Happy Sugar Life – 04 – This is Also Love

The blood from the beating of Mitsuboshi by two sociopath guys dredges up unpleasant memories for Shio: those of her mother saying she’ll never forgive her for letting go of her hand. Uh, that’s really unreasonable, Shio’s Mom! Why is everyone in this show have to be so goddamn INSANE smh.

Satou rolls the dice and manages to take out both of the guys with taser (which thankfully didn’t die on her; anime tasers are very fickle) and a knife (gouging out the eyes of one). She scoops up the unconscious Shio and whisks her home to her suddenly very insecure feeling “castle.”

It’s clear Shio had problems well before Satou met her, but Satou has similar traumatic memories of interacting with an adult guardian who was not okay in the head. In this case, Satou’s aunt, who was always covered in bruises and bandages, explaining them away to her niece as “another kind of love.” Yeaaah, notsomuch. Control is not love.

The next morning things seem to be back to normal, but the previous night Satou saw fit to install exterior locks to keep her Happy Sugar Girl “safe” (i.e. under control). Words of trust are no longer sufficient, not after last night, the outcome of which Satou is at least lucid enough to know was extremely lucky.

This is a show where it’s almost never good when two people are together (except I guess for Satou and Shio), but things aren’t much better when anyone is alone: Satou’s teacher is suspicious that her aunt isn’t answering the phone, but also just wants Satou to insult and punish him more.

Mitsuboshi witnessed Satou making off with Shio, posters of whom he’s plastered all over his room, because now he’s a demented lolicon who has become fixated on the girl be belives to be his “angel” and salvation. Even Shio has her private secret: scrawling a crude drawing in the closet while in a trance and chanting “spinning.” 2018, AMIRITE?

Shio snaps out of it when Satou comes home early, which is because her cafe staff was sent home early due to the violent attacks in the vicinity. Still, Satou needs to keep working so she can keep saving to buy (hopefully not rent) a stronger “castle” in which to preserve her HSL. While she only speaks of an expensive dream to her co-workers, her brown-haired kohai is impressed by her dedication.

That night, after giving up on cleaning the blood off the wall of the murder room (maybe she needs to call The Wolf), Satou gazes at her account balance on her phone, which I may henceforth call Chekhov’s Account Balance on her phone, since, at some point, those savings could either be spent or vanished via some foul play. In any case, Satou doesn’t really love Shio; she just wants something all hers that she can control.

Meanwhile, the drawing of Chio’s mother lurks menacingly in the closet—another stain Satou can’t remove—while at the closed cafe the brown-haired kohai breaks into Satou’s locker and smells her clothes with alarming gusto. What can you say—she’s a psycho magnet.

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Hanebado! – 05 – The Discarded Daughter

Ayano lived her childhood absolutely idolizing her mother and soaking up every bit of badminton know-how she could. Other than Elena, there was virtually no one else in her life she cared about. In other words, her mom was her family…until she took off, and Ayano has felt alone ever since (sorry, Elena).

Or, at least she had felt alone. Now that she’s been welcomed and embraced by her team, she feels like she can keep playing with their support. Riko offers as much at the end of their first game which they lost to Connie, 21-12. Kentarou resets the defense so Ayano has the run of the back 2/3rds of the court for the second game.

By throwing her out of the frying pan and into the fire, Ayano eventually picks up her game, returning shots that she’d previously let drop. Her sly persistence starts to frustrate Connie, who in turn steps up her game, and all of a sudden their respective teammates are treated to one hell of a grudge match, with neither Ayano nor Connie believing defeat to be an option.

Connie draws from her own childhood, which looks as lonely as Ayano’s post-mom time, while Ayano gets all Sadako-y like she did when she beat Nagisa in the nationals. The two competitors are so focused on each other, Connie ends up getting a cramp in her leg, and her partner leaps in to score the winning point, catching Ayano and Connie alike off guard and leading them to declare the result of the match corrupted.

Both go off skulking, only to be picked back up by the very people she felt were unnecessary (in Connie’s case) or the people whom she felt she’d let down (in Ayano’s). Sora, who’d been pretty quiet up to this point, confesses that she hated Ayano for seeming not to care despite being so talented, but has revised her feelings about her after seeing how far she went in that match. The two girls end up spending the evening having fun with their teammates.

