Kageki Shoujo!! – 08 – The Bus Stop by the Sea

Back at school after summer break, Hoshino Kaoru is sporting a new super-short hairstyle, in keeping with her goal to become an otoko-yaku, but soon  scolds Sarasa and Ai for allowing themselves to get a tan. Flashback to a formative summer in Kaoru’s life: the summer before her third year of high school, her last chance to get into Kouka…and when she fell in love for the first time.

Kaoru walking on sunny days with an umbrella was derided by some, not only was it odd behavior, but also presumptuous to those who knew her pedigree. While using a bus stop to the hospital to visit her gran (recovering from surgery), she encounters Tsuji Rikuto, the younger brother of a famous rising star of baseball.

Since his gran is so into the Kouka Revue and he overheard from mean girls of Kaoru’s relation, Rikuto works up the courage to ask her about the troupe, but is interrupted by another girl in love with his brother to give him her love letter. He refuses, and shortly thereafter, Kaoru tells him her name.

At first, Rikuto thinks she’s another girl trying to get closer to his bro through him, but she quickly clears that up by telling him about the expectations being the daughter of a Kouka actress and granddaughter of a top star, and he gets it; they’re like kindred spirits.

Of the two, Kaoru is the one more keen to fight against those who would define them by their more accomplished relations, and it’s her texts to him encouraging him to be himself and not worry about being compared that causes an uptick in Rikuto’s baseball play.

Their bus stop encounters and bus rides soon become something both look forward to, such that Kaoru starts visiting her gran more so she can also see Rikuto. She confides in him how she’d never be somebody to say “I’m getting in” knowing how hard it really is (Sarasa doesn’t have that problem). Kaoru is all about the hard work, right down to covering up in the sun to avoid getting tanned.

When she shows off the skirt she’s wearing, eager to wear as many as she can before she gets into wearing men’s clothes when she’s an otoko-yaku, Rikuto is sure that even if she had a mustache she’d be pretty. It’s the first time a boy ever called her pretty, and she wasn’t prepared for how happy it made her.

Rikuto eventually asks Kaoru out to the fireworks festival marking the end of summer; unaware that it would also mark the end of their brief, cozy romance. Before meeting him there, his grandmother assures her she doesn’t have to keep trying to become a Kouka actress if she doesn’t want to.

Kaoru isn’t about to tell her still-recovering gran that she’s full of shit, but she’s still down in the dumps when she meets Rikuto. For a time, him complimenting her yukata catching her when she’s pushed by some kids, and holding her hand is enough to soothe her troubled heart.

But then she asks why Rikuto seems so down, and he tells her that he’s questioning what the point of forcing himself to follow in his brother’s footsteps and fulfill everyone’s expectations of him…then he says he’s sure Kaoru thinks the same way all the time.

Kaoru…does not. Like her gran, and practically everyone else in her life, Rikuto doesn’t understand her after all; that this is precisely the path she chose to walk and she’s never questioned why she was walking it. She’s not trying to get into Kouka for anyone other than herself.

As she runs away from Rikuto in tears, she calls herself stupid for feeling jealous of the “typical high school girl’s life”, including having a boy worry about her and cheer her up. She runs along the beach singing a song, her voice wavering from her flowing tears, but eventually her voice clears as heartbreak turns into iron determination.

She swears to herself she’s going to make it. The normal life isn’t for her. She’s bound for the world of dreams and glamour.

While she intends to make a clean break by blocking Rikuto on her phone, his team actually makes it to the Koshien prelim final, and he just so happens to hit a game-winning pinch-hit home run as Kaoru is walking past a TV in the window broadcasting his game.

Despite knowing nothing about baseball (except what he taught her), and how things turned out at the fireworks festival, Kaoru is still happy Rikuto got to play, and win. Seeing him succeed on TV showed her that he didn’t give up on his path after questioning the point of it all, and after he incorrectly assumed her motives for walking hers.

She still never went back to that seaside bus stop, but it reappears again at Kouka of all places, when Sarasa sees it going viral on social media. Some mystery person left a note on the wall of the stop saying he didn’t give up and thanking another mystery person. Being a hopeless romantic, this kind of thing is right up Sarasa’s alley.

As the newly-shorn Kaoru examines the picture, she smiles knowingly and blushes ever so slightly. Of the thousands sharing that picture, only she and Rikuto know who it’s for and what it means, just like only they know what they want to do in life and are going to go after it with everything they can.

