Made in Abyss – S2 12 (Fin) – The Cradle Falls

As tends to be the case with momentous episodes of Abyss, I’m still a bit overwhelmed with emotion, but I’ll do my best here. As a resurrected, better-than-ever Faputa and a game Juroimoh prepare to battle the invading beasts, we’re taken back to simpler, more innocent times, when Faputa first found Gaburoon.

Buried and covered in flowers, Faputa brought bits of scrap to him to enable to repair himself, while he tought her language, specifically that of her mother Irumyuui. What looked like an upside-down person turns out to be the symbol for haku, or that which matters most to someone. We watch, this time from Faputa’s perspective, as she encounters Riko, Reg, and Nanachi.

Gabu teases Faputa for resorting to subtler, more indirect methods that only served to confuse our lead kids—call it a measure of the shyness she inherited from her mother. Back in the present, while Faputa presses the battle, a transformed Majikaja serves as an escape vehicle for Riko, Reg, and Nanachi, as well as Moogie, Pakkoyan, Maaa, and other Hollows.

Maji takes them to Wazukyan, from which Vueko has already escaped and who is near death. In his usual friendly way he warns Riko that there is nothing ahead for her but despair, but she tells him as he crumbles to dust that things won’t necessarily go the way he’s foreseen.

As Riko is reunited with another page from her mother’s journal, the freed Vueko ascends a staircase while thinking about the one solid decision she made in her life: the choice to become Irumyuui’s mother. Unfortunately, she forgets the Sixth Layer’s curse is loss of humanity.

A quick-thinking Pakkoyan sacrifices herself to keep Vueko from being killed, but she is still transformed into a non-verbal hollow. Nanachi takes Vueko and brings her aboard Majikaja with the others.

Reg shocks Faputa by joining him in battle—this time on the same side—and apologizing for challenging her. Riko blows Prushka once more (causing her to pass out with a bloody nose), and Riko goes into Overdrive, allowing him to dispatch one of the two turbinid dragons who pose the greatest threat to Riko and the others.

This also gives Faputa time to go to Moogie and the other surviving hollows with the goal of consuming them and their value so she can do what she came here to do: put her long-suffering mother to rest. Just as they had no problem giving parts of themselves to resurrect Faputa, they have no problem becoming the nourishment Faputa needs.

After sending the black-turned-white goo throughout the structure of IruBuru, causing it to crack and shatter, Faputa is drained of energy an no longer able to fight. A piece of falling rubble wallops her and she begins to fall. She thinks of Vueko, the one person she has no memory of. She also thinks that the end is near; that she’ll die when she reaches the bottom. But she doesn’t; Reg snatches her with his extend-o-arm.

The rubble does a number on Majikaja’s body, and when he can no longer move, his true, semi-gaseous form emerges and briefly possesses Faputa. When he too passes, Faputa is able to come face to face with Vueko, her spiritual grandmother, and while Vueko can no longer talk, Faputa can hear her lucid thoughts.

Vueko tells her the kind of girl Irumyuui was, how Faputa is similar and how she’s different, before passing away peacefully, full of nothing but love and gratitude for the little girl that changed her forever. Faputa sheds tears for Vueko, despite her not “belonging” to her, and Riko, Reg, and Nanachi gather around to offer comfort.

The village borne from Irumyuui is now a pile of rubble, and Faputa’s mother is finally free. Following the customs she learned from Gabu, Faputa gives Vueko a proper burial, then sets up some companions with some smooth rocks so she won’t be lonely. After this, Faputa seems unsure what to do next, freed from “value” and now having been given the choice to live her life as she sees fit.

Reg suggests she join them. While he still can’t remember her or the details of their promise, he still wants to know her now, and go on an adventure with her. Faputa isn’t at all opposed to this, but does not agree right then and there. That’s to be expected of someone who has only very recently discovered such a thing as free will beyond an now-fulfilled genetic duty.

What I’ve described so far are the myriad events that unfolded in this double-length season two finale, but there’s no substitute for experiencing this episode and all of its nuances for yourself. It was one of the finest episodes of anime I’ve had the privilege to watch, and like Vueko with Irumyuui, I’ll never forget it.

There is sure to be another film or a third season that will continue Riko, Reg, and Nanachi’s journey still deeper into the Abyss, into darkness warm and cold, cursed by love and longing. This sequel had large shoes to fill and filled them ably. So too will the next sequel.

RABUJOI WORLD HERITAGE LIST

 

Komi Can’t Communicate S2 – 12 (Fin) – Eraser War and Peace

It’s already March and White Day is upon him, but Tadano doesn’t know what to get Komi. Candy means you like someone, cookies mean they’re just a friend, but to him Komi is kinda-sorta both. What to do? Well, under the unconvincing guise that he’s getting a gift for Katai, he enlists the help of his sister Hitomi, who is excited about her big bro “gettin’ some”, in the parlance of our times.

White Day is actually Saturday, but everyone takes care of their business on Friday…except Tadano, who instead invites Katai to dinner. That only makes his task more difficult as he must go to Komi’s house the next day and brave her parents.

But he does make it, and delivers a very sweet and thoughtful gift of hand cream, along with a single candy. Just like she gave him the very best of the “friendship” chocolate she made, the single candy is an acknowledgement of something more than just friends, and it’s not lost on Komi.

Komi seems a little out of it to Tadano one day, but before he can ask her what’s up, Najimi goes and starts the eraser war to end all eraser wars. Much like the snowball fight with the kids, this takes an extremely mundane classroom activity to a ridiculous level of intensity that involves the entire class and ends with Komi claiming an easy, stylish victory.

Then the class clears out, leaving just Komi and Tadano together in the classroom as the rains fall outside. Komi, increasingly unafraid of speaking out loud to Tadano, tells him she feels lonely since the closing ceremony is upon them and they’ll be in a new class soon.

Tadano uses the rain as a metaphor to ensure her that things will be alright, and that they shouldn’t lament the end of one year, but celebrate how amazingly full and fun that year was, in which she made one friend, then two, then three, then, I dunno, something approaching twenty.

