The Quintessential Quintuplets – 09 – All To Themselves

Pictured: Not Ichika

Yotsuba approaches Fuutarou in the hall with Miku, excited about the upcoming School Camp and the campfire legend, but when it comes time for a study group, Yotsuba runs away and Ichika has a shoot, but not before giving Miku a wig so she can pose as Ichika at her class meeting. However, it turns out a guy in Ichika’s class lied about that meeting so he could ask her to dance with him at the campfire. “Michika” wasn’t ready for this level of acting!

Thankfully Fuutarou was listening in and intervenes when the guy suspects she’s not really Ichika. Miku then offers the excuse that she’s already dancing with Fuutarou at the campfire, and clings to him in order to convince the guy that they’re a couple. Miku even has the gall to ask the guy why one confesses. His answer is because you want that person “all to yourself.” But how does that work if you’re one of “five fifths together as one”?

With that matter settled, the quints (minus Ichika) surprise Fuutarou by taking him out shopping for school camp clothes, all their treat in exchange for serving as their model for their ideal guy getup. Their choices say a lot about their personalities, as Miku chooses traditional garb, Yotsuba chooses loud and gaudy, Itsuki chooses…her idea of tough and manly. Only Nino, who has pretty consistently good fashion sense, seems to take things seriously, choosing a stylish yet understated look.

But when Fuutarou checks his phone, he learns that his beloved Raiha is in bed with a fever. He stays by her side all night and into the morning. He misses the bus for camp, but he says it doesn’t matter. The heavily worn camp leaflet suggests otherwise, and both his dad and Raiha know it. Raiha contacts Itsuki, who comes to fetch Fuutarou.

To his surprise, the four other quints are with her; the six of them will head to camp by car (specifically the family’s custom six-door E-Class Benz). He reveals once they’re on the road (but stuck in traffic) that other than their place, he hasn’t spent a night away from home since elementary school, and all that pent up excitement seems to have bestowed him with a “traveler’s high,” combined with the scant amount of sleep he got due to watching over Raiha. That doesn’t save him from a savage backdoor flip-off from Nino!

They’re not able to make it to camp due to a winter storm, so Fuutarou and the quints shack up at a fancy hot springs inn. Nino warns her sisters how men can transform into wolves under such conditions, but since this is a harem rom-com there isn’t any other choice: the six of them have to share a single room intended for only four.

Before a sumptuous feast that will put tomorrow’s curry to shame, Miku informs Ichika of what she did to preserve her cover, namely say Ichika was going to dance with Fuutarou. Ichika, harboring her own feelings for the guy, is fine with the arrangement, especially if it’s okay with Miku, while Miku is fine with it because it was the result of her lie, and because she doesn’t consider Ichika a romantic rival. And considering how little she understands love and dating, it’s no wonder!

After dinner the sisters make avail themselves of the outdoor hot baths. Nino again implores everyone to remain vigilant, as Fuutarou’s traveler’s high makes him that much more of an unpredictable threat. In order to mitigate that threat, she gets them to all part their hair the same way so he won’t know who he’s sleeping beside. All this caution and planning are moot, as Fuutarou is totally passed out when they return to the room.

The next morning, which is bathed in heavenly light, Ichika finds herself dangerously close to a still-sleeping Fuutarou, having drifted there in her sleep. She’s happy to get another look at him asleep and draws even closer , admitting to herself that if this makes her lose her Ichika cool, she can’t exactly refer to him as “just a friend.”

When Itsuki pops in to announce breakfast, she catches a glimpse of Ichika looming over Fuutarou, though it’s such a short look before she retreats she’s not 100% sure which sister it was, only that it was one of them and she has no idea what to make of that!

Fuutarou’s Wardrobe by Nino

To summarize, Ichika’s becoming more honest with herself about Fuutarou and Miku may have just gifted her a crucial leg-up in that pursuit. Yotsuba is throwing out all kinds of hints, Itsuki wants to determine if Fuutarou is an “apt tutor” by maintaining proper distance, and Nino longs for Fuutarou’s bad boy “relative”, genuinely unaware the photo is of Fuutarou himself.

