The Duke of Death and His Maid – 03 – A Distant Kiss

Bocchan loses a game of pool to Alice, and so cannot refuse when she asks if he’ll accompany her into town for a festival. Because many will be in costume, he’s able to wear a steel-framed suit to avoid contact with both Alice and bystanders. It’s a way for him and Alice to feel like they’re on an actual date out in the world for the first time, even if they still can’t touch.

When they become separated by the crowd, Bocchan demonstrates how despite the rumors around town about a monstrous shinigami, the actual person of whom they speak is actually a kind and gentle young man. When a lost boy clings to his coat, he cheers him up by playing a song on the piano set up in the town square.

Bocchan sheds his heavy disguise to join Alice atop the clock tower, where they gaze at the moon and she tells him the story of another couple separated by a witch’s interference. In the case of the story, the man is on the moon while the woman is on earth.

But the man could be on Pluto and the basic tragedy would be the same as Bocchan and Alice’s; they are together in their hearts, but can never actually touch as long as the curse remains in force.

One night Bocchan gets a note from Alice to meet her in her bedroom (set off from the mansion) if he has trouble sleeping. When he enters to find her brushing her hair while nude, he assumes she has naughty plans for him. In the end, however, between a calming scented candle and cammomile tea, she really was simply trying to help him sleep…though it’s clear she was also hoping he’d get the wrong idea so she could gleefully watch his reactions.

Another night, when a once-in-a-decade meteor shower is to occur, Bocchan is the one to invite Alice to an intimate boat ride on the lake. His true intention is to properly confess his feelings—as opposed to the offhanded ways he’s told her he loves her. Things go pear-shaped when the wind snatches his hat, Alice leaps into the drink to grab it, and he can neither stop her nor help her out of the water due to the curse.

When she tells him straight-up that she’d be fine dying by his kiss, he leans as close as he dares before backing off, not willing to sacrifice Alice for just that one kiss. Alice, knowing he wouldn’t do it, tips the boat so he falls in the water with her. Thankfully, the water doesn’t conduct his curse like it does electricity!

In all the excitement, they missed the meteor shower, but as they both dry off by the fire, Alice says she’ll accompany him to the next one, in ten years. Bocchan is constantly worried that he’s not properly expressing how he feels, but Alice already knows, and feels the same way about him. It’s why she’s stayed with him this long; it’s why she has every intention of being with him in a decade, curse or no curse…but hopefully no curse!

Jouran: The Princess of Snow and Blood – 04 – Snakes and Sinners

When Sawa sees the note from Janome she rushes to his hideout, but Kuzuhara heads her off in his car. He won’t let her walk into a trap and ruin the path to revenge he laid out for her just to save a little girl who wants to kill her. It’s not part of his plan, so he knocks her out with the back of his blade.

Unfortunately for him, Sawa is a part of Janome’s plan, and Makoto is working for him now (I guess?) and she siccs a group of changeling bomb dogs(!) on his car. In the ensuing explosions, he and Sawa are separated, and Makoto scoops her up and skedaddles. I guess Janome and Makoto knew Sawa wouldn’t make it to his hideout on her own…???

In a touching flashback to a happier past we’re reminded how cute and kind and human-behaving Sawa once was, as her brother assured her a bird would choose her someday. She wakes up to an array of disco lights and ominous organ music being played by our big bad, Janome with his back turned to her. It’s all a bit…Saturday morning cartoon villain, to be honest!

What was supposed to be dark and menacing comes off as goofy and cheesy, especially with his host of snakes that honestly might’ve have been slightly scarier if they were CG. Janome has a special restraining chair and birdcage all set up for Sawa, and forces her to submit to him fully, lest his badly-drawn snakes kill little Asahi.

He draws some of her blue blood while describing his evil plan, promising to free her and Asahi when that plan is complete, at which point she can kill him if she likes. Oh, and he’s got her brother Takeru strung up on the organ. He’s been keeping him barely alive while using his blood for his experiments, and Sawa is next. Pretty fucked up for a guy who claims to “worship” her clan!

This is when things go a bit off the rails. Makoto, who revealed she was working with Janome, switches sides again by killing the snakes holding Asahi. Another snake takes her arm in return. I guess I was right about her being a triple agent, but we know so little about Makoto that neither apparent turncoat move really did anything for me?

She feels more like a plot device than a character with discernable motivations, and it was time for her to side with Sawa here, so she did. Then Janome eats one of the crystals made out of Sawa’s blood, briefly becomes Mr. Freeze, and then turns into a frankly laughable snake-man monster. At this point, Matoko—who you’ll remember is missing an arm and bleeding profusely—still has the strength to ascend out of the hideout with a cable gun. Uh, bye, I guess??

Sawa enters her much cooler-looking changeling mode, but even that’s undermined by a transformation sequence that is frame-for-frame the same every time. Even this mode apparently isn’t enough, but with his last ounce of strength Takeru tosses some vials full of orange…stuff? at both Janome and Sawa.

The stuff seems to have opposite effects on the two, subduing Janome and powering up Sawa, who slices Janome clean in half. Her revenge thus complete, Sawa goes to her brother, who says it’s too late for him. Then she says in that case she’ll die with him, but then Asahi makes a noise and Sawa remembers why she came here in the first place! Roll Credits.

Sorry for the snarky tone, but Jouran kinda fell apart in this fourth episode, with thing upon thing simply happening and character upon character doing things that either didn’t make a lot of sense or were extremely heavy-handed (i.e. the organ schtick). With Sawa’s nemesis Janome turning out to be a relative pushover, I don’t know what’s next for her and the rest of Nue, but I don’t much care either.

Jouran: The Princess of Snow and Blood – 03 – A Blue Coffin

After Sawa learns that Yoshinobu himself ordered Kuzuhara to have the Treasurer killed, Makoto suggests that Sawa drop the “sister act” and cut little Asahi loose. All of them in Nue have assigned roles to play, and none of them can afford to let sentiment dull their wits.

After recalling when Kuzuhara first showed her a slideshow of her family and village’s destruction and the person responsible, ordering her not to cry, Sawa puts up the hard front Kuzuhara aimed to teach her in dealing with Asahi. Sawa refuses to let Asahi kill her until she’s killed Janome, and tells her to be gone by the time she returns that night.

Sawa, Elena, and Makoto all confront Nue’s cleaner, whom they suspect is a traitor passing secrets to Kuchinawa, finding money in the coffin he’s pushing. He pleads his innocence, then sets off a bomb with a detonator in his hat. Sawa follows him down a secret tunnel hidden in a tomb, while Elena intends to head him off on the surface. Meanwhile, a dejected Asahi seeks comfort in her grandmotherly neighbor Yamazaki.

But the cleaner never went in the tunnel; he hid in the coffin. When Makoto, who lied to Elena about a twisted ankle, opens it and the cleaner pulls a gun. A shot rings out, and Makoto later reports that the cleaner killed himself. But at this point Makoto was already acting super suspicious.

While burying the cleaner themselves, Elena asks Sawa what coffin she’d want to be buried in, her preference being red. Sawa doesn’t answer at first, then says blue, like her blood and that of her clan. That said, she won’t be put into a coffin until Janome is in his.

Makoto meets with Kuzuhara, who reveals he is a woman by tearing his clothes to reveal her chest binding, warning her to never forget where she stands. But Kuzuharais seemingly in the dark about where Makoto actually stands. Before the Treasurer died, she gave Makoto a karuta card that serves as a treasure map. Makoto follows it and discovers a small book that the Treasurer said could bring down “Tokugawa, Nue…all of it.”

Sawa comes home to find Asahi gone, but on her desk is the piece of paper with “Yuki” written on it Asahi had reconstructed with paste. Sawa then sees that Asahi left the satchel she gave her containing cash and a boat ticket to her new home, and blood on the walls.