The first day of the new school year, there’s every indication Komi and Tadano ended up in the same class together again, and when he says good morning, she puts the notebook away and tells him she’s looking forward to another year with him. It’s Peak Sweet Komi, and a perfect way to close the curtain on the second—and most likely not final—season.

Kaguya-sama: Love Is War – Ultra Romantic – 12 (Fin) – Blossoms That Never Scatter

When Miyuki tells Kaguya how he’s been accepted to Harvard and will be gone this time next year, she pretty much turns to stone and then shatters into pieces. But she drags Ai out from whatever she’s doing to update her on where things stand. They both know that the basic plan hasn’t changed—confess to Miyuki—it’s just a matter of how.

Kaguya tries a number of methods, but all are pooh-poohed by Ai in various ways. That is, until Kaguya digs deep, describes all the unique ways she loves the president, including his drive to move forward, and starts to cry as she notes how cruel it would be to ask him not to go overseas. Ai, realizing she went too far, draws Kaguya into a hug and assures her that they’ll get her confession to Miyuki without fail.

In Yuu/Tsubame land, things seem to be going swimmingly. Yuu prepared a hella warm coat for Tsubame to wear when the evening chill came around, and even impresses her with his knowledge of flower language and a red cherry blossom tree in the spot where she wishes to give him an update on her answer to his confession.

Her answer, while not no, is that she doesn’t yet have an answer. That’s fair enough; Tsubame only just realized when Yuu gave her that heart how he truly feels about her, and she’s still getting used to seeing him like that. As for Yuu, he isn’t even aware he did confess with that heart until he watches her perform in the play about the Hoshin legend.

Thanks in part to Ai, Kaguya is poised to have a perfect opportunity to confess to Miyuki: when she’s resplendent in her archer’s garb and lit by the burning flame of her arrow, and Miyuki is completely captivated by her beauty. Unfortunately, Miyuki is nowhere to be found when the time comes to light the campfire!

Instead, shortly after the fire is lit, it suddenly rains cards signed by “Arsene”, the Phantom Thief Chika has been chasing throughout the festival. The jewel from the dragon’s mouth is also missing. Kaguya can’t believe her terrible luck; for all this nonsense to be happening when she’s supposed to be confessing. But the thing is, the Phantom Thief is none other than Miyuki.

When Chika runs off with Erika to further investigate, Kaguya already puts two and two and four together and realizes this is one big scheme by Miyuki, and that she’s going to catch him and then confess to him. That involves sipping canned coffee together, but the machine won’t accept the lowest-denomination bills she has (10,000 yen).

But hey, at least she has the heart trinket to give him, right? Well, no…she managed to lose that when she changed in and out of her archery garb. At the same time, the narrator explains how Miyuki, while initially in a kind of whimsical enthusiasm fugue state, is starting to come to his senses and feel embarrassment for his current situation (and goofy master thief getup).

As Kaguya ascends the clock tower to meet Miyuki, they both find themselves bereft of their usual arsenals of weapons in their long war game of love. There’s nothing left but their feelings, their words, and the months before Miyuki heads to California.

This would make for an infuriatingly frustrating end to the third season…if this were the final episode in its entirety. Thankfully, this is not the end, and as soon as I realized I’d only watched the first of a two-part double episode, I regained my composure and kept watching.

When Kaguya reaches the top, the narrator repeats his spiel from the very first episodes, about how love is war, those in love live in terror, etc. But Miyuki and Kaguya go on that they must convey their feelings for the one they love, even if it means they “lose”, or they’ll never move forward.

While donning his ridiculous top hat, Miyuki tells Kaguya having her beside him for this, his big final culture festival moment, and Kaguya goes through all the things in her head she should say to him out loud. That she wants him to stay by her side forever, and that even if she’s not sure he would ever like a “cold, hateful woman”, but if he confessed to her right then and there, she’d 100% accept it.

Miyuki doesn’t confess with words, but he does confess by unleashing the jewel of the dragon—which turned out to be a weather balloon—with an app, and has it drift over the campfire until it pops, revealing a massive swarm of heart-shaped balloons that float up to their vantage point atop the tower.

He and the narrator recount Miyuki’s efforts for the “Ultra Romantic Campaign” that culminated in this heart balloon blizzard; a plan he first set into motion the same day he applied to Stanford. He planned every last detail, including ensuring Chika, Yuu, and Miko didn’t interfere at the proper time.

Just like Kaguya, Miyuki launches into a self-deprecating inner monologue about how he worked his goddamn tail off to become her equal, and explains that if he overtly confessed or ask her out in words, he’d be confirming the fact they weren’t equals. No, he needed to do something that would make her confess to him.

But what’s most important to Miyuki isn’t that she confess, or that they go out…it’s that they are able to remain together. To that end, he got the principal to agree to write a second letter of recommendation for Kaguya, and atop that tower, as he holds a blue balloon heart and she holds a red one, he asks her to apply to Stanford and go with him to the U.S.

It’s not a confession, but despite what a shock it brings to Kaguya, she’s so happy to hear these words that she agrees on the spot, so quickly that it weird Miyuki out a little. And now that Miyuki has expressed how he feels and what he wants, Kaguya can do the same, and does so with a passionate kiss that is witnessed but notably and mercifully not interrupted by Chika’s Scooby Gang.

In between these stunningly epic scenes of some of the most gratifying payoffs in anime rom-comdom, the rest of the cast get their curtain calls for the season. Nagisa dances with Maki, assuring her that she likes her more than Tsubasa; Kobachi admits to her bae it’s time to stop being so overprotective of Miko; Yuu deems it unkind to steal Tsubame away from her adoring fans and classmates and instead tracks down Miko, shows her footage of the campfire she made happen, and tells her to go enjoy it already.