The next morning when both teams are set to return home, Ayano confronts Connie, who tells her what I (and probably everyone else watching) had suspected last week: Connie is the girl Ayano’s mother replaced her with as daughter. Connie’s goal is to prove to her “mama” that she’s the better player by beating Ayano.

As I mentioned last week, one would assume the question of “who is best” had already long been settled by the fact Ayano’s mother f-ing abandoned her biological daughter for Connie. I guess Connie just isn’t satisfied with her mom’s decision, but wants to be sure she’s better than Ayano. As for Ayano, on the bus ride home she breaks out her crazy face once more, declaring that she “doesn’t need” her mother any more.

While that’s a depressing sentiment, somewhat creepily delivered, I can hardly blame her for wanting to give up on the person who gave up on her. But I still feel there’s a reconciliation story brewing here. Simply stating she’s done seeking her mom’s approval doesn’t magically make it so…right?

Happy Sugar Life – 03 – Escalating Bitterness

This episode operates within the same night that Mitsuboshi brings Asahi to the staff room of the cafe, and as a result, it feels a lot more claustrophobic; there’s no sunlight; only the brief but blinding light of Mitsuboshi offering to escort Asahi home.

Asahi doesn’t know he just survived a crowbar attack by Satou because she realized this was not the place to cut loose; to do so would end her Happy Sugar Life for sure. Unfortunately, that life is jeopardized anyway when Shio, scared that Satou still hasn’t come home, ventures outside the apartment to search for her.

Later, we’re reminded it isn’t just adults who are all horrible people in this show, but most people in general, as Mitsuboshi is just way too into the poster of Shio. By the time Satou gets home to find Shio gone, Shio has gotten lost, and since she’s not wearing shoes, has cut her foot.

Shio also continually has a hallucination of what I imagine to be her mother, who Asahi tried to get out of the house with Shio, and away from their abusive father (or whoever the man was who was living there). Shio only remembers bits and pieces; no doubt the memories of witnessing abuse are repressed.

Mitsuboshi finds Shio before Satou does, and that’s when things get weird. Mitsuboshi, sweating, panting, and barely able to restrain himself believes that being touched by Shio will “purify”, undoing the “corruption” of his old manager. He takes it a step further by saying that his touching her will have the same effect and…yyeeeaaah, anytime a guy is talking about touching a little kid, that’s when we have to put up our hands and say NOPE.

I hate to say it, but the return of two more awful younger dudes, the ones who beat up Asahi for no real reason, is a blessing in disguise for Shio. On the one hand, Mitsuboshi was himself the victim of sexual abuse, but that doesn’t entitle him to abuse others. It’s terrible that he gets beaten, but it does buy precious time for Satou to try to find Shio. Better the devil you know…I guess?

Hanebado! – 04 – A New Challenger Approaches

After her playground epiphany, Ayano joins the badminton club, and before she knows it she’s on a bus with the rest of the club to a summer practice facility. While on the ride, the classically alone Ayano has her hair tended to by Yu, resulting in a photo and a warm feeling of belonging; of finally not being alone, but part of something bigger: a team.

But wouldn’t you know it, the facility is already occupied by another badminton team, and not just any team, but the “FreGirls” of Frederica, one of the country’s top teams. One of their players wanted very much to play Ayano’s school. Ayano heads out to a konbini to buy water, but ends up lost thanks to Nagisa’s kiddy, nigh worthless map.

While lost, she meets a foreigner who’s also lost: a blonde from Denmark who offers her a lolly when they make progress with the map.

Things are going swimmingly until the foreigner learns the identity of the cute little girl she’s walked with. The moment she hears the name “Hanesaki” she freezes and drops her change, then accuses Ayano of playing mind games with her by “pretending to be friendly.”

The next they meet, the tall blonde, Connie C, is one half of Ayano and Riko’s doubles opponents, and promises to show her how “meaningless” Ayano’s “team” is. She warns her partner not to interfere and let her play alone. Clearly, what she really wants is a one-on-one match against Ayano.

