This episode’s cold open moved me to tears. Tooru’s grandfather has informed her that his house is sufficiently ready for them to move back in. Just like that, her new life with her unique new friends has been snatched away from her.
There’s a palpable atmosphere of gloom and emptiness to the scene in which she tells the others, before realizing she hasn’t started dinner. Then, while in the kitchen, her mom suddenly walks in the door, and she’s in her old kitchen, making dinner despite suffering a fever.
When she tells her mom she couldn’t just stay in bed while she’s working so hard, her mom simply hugs her, and says sometimes it’s okay to be discouraged or selfish, once in a while. It’s as if she almost did too good a job raising her daughter!
When the kettle whistles she’s brought back to the Souma house, and declares that no, she’s okay. It doesn’t matter if she can get discouraged, she won’t get discouraged. Gramps’ newly renovated house may well be fine; and definitely better than her tent!
But for someone who’s come so far in so short a time, it feels like moving backwards, and that she’s deferring her happiness in order to go with the flow. Trying to convince herself she and the Soumas can’t be family when they already are just that.
It’s heartbreaking and yes, tear-jerking. It remains so as she tells herself she was never the brightest bulb, hearkening back to grade school when she played in the “Fruits Basket” game that gives this series its name, and in which she was cruelly excluded by being declared an onigiri.
She declares it foolish to ever believe she could join the Fruits Basket group of Zodiac animals that is the Souma clan. But she’s wrong, you see. She’s foolish to think she was or is foolish. It’s when she’s welcomed “home”, where her grandfather can’t even get her fucking name right, when I thought to myself it can’t end this way.
I’m not alone, as a melancholy Yuki and Kyou recall all the good times they had with their dear friend Tooru, whom they allowed to depart without any resistance, and suddenly sport defiant looks on their faces. They’re on my side; they’re not gonna let it end this way.
Every second Tooru is in that hellish house with those trash people, it made my blood boil. Being asked to hurry up and unpack her meager two shopping bags of effects. Her mother’s older sister hiring a P.I. to investigate where Tooru was living to protect her son, who’s going to be a police officer and can’t have any bad apples in the family mucking that up. Calling her sister a bad seed and declaring “like mother, like daughter.” Tooru’s asshole of a cousin, leering at her while asking if the men she lived with did anything indecent.
Gramps may confuse Tooru with his daughter, but he’s still sharp enough to slap his would-be cop punk of a grandson for speaking to “Kyouko” that way, and condemning his family as a bunch of “unpleasant people”…which they most certainly are! Go Gramps! He concedes that he has to put up with them, but tells her that she doesn’t. Her late father said Kyouko deserved to live where she could “spread her wings,” so if there’s a place where she’s happier, she should go there.
Still, Tooru resists. She doesn’t deserve “more.” She has to be grateful with what she has. She’s “blessed”. She shouldn’t say “I want to go home,” and home not be her gramps’. She can’t say “I didn’t want to leave!” If she did, that would be selfish, and mean she’s too soft on herself? “Yes,” replies Yuki, suddenly in the living room, dazzling the stage.
Flashback to before his surprise appearance; he and Kyou are taking out their frustration on each other, as per ususal, with Shigure in the middle. Yuki notices the note with Tooru’s address on the table, and excuses himself to take a walk. Kyou has the same thought, but is just a step behind.
He catches up, and after walking around in circles, remember the exterior walls of the house aren’t finished. They knock on the door but no one answers, then watch the scene we just saw unfold and wait for the right time to swoop in. When that moment arrives, Yuki is there, followed closely by Kyou, who escorts her out while Yuki grabs her things and calls her cousin a lowlife.
Kyou tells her he’s been on edge since the moment she left, and now knows why: she didn’t want to leave. It’d piss him off to indulge someone’s daily selfishness, but in Tooru’s case, it’s okay once in a while, repeating the words her mother said to her. So she finally lets herself be selfish, and declares she wants to go home to where he and Yuki and Shigure are.
Yuki and Kyou take her hands and do just that. Finally, in the Fruits Basket game of her life, the onigiri has been chosen. Her new tribe may not be perfect, and their house always on the verge of being destroyed by familial strife, but she’s home, with her family, where she belongs. As the cameras pan up from the exterior of the house to the dusk sky, it’s never looked more beautiful.