Isekai Quartet – 10 – Hootin’ an’ Hollerin’

When Roswaal announces that their Field Trip will be immediately followed by a Field Day with the “other” class, everyone looks around like he’s crazy. What other class? Sure enough, Subaru peeks into the next classroom (the one that didn’t exist before that day) and spots a whole other class of characters from the four shows.

This includes not only Ainz’s Combat Maids (which Subaru says is “a bit much” even though he’s surrounded by Demon Maids) but a Sword Saint of Subaru and Emilia’s world, Reinhard van Astrea. Hey, if you have all four shows at your disposal, you might as well use everyone you can!

KonoSuba’s Chris is also there, and warns Kazuma and the others from her world that if you die in this weird school world, you won’t come back. Why she specifically has that information is not explained, but there’s no reason to doubt it.

Still, Subaru successfully tests his “Return by Death,” and sound effects I hadn’t heard in a long time suddenly brought everything he went through back. It also makes a “mabeast” like Hamusuke come running, even though she’s not sure why.

The class leaders decide that victory over Class A is absolutely imperative:  winning means the possibility of returning to their respective worlds. Everyone in the class rallies together to ensure that victory…except for Kazuma, who would prefer to stay in this world and is too lazy to bother going back to defeat the Demon King.

His stubborn apathy brings out the worst in Tanya, who whips him into shape by going aerial with Puck and putting him through a brutal boot camp. Excited by the crystal bombardment, Megumin decides to join in the fun with an Explosion. Meanwhile, I hope either Class A or another class has Felt, Clementine, Enri, or Kyouya; it would be nice to see those guys again.

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Fruits Basket – 05 – Rescuing the Princess

This episode’s cold open moved me to tears. Tooru’s grandfather has informed her that his house is sufficiently ready for them to move back in. Just like that, her new life with her unique new friends has been snatched away from her.

There’s a palpable atmosphere of gloom and emptiness to the scene in which she tells the others, before realizing she hasn’t started dinner. Then, while in the kitchen, her mom suddenly walks in the door, and she’s in her old kitchen, making dinner despite suffering a fever.

When she tells her mom she couldn’t just stay in bed while she’s working so hard, her mom simply hugs her, and says sometimes it’s okay to be discouraged or selfish, once in a while. It’s as if she almost did too good a job raising her daughter!

When the kettle whistles she’s brought back to the Souma house, and declares that no, she’s okay. It doesn’t matter if she can get discouraged, she won’t get discouraged. Gramps’ newly renovated house may well be fine; and definitely better than her tent!

But for someone who’s come so far in so short a time, it feels like moving backwards, and that she’s deferring her happiness in order to go with the flow. Trying to convince herself she and the Soumas can’t be family when they already are just that.

It’s heartbreaking and yes, tear-jerking. It remains so as she tells herself she was never the brightest bulb, hearkening back to grade school when she played in the “Fruits Basket” game that gives this series its name, and in which she was cruelly excluded by being declared an onigiri.

She declares it foolish to ever believe she could join the Fruits Basket group of Zodiac animals that is the Souma clan. But she’s wrong, you see. She’s foolish to think she was or is foolish. It’s when she’s welcomed “home”, where her grandfather can’t even get her fucking name right, when I thought to myself it can’t end this way.

I’m not alone, as a melancholy Yuki and Kyou recall all the good times they had with their dear friend Tooru, whom they allowed to depart without any resistance, and suddenly sport defiant looks on their faces. They’re on my side; they’re not gonna let it end this way.

Every second Tooru is in that hellish house with those trash people, it made my blood boil. Being asked to hurry up and unpack her meager two shopping bags of effects. Her mother’s older sister hiring a P.I. to investigate where Tooru was living to protect her son, who’s going to be a police officer and can’t have any bad apples in the family mucking that up. Calling her sister a bad seed and declaring “like mother, like daughter.” Tooru’s asshole of a cousin, leering at her while asking if the men she lived with did anything indecent.

Gramps may confuse Tooru with his daughter, but he’s still sharp enough to slap his would-be cop punk of a grandson for speaking to “Kyouko” that way, and condemning his family as a bunch of “unpleasant people”…which they most certainly are! Go Gramps! He concedes that he has to put up with them, but tells her that she doesn’t. Her late father said Kyouko deserved to live where she could “spread her wings,” so if there’s a place where she’s happier, she should go there.