Her white crow comes to help her search for Asahi, but we find out where she is first: in the clutches of Janome, who had disguised himself as Yamazaki with an elaborate prosthetic suit. We also learn that Makoto is indeed in cahoots with Janome, serving as a double agent. Or maybe triple, if Kuzuhara knows she’s infiltrated Kuchinawa.

In any case, for Sawa, who’d prefer clarity and simplicity, nothing is simple or clear, and never really was. To whit: she aims to save her would-be murderer from the man who murdered her family, and with whom her fellow Nue agent is working. Not ideal!

The Quintessential Quintuplets – 24 (Fin) – Kyoto Accords

When a despairing Miku is worried that she simply can’t compete with Nino or Ichika, Nino makes the observation that they’re all cute—they’re quintuplets—but Miku will never get her feelings through Fuutarou’s thick skull unless she tells him; telepathy sadly isn’t an option for the meekest quint. Nino also makes it clear she always considered Miku a legitimate rival and threat. Miku not even putting up a fight simply leaves a bad taste.

Meanwhile, Ichika asked Fuutarou in the hall to “hear Miku out”, only to disguise herself as Miku once more and take Fuu on the same walk he went on with Rena to jog his memory. After their day out, he recalls spending more time with Rena at the inn playing cards, but then asks if she’s done, removing her wig to reveal she’s Ichika.

He deduces she was the one in the hall, and when Ichika tries to redirect the conversation by saying she was the one he met that day, he tells her he can’t trust her anymore, and leaves her to cry in the pouring rain. All five quints agree that if this keeps up no one will be happy, including Fuu, so they’ll decide who’ll spend the last day with him by choosing each of the five elective field trips, leaving it up to chance.

Yet even here Ichika has a scheme afoot, only this time it’s to help Miku, not hurt her, even though she knows it’s not enough to excuse what she’s done so far. Having overheard which trip Fuu and his group would choose, Ichika switches hers with Miku so she ends up with him. Not only that, but Ichika, Nino, Yotsuba and Itsuki all decide independently to call in sick from their trips and instead follow Miku and Fuutarou to make sure their day goes well.

Thanks to impersonating Miku one more time, Ichika gets Miku to dress up period style along with Fuutarou, while Nino “deals” with the other guys—hopefully by drugging them and stuffing them somewhere, in keeping with her ruthless M.O.!

Seriously though, thanks to the efforts of her four sisters, Miku eventually stops running and starts talking normally and having fun with Fuutarou while they go on one of the more adorable dates in a show that’s been full of them, quasi-or-otherwise. The period environs and clothing suit the history buff Miku best anyway!

Not content to enjoy the date vicariously through Miku, Nino has a momentary lapse where she pushes herself into Fuutarou’s back, insisting she’s not simply going to let Miku have him. Fuutarou ends up bumping into Miku, who ends up in the drink. Soaked to her underwear, Itsuki sneaks the racy underwear she bought “in case of emergency”—call it Chekhov’s Thong—into Miku’s dressing room. Miku is mortified, but it’s better than going commando!

Miku and Fuu have a seat under an umbrella, and suddenly her croissants appear next to her, having been rushed there by the ever-athletic Yotsuba. Naturally, Fuu scarfs the croissants right down, and while he admits he may not have the most refined palate, he can appreciate how hard she worked to make them.

The four other sisters watch from inside the building behind them as Miku gets more and more comfortable talking with Fuutarou. She tells him how she wants to learn so much more about him, then starts to point out all the things around them she loves, ending by pointing at him and saying “I love you”, shocking her sisters.

Ichika breaks down, and we learn that Yotsuba was indeed “Rena” for most of the day, while Ichika was the one to play cards with him at the inn—she wasn’t lying! Still, through falling tears, Ichika resolves to be on better terms with her sisters from now on, especially since they now get to talk about something they all like for once.

However, Miku’s confession wasn’t what either they or Fuutarou thought: she was actually pointing at her sisters she could hear behind the wall when she said “I love you”. Fuutarou is flabberghasted by the fake-out, but Ichika is so happy she gives Miku a huge hug.

Fuutarou shuffles off, leaving the quintuplets alone together to share in the pain of falling in love, something they all now understand better having seen the various was they reacted to it (and yes, Itsuki admits she was trying to be alone with Fuu too). Ichika later catches up to Fuu to apologize, and he apologizes in turn. She teases him by saying “it’s all a lie” while kissing him on the cheek, a kiss he continues to feel on the train home.

It will not surprise you, then, to learn that we do not learn who Fuutarou ultimately ends up marrying quite yet. That final revelation will be saved for an already-announced sequel (though what form it takes—movie, OVA, third season—remains up in the air). But I’m not mad! In fact, I’m not even bothering with the rankings this week, just as I ended up juking the stats to make it a five-way tie at the end of last season.

Despite being a presumably zero-sum game, the journeys—all five of them—have continued to prove themselves far more important than the destination; i.e. who marries Fuutarou. The sisters called a cease-fire in Kyoto and more or less negotiated a pact in which they’ll all fight openly and honestly for Fuutarou’s heart from now on.

I’m not even mad Fuutarou is no closer to knowing who—if anyone—to choose above the others. It can be hard to choose from scene to scene! Perhaps the sequel will finally depict him earnestly wrestling with that choice, now that he has a good idea where most of the sisters stand. Until then!

Mushoku Tensei: Jobless Reincarnation – 11 (S1 Fin) – Sharing the Load

Roxy comes upon a bulletin board outside of Roa (at least I think it’s Roa) and is relieved to find Rudy and his family’s names missing from the lists of the dead. She also finds a letter from Paul to Rudy, saying he’s not worried about him making it home, while asking anyone who knows his family or the members of their old adventurer group to help him find Zenith, Lilia, and Aisha (Norn is with him).

The Fangs of the Black Wolf to write back to him care of the adventurer’s guild in Millis. Roxy happens to encounter two former Fangs—a she-elf and a dwarf—forming party of three in search of Zenith, Lilia, and Aisha. Meanwhile, Rudy’s party of three are taking jobs and starting to make money, thanks to their arrangements, thanks to the cooperation of the two remaining pet kidnappers, Jalil and Vizquel.

Their first high-ranked job is to investigate a monster in the Petrified Forest—a suitably dark and spooky venue—but they find the job has been triple booked, both by Kurt and his two young comrades and a third group led by an older orc. The three groups go their own ways, but Kurt & Co. immediately run into trouble.

Rudy sees an opportunity to improve Ruijerd’s rep by rescuing them, but wants to wait for the right moment. While delaying Ruijerd from charging in to save them, one of Kurt’s buddies is brutally killed; his body flying gracefully through the air before hitting he ground with a horrific splat. Ruijerd and Eris don’t wait for Rudy’s signal, and deal with the two monsters themselves.

Rudy explains he thought it would “work out better” for them if they waited, but Ruijerd is furious. Instead of Eris, it’s Kurt who grabs Ruijerd’s arm, insisting that neither he nor his dead buddy are “kids”; they’re adventurers who knew this job could mean their deaths. As the leader of his party, it’s his fault.

When Ruijerd sees Kurt take responsibility and weep for his fallen friend, his hand hovers over the kid’s head before resting on firmly on his shoulder, demonstrating that Ruijerd acknowledges Kurt as a full-fledged warrior, and apologizes for treating him like a child.

The monsters Ruijerd and Eris weren’t the monster the job mentioned. That turns out to be the forest boss, a redhood cobra, who has already killed all of the orc’s party but himself. Ruijerd manages to slash along one side of its body, but when Eris’ blade bounces off its thick skin, she’s blasted backwards. Fortunately she’s able to use her own sword to cushion the impact, and recovers quickly.

Rudy launches magical attacks that lure the cobra to him, and Ruijerd stops it in its tracks before it can swallow the boy. Eris then tries again with her sword, launching a devastating attack from above that called to mind Haruko smashing away with her Rickenbacker bass in FLCL. She manages to slice clean through the cobra’s body, allowing Rudy to blast a hole through its hood, finishing it off.

