ReLIFE – 17 (Fin)

Aw HELL yeah! I didn’t ask for much, just a happy yet satisfying ending that felt earned, and ReLIFE delivered exactly that. Initially framed by Yoake’s final report, things start out in the afterglow of Kaizaki and Hoshiro’s confessions. All their friends are super-excited for them, but they keep it very cool and low-key, which is just like two teenagers who are actually adults.

They’re both simply savoring every day they have left together, because they don’t have a lot of them. It makes you wish they’d gotten together much sooner…but then again, I couldn’t have asked for a better way for them to finally realize their feelings for another, and their love only deepens as the days pass, as evidenced by their late night phone call when simply messaging on LIME won’t cut it.

Graduation Day comes, and Kanzaki manages to graduate by the skin of his teeth (thanks to Oga). There’s goodbyes, notes of goodwill, flowers, smiles…and tears. But there are no tears more bitter than those shed by both Kanzaki and Hoshiro.

He finally gives her a hug, just when she needs one most, and it turns out he needed that hug just as badly. He says it feels like a break-up, even though they’ll see each other at the start of the college term. Hoshiro thanks him for being such a transparent yet kind liar.

And that’s the last they see of each other in their respective ReLifes—with a tearful embrace, assuring each other they’ll never forget each other, even if they know they can’t keep that promise.

Yoake congratulates Kanzaki for a marvelously successful ReLife, telling him he can look forward to very promising job placement in exchange for his cooperation with the experiment, and should hold his head high. Meanwhile, Onoya has her exit interview with Hoshiro, who never really warmed up to her newer support.

Describing her ReLife, Hoshiro describes how her heart is “ripped open” by getting close to people only to lose them, but admits she does feel like she changed “a little.” After taking her pill and falling asleep, Onoya accidentally discovers a marker Hoshiro used to write “I was in love with Kaizaki Arata”, and breaks down at Hoshiro’s failure to hide it better, as once Onoya sees it, she has to get rid of it along with all other evidence. It’s her job, after all.

Fast-forward to a bit of time after Kanzaki regains his 28-year-old appearance and starts interviewing for the jobs ReLife provided. Ultimately, however, he wants nothing more than to help others as he was helped, so he requests a job with ReLife, and is accepted. Now he is the one visiting shut-ins and other wretches, offering a way for them to find themselves again.

At a ReLife company dinner, Kanzaki arrives a bit late, but a space was saved for him. Turns out the seat he takes belongs to Hoshiro, but it’s no big deal or anything, as someone from another part of the restaurant is calling for her. As she turns to walk away, Kanzaki notices the strap on her bag…

At the end of the dinner (well, the first round, but the only round recommended for newbies), it starts to rain, but Kanzaki doesn’t have an umbrella. Just then, Hoshiro appears once more and opens the very same green umbrella the two shared just after confessing. She offers to share it, but Kanzaki politely declines, and she starts to head off on her own…but turns and says she heard the higher-ups calling him a test subject.

She then mentions her own stint as a subject, how it lasted two years, and how her supporter pushed for her to get a job at ReLife, and she took a position in the pharma section. Kanzaki asks if she’d tell him about her ReLife, and she compares it to…fireworks, like the ones she saw at the festival with her friends.

They both latch onto the spectacular yet fleeting nature of fireworks, and eventually both remember flashes of that night when Hoshiro told Kanzaki he was like fireworks. I tellya, I got an absolute thrill out of watching them gradually put the pieces together in their heads.

You could say the fireworks…sparked their memories, heh-heh. Once he recalls Hoshiro in her red yukata looking up at the sky, Kanzaki calls her by her name. Hoshiro needs just a little bit more, but she eventually remembers writing the note on her hand as she cried after taking the pill. And that’s it: in spite of the lab’s efforts, they found and remembered each other…and it didn’t even take that long!

