3D Kanojo: Real Girl – 04 – Your Understanding Is Not Necessary

The Ezomichi-chan in Hikari’s head tells him to stop feeling guilty about being happy, and he decides to take her advice and agrees to tutor Iroha in math. Being one-on-one with her is a bit much, however, as the vibes quickly turn from studious to romantic…until Hikari’s mom and brother are caught very blatantly snooping.

Up until this point it’s been pretty smooth sailing for Hikari. He’s gained a girlfriend, another friend who happens to be a girl, and his worst enemy seems to be himself and his own lack of self-esteem. He’s just waiting for something to come along and take all this stuff he thinks he doesn’t “deserve” to have.

The universe obliges: Takanashi Mitsuya lures him out after school with a fake love letter (one Hikari knew would be a trap), and tells him to surrender Iroha so he can date her, or else. Takanashi is bigger, stronger, more handsome, more popular, and more blonde than Hikari, who has no clear answer ready for why Iroha is with him.

After getting punched, Hikari feigns a cold to go home early, but ends up in the same playground as a little girl who turns out to be Takanashi’s little sister Anzu. When Hikari brings up the possibility of his only recourse against Takanashi would be spreading false rumors online, Takanashi decides to use that, ordering Anzu to scream as a policeman cycles past, then claiming Hikari tried to take her home with him.

Takanashi snaps pics of the incident and posts them on the chalkboard at school, and within a day everyone has been convinced that Hikari is a creepy lolicon and shuns him even more than they used to. Itou knows the rumors aren’t true, as does Iroha, but Hikari doesn’t want them to get too close to him lest it make life difficult for them (Ishino, however, believes the rumors and expresses her disappointment).

As perfectly as Takanashi’s plan to toss Hikari’s already shaky rep in the dumpster, the reason he did it in the first place—to steal Iroha—ends in abject failure, when Iroha won’t even let him talk to her. Hikari is enough for her, and she’ll certainly take a kind boy like him over someone who spreads such harmful rumors for his own gain. Takanashi is flabbergasted, but perhaps it’s a teachable moment for him.

Meanwhile, Hikari’s brother Kaoru turns out to be very good friends with Anzu, who learns that Kaoru’s brother was wrongly accused of being a lolicon. Hikari’s mother (who is always a hoot in her loving yet frank disposition) can’t help but go with what makes sense, and Hikari can’t really argue with her; he’s never gotten along with people in general; for a misunderstanding like this to spiral out of control was always a distinct possibility.

Still, Hikari is lonely enough to still reach out to Iroha over the phone, surprising her. Unfortunately, it’s to tell her she should stop wasting her time with someone like him. She ain’t hearing it, and won’t listen to another word of his self-loathing nonsense.

She says what he couldn’t say to Takanashi: why she’s with him. He’s a nice person who cares about his friends and awkward yet loving. There’s no one she’d rather be with, so he can dispense with further attempts to convince her to leave him.

Iroha is on fire this week, between shutting Takanashi the fuck down with immediate effect, and making it clear to Hikari that she’s going to go out with the person she wants, and that’s him, damnit! If he likes her like she likes him, she’ll let her be by his side, in good times and bad.

The next day, Iroha is the one who encounters Anzu, and helps her up after she trips racing to her brother’s school. Takanashi tries to start up another talk with Iroha, but Anzu insists he hear her out: Kaoru’s brother is in trouble because he told her to scream when the policeman was nearby.

Hopefully Takanashi’s love for his sister and realization that he was a gargantuan ass will spur him into correcting his mistakes, setting the record straight about Hikari at school, and accepting defeat.

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Karakai Jouzu no Takagi-san – 06

It’s Summer Vacation, which means, presumably, that Nishikata won’t have to deal with Takagi’s teasing. But one can never presume when it comes to young love, as Takagi and Nishikata end up spending a lot of time together despite not being beholden to it by school schedules.

When Takagi proposes the two of them practice tandem riding during the summer, Takagi might bristle, but he doesn’t refuse. After all, while he’d probably never admit it he enjoys her company, and not just for the challenge of trying to best her.

Because Nishikata can’t pull off the tandem riding on the first day, he owes Takagi a juice, but can’t afford one of his own. Takagi first offers a sip from her can, which would be an indirect kiss, but then buys him a juice with her own change, because more than wanting to tease him, she wants him to be hydrated.