Unfortunately, they’re too late to save the orc adventurer’s life, and when they return to town to claim the reward, Bojack Horseman is there to tell them he knows they switched jobs with Jalil and Vizquel, and unless they pay him half of all their earnings monthly, he’ll make sure their licenses are revoked. After lowering his head in frustration, he raises it, as if to ask the heavens themselves why everything he’s done since coming to the city has gone so wrong.

Eris can tell he’s troubled and takes his hand in concern, and he tries to reassure her with a fake smile. She reminds him of his solemn duty: to get her home to her family. He’ll bring down the whole goddamn city if he has to. His staff begins to glow through its cover, and storm clouds begin to gather…then Ruijerd dumps a jug of water on his head, revealing his green hair, and he then threatens a thoroughly terrified Bojack to back off before fleeing the city on his own.

Rudy and Eris leave the city to search for Ruijerd, and eventually find him. To Rudy’s surprise and shame, Ruijerd apologizes to him, when he thinks it’s he who should be apologizing. He was so focused on making money as efficiently as possible and improving his reputation that it became too much to juggle and got away from him.

But Ruijerd doesn’t hold it against him. He sensed Rudy’s resolve to kill Bojack, and could tell Rudy was trying to protect something—someone, in Eris—which makes him a warrior, not a child. To Ruijerd, warriors protect children and treasure their comrades. Helping Rudy out back there was more important than his tribe’s reputation.

The two shake hands, which of course leads Eris to add her hand to the pile so as not to be left out. The next morning, Ruijerd shaves his head so it will be easier to move around, and the three wear matching head/armbands to denote their status as members of Dead End.

Going forward, Rudy stops trying to figure out everything on his own, and trusts both Ruijerd and Eris to help share the load on their mutual quest to reach the Asura Kingdom. As the credits roll, we watch them camp and travel on a ground dragon, watch Ruijerd pull Rudy away from snooping on a bathing Eris, and Eris punching Rudy when he opens a dressing room curtain before she’s dressed (she acquires some super-cool knight’s armor for heavy-duty battles).

Eventually they reach a new port city…which I believe happens to be the same port city at which Roxy and the two Fangs arrive via ship. Whether Rudy & Co. are still in the Demon continent or have reached Millis isn’t clear, but one thing’s for certain: there’s potential for a tearful reunion of master and apprentice, and should that happen, they’ll be an even more formidable party of six.

Unfortunately, as Mushoku Tensei is a split-cour series, we’ll have to wait until July for the continuation of the story, just as it’s getting seriously awesome. Not that it wasn’t before. MT completed a masterful transformation from excellent fantasy isekai slice-of-life in a sleepy rural setting to an excellent grand-scale fantasy adventure romp packed with colorful characters, gorgeous locales, and breathtaking action. The finale could not have done a better job getting me pumped up for season two!

Read Crow’s review of episode 11 here!

The Quintessential Quintuplets – 23 – Give and Take Five

Yotsuba walks in on Itsuki just as she’s hiding the photo of Fuu with “Rena”. Commenting on how things aren’t so hot among the sisters, Yotsuba invites Itsuki out shopping, where they run into Fuu and Raiha, who is imparting on Fuu the importance of buying belated birthday gifts for the quints. Raiha also mentions “the photo”, and Yotsuba demands to know details. Raiha goes on to say the girl in the photo was her bro’s first love.

On the Shinkansen to Kyoto, Ichika, Nino, and Miku continue their war through spirited card games, while Itsuki joins in just for the card competition, while Yotsuba is a little intimidated by how heated things have gotten. She’s hoping this trip can be an opportunity for the five of them to make up…but also an opportunity for Miku to give Fuu her clandestinely-made baked goods.

Nino unilaterally decides to follow Fuutarou’s group up the temple steps, and while the others don’t have any objections, Yotsuba brandishes her card game victory on the train to insist that she and Miku go up the right steps while Ichika, Nino and Itsuki will go up the left steps. Some mild sniping between Ichika and Nino ensues, while Itsuki is left bemused.

When Itsuki and Nino use the restroom, Ichika abandons them and continues her descent, determined to see Fuu first and calculating she can beat the faster Yotsuba as Miku is surely slowing her down. Unwilling to take back the lie she’s already told Fuu, all Ichika thinks she can do to stay in the fighting is continue to lie and block Miku by posing as her.

But while she’s the first to reach the top, Fuu isn’t there. The next to arrive is Yotsuba, with Miku on her back, and they both see that Ichika is impersonating Miku. When asked for an explanation, Yotsuba says Ichika is trying to get in the way of Miku’s confession to Fuu. She says this just as Fuu makes it to the top, and hears what she said.

Miku runs off in tears as Nino and Itsuki arrive, and Nino has had it with Ichika’s bullshit now that she’s made someone cry. But Ichika doesn’t want to hear about it, considering how cutthroat Nino has been. It’s here where Nino admits she was being overly harsh, and that in reality she’d want to celebrate with whoever ended up “winning” because the bond between the five of them was just as important to her as Fuu.

Speaking of Fuu, he tries to lower the temperature, but it’s too late; Nino is already also crying, and orders him to chase after Miku. He’s unsuccessful, but Itsuki ran after her earlier and saw her get on a bus back to the hotel, so Fuu gets on the next bus, and Yotsuba joins him. She blames herself for making Miku cry, and may have created a monster by encouraging Ichika.

Fuu assures Yotsuba that he was already pretty sure of Miku’s feelings, such that the Fake Miku seemed fake even to him, “Uesugi the Dense.” He tells her she worries about the others too much, but Yotsuba still feels she owes them for making them follow her to another school when she was the only one to flunk out.

She wants to know how everyone can be happy, but Fuu tells her there’s only so far you can go; ultimately someone’s happiness must be gained by taking it from someone else. Like, say, when many girls like the same boy.

Back at the hotel during dinner, Nino informs Yotsuba and Itsuki that there’s a creep sneaking photos of them (as evidenced by the shutter sounds she’s heard behind her several times). When the three decide to go check on Miku and Ichika, Miku doesn’t answer the door, but they all hear another shutter and freak out.

Ichika, meanwhile, manages to bump into Fuu in the hall, and asks if he’s free tomorrow, because she needs to talk to him about something. Hopefully to come clean about impersonating Miku…but probably not! Meanwhile, Nino calls Miku to ask if she’s free to talk tomorrow.

The next day, Fuu ends up running into Itsuki and Yotsuba again, this time from the top of Kiyomizu Temple. Itsuki all of a sudden adopts a super-affectionate and clingy attitude, having Yotsuba snap a picture of them with the view as a backdrop. She’s hoping to jog his memory about another certain photo from six years ago.

Nino gets to stay at the hotel by impersonating Miku (which is apparently all the rage these days) and when Miku asks her what she wants, Nino jumps on top of her in order to rattle her cage. She says her rival “backed down by herself” on this class trip that should have been a golden opportunity for her to make progress. Now all she needs to do is defeat Ichika, that “sly fox”. Long story short: Nino is taking Fuu.

Miku may have fallen for him first, but as far as Nino’s concerned she loves him the most, even if it’s her first time in love and she’s not sure what’s right or wrong. To this, Miku voices her protest, insisting she’s not done fighting for him yet. It’s just…she’s scared. Scared that she’s not good enough; scared of fighting fair and square; more scared than she thought she’d be. But even if it’s scary, she’s not going to quit…not yet.

That’s good, because Itsuki knows for a fact that the sister who posed with Fuu in that six-year-old photo is none other than Yotsuba!