Later that night, Kaguya recounts her Ultra Romantic evening with the President to Ai in a voice best described as … “giddysmug”. She gleefully describes the kiss as tasting like ketchup (since Miyuki had just eaten a corn dog) and goes on to decribe how she used her tongue during the kiss, which we see made a lasting impact on Miyuki.

Mind you, neither Miyuki nor Kaguya actually verbally confessed … but c’maaaahn. Even these two clueless doofuses cannot deny what they are to one another, and while there’s certainly a lot to think about and plan (including how to get the other to verbally confess to them!), the fact that their future is secure together is a great weight lifted from their shoulders.

Student Council antics continue as usual, with Chika coming up with a game that will start some shit, and Yuu and Miko sparring like siblings. Kaguya and Miyuki look on with pride and contentment, the Miyuki’s desk hiding the fact that they’re holding hands. It was definitely touch-and-go throughout this stressful closing culture festival arc, but Love is War nailed the landing, and I never should have doubted it would.

If a fourth season comes around—and apparently there’s an enormous amount of source material left to adapt—it will be icing on an already perfect cake. But when we’re talking about icing this well made, there’s no such thing as too much. Keep making this show until these dweebs are old and gray with grandchildren running around in California; I wouldn’t need any other anime to sustain me!

RABUJOI WORLD HERITAGE LIST

 

The Executioner and Her Way of Life – 12 (Fin) – Something That Ended Ages Ago

The end of what I hope to be only the first of a split-cour series starts with the final boss battle between the unlikely but awesome duo of Menou and Ashuna and Centipede Pandemonium, whom I’ll henceforth call Centipan. The cent- is key, since around 100 people were sacrificed to create Centipan, which means she’ll have to be killed at least that many times to be defeated.

Unfortunately, every segment of Centipan that is broken off goes running off into the city to wreak havoc—this is Chaos Pure Concept, after all—forcing Ashuna to break off in order to save the people. Menou’s piss-poor ether capacity once again rears its ugly head, as Centipan relieves her of her Scripture and trusty dagger. That’s when Ashuna tosses her giant sword Menou’s way, since she can destroy the segments with her bare fists.

Menou swinging Ashuna’s sword around is #Goals, but the weapon quickly drains what little ether she has left. Fortunately, soon after telling Akari that there’s a way to go back to Japan, the other ‘Moni leaves Akari alone and flies off on wings made of shadow. This leaves Akari free to join the battle with Menou exactly when Menou needs her (and her ether) the most.

While the train episode was the only other time I can think of that Akari and Menou joined forces, it’s not “ticklish” to Akari this time, as the two simply combine forces to create a massive blade of flame that obliterates Centipan with a single satisfying swing.

All that’s left of Moni is her quickly dissolving head, but that’s enough of her to give Menou one last piece of advice: the Sword of Salt she once visited wth Flare? That’s powerful enough to kill any Pure Concept, even Akari. But true to her chaotic nature, Moni tells Menou this knowing that Menou isn’t totally 100% sure she wants to kill Akari, even if it’s her duty and probably the best thing for both Akari and the world writ large.

Ashuna congratulates Menou on her victory and decides to “let it slide”, “it” being the fact that Akari is an otherworlder. As for Moni, another version of her in a spooky graveyard resurrects Manon. At first Manon is confused why Moni would do this, she then remembers her mother telling her how she had a sister who was full of energy and loved movies. Moni was once just an ordinary movie buff from Japan, and she may now not remember who she was or that she had a sister. And yet she saved her sister all the same.

With the big battle taken care of not long after the halfway point of the episode, there’s adequate breathing room for some epilogues. A rapidly recovering Momo gets some quality time with Menou, who tells her about the Salt Sword. Menou thanks Pastor Sicilia, and as she walks back to her inn contemplates two different roads: one where she executes Akari with the Salt Sword, and the other where she discovers a way to “fix” Akari so she won’t destroy the world and herself if left unchecked.

And then, of course, there are the sweet, sisterly scenes between Menou and Akari, who greets her with a big hug and probably only grudgingly agrees to sleep in a separate bed from her. When Menou starts to say something like Akari is her…something, Akari is very vexed by her simply trailing off, gets out of bed and tussles her until Menou says she’s her “source of stress.”

The next morning, Menou and Akari take the first step out of Libelle and head back on the road to the “Sanctuary” hand-in-hand. The previous night, Momo resolved to execute Akari in Menou’s place, knowing that the more time she spends wth “Boobalicious”, the less inclined she’ll be to murder her.

The parting mic drop belongs to Flare, sitting on a throne and planning to kill her apprentice “for the zillilonth time”, crystalizing the reality that she’s been interfering in Akari’s attempts to get Menou to execute her by murdering Menou herself. It’s an enticing place to pause and hopefully not end, as there’s tons of material for this story to continue.

Rating: 4/5 Stars

The Faraway Paladin – 12 (Fin) – Illness of the Strong

Last week Will hit rock bottom as he fell into the same trap as countless other heroes, anime, isekai, or otherwise: trying to go it alone out of fear of getting others hurt. Fortunately, his beautiful first and best friend and brother Meneldor’s head is harder than it looks, and he’s not about to let Will slink off in the rainy night. Their first fight ensues, with Will even going so far as to break Menel’s arm so he can’t follow him.

He would’ve needed to break the other arm—and both legs, because Menel doesn’t give up. He employs the gnomes to knock Will on his ass so he can use his good arm to help Will up. Will surrenders. Reystov calls what befell Will to be the “illness of the strong”—an instinct to isolate oneself and take all the burdens on one’s shoulders—and knows many who succumbed to it and died.

Thanks to Menel, Will is able to realize the error of his ways. He can’t go it alone against the Chimera and demon forces trying desperately to keep the Beast Woods in chaos. He’s just one in a whole slew of variables in the equation necessary to break the demons’ hold on the region. Through careful scouting and preparation and by rallying his band of adventurers and priests, Will is able to attain a victory he’d never reach all by his lonesome.