After a rainy day during which only the class president does her homework, Nishikata is late for his “appointment” with Takagi, and when she arrives, she’s in such a cute summer outfit he hardly recognizes her, so used he is to seeing her in her sailor fuku.

But there are too many puddles in their practice lot, so Takagi proposes they hang out anyway by doing a test of courage in a nearby “haunted” tunnel. Predictably, Nishikata falls for a number of pranks Takagi all too easily executes, capitalizing on the fact he’s scared even though he insists he isn’t.

Once they emerge on the other end, two young siblings passing by spot them and the sister deduces Nishikata and Takagi are another couple having a date. Which, sorry Nishikata, you kinda are. Sucks to be you! Oh wait, no it doesn’t.

The next day Nishikata doesn’t expect to see Takagi, who is on a family vacation. But when he spots her in the road (in another adorable outfit) he attempts to follow and surprise her, only for her to spot him first and devise a countermeasure.

She succeeds in scaring him, but more importantly, she wants to know what he’s up to, and since they’re both going shopping, she makes it another “date.” However, she did not expect a cicada to be under her hat, and almost falls backwards; Nishikata tries reflexively to catch her, but trips and falls himself, skinning his knee, while Takagi managed to regain her balance.

The caring Takagi comes out once more, insisting Nishikata wash the wound at a water tap. She gives him her personalized handkerchief to tie around his knee (thereby literally marking him as hers), then slips off her sandals and soaks her feet in the tap, inviting Nishikata to join her.

Nishikata had been having the “worst summer vacation day”, but Takagi counters his assertion by saying she’s having a good one because she got to see “a certain someone.” Lady, just tell him you got to see him. Either that, or fall for someone less dense!

Karakai Jouzu no Takagi-san – 05

Takagi and Nishikata’s delicate dance continues, as Takagi slyly inserts herself in nearly every aspect of Nishikata’s life. Knowing her teasing has caused him no shortage of distractions, she feels obligated to tutor him in math.

At first, she sits opposite Nishikata, reading a regular book and not studying herself. But when she notices he answered a question wrong, that’s her opening to sit much closer to him and help him through the equations.

Of course, while she taught him something he didn’t know, she didn’t teach him what’s actually on the test. Can’t be doing all the work for him!

The next day, Nishikata manages to pass with a 59, while Takagi is praised by the teacher but tells Nishikata she got less than a perfect 100. Then she suggests they engage in yet another game: whoever guesses closest to each others’ scores wins.

Nishikata has no poker face Takagi can’t read, so she easily narrows down his score to within three. She acts sincerely surprised when he guesses 92, but he doesn’t trust her face, and decides on 97 instead.

In the end, he was right with 92 the first time, while she was going to guess 59 but decided to give herself a three-point handicap. She gave Nishikata a shot, even though she didn’t have to, and both end up staring at each other quite a lot, which she clearly doesn’t mind.

In another skit outside of school, Takagi “coincidentally” bumps into Nishikata leaving a bookstore after  clandestinely purchase the shoujo manga 100% Unrequited Love. Takagi spotted him buying it, but again gives him a chance to tell her the truth. Naturally, he fails, but he also admits he lied, and begs her not to tell anyone.

Takagi decides she’ll give him a secret of hers, so they’ll both have secrets. She then tells Nishikata, flat out, that she likes him. Big move, Takagi! Nishikata turns beet red, much to her delight, right before she pulls back. Because he lied to her, she lied to him; she says she doesn’t like him.

Of course, that is the true lie; Nishikata just doesn’t know it, even though he has all the evidence in the world to confirm it sitting right in front of him.

Not satisfied with getting away with confessing in his ear or teaching him math, when Takagi is stuck under a shrine in the rain, she decides to claim his clothes as well. Specifically, she changes out of her wet school shirt and into his gym shirt. Later, he puts on her gym shirt, and notes how doing so feels kinda ‘dirty.’

Having swapped shirts and scents, Takagi proposes another game—guessing whether the rain will end by 5—and wins yet again. What she wins is Nishikata’s obedience, and even if he wants to hurry home so as not to miss his anime, he wisely seems poised to obey and follow her rather than run off. TV or nice girl…not really a tough choice.

Hibike! Euphonium 2 – 10

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It’s no coincidence Mamiko spends most of a scene scrubbing a pot she burned trying to make dinner. Mamiko wants to make up, not just with her parents, but with her sister as well. She’s scrubbing all the grease and grime that had amassed so that a new pot of soup can be made – a fresh start, without forgetting about what was said or what choices she made in the past.

