Haifuri establishes that the virus was all an evil plot by the scientists or… something this week. See the creatures were created in an underwater submarine and the training mission was just a cover to collect and/or destroy the evidence. Also the virus is bioelectric something something, which explains why electronics have been malfunctioning.
Also, cats are immune. Dun dun duuuun.
This week’s combat focused on using tides and shallow waters to trick a virus-cruiser into grounding itself. The action and the plan was so-so but what broke my will to keep watching this show was how drawn out it all was, and that there is no chance anyone on the crew will be injured, so there’s no drama to the ‘we can’t hold on any longer captain!’ cries everyone belts out emptily.
Then there was butt-grabbing because of course there’s butt grabbing. Oh Hairfuri…
Harekaze is running low on fresh water because… a leak or something. The girls are forced to endure salt water showers, salt water douches, stinky salt water laundry for their panties, and a limited menu at the cafeteria due to water rationing.
Then they sail into a fog bank and all animation literally stops. No, I’m not kidding! Stills of girls in swim suits replace any animation for 3o seconds until a storm breaks out and we learn that Captain-chan is afraid of lightening…
Except she isn’t. She just remembers that her parents died on a ship during a lightening storm but now a civilian ship is stuck in a lightning storm and Harekaze has to come to the rescue, low fresh water and boobs to the face or not.
The civilian ship falls apart during rescue and Deputy Captain-chan is stuck underwater saving a male kitten because WTF??? The episode needs some drama and the writers couldn’t think of anything to actually do with this show so they gave us another middle finger.
After the non-drama is over and deputy-chan is rescued, Musashi lurks beyond the mist.
Next week the girls will struggle to balance friendship, fire power, salt water, and probably cats, or face the dreadful consequences!
Verdict: Episode seven was a wincing turd. There was no drama, Captain-chan’s backstory was hilariously forced and ham fisted, Deputy-Captain-chan’s new cat bloats the cast further and I just want to see each and every dumb girl on this show die in a fire-ball, followed by a slow drowning of their corpses.
Straight and simple, this was all fill. Insulting, empty, pointless fill with a mild helping of fan service on the side. Do not watch this show. Whatever promise it had has been squandered 3 episodes in a row.
Back at fleet/school command, the big wigs are not only confused and concerned that Musashi was able to defeat a state-of-the-art fleet but, worse, many more student ships have gone AWOL. The remaining loyal ships either require weeks or months to be deployed or are lighter ships like Harikaze.
Meanwhile, Deputy Captain-chan continues to call Captain-chan out for her appalingly innapropriate command behavior. It’s hard to fault her for this since constantly running off the bridge and disregarding the safety and operation of her own ship really is nonsensical. This makes Captain-chan’s already sacerine goody-goody personality pretty un-compelling, if not truly unlikeable. However, since Deputy Captain-Chan literally brings nothing to the table herself, showing neither leadership nor technical abilities, she’s unlikeable too…
Then everybody takes a bath, then the ship ends up trapped in a mine field, but German-chan doesn’t like nato, and the kitchen staff tries to make German style food for her but fails, but then the girls assigned to clear the mines goof off and get blown up, except they aren’t killed. Then then then, after the credits, the doctor injects herself with antibodies from the Rats.
Maybe German-chan’s nato/german dinner arc was to remind the viewers of our own ignorance of other cultures? Maybe leading into the bath scene with shadowy Japanese politicians effectively talking about penis size was meant to poke fun at the girl-military genre fetish? …but that’s probably giving Hifuri too much credit.
In short, a lot of stuff happens but few events carry consequences or relevance.
The verdict: as it bothered me last week, I appreciated the school command’s bewilderment at Musashi’s survival. Blaming the electronic guidance of the missiles seems clunky, especially because we know this is somehow caused by the rat-virus, but it’s far better than a ‘Musashi so strong’ circle-jerk alternative.
That aside, the central conspiracy with the rats is problematic. Even with we ignore their ability to infect people AND ELECTRONICS equally, the plot seems to have moved away from an internal government conspiracy for them being there. Sure, a plot about evil men trying to cause a conflict so they could retake the quasi-military back from women is eye-rollingly simplistic, but at least it would have villains and a sense of purpose.