Even the final boss chimera isn’t someone Will can take one by himself. Sure, he detects the monster using invisibility and even trying to trick them into lowering their guard, but Menel’s mastery of faeries, nymphs and gnomes provides decisive backup in the Chimera battle. With its defeat, Bee writes new songs of their heroic deeds to be spread throughout the lands.

As the party celebrates their triumph, Menel points out something that had totally escaped a naïf like Will all this time: that he is at this point the new de facto Lord of the Beast Woods. This is where Will learns another axiom common to heroes: true leaders don’t seek power, but it is thrust upon them. Will must either rule his new realm or choose some trusted people to do it for him as he continues his adventures.

And make no mistake: there will be more adventures. A second season of Paladin has already been announced, something I never felt was in doubt (though I’d also like to see second seasons of Shin no Nakama and World’s Finest Assassin). Will also has an ultimate goal: turning the City of the Dead into a City of Living—thus making Blood, Mary, and Gus proud.

Shin no Nakama – 13 (Fin) – Warm Milk with Honey

Last week certainly ended about as distressingly as it could, what with a sword-hypnotized Ruti having just gravely, possibly mortally wounded Tisse and looking for her next target. So I was both surprised and satisfied with Red’s elegant solution: getting Ruti’s sword caught in his butter-soft bronze sword and flinging it away, thus snapping his sister out of it.

Could the solution have been more difficult and drawn out? Absolutely, but more action would have taken time away from the emotional fallout of what had just transpired. Instead, the awakened Ruti sees her only real friend with a gaping wound and can’t do anything about it; her Hero’s Blessing ignoring her call. Thankfully, Theodora has the power to heal Tisse.

Theodora doesn’t ask Ruti or anyone else for forgiveness, because she was doing both what she thought was right and what her own blessing demanded. However, recent events opened her eyes to the cruelty and crushing loneliness of an unwilling Ruti’s Hero Blessing, and she that even if Red hadn’t left, she simply didn’t need a party anymore. I have to concur with everyone else that Theodora would make a better hero, because it’s what she wants.

Turns out Ruti’s new Blessing is called “New Truth”, with a skill called “Ruler” she’s using to suppress the Hero’s Blessing, losing its boons along with its burdens but in the exchange, becoming the ordinary girl with free will to choose her own future. Feeling the cold and sneezing from it is an amazing new experience; Ruti even looks forward to her first cold! I can’t tell you how cute that is, or how lovely it is to see her finally enjoy being able to taste food again.

After so much excitement earlier in her life, she seems to want the same thing as her brother: a slow, quiet life. In her case, that means starting a farm that grows medicinal herbs, thereby not only doing what she wants, but doing it in part to help contribute to Red and Rit’s business. Naturally, Tisse will be by her side the whole way, supporting her, because Tisse is unassailably The Best…as is Mr. Crawly Wawly.

Before heading off with Tisse to find some suitable farmland, Ruti joins the others at Ares’ funeral. It’s to the credit of this mild-mannered and decent series that he doesn’t suffer eternal agony; indeed he is someone to be pitied and not hated, for his plight wasn’t much different from Ruti’s. The fact the First Hero had six swords lends credence to the possibility they were an Asura Demon—with no blessing, which means they were a hero by their own free will.

The episode’s title is “Guide”, referring to Red’s Blessing, which I’d honestly forgotten until it was brought up several times this week. After Gonz and Mido help Red and Rit fix and clean up their shop and home, Rit confesses to often freaking out at night, worried Red won’t be by her side when she wakes up, because he’s the Guide, and one day he may have to guide someone else. Red assures her that won’t happen; that his journey has ended, and that she is his one, only, final destination, because he needs and loves her as much as she does him.

“Really? Then prove it!”, one might ask. Well, they proceed to do just that. After some adorable awkward fumbling attempts at foreplay, Red and Rit disrobe, hop into their big, newly-repaired bed, and make love for the first time. As one would expect of this show, it’s handled gently and tastefully. They even have a bit of profound post-coitus pillow talk, as Red admits his previous journey may be over, but he’s looking forward to a new one with Rit and the family they’ll have in the future.

Such is the narrative efficiency of this episode (without feeling rushed at all like a couple of previous episodes), we still have time for Red to take Ruti on a tour of Zoltan’s sights, sounds, and tastes. Thanks to New Truth she’s able to experience so much that feels like the first time, and is simply grateful she can be with her brother like old times…and sleep! Red promises he’ll always be there for her.

This leads to a potentially cliché scene where Ruti sits down next to Red at the shop (because she’s tired…and appreciates how good it feels to sit down when you’re tired!) and gloms onto her dear brother. Rit, suddenly jealous, proceeds to grab Red’s other arm. The two glare and growl at each other…and then break into laughter, all while a bemused Tisse watches.

Suddenly, the guild girl arrives at the shop to report an emergency: some demons have captured the adventurers sent to deal with them. She doesn’t need the Hero, just a hero, which Ruti proves she is regardless of Blessing when she picks up her sword and goes with the guild girl…because it’s what she wants to do.

This was pretty much a pitch perfect finale and the perfect way to end the series: by giving me what brought me to keep watching in the first place: a warm, cozy, almost iyashikei atmosphere to an isekai setting. I now appreciate the more action and plot-oriented penultimate episodes more knowing they were meant to make us long for the slow life, just like Red, Rit, Ruti, Tisse, and Mr. Crawly Wawly.

If they make another season of this mug of warm milk with honey in anime form, I’ll watch it in a slow heartbeat. The post-credit scene with Yarandrala and Godwin hints that that’s the plan.

Takt Op. Destiny – 12 (Coda) – Addio, Signor Disperazione

After one more look at the OP, beautifully animated but for the fact Anna and Cosette lack toes (that always bothered me), we go right into the final boss battle. Orpheus packs a punch and has a suitably calm yet menacing voice, but by making it a two-against-one fight, she allows herself to be distracted by a kick to the fact from Takt, allowing Destiny to blast the top half of her away.