Hoshino Kaoru closes this incredibly moving portrait of her character the way one would close an epic romantic movie: by saying that when she gets to walk out on that Silver Bridge, she’ll save Rikuto “a primo seat in the SS section”…and maybe even say she was in love with him one bright, beautiful summer.

The perfect parting shot of the two having fun at the bus stop by the sea, at the height of that summer and the height of their love, was a thing of exquisite bittersweet beauty—as was the closing theme as sung by Kaoru ‘s seiyu Taichi You. And just like that, I’m in love with yet another character in this show, along with Sarasa, Ai, and Ayako.

GODDAMN TEARJERKER™ CERTIFIED

ReLIFE – 13 (Fin)

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Something’s definitely up with Hishiro as the final episode opens. You’d have to be Oga not to see it. All the LIME texts flying around about feelings and confessions, taking closeness for granted and fearing long separations.

Hishiro wonders, very logically, why one would put oneself through the “pointless” hassle of falling in love or confessing that love to someone you know you’ll be separated from.

Well, as the saying goes, better to have loved and lost, etc. And then there’s always a chance one’s assumption of being separated…turns out to be wrong, even if she doesn’t know that yet.

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Hishiro arrives to her first festival late and flustered; bold and resplendent in her deep red yukata (a color she asked Kaizaki if he liked in the preview for this ep). Due to the crush of people and unfortunate positioning, it’s Yoake, not Kaizaki, who is by her side when she needs an arm for support, whil An clings annoyingly to Kaizaki.

Sure, knowing what we know in this moment, An’s the better bet, as she won’t lose her memory of him when his year is up. But things are about to get more complicated in that arena.

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But first things first: Kariu intends to tell Oga how she feels about him, and Oga intends to tell Kariu how he feels about her. Their friends do a masterful job quickly ditching them, putting them both on the spot, having no idea of the each others’ intentions.

Oga takes the initiative, simply blurting out “Hey Kariu. I, uh…love you,” surprising both me and Kariu. Way to go, sport! The words hit Kariu like a ton of bricks, and as her mind races about all the ideas she had to confess to him, she gets shoved by a passerby.

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Oga grabs her hand and draws her near, and that’s when Kariu confesses she’s loved him for years now, bowling him over with equal elation. He adds that he’s probably loved her for a similar period of time, but needed Kaizaki to help him spell it out. They then hold hands and watch the fireworks together, on cloud nine…just eight minutes in, and we get a big win, making me wonder what else is in store for us in the finale.

Tama notices Kaizaki and Hishiro aren’t around, but Yoake and An shrug it off, having set Kaizaki up to be along with Hishiro. She asks him pointedly about Yoake, but not as someone interested in Yoake. Rather, she voices her admiration for Kaizaki’s ability to so quickly amass good friends, inspiring her to try harder.

Kaizaki counters that she’s surrounded by friends too, and she’s “tried plenty hard”, but she still gives most of the credit to him, adding she’s really glad she met him…which really confuses Kaizaki!

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He goes over in his head what she meant, but settles as he’s settled all along; happy she feels that way, and grateful for his ReLIFE, brief as it is. Hishiro then points out how lovely the fireworks are, and Kaizaki adds that they’re a little sad too, since they’re so fleeting and then fade in the darkness.

As the fireworks flash and bang about, a flurry of thoughts and memories fly by, going in backwards chronological order. It’s a concentrated retrospective of everything Hishiro’s been through these past thirteen episodes, ending with her telling Kaizaki he’s in her seat…and then a cut to black.

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Yoake introduces himself to an older Hishiro Chizuru. That’s right, she was Subject #001, the one Yoake failed. Not that big of a surprise, I know—all the clues have been there all along—but still good to see it confirmed here and now, during those fireworks.

Hishiro’s whole problem all this time has been the same as Kaizaki’s: she’s afraid of having too much fun or being too happy or falling too much in love, lest it hurt that much more when they part ways. “You’re like the fireworks,” she says to Kaizaki, while the fireworks are too loud for him to hear. She doesn’t repeat herself.

The two return to the others, and after celebration of Kariu and Oga confessing to one another, find themselves alone together again. It’s here when Hishiro states that her position from the beginning of the episode has softened in light of Kariu and Oga coming together. Now she knows worrying about the future at the cost of happiness in the present is a waste.

