to have a Subaru around than not, whether he loves her the same way back or not.

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So when Subaru puts forth his plan to move forward and try to save Emilia and asks for Rem’s help, Rem humbly accepts, but makes sure to tell him how cruel it is to ask such a thing of someone you’ve just rejected. Subaru, in turn, reminds her she rejected his running-away plan first. Touché!

They both have a good laugh – it’s been a long, exhausting talk, but look at what it has wrought! Subaru, who had been brought so low, he was starting to think—like me and Franklin—that he really was immensely over-his-head with this whole hero thing.

He had bags under his eyes, he was utterly done with everything. And now he’s back in the game, in far higher spirits, and even smiling and laughing. Quite the transition in one talk!

Time will tell if Subaru is simply grasping one last time onto the hope of one (Rem) who is, at the end of the day, ignorant to his past failed attempts, and doesn’t understand just how weak and ineffectual he is.

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Is this a glass-half-empty or a glass-half-full show? I’m still not sure, but it’s a half-full episode, which rejects what I’ve been thinking throughout this second half: that Subaru simply can’t cut it in this world, as much as he and I and Rem may want him to.

I’m looking forward to seeing what, exactly, returning to “zero” means for Subaru, and if somehow all the insights he and Rem gleaned from this long heart-to-heart will help them. Until then, this was a powerful episode, despite not much physically happening.

What did happen was Kobayashi Yuusuke and Minase Inori delivered some powerhouse performances that really drew me in and restored my faith in the possibility of a happy (or at least happier) ending. Mind you, Re:Zero may just be setting us up for more dark times made darker by the fact everything said here may end up being lost. But I hope not!

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