Still, Tooru resists. She doesn’t deserve “more.” She has to be grateful with what she has. She’s “blessed”. She shouldn’t say “I want to go home,” and home not be her gramps’. She can’t say “I didn’t want to leave!” If she did, that would be selfish, and mean she’s too soft on herself? “Yes,” replies Yuki, suddenly in the living room, dazzling the stage.

Flashback to before his surprise appearance; he and Kyou are taking out their frustration on each other, as per ususal, with Shigure in the middle. Yuki notices the note with Tooru’s address on the table, and excuses himself to take a walk. Kyou has the same thought, but is just a step behind.

He catches up, and after walking around in circles, remember the exterior walls of the house aren’t finished. They knock on the door but no one answers, then watch the scene we just saw unfold and wait for the right time to swoop in. When that moment arrives, Yuki is there, followed closely by Kyou, who escorts her out while Yuki grabs her things and calls her cousin a lowlife.

Kyou tells her he’s been on edge since the moment she left, and now knows why: she didn’t want to leave. It’d piss him off to indulge someone’s daily selfishness, but in Tooru’s case, it’s okay once in a while, repeating the words her mother said to her. So she finally lets herself be selfish, and declares she wants to go home to where he and Yuki and Shigure are.

Yuki and Kyou take her hands and do just that. Finally, in the Fruits Basket game of her life, the onigiri has been chosen. Her new tribe may not be perfect, and their house always on the verge of being destroyed by familial strife, but she’s home, with her family, where she belongs. As the cameras pan up from the exterior of the house to the dusk sky, it’s never looked more beautiful.

Ushio to Tora – 38

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Despite the title “The End”, this week is not the end; just the beginning of it for Hakumen. The united counterattack is now in full swing, with supernatural and military forces working in concert to make Hakumen’s life increasingly difficult. Even better, the battle is being broadcast to Japan from a news chopper, lessening the fear of those who didn’t evacuate (like Asako and her fam).

I must say, after so much darkness and dread, I was glad to see the mood of the show brightening along with the skies around the battle. The irreverent chatter between Ushio and Tora flies as furiously as the cameos, which, to be honest, are a bit out of control; but are to be expected, as the end, titles aside, is very quickly approaching.

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Hakumen is a little slow on the uptake, and in assessing exactly why things are going so bad, determines that Ushio and Tora are the cause. If they can be smitten once and for all, Hakumen can crush everyone else’s spirits and get back to wreaking havoc. So Hakumen unleashes a Malboro-esque poison cloud, isolating and trapping the duo.

All everyone else can do, from Asako to Mayuko to Hinowa and the Moritsuna siblings, is keep fighing; keep doing their part; and trust Ushio and Tora will be okay.

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And they do do okay. Ushio’s armor is shattered and he comes close to his soul shattering as well, but he’s not like the other wielders who turned into azafuse, and both he and the spear are able to calm themselves, buoyed by the knowledge, and Tora’s confirmation, that Hakumen is not only terrified of his adversaries (for their ability to unite humans and youkai, among other things)—he’s also insanely jealous.

Hatred, pain, fear, and death are the only things Hakumen has ever known, and perhaps believes they’re the only things in the world. But seeing what Ushio and Tora have been able to accomplish; watching all the assembled friends and allies fight with everything they have for their sake; even watching the beast spear reassemble itself to fight again; it’s no surprise the increasingly puny bastard would be a bit envious.

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Ushio to Tora – 37

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This week we check in with a thoroughly defeated and battered Tora who is basically ready to throw in the towel; a Tora we’ve never really seen before. So who better to cheer him up and remind him of the work that must still be done than Mayuko, via her her “spiritual form”.

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I’ll be honest, I never thought all that much about Mayuko’s feelings for Tora, and when she comes out and confesses here, it’s not that surprising, but the tears she sheds when she realizes she can’t turn Tora back into a human no matter how much she loves him (or combs him) was pretty damn moving. I too want to see Human Tora and Mayuko double-dating it up post-Hakumen with Ushio and Asako!

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Mayuko takes some solace in the fact that Tora gets his fighting spirit back, and she also heals him, ending what had been a precipitous drop ever since he killed Nagare. His revival couldn’t have come at a better time: even with all the myriad barriers of various parties in play, Hakumen is not returning to the spot in the ocean where he was originally locked away without a fight, and those barriers are weakening.

