Love After World Domination – 09 – Become Strong, Then Fall in Love

One minute you’re alone with your girlfriend in her dorm, the next, you’re staring down her eccentric, fanatical father and taciturn yet hostile little sister. The latter, Magahara Urami, is basically the protagonist of this episode, and she’s in crisis.

This…man, who is dressed as a common Gekko foot solider, seems to have turned her invincible sister into a weak, girly softie. The main flaw with Urami’s position is that she couldn’t be more wrong, but she has to learn that the hard way.

When Fudou, who makes up the fake name Mudou, assures Desumi’s dad that she only turned down the monster promotion after careful consideration, then insists he allow Desumi to attend college, both Urami and Pops are furious that an “outsider” is interfering in family matters.

Pops even starts a fight with Fudou, and demonstrates his carefully-honed “Art of Defeat”; i.e. the most stylish way of taking a hit. Pops leaves impressed with Fudou’s devotion to a cause and will table the university discussion, and Desumi sees him off with a smile.

Urami spends the night, presumably hiding in the closet from a big sister she no longer recognizes, thanks to “Mudou” “ruining” her. Growing up, Urami’s problems with communicating and resting emo face made her an easy target for bullies, all of whom were obliterated by Desumi. It’s no surprise Urami developed a sister complex.

When the sisters visit Gekko’s HQ and Desumi receives a royal greeting befitting her rank, Urami briefly believes that the badass sister she knows is still in there…only for Desumi to scold the foot soldiers for going out of their way, and get upset they don’t notice her new (adorable) hairdo. Urami is in awe of HQ and particularly Desumi’s co-workers and superiors, but Desumi would rather go shopping with her in Harajuku.

Urami is beside herself with frustration…how could the sister she loved and idolize become thus? She storms off in a huff and sulks in a dark alley, where she’s cornered by three lunkheads who aren’t at all concerned with age limits. She’s about to clobber them, but when they call her an “emo kid” like the bullies of her past and present, she freezes up.

That’s when Desumi appears, two delectable crepes in hand, and ignores the dopes entirely. When they warn her that they’re “bad guys”, Desumi puts on her game face and ethers all three of them so easily the show doesn’t bother showing the carnage, only the aftermath. Urami may think Desumi has “gone soft”, but the fact of the matter is she’s as strong as she’s ever been.

She realizes she once told Urami that one must become strong to survive, but now that she’s older she knows that’s not enough. If you want to survive and thrive, you have to fall in love. Urami returns home wearing the hairband her sister bought her. She hated the new version of her big sister at first, but having seen that she dole out carnage and be cute at the same time, maybe this new Desumi isn’t so bad after all.

“Mudou”, on the other hand, will be the first to be purged when she rises up in Gekko.

Spy x Family – 09 – Best Selves

When Loid moves in for that kiss to prove he and Yor are in love, both Yor and Yuri panic; Yor because she’s never been kissed, and Yuri because he always dreamed of marrying Yor and doesn’t want to see her kiss anyone else. Yor chugs the rest of the wine to build up the courage to kiss Loid.

The very moment she can’t go through with it is the same moment Yuri tries to stop her, resulting in Yor slapping the absolute shit out of Yuri. He flies right into his ridiculous bouquet, resulting in a cloud of rose petals that in any other situation would be romantic.

Yor helps Yuri up, Yuri helps Yor stay vertical, and Loid helps keep both of them vertical. He tells them what lovely siblings they are (even with Yuri bleeding profusely) and privately feels envy for their familial bond, as he’s never had that. Unaware that even 2D-chess eludes the Briars, he starts to suspect that Yor might’ve married him at Yuri’s behest to get closer to him.

Yuri is too goofy and his blind spot vis-a-vis Yor is too large for him to feel like any threat to the mission to me, but Twilight is a spy; it’s his job not to trust anyone, even Yor. At the same time, Yor’s inability to kiss Loid or cook has her worried she’s not acting like a proper wife should.

Anya, who slept through the excitement (and really wants to meet her secret police uncle) picks up on these bad vibes, but can’t reassure either parent as it might give away her ability. So as she boards the school bus, she simply tells them they “need to get along”. Loid chalks it up to how “curously observant” kids can be.

Then, he plants a damned bug on Yor in order to listen in on her day, and while she’s out on an errand for her boss, he and Franky stop her while disguised as Secret Police.

If it were anyone other than someone like Loid in the situation he’s in, I would call this obsessive behavior. But if his gut can’t 100% discount that Yor isn’t secretly working with her brother, this is all he can do to assuage his suspicions. Franky predictably buries himself in the part of bad cop, quickly accusing Yor of leaking state secrets.

Throughout her day to that point, Loid had listened in and gotten nothing, and even when Yor’s back is literally against the wall in front of two secret policemen, her “story” doesn’t change, because it isn’t a story: she’s a good citizen (other than the assassinations) who loves her family and country and would never engage in espionage.

When Frankie tries to touch her, Yor restrains him with ease and warns both him and Loid that she doesn’t care who they are or who they work for; she’ll show them no mercy if they hurt her family. Loid takes another look at the letter Yor was mailing and says they made a mistake, and let her go.

Loid won’t admit it, but his relief is soured by guilt he felt going to such lengths to try to catch Yor in a lie. Ironically, she’s able to successfully preserve the actual secret she’s been keeping from Loid all along (that she’s a ruthless super-assassin).

When he meets up with Yor later, she apologizes for not being a proper wife, but Loid comforts her by saying she’s fine the way she is, always striving to be her best self. Everyone puts on acts to some degree, and it grows tiring and eventually intolerable. Better to not put on an act when one is neither desired or needed.

They buy cake to celebrate a year of marriage, and when Anya comes home (her “I HAVE RETURNED” is a great kid greeting), reads their minds, and finds the bad vibes have vanished, her face brightens—Mama and Papa are getting along.

While I’m not the biggest fan of Yuri, I’m glad his antics indirectly led to Loid and Yor clearing the air and growing a little closer. Next week, we return to Eden, and Anya’s solemn mission to befriend a little jerk.

The Genius Prince’s Guide – 07 – Creative Differences

Whelp, color me surprised the Festival of the Chosen-whatsit never took place! Prince Wein is beset by a plethora of challenges both in Cavarin and Natra, but manages to overcome them all by the end by following his own advice: “trust gains value when there is the potential for treachery.”

King Ordalasse didn’t expect Natra to defeat Marden, but now seeks to bring Wein to heel via the lucrative Holy Elite nomination. Zeno asks Wein if she can accompany him to the meeting, promising she won’t assassinate him…and using his own words to convince him.

King Ordalasse’s “right of blood” policy is gaining disfavor in Cavarin, and he’s gradually losing support, which could eventually lead to a coup. I like how the show makes us aware of this before Wein greatly accelerates the natural course of events by slaying the king with his own damn hand. Yes, Wein becomes the “uncultured barbarian” he warned Zeno about, after hearing how Ordalasse killed his consort and disowned his only daughter.