She eventually regenerates, but it takes enough time that Takt is able to continue on to Sagan. It then becomes a duel between Destiny and Orpheus, and the lack of a frail human in their midst means they can really let their bedazzled hair down and have a proper brawl, captured with all the requisite concussive Mappa/Madhouse sakuga.

Turns out Orpheus really is the final true boss; Sagan can’t do anything but try to convince Takt that his cause is right and just. Oh, and the show finally lets us in on the secret of why exactly he’s doing all this: he wants to lure all of the D2s in the world to a sacrificial North America so he can take them all out at once, thereby saving the remaining six populated continents. Uh, my dude … Antarctica was right there!

Turns out both Heaven and Hell, and thus Orpheus, aren’t really trying to save the world so much as save their Conductor, whom they love despite his fatal flaw of choosing the wrong continent to sacrifice. Just as Takt isn’t hearing Sagan’s excuses, Destiny most emphatically Does Not Care what Orpheus says or thinks, and somehow powering up, manages to pummel the hell (and heaven!) out of her. Destiny just wanted it more, I guess!

Destiny joins Takt, cementing Sagan’s defeat, as Takt uses her sword to kill him, which shuts down all of the D2s running amok in the crippled Symphonica. Sayonara Sagan…you were never much of a character, and the little bit of pathos the episode tries to squeeze out of your situation in the eleventh hour didn’t really work. You were just another of the dime-a-dozen villains populating lesser anime. Takt Op. Destiny deserved a better baddie.

It’s main duo won me over, however. Destiny has been showing more and more emotion as she’s come into her own as an individual and not just an musical alien inhabiting Takt’s dead soul mate. She basically becomes another soul mate to Takt, staying beside him, holding his non-existent right hand as they lay on the beach, then giving him a farewell kiss before vanishing in a cloud of rose petals. It’s a beautiful scene filled with bittersweet love.

That brings us to the brief epilogue, which indicates Takt made it into suspended animation alive. Anna has joined the Symphonica, trading her belly-bearing tops for the organization’s marching band-y uniform. She also looks after a gold trinket with red trim, the only thing Destiny left behind, and which seems to allow Anna to transform into the next Destiny. As her out-of-left-field kiss hinted, she’s dedicated herself for being there for Takt when—not if—he wakes up. There’s still a lot of D2s out there.

Rating: 4/5 Stars

Mushoku Tensei: Jobless Reincarnation – 23 (Part 2 Fin) – Be Strong and Wait

My interpretation of Eris’s reasons for deciding to sleep with Rudy and then run off with Ghislaine is twofold: First, she wanted her first time to be with Rudy, whom she loves more than anyone else. Second, her note about not being “well matched” should be taken literally: she is overmatched by him. Their encounter with Orsted proved it. So off she goes.

She couldn’t have imagined this would cause Rudy to revert to his old self, the one who, once shamed at school in one of the worst ways possible, could no longer leave his room, despite being surrounded by love, understanding, and kindness—first his parents, and later his neighbors. He rejected them out of paranoia they were all laughing at him. So in he stays.

This episode seems to hint that the isekai world is merely in Rudy’s head, and that he wasn’t actually hit by a car as he would have us believe. If that’s the case—I have no idea, and I’m also fine if it’s meant to be ambiguous—the isekai world is no longer an escape. He may have been reincarnated and given a second chance, but he’s the same depressed, paranoid, emotionally stunted man he was in the old world. Eris leaving him and him not being able to understand why was the straw that broke the ground dragon’s back.

He may not be surrounded by the same support system as the old world, but things are definitely looking up in Fittoa. I realize that part of why it looked so wasted and bleak last week was because Rudy and Eris (and we) were comparing it to how it once looked before the disaster. But also the bleak washed-out look reflected Rudy’s post-Eris leaving mood. But color is slowly returning to the land, and there’s hope in the voices of the survivors as they plant new crops.

As they  toil and sweat, the people of Fittoa long for a “return to normal”, but the old normal is gone and never coming back. That’s true for everyone, as Ruijerd confirms that the curse that makes humans afraid of him is gone. I’m so glad we got to see the big guy one more time, and his exchange with the three friendly townsfolk is one of som many scenes this week that moved me to tears.

Another one of those scenes is where Eris confirms my interpretation of why she left Rudy (not that it was very much in doubt), with touching details like observing how the hands of the one she relied on for so long were smaller than his. The wind blows her cat-hood off her freshly short-cropped hair as she climbs atop a rock to shout out her love of Rudy to the mountaintops, and her resolve to become strong enough to protect him when next they meet.

We also get brief check-ins with Tona, Zoruba, Geese, and the young adventurers they met in the Demon Continent. Everyone is moving forward, with their experience with Rudy and Dead End being something they’ll always treasure, even if they never see them again. Roxy, meanwhile, inadvertently becomes Kishirisu Kishirika’s newest savior when she pays the tiny troublemaker’s bar tab from the rowdy night before.

love how we get the briefest peeks of that party that pack a punch when we see how drunk Roxy got and how bad her hangover must be. But she’s rewarded for her generosity to Kishirika by learning that Paul, Lilia, Norn and Aisha are safe and sound and reunited in Millishion. We get to see—and cry from—this reunion scene. But Norn still wants to know where her mama is, and we learn that Zenith is alive somewhere in the Labyrinth City of Rapan on the Begaritt Continent.

Roxy also learns from Kishirika that Rudy is in emotional turmoil, but rather than go to his student, she trusts that he’ll pick himself off and be able to move forward without her assistance. She and her party are headed to Begaritt. At the same time, it’s a beautiful memory of Rudy, taking over the end-of-the-evening chores for Zenith when he sees she’s tired, that finally gets Rudy to sit up, get out of bed, and step outside his tent with his cloak and spear.

He’s able to push past the fear of everyone laughing and mocking him, because Zenith is family, alone, and in need of help. Unaware that Roxy is also headed there, almost ensuring a reunion, he has to go find her. For that, he has to get up and take one step, and then another, past the pain of being left alone.

