Astra Lost in Space – 05 – The Kids Are Alright…Right??

Even after last week’s harrowing ordeal, the crew is not yet ready to pack up and leave Shummoor—not until they’ve gathered enough food. Thanks to a successful hunch from Charce, they learn that the pole trees, once their nemesis, are actually the yummiest food on the planet, and with the stores filled, the Astra departs from Planet #2.

The crew are also grateful to Yunhua, whose voice had both physical and psychological healing effects for all who were poisoned. That gratitude quickly shifts to straight-up admiration when they learn she’s the daughter of the superstar singer Lucy Lum. She then enlists Luca to give her a haircut, and Quitterie bristles as all the guys swoon.

Meanwhile, back home, Aries’ mom Emma listens to her daughter’s last video message to her, saying all is well—and probably isn’t watching it for the first time. It’s been over forty days since Team B5 was last seen on McPa, and Ulgar’s father has gathered all the other parents to decide whether to call off the search and declare their children permanently lost.

Emma is not ready to make that determination, and even correctly conjectures that the reason there’s neither remains nor luggage on McPa is because their kids are somewhere in space, still alive. But many of the parents are past the “denial” phase of loss (or don’t love their kids as much as her) and are ready to give up.

Meanwhile, at the very same time, many thousands of light years away, not only are their kids perfectly fine…they’re living it up on a tropical beach.

Planet #3 is Arispade – which is 99% water with one tiny islet that features a wealth of food and a sugar-white beach on which to break out and show off one’s swimsuit. It’s paradise. It’s so paradise, Quitterie almost loses it; after all they’ve been through, why are things suddenly so easy and comfortable that she can totally see herself living out the rest of her days on that beach?

Since this is, in fact, Kanata no Astra‘s beach episode, it wastes no time delivering the goods, as Quitterie insists on comparing boob sizes with Aries and Yunhua, and also assures Aries she’ll have no problem attracting Captain Kanata with her “spicy” bikini. The implication flusters Aries.

Back on the ship, there’s more good slice-of-life, with Quitterie pressing her attack upon Aries, urging her to go ask Kanata out, or at least find out if he already has a boyfriend. Aries actually musters the courage to ask him if he’s popular with girls (he says he’s popular with “all humans”) and then asks if he has a girlfriend (he says all girls are his friends). Neither Aries or Quitterie are happy with Kanata’s lame replies. Quitterie exacts swift punishment by sticking Kanata’s toothbrush up his nose; Aries goes to bed early; dejected.

Meanwhile, Luca thinks he’s making progress becoming friends with Ulgar, having fashioned a bow, arrow, and fishing poles for him to do what he apparently does best: shoot and hunt. Yet Ulgar remains aloof and hostile, and becomes…something else entirely when he learns that Luca’s last name is Esposito, and that he’s the son of a senator back home.

Ulgar’s reaction—like a switch had been flipped in his head, combined with the image of the gun we saw a couple weeks back, spell nothing but dread for the final scene of the episode, an otherwise placid sunset repast among the crew members, with only one person absent: Ulgar.

After waxing romantic about the time they have and how neither photos nor medically secured memories will ever adequately convey the emotions they’ve felt in the last fifty-or-so days, and Luca remarks that he doesn’t even believe there’s an enemy among them, that enemy finally reveals himself, and points his gun at Luca’s head, warning he’ll shoot if he moves.

And that my friends is how you go from a solid “8” episode that lacked any danger or difficulty for twenty-two minutes, to a solid “9” in the twenty-third. The good-old cliffhanger. It doesn’t even matter if the most likely of the crew to be the bad guy is the bad guy (unless he isn’t, and there are more twists afoot); that was marvelously done.

Kuromukuro – 16

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This week, there’s almost equal time spent between the “good guys” and the “bad guys”, as Muetta and Mirasa fall from the sky to infiltrate the Kurobe Lab in search of the “Pivot Stone.” It’s a daring and professional operation led by Muetta, with Mirasa never quite matching her precise moves. For instance, Mirasa hits the water too hard on their landing, but Muetta saves her. By the end of their op she’ll wish she hadn’t.