As Kumiko volunteers to cook in her stead as she scrubs (she’s clearly the better cook of the two), Mamiko lays it all out candidly: how she thought going along with whatever her parents wanted was the adult thing to do, even though she wasn’t an adult at the time; how she resented Kumiko for being able to have fun with band; how she now regrets the choices she made, but is now ready to live her own life, hoping to avoid similar mistakes in the future.

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Kumiko always assumed her folks let her do as she pleased because they’d given up on her, because she had no promise. Mamiko doesn’t believe that; she just felt, as many older kids do, that her parents were taking a different approach with the younger kid; it’s what parents do. And before going to her room for a nap, Mamiko tells Kumiko to live her life too: be a kid when she’s a kid and an adult when she’s an adult; don’t be left with any regrets; learn from your suddenly awesome big sis.

While other friend-reconciling or concert-heavy episodes packed emotional and at times visceral punches, this may be my favorite episode of Euph2, because it’s the most personal one for Kumiko. She reacts to Mamiko’s news of leaving home with a stoic face, but on the train the next day, she suddenly bursts into tears. She is sad her sister is going, even if it’s what her sister wants…and probably needs.

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The episode brilliantly presents Mamiko as a parallel to Asuka, a connection I never really though about, but which makes perfect sense. I love how it’s Kumiko’s sister who provides a timely assist in terms of giving her a usable angle to go after an exceedingly stubborn Asuka.

Asuka is doing almost exactly what Mamiko did at her age, and while Kumiko didn’t do anything about that at the time – indeed, she didn’t even know what was going on, except that her sister was drifting away – she’ll be damned if she’s going to stand by and let Asuka go through with it unchallenged.

Challenge her Kumiko does, and Asuka, at least initially, is ready. She peppers Kumiko’s assertions with doubts like an expert debater. She keeps the focus on Kumiko’s argument rather than her problem, and even gets personal with Kumiko in a not-very-nice way, regarding her typical method of dealing with people.

She questions how someone like Kumiko, who herself tries to avoid hurting or getting hurt; who is “wishy washy” and keeps a safe distance; can expect people to tell her what they really feel, not just about Asuka coming back, but about anything.

 

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Kumiko is disheartened and temporarily stopped in her tracks, but the power of Mamiko’s words ring in her head and mix with Asuka’s euphonium, and Kumiko gets her second wind. Her voice rises in intensisty, tears stream from her cheeks as she confronts the heart of the matter.

She knows Asuka wants her father to hear her at the Nationals, and so does Kumiko herself. And she reminds Asuka that neither of them are adults yet, just high schoolers; and pretending to know everything and think “sucking it up and dealing” is the best course just isn’t right.

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Kumiko delivers an argument even Asuka didn’t quite expect, and moreso, delivers it with an honest passion Asuka can’t help but admire. Kumiko hurt her here, and let herself get hurt in return. The little blush on Asuka’s face is proof that that matters.

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Of course, Kumiko didn’t know if it would work when Asuka is suddenly called away. So when Asuka shows up the next day for band practice, Kumiko is gobsmacked. Many other band members tear up at her return.

And why? Well, Asuka proved she actually is special, at least when it comes to academics, scoring high enough in mock exams to have ammunition against her mom’s assertion she can’t succeed if she stays in band. Asuka takes her place beside Kumiko, and they prepare to practice.

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Asuka isn’t the only one Kumiko is surprised to see: Reina is also there. With everything that’s been going on with Mamiko and Asuka, Kumiko admits she’s kinda let Reina fall by the wayside.

By the look of Reina, I’d guess she’s either pissed off at the lack of Kumiko’s attention (doubtful) or has put the pieces together regarding Taki-sensei and his late wife, knows Kumiko knows, and is angry she didn’t tell her.

It’s almost as if the show intentionally made Reina and Kumiko such wonderful BFFs to this point so that when they hit a bump in the road, which seems to be the case here, it would have that much more impact. Of course, I’m just theorizing at some point. Gotta hear the next piece.

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Hibike! Euphonium 2 – 09

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Kumiko isn’t able to wallow in helplessness over solving her family’s problems for long: her band-mates have a new project for her! Why are Natsuki, Nozomi, Mizore and Kaori all going to her? Why else: Kumiko has proven to have a knack for stealthily helping people with their issues. She can act as coy as she likes: the results of her work are clear for all to see, and this week she’s celebrated for it whether she likes it or not.

