Keppeki Danshi! Aoyama-kun – 01 (First Impressions)

Morita-san is taciturn. Tanaka-kun is listless. Sakamoto is…Sakamoto (haven’t you heard?). And Aoyama-kun…is a clean freak. He’s also a elite young soccer talent who was selected for the national team’s under-16 squad.

But unlike Tanaka in particular, there’s not much to Aoyama beyond those dual main qualities. His constant scrubbing, and the adoration of his legions of mostly-female fans, becomes tedious pretty fast.

His soccer senpai (and advantaged rich kid) Zaizen also grows weary of Aoyama’s shtick pretty quickly. We get it; dude’s a germophobe…though even that’s arguable, since he doesn’t wear surgical masks everywhere and doesn’t seem to have much of a problem being outside.

We learn in the cold open, and it is confirmed when the team practices against a rival elite team led by the washboard abs-bearing Takechi (who is trying to poach Aoyama) that Aoyama is indeed a singular, if bizarre, soccer talent; applying his obsessive “cleanliness” with a gameplan completely devoid of physical contact, combined with sharpshooter precision on passes and shots. But look to someone else for checks and headers.

Admiring Aoyama from afar (and possibly content to keep it that way) is the very cute but also clearly fixated Gotou Moka, who would like to think she’s locked in on what Aoyama thinks and does, since they’re soulmates or something.

But ostensible side characters like Zaizen, Takechi, and even Moka herself are all more dimensional characters than Aoyama, simply because they have more to say and we see things from their perspective.

Don’t get me wrong: Studio Hibari has rolled out a very good-looking anime in Keppeki Danshi; many of Aoyama’s moves in slow motion are cinematic in their presentation. The character design is clean and crisp. Overall the production is competent. The comedy is well-timed if unexceptional so far (the abs-bearing guy is particularly lame). Colorful—if still shallow—personalities abound.

But the main problem so far is the titular character. Aoyama is little more than cleanliness and soccer ability, and he’s always observed from a distance. He has to develop as more of an actual human being if the audience is going to be expected to connect with and keep rooting for the guy.

There’s a slight but promising glimmer of that when Aoyama suddenly comes to life with five minutes to go, even getting dirty in service of winning the game because he really hates losing.

But if we don’t see more of stuff like that, and continue in the vein of “OMG look at what clean-freak thing Aoyama’s doing now!” ad nauseum, Aoyama-kun won’t just be a “Cleanliness Boy”…he’ll be a Boy I’m Not Watching.

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Attack on Titan – 29

Titan, you can only zoom in on the pained-looking eyes at some one so many times before I start thinking to my self well, she’s definitely hiding something, and in this show, ‘hiding something’ usually means ‘they’re a Titan’.

And so it’s the case with Ymir, who laughs about Conny’s report on his village a bit too much; specifically the part where the fallen Titan on his house reminded him of his mom.

But before her Ymir’s big telegraphed reveal, she, Krista, and the other gear-less rookies play a tense waiting game once the Titans show up.

The elite scouts show off their stuff, but considering the Beast Titan is arranging this siege, watching them exert so much steel, gas, and energy to what will likely be the first of many waves was a bit disheartening.

Not that the scouts have any choice but to fight, mind you—A., it’s their duty; B., they’re totally surrounded.

Inevitably, the Titans get in the castle, and the few moments before Reiner opens a cellar door to reveal a particularly creepy one are absolutely dripping with tension and dread. It’s so quiet down there, but as most Titans don’t speak, silence doesn’t mean safety.

The rookies make use of what they have—a pitchfork, an old cannon, scrap wood—to kill this Titan, but a second one shows up, one that gives Reiner a vicious arm wound before he picks him up and places him in a window so Ymir can kick him out.

Krista rips up her skirt to make Reiner bandages and a sling, and he contradicts Ymir’s claim he’s not interested in girls when he thinks “gotta marry her” (Krista, not Ymir).

But more distressingly, they’re just about out of effective makeshift weapons, and the barricade for the door into the castle seems laughably flimsy against the onslaught of Titans outside.

Those Titans just keep coming, and when the Beast tosses some horses and rocks at the castle towers, two of the four scouts are killed instantly. It turns out they were the very, very lucky ones. Titan goes Full Sadist in depicting the visceral demise of the final two elite scouts, both of them, by the end, reduced to crying and screaming like young children before being disembowled and devoured.

All the one poor guy hopes for before the end is to have a drink from the bottle of booze he found, but to add insult to fatal injury, Krista used it all up disinfecting Reiner’s wound. Titan doesn’t just drive the knife in and twist it, it pulls the knife back out, then drives it back in, twists again, then drops an anvil on you for good measure. Brutal.