When her partner does interfere, Connie quits in a huff, letting the other girl struggle alone in a two-on-one match until she basically taps out. Connie doesn’t believe in teams, after all; she’s a team of one, and gets what she wants. As for why her captain and coach do nothing to stop her selfish behavior, who knows?

Connie takes over, effortlessly turning a 10-3 deficit into an 11-10 lead with mammoth vertical leaps and a smash that even the guys doubt they could return. Neither Ayano or Izumi can do anything. It’s Serigaya Kaoruko all over again.

Only…it’s actually worse than Kaoruko. “Connie C” Is Connie Christensen, a Danish prodigy who has already won the world championship in her age group. In every physical measure pertinent to badminton, she’s Ayano’s superior, and wants to make it clear she’s superior in every other aspect of the game as well. Tachibana knows her, and doubts Ayano will be able to hang.

Connie is also the blonde girl in the magazine article in which Ayano learned her mother had basically replaced her as daughter, which makes this even more fucked up. Connie even ties back her hair the same way as Ayano’s mother, adding insult to injury.

Apparently not satisfied with everything she’s already taken from Ayano, Connie now seems to want to crush Ayano’s spirit, such that even being in a fun high school team won’t give her joy or relief. That said, she relied on an awful lot of coincidences to end up in the match. Among them:

  • She knew Ayano had joined the badminton club, even when Ayano herself wasn’t sure until very recently;
  • Her school’s team ended up at the same facility as Ayano’s club;
  • Ayano ended up going out for water, and ended up meeting Connie first;
  • They ended up playing against each other.

Coincidences aside, one has to wonder what Connie’s true motive is, and why she is so intent on psychologically crippling a stranger. I mean, isn’t the fact that Ayano’s mom abandoned Ayano for Connie enough proof for Connie that’s she’s better? Did she really travel all the way to Japan just to beat someone who had already ‘lost” to her? Apparently! And that makes Connie a garbage person…until further notice.

Hataraku Saibou – 02 – This Is Too Much Like School

Well now…the novelty of that wore off quick! The first episode of Cells At Work was a fun romp in the spirit of Magic School Bus or Where’s Waldo (or some show I haven’t watched that’s it’s more like than either of those). But not long into the second episode I…I just couldn’t. A voice-over re-introduces the characters and their function, as if they didn’t just do that last week, and other than that, everything’s too…straightforward.

There’s not much of any clever wit to anything. Everything happens the way you expect: when the skin (city) endures a scrape (fissure), it starts bleeding (flushing the people-cells out into the void outside). The platelets only encourage questions like “will they ever grow up?” or “why is child labor cute?” And of course, the red blood cell protagonist is lost again, because she apparently always is.

Hataraku Saibou isn’t bad, nor is this episode actually that much worse than the first. It’s just hard for me to watch personally. I actually scrubbed through the end of the episode. It’s a show that very genuinely and enthusiastically want to teach you stuff about the body while entertaining you with the hijinks of its characters. But maybe I don’t want to learn, or at least learn like this. It’s just too sincere and twee for me. It’s not you, show, it’s me.

 

Hataraku Saibou – 01 (First Impressions) – Doesn’t Matter if You’re Red or White

Hataraku Saibou, AKA Cells At Work, delivers exactly what the title promises, only the cells in question are anthropomorphized. We’re introduced to a red blood cell AE3803, who is very new to her job of delivering oxygen and other nutrients to various parts of the body (and gets lost easily).

When a band of pneumococci (germs) invade, the red blood cells rely on neutrophils (white blood cells) like U-1146, who is initially all business (the germs have blood like people too) but softens a bit as he spends more time with AE.

 

AE and the remaining germ end up bumping into each other by accident, and U has to save her on more than one occasion as they traverse various parts of the anatomy, represented as parts of a huge bustling city. Cells at Work feels like a cross between Working!! and either Futurama’s “Parasites Lost” or the Magic School Bus book in which they go into the human body.