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“You’ve always done well.” “There’s something about you.” “You see through people.” “You act like you don’t notice things, but you do…and when it matters most, you always have the right words.” All meant as praise, all of it well-earned. There’s no pretending she isn’t something she is. Kumiko facilitates. She connects. She breaks through to the heart of matters, often forcefully if need be. And she inspires the likes of Reina to want to just as forcefully “peel off” her mask.

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Reina has a lot of choice moments this week, not only when she’s so lovingly and earnestly describing Kumiko, to getting adorably flustered when Taki-sensei rises and shines before her eyes. But she also sees the photo on Taki’s desk, of him with another woman. As talkative as Reina was with Kumiko before seeing that photo, the silence on the train ride home afterwards is deafening.

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Kumiko can’t help Reina on this right now, she’s faced with her toughest challenge yet: Tanaka Asuka. Fortunately for her, Asuka wants to talk, perhaps because she too has witnessed what Kumiko can do. The close-ups of Asuka when Kaori ties her shoe then walks off are downright scary, while the tension in the early parts of Kumiko’s visit to her home is palpable.

But when it comes down to it, Kumiko isn’t there to be tutored, and Asuka isn’t there to tutor her. Instead, Asuka finally opens up to Kumiko, telling her how Masakazu Shindo “was” her father before he and her mom divorced when she was two. She tells her how her determination to make the nationals was borne out of a “selfish” desire to get her father to hear her play. How she hates her mother, but can’t do anything about it.

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It’s here where we see Kumiko, who had entered this mission utterly lacking any semblance of confidence or certainty, goes into, well, shall we say “Euphonium Mode”? She sees through Asuka’s misdirection. She notices her feints and her subtle leadings. And she even has the right words to say at the right time…not because she knows what to say in this situation, but because it’s what she truly believes.

We know from her inner monologue, she wants to hear Asuka play. And so Asuka plays us out, during the end credits. And Kumiko demonstrates another ability we know she’s getting pretty good at: bringing out genuine smiles. The fight to get Asuka back is far from over, but it’s off to a promising start.

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ReLIFE – 06

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With Hishiro and Kariu now friends, and Hishiro looking up her feelings on Google (then scoffing at the result that it’s “love”) I was looking forward to the show pivoting to focus on the third girl in Kaizaki’s circle: Onoya An. This episode certainly did that, but not at all the way I thought.

Things start innocently enough, with the possibility of Kaizaki’s friends visiting his bachelor pad becoming a very abrupt reality when Oga and An arrive for a study session. It’s great to watch him squirm as he hides any evidence of his true age, even as I knew in his haste he’d forget something.

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Two things he missed: his MD player and a calendar with work stuff. The first can be explained away by the simple fact he’s a fan of vintage electronics; the second he sidestepped by using the calendar to “kill a bug.”

The true test for Kaizaki comes when Oga is called away for work, leaving him and An all alone in his apartment (which Oga is too dense/pure to notice could be a problem). Yoake, who has Kaizaki’s phone mic tapped, does, and races to Kaizaki’s aid when he believes his cover is at risk.

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What ensues plays out like a high school version of a spy thriller, with An removing her childish braids and glasses, revealing she fell in love with Kaizaki at first sight back when she saw him working at the convenience store, and starts coming on to him, all while Yoake navigates the busy streets to race to Kaizaki’s place.

The entire premise of ReLIFE seems a little creepy at first, until a scene like this comes around and you realize there’s nothing to be concerned about, because Kaizaki is a good guy who knows his boundaries. Even if An thinks he’s 17 like her, and even if consensual sex with her is legal, he’s not going to do that, and not just because he doesn’t love her.

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At the same time, An’s long look at the MD, probing, knowing questions, and her little hair-and-glasses trick were all clues that she’s not 17 either, but rather another ReLIFE agent like Yoake—a far more reckless and cavalier agent than Yoake, to boot. But this was a legitimate test on how to deal with romantic advances from high school girls, and Kaizaki passed with flying colors.

I liked this reveal, a lot actually, because it was earned. It explains why An was so friendly and close to Kaizaki all this time without ever being the main focus. It explains her equally awful test scores. It eliminates the love triangle with Hishino for the duration of the experiment, while also opening the possibility of Kaizaki and An remaining friends when the experiment is over, since she won’t be losing her memories of him.

Even the show’s poster was a clue about An. And she wasn’t even entirely lying about “love at first sight” either. When she saw Kaizaki’s case file, she knew she had her ReLIFE subject. Only she couldn’t be his support because her training wasn’t quite complete, hence the transfer to Yoake.