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Another healthy chunk of “good guy” time is taken up by more Ken and Sophie, with which I have no problem. Its fun to watch the moment Ken realizes Sophie is trying to become a samurai, which she sees as swapping one form of bondage (doing as her parents say and going home) for another (being bonded by loyalty to her fellow warriors in Kurobe).

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What of Yukina? She’s plays only a bit role here, tagging along for Mika’s cosplay film with Akagi, Kaya, Carlos, and the nurse Marina. In a nice bit of narrative symmetry, Muetta and Mirasa also “cosplay” by dressing up in UN maintenance unis that will help them move further into the enemy base. But while Mika & Co. are just trying to have some fun, these two are grinding like their lives depended on it…because they kinda do.

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By sheer coincidence the Efidolg pair end up taking the same lift as Ken, and the smell of blood on the orange jumpsuits (another blunder by Mirasa) gives them away. Thus we’re offered another confrontation between Ken and “Yukihime” far earlier than I expected, and it goes pretty much how I imagined: Ken prostrates himself before the princess, hoping against hope he can jog her memory.

Alas, Muetta claims to have never heard of him, though interestingly she calls him a “peasant” later on. It’s very much up in the air whether she’s playing another role like Mika and Marina, fully brainwashed, or a true and loyal daughter of Efidolg.

Speaking of loyalty, when, in a hostage situation, Muetta seems prepared to kill Ken, it’s Sophie who fires the bullet that knocks the knife from her hand. When Ken shields a retreating Muetta and Mirasa, Sophie makes up her mind: she can’t trust Ken’s brand of loyalty with keeping him alive. She’ll stay in Kurobe and make sure he stays safe.

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In this regard, Sophie takes on a role similar to Yukina, another person intent on saving Ken from his own reckless impluses. It’s also a huge victory for the show, because getting rid of Sophie, or declawing her by giving her scenes in France, would not have been something I particularly wanted to see.

As for Yukina, the cosplay story, beyond being a parallel to the costumes Muetta and Mirasa don, doesn’t come to much other than “Yukina is special now and her normal high school life continues to suffer from that specialness.”

IMO a bit too much time was spent on this plot, though I commend Mika wanting to cheer everyone, including Yukina and Marina, up a bit (plus the costumes and locales were cool).

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Then there’s Mirasa. She started this thrilling, action-packed infiltration op following Muetta’s lead and calling her “sister” with deference and loyalty. She ends it by suddenly but inevitably betraying Muetta, shoving her knife in her belly so she can go home and take all the credit for finding the stone.

It’s another demonstration how bad and fundamentally immoral and messed-up the Efidolg are, more an advanced form of the everyday cruelty and brutality from feudal times much (though certainly not all) of the modern world has left behind.

But Mirasa’s treachery also forces a new choice upon Muetta / Yukihime. Assuming she survives her Fugitive-style jump off the dam (a good bet), she’ll be hurt pretty damn bad, and she’ll be alone.

Chances are the UN finds her first, and they’ll treat her. I wouldn’t even rule out such a fall ringing her bell to the extent some memories of Ken return (if they’re there, and if she doesn’t have them already). In any case, it will be Muetta’s turn to make a choice.

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Kuromukuro – 15

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The battle is over, the chaos paused, and disaster averted, for now. This episode deals with the aftermath of the last one, as Muetta’s stunning assault on the school has made a lot of people make up their minds about leaving town. Others, like Sophie, have hard choices to make, which include going along with the choices others have made for them.

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Sophie Noelle isn’t your typical stuck-up rich kid: yes, she’s very rich and kinda stuck up, but she’s fiercely loyal and kind to her allies and is also perfectly capable of taking care of herself – and making her own choices – despite her unadvanced age.

When she sees Ouma, a real-life samurai like the ones she’s always admired, begging before a food-ordering machine in the canteen, she happily pays for his meal in exchange for listening to her problem.