So yeah, it’s a bit of a silly premise, but well-executed, well-paced and full of fun little comedic beats that keep things from getting too clinical. Kanazawa Hana provides a manic energy and ebullience to AE. While this episode was primarily how a sneeze can occur (treated as a monumental rocket launch) I imagine future eps will cover other bodily functions, doubtless involving other cell-people.

Shoujo Shuumatsu Ryokou – 07

While attempting to follow Ishii’s route to the ration production facility, Chito and Yuuri find themselves utterly lost in a labyrinth of pipes. Chito’s intense fear of heights rears its head, and naturally Yuuri has a little fun with that, as she doesn’t fear heights in the least.

Still, Yuu takes pity on Chito, lets her tie them together with rope (so either one of them will keep the other from falling, or they’ll both go down), and stays close during the scary bits. Even so, they have to find flat ground at some point; they’re getting tired and it’s getting dark.

While Yuuri is the one obsessed with foot, it’s Chito whose slighter weight breaks through a weak spot of the pipe, revealing a bright light that makes Chito look like she’s glowing (in a way, a callback to Yuu’s belief Chito resembled the gods whose idols populated the temple).

They enter the pipe and are treated to a well-lit route with arrow signs pointing in the right direction. Yuu whimsically suggests they “explore” by ignoring said signs, but Chito isn’t having it; wandering aimlessly will only make them hungrier and more tired, and they only come upon one last measly potato in what looks like a vast airpoinics bay.

The arrows lead deeper into the production facility where Chi and Yuu encounter heavy-duty industrial food production machinery that’s still operational, a testament to the now-long-gone people who designed and built the stuff.

It’s been a long time since Yuu not-so-playfully pulled a gun on Chi, leading me to wonder the next time she’d play with her only companion’s life. That comes when Yuu switches on the gigantic potato masher…when poor Chi is on the conveyor. She switches it off…then on again…then off again, and Chi makes her pay by roughly handling her cheeks.

Still, Yuu proves particularly useful this week, both with her courage in the pipe labyrinth and the highly detailed memories of baking with Gramps. That knowledge is put to use as she and Chi gather powdered potatoes, sugar, salt, and water, and start mixing and kneading ration dough.

The dough is cut into bricks and popped in the giant oven, and a bit later they’ve got a decent supply fresh rations, which pass the taste test with flying colors, even calling forth the girls’ patented “headmelt of satisfaction.”

With the Kettenkrad and nearly all sight of the outside world sidelined, this was all about Yuu and Chi on their own, giving each other a hard time but also having each other’s backs. While the rations won’t last forever, they’ll last a while (unless Yuu goes to town while Chi sleeps).

adding a welcome measure of optimism to the conclusion of an episode on the heels of last week’s failed flight. Better still, it was packed to bursting with wonderful Chi-Yuu banter and interactions. Honestly, I could listen to Minase Inori and Kubo Yurika read the phone book together.

Kekkai Sensen & Beyond – 03

Just after daydreaming about that horrible day Michella went blind, an out-of-it Leo bumps into a big bully who takes his wallet containing Michella’s allowance. Chain witnesses Leo in a bind, but apparently has other matters to attend to.

Steven and his maid Veded prepare a super-classy dinner soiree, while Zapp is recruited by Tracy to find her oriental shorthair cat Mizaria…or she’ll cut his dick off with magic.

So yeah…lot’s going on this week! But hey, it’s not Hellsalem’s Lot if every day that ends in “-day” if a lot’s not going on. Did I mention Count Gigagigafutmassif is on the move…and that he’s taller than any skyscraper in the city?

What has always enhanced the already lush texture of KS&B’s great variety of stories is how they intertwine in interesting ways, much like Durarara!!. The fortunes of the various Libra POV characters this week also vary wildly as the episode progresses.

Zapp immediately runs into problems trying to find Tracy’s cat, and while Leo arms himself with a stun baton to get his wallet back, the bully just slugs him and uses his own baton on him. Of course, Leo can defeat him at any time with his eyes, he just doesn’t feel right using them for self-serving purposes…even when failure means Michella going without.

As for Steve, his snobby dinner party goes positively swimmingly…until he goes into the kitchen alone, turns around, and every one of his guests is pointing a biological gun at him. Fortunately, Steve is not one to get so easily ambushed, and took steps to ensure he could use his ice magic to get the upper hand anytime he wanted.