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The earlier scene with Mayuko and Tora and dozens of other instances before are ample evidence Ushio to Tora isn’t able getting a little emotional, which sometimes can’t escape stiltedness or maudlin. I wanted to like the half-hearted insult-slinging reunion of Ushio and Tora more than I actually did.

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Cutaways to Kagari and Raishin helping out some human soldiers, or the HAMMR guys making a valiant last stand, felt like curtain calls of a kind for these characters as we wind down to the finale.

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Thanks to all their friends and allies, Ushio to Tora manage to back Hakumen back into his pen, where he’s none to happy to be, no sir! He promises to kill the ones erecting all the barriers through his minions, but something tells me he’s not going to find a whole lot more success.

He’s had his day in the sun; now it’s time to put him away for good so we can bask in the glow of a victory hard-earned by enduring all this hardship and emotional stress and strain.

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Ushio to Tora – 36

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The last three weeks have been rough and the ratings have suffered because everything’s so dark and brooding and hopeless and INTENSE GRRRRR, but glimmers of light at the end of the tunnel have been gathering.

Take Saya. She’s through sitting on the sidelines, and adds her own lights to the battle, in the form of summoned dead she brings back in order to help bind Hakumen. She’s totally badass, even though she’s all on her own.

Now that everyone else has their memories back, everyone is working towards the same end, which means Hakumen finally, thankfully has his ass righteously kicked by their combined efforts.

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Nothing like hearing all about your monster friend’s appallingly tragic past to forgive that friend for his recent transgressions. Tora doesn’t come out of his unconsciousness this week, but he does become the forge into which the millions of shards of the Beast Spear accumulate and bring forth a new spear, one far more powerful than the first.

As all his friends and allies prepare to launch fresh attacks on the Big Bad, Ushio takes a moment to thank Tora for everything he’s done, and even gives him some blood from his arm, though if I’m honest, that was a lot of blood; Ushio should probably be a little woozy at this point!

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No matter. Hakumen sets up the underbosses at the tips of his tails, and Ushio knocks ’em down. Combined with the HAMMR scientists’ TRUMP weapon, Ushio’s Mom and Mayuko, a ghostly Oyakume, Saya, and the Kouhamei sects on nearby islands, Ushio’s new spear packs a whollop, and Hakumen gets the beating he’s so sorely deserved all season.

Up against the wall and moving in another direction against his will, Hakumen calls for help…from uber-Tora Guren. But Guren is occupied with Hyou, who we find, of all things, in the yard of an alcoholic, Academy Award-winning starlet. HWAHHH?

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Yeah, it’s pretty random, and the actress is kinda a dick to her seven-year-old daughter, but when Hyou repeatedly saves them from Guren, at the cost of numerous parts of his body and quite a bit of blood, the woman undergoes a swift transformation. It’s almost too perfect that Hyou should make his last stand not dying alone for no reason, but to save a mother and daughter, after he couldn’t save his own so long ago.

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Letting the gluttonous gasbag Guren eat his eye and arm are certainly last-ditch tactics, but hey, they work, and Guren goes up with n immensely satisfying big blue BANG; Guren was almost as annoying as that whiny Hakumen, and I’m glad he’s gone, and essentially by his own dumbassery.

As for Hyou, well, he achieved the revenge he sought his whole life, and saved a couple of people in the process. One can be forgiven for getting a little glassy-eyed at his farewell, when he joins his family in the afterlife. It certainly seems to have an effect on the previously disaffected mother, who isn’t as quick to swat her little girl away when Hyou passes away.

The cherry on top?  Hakumen can whine and scream all he wants, Guren ain’t coming. You’re on your own, chump!

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Working!!! 3 – 07

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A lot of the interpersonal conflicts that arise in Working!! come down to people interpreting each others actions, words, or lack of words incorrectly; making the wrong assumptions. So it’s no surprise that the core conflict of Yamada Aoi—that she’s run away from home—comes down to such misinterpretations. After all, she’s one of the strangest communicators out there, having a running third-person commentary of her life as she lives it.

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Aoi is also bright and friendly and warm and cute—when she’s not being impetuous, cocky, or a huge hassle to others. Her mom is not any of those things. She comes off to many like a robot, and Kirio and Aoi were even furnished with “mom manuals” in order to interpret her subtle facial expressions, since she speaks so little. Aoi is in conflict with her mom because she never RTFM.