As he gorges with relish (Dr. Hausen’s hospital food just wasn’t doing it for him), Ouma makes a point about a warrior being responsible for themselves, and sticking with the decision they make to the end. He’s talking about flavors of popsicles, but Sophie still gleans insight. Staying or going is her call, not her parents’.

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For their stunning failure last week, Muetta and Mirasa are essentially neurally tortured by treatments that invoke persistent “primal fear”; both beak out of their torture and crumble to the ground, indicating this isn’t the kind of society we want running Earth.

Even after all the mayhem they caused, I still feel bad for them. They probably knew this would happen when they returned in shame, but they did so anyway, and they’ll gladly go back down to Earth, either to accomplish what they couldn’t before, or die trying.

We see that Mirasa’s a little more hesitant to do a space drop back to Earth, but once Muetta jumps, there’s little she can do but follow her. The choice has been made.

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Even last week’s hectic episode managed to still have some moments of levity, and the comedy is ratcheted up a little more here, what with more funny “Ken vs. Modern Times” moments, Carlos’ family troubles, and what I believe to be the first time an anime scientist was only joking about dissecting someone (…or was he?), or the scene where Yukina thinks he’s saying he’s dead, when he’s sad that he’s fully recovered.

In the beginning of the episode Yukina is with Ouma, but he’s unconscious, so she goes back to school, where we see Mika isn’t letting current events get in the way of her goal for a cosplay film (and enlists Kaya, Ryouta, and Carlos to help her), while other classmates wonder if Yukina’s an alien too.

When Yukina finally finds Ouma to scold him, he’s already healed. She pivots to the uncomfortable subject of the princess who looks just like her. Ouma tells her she’s nothing like her, but the Efidolg warrior is “without a doubt” Yukihime.

The question is what he’s going to do when they meet again, whether she’ll even give him a chance to speak before trying to kill him, and whether he’ll again fail to properly defend himself from the woman who was once his only reason for living…because now he has two; three if you count his friendship with Sophie.

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Kuromukuro – 14

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They’re not playing around, Kaya

Kuromukuro’s second half picks up right where it left off, with Ken suffering a serious wound by Muetta/Yukihime’s hand. She goes after Yukina too, but a huge cloaked ogre jumps in to be her opponent, eventually chasing her off. Sophie and Sebastian also spring into action, surprising their ordinary classmates with their skills.

It’s a state of extreme chaos, where no one can think more than a few seconds ahead. It’s here we see the importance of training and poise under duress (the school nurse, for instance, simply isn’t ready for the wound Ken suffers).

As for Kaya, well, he’s not alone in trying to convince himself this is all some kind of harmles cosplay fun…until a UN soldier saves him from Muetta’s blade. Even so, he keeps the camera rolling, putting the recording of this momentous event over his own life. Priorities.

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“So just DIE already, idiot!”

Speaking of priorities, Ken’s, after his wounds heal quickly but not completely, has his all wrong as well. He wants to “save” the woman who tried and will keep trying to kill him, meaning he’s always going to be a liability against her in a fight.

The fact his wounds are still open and he keeps coughing up blood all tell Yukina he’s breaking his promise not to go off and die. But she sticks with him to make sure he doesn’t, and it’s her advice in the heat of the battle with Muetta and Mirasa that saves the good guys from defeat.

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Sure, talk about “warrior’s honor” when you’re fighting in a mecha with 8 arms

She notices from the way the two Efidolg geoframes are fighting that they’re not working together, and may not even like each other. And she’s right; Muetta wants the glory, and doesn’t consider Mirasa a warrior of equal standing.

Yukina suggests that the Kuromukuro, along with GAUS 1 and 2, pick on one opponent at a time, working together to wear it down while the second one founders. Before long, Mirasa’s frame shuts down, and rather than let the three turn on her, Muetta grabs Mirasa and heads for the nearest atmospheric lift back to orbit.