Episode Eleven Quintuplet Ranking:

  1. Nino: Nino was busy this week! She was the sister who decided they were following Fuutarou’s group, setting some potentially cathartic scenes in motion. Calls out Ichika’s scheming, but also admits that she’s just as ruthless in trying to get what she wants. Most importantly, when Miku runs away crying, Nino puts the war on hold and sends Fuu after her. Finally, is the one to rattle Miku’s cage. Total Points: 43 (1st)
  2. Yotsuba: Turns in another strong showing by hanging with Fuu at the mall, serving as Miku’s emotional support, winning the card game so the sisters were forced to split up the way she dictated, literally carries Miku on her back, and has a solemn and frank convo with Fuu on the bus about the limits of happiness for all. Oh, and she’s the damn girl in the photo! Total Points: 34 (2nd)
  3. Ichika: Love or hate her, there’s no denying Ichika is a woman on a mission, and it’s take-no-prisoners. Her second use of the Miku disguise compounds the throne of lies upon which she sits, but when it backfires she doesn’t want to hear Nino scold her when Nino said she’d step over anyone who got between her and her man.  Total Points: 29 (Tied for 4th)
  4. Itsuki: There’s actual signs life in Camp Itsuki this week, as she plays big sister to Raiha at the mall. However, her cute photo moment with Fuu at the temple wasn’t self-serving so much as designed to get him to remember the Kyoto trip years ago. Total Points: 30 (3rd)
  5. Miku: While Ichika’s Fake Miku act didn’t work on Fuu, the fact Yotsuba blurted out her desire to confess sent her into a spiral of inadequacy, and she remained confined to her hotel room far too much to do anything. That said, she has nowhere to go but up! Total Points: 29 (4th)

Mushoku Tensei: Jobless Reincarnation – 10 – Not So Black-and-White

Armed with her new Migurd blade, Eris has no trouble taking out the low-level beasts who roam the wasteland, leaving no one for Rudy or Ruijerd to fight. She’s taken to the adventurer’s lifestyle like a fish to water. Their first true test occurs upon entering their first demon city, Rikarisu, which I have to say is a looker of a city, with dramatic terraced blocks clinging to massive cliffs and a central palace seemingly made entirely of a strangely pristine material.

Rudeus buys Eris a new cloak with cat ears which she vows to treasure forever, then they head to the city’s adventurer’s guild to commence his scheme. Ruijerd was granted access to the city because Rudy dyed his hair Migurd blue. When he arrives at the guild and says he’s got a genuine Superd in his party, the guild members simply laugh, because Ruijerd’s hair is blue, not green, and he’s wearing the necklace Roxy gave Rudy.

They don’t end up taking any jobs, but the guild visit is still a success … and not because Rudy got to leer at the three-breasted clerk (which blessedly the sum total of his perviness this week). He intended for the guild members to laugh at Ruijerd, as it give the impression he’s no one they have to fear. It’s the first step to rehabbing the Superd’s reputation.

After Eris marvels at the way the evening light turns blue when filtered through the crystal embedded in the stone cliffs, the party of three, calling themselves “Dead End” (which is one of the names for the feared Superd) heads to an inn. Another young adventurer takes interest in Eris, but she can’t understand him and ignores him. When he grabs her, the button of cloak Rudy gave her falls off, and she absolutely wails on the poor guy.

Rudy keeps the situation from escalating out of control (and incidentally getting kicked out of the inn or worse) by healing the party Eris attacked with his magic, impressing them and leading them to invite him into their party. Rudy politely declines, but he knows one thing for sure: the three of them can’t live off F and D-ranked jobs, the only ones newbies are allowed to take.

That night Rudy dreams he’s in his old body in that strange white void with the even stranger Man-God. The guy insists all of Rudy’s choices are his own, but strongly suggests he take the lost kitten job the next day. Rudy wakes up to find Eris is still up. She can’t sleep because she’s worried about whether they’ll ever get home.

Running around in the wastelands killing beasts is one thing, but I imagine once everything quieted down and Eris had a chance to think about their situation, I’m not surprised she’d get scared and worried. Rudy sits next to her and assures they’ll make it back, and Ghislaine and her grandpa will be waiting for them.

The next day Rudy takes the lost-kitten job as the Man-God recommended, which lead them to discovering another party of three running a pet-kidnapping racket. Rudy turns the ground beneath their feet into mud, then Eris and Ruijerd push them back against the wall so Rudy can bind them with earth magic.

When Rudy tries to question their insectoid leader, he gets shoved back hard, taking the wind out of him. Before he can get up, Ruijerd hacks the guy’s head off, and it rolls right beside Rudy. Ruijerd’s explanation for why he just killed someone: “he hurt a child.” This is when we and Rudy learn that Ruijerd is a  very black-and-white, good-and-evil type guy, especially where kids are concerned.

One side-effect of Ruijerd spilling blood so easily is that the other two adventurers’ lips are instantly loosned, and they spill the beans about kidnapping pets then claiming the rewards. When Rudy learns they’re a D-ranked party, he decides he’ll have them advance to C-rank, and use them to nab higher-paying B-ranked jobs.

Ruijerd is extremely opposed to teaming up with “villains”, and even grabs Rudy by the shoulder in protest, breaking his own don’t-hurt-kids policy. Eris punches and kicks him as hard as she can, reminding him he too did bad things in the past that don’t automatically make him evil, and that he should just shut up and leave it to Rudy, who only has his and her best interests at heart.

Ruijerd calms down, and reiterates that he won’t walk away from his promise to get the two of them home. They escort the D-rankers, a lizardman and bee-woman, to the guild, where they upgrade to C-rank. Rudy orders them to take a B-rank job, while he’ll take an F-rank job, with the understanding they’ll be swapping jobs. A nosy horse-man adventurer whom I’ll call Bojack for now almost catches wind of this plan, but assumes the lizard guy is just trying to look cool in front of the newbies.

The episode ends somewhat awkwardly right there, but that’s ultimately okay, as it accomplished a lot. We got to see Eris in action (and absolutely loving it) and saw our first demon city in all its glory. Rudy doesn’t grope anyone or make any gross comments, and is even thoroughly shaken when Ruijerd demonstrates his far-too-rigid code of morality. Now I look forward to their first monster-slaying quest. Here’s hoping Rudy can keep his green, now blue-haired friend in check.

Rating: 4/5 Stars

Read Crow’s review of episode 10 here!

The Quintessential Quintuplets – 21 – Eyes On Me

Ichika announces to her sisters that starting next month everyone will have to chip in a fifth of the rent, or return to their stepdad’s apartment. There’s an opening at the bakery where Futarou works, but only one opening, leading to them both telling Fuu to “choose me.” Despite Miku’s chutzpah, it only takes one bake-off for the boss to hire Nino, who is objectively great at cooking and baking.

So why, as Nino puts it, does she feel like she lost? Because Miku doesn’t treat it as one. Instead, she gets a job at another bakery, having come to love making things and eager to get better at it. She’s also steadily working towards becoming someone Fuu would fall for, based on the sign he made of his top 3 qualities in a woman (“always cheerful”, “good at cooking”, and the top one yet to be revealed).

Ichika also wants to challenge herself by taking tougher and more serious roles that motivate her, not just any role to make a buck. That’s why she asked her sisters to try to get jobs, not out of any malice or resentment. Ichika worries that with everyone working they may end up drifting apart, but that’s proven wrong when all five sisters and Fuu end up in the same third-year class!

The quints are obviously a sensation with their classmates, who have no idea Fuu is in any way associated with them. The quints wished the class knew what a good heart he has, and so independent the larger war for that heart, they agree to think of ways to make the real Fuutarou known.

Yotsuba takes the most direct route by volunteering him to be the male class rep beside her. (I’ll also note that this is a good strategic move for Yotsuba as it ensures they’ll be able to spend time alone). Quite by accident, simply because he sees two classmates grab Miku thinking she’s Ichika, Fuutarou reveals that he’s an expert at telling the quints apart.

This is another instance of we the audience having to suspend disbelief they’re identical to everyone despite not looking or sounding so to us. This immediately ingratiates Fuu with the other girls, who cling to him hoping to learn more, drawing Miku’s quiet ire.

Miku is also the one to take Fuu aside in the hall to ask what he’d wish for if he had a magic lamp with five wishes. Top of the class he may be, but Fuu does not realize Miku is attempting to mine him for gift ideas the quints will fulfill for his birthday.