In the face of all that casual brutality, the arrival of dozens more Titans, and the fact the tower they’re standing on will certainly crumble and fall within minutes it’s kind of amazing that none of the rookies want to give up yet, although Krista specifically wants weapons so she can die in battle like the four scouts. Ymir doesn’t like that attitude, so she decides: she’ll be the weapon.

She takes Conny’s dagger and leaps off the tower, confusing everyone (except Reiner, who found it odd Ymir could read the language on the canned herring label), then transforming into a wild-looking Titan. The cavalry didn’t come from without for this group of rookies, but from within. But will she be enough?

It’s another strong outing from Attack on Titan to close out its first quarter, and it’s a close call between this and the Sasha episode for best episode so far. This week the claustrophobic pressure was kept up by remaining at the castle and only at the castle for the entire duration; no cuts to see what was going on elsewhere.

That extra focus, and the increased horror elements made this a must-watch, even if there were times when it was hard to watch.

Little Witch Academia – 02

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LWA’s first episode promises Akko has what it takes to be a witch, and possibly a good one, by summoning the power to save her new friends from a wild Cockatrice and transport everyone safely to school.

But not so fast…the next morning Akko can’t seem to get the Shiny Rod to do anything, and her first day of exciting classes turn out to be nothing but lecture after interminable lecture. Whether it’s a student using a small spell to keep potions away, to Sucy stealthily turning Akko’s hair into a plant, I love this kind of magic school minutiae.

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One person who stands out in every class is Diana Cavendish (of the 1,500-year-old Cavendish Family), who is believed to be the finest which of her generation, and the best to ever attend Luna Nova. I’m thinking Granger ability in a Malfoy package.

Yet while she’s undeniably talented, and a little aloof, she doesn’t come off as your typical stuck-up aristocratic jerk who needlessly harasses our heroine Akko. Indeed, she seems to follow the ideal standard of noblesse oblige: she’s polite and respectful, but isn’t afraid to tell what she believes to be a harsh truth: that Shiny Chariot isn’t all Akko makes her out to be.

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Diana also indulges Akko’s desire to show her what Chariot’s Shiny Rod can do, and waits patiently for Akko to do…something, anything. But the Shiny Rod just won’t cooperate. When it’s Diana’s turn to demonstrate her power, she does so, doing what Akko tried to do and make the statue in the courtyard not only move (in an awesomely trippy sequence that may have only happened in poor Akko’s head) but pluck that plant from Akko’s head, restoring her ponytail.

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What with all the talk of Shiny Chariot once being a pretty popular name in “performance witch” circles, no one’s seen nor heard from her in ten years…because she’s most likely assumed the identity of Professor Ursula, whom it was hinted last week could be Akko’s muse.

Considering her interest in Akko, I wouldn’t be surprised if Ursula/Chariot is trying to groom a replacement from the shadows, even bequeathing to Akko the Shiny Rod that served her so well…at least for a time. That being said, if Diana and her admirers represent the average opinion on the matter, it would seem that entertaining masses of muggles isn’t the most respected profession in the magical world.

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Still, there’s every indication the magical political spectrum is as wide and diverse as the non-magical one, with Diana Cavendish insisting (and being able to back up) that “magic is cultivated through the accumulation of lasting traditions and assiduous research,” basically the opposite of Shiny Chariot’s “A believing heart is your magic” credo.

It’s almost science vs. faith! Akko’s faith in Chariot and the power of the Rod summoned the magic necessary to save her, Sucy and Lotte. Then again, there’s a science to her “assiduous research” of the Chariot collector cards and their effects. Her “lasting tradition” is the tradition of fandom.

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This week, that lovingly-cultivated and maintained fandom comes in handy, just as her believing heart did so last week. Diana shows she’s still young and not perfect when in her hubris she believes she can singlehandedly restore the old Jennifer Memorial Tree none of the professors can diagnose.

She releases a powerful spell that indeed revitalizes the tree, but also strange glowing orbs she assumes are parasites to be exterminated. But they’re not pests; they’re chrysalises containing Papilliodya, which emerge only once every 120 years (or only a dozen times in the entire history of the Cavendish Family).

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Diana is ready to take out every one, but Akko stops her, even taking a direct hit that stuns but does not disable her. Akko casts the spell on the trading card, and thousands of magic butterflies are able to take flight for the five continents, resulting in a stunning display that inspires hope in all who behold them.

When the professors see the restored tree, both they and Diana’s toadies shower her with praise, but Diana, again displaying signs of a healthy conscience, tries to insist it wasn’t her who made it happen, running off before giving Akko the credit. I like to think Diana saw a teensy bit of promise in, and respect for, Akko, despite their very different magical ideologies.

As for LWA, it continues to impress with its eye-grabbing visuals, lean, nimble character design, surprisingly complex characters, lush action, and optimistic outlook – the very definition of must-watch.

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P.S. We already knew the OP was great, as we saw it as the ED last week. Now we see the proper ED, and it’s great too. Both feature memorable pieces of music that don’t try too hard.