Now, while the ReLife procedures were concluded with all due diligence, I’d like to think both Yoake and Onoya played roles in facilitating a reunion. Yoake accepting Kanzaki’s request to work for ReLife; Onoya predding Hoshiro to work there as well…even telling Kanzaki that Hoshiro’s seat was his in the restaurant.

But while the supports made the conditions more favorable for a happy ending, at the end of the day they were just that, support. It took Kanzaki and Hoshiro being friendly, open, and honest with each other, and especially Hoshiro bringing up how she heard he test subject, like her, at that crucial moment.

If she hadn’t they might have gone their separate ways, perhaps forever. But I’m immeasurably chuffed she did, and the resulting re-connection was nothing short of mesmerizing. Time for some #Adulting!

ReLIFE returned quite out of the blue to rip my heart out with the prospect of tearing apart two lovely people who had only just found each other…only to painstakingly reconstruct that heart, and fill it back up with love until it almost burst all over again, only in a good way!

Of course, you’re mileage may vary, depending on whether you read the entire web manga (I did not) and your particular emotional investment. Clearly, my investment was significant, and one and a half years of time away didn’t dull it in the slightest. This was a big win.

ReLIFE – 16

Well THAT escalated quickly! Christmas is approaching, and after Kaizaki recommends an almost too-pure-for-the-world Oga to just take Kariu anywhere and they’ll have fun, he suddenly finds Hoshiro not only avoiding him, but bolting away like a scared chipmunk whenever he makes eye contact.

Kariu and Tamarai kinda already know what’s up; both Kariu and Oga previously pegged Kaizaki and Hoshiro as being in love, so they convene in the locker room to get it from the horse’s mouth. Yet all Hoshiro can say about her feelings is “I don’t know.” Kariu, suddenly the mature one to provide the advice, tells her “I don’t know” isn’t going to cut it…not when she’s just “one step away.”

Later, Tamarai simply advises Hoshiro to ask Kaizaki on a date, just as Oga advised Kaizaki to ask Hoshiro. But just when Kaizaki thinks their distance couldn’t be any greater, Hoshiro sneaks up behind him and asks him if he’s free on the 25th and to expect further details by LIME.

That night, Kaizaki is a nervous wreck, but finally gets those details, along with another silly Hoshiro cat sticker. Hoshiro makes it clear it’s a date and she’s looking forward to it. After getting the all-green from Yoake, Kaizaki isn’t about to turn her down, even if he believes it will “ruin her Christmas” when she inevitably forgets all about him.

The date starts out a bit stiff, but both parties seem to be enjoying themselves immensely as they mill around the mall doing date stuff. In an adorable little detail, Hoshino, completely unaware that “Christmas” dates typically happen on Christmas Eve, set the date for Christmas day, but that ends up working out just fine, as it’s a lot less crowded.

The montage of their date is a somewhat creepy montage of photos taken by Yoake and Onoya, who are keeping a respectful distance but still watching and listening to their charges like hawks…while trying to get in some Christmas chilling of their own.

When Onoya acknowledges with a somber look that both of the lovebirds will forget all about their wonderful date, Yoake, always trying to find the silver lining, says that won’t mean it never happened…which, fine, but dude, that’s not the same of having a date and remembering it! The latter is much better, and these two deserve much better!

Yoake, having at least a sliver of heart, sends a quick message to Kaizaki informing him it’s actually Hoshiro’s birthday. When she gets him a present for Christmas, he gets her one for both Christmas and her birthday, bringing a warm and appreciative smile to her face.

When the two go up in a Ferris Wheel, Hoshiro asks Kaizaki what his birthday is. He tells her it already passed in August, and both get very troubled and pained when they say they’ll just have to celebrate it next year, knowing full well (at least at this point) that next year won’t happen for them, and saying they’ll never forget today. It’s hard to watch, I tellsya!

But even if nothing romantic happens on the Ferris Wheel, things turn around on a bridge. Kaizaki impulsively reaches out and takes Hoshiro’s arm as if to hug her, but she draws back. Apologizing, she tells him how much he’s “on her mind”, and the more he’s on her mind, the less she understands what to do.