But the real kicker is when the king asks Wein to loan him some Flahms to hunt for sport. Wein’s barely-masked contempt is plain to see to all but Ordalasse and Holonyeh. After Wein kicks Ordalasse in the face and stabs him in the heart, he gives Zeno leave to kill Holonyeh, traitor to Marden.

It isn’t until Wein, Ninym, and Zeno have fled the capital that word comes of the noble rebellion back in Natra. But Wein is confident that with Zeno and Marden’s freedom forces on their side, they’ll have a fighting chance to quash the attempted coup.

Sitting by a campfire, Ninym playfully kicks Wein, asking him to confirm he devised this plan before killing the King of Cavarin, saying killing him and then coming up with a plan is the same as having no plan at all. Wein isn’t going to say he did it to rid the world of another Flahm-hater…but he didn’t need to. Ninym knows he did what he did, in part, for her sake.

General Levert’s cavalry forces give chase, but Wein arranges things so they meet the Natran rebels at the border before they encounter Wein’s traveling party, then pincers them with a combination of Marden freedom fighters and a loyalist Natran contingent led by General Hagal—at the sight of whom I’ll admit I pumped my fist!

Hagal pulling a Jordan was Wein’s plan all along: make the rebellious Natran rebels think Hagal retired, thus bringing them out of the woodwork. In the ensuing melee both the Natran rebels and Levert’s cavalry are annihilated, taking troublesome pieces off the board and truly killing two birds with one stone.

“Prince Helmut” eventually pays a visit to Wein in Natra, and quickly reveals herself to actually be comely Crown Princess Zenovia of Marden, who’d assumed the alias of Zeno during her time with Wein.

Ninym’s lovely blend of protectiveness and jealousy is plain to see, especially when she wordlessly refuses to help Wein when Zenovia offers to swear allegiance to Natra, thus making Marden a vassal state. Once again, Wein loses by winning, more than doubling his kingdom’s lands while also butting them up against a fresh western enemy.

Last week’s density of political entanglements made me weary, but this week resolved most of them in thoroughly satisfying fashion. That said, the fact Ibis (the woman who helped stoke the Natran rebellion)  is working for Caldmellia—who wants nothing more than bloody chaos to reign—means Wein’s troubles are far from over.

Rating: 4/5 Stars

The World’s Finest Assassin – 10 – Carpe Dia

With an opening featuring Lugh and Tarte sailing in their swimsuits to meet Maha on the beach, this week’s WFA had the makings of a dawdle before the inevitable Shit went down. But sexy as it seems, their trip to a tropical island was purely about magical training in private, while Maha provides crucial intel on the Hero, believing him to be Setanta MacNess. MacNess is a soldier in the forces rebelling against the royal family in Swoigel.

Dia’s House Viekone is in Swoigel, so the next time Lugh visits her, it’s under the assumption that he’ll swoop in to rescue her from her kingdom’s civil war. Even when he says the Hero could be among the rebels (with Gae Bolg, a Divine Treasure I’ve heard of once or twice in other properties), Dia holds firm that she’s not fleeing her home.

She laughs off their little fight and suggests that since her father and his attendants are away, the two of them should go out. To satisfy Lugh’s desire for security, she dyes her hair brown like his when they go out. What ensues is their first official date in this, the first episode in a long while to focus on Dia and Lugh exclusively.

As you’d expect of two people who love each other, they have an absolute blast, whether it’s Lugh instructing Dia on how to use a bow and arrow to win a bear, to working together to find a lost child’s mother, to enjoying lasagna on a veranda overlooking a grand mountain vista. It’s pretty much the perfect date.

It gets even perfect-er when Dia takes Lugh to a hot spring she had reserved just for the two of them. One thing Dia is not reserved about is being naked in front of Lugh, as the two end up skinny dipping in what may well be better descirbed as a heated pool.

There, as comfortably and content as they can possibly be, Dia tells Lugh that she loves her home and everyone in it, just as he loves Tuatha Dé, and she’ll serve its interests until the very end. They embrace, and kiss, and their hair changes back to normal.

From this perfect moment in the hot spring, things get a bit dark. Lugh promising to make Dia lasagna when she visits his home felt like a flag of some kind, and there’s something very iffy about Dia’s “I’ll call you” with regards to when theyll meet next, which it seems won’t be next month.

Then I remembered when they were in town and Lugh could sense a lot of strength and murderous intent around him. Turns out that’s because everyone they encountered were Viekone soldiers in disguise, carefully watching over Dia. They strip of their street clothes and stand at attention as she strides by, her chestnut hair returning to silver.

After a particularly beautiful rendition of the ending theme by Dia’s amazing seiyu Ueda Reina (seriously, this is some of her finest work yet), we get the mother of all cliffhangers: Lugh is summoned into his house by Tarte where his parents are tending to a seriously injured man. His dad tells him the man has a job for them: assassinate Dia Veikone, the woman Lugh loves.

Everything had been going Lugh’s way, so it was about time he ran into a setback. But by god what a turn. While Dia loves Lugh more than anyone else, her duty to her country comes first, hence this first and last ideal date. I’d also considered that maybe Dia is the Hero (with MacGee simply a red herring) but honestly it makes more sense if she’s the one he has to save from the hero.

To do so, he’ll have to practice what he’s preached about no longer being a tool, but choosing who he kills. And I can’t believe Lugh would ever choose to kill Dia. I guess we’re about to find out.

The Duke of Death and His Maid – 03 – A Distant Kiss

Bocchan loses a game of pool to Alice, and so cannot refuse when she asks if he’ll accompany her into town for a festival. Because many will be in costume, he’s able to wear a steel-framed suit to avoid contact with both Alice and bystanders. It’s a way for him and Alice to feel like they’re on an actual date out in the world for the first time, even if they still can’t touch.

When they become separated by the crowd, Bocchan demonstrates how despite the rumors around town about a monstrous shinigami, the actual person of whom they speak is actually a kind and gentle young man. When a lost boy clings to his coat, he cheers him up by playing a song on the piano set up in the town square.

Bocchan sheds his heavy disguise to join Alice atop the clock tower, where they gaze at the moon and she tells him the story of another couple separated by a witch’s interference. In the case of the story, the man is on the moon while the woman is on earth.

But the man could be on Pluto and the basic tragedy would be the same as Bocchan and Alice’s; they are together in their hearts, but can never actually touch as long as the curse remains in force.

One night Bocchan gets a note from Alice to meet her in her bedroom (set off from the mansion) if he has trouble sleeping. When he enters to find her brushing her hair while nude, he assumes she has naughty plans for him. In the end, however, between a calming scented candle and cammomile tea, she really was simply trying to help him sleep…though it’s clear she was also hoping he’d get the wrong idea so she could gleefully watch his reactions.