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Nothing like a cool, refreshing aloe vera drink bath after a battle

The two pilots failed in their mission because Muetta prioritized personal revenge over the mission’s successful completion, while Mirasa prioritized her own honor. They only lasted as long as they did because Ken was never going all out, both because he didn’t want to harm the woman he’s convinced is Yukihime, and because he’s in such rough shape.

Indeed, he can’t keep the blood down moments after the two enemies escape, and after he’s held back by a GAUS from following them up to their space station. No good can come from him going up there alone, especially in his state.

Instead, it’s time to heal, repair, then re-assess and coordinate priorities. If Muetta is Yukihime, that certainly seems to be news to her. As for the Ogre, I don’t know where to start with him. Is he the same guy Ken saw centuries ago (and drew an awful picture of), or is it Yukina’s father in disguise? Whatever the case, events keep proving her dad right.

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Kuromukuro – 13

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Two Efidolg knights seem to have “gone rogue” in order to pursue their own personal ambitions against Earth. The first is Mirasa, who fights the Black Relic and GAUS units to a draw and escapes into the woods to regenerate. The second is “Muetta”, whose hair immediately indicated is Yukihime, or at least some kind of Efidolg clone of her.

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As Takeyama High prepares for their cultural festival in the interests of maintaining normalcy and taking a break from studies and battles alike, Yuki looms over the episode like a silent wraith, crouched and ready to strike.

Yukina’s class decides to do an “Efidolg Forum”, what with three UN pilots in their class. Unfortunately, everyone else at the base is too busy to join the forum, so it’s just Yukina, Ken, and Sophie.

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In a particularly clever bit of plotting, because one of the activities at the school festival is cosplay (with Mika switching her usual school uniform for another), Muetta is able to slip into the school without any trouble. Indeed, she’s commended for the craftsmanship of her armor and arms.

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While Muetta closes in, Yukina and Ken have a grand old time at the festival, with Ken remarking that modern life itself has always felt like a festival to him, but this takes it to another level. Yukina asks him what he plans to do once he avenges Yukihime, because he has his whole future ahead of him (dundundunnnn).

Almost immediately after Yuki mentions how everyone has two doppelgangers, her Efidolg doppelganger leaps on the stage and charges at Ken, who is so shocked by the sight of her (having just seen her in the digitally altered photo of Yukina), he lets his guard down and gets run through.

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The show, knowing we knew who this was all along, still expertly kept most of Muetta’s face out of the frame right up until the very end, when showing it had the most impact. And the camerawork of the stabbing is great stuff, with an extreme closeup of Muetta cutting to a dumbfounded Ken, who then falls to reveal an equally shocked Yukina.

Where goeth things from here? Hard to say. I wonder if Sophie can somehow suppress Muetta, and why Muetta stabbed him. Perhaps, like him, her memories had bene lost on Earth those centuries ago, but now they’re back and she’s punishing him for betraying their people?

In any case, this was quite the exciting cliffhanger to place between Kuromukuro’s two halves: the moment Ken’s two princesses met.

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P.S. The rock band in the auditorium is playing the show’s opening theme, a cover of “Distopia” by GLAY.

ReLIFE – 13 (Fin)

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Something’s definitely up with Hishiro as the final episode opens. You’d have to be Oga not to see it. All the LIME texts flying around about feelings and confessions, taking closeness for granted and fearing long separations.

Hishiro wonders, very logically, why one would put oneself through the “pointless” hassle of falling in love or confessing that love to someone you know you’ll be separated from.

Well, as the saying goes, better to have loved and lost, etc. And then there’s always a chance one’s assumption of being separated…turns out to be wrong, even if she doesn’t know that yet.

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Hishiro arrives to her first festival late and flustered; bold and resplendent in her deep red yukata (a color she asked Kaizaki if he liked in the preview for this ep). Due to the crush of people and unfortunate positioning, it’s Yoake, not Kaizaki, who is by her side when she needs an arm for support, whil An clings annoyingly to Kaizaki.

Sure, knowing what we know in this moment, An’s the better bet, as she won’t lose her memory of him when his year is up. But things are about to get more complicated in that arena.