He says he’d wish for money, stamina, better sleep, faster recovery, and better luck. While they can’t provide those literal things (other than cash), they could get creative with a better pillow, weights, bath set, good luck charm…you name it! Or just give him cash!

Sensing that her lead in the Fuueepstakes may be dwindling, Nino reports for work in an exquisite pâtissière ensemble and her hair in a ponytail, hoping to catch Fuu’s eye, but he doesn’t give her a compliment when it’s due. If anything, she feels like they’ve grown more distant since her confession.

The day she starts happens to be the day a famous reviewer is stopping by for the boss’ new seasonal dish, so it’s all hands on deck. Nino initially impresses with her talents, but in the pace and chaos of a professional kitchen she screws up a batch of batter, and feels like she’s making everyone work harder.

While on a break with Fuu she expresses how she feels like she’s holding everyone back, but Fuu says it’s the boss’ fault for pushing so much work on a new recruit. He also shows her a box of 1,000 Christmas decorations when he was supposed to only order 100, as well as evidence of other mistakes he made that make hers look “trivial by comparison”.

Then, finally, Fuu brings up the confession, and when Nino least expects it: when he’s about as physically far from her in the break room as possible. He explains the delay in responding to her because no one had ever confessed their love, and he simply didn’t know how to talk to her about it. Still, he knows he owes her an answer, and so prepares to give it when Nino shushes him.

She says he has every reason to hate her, considering how nasty she’s been to him on-and-off since they met (not to mention all of the druggings). But now that they’re working together, there’s so much more she wants to tell him. She wants him to know her better, so he’ll understand how much she loves him. To all this, Fuu says “ah, so?” and flees the breakroom before her.

Nino is worried she failed to get through, but the boss notes that his face is red up to his ears, causing her to grin from ear to ear. She wishes him good luck, calling him “Fu-kun”, and even when they’re working with customers, she blows him a kiss that makes him blush all over again. As for the “famous reviewer”…It turned out to be Itsuki?

With Nino sitting pretty on top of the pack once more, we shift to Ichika as she tries to do what she wants. What she wants is for Fuutarou to only look at her—a most appropriate wish for an actress! But unlike Nino and to a lesser degree Miku, she still lacks the courage to launch direct attacks, and so she has to awkwardly manufacture a “chance encounter” outside the Starbucks.

Ichika is wearing big black-rimmed glasses in order to avoid unwanted attention from strangers after the screening of her film has made her a minor celebrity. That’s all too fitting, as Ichika is positively adorkable during this operation, which almost ends abruptly when they spot her four sisters.

Ichika doesn’t want him to go to them, or look at them, or talk about them, but keep his eyes and hears on her. She spontaneously grabs his hand to stop him, and says they should skip class together, and he declines instantly. Her failed insistence almost makes them late, making the operation an abject failure.

Even so, when the two arrive in class to find that all eyes are on Ichika, astounded that there’s a famous actress in their class, the praise that means the most to Ichika comes from Fuutaoru, who paid attention to her and remembered how she spoke of becoming a “good liar”.

Later that day, Ichika has to leave her fawning fans to join the study group, while Fuu runs into Miku in the hall. Only it’s not Miku, it’s Ichika, wearing the Miku disguise she’s been carrying on her. Fuutarou can’t believe Ichika’s movie already released, and Ichika learns that Miku was the one who told him about it.

That’s when Ichika, desperate for something to go right, employs another unconventional tactic: she pretends to be Miku when she tells Fuutarou that Ichika likes him, that she thinks they’d make a good couple, and that she’s rooting for them.

While I love Ichika, and you could say she’s playing to her strengths as an actress, I can’t see this as anything but dishonest, underhanded, frankly beneath her. Ichika!Miku’s crazed expression seems to confirm at least part of that, and yet she feels she’s gone too far to take it back. It’s certainly messy! I’m sure this definitely won’t blow up in her face…

Episode Nine Quintuplet Ranking:

  1. Nino: All hail. Crushing Miku on her turf to win the job at the bakery. Getting flustered in the kitchen, only to be revitalized when Fuu finally acknowledged her confession. Good on her for not letting him answer yet. Total Points: 34 (1st)
  2. Miku: She lost another battle, but Miku is committed to winning the war, and going about it as meticulously as Fuu goes about his academics. Total Points: 26 (3rd)
  3. Yotsuba: Had no trouble getting cleaning job, and also just might have some after-school time with Fuutarou, should she want to spend any of it trying to get him to notice her…If she’s even interested in him! Total Points: 25 (4th)
  4. Ichika: Climbed out of her pit of despair last week only to flail about wildly and resort to playing dirty. A stark contrast to Miku trying to carefully do things “the right way”. Total Points: 23 (5th)
  5. Itsuki: The only sister still saying things like “I can’t understand why anyone would love that guy” with a straight face, and the only sister who has yet to find a job (CORRECTION: she apparently makes money doing restaurant reviews??) In her defense, Fuu’s “tacky” comment about her hairpins was a low blow! Total Points: 27 (2nd)

The Quintessential Quintuplets – 20 – Tantamount to Love

This week Fuutarou learns why there’s a Fake Itsuki when he finds four of them in one room. As Yotsuba explains, she was the first of the quints to change her appearance (with her bunny ribbon). At some point they all agreed to look identical whenever they visited their grandpa, so he wouldn’t worry about them drifting apart.

Gramps ends up coming in their room, so Fuu has to hide under the kotatsu, and identifies the real Fake Itsuki who spoke to him in the lobby by the bruise on her leg. However, because all of the quints in the room are disguised as Itsuki, he doesn’t know to which quint that leg belongs!

As Fuu continues his investigation, Nino takes Ichika aside to to bathe together, hoping to pick Ichika’s brain about what next steps to take with the guy she likes, describing with wonderful self-awareness how she came to love her “prince”. Of course, Nino is blissfully unaware that Ichika also likes him, and heard her confession to him.

Even Ichika’s best attempts to slow her down end in failure, as Nino makes it clear she’d step over whoever else liked Fuu to get with him. Would she say that if she knew Ichika (or Miku) were that other person? At present, Nino is committed to doing more to get Fuu’s attention, including meeting with him that night and hugging or even kissing him.

Ichika feels powerless to stop her, and even agrees to run interference for their dad so Nino can slip away! She asserts to herself that because she’s such a “coward”, her love for Fuutarou is no match for Nino’s. It’s basically her lowest point yet, where she’s actively working against her interests in deference to someone who made it clear she wouldn’t do the same. That’s when Yotsuba finds her in the hallway, crying.

The two climb up to the roof—an old hiding spot of theirs from years past—and when Yotsuba sneezes from the cold, Ichika lends her her robe. Yotsuba reminisces how Ichika was once the prank-pulling “mean bully” who’d always takes things from the others with impunity—basically the opposite of what she is now: feeling afraid and unworthy of taking Fuu from Nino.

Then their mom died, Itsuki was hit hardest, and Ichika decided there and then that she had to be The Big Sister. Yotsuba tells Ichika how she’s always saw her as her dear big sister, and how she wants her to do what she wants. For Ichika, right now, that’s for things to remain in the “comfort zone”, where Fuu isn’t “taken” by any of them.

Buoyed by Yotsuba’s words, the last two things Ichika does are in her own interest: taking back the robe she lent Yotsuba, and not distracting their dad so Nino can talk to Fuu. We’ll see if Nino shrugs off Ichika not coming through for her at what for her was a crucial opportunity to impress her feelings upon her Prince.

That brings us back to Fuu himself, who has noticed the quints’ grandfather has no trouble telling them apart. When pressed, Gramps tells him there’s no silver bullet or trick to it, it’s just a matter of learning their mannerisms, voices, and subtle habits, which he says are basically “tantamount to love”. This, of course, leads gramps to ask him why he needs to tell them apart. If he truly can’t, can he honestly say he has the “commitment to face them in good faith?”