Another night, when a once-in-a-decade meteor shower is to occur, Bocchan is the one to invite Alice to an intimate boat ride on the lake. His true intention is to properly confess his feelings—as opposed to the offhanded ways he’s told her he loves her. Things go pear-shaped when the wind snatches his hat, Alice leaps into the drink to grab it, and he can neither stop her nor help her out of the water due to the curse.

When she tells him straight-up that she’d be fine dying by his kiss, he leans as close as he dares before backing off, not willing to sacrifice Alice for just that one kiss. Alice, knowing he wouldn’t do it, tips the boat so he falls in the water with her. Thankfully, the water doesn’t conduct his curse like it does electricity!

In all the excitement, they missed the meteor shower, but as they both dry off by the fire, Alice says she’ll accompany him to the next one, in ten years. Bocchan is constantly worried that he’s not properly expressing how he feels, but Alice already knows, and feels the same way about him. It’s why she’s stayed with him this long; it’s why she has every intention of being with him in a decade, curse or no curse…but hopefully no curse!

Jouran: The Princess of Snow and Blood – 04 – Snakes and Sinners

When Sawa sees the note from Janome she rushes to his hideout, but Kuzuhara heads her off in his car. He won’t let her walk into a trap and ruin the path to revenge he laid out for her just to save a little girl who wants to kill her. It’s not part of his plan, so he knocks her out with the back of his blade.

Unfortunately for him, Sawa is a part of Janome’s plan, and Makoto is working for him now (I guess?) and she siccs a group of changeling bomb dogs(!) on his car. In the ensuing explosions, he and Sawa are separated, and Makoto scoops her up and skedaddles. I guess Janome and Makoto knew Sawa wouldn’t make it to his hideout on her own…???

In a touching flashback to a happier past we’re reminded how cute and kind and human-behaving Sawa once was, as her brother assured her a bird would choose her someday. She wakes up to an array of disco lights and ominous organ music being played by our big bad, Janome with his back turned to her. It’s all a bit…Saturday morning cartoon villain, to be honest!

What was supposed to be dark and menacing comes off as goofy and cheesy, especially with his host of snakes that honestly might’ve have been slightly scarier if they were CG. Janome has a special restraining chair and birdcage all set up for Sawa, and forces her to submit to him fully, lest his badly-drawn snakes kill little Asahi.

He draws some of her blue blood while describing his evil plan, promising to free her and Asahi when that plan is complete, at which point she can kill him if she likes. Oh, and he’s got her brother Takeru strung up on the organ. He’s been keeping him barely alive while using his blood for his experiments, and Sawa is next. Pretty fucked up for a guy who claims to “worship” her clan!

This is when things go a bit off the rails. Makoto, who revealed she was working with Janome, switches sides again by killing the snakes holding Asahi. Another snake takes her arm in return. I guess I was right about her being a triple agent, but we know so little about Makoto that neither apparent turncoat move really did anything for me?

She feels more like a plot device than a character with discernable motivations, and it was time for her to side with Sawa here, so she did. Then Janome eats one of the crystals made out of Sawa’s blood, briefly becomes Mr. Freeze, and then turns into a frankly laughable snake-man monster. At this point, Matoko—who you’ll remember is missing an arm and bleeding profusely—still has the strength to ascend out of the hideout with a cable gun. Uh, bye, I guess??

Sawa enters her much cooler-looking changeling mode, but even that’s undermined by a transformation sequence that is frame-for-frame the same every time. Even this mode apparently isn’t enough, but with his last ounce of strength Takeru tosses some vials full of orange…stuff? at both Janome and Sawa.

The stuff seems to have opposite effects on the two, subduing Janome and powering up Sawa, who slices Janome clean in half. Her revenge thus complete, Sawa goes to her brother, who says it’s too late for him. Then she says in that case she’ll die with him, but then Asahi makes a noise and Sawa remembers why she came here in the first place! Roll Credits.

Sorry for the snarky tone, but Jouran kinda fell apart in this fourth episode, with thing upon thing simply happening and character upon character doing things that either didn’t make a lot of sense or were extremely heavy-handed (i.e. the organ schtick). With Sawa’s nemesis Janome turning out to be a relative pushover, I don’t know what’s next for her and the rest of Nue, but I don’t much care either.

Jouran: The Princess of Snow and Blood – 03 – A Blue Coffin

After Sawa learns that Yoshinobu himself ordered Kuzuhara to have the Treasurer killed, Makoto suggests that Sawa drop the “sister act” and cut little Asahi loose. All of them in Nue have assigned roles to play, and none of them can afford to let sentiment dull their wits.

After recalling when Kuzuhara first showed her a slideshow of her family and village’s destruction and the person responsible, ordering her not to cry, Sawa puts up the hard front Kuzuhara aimed to teach her in dealing with Asahi. Sawa refuses to let Asahi kill her until she’s killed Janome, and tells her to be gone by the time she returns that night.

Sawa, Elena, and Makoto all confront Nue’s cleaner, whom they suspect is a traitor passing secrets to Kuchinawa, finding money in the coffin he’s pushing. He pleads his innocence, then sets off a bomb with a detonator in his hat. Sawa follows him down a secret tunnel hidden in a tomb, while Elena intends to head him off on the surface. Meanwhile, a dejected Asahi seeks comfort in her grandmotherly neighbor Yamazaki.

But the cleaner never went in the tunnel; he hid in the coffin. When Makoto, who lied to Elena about a twisted ankle, opens it and the cleaner pulls a gun. A shot rings out, and Makoto later reports that the cleaner killed himself. But at this point Makoto was already acting super suspicious.

While burying the cleaner themselves, Elena asks Sawa what coffin she’d want to be buried in, her preference being red. Sawa doesn’t answer at first, then says blue, like her blood and that of her clan. That said, she won’t be put into a coffin until Janome is in his.

Makoto meets with Kuzuhara, who reveals he is a woman by tearing his clothes to reveal her chest binding, warning her to never forget where she stands. But Kuzuharais seemingly in the dark about where Makoto actually stands. Before the Treasurer died, she gave Makoto a karuta card that serves as a treasure map. Makoto follows it and discovers a small book that the Treasurer said could bring down “Tokugawa, Nue…all of it.”

Sawa comes home to find Asahi gone, but on her desk is the piece of paper with “Yuki” written on it Asahi had reconstructed with paste. Sawa then sees that Asahi left the satchel she gave her containing cash and a boat ticket to her new home, and blood on the walls.

Her white crow comes to help her search for Asahi, but we find out where she is first: in the clutches of Janome, who had disguised himself as Yamazaki with an elaborate prosthetic suit. We also learn that Makoto is indeed in cahoots with Janome, serving as a double agent. Or maybe triple, if Kuzuhara knows she’s infiltrated Kuchinawa.