It’s all the opening Kaizaki needs. He tells her she’s on his mind to, and that he loves her. That in turn allows Hoshiro to take the one final step Kariu was talking about: she tells him her feelings for him are the same.

With that, it suddenly starts raining. Ever prepared, Hoshino breaks out her umbrella and holds it out for Kaizaki. He takes hold just above her hand, but she puts her hand over his before they walk away together into the dark sacred night.

I honestly have no idea where things will go from here, and I can’t rule out the possibility Yoake will have his way and their memory of one another will vanish, which would be an appalling tragedy. That’s why I wouldn’t have minded if this was the final episode.

After sixteen episodes of these two, things are exactly where I want them. Will I regret watching one more episode? Am I a fool for hoping some kind of happy ending is still possible? One, perhaps, in which they meet and hit it off as strangers? Hey, I’ll take a relationship respawn over a system failure any day.

ReLIFE – 15

In this outing the Aoba Fest, with its maid/butler cafe and stalls and bonfire, comes and goes fairly briskly. Kaizaki and Hishiro alike try to make the most of their second chance at a pivotal time in high school life, but it’s a decidedly bittersweet experience.

It’s obvious why it’s sweet: the festival looks like a lot of fun, especially when much of it has Kaizaki, Hishiro, and their friends dressed to the nines. After Hishiro tried to get Yoake to slip up and tell her Kaizaki is also a subject, she tries to find out for herself by grabbing Kaizaki’s arm and drawing close to him, as if they were dating…with inconclusive results.

She could interpret him as being uncomfortable because he’s really an adult, or he could just be flustered because she’s acting out of the ordinary, which she kinda is. The bitter part comes when the festival ends, when Kaizaki laments that he’ll “vanish” when his ReLife ends.

Yoake corrects him by saying he has to take solace in knowing he left his “mark” with these high schoolers; things happened in their lives that wouldn’t have happened without Kaizaki.

Onoya has a similar chat with Hishiro, telling her to take pride in the fact she’s taken a “lovely step forward” by taking an interest in someone like Kaizaki. Whether it’s true love or not, that’s something the pre-ReLife Hishiro couldn’t do.

Yoake’s attempt to cheer Kaizaki doesn’t last when his class undergoes college counseling. Both he and Hishiro choose to go to Aoba U like Kariu and Oga, even though they know it’s “pointless” since in reality their ReLifes will end and they won’t be joining their friends, nor will their friends remember them.

Any way you look at it, that stings. That stings hard enough to wonder if it was a bad idea to do a ReLife in the first place, even when one considers how socially and emotionally improved it made them.

It stings enough for Kaizaki to ask Yoake if he really has to go back to his old life, and has to let all the friends he’s made forget about them. Yoake reminds him that Kaizaki didn’t become someone new in his ReLife, he regained the friendly straightforward person he was.

But that restoration couldn’t have happened if Kaizaki hadn’t lived his life as he had before ReLife, which he’s now asking to discard. Yoake tells him not to give up on “Original” Kaizaki; “High School” Kaizaki is, after all, only an illusion.

Onoya, having only just started becoming Hishiro’s support, has nevertheless been engaged with the whole crew for some time now, and unlike Yoake, hasn’t quite accepted what they’re doing and sees the end result as cruel, sad, and scary.

Continuing his role as comforter-in-chief, Yoake tells her ReLife isn’t about enjoying every moment to the fullest in a life that is fleeting by design, and all they can do in their capacity as ReLife staff is support them with everything they’ve got, without regrets.

That night, Hishiro resigns herself to the fact there’s really no way to find out for sure whether Kaizaki is a fellow test subject, and there’s no point in thinking about it…yet she can’t stop thinking about it. Could that mean it’s not so pointless after all?

The next day is class photo day, and Kaizaki and Hishiro both know that it’s a photo in which no one else in the shot, not even the good friends they’ve made, will remember them.

