Astra Lost in Space – 06 – U for Vendetta

Each mortal threat the young crew of the Astra has faced falls into one of two main categories: threats from without—be they the perils of space or the planets they visit—and threats from within—i.e., the unknown enemy among them who sabotaged their comms and is believed to be on a suicide mission to wipe the rest of them out.

Last week’s cliffhanger of Ulgar pulling a gun on Luca fits in the first category, but not at all the way I expected. Perhaps I was too naive to so quickly conclude Ulgar was the aforementioned enemy, because he isn’t: his quarrel is personal and is with Luca alone—or rather, with the Esposito political family of whom Luca is the eldest son and heir.

During a long monologue with flashbacks to his past that rather kill the momentum and urgency of the standoff, Ulgar tells everyone about his belief that Luca’s father killed his brother, a freelance journalist and the only person in Ulgar’s family who was actually kind to him. Killing Luca is about revenge; about getting Luca’s dad to feel how Ulgar felt when he lost his brother.

There are multiple problems with Ulgar’s position, not least of which the complete lack of evidence that Marco Esposito had anything to do with his brother’s death. But Luca also tells him that killing him won’t change anything, because he’s not the heir; his younger brother is. When Ulgar accuses him of lying to save his skin, Luca disrobes and reveals that he’s intersex.

As the member of a family that values strong male heirs above all, as soon as Luca’s younger brother was born and the truth of his intersexuality was discovered, he became persona non grata, and his brother was named the heir instead. So Luca knows all too well Ulgar’s pain and isolation. Hell, he probably knows it much better than Ulgar. Luca wishes that killing him would make his dad sad. With that, Ulgar drops the gun and the standoff ends.

Naturally, this being Kanata no Astra, it isn’t one minute after one threat is extinguished than another arrives, of the external variety: a massive tsunami that may or may not be an homage to the famous giant wave scene in Interstellar.

Everyone rushes aboard, but Ulgar and Luca are furthest from the ship, and Kanata isn’t able to grab them when the wave arrives. Still, the fact the three of them survived at all indicates the wave was not as huge as it initially looked, even though it appears to swallow up the entire sandbar on which the Astra had landed.

Despite Ulgar having just pointed a gun at him, Luca doesn’t hesitate to extend a helping hand to him, now that he’s confirmed through telling him more about himself that the two are more alike than different and actually friends whether Ulgar knew it or not. But Ulgar lets go rather than let Luca use the last of his strength trying to save them both.

Fortunately, Ulgar’s sacrificial move doesn’t end up costing him his life, as Kanata is lowered down to the water’s surface via bungee cord. With no further earthquakes or tsunamis, Ulgar, Luca, and the rest of the crew are safe and sound.

Ulgar apologizes to Luca and the rest of the crew, and Luca even teases him a bit by acting a little more feminine. Ulgar (rather abruptly) decides that he’s decided to become a journalist like his brother, perhaps a path that had up to that point obscured by his blind desire for revenge. He’s going to find the truth about Marco Esposito. Zack, for one, wonders if it wasn’t simple political corruption Ulgar’s bro found, but something much bigger … maybe even something worth sending them all into space.

Having weathered one big internal and one big external threat, you’d think the crew could enjoy the rest of the episode in peace without further problems, but alas. Since it’s feeling more likely to Aries that Kanata is far too dumb to realize she likes him, she decides to learn more about Charce, and asks a seemingly harmless question about what classes he was in. Charce says he was in biology, but Aries was in that class too; if Charce was in it, she’d remember, what with her photographic memory.

So the episode ends with the prospect of Charce being the enemy. But after what happened with Ulgar, such possibility should be taken with a sizable grain of salt (that is, won’t get fooled again). For one, would someone who’s so carefully blended in make so blatant an error as saying he was in a class he wasn’t actually in? Maybe Aries’ memory is messed up. Maybe Charce is being framed somehow. Heck, even Aries could be the damn enemy. So we’ll see.

Astra Lost in Space – 05 – The Kids Are Alright…Right??

Even after last week’s harrowing ordeal, the crew is not yet ready to pack up and leave Shummoor—not until they’ve gathered enough food. Thanks to a successful hunch from Charce, they learn that the pole trees, once their nemesis, are actually the yummiest food on the planet, and with the stores filled, the Astra departs from Planet #2.

The crew are also grateful to Yunhua, whose voice had both physical and psychological healing effects for all who were poisoned. That gratitude quickly shifts to straight-up admiration when they learn she’s the daughter of the superstar singer Lucy Lum. She then enlists Luca to give her a haircut, and Quitterie bristles as all the guys swoon.

Meanwhile, back home, Aries’ mom Emma listens to her daughter’s last video message to her, saying all is well—and probably isn’t watching it for the first time. It’s been over forty days since Team B5 was last seen on McPa, and Ulgar’s father has gathered all the other parents to decide whether to call off the search and declare their children permanently lost.

Emma is not ready to make that determination, and even correctly conjectures that the reason there’s neither remains nor luggage on McPa is because their kids are somewhere in space, still alive. But many of the parents are past the “denial” phase of loss (or don’t love their kids as much as her) and are ready to give up.

Meanwhile, at the very same time, many thousands of light years away, not only are their kids perfectly fine…they’re living it up on a tropical beach.

Planet #3 is Arispade – which is 99% water with one tiny islet that features a wealth of food and a sugar-white beach on which to break out and show off one’s swimsuit. It’s paradise. It’s so paradise, Quitterie almost loses it; after all they’ve been through, why are things suddenly so easy and comfortable that she can totally see herself living out the rest of her days on that beach?

Since this is, in fact, Kanata no Astra‘s beach episode, it wastes no time delivering the goods, as Quitterie insists on comparing boob sizes with Aries and Yunhua, and also assures Aries she’ll have no problem attracting Captain Kanata with her “spicy” bikini. The implication flusters Aries.

Back on the ship, there’s more good slice-of-life, with Quitterie pressing her attack upon Aries, urging her to go ask Kanata out, or at least find out if he already has a boyfriend. Aries actually musters the courage to ask him if he’s popular with girls (he says he’s popular with “all humans”) and then asks if he has a girlfriend (he says all girls are his friends). Neither Aries or Quitterie are happy with Kanata’s lame replies. Quitterie exacts swift punishment by sticking Kanata’s toothbrush up his nose; Aries goes to bed early; dejected.

Meanwhile, Luca thinks he’s making progress becoming friends with Ulgar, having fashioned a bow, arrow, and fishing poles for him to do what he apparently does best: shoot and hunt. Yet Ulgar remains aloof and hostile, and becomes…something else entirely when he learns that Luca’s last name is Esposito, and that he’s the son of a senator back home.

Ulgar’s reaction—like a switch had been flipped in his head, combined with the image of the gun we saw a couple weeks back, spell nothing but dread for the final scene of the episode, an otherwise placid sunset repast among the crew members, with only one person absent: Ulgar.

After waxing romantic about the time they have and how neither photos nor medically secured memories will ever adequately convey the emotions they’ve felt in the last fifty-or-so days, and Luca remarks that he doesn’t even believe there’s an enemy among them, that enemy finally reveals himself, and points his gun at Luca’s head, warning he’ll shoot if he moves.

And that my friends is how you go from a solid “8” episode that lacked any danger or difficulty for twenty-two minutes, to a solid “9” in the twenty-third. The good-old cliffhanger. It doesn’t even matter if the most likely of the crew to be the bad guy is the bad guy (unless he isn’t, and there are more twists afoot); that was marvelously done.