Overall, Hifuri just lacks tension. No one has died yet — even the girls who drove right into a mine — and no decision has carried consequences of even the blandest sort. Sprinkle in the absurd number of characters, and you have a bland bland bland show about a mysterious virus at sea with explosions that can’t hurt anyone.
Its watchable but by the thinnest of technical margins.
A substantial portion of this week’s Harekaze is left to the crew screwing around in swimsuits and sharing a few backstories. Tama is questioned by the adults over her gun-rage, but she can not remember anything. Also German-chan is formally welcomed by the crew with a cake. She responds by comparing the crew to a sausage and a charming but tiny castle.
While not particularly important, these sections function the best. They’re colorful, expand our admittedly fuzzy understanding of the bridge crew and set up Captain-chan’s betrayal at the end of the episode as truly heart breaking: in a time of crisis, she abandons what amounts to family.
The rest of the episode is mostly dedicated to a fleet of boy-marine-training-destroyers getting demolished by Musashi. The engagement is rendered well enough, at least as 3D rendered objects go, but the pacing is poor and since we don’t know any of the boys and their attacks are so laughably ineffective against Musashi’sgreat indestructible Japanese armor, it lacks emotional impact.
Long time Rabujoi readers can probably guess that I rolled my eyes at Musashi’s durability. Even if it’s not autoerotic nationalist wank fantasy fuel, a 50 year old battleship being pounded by 12+ modern destroyers (commanded by trained adults) without a scratch is just feels lazy. The writers could at least have come up with a hand-wavey tactic or surprise maneuver to trump the destroyers but no. Musashi stronger than torpedoes sploosh! Sigh…
The verdict: learning that the original fight between Harekaze and the instructor’s ship was also rat-rage and not a greater conspiracy clarifies where the show can go, which is good. That said, I’m not sure cute brain-rage inducing rodents is a very interesting path to go down.
Ultimately, the parts of this episode let down the whole. Musashi’s battles were too fragmented and without tactical or technical detail to be interesting and, despite beefing up their stories, the cast is still not that interesting, which makes Captain-chan’s decision to run to Musashi’s aide more of a shrug than an ‘oh noes!’
And don’t get me started on the ‘debris’ that flips Captain-chan’s jet-ski at the last second and preventing her from advancing the plot because roll credits! That is why we didn’t need ten minutes of girls screwing around not advancing the plot in the first place!
Harekaze is almost out of toilet paper because each girl uses it for some additional, often wasteful, purpose. So Captain-chan and a small team set out to a floating mall ship to buy more.
While they are away, a floating crate is retrieved but instead of supplies, it contains a red-eyed hamster. The crew’s lazy day is interrupted by the arrival of 2 destroyers and 2 cargo ships, and the girl who saved the hamster becomes violent and opens fire.
Fortunately, the fleet had come to help and suspects something is going on. Harekaze gets repairs, supplies, and sent on its way and no-one really thinks much of the hamster…
So this wasn’t a very good episode. Yes, we the viewers learn these red-eyed hamsters (rats?) are probably causing the violence on Musashi and the Admiral Spee but the cast hasn’t figured it out.
And really, the majority of the episode is spent hanging around not doing anything, repeating character relationships we already know.
The Vedrict: previous episodes have balanced action and cuteness better than this. Previous episodes also established information that mostly got repeated here. Ho-hum?
But my biggest criticism is with the characters themselves: they are unnecessarily dumb people. The animal outburst is clearly an aberrant sign and the fact that the submarine and Spee attacks were not sanctioned don’t raise immediate concerns from the 4 allied captains makes no sense.
With such a focus on tech and tactics, its hard to suspend my sense of disbelief for details like this. We’ll have to wait and see what goes on next week because cute alone is not a reason to watch this show.
The gist: Harekaze gets into it’s first submarine battle, the German exchange student wakes up and, after receiving a message that all school ships can return home, the crew heads for home.
Also, they decide not to find and help the Musashi. Roll Credits!
The Good: in the opening scene with the school principle, we see that the framing of Harekaze is likely part of a larger military power grab. If the school can not capture Harikae, all student ships will be commandeered by the military or sunk if they resist. Later, after German-Name-chan wakes up, we learn that order completely broke down on the Admiral Spee for reasons unknown, which hints at more complex international intrigues going on.