Steve also doesn’t bother handing his guests over to Libra, instead relying on his own special squad to “take care” of them in ways of which Libra’s leader wouldn’t necessarily approve. Bottom line: You come at Starphase, you best come correct.

These amateurs did not. Steve also rethinks whether he’s been enjoying ordinary life too much, considering his duties and the nasty enemies those duties can sometimes create.

Chain clearly saw Leo getting tossed by the bully, but takes a backdoor approach to getting Leo’s wallet back: she turns on her charm (wonderful stuff from Kobayashi Yuu here), promises a good time if the brute can beat her in shots, then drinks him under the table with ease, grabbing not just Leo’s wallet, but the bully’s toady.

It was nice to see a baddie put in his place with something other than brute force, even though Chain could have obviously dropped the guy anytime she wanted. This way was more fun for her!

Alas, Chain did Leo’s work for him, which means he never managed to get one over on his bully. It’s just as well; considering the handicap he demands of himself (no use of the eyes), he’s just not a fighter, nor should he be.

Since his toady was robbed by Chain, the two have to pay their bar bills with…their bodies, leaving them as nothing but heads hopping about in glass bulbs, to be attacked by…Mizaria!…who is then picked up by…Veded!, who finds her way back to Steve just as a united Leo and Zapp pass by.

Speaking of fortunes, we never see Zapp actually retrieve the cat and return it to Tracy, leaving the status of his manhood in tongue-in-cheek doubt. The closing shot—of Chain paying for her big night with a long prayer to the porcelain god—was pitch perfect way to close this fun, diverse outing.

Kekkai Sensen & Beyond – 02

Zapp is gravely injured and Leo is beside him on the helicopter, and suddenly a strange hospital comes into view. They land on the helipad and a pint-size doctor with a team of burly assistants take care of Zapp.

Klaus and Steven fill Leo in on the significance of this place: Bradbury Hospital was where both of them were three years ago during the Great Collapse. Back then the pint-sized doctor, Luciana Estevez, was normal-sized.

When a baddie shows up at the hospital and looses a blood breed “dog” to feed on Estevez’ patients, Klaus and Steven must split up, not an easy proposition considering the strength of their opponent.

The dog gets in, Estevez and her patients are attacked, and a giant building is about to fall on Steve, Klaus and the enemy, but is suddenly stopped by the Casters’ magic. When Klaus and Steve wake up, they’re in Hellsalem’s Lot, and the hospital has vanished.

Now Bradbury Hospital is back, but everything in it, like New York, has been partially transformed. The hospital is for humans and non-humans alike, while Estevez has gained her tiny appearance in exchange for the ability to clone herself and perform tasks with terrific speed.

Klaus and Luciana recognize each other, and are ready for round two with the Blood Breed and his “owner,” still threatening all of the patients Estevez placed in medically-induced comas to protect them.

After slicing and dicing the dog with her clones, Estevez is challenged by its owner, but Klaus steps in to shield her. While their battle three years ago had an uncertain result, he’s able to hold out the 133 seconds needed for Leo to text him the baddie’s true name, and seal him in a prison.

The threat to the hospital and its patients ended, Klaus and Dr. Estevez pick right back up on the friendship they started in the middle of a crisis three years ago, both of them having fared well in that time.

Kekkai Sensen continues to deliver compelling stories large and small with indelible images and fast-paced, creative combat, and an eclectic musical sense. It may be tough to check back in on her with so many other stories to tell in HL, but I wouldn’t mind seeing Dr. Estevez again.

Qualidea Code – 05

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QC stuck to its guns b confirming Canaria is dead, as were all the other students who went through the no-entry zone. Ichiya is off in a cloud of grief, leaving Tokyo rudderless. Hime leads the way in stepping in to pick up the slack, initially putting forth policies intolerable enough that she hopes Ichiya’s own people convince him to come back.

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Hime shows a lot more depth this week, as more than simply the hyper overpowered princess we’ve seen her as so far. We see the true reason Hotaru cares for her so much. Ever since Hotaru saw Hime’s hands trembling as she told adults she was fine after her parent’s death, she knows when Hime is hiding her true emotions, which she must to in order to try to restore some semblage of morale in Tokyo.