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But first things first: Kariu intends to tell Oga how she feels about him, and Oga intends to tell Kariu how he feels about her. Their friends do a masterful job quickly ditching them, putting them both on the spot, having no idea of the each others’ intentions.

Oga takes the initiative, simply blurting out “Hey Kariu. I, uh…love you,” surprising both me and Kariu. Way to go, sport! The words hit Kariu like a ton of bricks, and as her mind races about all the ideas she had to confess to him, she gets shoved by a passerby.

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Oga grabs her hand and draws her near, and that’s when Kariu confesses she’s loved him for years now, bowling him over with equal elation. He adds that he’s probably loved her for a similar period of time, but needed Kaizaki to help him spell it out. They then hold hands and watch the fireworks together, on cloud nine…just eight minutes in, and we get a big win, making me wonder what else is in store for us in the finale.

Tama notices Kaizaki and Hishiro aren’t around, but Yoake and An shrug it off, having set Kaizaki up to be along with Hishiro. She asks him pointedly about Yoake, but not as someone interested in Yoake. Rather, she voices her admiration for Kaizaki’s ability to so quickly amass good friends, inspiring her to try harder.

Kaizaki counters that she’s surrounded by friends too, and she’s “tried plenty hard”, but she still gives most of the credit to him, adding she’s really glad she met him…which really confuses Kaizaki!

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He goes over in his head what she meant, but settles as he’s settled all along; happy she feels that way, and grateful for his ReLIFE, brief as it is. Hishiro then points out how lovely the fireworks are, and Kaizaki adds that they’re a little sad too, since they’re so fleeting and then fade in the darkness.

As the fireworks flash and bang about, a flurry of thoughts and memories fly by, going in backwards chronological order. It’s a concentrated retrospective of everything Hishiro’s been through these past thirteen episodes, ending with her telling Kaizaki he’s in her seat…and then a cut to black.

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Yoake introduces himself to an older Hishiro Chizuru. That’s right, she was Subject #001, the one Yoake failed. Not that big of a surprise, I know—all the clues have been there all along—but still good to see it confirmed here and now, during those fireworks.

Hishiro’s whole problem all this time has been the same as Kaizaki’s: she’s afraid of having too much fun or being too happy or falling too much in love, lest it hurt that much more when they part ways. “You’re like the fireworks,” she says to Kaizaki, while the fireworks are too loud for him to hear. She doesn’t repeat herself.

The two return to the others, and after celebration of Kariu and Oga confessing to one another, find themselves alone together again. It’s here when Hishiro states that her position from the beginning of the episode has softened in light of Kariu and Oga coming together. Now she knows worrying about the future at the cost of happiness in the present is a waste.

There’s no dual confession here, no matter how close either Hishiro or Kaizaki come, they always stay on that precipice, because they both believe the other will definitely forget them. But since they’re both ReLIFE subjects, I doubt that will happen. It’s just a tremendous shame they don’t know that right here and now, you know? They’re both content with less than they should have, all due to a gross misconception.

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This is a tough pill to swallow (heehee), particularly becaue unlike Kariu and Oga, it’s a plot device, and not merely emotional obstacles, keeping these two apart. But I understand. Practically speaking, the manga isn’t over, and this show covered most of what’s already been published.

Basically, ReLIFE gave us something we wanted—Oga and Kariu together—but left everything else up in the air, as if to say “Don’t get greedy!” I wasn’t a fan of Kazaki saying again and again that he’d be forgotten when this show has proven optimistic enough for me to think there’s a realistic hope of him and Hishiro becoming an item.

I hope they do, in a future second season down the road, which I would watch the shit out of, no matter how much they dragged it out (after all, it took three seasons of Working!!! for the main couple to finally confess, and I watched every episode).

Until then, this was a very nicely done high school dramedy, and I especially appreciated being able to watch it at my own pace, instead of still being stuck on episode two!