This is good, because it means Haifuri’s central conflict is interesting and coherent. Multi-level manipulation explains why everyone is shooting at Harikaze at first sight and ignoring it’s surrender flags. It also implies layered enemies, some we may not have even seen yet. Simply, as a story setting, it works.
The not as good: while the pajamas and stuffed animals were fine, some of the cute-girl stuff felt like it was padding out the episode. The ‘www boys are gross/stinky submarine’ antics were particularly eye rolling.
Sadly, the submarine warfare was a little clunky too. I get the crew needed a quirky, out of the box solution to defeat a submarine with only one torpedo, but I’d have to hit wikipedia to understand what exactly the device was that they used in that plan. Regardless, since the submarine was just a faceless enemy with no more personality than ‘it fires torpedoes that miss’ the battle lacked tension.
The Vedrict: Most of the cast are just ‘parts of the ship’ that serve no greater function than reporting on/using those ship functions, so the large number of characters doesn’t bother me. It also helps that the characters often exist only in the part of the ship that they use: the doctor in the med bay, the engineers in engineering, the observation girl in the observation tower — and the character designs are simple enough to not draw undue attention to their lack of relevant story characterization.
All in all, the padding pulls it down from last week and the battle lacked tension, but Haifuri remains perfectly watchable.
The gist: wanted for sinking the Sarushima, the crew of the Harekaze must quickly adjust to their new life as falsely accused mutineers. THe girls don’t really grasp the magnitude of this, even after “German exchange-student Battle ShipAdmiral Spee” tries to sink them.
Oh, and they cripple the Admiral Spee with a close range live round to the rear and are able to escape, along with an as yet not introduced German girl who tries to join them during the combat.
Also, curry night. Roll Credits!
I suppose its understandable that the girls wouldn’t get how screwed they are yet. For them, this should be easily explained confusion they can’t even explain and, besides, no one has been killed yet.
Cute touches: the crew’s biggest gripe seems to be the loss of cell phones and social media (to prevent the fleet hunting them down). The captain’s decision to arm live munitions, and the process involving keys was neat too. It also makes sense, since they carried so few dummy munitions for this first outing that they have nothing else to use.
Meanwhile, we learn more about XO Munetani-chan and her family’s long relationship with Blue Mermaid. Apparently Japan’s fall into the sea stems from the Ruso-Japan war and that city-ships were the only way to save the nation.
I’m not going to think too hard about this but being told the all-girl nature of BM was an attempt to show Japan’s furious ship building (and aquisition of military craft for conversion into the city ship system) was non-military in nature makes a certain amount of genre sense. The fact Munetani’s great grandmother was the first ship’s commander certainly establishes why she’s such a hard ass, and so disappointed by her own performance.
You may enjoy it:Haifuri is anachronistic, giant cast, cute girl, coming of age, WW2 naval combat at it’s finest. The cute girls aren’t claw your eyes out cute, the cast isn’t so important that not remembering what they all do doesn’t impact understanding what is going on, and the naval combat is decent. It’s well delivered.
I love the idea of an exchange student battle ship too
You may want to skip it: if a safe political mystery hidden under a safe cute girl ‘high school on a warship’ blanket isn’t really your thing. Honestly, it’s hard to say how much the military genre and political mystery lower or elevate it from any other high school SOL?
It’s got my attention and I’m curious where it’s going. So I’m gonna recommend it for now.
The gist: in the future, most of Japan is underwater and joining the navy is very popular among little girls. The final parts of these girls’ equivalent to high school is actually spent at sea, commanding World War II-era warships without supervision or observation from any teachers.
During Destroyer Y467 Harikaze’s first training mission, they are fired upon by their teacher’s warship repeatedly until they assume this is a test, return fire with a training torpedo, and escape. Soon, they are labeled as mutineers by their teacher and panic ensues…
As a rule, I dislike WWII Japanese military hero fetish shows. Those shows typically cast Japan as a victim and/or hero against thinly disguised foils for the USA and China. It’s similar to pro-Confederacy apologists sugarcoat the USA’s own history of slavery and moral failings and it grosses me out.
Haifuri avoids this pitfall (so far) by making this conflict internal to the Japanese navy, either as part of a larger political objective or a ruse to train these girls to be the best of the best without even knowing it.