In any case, for Sawa, who’d prefer clarity and simplicity, nothing is simple or clear, and never really was. To whit: she aims to save her would-be murderer from the man who murdered her family, and with whom her fellow Nue agent is working. Not ideal!

The Quintessential Quintuplets – 24 (Fin) – Kyoto Accords

When a despairing Miku is worried that she simply can’t compete with Nino or Ichika, Nino makes the observation that they’re all cute—they’re quintuplets—but Miku will never get her feelings through Fuutarou’s thick skull unless she tells him; telepathy sadly isn’t an option for the meekest quint. Nino also makes it clear she always considered Miku a legitimate rival and threat. Miku not even putting up a fight simply leaves a bad taste.

Meanwhile, Ichika asked Fuutarou in the hall to “hear Miku out”, only to disguise herself as Miku once more and take Fuu on the same walk he went on with Rena to jog his memory. After their day out, he recalls spending more time with Rena at the inn playing cards, but then asks if she’s done, removing her wig to reveal she’s Ichika.

He deduces she was the one in the hall, and when Ichika tries to redirect the conversation by saying she was the one he met that day, he tells her he can’t trust her anymore, and leaves her to cry in the pouring rain. All five quints agree that if this keeps up no one will be happy, including Fuu, so they’ll decide who’ll spend the last day with him by choosing each of the five elective field trips, leaving it up to chance.

Yet even here Ichika has a scheme afoot, only this time it’s to help Miku, not hurt her, even though she knows it’s not enough to excuse what she’s done so far. Having overheard which trip Fuu and his group would choose, Ichika switches hers with Miku so she ends up with him. Not only that, but Ichika, Nino, Yotsuba and Itsuki all decide independently to call in sick from their trips and instead follow Miku and Fuutarou to make sure their day goes well.

Thanks to impersonating Miku one more time, Ichika gets Miku to dress up period style along with Fuutarou, while Nino “deals” with the other guys—hopefully by drugging them and stuffing them somewhere, in keeping with her ruthless M.O.!

Seriously though, thanks to the efforts of her four sisters, Miku eventually stops running and starts talking normally and having fun with Fuutarou while they go on one of the more adorable dates in a show that’s been full of them, quasi-or-otherwise. The period environs and clothing suit the history buff Miku best anyway!

Not content to enjoy the date vicariously through Miku, Nino has a momentary lapse where she pushes herself into Fuutarou’s back, insisting she’s not simply going to let Miku have him. Fuutarou ends up bumping into Miku, who ends up in the drink. Soaked to her underwear, Itsuki sneaks the racy underwear she bought “in case of emergency”—call it Chekhov’s Thong—into Miku’s dressing room. Miku is mortified, but it’s better than going commando!

Miku and Fuu have a seat under an umbrella, and suddenly her croissants appear next to her, having been rushed there by the ever-athletic Yotsuba. Naturally, Fuu scarfs the croissants right down, and while he admits he may not have the most refined palate, he can appreciate how hard she worked to make them.

The four other sisters watch from inside the building behind them as Miku gets more and more comfortable talking with Fuutarou. She tells him how she wants to learn so much more about him, then starts to point out all the things around them she loves, ending by pointing at him and saying “I love you”, shocking her sisters.

Ichika breaks down, and we learn that Yotsuba was indeed “Rena” for most of the day, while Ichika was the one to play cards with him at the inn—she wasn’t lying! Still, through falling tears, Ichika resolves to be on better terms with her sisters from now on, especially since they now get to talk about something they all like for once.

However, Miku’s confession wasn’t what either they or Fuutarou thought: she was actually pointing at her sisters she could hear behind the wall when she said “I love you”. Fuutarou is flabberghasted by the fake-out, but Ichika is so happy she gives Miku a huge hug.

Fuutarou shuffles off, leaving the quintuplets alone together to share in the pain of falling in love, something they all now understand better having seen the various was they reacted to it (and yes, Itsuki admits she was trying to be alone with Fuu too). Ichika later catches up to Fuu to apologize, and he apologizes in turn. She teases him by saying “it’s all a lie” while kissing him on the cheek, a kiss he continues to feel on the train home.

It will not surprise you, then, to learn that we do not learn who Fuutarou ultimately ends up marrying quite yet. That final revelation will be saved for an already-announced sequel (though what form it takes—movie, OVA, third season—remains up in the air). But I’m not mad! In fact, I’m not even bothering with the rankings this week, just as I ended up juking the stats to make it a five-way tie at the end of last season.

Despite being a presumably zero-sum game, the journeys—all five of them—have continued to prove themselves far more important than the destination; i.e. who marries Fuutarou. The sisters called a cease-fire in Kyoto and more or less negotiated a pact in which they’ll all fight openly and honestly for Fuutarou’s heart from now on.

I’m not even mad Fuutarou is no closer to knowing who—if anyone—to choose above the others. It can be hard to choose from scene to scene! Perhaps the sequel will finally depict him earnestly wrestling with that choice, now that he has a good idea where most of the sisters stand. Until then!

Mushoku Tensei: Jobless Reincarnation – 11 (S1 Fin) – Sharing the Load

Roxy comes upon a bulletin board outside of Roa (at least I think it’s Roa) and is relieved to find Rudy and his family’s names missing from the lists of the dead. She also finds a letter from Paul to Rudy, saying he’s not worried about him making it home, while asking anyone who knows his family or the members of their old adventurer group to help him find Zenith, Lilia, and Aisha (Norn is with him).

The Fangs of the Black Wolf to write back to him care of the adventurer’s guild in Millis. Roxy happens to encounter two former Fangs—a she-elf and a dwarf—forming party of three in search of Zenith, Lilia, and Aisha. Meanwhile, Rudy’s party of three are taking jobs and starting to make money, thanks to their arrangements, thanks to the cooperation of the two remaining pet kidnappers, Jalil and Vizquel.

Their first high-ranked job is to investigate a monster in the Petrified Forest—a suitably dark and spooky venue—but they find the job has been triple booked, both by Kurt and his two young comrades and a third group led by an older orc. The three groups go their own ways, but Kurt & Co. immediately run into trouble.

Rudy sees an opportunity to improve Ruijerd’s rep by rescuing them, but wants to wait for the right moment. While delaying Ruijerd from charging in to save them, one of Kurt’s buddies is brutally killed; his body flying gracefully through the air before hitting he ground with a horrific splat. Ruijerd and Eris don’t wait for Rudy’s signal, and deal with the two monsters themselves.

Rudy explains he thought it would “work out better” for them if they waited, but Ruijerd is furious. Instead of Eris, it’s Kurt who grabs Ruijerd’s arm, insisting that neither he nor his dead buddy are “kids”; they’re adventurers who knew this job could mean their deaths. As the leader of his party, it’s his fault.