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Attack on Titan – 09

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The show chooses a rather odd time to introduce us to a new group of characters in the elite Scout Regiment, led by “neat freak” Captain Levi. I saw bizarre because there’s still quite a bit that needs to be resolved with Eren. As great as it is to see soldiers other than Mikasa having success in killing Titans, the truth is I was patiently waiting for the show to get back to the main characters, which thankfully happens about a third of the way in.

Before returning to the present, we find out what became of Eren after being swallowed. Not surprisingly, he ended up in the Titan’s gut, surrounded by his dead comrades being slowly digested, which…gross. But Eren refuses to give up, doggone it, and a light flashes and he transforms into Titan Eren, bursting out of the Titan who ate him and commencing his rampage.

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When Eren wakes up, he finds himself in a bit of a predicament. No good deed goes unpunished here on AoT, which means an entire battalion of his fellow soldiers have their weapons trained on him, Mikasa, and Armin. They’re led by a very twitchy commander who looks like he needs a lot more sleep, and everyone is convinced Eren is a Titan in disguise who needs to be eliminated.

With Eren still highly disoriented, negotiations break down pretty quickly, with Mikasa only offering temporary relief by putting herself between the guns and Eren and challenging anyone who wants to try to hurt him to get through her first. Eren finally cries that he’s a human, but the commander has already made his decision. Mikasa tries to get Eren away as the cannon above them fires, but Eren…does something else.

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And that something else is transforming back into a Titan, using his only partially constructed Titan body to shield his friends from the cannon blast. Once again, a bold action keeps him and them alive, but only a little longer: it doesn’t exactly help his claim he’s human, and I doubt such a trick can be pulled twice in such short order.

Preceding Eren’s last-ditch effort to keep death at bay, he experiences flashes of memory, like his dreams in earlier episodes, in which his father tells him the key around his neck and the secrets in the basement of their home are of utmost importance. I imagine the power he’s awakened has something to do with those secrets.

But first things first: how are he, Mikasa and Armin going to stay alive long enough to uncover those secrets? Forget the Titans; he’s got humanity against him at the moment. Talk about ‘out of the frying pan, into the freezer’.

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Yuri Kuma Arashi – 05

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When Lulu decided to join Ginko on her grand journey to the other side of the wall, it seemed like the most noble thing in the world. And indeed, the episode opens with Ginko waking Kureha up with a gentle lick to the face…and Kureha shockingly licks back.

But we’re only seeing what Ginko wants to see. In reality, progress is slower than frozen honey: far from thinking of them as anything resembling friends or lovers, Kureha sees them as nothing but intruders and pests.

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Of course, this isn’t just because GInko and Lulu are bears. Kureha doesn’t want any friends anymore, ever. Sumiko was The One, The Only, friend she ever needed or will need. To befriend anyone else is to dishonor her memory and “give up on love”; not to mention it would be super-scary.

So when her teacher tells her to face reality—that Sumiko is gone, and must be replaced by new friends in order for Kureha to fit in—Kureha outright refuses, and in doing so may well be sealing her fate. But Kureha doesn’t seem to care anymore.

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This week we delve a little deeper into Ginko’s past with Kureha and her mom; the photo already shows us that a young Ginko in bear form was adopted by the two at some point. We learn how that happened, in one of the series’ most striking images—a flashback eleven years to  snow-covered battlefield littered with dead bear soldiers, and Ginko close to joining them.

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Suddenly, the warm hands of a five-year-old Kureha are upon her, telling her they’re friends and she loves her—and that’s pretty much it. From that point on, Ginko has loved her back with everything she’s got, and no matter what happened between that day and the present one, it wasn’t enough to destroy that love, or Ginko’s determination.

However, through the loss of her mom and Sumiko, Kureha has forgotten that fateful encounter. It’s up to Ginko to try to get her to remember, but she can’t just out and say it, or she and Lulu will lose their human forms.

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And all Kureha wants to remember is Sumiko. Making friends will only create memories that will cause her memories of Sumiko to fade with time. When her classmate Harishima Kaoru tearfully apologizes on behalf of the rest of the class for excluding her, and begs her forgiveness, she has none to give. Kureha’s a stick-to-it kind of gal; if the class is going to start something, they’d sure as hell finish it.