Finally, Ichika’s career is taking off, which means she may soon have to change schools to make it work. With all these emotions and developments swirling around the qunits, this could prove to be a school camp for the ages: marking an end to some things and the beginning of others. In other words, buckle up!

Toaru Kagaku no Railgun T – 03 – In Borrowed Clothes

Railgun T has done a great job so far putting a fun esper-y twist on the classic sports festival formula. Like the three-legged race last week, the balloon hunt is made more creative and exciting with the use of abilities. Adding MISAKA 10032 while Misaka Prime takes a rest takes things up a notch.

MISAKA is never not fun to watch as she calmly assesses her environment dodges attackers and adds notches to her belt. Unfortunately the rest of the Tokiawadai team is so confident of victory they don’t bother with any real teamwork and are undone by the scrappy underdogs’ simple tactics.

That said, Kongo’s melodramatic “death scene” was so worth it, and I liked the idea of Tokiwadai’s adult leaders being glad their pompous rich girl students are having their asses handed to them. They intend punish them with extra dorm chores, and hopefully the sting of the loss will make them rethink their strategy next time they face a seemingly easy opponent.

Speaking of stings, MISAKA probably only loses because Baba-kun (the other team’s leader who had intel on all the Tokiwadai students) uses the balloon hunting fracas as a distraction so he could sting her with a tiny robotic bug. When MISAKA meets with Misaka later, the real deal tells her there’s no reason to hang her head as long as she had fun.

This week marks the first Kamijou Touma cameo, as he runs into Misaka quite by chance as she’s in line for drinks. Misaka is uncharacteristically civil with him as he offers to grab drinks for her, but things take a turn when Misaki spots her with him, is momentarily embarrassed, and takes Misaka’s arm like they’re BFFs.

The last straw is when Misaki, seeking to insert herself into their relationship, gloms onto an unwitting Touma, and her much larger breasts press against him, leading Biribiri to shock him—and for him to cancel said shock with his Imagine Breaker, which sports yet another new sound effect.

As packed as this episode was with Misaka, MISAKA, Touma, and the Balloon Hunt, the show doesn’t forget to check in on the rest of the central quartet. Whether it’s Shirai not losing a step with her Judgment duties (thanks to her teleportation) or Uiharu agreeing to help Ruiko locate “Shadow Metal” for the thrill of it, it’s just great to see these characters back in action and in the spotlight.

If all the preceding events make it sound like a lightweight episode, the episode’s conclusion certainly changed that perception, as the effects of the robo-bug hit MISAKA when she’s alone and isolated (aside from her cat) while Misaki and a suited fellow move in to apprehend her.

Earlier, Misaki was watching a big screen and I could have sworn she could tell the real Misaka wasn’t participating in the balloon hunt. She also mentions how her Mental Out ability is another tool she can use to prove someone’s identity.

Either she’s still fooled into thinking MISAKA is Misaka despite all that, or she’s going to use MISAKA as bait to nab the genuine article. Either way, Misaka’s troubles are about to outstrip Misaki glomming on her guy…

Toaru Kagaku no Railgun T – 02 – The Esperlympics Commence

A Steering Committee member had a bad feeling about the Level 5s they chose to deliver the Athlete’s Pledge, and with good reason: Gunha Sogiita is a classic loose cannon, not only forgetting have the pledge and replacing it with various platitudes about GUTS, but upstages Misaki Shokuhou (who hilariously customizes her gym uniform with gloves and stockings) by unleashing an unplanned multicolored smoke explosion.

It’s probably for the best that Misaka wasn’t the one to stand with Sogiita, especially as she’s entered into one of the first events of the Daihesai: a three-legged race where her primary electrical powers are prohibited. Depsite the handicap, she and the always wonderfully haughty Kongo Mitsuko manage to counter all of the rival schools’ espers’ tricks and win.

Misaka’s friends watch it all on one of the city’s many large public TV screens; Kuroko in particular is very proud of her Sissy. Afterwards she heads off for Judgment patrol, and Ruiko comes across a woman in a tracksuit fumbling with her smartphone. This turns out to be the Aztecan Xochitl, member of MEMBER, one of the groups we saw in Index III who is clearly up to no good.

