The aquatope on white sand – 12 – Everything becomes the ocean

It’s the last day of Gama Gama, and admission is free. The place is packed with people, which has Kukuru asking why they didn’t come earlier. But even so, she understands that Gama Gama has gotten too old to properly care for its sea life. The logic doesn’t make the last day any less melancholy, but there’s a hint of hope, as Kukuru is offered a job at Tingaara when she’s done school.

Once the last visitors head home and the doors close for the last time, the staff plus Karin and Udon-chan have a little party celebrating 48 glorious years. When everyone learns Kukuru has a job at Tingaara if she wants it, and that Umi-yan and Kuuya are also taking jobs there, a tipsy Karin urges Kukuru to go for it. But Kukuru just isn’t sure, and that’s understandable: the offer came on the day she believes her dream to have ended.

Gramps makes a very awesome and tearjerking speech, and then Kukuru and Fuuka spend some time on the moonlit beach. After the emotional roller coaster of the typhoon, they’ve fully made up. In fact, Kukuru believes it’s now her turn to support Fuuka’s dream, by urging her to take the lead actress job in Tokyo. Fuuka books a flight there for tomorrow.

The next day, Gama Gama is “hollowed out”, as all of the sea creatures are placed in portable tanks bound for either Tingaara or other aquariums that requested them. Kukuru is shook by just how lonely it is with the lights on and the tanks empty…until she goes into the room where all the visitors left notes on the wall.

It’s a room full of warm gratitude, and Kukuru can’t help but smile and feel grateful for everyone who came to Gama Gama and were changed forever. Then, while walking past one of the empty tanks, Kukuru experiences another illusion, once again involving someone who looks like her sister, who gives her a loving pat on the head as if to say “you’ll be alright.”

Back home, during Kukuru and Fuuka’s last meal together for some time, Kukuru mentions the illusion she experienced, believing she’d met her “doppelganger”. This is when Gran finally decides to tell Kukuru something they were going to tell her when she grew up.

As she’s already been an aquarium director for a summer and then lost that aquarium, Gran decides she’s grown up enough. Kukuru had a twin sister…but only Kukuru was born.

I understand Gran not wanting to keep Kukuru in the dark any longer, but the timing couldn’t be worse when it comes to Kukuru and Fuuka having to say goodbye so soon. At the airport, Kukuru tries to put on a brave face, as she feels she owes it to Fuuka, who supported her dream for so long.

Airport goodbyes always get me, and Aquatope really nails it, from the awkwardly formal handshake to watching from Kukuru’s POV until Fuuka disappears into the terminal.

But that is not goodbye, because before she boards her plane, Fuuka thinks about how she only cried when she was alone after her dream ended. She thinks about how Kukuru must be crying alone right then, and decides she can’t board the plane; not now. She runs dramatically through the airport, calls Kukuru and asks where she is, and meets her out on a patio where she is, indeed crying alone.

The bottom line is, making sure Kukuru didn’t have to cry alone was far more important to Fuuka than a movie role in Tokyo. She had to be in the position where she had to choose to learn that the job wasn’t really a new dream. You could say she’s torpedoing her career simply because Kukuru’s gran got talkative about things past at the worst possible time.

Still, Fuuka simply couldn’t let the person who helped her find strength and happiness after losing everything cry by herself. After sharing some big ol’ sobby hugs like two close friends should (seriously, WTF was with that handshake earlier guys!) Kukuru decides she’ll work at Tingaara after all.

The aquarium and its fragile micro-ecosystems taught Kukuru over the years that life can be difficult, and being alive isn’t a given. It was basically a coin toss that Kukuru got to live and her sister didn’t, so she now feels doubly motivated to make those who love her proud; that includes Fuuka.

Fuuka ends up on a plane back home to Iwate as planned, but as she settles into the cozy night flight she reads the poem Gramps read during his farewell speech, about how everything eventually becomes the ocean, which is probably why whenever someone peers into “the ocean within”, they find peace. Kukuru joins in, and they finish the poem in one voice, telling each other see you tomorrow.

It’s a bold and gorgeous way to end the first half of Aquatope, and I couldn’t be more excited to see what new innovative ways the show will cause me to bawl my eyes out when the second half comes around.

The aquatope on white sand – 08 – Attack of the xanthid crab

Thanks to tireless work on the phones from Karin, Gama Gama finally gets to go on the road. Specifically, they’re bringing a little bit of the aquarium to Nanjo General Clinic’s pediatric ward. The ward’s kabourophobic director, Dr. Kinjou, has only one non-negotiable condition: no crabs.

So as chance should have it, one of the Gama Gama’s Xanthid crabs stows away in one of the traveling aquarium’s tank, and is discovered by Fuuka, who is left alone to set things up the common room when Kukuru, Karin, and Umi-yam are busy with other matters. Predictably, one of Fuuka’s fingers gets snapped and the crab is free to roam the hospital.

Meanwhile, Kukuru presents Dr. Kinjou with some stuffed sea life for the kids and goes off on a tangent about eels, and the doctor ends up making a comment about how nice it is they’re keeping busy before Gama Gama closes.

Karin later tells Kukuru that due to her job with the Tourism Association, she hears things, like that the new aquarium being built at the civic center will sap Gama Gama of what little tourist traffic it enjoys, spelling its doom. Kukuru doesn’t want to hear it, a skulks away to the roof.

She’s eventually joined by Umi-yan, who primarily came to the clinic to visit his young friend Airi, who was a regular visitor to Gama Gama before her hospitalization. Airi gives Umi-yan and sea life the cold shoulder.

She’s drawn back into the world beneath the waves when the xanthid crab climbs Dr. Kinjou and threatens to snap at her neck! Airi, the only one close enough to help the paralyzed-with-fear Kinjou, reaches out and carefully grabs the crab, marveling at how it’s alive.

Newly charmed by the sea, Airi joins the other kids in the common room, and the crab is safely stowed in a bucket for the return trip. Airi finally gets to interact with the theraputic doctorfish Umi-yan promised, and a huge smile returns to her face. Like the other kids, the aquarium is a welcome distraction from their health issues.

Dr. Kinjou initially seems ready to lodge formal complaints left and right, but lets the crab incident slide out of appreciation for the sparkly eyes and smiles the traveling aquarium gave the kids.

On the elevator ride down to the exit, Karin confesses that it was once her dream to be an aquarium attendant like Kukuru, but had to choose more stable employment due to her family situation.