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Unfortunately, neither the friendly nor the more hard-line tack do much good against the nearly catatonic Ichiya. She misjudges just how much Canaria meant to him by scolding him for “freezing every time one person dies.” Canaria wasn’t “one person”, she was the person to Ichiya. We also learn that one person managed to survive the post-no-entry purge: Aoi, but only because the adults took out her old Code and installed a new one, with very little explanation other than “you’ll be fine now.”

We know that going into the zone marked Canaria and the others for death by surprise Unknown attack. But we don’t know why, and the adults don’t want anyone else to know, either. That being said, Hotaru still wants answers, and if she can’t get them from the adults, she tries to lead Aoi back to the no-entry zone for clues, all but forcing her to explain why they simply cannot go back there.

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As expected, it’s Kasumi who manages to get Ichiya back out into the sunlight, but he’s still a zombie who doesn’t do anything other than grieve and lament his plight this week. This had the effect of giving the other heads and subheads more screen time, and while the Chigusa siblings were their usual half-bored selves, Hime and Hotaru shined.

QC is doing the right thing by keeping its cards close vis-a-vis the Unknown. Typically, the more details one learns about an initially mysterious/inscrutable villain or evil force, the less frightening they become, since there’s nothing scarier than the unknown.

The fact we still know very little about what the Unknown are and what motivates them adds to their creepy mystique, leads us to flex our imaginations searching for theories, and mitigates their uninspired designs.

But it’s inevitable we’re going to learn more about them, especially when the very sky turns red as the largest Unknown force yet amassed seems poised to wipe out the three cities once and for all (a great Oh Shit moment). I just hope we don’t learn more than we need, thus the threat become devalued.

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Ushio to Tora – 38

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Despite the title “The End”, this week is not the end; just the beginning of it for Hakumen. The united counterattack is now in full swing, with supernatural and military forces working in concert to make Hakumen’s life increasingly difficult. Even better, the battle is being broadcast to Japan from a news chopper, lessening the fear of those who didn’t evacuate (like Asako and her fam).

I must say, after so much darkness and dread, I was glad to see the mood of the show brightening along with the skies around the battle. The irreverent chatter between Ushio and Tora flies as furiously as the cameos, which, to be honest, are a bit out of control; but are to be expected, as the end, titles aside, is very quickly approaching.

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Hakumen is a little slow on the uptake, and in assessing exactly why things are going so bad, determines that Ushio and Tora are the cause. If they can be smitten once and for all, Hakumen can crush everyone else’s spirits and get back to wreaking havoc. So Hakumen unleashes a Malboro-esque poison cloud, isolating and trapping the duo.

All everyone else can do, from Asako to Mayuko to Hinowa and the Moritsuna siblings, is keep fighing; keep doing their part; and trust Ushio and Tora will be okay.

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And they do do okay. Ushio’s armor is shattered and he comes close to his soul shattering as well, but he’s not like the other wielders who turned into azafuse, and both he and the spear are able to calm themselves, buoyed by the knowledge, and Tora’s confirmation, that Hakumen is not only terrified of his adversaries (for their ability to unite humans and youkai, among other things)—he’s also insanely jealous.

Hatred, pain, fear, and death are the only things Hakumen has ever known, and perhaps believes they’re the only things in the world. But seeing what Ushio and Tora have been able to accomplish; watching all the assembled friends and allies fight with everything they have for their sake; even watching the beast spear reassemble itself to fight again; it’s no surprise the increasingly puny bastard would be a bit envious.

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Ushio to Tora – 37

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This week we check in with a thoroughly defeated and battered Tora who is basically ready to throw in the towel; a Tora we’ve never really seen before. So who better to cheer him up and remind him of the work that must still be done than Mayuko, via her her “spiritual form”.

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I’ll be honest, I never thought all that much about Mayuko’s feelings for Tora, and when she comes out and confesses here, it’s not that surprising, but the tears she sheds when she realizes she can’t turn Tora back into a human no matter how much she loves him (or combs him) was pretty damn moving. I too want to see Human Tora and Mayuko double-dating it up post-Hakumen with Ushio and Asako!