In the real world, Rudy does the same thing, and while it’s a mystery whether this is symbolic look back at his past life or his actual life running parallel to his fantasy life, it’s a major breakthrough for our protagonist. Like the people of Fittoa planting new crops, Rudy doesn’t give in, stays strong, and looks toward a future where his family is reunited.

Meanwhile, at Ranoa Magic Academy, Sylphiette, sporting Oakleys and whose hair is now white, makes the case for the academy recruiting Rudy. It’s clear he too will need to be stronger if he’s going to defeat the Dragon God. But with Sylphy here and Eris working to become stronger, he won’t be alone in that effort. He just doesn’t know it yet, but hopefully he can follow the advice of his original parents and continue to be strong and wait, just as we must all be strong and wait for Part 3.

The aquatope on white sand – 24 (fin) – Fishness as usual

The eight-word review? It stuck the landing with heart and soul. Aquatope wraps with three big events, the first of which is the most workmanlike. The entire staff is mustered to stock the new White Sand Dome, and it unfolds mostly without dialogue, just showing us just how complex such an operation is, and how speed and efficiency is balanced with the utmost care and delicacy with the living things they’re welcoming to Tingarla.

The second big event is the first wedding ceremony. We start with Kaoru and Chiyu joining Kukuru, Fuuka, and Karin in preparing the little personal touches that make the ceremony special and memorable, like name cards that feature a sea creature that matches the personality of the named. The barefoot magical affair goes off without a hitch; even Suwa can’t help but smile at the success, both in terms of getting a couple married and getting their family and friends interested in aquariums.

The third big event is the Grand Opening of the White Sand Dome, for which there’s a line going out the door and all the staff are out on the floor to greet them. Karin is now an attendant, and Kukuru’s grandparents attend and are proud of the growth they see in Kukuru. That said, she still wonders if she made the right choice to stay in PR and asks her gramps what she should do. His wise-as-usual advice: do yourself the favor of turning the path you chose into the correct one.

Kukuru and Fuuka take a break at the White Sand Dome, and Fuuka recalls how when she first got to Gama Gama she felt like she was drowning in a dark sea, which is just how Kukuru felt after Gama Gama was razed. But neither of them feel that way anymore. They love Tingarla, and right on cue, the same “effect” once thought to only occur at Gama Gama happens in the White Sand Dome, as Kukuru’s parents and twin sister join her and Fuuka in reveling in the sea life.

The fourth and final big event is, of course, Fuuka departing for Hawaii (specifically Oahu, as we later catch a glimpse of Honolulu). The difference between their last airport farewell and this one is like night and day. There’s no frowns or tears, all smiles and heads held high. Kukuru says “off you go” to Fuuka like she’s leaving for school for the day, not two years. “I’ll be back,” Fuuka replies in the same casual way. By the time Fuuka is in the air, Kukuru is already back to work at Tingarla.

As I suspected, the two years practically fly by, both in that we get a time jump to Tingarla’s third anniversary and the day Fuuka and Kaoru return home. There are a lot of subtle changes you’d expect, both in Kukuru’s hairstyle to her more confident demeanor at her desk. You can tell she’s taken on what’s in front of her with all her heart, and thrived.

She’s not alone: Kuuya has embraced his role as chief attendant and senpai to his old friend Karin. Udon-chan is now Tingarla’s chef. Kai is back as an attendant, and Choko has found a pretty young mate. Suwa has promoted her from Plankton to Nekton…though honestly I would have been a lot happier if he just called her by her damn name.

While in the taxi back to Tingarla with Kaoru, Fuuka gets out to stop by the shrine to Kijimunaa that she and Kukuru set up in a little wooded area not far from the aquarium. Fuuka gives the deity an offering of Hawaiian Macadamia nuts. These last two years, she and Kukuru have continued to do what’s right, and everything has worked out.

In scene where the two run straight at each other and embrace, I had all the feels. I could feel the love between these two young women; I could feel the relief they were back on the same island together; and I could feel the strength and wisdom they’ve both amassed, finding and nurturing their new dreams. The spirit of Gama Gama lives on in both of them, and as Gramps said, the hardships they both endured eventually led to wondferful rewards.

To Your Eternity – 20 (Fin) – Goodbye For Real

It’s a quiet, contemplative finale for To Your Eternity, as Fushi tracks down Pioran and finds that she’s barely scraping by. Yet he’s reluctant to reintegrate himself into her life, as he fears she’ll simply be the next victim of the Nokkers, as Uroy, Oopa, and Mia became.

Fushi happens to have assumed all three of their forms, and he’s in Mia’s when Pioran finally gets wise to his, well, tentative stalking. He may be in the form of a girl, but Pioran immediately identifies him as Fushi, her old immortal friend. Just when he was trying to say goodbye for real, Fushi ends up back in Pioran’s orbit.

The creator narrates that he’s watched over Fushi, Pioran, and the donkey for a good while, and watched as Fushi continued to develop a full sense of self. When Fushi asks what Pioran wishes more than anything else, Pioran says she’d like to be young and beautiful as she once was. Fushi feels a nobility in Pioran, and being by her side is a noble enterprise.

But eventually the Creator’s warning comes to pass: eventually all mortal things wither and die. Pioran develops short-term memory loss and dementia, periodically cursing Fushi while begging him to kill her or leave her behind. Fushi doesn’t; he simply continues caring for her as they travel nowhere in particular. One day, Pioran is nearing death, but lucid enough to call out “the one following Fushi around”—the Creator.

She begs him to let her be reborn into something “that can be more useful to Fushi.” One thing I’ve always wondered is who is the girl in the OP with the purple-grey hair strolling on the beach. Now we learn, it’s Pioran, made young and beautiful again by the Creator, if only for a brief time before dying…and being transformed into an orb like Fushi.

Fushi mourns the loss of Pioran, and when he conjures the paper and pencil he uses to document his days, he comes across a parting note from the departed Pioran: “Do what you want to do, like I did!” He seems to take those words to heart as several decades pass. We encounter an adult Fushi having apparently just defeated a Nokker and laughing over his victory.