After winning her first race and encountering her Mama (whom her friends insist is only 20 years old), Misaka heads home to change out of her dirty uniform, but in the process both Awatsuki and Wannai mistake MISAKA 10032 for the real deal, and prep her for the next competition.

MISAKA had been milling around talking to her cat and lamenting her inability to participate, but fate has smiled on her today, because the real Misaka keeps out of sight. This also means MEMBER will be attacking the wrong Misaka when they inevitably make their move. This festival is off to an interesting start!

Assassins Pride – 06 – Kick Back, then Run for Your Lives

Since the tournament ended so abruptly last week, I was glad for some kind of epilogue, which happens to come in the form of a belated Halloween episode. It starts with Rosetti entering Kufa’s room at night with ominous news, and then we see Melida and Elise meeting up with Salacha and Mule and heading to a secret underground pajama after-party held by the seniors of the two schools.

It’s a welcome opportunity both for the characters to relax and for this newly formed quartet to interact and bond some more. I also liked how they all admitted they had no love lives to speak of, but Mule still didn’t even bother asking poor Elli!

Then Mule and Salacha regale Melida and Elise with the harrowing legend of the Gray Witch, and how there’s a murderer in Flandore copying her M.O. of cutting out the hearts of her victims. It’s enough to make Elli faint, confirming her Little Sister status.

When the lights suddenly go out on the party and a witch appears, wreathed in pink mana, there wasn’t really any doubt was was going on: Rosetti found out about the secret party, and decided to have some fun by putting a scare into them as punishment for breaking the rules.

Of course, the girls don’t know this, and end up getting chased by the witch through wet underground waterways and getting covered in a strange squishy pink substance. It’s enough for Elli to consider simply tearing off her robes, but the others hold her back.

Personally I thought Rosa and Kufa went way too far with their fright-fest…at times it bounded on straight-up cruelty. These girls just went through a very stressful ordeal (the tournament plus Madia) and just want to kick back and relax for one night…haven’t they earned that much?

Once the Witch catches up to them, there’s a wonderful comedic moment when Salacha sprouts winged feet to fight her, and the others make a collective impressed noise…only for Salacha to bonk her head on the ceiling, followed by the others making a collective…unimpressed noise.

When they finally exit the waterway to street level, they’re relieved to find Kufa there, but the adults aren’t quite done with their tricks, as he reveals he’s bleeding from the chest and mouth, having had his heart ripped out.

Thus thoroughly terrified and chastened, Kufa has the girls apologize for breaking curfew and whatnot, but then they turn on him for his liberal use of the pink goo, which they see as perverted.

After all that running around scared, when the girls try to rise from their kneeling positions, they find their legs are asleep, so Kufa has to carry them all to a bed to sleep, only for Melida to grab his hand while he sits beside the bed, ensuring he won’t be sleeping tonight.

While the identity of the witch, and thus the stakes of the episode, were never in doubt or particularly high, respectively, this was still a fun, well-executed, seasonally appropriate episode that got to let its hair down and provided an extended intro to Salacha and Mule.

Lord El-Melloi II Case Files – 05 – The Wild Hunt

When attempts to contact the recently deceased Waletta fail, Adashino swiftly declares Wills as the culprit, since he stood to gain the most from her death. Lord El-Melloi II contents—quite reasonably—that in the world of mages, it doesn’t matter who does something or how, because both of those things can be controlled via magecraft. Rather, it’s the why that matters most.

Since the storm has not ended the original agreement is still in place; Adashino will allow Lord El-Melloi to continue his investigations. He hires Shishigou Kairi to assist him, but as Kairi and Gray collect reference materials, they are attacked by a Black Dog—the final form of the lightning outside—that punches right through Adashino’s Bounded Field.

This incident not only confirms the “murder weapons” used in the string of killings, but piques Shishigou’s interest in Gray, and why the Black Dog seemed to fear her Mystic Code. With her okay, El-Melloi explains that the code is Rhongomyniad, the spear of King Arthur (Arturia), disguised and sealed by both Add and its scythe form. He calls Gray “a portrait of King Arthur created by a certain family.”