Why on earth would adolescents be put on ships without teachers to teach or observe their progress? Why are most of the ships WWII warships when the world is clearly sci-fi ‘built above the sunken ruins of Japan’?
Why is there a swim suit stripping scene in engineering right after the final fight?!? Don’t ask because Haifuri doesn’t have answers for you.
You may enjoy it: if you like harmless cliche girl humor, WWII naval otakuri and a simple mystery. It’s decently animated and, while cliche, the voice work never approaches finger in a pencil sharpener cute.
You may want to skip it: if you want something fast paced and mature. Spring is choked to death with slow shows and Haifuri is no exception. It is also eye-rollingly cute, down to the fat orange cat that hangs around the bridge, the zero casualties in the opening fire fight, and all the flustered girl social politics of another high school slice-of-life.
Put simply, Shingeki no Bahamut simply kicks ass at telling rousing, impeccably-orchestrated stories of adventure. Last week featured a town of illusion and undead ruled by a powerful, devious, but ultimately bored necromancer. Rita ended up following Kaisar looking for a change of pace and a little excitement…and her decision paid almost immediate dividends.
Entitled “Reunion at Ysmenport”, we’re immediately treated to a beautifully-rendered, well-worn and lived-in city; I could almost smell the fish…and other things such cities have. As street swindler ends up giving both Favaro and Kaisar information how where to get where they want to go. Favaro needs to get to Helheim (and can only keep up the lie about knowing how to get there for so long. Kaisar simply wants to get to Favaro.
What ensues is perhaps the most complete and exciting episode of the series so far, a journey on the high seas with giant sea monsters of varying tastiness, demon sailors, zombie sailors, demon sailors fighting zombie sailors, demon girls fighting sea monsters, et cetera, et cetera. There’s a lot going on!
But it’s not just action: after three episodes of Kaisar chasing Favaro across the ends of the earth, we finally learn why: Favaro’s dad was the one who attacked the convoy carrying the king’s tribute, which was overseen by Kaisar’s father. Kaisar and Favaro were childhood friends despite being from different classes, but Kaisar saw what happened as a betrayal, and his desire for revenge has driven him on a continuing quest to nail Favaro to the wall.
Oh, and also…the demons in demonworld finally stop commenting on what’s transpiring in the regular world and spring into action! I’m not the biggest fan of the dog-demon-girl with her puppetsCerberus (!), but at least these guys are consistent. Every time Amira transforms, they’re able to locate her.
Amira does so when that giant crab emerges from the deep and threatens the ship…and Favaro. While there was probably no way Favaro could have dealt with the beast himself, it was still a risky move that ends up giving Favaro’s dad’s old friend and fellow “honorable thief”, Captain Amon, an opportunity to reveal himself as having “gone into business for himself”, just like Favaro. The jewels he and Favaro’s dad stole were filled with magic that brought forth killer demons, and only Amon survived, but he did so by becoming a demon himself…a bounty-hunter demon! And right now, Amira’s price is so high, Amon is fine simply killing Favaro rather than turn him in.
Meanwhile, Kaisar and Rita have not been standing still. They secured passage on another ship, which turns out to be pirates who aim to rob Kaisar and sell the girl. What’s so great is that so many people would find this a relatively alarming situation, but Kaisar knows what he’s doing and easily dispatches several pirates with his superior swordsmanship.
Also, Rita isn’t really a “girl” anymore; not entirely. What she is is someone who you most definitely want on your side. The pirates numbers are meaningless; she kills them all then reanimates them as a freaking Zombie Pirate Crew under her command. It just keeps getting better!
She rams her newly-acquired (and much larger) ship into Amon’s and that’s when the previously-mentioned battle between amphibious demon sailors and zombie pirate sailors commences, with Favaro, Amira, Amon, and eventually Kaisar literally above the fray in the rigging. Up here we get some Pirates of the Caribbean-style tightrope combat for good measure.
Frankly, I really liked Amon as a friend of Favaro’s and as a link to his past, but not all baddies can become allies like Rita. Speaking of baddies, after Amon is vanquished, the head demon dude Azazel sends a giant tentacle to pluck up Amira, inadvertently bringing Kaisar along for the ride, too. He stops Cerberus from killing him instantly, but whatever he has in store for the bonus human can’t be good.