They’ll be like “ghosts” in such a photo. And yet, just as the shot is taken, they look in each others‘ directions, holding out hope that a fragment of a memory will still remain in someone’s mind when they look at this photo.

Must all of the dream-crushing things the vile Yoake says really come to pass according to plan? Must these two people really forget one another? I, like them, certainly hope not!

ReLIFE – 14

Well, this is a nice surprise on the second day of Spring when there’s a Nor’easter pummeling my coast: a bonus episode of one of my favorite shows of 2016, ReLIFE! These four new reviews won’t make much sense without watching the 13 that came before, which I highly recommend. You can catch up by reading my reviews here.

When we left the main couple of Hishiro and Kaizaki, we knew they were both subjects, but they didn’t know that they were, and so maintained a distance that was not bridged, since they both assume they’ll lose contact with the other forever because of the nature of ReLIFE.

Still, both have benefited tremendously from their experiences as high schoolers, and continue to do so. Meanwhile, real high schoolers Kariu and Oga are now an item, while Yoake is transferring Hishiro to his junior Onoya now that she’s entering an “unprecedented” second year.

Hishiro now rather strongly suspects that Kaizaki is a test subject like her, but Yoake will neither confirm or deny it, while warning her that if she learned that he was a subject, it would spell the end of his experiment and an immediate severance, and Hishiro would never see him again.

With that in mind, Hishiro treads carefully, but is still eager to learn the truth. To that end, when Kaizaki is made the class boys’ cultural festival officer, she volunteers to be the girls’ officer. They work tremendously well together and the paperwork flies off the proverbial desk.

Their work is momentarily interrupted by a problem Oga is having. He got in a fight with Kariu for shooting down the idea of her coming over to his place after a date, because he didn’t want to hurt his older shut-in brother and feared Kariu wouldn’t “approve” of him.

Kaizaki and Hishiro put on a veritable friend-cheering-up and advise clinic, with Kaizaki assuring Oga that the best way to act around family is naturally, without hiding anything, while Hishiro assures him if he just tells Kariu what’s up, she’ll accept it; in fact, she’s probably mad because he didn’t in the first place.

Afterwards, Kaizaki and Hishiro exchange words of mutual respect. Kaizaki, unaware that Hishiro is a fellow adult, continues to be astounded by her maturity and wisdom beyond her years, while Kaizaki’s very accurate suspicions persist.

The two continue festival prep, and Oga and Kairu make an appearance to show they made up nicely, but later in the day, when Kaizaki returns to the classroom to find Hishiro worn out and asleep at her desk, he resists the urge to touch her head in affection, while in his head admitting he’s fallen for her.

So, we’ve come a little further from the fireworks festival episode, in that Hishiro is on to Kaizaki (the level of her surety is up for debate, but the fact she’s right is indisputable) and Oga and Kariu are doing nicely as a couple. But both Kaizaki’s ignorance of Hishiro’s true age and Oga’s veiled threat prevented all the truth from coming out. We’ll see if that happens in the next bonus episode.

ReLIFE – 13 (Fin)

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Something’s definitely up with Hishiro as the final episode opens. You’d have to be Oga not to see it. All the LIME texts flying around about feelings and confessions, taking closeness for granted and fearing long separations.

Hishiro wonders, very logically, why one would put oneself through the “pointless” hassle of falling in love or confessing that love to someone you know you’ll be separated from.

Well, as the saying goes, better to have loved and lost, etc. And then there’s always a chance one’s assumption of being separated…turns out to be wrong, even if she doesn’t know that yet.

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Hishiro arrives to her first festival late and flustered; bold and resplendent in her deep red yukata (a color she asked Kaizaki if he liked in the preview for this ep). Due to the crush of people and unfortunate positioning, it’s Yoake, not Kaizaki, who is by her side when she needs an arm for support, whil An clings annoyingly to Kaizaki.

Sure, knowing what we know in this moment, An’s the better bet, as she won’t lose her memory of him when his year is up. But things are about to get more complicated in that arena.