When she watches Kukuru rush headlong towards her dream, Karin can’t help but feel a little envious. This makes me wonder if there’s a potential future where Karin makes her dream come true at a revitalized Gama Gama. But with news of a shiny new rival aquarium and a new face who has come to train at Gama Gama for that aquarium, Kukuru faces a very uphill climb.

It’s here where I must admit I found this to be the weakest episode of Aquatope yet, even though I still enjoyed it. Some of its strongest moments felt like variations on very similar, stronger moments from past episodes. It wavered between a Karin-centric episode, keeping the pressure on Kukuru, and Umi-yan being the nicest big guy in the world.

Most importantly, it had precious little Kukuru-Fuuka interaction. Whether you see their relationship as sisterly or romantic, it’s the beating heart of this show, and without it the episode felt underweight and hollow—like a crab you caught that’s too small to eat.

The aquatope on white sand – 07 – Going halfsies

In the first week of August Gama Gama Aquarium is on pace for a goal of 2,000 visitors thanks to the touch pools and shaved ice. But that first week took everything the staff had, plus Udon-chan working for free (and the shaved ice stall still lost money). Kukuru’s gramps orders the youngins to take a day off and spend some time neither working nor thinking about work.

This would, at first glance, seem like the perfect time to show everyone off in their swimsuits, but Aquatope is regionally accurate in the locals of Okinawa not being all that big on swimsuits. Indeed, only Fuuka wears one —the same one in which she had a photo shoot in Tokyo. This makes her very self-conscious, but Kukuru tells her not to worry about it. After all, she does look ridiculously cute.

The ladies meet up with Kai and Kuuya, who have set up a barbecue by the beach, though a little too close to the aquarium than they’d like, considering the goal is to forget about work. We meet Kai’s little sister Maho, who is super polite and formal and takes an instant liking to Fuuka, while hating Kukuru’s (fish) guts.

While I enjoyed Maho’s precocious rivalry with Kukuru, her voice sounded a little bit too much like the other, older women. This was definitely a case where an Ogura Yui or Kuno Misaki would have been a better choice. In any case, only children Kukuru and Udon-chan lament having not had siblings to liven things up.

Ultimately, the pull of Gama Gama proves too strong for Kukuru, who decides to peek in and see how things are going in her absence. She finds Yuuya had the same idea, and overhears him talking with her Gramps about what happens after Gama; namely the very capable and knowledgeable Yuuya taking a job at another aquarium.

The article in the paper is one thing, but hearing her own grandfather talk about the end of Gama Gama like it’s a foregone conclusion when she’s doing everything she possibly can to stave off closure, is understandably (fish) gutting.

In the episode’s finest scene, Kukuru is off on her own on the breakwater when Fuuka finds her. Kukuru breaks down in Fuuka’s lap, saying she’s not sure if she’s “going to be okay.” But without a moment’s hesitation, Fuuka embraces Kukuru and assures her that no matter what happens, she’ll be there with her.

Just when Kukuru was lamenting not having a sibling (and it being heavily implied in flashbacks that she could have had one), Fuuka plays the role of reliable big sister to a T. It’s really great to see how Fuuka has grown since moving to Okinawa, to the point she can be an emotional rock to Kukuru in her more vulnerable moments.

After some nonsense involving Maho’s would-be grade-school boyfriend Rui and Kuuya having a race on the beach, the little kids go home, the older kids break out the booze, and the kids in between wish they could have a beer or lemon highball or three to close out a day of leisure.

We also learn a lot more about Kuuya’s past as a popular and athletic high schooler (and Karin’s classmate) who was sabotaged by the queen bee after he rejected her and was taken in by Kukuru’s gramps. His story is somewhat inelegantly exposited in one go, but it’s still good to learn more about him, why he distrusts women, and how he’s a much looser, more laid back guy when he’s drunk…which tends to be the case with most people.

Speaking of loose and laid back, this is definitely the kind of episode a show can indulge in when it has two cours to work with instead of just one. Even so, this episode wasn’t completely devoid of the burdens Kukuru bears as she must go against virtually everyone’s expectations that Gama Gama is doomed. In fact, this episode hinted that it may just be doomed, and Kukuru is tilting at underwater windmills. But even if that’s so, it’ll be okay…because she’s not alone.

Rating: 4/5 Stars

The aquatope on white sand – 06 – Sweet memories

When Kukuru finds an article in the morning paper about Gama Gama closing after 48 years of operation, it’s got to be disheartening. It’s one thing to manage the day-to-day operations of an aquarium, but to also be responsible for bringing it back from the brink? There are times it feels like Kukuru is putting way too much on her slim shoulders.

Still, one thing she doesn’t have to worry about is losing her new sister-from-another-mother Fuuka thanks to her resolving things with her mom last week, so we can move on to what I imagine will be the main thrust of the remaining half of the first cour: Saving Gama Gama.

When contemplating promotions that will increase traffic and buzz, Kukuru and Fuuka settle on cool sweets to fight the heat. They enlist Teruya Tsukimi AKA Udon-chan, who admits that her culinary upbringing by her mom Meisa (who hates sweet stuff despite being so sweet herself) is lacking in the sweets department…but Tsukimi also likes a challenge!

It’s also clear that Tsukimi feels a little stifled in a family diner that she doesn’t run, so while Kukuru and Fuuka feel like they’re asking to much with little in return, Tsukimi is eager for an outlet for her culinary creativity. She starts research immediately by taking Kukuru and Fuuka out to one of the best local ice cream spots.

It’s here where, when Kukuru picks plain but reliable vanilla and Fuuka is a little more adventurous with chocolate pineapple, Tsukimi has a triple-scoop cone piled high with all kinds of strange flavors that somehow mesh well. It’s those “infinite possibilities” with cooking that really get her juices flowing. The ice cream stop is also an opportunity for the three girls to just be three high school girls, joking around, laughing, and enjoying the beautiful summer day.

When Fuuka spots a sign pointing people to the ice cream joint’s insta page, she suggests Kukuru take a look at heightening Gama Gama’s social media presence. It’s at this point we see how old-fashioned Kukuru is when it comes to this kind of stuff; the aquarium might well have been saved years ago had it jumped on the SM bandwagon earlier.

Gama Gama is a treasure trove of content that millions of users are eager to consume and share. And not just the sea creatures, but the human creatures who keep the place running. While the episode interestingly avoids the possible side effects of Fuuka ending up on the aquarium’s Instagram, the fact is Kai and Kuuya aren’t unattractive, and when you’re in as deep trouble as Gama Gama, you use what you’ve got!