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As such, Aoi interpreted her mother foisting huge books on her to mean she was coldly forcing her to cram, even though her mother inside was simply worried about Aoi’s future. And Kirio eating her special natto (which he didn’t think was so great) is the last straw (or natto strand). Aoi tries to form a new family in Wagnaria, then Takanashi’s house, but her proper place is with her family; it’s just a matter of being convinced.

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The issue is brought to the forefront, and resolved, by two side characters. Aoi’s mom happens to be Takanashi’s eldest sister’s masochistic ex-husband, and Otoo’s often-lost wife Haruna convinces Aoi to go back home based on the principle of “ships passing in the night”, or family members and friends who may have wildly different ways of looking at and interacting with the world can still bump into each other on occasion, which is something to be celebrated.

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Aoi thus learns the conciliatory, re-connecting value of a hug from her mother (who tracked her down, ninja-style), and returns home, even though she still considers Souma a better big brother than Kirio. But while this means Aoi will no longer be living either at the restaurant or Takanashi’s, I’m sure she’ll still be “working” there on occasion; as long as it doesn’t interfere with her studies.

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Shokugeki no Souma – 15

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Food Wars is back from its week off with a new OD, and new ED, and a new arc. I daresay I missed it, even with all the interesting new Summer shows starting up. The cold open shows Souma’s dad arriving in Tokyo (passing under Hokusai’s Gaifu Kaisei, which also happens to hang above my TV) only to show up in the least likely of places later on: in a photo from the past Erina cherishes so much, she lets the buses leave without her so she can retrieve it from her hotel room.

As luck would have it, she ends up on a long car ride home alone with Souma of all people. As she shoots down his attempts at conversation, she makes it a point to voice her consternation with his past point about learning through failure, as he did with his omelettes. Erina believes that to be an excuse by a weak loser; failure is not an option, no more than it was for “Him” (i.e. Souma’s dad, presumably). You bring perfection to the table every time, or nothing at all.

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It’s a nice moment to see everyone return home to cozy ol’ Polar Star Dormitory, especially when they’re treated to a nice Welcome Home meal. The shock comes from the chef preparing it: Souma’s dad. But the only one who knew he was Souma’s dad was Souma; everyone else knows him as the former second (only to Doujima) seat of Totsuki’s Elite Ten, Saiba Jouichirou. Upon receiving this news, Souma, who never had an inkling of any of this, actually gets frazzled. It’s a rare sight.

Souma’s dad proceeds to wow his dormmates with exotic dishes that express his worldliness and wealth of experiences cooking abroad as a kind of nomadic culinary mercenary. The girls are all but enslaved by the flavors, and when they see what a manly bearing his dad has, they turn to Souma, his son, with optimistically beaming faces. ‘This is what Souma will become’.

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That night Souma helps his dad clean up and they shoot the breeze, the father and son having been apart for so long, there’s likely much to say. Yet no matter what was said, Souma’s perspective on his father changed completely on this otherwise nondescript night. He now knows he’s walking in a shadow at Totsuki, even if the rest of Totsuki doesn’t know of their relation. Jouichirou even makes it clear he didn’t technically graduate from Totsuki, because “things happened.” ‘Things’, I imagine, that included Souma.

All this time, Souma was walking in his father’s footsteps without knowing it, and without anyone else knowing it, except Jouichirou himself. And possibly Doujima. That brings me to Erina: does she know? (Don’t answer that.) Is the reason she’s so hostile to Souma because Jouichirou, whom she idolized, had to withdraw from the “front line” to raise his kid? Is that the failure she speaks of? Or is she as in the dark as practically everyone else, and will be as shocked as all of the Polars when she learns of her long-standing connection to Souma?

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Whatever the case, I like the new dimension given to both Erina and Souma, as we witnessed her flash a nostalgic smile and him suddenly out-of-sorts and unsure of how to take all the new information he’s had dumped on him. Souma’s reason for enrolling at Totsuki was to get his dad to acknowledge him, but now that he knows what a huge big shot his dad is, that feat must feel even more challenging than when he just thought he was going to make his pop proud.

Now it turns out he must face off against his toughest opponent yet—and Jouichirou doesn’t give him any time to relax.

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