Tsukimichi: Moonlit Fantasy – 11 – Playtime’s Over…Unfortunately

TRIGGER WARNING: This episode contains a sequence of graphic violence.

The last nine episodes and change of Moonlight Fantasy have largely consisted of Makoto, Tomoe, and Mio basically goofing off while demonstrating their immense powers in this world. Then, just when he’s gained a third companion in the newly-humanized Lich he names Shiki, Tomoe starts bleeding profusely and keels over.

Like most of Moonlight’s cliffhangers, I expected this one to be resolved in the first five minutes, possibly in a comedic way. It…didn’t. Shit suddenly got real at the end of last week’s episode, and it stays real and very dark for the vast majority of this week. It’s almost as if Moonlight wanted both Makoto and us to experience the sudden realization that we don’t really know the first thing about this new world.

The adventurer woman and her two associates raid the Illusory City, and the magical ring Drahpnir explodes in an ensuing fight, killing an orc who was just doing his job as well as Tomoe’s Fragment, hence her keeling over. In response, and after reading her deeply prejudiced memories, Makoto takes his revenge on the adventurer woman by stalking her, cutting off her forearms, and then stabbing her through the throat. Fuckin’ Yikes.

It is without doubt the most dark and disturbingly violent this series has ever gotten, and it doesn’t spare the blood. Like Tomoe’s collapse, it comes out of nowhere, but maybe that’s the point: this show is done taking it easy on Makoto, and is now treating him more like Re:Zero treats Subie: like the new world he’s in is always trying to kill him and those he holds most dear, and surviving is a constant struggle.

While it’s laudable for Moonlight to take a chance at going dark, it kind of undermines that a bit by throwing us back in its usual goofy comedic milieu before we’ve even had sufficient time to process the shocking gore we just witnessed. Makoto brutally murdered a woman, and is back to being the straight man in between Mio and a recovering Tomoe bickering. After a memorial service, it’s just tonal whiplash. It’s…odd.

But while things return to “normal”, the reset button is not hit on Makoto’s psyche. His experience that night changed him forever, and also told him that if he wants the Demiplane to be safe, he’s going to have to learn a lot more about this world. For him, that means leaving Tomoe and Mio and enrolling at a university in the neutral town Rembrandt told him about.

But in the first instance since the first episode of the Goddess interfering in his existence on this world, when he goes through a mist gate to the city with Shiki, he ends up materializing alone in the middle of another wasteland, and is immediately attacked by Sophia and Mitsurugi, who don’t just look like a couple of tough customers…the former is able to lop off a couple of Makoto’s fingers!

The shit truly hit the fan at the start of  this episode, and by the end Makoto finds himself just about neck-deep in it. I appreciate the show’s ambition in picking the path of grim drama, but I can’t deny my neck still aches from that sudden direction change. All that said, this episode, the second-to-last of this cour, makes the previous ten feel like an extended prologue to the real story. Not sure that’s a good thing!

P.S. It remains bizarre that nearly all humans think Makoto without his mask is some kind of hideous monster, when his character design just doesn’t read that way. The show could at least show us how they see him through their eyes…

Tsukimichi: Moonlit Fantasy – 10 – Underlord

After two straight cliffhangers involving the two forest-dwelling sisters, Eris and Aqua (which does sound like a sports drink!) are effortlessly defeated by Makoto and Mio. The weaker adventurers are teleported to the Illusory City, which is apparently an actual physical place…albeit a foggy one.

Eris and Aqua are fun enough in their quirky/serious sister act, but when they take Makoto and Mio to the “Forest Ogre” village is when the episode really starts to bog down. I honestly cannot tell you how many village elder scenes I’ve sat through in my day, but it’s a lot.

Most of them put in more effort than Moonlight Fantasy here. It’s all very by-the-numbers listless, aside from Mio’s adorable envy at Eris and Aqua’s shisho holding Makoto’s hand a second longer than she got to

The obligatory village banquet takes place, and again, it’s just kinda there, not really distinguishing itself in any way. Thankfully, Ains Ooal Gown’s freakin’ cousin crashes the party and livens things up. Yes, the lich has more vitality than the anonymous, homogenous villagers. The lich talks a big game, but obviously Makoto ain’t losin’ to no skeleton.

Rather than kill him, they take him to the Demiplane to hear his story. He’s been striving all his life (and death) trying to become a “Grant”, a rare and special human that can travel between worlds. [Nudges your side hard] Sounds familiar, mmmmm? 

Tomoe, demonstrating a knowledge of other worlds that surprises Makoto a bit, says Grants are Grants not for what they are, it’s more bestowed upon someone by dint of having found a passage between worlds.

Lich (I didn’t hear a name) ends up forming a contract with Makoto, and gains a ripped bishounen body, which combined with seiyu Tsuda Kenjirou being particularly velvety, makes the Lich the third member of Makoto’s now unisex harem. But no sooner does he gain one member than he seems on the brink of losing another!

Without any explanation whatsoever, Tomoe keels over and starts bleeding out. It’s the highest stakes we’ve ever seen in this show. And while I’m fairly tired of these cliffhangers-for-the-sake-of-cliffhangers, I need to know dear sweet dashing Tomoe will be okay. Wait…what’s that? The next episode is titled “Goodbye?!” 

Shiiiiiiiiiit…