When Tsukimi, Kukuru and Fuuka reach out to Karin for an ice cream stall to borrow, she bursts their bubble by stating the difficulty and cost of obtaining the permits to serve food outside, particularly dairy. In an anime continuum full of school festival food stalls, I loved the realism Aquatope infuses into this situation.

Even without dairy, Tsukimi is determined to figure something out. She proposes shaved ice instead of ice cream, the permits for which are much easier to score. As she sits in the corner table of the diner doing research and figuring out flavors, her mom tells her she’s looking a little too serious, and her output as a result is not up to Tsukimi’s usually high standard.

That’s when Tsukimi decides to close the shop for the night, break out the colored pencils and markers, and start having fun. Only through fun can creativity happen, after all. When Kukuru and Fuuka arrive wondering why the diner isn’t open, she sits them down and enlists their help: they’ve got cups to draw on!

The next day, while Tsukimi is setting up out front with help from Kai and Kuuya and Fuuka is once again attending the touch pools, Kukuru is doing her rounds and encounters an old man with whom she’s very familiar. He visits Gama Gama once a year, every year without fail. She approaches him and thanks him for his patronage, and he brings up the newspaper article about the aquarium closing.

This man’s is a sad story about how he lost his older brother (in the war). He vowed to honor that brother by starting a business and becoming successful, but he failed. That’s when he came to the aquarium when it was new, where—and he has trouble explaining it, because it’s so hard to explain—he met his brother again. However it happened, it got him back on his feet, and he succeeded in building a new business.

It’s at that point I expected the old man to whip out his checkbook and ask Kukuru “So how much do you need to keep Gama Gama afloat?”…but of course this isn’t a show about easy or painless answers. Indeed, I was already on the verge of tears when I heard the man’s tale. What a fool I was to think that would be the most goddamn tearjerking moment of the episode.

Kukuru gazes into the tanks, and suddenly the schools of fish part to reveal her departed mother and father. At the same time, the old man sees his older brother, who used to carry him on his back, turning back and smiling before heading to the sea that would likely claim his life. Kukuru tearfully embraces her parents, and then spots a third person, who I’m guessing is her departed sister.

After Kukuru steadfastly invites the old man to “come back next year”, as there’s no way she’ll let Gama Gama close, I paused the episode briefly to blow my nose and dry my eyes enough to continue watching. Seeing that old man see his brother as she saw her lost family, reminded her that she’s not the only one for whom this place is precious, special, and irreplaceable.

From there, things get more lighthearted and fun, as Tsukimi’s shaved ice stand is up and running, and it’s revealed what she and the others were up to last night. Rather than just sell the same old familiar flavors, Tsukimi makes use of her own creativity and the unique aquarium setting to create little shaved ice masterpieces that resemble creatures at Gama Gama.

The little kids are wowed. Their parents are wowed. Older kids request a frogfish flavor and Tsukimi happily obliges. The entire enterprise catches momentum on Instagram. Tsukimi’s diligence, preparation, and artistry not only provided a much needed promotional shot in the arm for Gama Gama, but reminded her that she wants to fulfill her own dream to open her own eatery where she can do crazy fun stuff like this all she likes.

When she and the others celebrate at the diner, her mom surprises her by ordering the mango pork belly her daughter invented. And even if it’s still far too sweet for her taste, and she’s convinced Tsukimi won’t be able to run her own place, she still eats it. I’ve no doubt that beneath the criticism she’s truly proud of her daughter, and looking forward to watching her achieve her own precious dream. What a beautiful, fun, tearjerking, colorful, sweet episode. This show is too damn good.

GODDAMN TEARJERKER™ CERTIFIED

The aquatope on white sand – 05 – We only have august

Fuuka’s mom arrives, but she’s not a bitch, nor a force of nature. If anything, she’s apologetic towards Kukuru’s gramps for making him board a stranger for so long, and ashamed by how long she didn’t know where her child was. Despite her stern look that served as last week’s cliffhanger, she is someone whose position you can totally understand and respect. there’s no “bad guy” here.

That being said, Fuuka’s mom’s initial position is quite clear-cut: Fuuka is to come home to Iwate with her at once. Fuuka isn’t ready, so Kukuru and Kai aid her escape. Her mom could turn the corner at any moment, so they have to act fast—so fast, there’s no time for a proper goodbye between two friends who have only just begun to know each other.

Fuuka replicates the long, hot, sweaty walk she made upon first arriving there, making her wonder if she’s ended up right where she started. The major difference is, a friendly stranger in Karin saved her the first time; this time, she seeks refuge at Udon-chan’s family diner. Udon serves her up a quick and tasty lunch, along with this excellent nugget. When you’re busy, you don’t have time to think about things that don’t matter

Also, Udon’s mom is the fortune teller who told Fuuka she’d make a fated encounter. But that can be said not just of Kukuru, but the Gama Gama Aquarium, as well as the first creature she connected with: the shy little coral blinny. Udon’s mom offers to drive Fuuka to a free room in Haha, but when she remembers the blinny wasn’t looking so swell last time she saw it, she suddenly asks Udon’s mom to turn around and head back.

Unfortunately, Fuuka is too late, and Kukuru admits that when you’re dealing with living things every day, eventually you’re going to have to deal with death. As soon as she first remembered the little guy while in the car, I was just as emotionally invested in the poor doomed blinny as Fuuka was, resulting in this episode’s Goddamn Tearjerker status.

Fuuka’s mom happens to come into the back room just as her daughter is cleaning out the blinny’s tank, looking both pained and diligent. Kukuru steps up to the plate to tell Fuuka’s mom how much Fuuka means to her and the aquarium, but Fuuka stops her, and tells her mother directly that she wants to stay. Having been charmed by this place and its warm and generous people and seeing that Fuuka is serious, her mom agrees…but only until the school year starts in September.

Fuuka’s mom spends the night, lamenting at dinner to Kukuru’s grandparents how between Fuuka going off to be an idol and now, she’s barely been able to be a mother. Udon’s mom says letting a child go when they’re old enough is part of a parent’s job, while Kukuru’s grandparents assure her that everything will work out…even as the shrine of their daughter, Kukuru’s mother, sits in the corner.