While the cat is out of the bag about her identity, the other four members of Kaizaki’s circle are still in the dark, which should make for an interesting new dynamic; it also makes the episodes with An in them worth another watch.

At the same time, a great many cats remain securely in bags, like the details of how Kaizaki was found and selected, why An really isn’t his primary support, and who the heck Sample #001 was, and how and why he failed. Heck, An could be Sample #001, for all I know. And what do you know: the next episode looks to be a prequel of sorts, so those mysteries may not be mysteries for long.

One thing’s for sure: I’m barrelling through ReLIFE like there’s no tomorrow…but I can’t help it. Show’s too damn good!

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ReLIFE – 05

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Last week’s cliffhanger portended a rough road ahead for all parties involved, and a galaxy of possibilities in terms of if, and how, the conflicts would be resolved. But judging from the first four episodes, I was confident ReLife would resolve everything relatively quickly, but in the most narratively and emotionally satisfying way. The right way: no shortcuts, no lies, and no running away.

As it turns out, both Kaizaki and Kariu were knocked out by their fall down the stairs, so there was no immediate confrontation between them and Hishino. Instead, Kaizaki wakes up in the infirmary. Hoshino and her bag are gone, so the mystery of where she went and how she feels about what she saw is always hanging in the background, adding tension to an already tense scene.

Before Kariu comes to, Kaizaki pieces together what happened, and he remembers back when he was training at his job. When the woman training him started out-performing the men, they turned on her and started working to knock her down, sullying all the hard work they’d done to get to where they are.

Kaizaki remembers his trainer saying she wasn’t mad, but sad that they had given up trying to fight fair. Now we know one reason Kaizaki quit his job; rivals had twisted into vindictive enemies. It happens all the time.

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Kaizaki knows this, because he’s 27. He’s lived ten years more life than Kariu or any of his other classmates. And so, without even thinking, when Kariu comes to he lectures her the way a 27-year-old would lecture a 17-year-old.

His own baggage comes into play, as he makes the connection between what the “filthy adults” stooped to at his workplace and what Kariu is doing; telling her he’s not mad, but “very, very sad”, and that she’s too young to be acting like this. Kariu blows up at him, caling him too self-righteous and too self-assured, considering they’re the same age. But much of what he said still hit home, even if it was delivered with a bit too much, shall we say, adult authority.

Kaizaki tells her what she’s overlooked: sure, she hasn’t been able to beat Hishiro or Honoka, but she’s still bettered herself. Her hard work wasn’t for nothing, and she shouldn’t give up. Not only that, she has the wrong idea about Hishiro, because they’ve barely ever spoken. Kaizaki delivers this advice knowing full well he himself gave up, but like both Hishiro and Kariu, he’s trying to change. And he is!

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That wonderful exchange (with more baller work from Tomatsu Haruka) would be about all we could reasonably expect from a good episode…but this is a great episode, which means Hishiro is waiting at the gate when Kaizaki, and later Kariu, leave the infirmary.

Kaizaki initially lies about Kariu taking the bag because it was “dangerous to have it in the hall”, but changes his mind and tells the truth, remembering Yoake telling him not to clear all the thorns. Hishiro reacts as one would expect: with calm, cool logic. She doesn’t know the right answer, so she’ll ask Kariu upfront. (There’s also the matter of her heart panging when she saw Kaizaki hugging Kariu, but she wisely tables that issue for now).

Kaizaki may be hiding in the bushes to watch how it goes (with Yoake), but both of them stay out of it when Kariu comes out and sees Hishiro. Kariu doesn’t run, nor does she try to lie and say she doesn’t hate Hishiro, because at the moment, she kinda does.

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The source of that hate had been cultivated each time Hishiro flashed her one of her scary mocking smiles, so when Hishiro assures her she never meant to mock her, and Kariu talkes Kaizaki’s advice and asks her to smile on demand, it dawns on her that she misunderstood; Hishiro is simply very socially awkward.

It was Kariu’s own issues with her than caused her to interpret it as mocking. Also, well, it really does look like she’s mocking her, but hey, that’s why you talk things out with people!

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When Hishiro tells her all those smiles were meant to help them become friends, Kariu lets out a hearty laugh; part in relief, part in amazement. She also realizes Hishiro wasn’t ignoring her handshake, and when Hishiro puts out her hand this time, Kariu takes it and agrees to be friends…as long as it’s clear they’re also academic rivals.