This is the end of the story of Fushi…but apparently only until Fall 2022, as a second series is planned for that time. We’ll see how his struggle with the Nokkers progresses, who else he meets who changes him and whose form he eventually assumes, and how many other ways this show will make me cry like a baby. If Pioran is still around in some form, it would be great if they could reunite. Fushi and Nokker!Hayase…less so.

While many episodes suffered from an untenable schedule and pinched production budget, and the Jananda arc was ultimately the weakest, this final episode marked a successful return to the series’ exploration and reflection on mortality, morality, and family, and made me excited for what’s to come.

The Promised Neverland – 23 (Fin) – Easy Win

“It’s an ending, that’s enough!”—Marge Simpson

I thought of those sage words—spoken to end a discussion of whether another ending was happy or sad—after the end of The Promised Neverland. This finale was, without a doubt, a series of scenes where dialogue is exchanged and things happen.

Like the previous episode, in which every single thing that needed to go Emma’s way did go Emma’s way, not a lot of it holds up to even cursory scrutiny. Unlike the previous episode, it wasn’t packed with enough stuff to keep my mind from dwelling on just how goshdarn fast things are moving.

And yet, it’s also an episode that tends to drag and sag during lengthy dialogue scenes. Starting the episode with Peter’s backstory, such as it is, was an…interesting choice? It really did nothing to make me care about him one way or another; I’m not surprised in the least he had his own brother Minerva killed, or that he rejected Emma’s call to join her in building a new world.

Ratri would rather slit his own throat (which he does) then even try to live in such a theoretical world; going out as a “Ratri”, descended from those who originally negotiated the great pact that split the human and demon worlds in two. Isabella and the mothers, who all seem to speak with one united voice, are also initially reluctant to go with Emma, who manages to convince her to change her mind. All is forgiven!

Now for the journey to the gate to the human world. Wait, the elevator takes them right there? And the pen, already literal deus ex machina, also happens to unlock the completely unguarded gate? Oh, and Emma, along with Norman, Ray, and the Lambdas, decide not to go through that gate? I commend the composer for accompanying the gate scene with suitably epic music, but other than that it’s just a lot; all at once, and all too easily.

The decision to remain while Don, Hilda, the mothers and the kids all go ahead to the human world is simple: Emma’s job won’t be done until all the farms are shut down. With Mujika’s help, she intends to create a new pact that won’t allow demons to raise children for meat anymore. So I guess Sonju was just joking when he was hoping to eat some free-range kids in the near future?

I was also a little worried when Emma and the others not going through the gate simply left them without checking out if it’s even safe on the other side. Those worries were short-lived, as beyond the white void is…modern-day New York City, immediately followed by an unanimated slideshow of the kids gradually assimilating to life in such a world. Judging from the stills, they don’t have much difficulty at all!

We then switch to a slideshow of Emma & Co. on their crusade that for all I thought would take the rest of their lives. I mean, you’re talking about rescuing each and every child currently imprisoned in the demon world. It’s a herculean effort many times larger than the already ridiculous operation that liberated Grace Field House in a single night with zero casualties.

But nope, it only takes a couple years or so. Emma, Norman, and Ray just suddenly appear by Hudson Bay one day, their mission apparently accomplished. Phil’s happy about it, because he doesn’t have to make good on his promise to go back after her. It’s all a little sudden, and random, and rushed, and weird. All my goodwill was spent mindlessly enjoying last week’s all-too-easy victories.

So it’s a totally, completely, 100% happy ending for Emma and the kids, who’d basically ceased enduring serious hardship or encountering setbacks of any kind after being forced out of their bunker hideout. But for me, it just feels like an ending, and a blessed one, as my enthusiasm for the direction of the story was waning by the day. An ending is enough.


Read Crow and Irina’s discussion on the final episode of The Promised Neverland right here!

Re: Zero – 50 (S2 Fin) – Number One Knight

The only thing standing between Subaru & Co. and winning the day is one of the Three Great Mabeasts, the Great Rabbit, who surround the Graveyard just as Subaru returns from the mansion with a newly-revitalized Beatrice. What with the weakness of her contractor (Subie) and the length of time since her last real battle (400+ years), Beako deems she has just the right handicap to make the fight interesting.

With that, she unleashes El Minya—a shower of pink crystal shards that obliterate bunnies on contact. They keep coming, but her contractor, Subaru maintains hand contact and uses El Minya as well until the Rabbits, not being truly infinite, reach their maximum number. Subie then builds a crystal paddock to restrain them, which Emilia traces and reinforces with her ice magic, rising them off the ground.

Having been given sufficient time to prepare it, Beako finishes the Rabbit off with Al Shamac, transporting it in its entirety to an isolated space—like the forbidden library—from which it will never be able to return. A great psychological weight lifts from everyone—and myself!—when they realize that the battle is over, and they won.

Just when Beako is hoping for a little more enthusiastic celebration, she gets more than she bargained for when Subie lifts her up and spins her around in elation. Beako and Roswaal pay their respects to Echidna, their mother and teacher. Beako realizes for the first time that the Roswaal before her is the Roswaal she knew—the product of soul transcription, Echidna’s dream was realized.

Given some time to themselves outside the graveyard during a gorgeous sunrise, Emilia bashfully, adorably broaches the topic of “the baby in her belly!” It’s a phrase that nearly causes Subie to jump out of his shoes, but is only the result of some god-level trolling on Puck’s part, who convinced Lia that a mere kiss like the one she shared with Subie is enough to create life!

What follows is a “purification ritual” at the chapel, in which everyone in the main circle Roswaal wronged is given a much deserved slap or slug to the face. Ram, who is recovering quickly thanks to Beako, doesn’t stop them, as not even she can deny he’s made mistakes—one of them never being aware how much she loves him until now.