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Mayuko takes some solace in the fact that Tora gets his fighting spirit back, and she also heals him, ending what had been a precipitous drop ever since he killed Nagare. His revival couldn’t have come at a better time: even with all the myriad barriers of various parties in play, Hakumen is not returning to the spot in the ocean where he was originally locked away without a fight, and those barriers are weakening.

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The earlier scene with Mayuko and Tora and dozens of other instances before are ample evidence Ushio to Tora isn’t able getting a little emotional, which sometimes can’t escape stiltedness or maudlin. I wanted to like the half-hearted insult-slinging reunion of Ushio and Tora more than I actually did.

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Cutaways to Kagari and Raishin helping out some human soldiers, or the HAMMR guys making a valiant last stand, felt like curtain calls of a kind for these characters as we wind down to the finale.

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Thanks to all their friends and allies, Ushio to Tora manage to back Hakumen back into his pen, where he’s none to happy to be, no sir! He promises to kill the ones erecting all the barriers through his minions, but something tells me he’s not going to find a whole lot more success.

He’s had his day in the sun; now it’s time to put him away for good so we can bask in the glow of a victory hard-earned by enduring all this hardship and emotional stress and strain.

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Ushio to Tora – 36

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The last three weeks have been rough and the ratings have suffered because everything’s so dark and brooding and hopeless and INTENSE GRRRRR, but glimmers of light at the end of the tunnel have been gathering.

Take Saya. She’s through sitting on the sidelines, and adds her own lights to the battle, in the form of summoned dead she brings back in order to help bind Hakumen. She’s totally badass, even though she’s all on her own.

Now that everyone else has their memories back, everyone is working towards the same end, which means Hakumen finally, thankfully has his ass righteously kicked by their combined efforts.

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Nothing like hearing all about your monster friend’s appallingly tragic past to forgive that friend for his recent transgressions. Tora doesn’t come out of his unconsciousness this week, but he does become the forge into which the millions of shards of the Beast Spear accumulate and bring forth a new spear, one far more powerful than the first.

As all his friends and allies prepare to launch fresh attacks on the Big Bad, Ushio takes a moment to thank Tora for everything he’s done, and even gives him some blood from his arm, though if I’m honest, that was a lot of blood; Ushio should probably be a little woozy at this point!

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No matter. Hakumen sets up the underbosses at the tips of his tails, and Ushio knocks ’em down. Combined with the HAMMR scientists’ TRUMP weapon, Ushio’s Mom and Mayuko, a ghostly Oyakume, Saya, and the Kouhamei sects on nearby islands, Ushio’s new spear packs a whollop, and Hakumen gets the beating he’s so sorely deserved all season.

Up against the wall and moving in another direction against his will, Hakumen calls for help…from uber-Tora Guren. But Guren is occupied with Hyou, who we find, of all things, in the yard of an alcoholic, Academy Award-winning starlet. HWAHHH?

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Yeah, it’s pretty random, and the actress is kinda a dick to her seven-year-old daughter, but when Hyou repeatedly saves them from Guren, at the cost of numerous parts of his body and quite a bit of blood, the woman undergoes a swift transformation. It’s almost too perfect that Hyou should make his last stand not dying alone for no reason, but to save a mother and daughter, after he couldn’t save his own so long ago.

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Letting the gluttonous gasbag Guren eat his eye and arm are certainly last-ditch tactics, but hey, they work, and Guren goes up with n immensely satisfying big blue BANG; Guren was almost as annoying as that whiny Hakumen, and I’m glad he’s gone, and essentially by his own dumbassery.

As for Hyou, well, he achieved the revenge he sought his whole life, and saved a couple of people in the process. One can be forgiven for getting a little glassy-eyed at his farewell, when he joins his family in the afterlife. It certainly seems to have an effect on the previously disaffected mother, who isn’t as quick to swat her little girl away when Hyou passes away.

The cherry on top?  Hakumen can whine and scream all he wants, Guren ain’t coming. You’re on your own, chump!

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