When Ruijerd sees Kurt take responsibility and weep for his fallen friend, his hand hovers over the kid’s head before resting on firmly on his shoulder, demonstrating that Ruijerd acknowledges Kurt as a full-fledged warrior, and apologizes for treating him like a child.

The monsters Ruijerd and Eris weren’t the monster the job mentioned. That turns out to be the forest boss, a redhood cobra, who has already killed all of the orc’s party but himself. Ruijerd manages to slash along one side of its body, but when Eris’ blade bounces off its thick skin, she’s blasted backwards. Fortunately she’s able to use her own sword to cushion the impact, and recovers quickly.

Rudy launches magical attacks that lure the cobra to him, and Ruijerd stops it in its tracks before it can swallow the boy. Eris then tries again with her sword, launching a devastating attack from above that called to mind Haruko smashing away with her Rickenbacker bass in FLCL. She manages to slice clean through the cobra’s body, allowing Rudy to blast a hole through its hood, finishing it off.

Unfortunately, they’re too late to save the orc adventurer’s life, and when they return to town to claim the reward, Bojack Horseman is there to tell them he knows they switched jobs with Jalil and Vizquel, and unless they pay him half of all their earnings monthly, he’ll make sure their licenses are revoked. After lowering his head in frustration, he raises it, as if to ask the heavens themselves why everything he’s done since coming to the city has gone so wrong.

Eris can tell he’s troubled and takes his hand in concern, and he tries to reassure her with a fake smile. She reminds him of his solemn duty: to get her home to her family. He’ll bring down the whole goddamn city if he has to. His staff begins to glow through its cover, and storm clouds begin to gather…then Ruijerd dumps a jug of water on his head, revealing his green hair, and he then threatens a thoroughly terrified Bojack to back off before fleeing the city on his own.

Rudy and Eris leave the city to search for Ruijerd, and eventually find him. To Rudy’s surprise and shame, Ruijerd apologizes to him, when he thinks it’s he who should be apologizing. He was so focused on making money as efficiently as possible and improving his reputation that it became too much to juggle and got away from him.

But Ruijerd doesn’t hold it against him. He sensed Rudy’s resolve to kill Bojack, and could tell Rudy was trying to protect something—someone, in Eris—which makes him a warrior, not a child. To Ruijerd, warriors protect children and treasure their comrades. Helping Rudy out back there was more important than his tribe’s reputation.

The two shake hands, which of course leads Eris to add her hand to the pile so as not to be left out. The next morning, Ruijerd shaves his head so it will be easier to move around, and the three wear matching head/armbands to denote their status as members of Dead End.

Going forward, Rudy stops trying to figure out everything on his own, and trusts both Ruijerd and Eris to help share the load on their mutual quest to reach the Asura Kingdom. As the credits roll, we watch them camp and travel on a ground dragon, watch Ruijerd pull Rudy away from snooping on a bathing Eris, and Eris punching Rudy when he opens a dressing room curtain before she’s dressed (she acquires some super-cool knight’s armor for heavy-duty battles).

Eventually they reach a new port city…which I believe happens to be the same port city at which Roxy and the two Fangs arrive via ship. Whether Rudy & Co. are still in the Demon continent or have reached Millis isn’t clear, but one thing’s for certain: there’s potential for a tearful reunion of master and apprentice, and should that happen, they’ll be an even more formidable party of six.

Unfortunately, as Mushoku Tensei is a split-cour series, we’ll have to wait until July for the continuation of the story, just as it’s getting seriously awesome. Not that it wasn’t before. MT completed a masterful transformation from excellent fantasy isekai slice-of-life in a sleepy rural setting to an excellent grand-scale fantasy adventure romp packed with colorful characters, gorgeous locales, and breathtaking action. The finale could not have done a better job getting me pumped up for season two!

Read Crow’s review of episode 11 here!

The Quintessential Quintuplets – 23 – Give and Take Five

Yotsuba walks in on Itsuki just as she’s hiding the photo of Fuu with “Rena”. Commenting on how things aren’t so hot among the sisters, Yotsuba invites Itsuki out shopping, where they run into Fuu and Raiha, who is imparting on Fuu the importance of buying belated birthday gifts for the quints. Raiha also mentions “the photo”, and Yotsuba demands to know details. Raiha goes on to say the girl in the photo was her bro’s first love.

On the Shinkansen to Kyoto, Ichika, Nino, and Miku continue their war through spirited card games, while Itsuki joins in just for the card competition, while Yotsuba is a little intimidated by how heated things have gotten. She’s hoping this trip can be an opportunity for the five of them to make up…but also an opportunity for Miku to give Fuu her clandestinely-made baked goods.

Nino unilaterally decides to follow Fuutarou’s group up the temple steps, and while the others don’t have any objections, Yotsuba brandishes her card game victory on the train to insist that she and Miku go up the right steps while Ichika, Nino and Itsuki will go up the left steps. Some mild sniping between Ichika and Nino ensues, while Itsuki is left bemused.

When Itsuki and Nino use the restroom, Ichika abandons them and continues her descent, determined to see Fuu first and calculating she can beat the faster Yotsuba as Miku is surely slowing her down. Unwilling to take back the lie she’s already told Fuu, all Ichika thinks she can do to stay in the fighting is continue to lie and block Miku by posing as her.

But while she’s the first to reach the top, Fuu isn’t there. The next to arrive is Yotsuba, with Miku on her back, and they both see that Ichika is impersonating Miku. When asked for an explanation, Yotsuba says Ichika is trying to get in the way of Miku’s confession to Fuu. She says this just as Fuu makes it to the top, and hears what she said.

Miku runs off in tears as Nino and Itsuki arrive, and Nino has had it with Ichika’s bullshit now that she’s made someone cry. But Ichika doesn’t want to hear about it, considering how cutthroat Nino has been. It’s here where Nino admits she was being overly harsh, and that in reality she’d want to celebrate with whoever ended up “winning” because the bond between the five of them was just as important to her as Fuu.

Speaking of Fuu, he tries to lower the temperature, but it’s too late; Nino is already also crying, and orders him to chase after Miku. He’s unsuccessful, but Itsuki ran after her earlier and saw her get on a bus back to the hotel, so Fuu gets on the next bus, and Yotsuba joins him. She blames herself for making Miku cry, and may have created a monster by encouraging Ichika.

Fuu assures Yotsuba that he was already pretty sure of Miku’s feelings, such that the Fake Miku seemed fake even to him, “Uesugi the Dense.” He tells her she worries about the others too much, but Yotsuba still feels she owes them for making them follow her to another school when she was the only one to flunk out.

She wants to know how everyone can be happy, but Fuu tells her there’s only so far you can go; ultimately someone’s happiness must be gained by taking it from someone else. Like, say, when many girls like the same boy.

Back at the hotel during dinner, Nino informs Yotsuba and Itsuki that there’s a creep sneaking photos of them (as evidenced by the shutter sounds she’s heard behind her several times). When the three decide to go check on Miku and Ichika, Miku doesn’t answer the door, but they all hear another shutter and freak out.