That’s fine with Hishiro, who is so happy to have made a new friend, she smiles for real, surprising and dazzling Kariu in the process.

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So, all’s well that ends well in the Kariu/Hishino Conflict! The operative word there being end, as the show had the guts to lay all the cards on the table and hash everything out in this one episode. Dragging out the misunderstanding would have only kept us from what are sure to be other great stories involving, say An.

I really enjoyed Kaizaki and Yoake celebrating like adults with beer and cigarettes, as Kaizaki gets a thank you from Kariu for ratting her out to Hishiro, realizing it was in her best interest. Kaizaki still isn’t sure he didn’t spare her the ugly truth about life, the truth he saw firsthand and drove him from the workplace.

But Yoake assures him he didn’t lie, either. There’s a happy median between blatant sugarcoating and outright nihilism. And even though Kariu won’t remember Kaizaki in a year, she’ll remember what he said to her if and when she runs into the same obstacles he did later in life. The episode closes with a triumphant shot of Kari sitting with Hishiro at lunch, the rest of the group happy and relieved. On to the next high school crisis!

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ReLIFE – 04

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ReLIFE takes things to the next level by delving deeper than ever before into a character other than Kaizaki, namely Kariu Rena. We’ve been able to infer since we met her that she considered her silver pin more than just a mark of status, with all of its perks and privileges, but a symbol that she was “good enough” to stand beside Oga.

It’s the kind of subject no one dare even bring up in her presence, but we’re privy to it because we’re in her head. She can’t hide how she feels there. But now Hishiro has the silver pin, and Hishiro is beside Oga and calling him “Kazu-kun,” while casting sneering, haughty, and/or victorious smirks at Kariu, as if to rub salt in the wound.

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Obviously, it’s not Hishiro’s intent to antagonize Kariu—quite the contrary; she thinks she’s on the cusp of starting a friendship with her—but all that matters is how Kariu is interpreting Hishiro’s faces and overall behavior, and because Hishiro isn’t aware she’s doing any harm, she can’t stop the vicious cycle that builds and builds like a knot in Kariu’s stomach.

It’s not just Hishiro, either: Kariu would at least have a release valve in athletic greatness, but her friend Honoka beats her on the volleyball court as easily as Hishiro beats her in test scores. To make matters worse, it doesn’t seem like either girl exerted the slightest effort to best Kariu. They just did it.

When Oga, who is totally tone-deaf when it comes to matters of the heart, tries to invite Hoshino to eat with them, Kaizaki and An read the room and realize what a bad idea that is, since Kariu is right there, already staring daggers into Hoshino.

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While Kaizaki handled that lunch situation about as well as he could, it doesn’t change the fundamental problem of Hishiro not wanting to be a loner but still eating totally alone. Kaizaki has to balance his desire to help Hishiro live a happier high school life while trying to stave off all-out war between Kariu and Hishiro.

All this is to say that Kaizaki cares. These “kids” he shares his life with day to day have become important to him; and thus his life starts to revolve around them. Yoake advises caution—sometimes kids need to fall and feel pain sometimes so they learn something—but welcomes Kaizaki’s newfound concern for his fellow man, something he didn’t really have as a NEET.

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But all of Kaizaki’s progress is put into jeopardy when the tinderbox that is Kariu finally catches. In a moment when Hishiro is simply trying to reach out to her, Kariu storms off, but immediately afterwards sees Hishiro with Oga again, and wonders if she smiles at him like she smiles at Kaizaki.

Kariu’s frustration builds late at night while practicing in the gym, after Honoka leaves with her childhood friends and there’s no one around but herself and her thoughts. When she returns the gym key and finds Hishiro’s bag outside the lounge, she decides to steal it, just to try to get back some semblance of control; to, for once, hurt Hishiro, rather than the other way ’round.

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Her caper doesn’t go so well, because Kaizaki happens to cross paths with her on the way to dropping off the study room key. Kariu tries to lie, but Kaizaki sees and recognizes Hishiro’s bag; the jig is up. Kariu tries to run, Kaizaki tries to stop her, and Kariu starts to fall down the stairs…

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Just when I thought some weird looks from Hishiro were going to end up landing Kariu in the hospital or worse, Kaizaki puts his creaky old body on the line and makes a shoestring catch, only to end up falling with her the rest of the way.

Hishiro hears the crash and goes to investigate, and finds Kaizaki and Kariu huddled together on the bottom of the steps, with her bag in Kariu’s arm. Roll Credits.