The Arthur connection confirms it for Kairi and El-Melloi: the storm of lightning, wind, and spirits surrounding the workshop is the legendary Wild Hunt, once led by Arthur, but which led to defeat and his departure to Avalon. El-Melloi bids that the others indulge him in carrying out a ritual to test his new hypothosis.

Using Wills Mystic Eyes (with Reines’ as a catalyst), El-Melloi is able to summon a fairy in the flesh—the same one that has been appearing before Wills as if to warn of an impending death. The fairy can speak, and admits that she herself killed Trevor as punishment for essentially disrupting the balance between worlds for his own selfish desire to build an army of “false fairies” (i.e. Black Dogs) that he can command.

Now El-Melloi has the “why” as well as the ultimate means: the Marburry Workshop itself being the murder weapon with its ability to summon the murderous Black Dogs.

In his shortsightedness, El-Melloi’s demonstrative ritual ended up activating that weapon, sending an entire army of Black Dogs (led by one large boss-sized one) at the mansion. Adashino stays inside to protect Reines while the others head out to meet the dogs of war in glorious battle.

And I have to say, despite it being a bit dark, it’s quite a battle to behold. Wills shows his prowess with mystic daggers, Kairi has a mystical shotgun, and even El-Melloi pops off a few magical bullets, if you will. But obviously the battle’s MVP was always going to be Gray, taking care of business with her scythe and saving El-Melloi from a premature end.

Ultimately Gray must rescind the second seal and unleash the true power of Rhongomyniad in order to defeat the boss. It’s a hauntingly beautiful sequence, as her “Lance that Shines to the Ends of the World” not only obliterates the boss but blasts away the storm clouds as well. Gray may only be a “portrait” (her name perhaps a reference to Dorian as well as her main color) but she can still bring it when called upon.

What her attack does not do is close the gate to the fairy realm from which the Black Dogs first emerged. To do that, Wills decides to do something he always suspected he’d had to do: walk through the gate himself. El-Melloi begs him not to go as it would be a one-way journey, but Wills is prepared, and knows that not only will he not really “die”, but that his father and Waletta are waiting for him there.

With the gate—and case—closed (and El-Melloi’s favor to Sophia-Ri fulfilled), all that’s left is to head back to London. But before parting ways, Adashino hands the lord some material she found in the aftermath relating to the origin of Wills’ Mystic Eyes, with which he wasn’t born as El-Melloi assumed. They were acquired via Rail Zeppelin, a legendary phantom train that buys and sells the eyes.

With part of the lengthy show title now in play things look to only get more interesting as Lord El-Melloi’s case files continue to flow. Meanwhile, before parting with Gray Kairi tells her to keep a close eye on El-Melloi, since he senses the former Waver to still have a strong connection to his now-dead servant. Since connections to the dead only draw people backwards into the past, it’s on Gray to ensure El-Melloi resists that pull and keeps moving forward.

Sword Art Online: Alicization – 05 – Returning the Favor

After spending four episodes in the Underworld with Kirito, we finally return to the real world, picking up right where we left it, when Kazuto got injected while protecting Asuna.

Asuna meets Suguha and Kazuto’s mother at the hospital, where they’re informed that he may never regain consciousness after suffering untold damage when his heart was stopped for five minutes.

Then everyone’s favorite morally ambiguous suit Kikuoka Seijirou shows up, telling Kaz’s family that there’s only one place that can treat him properly.

They concur, and Kazuto is transferred to another facility, but when Asuna and Suguha try to visit him the same evening, they aren’t allowed. Further, Asuna’s monitor of Kaz’s heart rate is out of range; he’s just gone, and so is Kikuoka.

Asuna and Suguha meet with their friends in ALO to bring them up to speed, and with help from Yui they begin to assess the places he’s been and the places he could be now. The group splits up, with Klein driving Asuna and Suguha to a nondescript warehouse and helipad…but there’s no Kazuto, at least not anymore.