Emilia and Subaru knows they need Roswaal’s power for the Royal Selection and Battles to Come, but what’s stopping him from turning on them again? He removes his shirt to show just that: an oath sealed by a curse, which he received after losing to Subaru (on whose chest it would have appeared had he lost). Gar and Petra object anyway, but defer to everyone else, while Lia is sufficiently satisfied upon hearing a simple “I’m sorry” from the margrave.

A little time passes, but not much. With Roswaal’s mansion in ruins, the house of Annerose Miload, of a Mathers branch family, serves as the venue for the knighting of one Natsuki Subaru by one Emilia. Before the ceremony, Roswaal informs Subaru that he still intends to bring Echidna back, blood, breath, and soul.

Because he lacks the Tome of Wisdom, and the pain of losing what may be lost in his quest to revive teacher might surely cause him to Burn Everything Down, he instead vows to keep a close eye on Subaru and the path he walks. Like Roswaal, Subaru has lost so much, but every time he picks up the pieces, refusing to lose anything, bearing every wound those initial losses create.

After some flowery dialogue, the deed is done; Subaru officially becomes Sir Subaru. Subaru marks the occasion by telling Emilia how sexy and cute she looks in her be-knighting outfit, and in another sign of how much stronger she’s become, Lia laughs it off and sticks out her tongue rather than crumbling before praise. More importantly, Subaru now dons world-appropriate clothes that match Emilia’s white-and-purple theme.

As the well-earned party rages indoors, Subaru goes out onto the balcony for some quiet contemplation, and Emilia soon joins him, accurately accusing him of being drunk…on himself and the atmosphere, not booze. Emilia tells him there’s something she wants to talk to him about, and asks him to come to her room later to do so, employing a pinky swear to seal their agreement.

Subaru assures her no matter what she needs to say, he’ll never become “disenchanted” with her. After all, she just made him her Number One Knight! Emilia compliments Subaru’s sweet face, and remarks that the scene they’re beholding just might be her “ideal”, and she’ll never forget it. It was at this point I was convinced a shoe or two would drop, pulling the rug from everyone’s feet and plunging the celebratory mood into some fresh devilry as White Fox often does.

But it didn’t! The fact Rem never woke up aside, this was a totally happy ending, not leaving us with any cliffhanger we’d have to stew with for an unknown duration until a third season arrived to sate our hunger anew. And I’m very happy about that, and where everyone stands at this stopping point.

The gorgeous way the episode fades to white as Subaru and Emilia dance a waltz while surrounded by friends and allies—that’s pretty much my ideal too! Emilia finally got the character-building arc she deserved, and cemented her role as Best Girl. The Royal Selection, Rem’s reawakening, and dealing with the Sin Archbishops can wait. For now, Let’s party!

Cardcaptor Sakura – 70 (Fin) – The Card of Love

With all of Clow’s cards now converted to Sakura Cards and her tussles with Eriol & Co. at an end, Sakura has little to think about but Syaoran’s unexpected confession. It puts her in a dazed state, and it’s hard to look directly at Syaoran or talk to him normally as before, something you know troubles her.

That said, he does tag along with Sakura and Tomoyo to Eriol’s mansion, which was once Clow Reed’s, after hearing the news that Eriol is moving back to England at once. While the three approach wearily, the only threat to Sakura is the surprise of a party popper upon being welcomed to a tea party held by Eriol, Spinel and Nakuru.

Eriol explains how all the Clow Cards would have eventually lost their magic if their new master didn’t make them her own. So he created “mischief” that enabled her to do just that. Had he told her, she wouldn’t have had the genuine urgency to successfully convert them.

Mizuki Kaho then arrives, having met Eriol while in England. When she learned he was Clow’s reincarnation, she resolved to help him pass the mastery of the cards to Sakura. Clow also tells Yue that while the Clow Reed he loved is gone and won’t be coming back, Yue is free to call him anytime to talk about Clow.

Syaoran gets a call from his mom and reports to her that the Cards are all converted and the threat to Sakura passed, and while we don’t hear the rest of the call it’s clear he’s being summoned back home to Hong Kong. He meets with Sakura after school, but doesn’t tell her he’s leaving. Instead, he expresses how glad he was to meet her, and how he became a better person thanks to her.

While Sakura feels likewise, she’s still not 100% sure what she’s feeling about Syaoran, but before she can say anything he makes a speedy withdrawal. For not waiting to hear Sakura’s answer, Syaoran gets a deserved scolding from Meiling over the phone.

Meanwhile, Sakura plops on the bed, physically fine but emotionally all over the place. She knows Syaoran feels different in her heart from anyone else, but because she’s feeling something she’s never felt before, she can’t describe it, even to herself.

It’s only thanks to Terada-sensei, care of Tomoyo, that Sakura even learns that Syaoran is getting on the 11 AM flight to Hong Kong. She retreats to her room and begins to cry, but her tears create a magic circle and we witness the creation of an all-new Sakura card. We don’t get to see what’s on the front side, but judging from Sakura’s smile I was pretty certain it had something to do with love.

With that, Sakura makes a mad dash to the airport (it would have been cool if she released her wand and flew there) just in time to catch Syaoran. She doesn’t say “I like you too”, but she doesn’t have to, thanks to Mr. Wei, who brought the teddy bear Syaoran left on his dresser.

Both Syaoran and Sakura know what giving the bear to someone means, so Sakura asks for the bear, and Syaoran gladly, tenderly gives it too her. It’s a beautiful, heartwarming ending to an always beautiful and heartwarming series, which is finally at its end.

I’d heard great things about the original Cardcaptor Sakura while watching and writing reviews for Clear Card, and now I can say with certainty that the original is the superior show by a large margin. That’s not to take away from Clear, which was still a lovely show, but this original was just that damn good. It was a particularly welcome salve in these trying times.

I’ll close by suggesting that if you’ve been reading these reviews without revisiting the show and want to be cheered up, head over to Netflix (your streaming service may vary depending on country) and get to (re-)watching—you’ll be glad you did!

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