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Back home, Ginko and Lulu continue to flail about Kureha’s house against her desire for them to be there. Revealing aprons and a smorgasbord don’t interest her in the least.

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Yet Ginko continues to see and hear what she wants to, at least until the fantasy fades away and she sees and hears what really is: Kureha wants nothing to do with her, and if an approach exists that will make her remember, Ginko and Lulu haven’t cracked it yet.

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While the bears pull out all the stops for Kureha in vain, Kaoru and the class does the same in helping her replant the garden in preparation for her birthday. And where the bears fail, Kureha’s class get her to lower her defenses a little by killing her with kindness.

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Then the pretty, laid-back flutes and harps are replaced by a harsher electronic theme as Kaoru and the class reveals it’s all an act. Of course it is. And Kureha’s instincts were correct. They’re still fully committed to making her invisible by naming her the Number One Evil. Kureha’s teacher may have been willing to exercise some patience with her, but her peers aren’t so understanding.

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Ginko and Lulu catch on to all of this, and go to Yuri Court to argue their case. The defense attorney is all for them protecting the girl they love, but the prosecutor believes they’re only using Kureha as an excuse to eat girl after invisible girl. When Life Sexy asks Ginko what her true goal is, she confesses: she wants Kureha, all to herself.

It’s something Lulu must have suspected, but that doesn’t make it hurt less to hear it out loud. Ginko also brings up a “serious crime” (killing Kureha’s mother, perhaps, which is why she has that star pendant?”) from which there’s no going back. Life Sexy approves their Yuri, and off they go.

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Ginko and Lulu confront and threaten Kaoru late at night at the garden, believing they’re in control. But that, too, proves a fantasy, as at the end of the day, the surge of passion that overcomes a charging bear at its seemingly terrified prey will make that bear blind to the trap set before it. Ginko gets snapped up in that trap, and Kaoru bears a predatory grin of her own.

In obviously immense pain (and immense trouble), Ginko calls out, not for Lulu, who’s right there, but for Kureha, who last time we checked wanted nothing to do with her. With that brutal SNAP of the trap, her grand mission is in tatters. Sure, it’s a cliffhanger, but one I’m fully invested in.

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Arpeggio of Blue Steel: Ars Nova – 09

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Hyuuga defends Iwoto against Kongou’s attacks, buying time for I-401 to make a an escape while Takao engages Maya. Kongou senses Hyuuga and Takao are merely diversions, and once she detects I-401 she heads after her at full speed, enduring the punishment of the minefield set by Hyuuga. She admits to Iona that she too feels emotions, and says she hates her. She fires her supergravity cannon a second time, Hyuuga hacks her systems, and she misses I-401, who escapes at full burst. Takao reveals to Kongou that Gunzou entrusted her with the vibration torpedo and his crew, while Iona was only another decoy. All is for naught when I-400 and I-402 ambush I-401, sinking her.

With the previous week serving as a “calm before the storm” prologue, this week’s battle with Kongou was being built up as the biggest challenge to the I-401 yet. The fleet of Blue Steel is officially forged but suffers a difficult infancy, as Kongou holds no quarter. We’re reminded that Haruna and Kirishima don’t have physical ships at the moment, so they can’t participate in the battle. However, Hyuuga and Takao prove enough to keep Kongou and Maya at bay, and more importantly, grind Kongou’s gears. If they can feel emotions, so can Kongou, which means she can lose her temper and let it affect her judgement. Tired of all the delays and frivolous gum-flapping, Kongou goes straight for Iona with extreme prejudice, and ends up paying for it. It was a hell of a battle, replete with layers of tactics, obfuscation, momentum shifts, and the aforementioned psychological warfare.