Ichika, meanwhile, manages to bump into Fuu in the hall, and asks if he’s free tomorrow, because she needs to talk to him about something. Hopefully to come clean about impersonating Miku…but probably not! Meanwhile, Nino calls Miku to ask if she’s free to talk tomorrow.

The next day, Fuu ends up running into Itsuki and Yotsuba again, this time from the top of Kiyomizu Temple. Itsuki all of a sudden adopts a super-affectionate and clingy attitude, having Yotsuba snap a picture of them with the view as a backdrop. She’s hoping to jog his memory about another certain photo from six years ago.

Nino gets to stay at the hotel by impersonating Miku (which is apparently all the rage these days) and when Miku asks her what she wants, Nino jumps on top of her in order to rattle her cage. She says her rival “backed down by herself” on this class trip that should have been a golden opportunity for her to make progress. Now all she needs to do is defeat Ichika, that “sly fox”. Long story short: Nino is taking Fuu.

Miku may have fallen for him first, but as far as Nino’s concerned she loves him the most, even if it’s her first time in love and she’s not sure what’s right or wrong. To this, Miku voices her protest, insisting she’s not done fighting for him yet. It’s just…she’s scared. Scared that she’s not good enough; scared of fighting fair and square; more scared than she thought she’d be. But even if it’s scary, she’s not going to quit…not yet.

That’s good, because Itsuki knows for a fact that the sister who posed with Fuu in that six-year-old photo is none other than Yotsuba!

Episode Eleven Quintuplet Ranking:

  1. Nino: Nino was busy this week! She was the sister who decided they were following Fuutarou’s group, setting some potentially cathartic scenes in motion. Calls out Ichika’s scheming, but also admits that she’s just as ruthless in trying to get what she wants. Most importantly, when Miku runs away crying, Nino puts the war on hold and sends Fuu after her. Finally, is the one to rattle Miku’s cage. Total Points: 43 (1st)
  2. Yotsuba: Turns in another strong showing by hanging with Fuu at the mall, serving as Miku’s emotional support, winning the card game so the sisters were forced to split up the way she dictated, literally carries Miku on her back, and has a solemn and frank convo with Fuu on the bus about the limits of happiness for all. Oh, and she’s the damn girl in the photo! Total Points: 34 (2nd)
  3. Ichika: Love or hate her, there’s no denying Ichika is a woman on a mission, and it’s take-no-prisoners. Her second use of the Miku disguise compounds the throne of lies upon which she sits, but when it backfires she doesn’t want to hear Nino scold her when Nino said she’d step over anyone who got between her and her man.  Total Points: 29 (Tied for 4th)
  4. Itsuki: There’s actual signs life in Camp Itsuki this week, as she plays big sister to Raiha at the mall. However, her cute photo moment with Fuu at the temple wasn’t self-serving so much as designed to get him to remember the Kyoto trip years ago. Total Points: 30 (3rd)
  5. Miku: While Ichika’s Fake Miku act didn’t work on Fuu, the fact Yotsuba blurted out her desire to confess sent her into a spiral of inadequacy, and she remained confined to her hotel room far too much to do anything. That said, she has nowhere to go but up! Total Points: 29 (4th)

Mushoku Tensei: Jobless Reincarnation – 10 – Not So Black-and-White

Armed with her new Migurd blade, Eris has no trouble taking out the low-level beasts who roam the wasteland, leaving no one for Rudy or Ruijerd to fight. She’s taken to the adventurer’s lifestyle like a fish to water. Their first true test occurs upon entering their first demon city, Rikarisu, which I have to say is a looker of a city, with dramatic terraced blocks clinging to massive cliffs and a central palace seemingly made entirely of a strangely pristine material.

Rudeus buys Eris a new cloak with cat ears which she vows to treasure forever, then they head to the city’s adventurer’s guild to commence his scheme. Ruijerd was granted access to the city because Rudy dyed his hair Migurd blue. When he arrives at the guild and says he’s got a genuine Superd in his party, the guild members simply laugh, because Ruijerd’s hair is blue, not green, and he’s wearing the necklace Roxy gave Rudy.

They don’t end up taking any jobs, but the guild visit is still a success … and not because Rudy got to leer at the three-breasted clerk (which blessedly the sum total of his perviness this week). He intended for the guild members to laugh at Ruijerd, as it give the impression he’s no one they have to fear. It’s the first step to rehabbing the Superd’s reputation.

After Eris marvels at the way the evening light turns blue when filtered through the crystal embedded in the stone cliffs, the party of three, calling themselves “Dead End” (which is one of the names for the feared Superd) heads to an inn. Another young adventurer takes interest in Eris, but she can’t understand him and ignores him. When he grabs her, the button of cloak Rudy gave her falls off, and she absolutely wails on the poor guy.

Rudy keeps the situation from escalating out of control (and incidentally getting kicked out of the inn or worse) by healing the party Eris attacked with his magic, impressing them and leading them to invite him into their party. Rudy politely declines, but he knows one thing for sure: the three of them can’t live off F and D-ranked jobs, the only ones newbies are allowed to take.

That night Rudy dreams he’s in his old body in that strange white void with the even stranger Man-God. The guy insists all of Rudy’s choices are his own, but strongly suggests he take the lost kitten job the next day. Rudy wakes up to find Eris is still up. She can’t sleep because she’s worried about whether they’ll ever get home.

Running around in the wastelands killing beasts is one thing, but I imagine once everything quieted down and Eris had a chance to think about their situation, I’m not surprised she’d get scared and worried. Rudy sits next to her and assures they’ll make it back, and Ghislaine and her grandpa will be waiting for them.

The next day Rudy takes the lost-kitten job as the Man-God recommended, which lead them to discovering another party of three running a pet-kidnapping racket. Rudy turns the ground beneath their feet into mud, then Eris and Ruijerd push them back against the wall so Rudy can bind them with earth magic.

When Rudy tries to question their insectoid leader, he gets shoved back hard, taking the wind out of him. Before he can get up, Ruijerd hacks the guy’s head off, and it rolls right beside Rudy. Ruijerd’s explanation for why he just killed someone: “he hurt a child.” This is when we and Rudy learn that Ruijerd is a  very black-and-white, good-and-evil type guy, especially where kids are concerned.

One side-effect of Ruijerd spilling blood so easily is that the other two adventurers’ lips are instantly loosned, and they spill the beans about kidnapping pets then claiming the rewards. When Rudy learns they’re a D-ranked party, he decides he’ll have them advance to C-rank, and use them to nab higher-paying B-ranked jobs.

Ruijerd is extremely opposed to teaming up with “villains”, and even grabs Rudy by the shoulder in protest, breaking his own don’t-hurt-kids policy. Eris punches and kicks him as hard as she can, reminding him he too did bad things in the past that don’t automatically make him evil, and that he should just shut up and leave it to Rudy, who only has his and her best interests at heart.