Shokugeki no Souma 2 – 07

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Unlike the past few Autumn Elections battles, I didn’t have a horse in this race. I like Kurokiba and Hayama…just fine, and while Hayama carries himself like he’s the best of his generation (and just might be), there’s a fire to Kurokiba (only once he has his bandanna on) you just can’t sell short.

They also have strong women supporting them, with Jun serving in a nurturing maternal capacity as mentor (despite the visual suggestions of bondage) while Alice treats Kurokiba more like a ferocious feral beast she keeps calm until it’s time to be unleashed on his prey.

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What got me into this battle between guys I don’t have strong opinions on was the featured audience: Souma somehow ends up being able to sit with Erina, and Alice soon joins them to complete a Nakiri Souma Sandwich.

Alice is a vital resource on All Things Ryo while Erina’s wealth of culinary knowledge and insight are well-documented. He couldn’t have two better people to help him scout his future opponent, whether the raptor or the tiger prevails.

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Hayama’s aloof calm (as the soaring bird) irks the nearly-manic Kurokiba, but Hayama soon demonstrates he doesn’t have to yell and shout, because his spices do all the talking. He commands the entire arena with his waves of fragrance and grasps the judges in his talons of flavor.

When Kurokiba’s dish arrives, Judge Taki (who almost got in a brawl with the similarly fiery chef) is unimpressed with the aroma, but her false sense of security and confidence are soon undone. Ryo was lurking in the bushes, and strikes with an electrifying bomb of plums within the eel. Very vivid foodgasms this week, if far from the weirdest or most creative the show has done.

It’s all too fitting that I had a problem deciding who I wanted to win, though Ryo is probably the more interesting/unconventional one (as well as the underdog), because the judges can’t decide either! Four of them split the vote, and the fifth, Sonoka, cannot choose one over the other.

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Doujima decides to recommend both chefs move on to face Souma in an unprecedented three-way final. Chairman Nakiri allows it, shocking everyone, including Hayama and Kurokiba, who both seem pretty sore about not being able to knock the other out of the competition.

But hey, the OP had been teasing this all along this season, and here we are: a chef with encyclopedic knowledge of spice and how to wield it, a chef with a surging inner fire of molten lava, and Souma – who I daresay is somewhat between the superego and id of the other two, and perhaps the best of both worlds.

Totsuki’s first ever 3-way Autumn Election Final will feature Pacific Saury, something I can easily grab from the H-Mart should I get the urge to attempt to duplicate one (or all) of the dishes they come up with. But it also symbolizes each of the three chefs’ strengths: it’s fragrant (Hayama), it’s seafood (Kurokiba), and it has strong roots to the common people (Souma). Should be an epic match.

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Attack on Titan – 09

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The show chooses a rather odd time to introduce us to a new group of characters in the elite Scout Regiment, led by “neat freak” Captain Levi. I saw bizarre because there’s still quite a bit that needs to be resolved with Eren. As great as it is to see soldiers other than Mikasa having success in killing Titans, the truth is I was patiently waiting for the show to get back to the main characters, which thankfully happens about a third of the way in.

Before returning to the present, we find out what became of Eren after being swallowed. Not surprisingly, he ended up in the Titan’s gut, surrounded by his dead comrades being slowly digested, which…gross. But Eren refuses to give up, doggone it, and a light flashes and he transforms into Titan Eren, bursting out of the Titan who ate him and commencing his rampage.

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When Eren wakes up, he finds himself in a bit of a predicament. No good deed goes unpunished here on AoT, which means an entire battalion of his fellow soldiers have their weapons trained on him, Mikasa, and Armin. They’re led by a very twitchy commander who looks like he needs a lot more sleep, and everyone is convinced Eren is a Titan in disguise who needs to be eliminated.

With Eren still highly disoriented, negotiations break down pretty quickly, with Mikasa only offering temporary relief by putting herself between the guns and Eren and challenging anyone who wants to try to hurt him to get through her first. Eren finally cries that he’s a human, but the commander has already made his decision. Mikasa tries to get Eren away as the cannon above them fires, but Eren…does something else.

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And that something else is transforming back into a Titan, using his only partially constructed Titan body to shield his friends from the cannon blast. Once again, a bold action keeps him and them alive, but only a little longer: it doesn’t exactly help his claim he’s human, and I doubt such a trick can be pulled twice in such short order.

Preceding Eren’s last-ditch effort to keep death at bay, he experiences flashes of memory, like his dreams in earlier episodes, in which his father tells him the key around his neck and the secrets in the basement of their home are of utmost importance. I imagine the power he’s awakened has something to do with those secrets.

But first things first: how are he, Mikasa and Armin going to stay alive long enough to uncover those secrets? Forget the Titans; he’s got humanity against him at the moment. Talk about ‘out of the frying pan, into the freezer’.

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