Mind you, Iona doesn’t mean to mess with Kongou; she just can’t comprehend what her deal is. In their philosophical debate, one could see Iona as being just as guilty as Kongou of trying to impose her values on others. The major differences, of course, are that  Kongou wants to kill all humans, and is acting out of hatred for Iona and the chaos she’s caused; Iona is acting out of unswerving devotion to—and perhaps love for—Gunzou. The battle may end with the I-401 safely away and Kongou beaten and humiliated, but after yet another new ED we’re treated to a harrowing post-credits sequence that sends I-401 out of the frying pan and straight into the freezer. To have victory so abruptly torn away and to see such ugly chunks taken out of I-401 by her sister subs made for a gut-punch of a cliffhanger, but whatever happens, Takao now holds humanity’s trump card.

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Rating: 8 
(Great)

 

Kokoro Connect – 03

While on cleanup duty, Inaba warns Taichi not to take their predicament lightly; it could end up destroying them. She wants him to make a move on Iori before she breaks from the strain of the swapping. Aoki and Taichi are caught taking video of themselves when in Inaba and Yui’s bodies. Aoki notices that Yui shakes when around men, and Yui flees the clubroom. When Yui and Taichi swap, they meet in a park, where Taichi insists on helping her get over her androphobia, giving her a painful practical lesson in how to defend herself against men, which seems to do the trick. The next day, she’s more friendly with Taichi, but Inaba suddenly faints in the middle of a sentence.

The five members of the CRC are all handling their plight in different ways, according to their personalities and worldviews. Aoki sees this as a chance to get to know Yui better (though he learns this week not to go too far when Inaba threatens to streak as him). Yui clearly doesn’t like the situation, and tried in vain to use force on Heartseed. Inaba is pessimisstic about coming out of the ordeal unscathed. Taichi, while not overjoyed, seems more willing to look on the bright side and make the most of it, where appropriate. For instance, there’s no better way to explain to a girl in a boy’s body how to defend herself than by..kicking her in the balls. Yui gets the message loud and clear, and appreciates Taichi hurting himself to help her.

We could call this a miraculous turnaround considering she’d been androphobic since middle school…but let’s not forget body-swapping is pretty damned miraculous too, and it looks like it flipped a switch in Yui. That brings us to Iori. She was totally absent from this episode, save for two brief scenes: one in which she’s assenting to something her mother recommends (we don’t know what or where), and one in which she, Aoki and Inaba hear the tail end of Yui’s new, more touchy-feeling morning greeting. It isn’t explained why she was on the sidelines, but Inaba believes she’s the weakest link in the CRC. And just when Inaba was about to concede that some good came out of the swapping, she seems to swap, then faint. A cliffhanger, eh?


Rating: 8 (Great)

Blood-C 5

This week’s Blood-C was bangin’, switchin’ up the formula a bit, whereby the battle comes first, then the lighter high school stuff. Then it does something else: it finally combines those worlds, much to Saya’s horror. We’ve arrived at the crossroads, people. The bloody crossroads.

The latest elder bairn she kills once again refers to the contract between them and humans. We don’t know exactly what the contract is, but it probably means looking the other way and letting them eat humans in exchange for relative peace, or something. Regardless, the doubt and confusion stirring in Saya starts spilling into her normal life. And it hurts her lil’ noggin, too.

A thunderstorm cancels her gym class, so they tell horror stories instead. After a half-hearted attempt by the class prez, the teacher steps in and, well, there’s no other way of saying it: she describes exactly what’s going on on the other side of Saya’s life. She’s even about to reveal the answer Saya wants so badly – what is the contract? – when Saya faints. Tokizane, who has exchanged knowing looks with her all along, catches her. I really hope this guy does someting soon. Something.

Back home at the temple, her classmate Nene, who wanted to hear the teacher’s story, comes to apologize, and boom, a massive elder bairn bursts out of the ground behind her. Shit just got real. It’s a cliffhanger, but damn, it’s a good one. After seeing a woman Saya saved earlier scream and recoil in horror when she held out her bloody hand to help her, I’m guessing some of Saya’s friends will be equally horrified when they see the bairn-slayer. Which is unfortunate, because she’s awesome.


Rating: 4