While I’d like to think Kaizaki can call a time out and explain all of this, the fact of the matter is, the most logical explanation for what Hishiro sees is that Kaizaki and Kairu conspired to steal her bag together, which means they’ve got it out for her, which means Kaizaki never wanted to be her friend, putting all of his interactions with her in a new light. Hishiro is a bright kid but inexperienced in social skills, and may well believe the worst.

I still hope they can sort it out somehow, but it doesn’t look good. What started out as a sight gag (Hishiro’s funny faces) has turned quite dark and serious. But hey, I’m not complaining: this is some damn good high school drama, de-aging pill or no. Kariu’s seiyu Tomatsu Haruka deserves particular praise for her sympathetic performance.

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ReLIFE – 03

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Kaizaki may be Yoake’s project, but Kaizaki has made Hishiro his, with entertaining results. Her manner of returning 1,000 yen to him is nothing short of inspired, while her attempts to smile at Kariu end up giving the redhead the mistaken impression that Hishiro is looking down on her (figuratively).

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The growing disconnect between Hishiro’s intentions and Kariu’s interpretations ends up being the primary driving force for an episode that’s otherwise pretty light. It goes without saying that despite his youthful looks, Kaizaki’s body is still every bit 27 years old, and his lack of warming up for a ball throw results in a paltry one-meter toss and lots of shoulder pain.

We also meet the childhood friend trio of Tamarai (Kariu’s athletic rival, but also friend), Inukai, and Asaji.

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When trying to be friendly with Kariu, Hishiro only manages to add fuel to the fire that she somehow has it out for Kariu, not remembering her name and failing to shake hands properly, along with that creepy smile that is the envy of anime villains everywhere.

Kaizaki actually gets off to a great start in the 50m dash, but trips and falls hard, prompting health rep Asaji to princess carry him to the nurse; a demoralizing new low for Kaizaki, but thankfully school isn’t all about sports!

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Things look up when Kaizaki learns Hishiro shares his route to school. When they arrive together, Kariu spots Hishiro smiling naturally (because she’s not consciously trying to smile), confirming her belief Hishiro is the type of girl who is mean to other girls but nice to the guys.

All the while, Kaizaki seems resigned to the fact no one will remember him in a year, so it’s not like he’s trying to start a romance with anyone. At home during his log entry, Yoake is glad Kaizaki is making faster progress than “Sample 001” in his first month of his ReLIFE.

At the moment, Yoake is more concerned about the cumulative emotional damage being done to Kariu, for which Kaizaki is indirectly responsible via his suggesting Hishiro smile more. Judging from those dead eyes, it doesn’t look like Kariu’s going to put up with Hishiro’s faces much longer.

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ReLIFE – 02

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The test scores are in, and a great many things become known. In ten years, Kaizaki forgot between 75% and 96% of everything he learned in high school the first time around. Kariu is mad about losing the class rep job to Hishiro not because she can’t get free lunches, but because she has feelings for Ooga. Finally, Onoya has even worse test scores than Kaizaki…and she’s a real high schooler!

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These two need tutoring, and Ooga is happy to serve the role as tutor, but gets more than he bargained for when Kaizaki and An start digging into his relationship with Kariu, including their matching earrings. I’m liking how quickly yet naturally the circle of friends is coming together.

I also liked Kaizaki’s outsize reaction to An whipping out her cell phone; once a capital crime in his day, now students use them with impunity (outside of class, that is). Or how he takes Hishiro’s reaction to his lending her 1000 yen (that he’s like a grown-up) literally; worried the brainy girl is on to him.

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Hishiro comes to dominate the latter half of the episode as Kaizaki makes it his mission to get her to come out of her shell a little more. The fact her forced smiles are so disconcerting is proof of how genuine and straightforward she is; the only smiles she can make are real ones, all of which were triggered by Kaizaki being nice to her.

At the beginning of the episode, Hishiro has no friends; now she has one, and of her own choosing, boldly asking for Kaizaki’s phone number. Hishiro really shines in this episode, greatly aided by her adorable character design…and Kayano Ai’s adorable voice.

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Ryou, who was skulking around corners the whole episode, observing Kaizaki from a distance, not only suggests he try to quit smoking (the smell lingers, plus no one will sell to someone with his new babyface), but also not to get too attached to anyone. Apparently, when the year-long experiment is over, everyone young Kaizaki interacted with will forget him, because he’ll be back to being 27.