Apparently at a dead end, Yui tells “Mama” Asuna not to give up, as “Papa” Kirito never gave up looking for Asuna in ALfheim. Agreeing, Asuna asks Suguha if she remembers anything her bro said about his job; she remembers that the machine he used was based on the Medicuboid, designed by Kayaba Akihiro, AKA Heathcliff, inventor of NerveGear and Game Master of SAO.

Asuna recalls someone watched over Kayaba while he was diving, then recalls her name: Koujirou Rinko. Yui finds Rinko at a lab in California. She, along with Kayaba, was a member of the Shigemura Lab, which developed the Augma headset. It stands to reason she might know about STL and Kazuto’s wherabouts, so Asuna sends her an email.

Turns out Dr. Koujirou Rinko has already been hounded by Kikuoka to join him on a new project, and so she travels to his location via helicopter, which turns out to be a Totally Awesome Top Secret Floating Base called “Ocean Turtle.” Rinko is accompanied by her blonde English-speaking, somewhat shifty assistant Mayumi Reynolds.

After going through a veritable gauntlet of security checkpoints, Rinko and Mayumi enter a command room that oversees the Underworld Kirito is currently living in. It would seem to be an actual physical environment, which explains why those crossing its boundaries into the “Land of Darkness” are so harshly punished.

In the control room they meet Kikuoka, donning yukata and geta as if he were at a seaside retreat. That’s when Rinko reveals why she finally agreed to come: her assistant “Mayumi” is really Asuna in disguise. When Rinko heard from Asuna that Kazuto—whom she met following the death of her lover Kayaba, and who chose not to destroy the World Seed—she decided she’d help Asuna any way she can.

And so now Asuna has managed to slip by a number of layers of carefully laid security and is in the very heart of Rath’s operation. And she’s PISSED. She wants to know where Kirito is, pronto. Considering everything she’s been through thus far, including one would hope Kikuoka would be amenable to her request. Now things are starting to get interesting.

Golden Kamuy – 11 – And Now, Some Light Eyeball Licking

It all starts with a coincidence, as Sugimoto, Asirpa, Shiraishi and Kiroranke decide to spend the night at the Sapporo World Hotel, where Ushiyama also happens to check in. Both Ushiyama and Shiraishi are immediately smitten with the comely proprietess Ienaga Kano; unbeknownst to them, she’s running a murder hotel.

Ienaga takes an interest in Ushiyama due to his superhuman strength, and so dangles him along as she settles Sugimoto & Co into their room. While pursuing Ienaga, Siraishi almost crosses paths with Ushiyama, but doesn’t, thanks to a trap door that leads to Ienaga’s torture and dismemberment chamber.

More importantly, the Immortal Sugimoto and Undefeated Ushiyama finally meet, and test one anothers’ prowess with Judo, leading to this hilarous quote from Ushi: “At this rate, we’ll end up killing each other…I like you. Drinks are on me.” With that, Ushiyama treats Sugimoto, Asirpa, and Kiroranke to drinks and dinner, including a dish Asirpa believes to be poop, leading to another one of her priceless faces.

They all get ruinously drunk; Asirpa and Kuroranke pass out, but fortunately Sugimoto can hold his alcohol enough to stop Ienaga when she starts licking Asirpa’s eyes. Shiraishi remembers who “Ienaga Kano” really is: a fellow prisoner from Abashiri, a mad doctor who believed he could achieve perfection by taking the best parts from others.

It’s left up in the air is whether Ienaga is simply posing as a woman or has actually completed full gender reassignment as a result of their quest for perfection. One thing’s for sure, Ushiyama doesn’t care who Ienaga was or is; he’s just committed to screwing them.

That doesn’t happen, as Ienaga triggers the hotel self-destruct system, blowing the whole place to kingdom come. Sugimoto, Asirpa, Shiraishi and Kuroranke escape in one piece (albeit lightly singed) and decide to continue their journey to Abashiri to meet Nopperabo.

They assume they lost not one but two tattooed prisoners in Ushiyama and Ienaga in the blast, but after the credits Ushiyama emerges with an apparently alive (or at least intact) Ienaga, which means Team Hijikata just became one tattoo closer to completing the map.