There’s no dual confession here, no matter how close either Hishiro or Kaizaki come, they always stay on that precipice, because they both believe the other will definitely forget them. But since they’re both ReLIFE subjects, I doubt that will happen. It’s just a tremendous shame they don’t know that right here and now, you know? They’re both content with less than they should have, all due to a gross misconception.

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This is a tough pill to swallow (heehee), particularly becaue unlike Kariu and Oga, it’s a plot device, and not merely emotional obstacles, keeping these two apart. But I understand. Practically speaking, the manga isn’t over, and this show covered most of what’s already been published.

Basically, ReLIFE gave us something we wanted—Oga and Kariu together—but left everything else up in the air, as if to say “Don’t get greedy!” I wasn’t a fan of Kazaki saying again and again that he’d be forgotten when this show has proven optimistic enough for me to think there’s a realistic hope of him and Hishiro becoming an item.

I hope they do, in a future second season down the road, which I would watch the shit out of, no matter how much they dragged it out (after all, it took three seasons of Working!!! for the main couple to finally confess, and I watched every episode).

Until then, this was a very nicely done high school dramedy, and I especially appreciated being able to watch it at my own pace, instead of still being stuck on episode two!

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ReLIFE – 12

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It’s the end of the term and time for Summer Break – or in Kaizaki’s case, more lessons and make-up exams. There’s talk of the future. Oga mentions taking a look at universities other than the one Aoba High is affiliated with. Kariu gets restless.

Spring is classically when a young man’s fancy turns to love, but in Oga’s case, it’s Summer, and not without a considerable push from his de facto best mate Kaizaki, who has denied and is apparently content to continue to deny himself romance, since none of his high school friends will remember him at the end of the year.

At an impromptu adult celebration (i.e., with beer), Yoake and An mock his academic troubles, but also want the skinny on the Oga + Kariu impasse. Yoake also lauds his ReLIFE time as a “one year, limited edition of youth” he’s not taking full advantage of.

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Kaizaki simply groans at that, but the next day when he has Oga alone, he really presses him on who he likes. When he says “everyone”, he forces him to narrow it down based on certain criteria. Once those criteria enter Oga’s head, he visualizes who else but Kariu.

One hot Summer evening while Kaizaki and Oga are walking home proves to be the clincher as far as Oga realizing how he feels about Kariu. He spots her talking to a man in a suit who seems to be trying to get her into his car. Then she gets woozy and the man has to catch her.

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This is very confusing and not at all okay for Oga, who springs out to get to the bottom of it. Turns out, the man is Kaizaki’s kohai from last week (small world!) who saw that Kariu had heat stroke and didn’t want to leave her alone.

Oga offers to take her home, and because of Kariu’s state of mind, she lets her sincere, grateful side show, which Oga remarks at flippantly and gets punched for. “We’re always like this,” Oga says with a laugh. “It’s fun!”

He has no idea how much Kariu’s heart skipped upon hearing that, but on their silent walk home and late into the night, all Oga can think about is wanting to hold her hand.

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Officially in love with Kariu, like he always was without knowing it, Oga reports the revelation to Kaizaki, who is appropriately obnoxious, but also privately proud of both Oga and himself for giving him that little nudge (though Kaizaki’s kohai deserves a smidgen of credit too).

Yoake, An, and Hishiro join in the discussion of what the next steps should be, and when Oga mentions how much experience with girls Kaizaki’s had, Hishiro flashes her first forced smile in a while, clearly miffed by the implication (just as she was miffed her pleasant walk to school with Kaizaki was interrupted by An).

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Oga rises above all the chatter and bickering and makes the decision to invite Kariu to the Summer Fireworks Festival, in a text that bowls her over and has her wondering if he sent it in error (though he invites her by name, so that’s impossible).

She reaches out to the other girls, who also got invites, and realizes Oga invited everyone. She laments getting worked up for nothing, but agrees to go anyway. Inviting everyone is “just like Oga”, after all.

By the way, I really loved the energetic song that was played before, during, and after the credits: “Summer Festival” by Whiteberry, a super catchy, boisterous ode to life and youth featuring vocals that are just the right amount of off-key. Interestingly, it was released as a single in 2000, when Kaizaki (28 in 2016) was only 12. I figure it’s a song from his MD collection…

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