Ruijerd calms down, and reiterates that he won’t walk away from his promise to get the two of them home. They escort the D-rankers, a lizardman and bee-woman, to the guild, where they upgrade to C-rank. Rudy orders them to take a B-rank job, while he’ll take an F-rank job, with the understanding they’ll be swapping jobs. A nosy horse-man adventurer whom I’ll call Bojack for now almost catches wind of this plan, but assumes the lizard guy is just trying to look cool in front of the newbies.

The episode ends somewhat awkwardly right there, but that’s ultimately okay, as it accomplished a lot. We got to see Eris in action (and absolutely loving it) and saw our first demon city in all its glory. Rudy doesn’t grope anyone or make any gross comments, and is even thoroughly shaken when Ruijerd demonstrates his far-too-rigid code of morality. Now I look forward to their first monster-slaying quest. Here’s hoping Rudy can keep his green, now blue-haired friend in check.

Rating: 4/5 Stars

Read Crow’s review of episode 10 here!

The Quintessential Quintuplets – 21 – Eyes On Me

Ichika announces to her sisters that starting next month everyone will have to chip in a fifth of the rent, or return to their stepdad’s apartment. There’s an opening at the bakery where Futarou works, but only one opening, leading to them both telling Fuu to “choose me.” Despite Miku’s chutzpah, it only takes one bake-off for the boss to hire Nino, who is objectively great at cooking and baking.

So why, as Nino puts it, does she feel like she lost? Because Miku doesn’t treat it as one. Instead, she gets a job at another bakery, having come to love making things and eager to get better at it. She’s also steadily working towards becoming someone Fuu would fall for, based on the sign he made of his top 3 qualities in a woman (“always cheerful”, “good at cooking”, and the top one yet to be revealed).

Ichika also wants to challenge herself by taking tougher and more serious roles that motivate her, not just any role to make a buck. That’s why she asked her sisters to try to get jobs, not out of any malice or resentment. Ichika worries that with everyone working they may end up drifting apart, but that’s proven wrong when all five sisters and Fuu end up in the same third-year class!

The quints are obviously a sensation with their classmates, who have no idea Fuu is in any way associated with them. The quints wished the class knew what a good heart he has, and so independent the larger war for that heart, they agree to think of ways to make the real Fuutarou known.

Yotsuba takes the most direct route by volunteering him to be the male class rep beside her. (I’ll also note that this is a good strategic move for Yotsuba as it ensures they’ll be able to spend time alone). Quite by accident, simply because he sees two classmates grab Miku thinking she’s Ichika, Fuutarou reveals that he’s an expert at telling the quints apart.

This is another instance of we the audience having to suspend disbelief they’re identical to everyone despite not looking or sounding so to us. This immediately ingratiates Fuu with the other girls, who cling to him hoping to learn more, drawing Miku’s quiet ire.

Miku is also the one to take Fuu aside in the hall to ask what he’d wish for if he had a magic lamp with five wishes. Top of the class he may be, but Fuu does not realize Miku is attempting to mine him for gift ideas the quints will fulfill for his birthday.

He says he’d wish for money, stamina, better sleep, faster recovery, and better luck. While they can’t provide those literal things (other than cash), they could get creative with a better pillow, weights, bath set, good luck charm…you name it! Or just give him cash!

Sensing that her lead in the Fuueepstakes may be dwindling, Nino reports for work in an exquisite pâtissière ensemble and her hair in a ponytail, hoping to catch Fuu’s eye, but he doesn’t give her a compliment when it’s due. If anything, she feels like they’ve grown more distant since her confession.

The day she starts happens to be the day a famous reviewer is stopping by for the boss’ new seasonal dish, so it’s all hands on deck. Nino initially impresses with her talents, but in the pace and chaos of a professional kitchen she screws up a batch of batter, and feels like she’s making everyone work harder.

While on a break with Fuu she expresses how she feels like she’s holding everyone back, but Fuu says it’s the boss’ fault for pushing so much work on a new recruit. He also shows her a box of 1,000 Christmas decorations when he was supposed to only order 100, as well as evidence of other mistakes he made that make hers look “trivial by comparison”.

Then, finally, Fuu brings up the confession, and when Nino least expects it: when he’s about as physically far from her in the break room as possible. He explains the delay in responding to her because no one had ever confessed their love, and he simply didn’t know how to talk to her about it. Still, he knows he owes her an answer, and so prepares to give it when Nino shushes him.

She says he has every reason to hate her, considering how nasty she’s been to him on-and-off since they met (not to mention all of the druggings). But now that they’re working together, there’s so much more she wants to tell him. She wants him to know her better, so he’ll understand how much she loves him. To all this, Fuu says “ah, so?” and flees the breakroom before her.

Nino is worried she failed to get through, but the boss notes that his face is red up to his ears, causing her to grin from ear to ear. She wishes him good luck, calling him “Fu-kun”, and even when they’re working with customers, she blows him a kiss that makes him blush all over again. As for the “famous reviewer”…It turned out to be Itsuki?

With Nino sitting pretty on top of the pack once more, we shift to Ichika as she tries to do what she wants. What she wants is for Fuutarou to only look at her—a most appropriate wish for an actress! But unlike Nino and to a lesser degree Miku, she still lacks the courage to launch direct attacks, and so she has to awkwardly manufacture a “chance encounter” outside the Starbucks.

Ichika is wearing big black-rimmed glasses in order to avoid unwanted attention from strangers after the screening of her film has made her a minor celebrity. That’s all too fitting, as Ichika is positively adorkable during this operation, which almost ends abruptly when they spot her four sisters.

Ichika doesn’t want him to go to them, or look at them, or talk about them, but keep his eyes and hears on her. She spontaneously grabs his hand to stop him, and says they should skip class together, and he declines instantly. Her failed insistence almost makes them late, making the operation an abject failure.

Even so, when the two arrive in class to find that all eyes are on Ichika, astounded that there’s a famous actress in their class, the praise that means the most to Ichika comes from Fuutaoru, who paid attention to her and remembered how she spoke of becoming a “good liar”.

Later that day, Ichika has to leave her fawning fans to join the study group, while Fuu runs into Miku in the hall. Only it’s not Miku, it’s Ichika, wearing the Miku disguise she’s been carrying on her. Fuutarou can’t believe Ichika’s movie already released, and Ichika learns that Miku was the one who told him about it.

That’s when Ichika, desperate for something to go right, employs another unconventional tactic: she pretends to be Miku when she tells Fuutarou that Ichika likes him, that she thinks they’d make a good couple, and that she’s rooting for them.