Fuu accepts that challenge the next morning, when unbeknownst to him, Miku has already come clean with Itsuki about being the Fake Itsuki. She wanted to end their student-teacher relationship so it could change into something new. Unlike Ichika, she doesn’t want to stay in the comfort zone. So Itsuki tells Miku to meet Fuu one more time as Fake Her.

Fuu uses the process of elimination to narrow it down to Ichika or Miku, and when she gets her to say “Itsuki-chan”, he guesses she’s Ichika, because only she uses “-chan” with Itsuki. Miku pretends he’s right, holding back tears that then start to fall once her back is turned. But then Fuu realizes she is Miku, causing her to run into his arms so fast her Itsuki wig falls off and she tackles him to the ground!

Fuu then goes on to explain his further reasoning for why Miku might be mad—because he never got around to giving her anything in return after Valentines Day. Then he asks why she wanted him to quit, and she tells him to forget it. He’s a teacher, she’s a student, and that doesn’t have to change. She’s just grateful he guessed correctly.

That leads to another strange cliffhanger-like ending, where before Fuutarou and the Nakanos depart from the onsen, someone in white, almost wedding-like shoes runs at him at full speed, causing him to grab the nearby bell for support. This, after gramps confirmed his daughter, the quints’ mother, was named Rena—the same name as the mysterious girl he saw when he fell in the water. To be continued, I guess!

Rating: 4/5 Stars

Episode Eight Quintuplet Ranking:

  1. Miku: Her bitterness about Fuu not guessing correctly, immediately followed by her pure unbridled joy, was one hell of an emotional roller coaster! She definitely caused Fuutarou to think about the “love” gramps talked about. Total Points: 22 (Tied for 3rd)
  2. Yotsuba: Who’d have guessed she was the maverick who first changed her appearance? In both explaining the Fake Itsukis and her heart-to-heart with Ichika, Yots seems content to let things with the others play out before making whatever move she has planned…if any. Total Points: 22 (Tied for 3rd)
  3. Ichika: I think she’s finally reached the bottom of her well of defeatism and may be starting to claw her way out. It’s still not looking good, but at least she hasn’t given up on what she wants. Total Points: 21 (5th)
  4. Itsuki: Was instrumental both in getting Fuu to find out why the others were upset, as well as hearing Miku out and having her try one more time. Just an all-around great sis! Total Points: 26 (2nd)
  5. Nino: As she was thwarted from doing anything more with/to Fuu, Nino was relegated to a passive role this week. If Fuu doesn’t make the next move—and he shows no signs of doing so—she may have to try something. Was that her in the white shoes throwing herself at him? Total Points: 29 (1st)

 

The Quintessential Quintuplets – 19 – Commencement of Hostilities

The War for Fuutaro begins not with a whimper, but with the bang of a two-stroke engine and the flash of a headlamp. Nino, ready to give up on Fuu once and for all, tells her stepdad she and her sisters are going to keep living on their own a while. Stepdad is poised to shit on the new home they made, but Nino is rescued by Fuutarou, her white knight on his motorbike steed.

Motorbike rides through the city are tailor-made for romantic scenes, as Nino is literally embracing Fuu from behind, and they’re all alone on their buzzing island. So after she finds his exam scores in his pocket (the lowest he’s ever had, though he doesn’t blame them) and he’s thinking about the end of their student-teacher relationship, Nino shoots her shot, telling him she loves him.

Fuutarou doesn’t react at all, which both confuses and frustrates Nino as they join the other sisters. There are other signs of hostilities commencing between sisters even as they share bites of their disparate deserts as thanks for helping each other out. Ichika realizes Miku said she’d confess if she had the highest scores, but Ichika got them…so does that mean it’s okay for her to confess?

As Miku seemingly shot herself in the foot with her wager and Ichika wavers, Nino keeps going for it, joining Fuutarou in the back and even helping wash the dishes with him, another lovely domestic activity. On her way out, she tells him to forget what she said on the bike, that it must’ve troubled him and she went too fast.

In response, Fuutarou genuinely asks: What is she talking about? He couldn’t hear whatever she said on the bike due to the wind. She tells him never mind and scoots off, seemingly glad he didn’t hear her since it means things can go back to the way they were. But then Nino, and QQ, does something I didn’t expect: she marches right back to the kitchen and tells him she loved him.

She has him recall her saying there’s one girl on the planet who’d fall for him, saying “That girl is me. Too bad for you!” Just excellent stuff. I’m so proud of Nino. Poor Ichika can only listen in horror from behind the wall.

Nino says she doesn’t expect a response, but if I were Fuutarou, not giving one wouldn’t sit right with me. Alas, he’s so thrown for a loop he’s unsure how to proceed, and her confession just sits out there. A day or so later Fuu encounters Miku at a supermarket she insists she went to not to see him, but…to enter into a contest with a grand prize of tickets to an onsen.

Because of that white lie, and all the more practical lesser prizes, both Miku and Fuu enter into the contest…and to their mutual surprise, both of them win! While Fuu takes his family and looks forward to being away from the quints to rest and think on things, he learns the quints are on vacation with their stepdad, who’d prefer if it was a vacation away from Fuu.

Nino approaches Fuu like it’s no big dealio, and it’s not—for her! She did what none of the other quints who like him had the courage to do: risk everything by making those feelings plain. With the ball in his court, Nino can relax and keep pushing to become “girlfriend material”. When she calls him Fuutarou, Miku immediately perks up. Also, Itsuki wants to speak to Fuu later.

That night, Fuu finds a note in his cubby saying “courtyard, midnight”, but finds Itsuki in the lobby instead. She asks him straight-up what he thinks their relationship with them (the sisters) is. When he uses the tired “partners” line, she says it’s time to “put and end” to that relationship. Confused and distraught, Fuu takes hold of Itsuki…and gets flipped head-over-heels by the old man at the desk—who is the quints’ grandfather!

The next morning, Fuu calls Itsuki, who assures him she never met with him last night. They meet at the baths, where Fuu tells her about the impostor, who I’m guessing was Miku (because it sounded most like her). Whoever it was, they were trying to do what Nino was initially going to do: separate from him altogether to avoid the heartbreak of rejection.

Right on cue, Nino prepares to join Fuu in the mixed bath (Itsuki is over on the women’s side), but Fuu, having been fooled last night, ruins things by asking her who she is, even though he was pretty sure it was Nino. Itsuki tells him she wanted to ask why the others are acting so odd, something even the typically dense Fuu has noticed.

When Fuu says they’re not “partners” working toward the same goal anymore, Itsuki corrects him: after all they’ve been through, can’t they both admit that what they truly are now is plain old friends? For Itsuki and Fuu, perhaps. But for those who have fallen in love with him, it’s not that simple.

Rating: 4/5 Stars

Episode Seven Quintuplet Ranking:

  1. Nino: Comes out with guns blazing, but all of these early victories make me fear that she’s being set up for some kind of fall down the road. The future aside, the motorbike ride, kitchen re-confession, and mixed bath visit were all sublime. I recommend Fuu marry this girl yesterday. Total Points: 28 (1st)
  2. Itsuki: Seems to be cementing her role as Fuu’s trusty pal and confidante, as well as continuing her role as Ambassador to the United Quintuplets. If this is a long-game strategy, she hasn’t shown her hand, but hey, they’re talking! Total Points: 24 (2nd)
  3. Miku: Between losing to Ichika at exams and to Nino at…everything else, Miku seems to be in dire straits. At the same time, she hasn’t given up yet… Total Points: 17 (5th)
  4. Ichika: …Which is more than I can say for this one. Ichika continues to harbor a negative, defeatist attitude. She couldn’t capitalize on the opening Miku gave her because she was waiting for someone to tell her if it was okay to act. Then again, there wasn’t much she could have done against Nino. Total Points: 18 (Tied for 3rd)
  5. Yotsuba: If it wasn’t Miku disguised as Itsuki in the lobby, maybe it was Yotsuba. It’s how I explain why recedes into the shadows after the bakery celebration. I’m not really sure what (if anything) she’s up to, but it’s not happening on-screen. Total Points: 18 (Tied for 3rd)

The Quintessential Quintuplets – 16 – A Pretty Fun Hell

While Fuutarou, Itsuki and Ichika try to bail Yotsuba out of her track training camp, Miku stops by Nino’s for tea. She saw Nino stomp out of her previous hotel, and wonders what went on with Fuutarou. Nino is still fuming about Kintarou always being Fuu in disguise, but that’s tabled for now in favor of discussing Nino’s return home.