Fuuka and her mom end up having a nice mother-daughter moment later that night as they sleep in adjacent futons, with her mom admitting she looked pretty good in those red boots. So the immediate threat of Fuuka and Kukuru being separated has passed, but they only have one month to achieve Kukuru’s dream (not to mention be together). I wonder if the remaining nineteen episodes will cover only that August, or the months of separation that follow.

GODDAMN TEARJERKER™ CERTIFIED

The aquatope on white sand – 04 – The girl with the red boots

Aquatope continues to meld stories of personal pain and growth, hints of romance, and slice of life in a unique setting with aplomb. This week we meet another employee of the aquarium, the gentle giant Umi-yan. He’s the first to realize that Fuuka is the Fuuka formerly of Yona Pro, and soon spreads the word to Udon-chan and Karin.

After work when Kukuru stops by Udon’s, she and Karin tell Kukuru while Fuuka sits in awkward silence with Kai, who just happens to flip to a channel on TV showing Yona Pro at an event. Just seeing the girl she let usurp her causes a visceral reaction in Fuuka, and Kai, also in on the big secret, quickly changes the channel.

The next morning, three old ladies are drawn into the aquarium before opening time to bask in Fuuka’s youthful beauty. The next day is a big one; the “Touch Pool” where kids get to touch sea creatures rather than just look at them.

Kukuru decides to give Fuuka more responsibility by being an attendant to the pools. While gathering creatures for the pool, Kai asks Kukuru whether Fuuka, who entered their lives so suddenly, will leave it just as suddenly some day.

Fuuka takes to her new job like a fish to water, taking voracious notes and adding her own cute little touches to make it a more colorful and fun experience. She even upgrades to bright red boots, surprising the rest of the staff. But considering they all knew she was an idol, should they be surprised?

When the day comes, things go swimmingly…at first. The kids love Fuuka and she crammed enough knowledge of the creatures to back her charm up with helpful knowledge. But then some older kids spot her, recognize her as the fallen idol, and prepare to snap pictures. Karin steps into their shot just in time, asking that they please not take non-consensual photos of the staff.

Umi-yan takes over the pool while a visibly shaken Fuuka, who tried so hard to buck up, is taken to the back by Kukuru to calm down. Kukuru apologizes profusely for getting so caught up in making the touch pool a success that she didn’t consider how Fuuka would feel.

But Fuuka doesn’t want her to apologize. She chose to be an attendant, and was happy when Kukuru put her to work and praised her. It’s here when Fuuka realizes that she wants to do a good job because she wanted to get to know Kukuru better and get closer to her.

Kukuru, in turn, realizes she wanted to give Fuuka more work so she’d fall in love with Gama Gama even more, so she could become closer to her. Pracicing what they preach to the kids about how touching a sea creature is worth a hundred words about it, Fuuka takes Kukuru’s hand and places it on her face, and Kukuru does the same with Fuuka’s hand.

Like Karin and Udon, I was absolutely slain by this scene, as it was surpassingly adorable and heartwarming in equal measure. It’s also to date the most overt expression of the show’s shoujo-ai overtones. Kai seems to have a thing for Kukuru but they’re old old friends; it’s different. Fuuka, on the other hand, inspires passion in Kukuru, and the feeling is mutual. They make each other better while helping each other heal from their wounds.

Fuuka returns to the touch pools with heightened confidence and poise, looking the older kids head-on and welcoming them to ask her anything…provided it’s about sea creatures. They look suitably chastened…how would they like it if someone took pictures of them when they were working?

After a long, exhausting, but ultimately successful and immensely fun day, Kukuru and Fuuka ride home, and before hitting the hay exhibit a far closer and more comfortable rapport, with lots of smiles and laughs. No doubt due to the exertions of the day, they end up oversleeping, but don’t sweat it. In fact, Kukuru decides to start the day by pouncing on Fuuka.

Naturally, someone had to piss in this blissful bowl of Cheerios, but thankfully the dread I felt as they approached the aquarium that those loan sharks had committed some kind of vandalism was mistaken. Instead, Fuuka’s stern-looking mom has arrived in Okinawa…and she doesn’t look happy.

Considering we’ve got twenty more episodes to work with, would the series dare separate Fuuka and Kukuru just when they’ve gotten so close? I dearly hope not! Instead it’s my wish that, as they pray to Kijimunaa each morning, as long as they keep doing what’s right, everything will work out.


The aquatope on white sand – 03 – First penguin

“Time not important. Only life important.”—Mondoshawan Caretaker, The Fifth Element

Before waking up for another busy day juggling school and thre directorship, Kukuru dreams of when her parents took her to the Gama Gama and she got to name her first penguin, Choko. He’s still with the aquarium fifteen years later, and was the first one in line when Fuuka’s doomed feeding session. Fortunately, she’s a lot better at feeding Choko here.

Besides being a surpassingly good boy, Choko, like the aquarium, is one of the ways Kukuru connects to her folks, who passed away not long after the aquarium visit in her dream. Fuuka learns this from Kukuru’s childhood friend Kai, who genuinely respects how hard Kukuru is working and wants to help in any way he can. Like Choko, Kai is also a good boy.

When Kukuru notices sores on Choko’s legs, she uses her authority as summer director to summon the vet Takeshita (Hanazawa Kana), who is on maternity leave and very pregnant, but also happy to stop by and examine the penguins.

But then, while at the aquarium, her water breaks. Kukuru initially panics, but when Kuuya addresses her by her position as acting director she slaps her cheeks, gets a grip, and makes Takeshita comfortable until a car (Karin’s) can arrive to take her to the maternity home.

While Kukuru and Fuuka are tending to her, Takeshita has a dream, not that dissimilar from the one Fuuka had that led her to want to get a job there. After Kukuru repeats what Takeshita once told her—that Gama Gama is a place where all life is protected, both aquatic and human—the aquarium seems to envelop the vet in its tranquil, watery bosom.

She sees the deity Kujimunaa playing with the image of her about-to-be-born son, who then swims down to hug her and tell her she’s about to meet him. It’s just such a moving, beautiful, and heart-swelling scene; one that demonstrates the true power behind what Kukuru is desperately trying to protect.

In this regard, Kukuru is like Choko: the “First Penguin” to dive into uncertain waters and have a positive effect on those around them. Those who either love the aquarium, or Kukuru, or both can’t help but want to give their all in trying to help Kukuru rescue Gama Gama.