Not like that’s something he’ll be able to explain if they every learned, but this still seems like a downer, especially considering Kaizaki will remember them, and will likely not feel so great as a result. When Hishiro told Kaizaki she had to rush things, that this was her last chance, it reminded him how confident he was that his future would go the way he thought it would.

It didn’t, and ReLIFE is ostensibly the path to getting somewhere closer to his ideal future (or even creating a new one). But having to sever all his new bonds at the end of the year seems like a steep price to pay for that future. As I watch the next eleven episodes (at my own pace), it will be interesting to see if he ever tries to haggle over that price. Hishiro—callsign “Sorry Cat”—is someone worth knowing. Could she also be a bond worth preserving, even if it breaks Ryou’s rules?

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Sakura Trick – 03

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In case anyone forgot, this isn’t just a show about the progression of yuri couples, but about a dying school, and the latter provides an opportunity for Haruka to show her love for Yuu. She doesn’t just want to kiss her; she wants to make her happy, even if it means going out of her element. So she joins the school committee and lobbies to have Yuu’s beloved cheerleading reinstated for the Sports Fest. She takes the opportunity when presented; spurred on and inspired by Kotone, who also fought (and won) to live with Shizuku.

Fulfilling Yuu’s wish means going toe to toe with the President, who just happens to be Yuu’s sister Mitsuki. Haruka has never met Mitsuki despite many close calls, who can’t even place a face on her, settling on a penny loafer. But Mitsuki not only meets Haruka this week, but learns that she and Yuu are far closer than she could have imagined. When Yuu learns what Haruka did for her, she rewards her with a make-out session on the floor of her room. Mitsuki walks in on them, but then the A-part simply ends with her surprised reaction.

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As the B-part progresses, Mitsuki is clearly suspicious of the two, but there’s no indication she took a stand on the incident one way or another. Perhaps she meekly slunk away, closing the door she had so briskly opened? In any case, it’s clear she’s not so strict a big sister that she’d put an immediate kibosh on the lovebirds. Haruka gets bolder in the B-part, sewing declarations of her love for Yuu on her and Yuu’s swimsuits. They get some private time in the old pool supply room (another opportunity borne from the dying school) We half-expected Mitsuki to walk in on them in there, but she merely finds the incriminating needlework.

Mitsuki may not be fully aware of the extent of her sister’s relationship with Haruka, and so she may not yet have a concrete position on the matter, but it’s clear enough to us that with each episode the two seem to grow closer. Their friends have long since accepted them as an item (two of which being an item themselves). At the moment, it appears Sakura Trick is more interested in exploring the couple’s love rather than putting obstacles in their path or forcing drama for drama’s sake—something we’re on board with. Introducing Mitsuki was the first, best obstacle so far, but she didn’t get in their way this week, even when she caught them, well, not exactly in flagrante delicto, but certainly not merely combing their hair, either!

7_very_goodRating:7 (Very Good)

Sakura Trick – 02

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The show’s two-parter format continues this week, as the first half centers not on the established item that is Haruka and Yuu, but on Kotone and Shizuku. The first bump in their relationship is bourne out of a simple misunderstanding; Kotone comments that she likes staying at Shizuku’s house because it’s close to school and her mom is nice.

Shizuku takes this to mean Kotone doesn’t really care about her, but once Shizuku makes Kotone aware of this concern, it doesn’t take Kotone long to clear things up: she likes staying at Shizuku’s place primarily because Shizuku is there. It’s a fairly simplistic little dilemma that’s easily mended, but it’s good to see the show is confident it can handle more than one relationship at the same time.

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The second half returned the focus to Haruka and Yuu, who as we know have been into each other from the start. However, they’re very different people: Yuu is more confident and assertive, while Haruka wears her heart on her sleeve and is constantly getting stuck in her head, but also happens to be more academically gifted. As she notes, this isn’t middle school anymore, and if Yuu isn’t careful she could fail her classes and be held back.

While Haruka considers the benefits of an underclassman Yuu addressing her “oneesama”, the fact is, because their school is closing, she’d be expelled and forced to attend another school at the lower grade. The prospect of being torn apart by Yuu’s bad grades compels Haruka to take drastic but ultimately clever measures: using kisses as positive reinforcement while tutoring her. So when Yuu passes her exams, it further validates their relationship as not only something that makes them happy, but also keeps Yuu on track to a bright future, which is more easily attainable when you’re not held back.


Rating: 6 (Good)