For all Nino thinks all of her sisters have changed, she’s changed too. They remain five sisters in completely different directions, but that just means they continue to complement each other by exposing them to things they normally wouldn’t…even something as mundane as the different teas they drink, which they learn come from the same leaf!

Operation Spring Yotsuba doesn’t get off to a great start, owing to how well the track captain knows Yotsuba, Itsuki’s less-than-stellar impression, and the simple fact her hair is too damn long! The real Yotsuba returns after having tackled the “groper” (a Fuutarou invention), but then it soon becomes obvious she isn’t Yotsuba either…she’s Nino!

That’s right, the scissors Nino produces at the end of her scene with Miku were meant for her own hair. Whether in order to confront the track people for Yotsuba’s sake, or because her heart was broken by a boy who never existed, or a little of both, Nino now sports the same cropped locks as Yotsuba, though she retains her signature butterfly ribbons and flat bangs.

With Yotsuba agreeing to help with the most recent meet and then quit the team—which is what she wants, but simply needed a nudge to do—Nino and Itsuki adorably make up, each apologizing for their role. Itsuki, the youngest of the quints, tears up despite having played the role of mom when she slapped Nino way too hard, and the fact they both buy tickets to the movie the other sister liked completes the reconciliation.

With the quints reunited, they soon complete their problem sets, and Fuutarou has them go over them again as they enter the home stretch till the exams. He shows deference to Nino by asking her if it’s okay to proceed in this manner…she can’t help but blush and fight back a smile at his polite attentiveness. The day of the exams arrives, and the quints stride confidently into the schook. Fuutarou hangs back, borrowing Itsuki’s phone to call his sister…but we see he was actually on the phone with the quints’ dad.

The exam scores come in, and out of 500 possible points from the five subjects tested, none of them scored higher than 206. While discouraged by these underwhelming results considering how hard they worked, the sisters actually seem to be looking forward to Fuutarou scolding them and pushing them to do better…which is why they’re shocked to learn from their father’s butler Ebata that Fuutarou has resigned as their tutor.

The sisters can’t even go to Fuutarou immediately, as Ebata has been ordered to tutor them on an interim basis. The problem sets Ebata gives them seem so easy, which they attribute to Fuutarou’s diligent tutoring. Then they break out the rolled crib notes he gave them in case of emergency and discover they don’t contain notes at all, but a message meant for all five sisters to read off in order.

It concludes, “I’m glad I finally done with this hell job…but it was a pretty fun hell. Later.” But the sisters are in agreement: they want Fuutarou to continue tutoring them. So they devise a plan. On Christmas Eve, while Fuu is acting as a crier for a cake shop, the five sisters approach him and ask if he’ll deliver a cake to their place. His clearly awesome boss lets him off work early, urging him to have a Merry Christmas.

When they ask him back, he says he already blew his second chance, and now believes it was only his “selfish ends” that held them back, to which he can no longer in good conscience subject them. The newly short-haired Nino gets in Fuu’s face, telling him they’ve only made it this far because of that selfishness, and he can’t stop being selfish now.

When he reminds them that their father has forbidden him from entering their house again, they direct his gaze to the building behind them: with Ichika’s new acting salary, they’ve rented a new place where he’ll always be welcome. Yotsuba inexplicably tosses the five keycards into the air, and in trying to catch them, Fuu slips and falls into the water. To his shock, all five quints jump in after him. All for one and one for all, to be sure!

After surfacing, he spots the rolled fortune Rena gave him, to open once he “learned to accept himself”. But at the same time, Nino cramps up and can’t swim, and Fuutarou abandons the fortune to rescue her, obviously. But maybe he never needed to read the fortune, because when everyone is out of the river, he rips up the résumé of his replacement and decides he’ll stay on as their tutor after all. As for Nino, her heart is beating like a jackrabbit and it may well have less to do with almost drowning and more to do with who saved her.

QQ started out totally scattering the quints, but it’s clear that besides the fact they complement each other and make up for their shortcomings, the one thing that brings them back together this week is the desire to keep Fuutarou in their life, as the one who will help them realize their best selves.

While him calling their dad was an obvious clue, his sudden resignation still felt abrupt, and hit me as hard as the sisters, so I tip my cap to the show for keeping me off balance. It was also a wonderfully brisk affair, with resolutions to this arc coming fast and furious without feeling rushed or inorganic (though part of me was hoping they’d address the whole “jumping into freezing water” thing). I’m looking forward to their next tutoring session in their new, less snazzy digs!

Episode Four Quintuplet Ranking:

  1. Nino: Between her lovely sisterly tea time with Miku, to her portrayal of “Cranky Yotsuba”; from making up with Itsuki to her efforts to get Fuu back; from being the only quint who Fuu needed to rescue to her cute new ‘do, it’s another easy win for Best Girl Nino.  Total Points: 19 (1st)
  2. Itsuki: No Itsuki-at-the-Uesugis this week, but she was as wonderful in her making-up scene with Nino as she was wonderfully terrible at impersonating Yotsuba. She also had a moment where she channeled Fuutarou. She and Nino are pulling away from the pack. Total Points: 16 (2nd)
  3. Miku: Came close to tying Itsuki this week. She was so damn cool in that tea scene, describing to Nino why they belong together. She also had the highest test scores of all the quints! Total Points: 9 (3rd)
  4. Yotsuba: Glad her track crisis didn’t drag on any longer, as it felt like a rehash of something not that engaging to begin with. Nice tackle of that creepy groper, but otherwise didn’t distinguish herself. Total Points: 8 (Tied for 4th)
  5. Ichika: I hate to rank her last when she’s footing the bulk of the rent for the quints’ new place, but yeah…she didn’t do much this week! Total Points: 8 (5rd)

The Quintessential Quintuplets – 15 – Leaving the Nest

Nino insists Fuutarou take a shower to thoroughly wash off the river, but mostly wanted someone to talk to and break the monotony of her solitary hotel life…plus she felt bad that he looked so depressed! She gets Fuutarou to tell the full story of his encounter with Kyoto Mystery Girl…which lasted far longer than I had originally thought!

Sleep-deprived or not, there’s virtually no way “Rena” was a hallucination, yet remains an baffling enigma. She asks him to tell her about the students he’s tutoring as if she’s not one of them, but then why does she not only look just like one of them, but blushes when he describes them one by one with perfect accuracy?

Rena tells Fuutarou he seems like someone who is “needed” now, and takes her leave, returning his student ID but keeping the photo of them, because, as she says, “they’ll never meet again.” She tosses him a rolled fortune and tells him to open it when he’s learned to “accept” himself. When he tries to follow her, he falls out of the boat and into the river.

The story moves Nino to tears, and she assures him “at least one person on this planet” would fall for an “insensitive guy” like him. Right on cue, she notices he’s wearing nothing but a tiny towel and is scandalized…yet can’t help peer through her fingers! Fuu learns she taped his study packet back together and has been working on it.

She apologizes to Fuu for her behavior, but won’t go home and make up with Itsuki, who had never slapped her before. Itsuki, meanwhile, has become way too comfortable at the Uesugi residence for Fuu’s taste. The next day, Fuu shows up at Nino’s hotel again, and she tells him about how she feels like her four sisters flew away from their nest, leaving only her behind—it’s why she keeps her hair the same length it was five years ago.