And when Kuuya points out that the penguin keychain that catches Fuuka’s eye in the gift shop was made by Kukuru, she buys one for herself. After the two visit Takeshita and her healthy baby boy, Kukuru notices Fuuka has one of her keychains, it cheers her up after the bittersweet visit when the presence of a new mother in Takeshita reminded Kukuru that hers is gone.

Kukuru’s visit to Takeshita was also instructive, as she learned more about the “maternity handbooks” she found. They’re given to expectant mothers, meaning the ones Kukuru found were her mother’s. One bore her name, but the other was blank. I’m still not sure where this thread is going, as Kukuru confirms she’s never been pregnant, but the theme of maternity is certainly a rare and intriguing one for a slice of life anime.

The aquatope on white sand – 02 – Idol into water

Kukuru accepts Fuuka’s sudden offer to work, but since shes only the summer director of the aquarium, she gives Fuuka a ride to her house on her scooter (not a Super Cub, mind you!) to ask her gramps, who is director the rest of the year.

Kukuru’s gramps not only agrees to take Fuuka on at the aquarium, but will let her stay at their super cozy and comfy house. Kukuru isnt surprised by either, or by her gran accepting Fuuka’s offer to help her make Okinawan doughnuts. These are just really kind, laid back people.

The next morning starts out a little rough when Kukuru notices Fuuka’s painted nails for the first time, and perhaps too harshly demands that she remove it for the sake of the plants and animals there. Then our fish-out-of-water idol ends up in the water when she’s assigned the task of feeding some hungry penguins and makes a total cock-up of it.

While initially played for laughs (the little kids watching were certainly entertained), in the back room Kukuru chews Fuuka out for not considering the safety of the people and animals at all times. She tells Fuuka in no uncertain terms that if any creature is harmed as a result of Fuuka’s lack of care, she’ll never forgive her.

Karin, the tour guide who brought Fuuka to the aquarium in the first place, asks that she cut her friend Kukuru a little slack. The previous night, we saw Kukuru presenting a list of new equipment to Karin and their mutual friend Tsukimi (or “Udon-chan” since her fam runs a noodle diner and tsukimiudon is a thing) totalling over three million yen.

The bottom line is that Kukuru’s gramps intends to shut the long-struggling aquarium down to complete his retirement. But Kukuru is determined to stake her entire summer on breathing life into the flat-lining business. She knows that if such a special place were to close down, it would probably never come back.

When two unsavory loan sharks (heh heh) roll in and try to swindle Kukuru into debt she cant repay (or worse) and carelessly knock over the cute wooden sign welcoming guests with letters made from shells, Fuuka, having heard Kukuru’s struggle, finally shows some fire, chewing out the sharks and spraying them with the hose. As her employer, Kukuru is appalled; but as a person, seeing Fuuka go to the plate cheered her up big-time.

Karin arranges a impromptu welcoming party for Fuuka that night, with Udon-chan serving both alcoholic and non-alcoholic drinks and the two boys in the show, Kuuya and Kai, also making an appearance. While Kuuya isn’t so good around girls, Kai seems to have a think for Kukuru, and the feeling isn’t necessarily not mutual. When he hears Kukuru could use another strong back, he’s not about to hide in the corner.

These scenes of people just kicking back and relaxing after a stressful day and welcoming their new gorgeous, mysterious friend, are just so lovely to behold. They emanate comfort warmth in smooth waves, like the gentle breakers on the beach. Ditto when Kukuru and Fuuka walk home in the serene darkness. You can really feel the quietude of the sleepy countryside they inhabit.

After hearing from Karin about Kukuru’s predicament with the aquarium, a fire was lit under Fuuka, resulting in her going off on those goofy loan sharks. Hearing Kukuru’s story also inspires her to open up to Kukuru about how she ended up there, living and working with her. If Kukuru’s dream is to protect her “home”—the aquarium—then Fuuka’s dream was to become a successful and beloved idol, making people happy with her singing…like Diva!

But then, quite suddenly, without warning, and without any fanfare or rancor…her dream simply ended. She heard a younger member wanted to be center for her ailing gran’s sake. She was a true idol, honorable and kind, but it was career suicide, and she was eventually cashiered out of the industry altogether.

But even if her dream ended, she still has what it takes to help support someone else’s dream; in this case Kukuru’s. At first she would have been fine ending up anywhere but back home where she’d have to face something worse than the scorn of her family and friends for her failure—but their love and understanding. Fuuka may be ready for that some day, but for now she’s fine being in a new place with new people.

And she definitely considers Kukuru a kindred spirit. The two even sigh at the same time, and the episode ends with them staring longingly into their big shimmering eyes. While their friendship has been steadily building up since the low of the penguin incident and the high of the shark-soaking, it is well and truly made official on that beach.

Fuuka is committed to helping Kukuru keep her dream alive, and her arrival has put a fresh, optimistic wind in Kukuru’s sails. I’m sure there will be more bumps (icebergs) down the road (sea?)—after all, this is a twenty-four episode series—but I’m looking forward to it more than anything else this summer.

The aquatope on white sand – 01 (first impressions) – A strange place still near home.

First of all, kudos to Aquatope for starting out so cleanly and crisply, with a series of shots of Misakino Kukuru’s quiet Okinawa hometown that were so summery and relaxing that they gave me goosebumps. It was literally a slice of life in this place, and this episode’s full of ’em. It seems inconceivable Kukuru would be unhappy in what looks to an outsider like paradise, but maybe paradise doesn’t feel like paradise to its embedded residents.

I’m sure at some point Miyazawa Fuuka felt she was in paradise as a member of a popular idol group in Tokyo. But then suddenly it became a dreary slog, leaving her with nothing but shit-talking co-workers and an empty apartment. Her final interaction is with one of her former groupmate, who for all we know puts on just another performance, lamenting Fuuka’s departure.

Weary of an big embarrassing welcome home party in her own sleepy rural hometown, Fuuka hops on a plane to Okinawa on a lark. The tropical heat hits her like a ton of bricks, and she’s quickly scooped up by a fortune teller who turns out to be pretty nice, following as she does the local saying “meet once, and we’re siblings.” She tells Fuuka to follow Sagittarius.

Fuuka ends up nodding off on the beach, and wakes up the next morning surrounded by neat circles of washed-up coral bits. Was this the work of the cheeky looking deity to whom Kukuru offers fish heads every morning? Speaking of, Kukuru is a total fishophile, far more interested than the creatures of the sea than humans on land or their math.