While I love Ichika, and you could say she’s playing to her strengths as an actress, I can’t see this as anything but dishonest, underhanded, frankly beneath her. Ichika!Miku’s crazed expression seems to confirm at least part of that, and yet she feels she’s gone too far to take it back. It’s certainly messy! I’m sure this definitely won’t blow up in her face…

Episode Nine Quintuplet Ranking:

  1. Nino: All hail. Crushing Miku on her turf to win the job at the bakery. Getting flustered in the kitchen, only to be revitalized when Fuu finally acknowledged her confession. Good on her for not letting him answer yet. Total Points: 34 (1st)
  2. Miku: She lost another battle, but Miku is committed to winning the war, and going about it as meticulously as Fuu goes about his academics. Total Points: 26 (3rd)
  3. Yotsuba: Had no trouble getting cleaning job, and also just might have some after-school time with Fuutarou, should she want to spend any of it trying to get him to notice her…If she’s even interested in him! Total Points: 25 (4th)
  4. Ichika: Climbed out of her pit of despair last week only to flail about wildly and resort to playing dirty. A stark contrast to Miku trying to carefully do things “the right way”. Total Points: 23 (5th)
  5. Itsuki: The only sister still saying things like “I can’t understand why anyone would love that guy” with a straight face, and the only sister who has yet to find a job (CORRECTION: she apparently makes money doing restaurant reviews??) In her defense, Fuu’s “tacky” comment about her hairpins was a low blow! Total Points: 27 (2nd)

The Quintessential Quintuplets – 20 – Tantamount to Love

This week Fuutarou learns why there’s a Fake Itsuki when he finds four of them in one room. As Yotsuba explains, she was the first of the quints to change her appearance (with her bunny ribbon). At some point they all agreed to look identical whenever they visited their grandpa, so he wouldn’t worry about them drifting apart.

Gramps ends up coming in their room, so Fuu has to hide under the kotatsu, and identifies the real Fake Itsuki who spoke to him in the lobby by the bruise on her leg. However, because all of the quints in the room are disguised as Itsuki, he doesn’t know to which quint that leg belongs!

As Fuu continues his investigation, Nino takes Ichika aside to to bathe together, hoping to pick Ichika’s brain about what next steps to take with the guy she likes, describing with wonderful self-awareness how she came to love her “prince”. Of course, Nino is blissfully unaware that Ichika also likes him, and heard her confession to him.

Even Ichika’s best attempts to slow her down end in failure, as Nino makes it clear she’d step over whoever else liked Fuu to get with him. Would she say that if she knew Ichika (or Miku) were that other person? At present, Nino is committed to doing more to get Fuu’s attention, including meeting with him that night and hugging or even kissing him.

Ichika feels powerless to stop her, and even agrees to run interference for their dad so Nino can slip away! She asserts to herself that because she’s such a “coward”, her love for Fuutarou is no match for Nino’s. It’s basically her lowest point yet, where she’s actively working against her interests in deference to someone who made it clear she wouldn’t do the same. That’s when Yotsuba finds her in the hallway, crying.

The two climb up to the roof—an old hiding spot of theirs from years past—and when Yotsuba sneezes from the cold, Ichika lends her her robe. Yotsuba reminisces how Ichika was once the prank-pulling “mean bully” who’d always takes things from the others with impunity—basically the opposite of what she is now: feeling afraid and unworthy of taking Fuu from Nino.

Then their mom died, Itsuki was hit hardest, and Ichika decided there and then that she had to be The Big Sister. Yotsuba tells Ichika how she’s always saw her as her dear big sister, and how she wants her to do what she wants. For Ichika, right now, that’s for things to remain in the “comfort zone”, where Fuu isn’t “taken” by any of them.

Buoyed by Yotsuba’s words, the last two things Ichika does are in her own interest: taking back the robe she lent Yotsuba, and not distracting their dad so Nino can talk to Fuu. We’ll see if Nino shrugs off Ichika not coming through for her at what for her was a crucial opportunity to impress her feelings upon her Prince.

That brings us back to Fuu himself, who has noticed the quints’ grandfather has no trouble telling them apart. When pressed, Gramps tells him there’s no silver bullet or trick to it, it’s just a matter of learning their mannerisms, voices, and subtle habits, which he says are basically “tantamount to love”. This, of course, leads gramps to ask him why he needs to tell them apart. If he truly can’t, can he honestly say he has the “commitment to face them in good faith?”

Fuu accepts that challenge the next morning, when unbeknownst to him, Miku has already come clean with Itsuki about being the Fake Itsuki. She wanted to end their student-teacher relationship so it could change into something new. Unlike Ichika, she doesn’t want to stay in the comfort zone. So Itsuki tells Miku to meet Fuu one more time as Fake Her.

Fuu uses the process of elimination to narrow it down to Ichika or Miku, and when she gets her to say “Itsuki-chan”, he guesses she’s Ichika, because only she uses “-chan” with Itsuki. Miku pretends he’s right, holding back tears that then start to fall once her back is turned. But then Fuu realizes she is Miku, causing her to run into his arms so fast her Itsuki wig falls off and she tackles him to the ground!

Fuu then goes on to explain his further reasoning for why Miku might be mad—because he never got around to giving her anything in return after Valentines Day. Then he asks why she wanted him to quit, and she tells him to forget it. He’s a teacher, she’s a student, and that doesn’t have to change. She’s just grateful he guessed correctly.

That leads to another strange cliffhanger-like ending, where before Fuutarou and the Nakanos depart from the onsen, someone in white, almost wedding-like shoes runs at him at full speed, causing him to grab the nearby bell for support. This, after gramps confirmed his daughter, the quints’ mother, was named Rena—the same name as the mysterious girl he saw when he fell in the water. To be continued, I guess!

Rating: 4/5 Stars

Episode Eight Quintuplet Ranking:

  1. Miku: Her bitterness about Fuu not guessing correctly, immediately followed by her pure unbridled joy, was one hell of an emotional roller coaster! She definitely caused Fuutarou to think about the “love” gramps talked about. Total Points: 22 (Tied for 3rd)
  2. Yotsuba: Who’d have guessed she was the maverick who first changed her appearance? In both explaining the Fake Itsukis and her heart-to-heart with Ichika, Yots seems content to let things with the others play out before making whatever move she has planned…if any. Total Points: 22 (Tied for 3rd)
  3. Ichika: I think she’s finally reached the bottom of her well of defeatism and may be starting to claw her way out. It’s still not looking good, but at least she hasn’t given up on what she wants. Total Points: 21 (5th)
  4. Itsuki: Was instrumental both in getting Fuu to find out why the others were upset, as well as hearing Miku out and having her try one more time. Just an all-around great sis! Total Points: 26 (2nd)
  5. Nino: As she was thwarted from doing anything more with/to Fuu, Nino was relegated to a passive role this week. If Fuu doesn’t make the next move—and he shows no signs of doing so—she may have to try something. Was that her in the white shoes throwing herself at him? Total Points: 29 (1st)

 

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