This episode managed to move the overarching story forward while confined within one crazy kooky hotel and threw together a lot of strong personalities to see how they’d mingle. And it was an absolute riot.

Tokyo Ghoul:re – 04 – It’s Party Time

Oh man, I do love a good big Tokyo Ghoul raid. This week, we get the start of a doozy. Things start out quietly yet ominously, as the pageantry of the Eyes Wide Shut-style human auction commences with a washed up actor and then Tooru in disguise.

As a one-eyed Ghoul, Tooru induces a huge 200 million bid, much to the scantily-clad Nutcracker’s delight. That winning bid belongs to the Doves’ primary target tonight: Big Madam, just beating out Master Shuu’s servant.

One of the trio of Ghoul “Clown” MCs whispers to Tooru that no one is coming to save him, but that’s nonsense, as the very next lot is Juuzou, who’s already seen enough of the auction and decides to get the real party started, unleashing a fusillade of daggers at all the Ghouls around him.

Outside the venue (and shouldn’t the Ghouls have picked a less conspicuous place?) The CCG raiding parties are ready to commence the operation, including the Quinx Squad. Their primary goal: Eliminate All Ghouls—but Big Madam in particular—and rescue any human captives.

As Juuzou ditches the wig and attracts the attention of Rabbit (now Ayato, not Touka), Tooru sheds the Nutcracker and runs, but is pursued not just by Master Shuu’s servant, still sore over losing the bid, but by Torso, who splits off from Ayato (and Hinami, who’s with Aogiri Tree now) who simply wants Tooru’s torso all to himself.

What we don’t see much of at all is the Quinx Squad in action. What we do see is pretty much everyone else. We see how the new young blood among the Doves are the source of some resentment from the old “fogeys”, but when a young hotshot over-confidently rushes into the Clowns and gets himself killed, it’s up to the fogey to clean up the mess, even though he’s also killed by the sudden arrival of Owl.

There’s a lot of pieces being set up this week, as new and old faces prepare to go at it. The whole raid is crackling with electricity. And this is just the beginning, with no clear victor yet in sight. Should be a fun resolution.

Violet Evergarden – 13 (Fin) – “I Love You” Means Never Having to Take Orders Again

Violet Evergarden protects Dietfried from bullets at the cost of one metal arm, then prevents the bridge from blowing up at the cost of another (with a crucial assist and catch from Benedict). In doing so, she averts the escalation of an isolated anti-peace flare-up and preserves peace for the continent.

In light of all this, Dietfried rightly starts to seriously rethink how he’s always thought about Violet—the tool he gave his brother which then outlived his brother—and how his blaming of her was only a means of distracting him from the fact he blamed himself more.

With peace secured, Violet secures new arms and returns to ghostwriting work immediately, but as the first Leiden Air Show since the war began looms, she faces her most difficult assignment yet: writing a letter not for anyone else, but by herself, containing her feelings; the whims of her heart.

Cattleya encourages her to write something before the deadline, but Violet gets writer’s block. She recalls that night in the Major’s tent when he told her she neither needs nor should want nothing but his orders; that she should feel free to live free, because she’s not a toll, she’s human, with emotions just like his.

Gilbert proves it rather cruelly by making her as upset as he is, but at the time Violet still knows nothing of what she’s feeling, and realizing that, he decides to table the discussion until after the battle…a “later” that never comes due to his death at Intens.

As if the universe were conspiring to lend Violet inspiration to write a letter to Gilbert, Dietfried arrives at the doll office to introduce her to his mother, who wished to meet and speak with her. The mother’s memory is somewhat hazy, but watching Violet’s reactions to her words (and her description of Violet’s “Gilbert-Eye” pendant) snaps her into lucidity.

Gilbert’s mother tells Violet things only she can say: that it wasn’t your fault; that it’s not your cross to bear; that her other son hasn’t given up on him any more than the two of them. But rather than wait for her son to come through the front door, she takes comfort in knowing he’ll live forever in her heart. Remembering him the rest of her life may hurt, but hey…love hurts.