When a tour guide happens to spot Fuuka suffering the onset of heatstroke, she stops her car, offers her water, and gives her some brochures. One of them promotes the Gama Gama aquarium, to which the guide, Kudaka Karin, gives her a lift. It’s here where’s I’ll admit I’m a sucker for aquariums too.

I was lucky enough to grow up in a city with one of the best in the world, and though I don’t visit nearly as much as I should considering I’m still not far, it always felt like you were crossing a threshold into an entirely new world: a world of endless, captivating blue, where the air was water and full of creatures “flying” in it.

It’s at this aquarium, which is understaffed and suffering cratering attendance and yet still absolutely magical, where Fuuka has what you might call a spiritual experience. After spotting her undersea counterpart—a little guy who hides in the corner but works the hardest, like she did in her idol group—and Fuuka starts to cry pent-up tears.

Those tears and the accompanying despair are soon washed away when the tanks start to expand out towards her. She tries to run, but is soon surrounded by water, yet is able to breathe. She becomes one with all of the fish, turtles, and even a particularly badass whale shark. Then she snaps out of it, and suddenly there is Miyazawa Fuuka.

Our two protagonists have finally encountered one another. Their stories have intersected, thanks to the otherworldly allure of the aquarium. Kukurui has a knowing look on her face; she knows that Fuuka saw “it”, as in experienced what it means to be temporarily tricked by that local deity, Kijimunaa. Apparently Kukuru has experienced something similar.

Such strange phenomena are nothing new to the aquarium or its ancient environs. It’s called “Gama Gama” due to the coral formations that make up part of the building’s architecture; thought to be the gateway between the world and underworld. And yet, as Kukuru remarks, as strange and enchanting as it all is, it’s still close to her home. It still feels like “your grandma’s living room.”

Kukuru needs staff. Fuuka needs a fresh start in a new job. These two are perfect for one another. Perhaps it was Kijimunaa’s will, fueld as it was by offertory fish heads, to point the wayward former idol to the struggling aquarium director. I foresee great things from this auspicious meeting.

As focused as the episode is on its two leads, it’s also ever contemplative of the state of Japan’s cutthroat idol culture (where a well-meaning girl who did everything right still lost) or the worsening crisis of an aging population. And while daydreaming in class, Kukuru recalls a memory of having  a “parenting journal”.

Whether kids her age are encouraged early to have babies or she actually got pregnant and either lost it or gave it away, there was such trauma and pathos coursing through Kukuru and Fuuka’s lives. Whatever wounds they both possess, perhaps they can start healing them together at the aquarium—the gateway between worlds.

The Day I Became a God – 12 (Fin) – The Easy Way Out

Up to this point, The Day I Became a God had told a compelling and reasonably plausible sci-fi tale about a child who was given a new lease on life (i.e. “became a god”) thanks to bleeding-edge technology, only to have that tech stripped away when the ramifications of its wider use were considered too constructive.

That decision was made by the highest world powers who had to that point played no role in the narrative, and play no role afterwards. Thanks to Suzuki Hiroto’s hacking, Youta is able to find the Hina who is no longer a god and even gain entry to her care facility.

Youta put the consequences of his fraud out of his mind because he held out hope one more miracle would occur: Hina would not only remember him and their happy summer together with his friends and family, but make the decision to return home with him.

Rather than accept the new normal and move forward, Youta insisted on getting everything back to the way it was—on moving backward. And while I certainly sympathized with, and may even have acted as he did in his position, in the end he was wrong, and misguided. Just being in that facility under false pretenses marked him as a criminal.

Throughout the sanitarium part of the series, Shiba had been painted as Youta’s adversary; his rival for the deciding of Hina’s future. It was even implied Shiba had a personal stake in remaining in the here-and-now Hina’s care, which is considerable and not to be undertaken lightly. This week she confronts him about his fraud, but rather than expel him immediately from the facility and turn him over to the police, she gives him One More Day.

The show had me until then, then lost me as soon as that decision was made. I understand this is a fictional show that makes choices out of dramatic license, but for someone who claims to be so committed to Hina’s health and safety, Shiba’s “small kindness” to Youta is as baffling as it is reckless.

Sure, we may know Youta means no harm, but have neither the training or experience to know the extent of how much he may harm her nonetheless. Shiba does, and rather than immediately remove a potential agent of further harm, she lets him not only linger, but take Hina away.

Youta is depicted as being at his lowest point as he’s roughly escorted out of the facility to a waiting car. That should be it, but Shiba takes Hina out into the freezing cold to allow for an extended goodbye, during which it dawns on Youta why Hina kept discarding the card with the drawing of him. The real him was already there, unlike the others, so his card wasn’t needed.

With the real Youta now about to be “missing” Hina verbally protests, repeating how she “loves Yoha[sic]”, jumping out of Shiba’s arms, steadying herself, then walking barefoot into his waiting arms. Finally, Youta has evidence that her memories aren’t gone. She remembers him and his family and friends.

The Hina he knew is still “in there”, merely in a more frail body with a smaller vocabulary, and we can deduce that she wants him to remain in her life.

And hey, that’s great! It really is! But Hina remembering Youta, and even declaring she loves him, doesn’t mean he can immediately take her back home like nothing happened! Shiba was preparing to take Hina to a better facility overseas, implying that the current facility—clearly no slouch itself—wasn’t quite up to spec in terms of being the best place for Hina’s continued care and development.

Youta’s house may be a loving home, but I have to question whether Youta and his parents truly have Hina’s best interests at heart. None of them have caregiver training for special needs children. Worse, Youta returns home immediately, and it’s clear his house hasn’t been modified for Hina’s needs.

If there were plans for Shiba to take Hina abroad, why would she simply give up guardianship and custody to someone she knew was a high school student pretending to be a pediatric researcher? At the very least, Shiba would move into Youta’s house to help with Hina. I’m sorry, but none of these events make any logical sense if you push past the emotional manipulation and think about any of it for one second.

Instead, things carry on as if Hina had simply been kidnapped and returned safe and sound. Youta figures out that the things she did as “Odin”—playing basketball, eating ramen, making a film, etc.—were things the pre-chip Hina wanted to do but couldn’t due to her Logos Syndrome. But then why did pre-chip Hina want to revitalize a restaurant…or get Youta laid by a mahjongg otaku??

Youta decides that Hina always was a god, and even remains one, and credits her with helping him decide his path in life: he’ll go to college to become the foremost researcher on her condition. Wonderful sentiments, but the fact of the matter is he is woefully ill-equipped to help her now.