I…I didn’t see that coming! Who am I kidding, I hardly saw anything coming this week, and that’s why it was so fantastic. I was almost always on the edge of my seat. Now we have quite a predicament on our hands: both Favaro and Rita’s traveling companions have been taken prisoner by powerful but unknown foes. Will these two team up to get their respective partners back? I’m guessing Favaro still wants to get rid of his tail, and Rita wants to turn more things undead, sooo…yeah.
Hyuuga defends Iwoto against Kongou’s attacks, buying time for I-401 to make a an escape while Takao engages Maya. Kongou senses Hyuuga and Takao are merely diversions, and once she detects I-401 she heads after her at full speed, enduring the punishment of the minefield set by Hyuuga. She admits to Iona that she too feels emotions, and says she hates her. She fires her supergravity cannon a second time, Hyuuga hacks her systems, and she misses I-401, who escapes at full burst. Takao reveals to Kongou that Gunzou entrusted her with the vibration torpedo and his crew, while Iona was only another decoy. All is for naught when I-400 and I-402 ambush I-401, sinking her.
With the previous week serving as a “calm before the storm” prologue, this week’s battle with Kongou was being built up as the biggest challenge to the I-401 yet. The fleet of Blue Steel is officially forged but suffers a difficult infancy, as Kongou holds no quarter. We’re reminded that Haruna and Kirishima don’t have physical ships at the moment, so they can’t participate in the battle. However, Hyuuga and Takao prove enough to keep Kongou and Maya at bay, and more importantly, grind Kongou’s gears. If they can feel emotions, so can Kongou, which means she can lose her temper and let it affect her judgement. Tired of all the delays and frivolous gum-flapping, Kongou goes straight for Iona with extreme prejudice, and ends up paying for it. It was a hell of a battle, replete with layers of tactics, obfuscation, momentum shifts, and the aforementioned psychological warfare.
Mind you, Iona doesn’t mean to mess with Kongou; she just can’t comprehend what her deal is. In their philosophical debate, one could see Iona as being just as guilty as Kongou of trying to impose her values on others. The major differences, of course, are that Kongou wants to kill all humans, and is acting out of hatred for Iona and the chaos she’s caused; Iona is acting out of unswerving devotion to—and perhaps love for—Gunzou. The battle may end with the I-401 safely away and Kongou beaten and humiliated, but after yet another new ED we’re treated to a harrowing post-credits sequence that sends I-401 out of the frying pan and straight into the freezer. To have victory so abruptly torn away and to see such ugly chunks taken out of I-401 by her sister subs made for a gut-punch of a cliffhanger, but whatever happens, Takao now holds humanity’s trump card.
In order to reach the port of Yokosuka, the I-401 must get past the Fog heavy cruiser Takao. Gunzou orders a direct attack in concert with their decoys in order to test Takao’s detection abilities. Takao fires her supergravity cannon at 401, which Gunzou predicts and dodges. Hiding along the seabed, the crew determine Takao’s sonar profile must be shrouding a stealth sub. Gunzou surprises Takao by using the supergravity cannon they took from Hyuuga – a previously defeated Fog ship. The sub hiding below her is sunk, but Takao herself is spared, retreating with weapons locked.
Ships in this series bear the same names as WWII warships, but aside from resemblance and the fact they ply the seas, the similarities pretty much end there, with transforming elements and futuristic weaponry. This week we’re treated to a full-on sub-versus-cruiser battle in which the creativity and pluck of the human crew aboard the outgunned patrol sub outwit the haughty, overconfident Takao, whose intense precision and attempt to be sneaky by hiding a sub below her ended up working against her. We also see that whether preparing for battle or in crunch time, Gunzou proves a singular tactician, and his crew is a well-oiled machine. They’re all exceedingly good at their jobs and trust their Captain – and Iona – implicitly.
The battle itself is gripping to behold from start to riveting finish, with crisp, polished animation and impressive weapons effects. The overall aesthetic remains straight-laced and video-gamey, but we prefer of seasons that are diverse in animation styles, and this one certainly stands out. We also found Takao’s progression from imperious, single-minded predator out for I-401’s pelt to chastened, demoralized ship on the run, to actually growing envious of and even smitten with 401’s “human unit” Gunzou, X-factor who not only beat her, but let her live. That sudden change in thinking might just represent a greater weapon the struggle with Fog than any firepower Iona can muster.