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But first things first: Kariu intends to tell Oga how she feels about him, and Oga intends to tell Kariu how he feels about her. Their friends do a masterful job quickly ditching them, putting them both on the spot, having no idea of the each others’ intentions.

Oga takes the initiative, simply blurting out “Hey Kariu. I, uh…love you,” surprising both me and Kariu. Way to go, sport! The words hit Kariu like a ton of bricks, and as her mind races about all the ideas she had to confess to him, she gets shoved by a passerby.

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Oga grabs her hand and draws her near, and that’s when Kariu confesses she’s loved him for years now, bowling him over with equal elation. He adds that he’s probably loved her for a similar period of time, but needed Kaizaki to help him spell it out. They then hold hands and watch the fireworks together, on cloud nine…just eight minutes in, and we get a big win, making me wonder what else is in store for us in the finale.

Tama notices Kaizaki and Hishiro aren’t around, but Yoake and An shrug it off, having set Kaizaki up to be along with Hishiro. She asks him pointedly about Yoake, but not as someone interested in Yoake. Rather, she voices her admiration for Kaizaki’s ability to so quickly amass good friends, inspiring her to try harder.

Kaizaki counters that she’s surrounded by friends too, and she’s “tried plenty hard”, but she still gives most of the credit to him, adding she’s really glad she met him…which really confuses Kaizaki!

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He goes over in his head what she meant, but settles as he’s settled all along; happy she feels that way, and grateful for his ReLIFE, brief as it is. Hishiro then points out how lovely the fireworks are, and Kaizaki adds that they’re a little sad too, since they’re so fleeting and then fade in the darkness.

As the fireworks flash and bang about, a flurry of thoughts and memories fly by, going in backwards chronological order. It’s a concentrated retrospective of everything Hishiro’s been through these past thirteen episodes, ending with her telling Kaizaki he’s in her seat…and then a cut to black.

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Yoake introduces himself to an older Hishiro Chizuru. That’s right, she was Subject #001, the one Yoake failed. Not that big of a surprise, I know—all the clues have been there all along—but still good to see it confirmed here and now, during those fireworks.

Hishiro’s whole problem all this time has been the same as Kaizaki’s: she’s afraid of having too much fun or being too happy or falling too much in love, lest it hurt that much more when they part ways. “You’re like the fireworks,” she says to Kaizaki, while the fireworks are too loud for him to hear. She doesn’t repeat herself.

The two return to the others, and after celebration of Kariu and Oga confessing to one another, find themselves alone together again. It’s here when Hishiro states that her position from the beginning of the episode has softened in light of Kariu and Oga coming together. Now she knows worrying about the future at the cost of happiness in the present is a waste.

There’s no dual confession here, no matter how close either Hishiro or Kaizaki come, they always stay on that precipice, because they both believe the other will definitely forget them. But since they’re both ReLIFE subjects, I doubt that will happen. It’s just a tremendous shame they don’t know that right here and now, you know? They’re both content with less than they should have, all due to a gross misconception.

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This is a tough pill to swallow (heehee), particularly becaue unlike Kariu and Oga, it’s a plot device, and not merely emotional obstacles, keeping these two apart. But I understand. Practically speaking, the manga isn’t over, and this show covered most of what’s already been published.

Basically, ReLIFE gave us something we wanted—Oga and Kariu together—but left everything else up in the air, as if to say “Don’t get greedy!” I wasn’t a fan of Kazaki saying again and again that he’d be forgotten when this show has proven optimistic enough for me to think there’s a realistic hope of him and Hishiro becoming an item.

I hope they do, in a future second season down the road, which I would watch the shit out of, no matter how much they dragged it out (after all, it took three seasons of Working!!! for the main couple to finally confess, and I watched every episode).

Until then, this was a very nicely done high school dramedy, and I especially appreciated being able to watch it at my own pace, instead of still being stuck on episode two!