For all the damage Gilbert felt he did by allowing her to act as a weapon for so long from such a young age, the very fact he saw her as a human and not a tool is what ultimately put Violet in the position she’s in now: with the means to grab the life she’s always been owed, and live in happiness yearning for neither orders nor death.

Vi shocks Dietfried one more time before departing by telling him she’s done with orders. Thus he sees, for the first time, not only a real human, but someone kindred to him in the pain of his loss.

Upon returning from the Bougainvillea House, Violet writes the letter that will join tens of thousands of others and be rained down upon the city by the airplanes, like her weapons of war reborn as weapons of peace and the transmission of peoples’ feelings.

We, as the audience, are the ones who “catch” and read that letter, in which she states that while she didn’t understand anything about how he felt when he tried to tell her, by ghostwriting she’s gradually developed the tools to sense how people feel, and thus how he felt.

Finally, she speaks of how she feels. She continues to believe he’s alive, whether that’s somewhere out in the world or in her heart and those of his mother and brother, and that she finally understands what the words “I love you” mean “a little better.”

So She’ll continue her work living, writing, transmitting the contents of others’ hearts through paper and ink, and in doing so continue to learn about her own emotions. Since a “new project” has already been greenlit, we’ll be witnesses to the continuation of her journey, and that of her colleagues at the Auto Memoir Doll Service.

Violet Evergarden – 12 – The Train Has Left The Station

As Violet flies south from her mission, her intended destination is not home, but the town of Distery. That’s where Cattleya, Benedict, and a group of peace envoys will travel north to Gardarick via the completed transcontinental railroad. The military puts Gilbert’s brother Captain Dietfried Bougainvillea in charge of security for the mission. The troops Violet encountered up north were only the tip of an Anti-Peace spear that is not as decimated as the south believes.

This means that at some point Violet and Dietfried, her harshest critic despite knowing very little of who she’s become, will cross paths. Before that happens, he interacts with Cattleya and [], who bristle at his harsh words for Violet, who like everyone is doing her best…and her best means letters that “slip right into people’s hearts”. Diets can’t believe it.

Violet and her pilot are among the first to notice the first stages of the Anti-Peace faction’s plan, involving fires along the railroad. Their next stage involves infiltrating the envoy train with troops. When Violet spots the train halted in Distery, she has the pilot drop her off.

Vi reports what she saw to Dietfried and requests orders, rejecting the notion that doing so means she’s still just a military tool that needs orders to follow. She’s doing what she wants, and what she knows she can do: avoiding war and protecting her friends.

Once the Anti-Peacers execute their plan to separate the front and backs of the train (a nice microcosm of their larger goal to keep the continent divided), Violet is a half-step ahead…fortunately for Dietfried, who must rely on her in the absence of his troops. He heads for the engine to regain control, and orders her to protect the civilians. Atop the moving train, she encounters the very same unit that she encountered in the forest.

Their commanding officer bears the physical and emotional scars of the fall of Intense, the battle where Violet lost Gilbert. He wants the fort back, and while his monologue to Violet is tinged with the thirst for vengeance and the burning of the world, he argues his side’s case well. He and his comrades have been abandoned. Everything was taken from them. Under those circumstances, you can’t blame them for wanting to burn everything down.

Violet resolves not to kill ever again, no matter what, in doing so making her battle atop the railcar that much trickier. Between the need to refrain from fatal blows, keep fallen opponents from falling off the train, and her attachment to the green pendant Gilbert gave her, there’s simply too many variables working against her.

She’s eventually subdued by the general’s superior numbers. But before he can behead her, his saber is shot away by Dietfried, who proceeds to dispatch the bulk of the troops and their general, using deadly force Violet wouldn’t.

Upon saving her, Diets is furious that she attempted to stop the troops without killing. “What’s the use of a battle doll that won’t kill?”, he fumes, blaming that kind of foolish thinking for his little brother’s demise. No doubt he gifted Gilbert Violet so that someone (something in his mind) would always be by his side to protect Gilbert in his stead.

Diets can holler all night about Violet being the one who killed Gilbert for failing to protect him, but he’s the one who decided that Violet was a tool and nothing else. Gilbert didn’t see his dynamic with Violet as user and tool, or brother and protector. He made it his goal to make amends for what was done to Violet; to restore the humanity, individuality, and emotions he knew still resided within her. Her orders were to live, not kill.