While he’s plugging away at the books (pre-med is no joke), Hina will need 24-hour care. Assuming he’ll leave that to his parents, will they get the training they need? Again, the fact Shiba simply vanishes without a trace is maddening.

Sora finally finishes her movie, which turns out to be a reflection of Youta and Hina’s arc: a guy rescuing a girl the world needed sacrifice in order to save it. The film sidesteps what effect the actual end of the world would have on their happiness; I guess they’d just enjoy their lives together until the oxygen ran out, because that’s better than being apart and the world going on?

The film is followed by the making-of segments, during which Hina sits down and gets real about her time on the earth with Youta & company. She likens the memories she’s made with them to be a chest full of dazzling jewels she’ll treasure for all of her days—even if “the world should end.”

You’d be forgiven for tearing up during this scene, as with other touching scenes designed to invoke tears. Youta and the others were tearing up. Heck, I teared up too! But once the tears dried, I was simply frustrated to the point of indignation.

This was a show that had all the resources to deliver a realistic ending, in which the acceptance of the loss and change in Youta’s life would spur his own growth and change, bolstering the change God-Hina had already caused. The previous two episodes paved the way for that kind of ending. It would have been difficult, and sad, but it would have felt genuine.

Instead, the show took the easy way out and gave Youta everything he wanted in a painfully artificial happy ending that shredded all previous nuance or appeals to realism. There are no apparent consequences for the fraud he committed, nor for removing Hina from a highly-controlled care facility and dropping her into the chaos of his family and friends.

Youta claims to now know the path he wants to walk, but reached that epiphany only after being unjustly rewarded for his missteps and ignorance. He learned that if he was stubborn and passionate enough, all obstacles would fold and he’d get his way…and they did. Finally, the less said about any romantic undertones to his bond with Hina, the better. I wish this ending didn’t leave such a bitter taste in my mouth, but here we are.

The Day I Became a God – 11 – Goddess in the Machine

Narukami backs off and observes Shiba interacting with Hina. Her daily routine is full of reluctant meals, a minimal physical exertion, and basic learning time. Through it all, Shiba is gentle and patient in all of her interactions, knowing when to stimulate and encourage and knowing the precursors and remedies to Hina’s tantrums.

Youta feels like a big, unruly wrench in Shiba’s delicate clockwork of care. He’s not a pediatrician or behavioral researcher, and it shows; he’s way out of his depth when it comes to the proper way to treat this Hina. He’s also under the mistaken impression that if he simply provides the right stimuli or flips the right behavioral switches, the Hina he knew will suddenly re-appear.

Shiba, who has no choice but to accept his perfectly forged credentials, nevertheless harbors a healthy weariness of Youta’s erratic, ad hoc methods. She knows the jist of what happened to Hina—an “innovative machine” was removed from her brain. She makes the devastating (but very plausible) suggestion that the “Hina he knew” was nothing but that machine processing stimuli and producing the proper responses.

This means he never knew “the Real Hina”—the girl lying in that room now. Rather than worrying about the simulacrum with which he interacted once, she believes everyone who cares about Hina should focus on the memories and progress she makes going forward.

Youta already fears he has no idea what he’s doing, but Shiba’s words send him into a fresh spiral of doubt and despair. Fortunately, he gets some well-timed calls and texts from Kyouko, Ashura, Sora, and the others, not only expressing their love for him and Hina, but their unwavering certitude that the Hina with whom they shared their summer was the real one.

With a fresh infusion of confidence and hope, Youta thinks of ways to stimulate Hina beyond what Shiba is doing, and comes up with the games she loved so much; specifically video games. Shiba is dubious of exposing Hina to the “addictive” games, but grudgingly allows Youta to proceed.

As Youta was hoping, playing the video game does perk Hina up, but he makes another mistake you’d expect of someone simply not trained to care for kids with special needs: he gets all pedantic about how the game is played. It’s also not at all a basic game, which means when Hina’s inputs cause an unpleasant outcome, she gets frustrated and upset.

Shiba comes to the rescue once again, and we delve into her past to see why she is so passionate about not just the practical minutiae of taking care of Hina, but making sure she’s happy. Shiba’s own child died in its infancy due to a similar developmental condition.

She fell into a pit of despair, but was saved by the kids she met at the kind of pediatric facility where she now works. Watching them perservere and grow and knowing how she could affect positive change in their lives, her heart gradually re-filled.

While Shiba is initially presented as an obstacle to Youta’s progress with Hina, in reality Youta wouldn’t have gotten anywhere at all with Hina if he hadn’t simply sat back at a respectful distance, watched, and learned from Shiba’s gentle example.

Youta realizes he’s been trying to make Hina do things, while Shiba stays close and waits for Hina to do them on her own. It’s why when Youta draws little picture cards of their circle of friends and she tosses the one of him away not once but twice, he lets her action stand.

He also realizes if he wants Hina to be happy playing the video game, he has to level up her character so he’ll be able to deal with whatever situation Hina gets him into. This is a long process, and Youta pulls an all-nighter upping the character form Level 4 to 47, but it pays off, and Hina is not only re-engaged, but actually smiling in his presence for the first time!

It’s a huge breakthrough, now that Youta understands the limits of what he can do. But just when he seems close to getting Hina out of her shell, Shiba does some digging and determines that Youta is an impostor filing false reports. She communicates this discovery to him via curt chat messages.

Hina may be making progress with Youta, but the fact Youta came to the facility with an assumed identity and in reality had no right to ever be there in the first place, should prove to be a fatal betrayal of Shiba’s and the facility’s trust. Good intentions or not, what Youta did was bad.

I don’t see how this doesn’t result in another swift separation of Youta and Hina, only this time without the benefit of a goodbye, as Hina’s not quite there yet. Frankly, I don’t see how he avoids criminal charges—and then there’s the matter of how much longer Hina has to live. In short, he’s going to need another miracle or two. The question is, does he have any miracles left?

The Day I Became a God – 10 – The Disappearance of Satou Hina

Hina is gone from Youta’s life, as well as those of Kyouko, Ashura, Sora, and the rest of the gang. After a period of restless but fruitless searching, life has returned to normal—or at least to what it was before Hina appeared—though Kyouko seems to hang out with the boys a lot more often.