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Charlotte – 02

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Yuu’s first day at Hoshinoumi Academy is fairly eventful, as Joujirou demonstrates the incredibly destructive and unnecessary way he buys lunch. But while his demonstration and its resulting wounds is played for laughs (and it is pretty funny on its face), the show delves into darker territory with regard to the effects special abilities have on the people who possess them.

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But first, Nao and Joujirou show Yuu how they operate, using the location pinpointing and power identification skills of a “comrade” to locate ability users who, like Yuu, are up to no good. In this case, it’s the archery captain, who uses his “thoughtography” ability to produce images of girls in their underwear which he then sells…to help support his struggling family.

Nao and Joujirou put Yuu to work immediately, using his body-swapping ability to get the name of the culprit and foil his attempt to blackmail Nao (who is nonetheless flattered that the culprit thinks she’s attractive). It’s clear Yuu is a good fit, and that he’s now on the straight and narrow stopping people from going too far with their powers or using them for nefarious purposes.

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The StuCo he’s now in less about punishing the ability users and more about protecting them from themselves. Those who get discovered are often taken away by the powers that be to have their brains poked and prodded. Nao knows this because her own brother, the first youth who had a power awaken in them, underwent just that kind of intrusive experimentation, leaving him a husk of the person he once was.

The importance, and indeed nobility of The StuCo’s cause is underlined greatly when Nao brings Yuu to see her brother. At this point, Nao is used to him not reacting to anything, despite his hospital being in the most gorgeous, P.A.Works-y environment possible. She even buys lunch and eats it on the train like they’re on some workaday errand, not visiting her profoundly wounded brother.

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Her casual attitude may be Nao attempting to live as normal and happy a life as she can in her brother’s stead, because she managed to escape the same fate. But however you interpret it, it’s a brother-sister dynamic Yuu doesn’t repeated with him and his beloved Ayumi. While initially resistant to all the crazy crap going on at Hoshinoumi with Nao and Joujirou, perhaps Yuu will continue to be more smart with his powers and get with the program.

After all, as Nao says, any of them could be captured tomorrow and their lives and the lives of those they love irreparably ruined. For all its goofy or laughable moments, Charlotte doesn’t fail to bring the gravity either. That combo makes sense: for those with lives almost always on the brink and an ongoing mission that may not end until they lose their powers at adolescence, one must have fun, goof off, buy beef tongue and destroy a cafeteria now and then to maintain their sanity.

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To Aru Kagaku no Railgun S – 19

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Ruiko and the others befriend Febri, but she’s apprehensive of Mikoto. They can’t find a record of her anywhere, so they list her as a child error and arrange for her to stay at the Cypress Children’s Home. It isn’t ready to take her in yet, so for the next five days Ruiko and the others will have to take care of her. At the grounds of the Academic Assembly, Ruiko leaves Febri with Mikoto, but they get separated. When they find her, Aritomi has sent robots after her, but Mikoto dispatches them, surprising Aritomi, who along with his science team votes to experiment on the third-strongest esper, the Railgun.

This was another one of those “interacting with little kids” episodes that Railgun/Index does sometimes (in fact, probably every episode with Index can count as one of those). It’s not that we don’t like kids (nor is it like Mikoto, where they don’t like her), it’s just that these episodes tend to be quite slow and plodding, in a series that is always best when the pace is, forgive the expression, more electric. As for Febri (or Febli), she’s cute as a button, but otherwise was basically your run-of-the-mill lost kid: shy and weary, but eventually opening up to everyone but Mikoto, whose name she inexplicably knows (Ruiko and Uiharu also make a good ‘mom-and-dad’ pair).

Still, we learn next to nothing about her, except that Aritomi and his colleagues are aware of her existence. We assumed she was an escaped scientific subject on the order of the MISAKAs or Last Order, or possibly even some kind of android built by Aritomi’s team. But the truth of her origin has yet to reveal itself, so for now she seems to be the piece that led Aritomi to Mikoto, starting another story of espers vs. the knowledge- and power-greedy scientists, only on a smaller scale, and with students (not adults) as the antagonists.


Rating: 6 (Good)