With 45 days until their deadline, the Eizouken creatives are working furiously while Sayaka conducts business in the same space, giving her the idea for partitions in the future. Things get even more lively when their studio hosts a raid by the Security Club.
The StuCo arrives and expels the president of the Transcription Club for “arranging deals using school funds without permission.” Eizouken is not affected, but the Secretary warns Sayaka not to let something like this happen to her. Sayaka responds with a bill for the property damage. Touche!
While working on the weekend—as they must for all weekends—the trio finally notices their adviser is supervising them at all times, even without overtime. As their adviser, he advises them not to work so long and have some fun from time to time, for “the best work comes from a sense of play.”
This permission to goof off is his highly inconvenient for Sayaka, who is just barely keeping Midori and Tsubame on schedule, but the three go on a fun trip anyway. An underground tunnel leads to a sheer cliff, and the promise of a tire swing leads them to an abandoned, flooded “Solar City” that gives Midori all kinds of ideas about underwater civilizations.
One day, Midori and Tsubame arrive to find a sign posted on the studio entrance strongly warning against acquisition of outside-of-school funds. Sayaka is home sick(!) so Midori and Tsubame catch a train to visit her. We learn how Sayaka and Midori met: they were the only two loners in middle school P.E.
Having endured partnering up with a stranger, Midori follows Sayaka around and even makes money collecting special leaves for a restaurant that serves grilled fish on them (a very Kanamori Sayaka hustle), and even rides a train for the first time. Sayaka’s thoughts about how people temporarily allying for mutual benefit doesn’t automatically denote friendship.
It’s probably why Midori to this day considers both Sayaka and Tsubame “comrades”, not “friends” (or, in Japanese, nakama, not tomodachi). More importantly, it gets to the heart about how people see things in different ways. Where once she saw leaves, Midori now she sees cash, thanks to Sayaka.
When Midori and Tsubame show Sayaka the threatening sign, she tells them not to worry about it; she’s secured another checkmate against the commerce-ruining adults of the school in the form of widespread and overwhelmingly supportive publicity for their Shibahama film project. They’re now virtually bulletproof against the school’s retaliation.
That again underscores the concept of people seeing things in different ways; the school sees the Eizouken’s activities as “anti-educational”; Sayaka considers them the exact opposite. Then, when asked about her progress with the story and ending, Midori is ready with a full rundown of the film, which she gives in a gorgeous illustrative scene.
In the process, Midori utilizes the concept of different perspectives by having the human and kappa societies be a mirror of one another. She also integrates all of the weird and seemingly unrelated ideas she came up with during their adventures! Ironically, the skeptical vice principal planting Cosmos (a symbol of peace) may have been the spark Midori needed to tie everything together.
It looks like an exciting film with no shortage of action and battles, but the central theme of peaceful coexistence and understanding will certainly play well with the city officials. Making the humans and kappa so visually alike is both thematically on-point and a time-saver, indicating the creatives have gotten better at managing their creative ambitions and embracing shortcuts when appropriate.
Armed with a strong story and all the leeway they’ll need to execute, the Eizouken gets to work, and even manages to complete the animation with time to spare (though not much). That’s when they hit an unexpected snag: the music track they acquired for the film’s score is nothing like the demo they heard, and doesn’t match the animation at all.
Assuming there’s no time to draw anything new, they’ll need a musical miracle. Maybe one of them knows someone who knows someone who could bail them out…