Before they know it, their group of three friends swells to four with the addition of transfer student Suzuki Hiroto. Hiroto randomly approaches Youta one day, hacks his number onto his phone, and just like that, they’re hanging out on the regular.

He even has Youta and Ashura to teach him basketball, though he already seems pretty good at it. When the others suggest going out for burgers, Hiroto suggests ramen, so they go to Jinguuji’s. He suggests all four of them play a game, and so they play mahjongg.

Youta still tends to the “Lost Hina” posters around town, even if it seems futile, because each day he hangs out with his friends, there nevertheless feels a sense of emptiness, that Hina should be among them. When Hiroto asks if he can watch Sora’s movie, Youta vetoes, because it’s “not finished. Fall turns to Winter, and then entrance exams in the new year.

It’s clear by now to us that Hiroto is very consciously getting Youta & Co. to go through all of the same experiences they went through with Hina…but Youta’s melancholy is such that he doesn’t pick up on it until Hiroto loses his temper, gives up, and threatens to leave.

That’s when it dawns on Hiroto what he’s doing, and Hiroto reiterates that he’s a genius who do “just about anything”—and that includes letting Youta access to Hina. It’s just that his boss insisted that he not directly tell Youta why he showed up in his life; Youta had to figure it out for himself.

Now that he has, Hiroto offers him the opportunity to see Hina. He warns him that she won’t be the Hina he remembers, but Youta doesn’t hesitate for a moment. Just like that, Hiroto’s drive gives them a ride to the Yamada Sanitarium, where Hina is currently a patient.

Hiroto wielded his hacking magic to ensure Youta had full access, but only for a maximum of two weeks. He strides right in and is met by a matter-of-fact visiting researcher, who takes him to Hina’s room. We discover what’s become of her…and it’s predictably gutting.

Bedridden, lean, wan, and very out of it, it would appear her Logos Syndrome has picked up where it left off before her grandfather cured her with the quantum computer in her brain. When that computer was cruelly removed from her brain, they had to shave her hair, which has only recently grown back.

The researcher also warns Youta not to yell or be provocative, as Hina is acutely fearful of men, hence the all-female staff of the facility. She can’t discern between Youta’s anger for those who did this to her and anger directed at her specifically, and she freaks out. Their visit has to be cut short.

Youta sits outside in the cold, and snow starts to collect on his head. He is lost. The emptiness remains, and it expands and festers from the sheer heartbreaking injustice of it all. Hina didn’t do anything to deserve such treatment. Youta can scarcely believe this is real life. Not having a remote idea what to do, his confidence is flickering away like a dying flame in frigid winds.

Where does he go from here? My suggestion? Maybe slowly, gently try again with Hina…only KNOCK IT OFF WITH THE YELLING!

Rating: 4/5 Stars

The Day I Became a God – 09 – Higher Powers

Finally, Suzuki’s story fully merges with Hina and Youta’s, resulting in tragedy for all three—just as we’d suspected! Suzuki runs an analysis of Hina and Youta’s interactions and discovers that Dr. Korogi’s research has somehow enabled Hina to live healthy life despite her Logos Syndrome.

Under her influence the painfully ordinary Narukami Youta has achieved extraordinary things. This is all theoretically fascinating to Suzuki, but when his Handler reports his findings to the CEO, Hina’s Doomsday Clock’s hands accelerate towards midnight.

Before we’re invited to sow what we’ve reaped by fully emotionally investing in Hina and Youta’s relationship, we get a little context into where Suzuki Hiroto is coming from. A hacking prodigy from a young age, his parents exploited his talents for their own monetary gain. When he refused to continue on moral grounds, they beat him.

He now finds himself a virtual ward of a corporation and its CEO, likely as the result of a settlement that kept him out of prison—a glorified whitehat. He’s dreadfully frustrated to still find himself figuratively and literally under the heel of cynical humans who lack his intellect and imagination.

But while he may be smarter than virtually everyone, he’s not able to see how they’re exploiting his abilities and innate curiosity to basically dig Hina’s grave for them. He starts with a deep dive into the digital ether, visualized perhaps too on-the-nose-ly as a deep blue sea complete with dolphins, whales, and a very conspicuous red goldfish.

More than sticking it to the adults he hates so much and who have done nothing other than step on him, Suzuki above all wishes to have capital-W Worth, and at this stage in his existence he believes his hacking talent to be the sum total of that worth. So he can’t help but reach out and grab that which probably shouldn’t be touched, and as such, he seemingly achieves a digital connection with Hina.

That is, he’s able to access the quantum computer chip placed in Hina’s brain by Professor Korogi in order to cure her Logos Syndrome. Practically moments after his findings are presented to the CEO, they are run up the flagpole to Higher Powers, i.e. the government leaders of the world. Such people are concerned with far bigger pictures and longer games than the happiness of one boy, one girl, and one small circle of friends in Japan.

In fact, they believe that the continued existence of the quantum computer out in the world presents an unacceptable risk to global peace. They have decided—and have the power to enforce—the notion that the computer must be retrieved and hidden away until such a time that mankind is ready for it.

Once Hina is made aware of the order to apprehend her and take her computer, she apologizes to Youta, who thinks she’s trying to apologize for the sudden rainstorm she predicted before the drops fell. She isn’t; she’s apologizing for wrongfully assuming that because she in her omniscience could not see beyond thirty days, that it would be the end of the world…not simply the end of hers.

At no point does it occur to Hina that she could or should resist this fate; she is oddly detached and almost clinical in her confusion when Youta grabs her and runs out of the park pavilion as the film crew buys them time. Finally Youta stops and explains: He had fun this Summer with Hina, and doesn’t want to lose her. He wants to spend the rest of his life with her, because he loves her—something Hina never thought she’d hear from anyone other than her gramps.

He wants that to be enough of a reason for protecting her, but while Hina tearfully confesses she’s come to love him too, she still doesn’t believe there’s any sense in fighting that which her own omniscience has already decided cannot be fought. The pertinent governments of the world are unanimous: Her world is to end without delay.

The question is, will it really end? Suzuki managed to warn Hina, but only gave her enough time to say her rather rushed goodbyes. Could he somehow escape his handlers’ clutches and aid Youta & Co. in some way? Or will this outcome stand, Hina is doomed, and what comes next is Youta & Co. processing the grief and moving on with her memory in their hearts driving them to be better people?

Personally, I hope there’s still some way to save Hina despite the ridiculous odds stacked against the good guys. But I have to admit…It is not looking good!