Fuu tells Nino that you can’t change how people change, but have to accept that change and whatever it brings. One part of Nino’s past she isn’t ready to forget is her brief time with Fuu’s cousin “Kintarou,” so she changes gears by having Fuu arrange for them to meet again.

A classic sitcom scenario then plays out, with Fuu having to spend the day with Nino as Kintarou and answering her phone calls for advice about his “cousin”. He slips up more than once, calling Nino by her first name, letting slip he knows she’s a good cook, then finally telling her he doesn’t care about their exams, but just wants the five of them back together.

Nino doesn’t ever let on that she knows Kintarou is Fuu in disguise until he’s ready to confess. She claims to Fuu at the first-floor café that she thinks Kintarou was about to ask her out. She then holds out her hand to give him a handshake of gratitude, only to pull up his sleeve to reveal the bracelet she just returned to Kintarou.

Whether Nino thinks the previous Kintarou she met was the real one, or she knew Fuu was Kintarou all along isn’t 100% clear, but what is clear as day is her expression of hurt and disappointment, which is the last thing Fuu sees before succumbing to the drug she slipped in his iced coffee. While it was played for laughs when she drugged him in the first season, it hits different here, especially after the heart-to-hearts they’ve had since then.

It’s an abrupt end to the Nino storyline, as she ends up checking out of the hotel, leaving Fuu in the lurch. I do wish he had had the chance to make clear there never was any Kintarou and properly ask for forgiveness, but Nino seems to have made her own ruling on the matter, and so we move on to the other sisters.

After forcing Itsuki to wake up on time (she forgets where she is and thinks Nino is trying waking her), the two of them try to get a bead on Yotsuba’s situation with the track team. Her coach doesn’t care about exams, and is willing to use Yotsuba as long as she lets herself be used…which is always.

Fuu has to resort to running with Yotsuba while quizzing her, ultimately resulting in him tripping over his own feat and into Yotsuba’s caring arms. She uses that as an excuse to get him to stop running. Then we learn Ichika also wants to help her little sister, even going so far as to brush her teeth like she used to do when they were little.

Ichika makes it clear that as the eldest, she wants to be there for Yotsuba and the others, and furthermore, tells Yotsuba it’s okay to quit if she wants. Yotsuba seems to want to quit, but doesn’t think she can, because it would mean causing trouble for the team.

Little does Yotsuba know that Ichika has been on the phone with Fuu and Itsuki throughout their conversation. She tells them she’ll be meeting with the track coach tomorrow. Hopefully the three of them working together can help “free” Yotsuba from a prison of obligation.

As for Miku, she arrives at Nino’s new hotel, having worn Nino’s spare butterfly ribbons to pass as her sister. Fuu had his change to try to bring Nino back into the fold and only got her angry by pretending to be someone he wasn’t. Now it’s time for Miku to have a go!

Rating: 4/5 Stars

Episode Three Quintuplet Ranking:

  1. Nino: Not much of a contest here. Nino totally ruled the roost this week. We got Caring Nino, Sensitive Nino, Real-Talk-with-Fuu Nino, Crushing-on-Kintarou Nino, and, most controversially, the return of Criminal Nino. Don’t drug people! Total Points: 14 (1st)
  2. Itsuki: Total Points: 12 (2nd) Not as much screentime as last week, but it’s clear she’s become a capable, productive surrogate member of the Uesugi family, yet is also capable of faces like this upon waking up:
  3. Yotsuba: Nice to see number four again! Unfortunately, she’s pretty one-note, with her usual conflict of trying to please too many people. Total Points: 6 (Tied for 4th)
  4. Ichika: That was the most, uh, interesting toothbrushing scene since Nisemonogatari. Glad to see Ichika actively trying to help Yotsuba rather than continuing to float above everything. Total Points: 7 (3rd)
  5. Miku: Yout can’t score points if you don’t show up! Total Points: 6 (Tied for 4th)

Rena (Unranked): The show wants me to think she’s a sixth and separate person, but I still don’t know what to think. I was intrigued by the fact Nino is the only quint to retain her original hair length from five years ago. Could Rena be Nino in disguise, getting back at Fuu for his Kintarou deception? To be continued…

Cardcaptor Sakura – 46 – Love Not Lest Ye Be Loved

Yue is in no mood for delays; he’s going to judge Sakura right here and now: she’ll either subdue him with her mastery of the cards, or she’ll lose and catastrophe will be unleashed. There’s just one problem: Sakura has no intention of fighting someone who just a few minutes ago was Yukito, a boy she deeply cares for. We learn Yukito never had any knowledge that he was really Yue, which only adds to Sakura’s reluctance to fight.

The thing is, Yue doesn’t care if Sakura cared about Yukito. If she won’t fight, then he’ll mop the floor with her, just like he did Syaoran. And holy crap does Sakura ever receive by far the worst beating of the entire series, getting tossed around like a ragdoll before being ensnared in the vines of the Wood card she herself summoned. The fact she doesn’t even know that Wood is controlled by the Moon (i.e. Yue) irritates him even more as he passes his final judgment: Sakura loses.

The catastrophe that shall occur due to her failure? Everyone in the world will forget about the person they love or care about most. Kero-chan was right: it isn’t a “world-ending” kind of apocalypse. After she’s completely enveloped in vines, Sakura wakes up in bed, and there’s even the Cardcaptor Sakura doll on her headboard.

She has her normal morning routine, but Yukito vanishes when she spots him, while Tomoyo and Syaoran are no longer warm or friendly, but mere acquaintances. Same with Chiharu and Yamazaki…and Rika doesn’t even like that teacher she likes!

Having had adequate time to take in this horrifying bad future (or at least the equivalent of such from her perspective), Sakura runs to Yukito’s gran’s house, only to find it abandoned and in poor repair. She breaks down in tears in the bamboo forest, but then something happens: she starts hearing the voices of everyone she loves, first calling her name, then singing the song Tomoyo sang (and which Song copied).

Then she hears Mizuki’s bell clang, and she bursts out of the vine prison, waking from her helldream and returning to Tokyo Tower. Turns out the bell was also furnished by Clow Reed and used by Mizuki to give the Cardcaptor one—and only one—last chance against Yue.

This time, Sakura uses her own magical power to draw not from the Sun or the Moon, but her own personal stars, and a new wand is forged that allows her to summon Windy—the first Clow Card she ever captured—and restrain Yue without him being able to counter.

Sakura tells Yue what he never thought he’d hear, that she understands now how much Clow Reed meant to him, and why he never wanted another master after Reed died. However, Sakura isn’t offering to become Yue’s master or a replacement for Reed; she wants them to be friends, plain and simple, making the world better together.

Yue thus judges Sakura to be the winner of their little duel, and she has a brief stop up in the stars to meet with Clow Reed, who is grateful Sakura was able to locate and follow the path of “necessities disguised as coincidences” he had set out—her own way.

After that, Sakura returns to the shrine grounds and is reunited with Tomoyo and Syaoran, taking both of a surprised Syaoran’s hands and dancing with him in pure unadulterated joy.

Kero and Yue acknowledge that due to her youth, Sakura isn’t quite ready for their true forms full-time, so they agree to return to their disguises for the time being. That means Kero-chan is back to being a pint-sized plushie, while Yue returns to the form of Tsukishiro Yukito.

Sakura’s adorable dance with Syaoran, paired with her far more understated reaction to Yukito’s return seems to signal the start of a transition from her feelings for Yukito/Yue—whom she knows will always love Clow above all—to Syaoran, who is, well, an actual human being.

And that does it for the grand Clow Card arc and the second season of Cardcaptor Sakura! My stars, has this show been a balm in these times. While this finale wasn’t my absolute favorite of the series (that might be “Sakura’s Dizzy Fever Day”) it definitely makes the top five, merely by dint of its vital story, cinematic scope and utterly gorgeous animation. On to season three!