In the middle of this spat, a suriving enemy soldier gets a shot off before falling off the train, and Violet dives in front of Diets, deflecting the bullet with her metal arm. The ricochet causes an explosion, which in a crucial railroad tunnel connecting the north and south, may mean Vi inadvertently did the Anti-Peace faction’s work for it, but the ramifications will have to wait.

For now, Violet is committed to following Gilbert’s last orders. And considering she intends to stay alive, she might as well keep putting her skills to use keeping others alive. If she couldn’t protect him, then she’ll protect Dietfried…even if he never stops hating her.

A lot of great reflected themes swirled around this episode. The war between north and south reflecting the war between Dietfried and Violet; in each case with a latter party that doesn’t want to engage. The fragility of the peace efforts reflecting the fragility of the railroad, tunnel, and bridge that peace must travel on.

Making Dietfried and Violet temporary allies of necessity was a great move to get them together, while the train setting gave the episode an excellent surging momentum—as train episodes tend to do.

It’s clear that deep down Dietfried indeed blame himself for getting his brother killed, but keeps using Violet as a scapegoat. That Violet was capable of moving on from the past makes him even angrier, because he hasn’t figured out a way. But if he can’t forgive himself and move on, he’s no different than the Anti-Peace faction, and their general was right: the war will never end.

3-gatsu no Lion – 32

Perhaps I denounced Junko for playing dirty against Nikaidou; turns out he respects the hell out of the round little guy, and was fully prepared to lose to him…until Nikaidou collapsed.

Between his clueless drinking buddies with their boorish questioning, his two downgrades, and losing his prized racing pigeon Sliver, we see that Junko’s loss to Rei is only the latest of many setbacks in his personal and professional life.

However, things look up after he sends hydrangeas to Nikaidou. Silver also returns, and with it, Junko’s fighting spirit, which he aims to use in the 12th Lion King Tournament.

While ostensibly a detour from the season’s main narrative of Hina’s predicament, it’s still an enjoyable and at times moving character study.

Back to Rei, who celebrates his Newcomer victory by treating the Kawamotos to anything they’d like at a sweet shop.

Akari and Hina end up scaring both Rei and Grandpa by managing to put away prestigious amounts of delicious dessert in complex combinations of texture, temperature, and flavor.

By the time they leave the restaurant, the girls can barely move, and Momo, in classic kid form, waits until they left the nearest restroom to declare she had to pee.

With Akari unable to exert herself too much, Rei carries Momo, while Hina stays by his side. Akari notices that ever since Rei visited Hina in Kyoto, she’s been smiling a lot more.

We flash back to their encounter by the river, where Rei is so kind and accommodating, Hina feels as if she’s back home. Rei and Hina are lovingly framed an rendered in this scene, looking for all the world like a romantic pair, particularly when Hina tries on Rei’s glasses.

But whatever the vibes they emit, Hina has been thoroughly cheered up, to the relief of both Akari and Gramps.

Kakegurui – 11

When Yumeko gives up two queens, it convinces Kaede she’s going for the choice to make the “weakest” hand win. When Itsuki fronts 100 chips for Yumeko’s cause, Kaede stays on the “high road” and simply continues to raise, knowing he has enough funds to best them and choose “strongest.”

Just as he expected, Yumeko raises and raises until there’s no more money left, until she brings up life plan she got from the council when she was in deep debt, stating one’s “life” in terms of the value appraised by such plans should be a bet-able commodity.

While Itsuki initially struggles with offering the value of her own life for Yumeko’s sake, she realizes she can’t win and stop Kaede and others from looking down on her if she isn’t willing to bet everything she has and everything she is and ever will be. As a symbol of her wager, she tears out her fancy nails with her teeth – which really would hurt more than she lets on!

Kaede doesn’t accept the raise at first, as he considers the life plans given to livestock to be mere collateral until debts are paid. But as dealer the Vice President gets to decide, not him or Yumeko, and she decides the bet is valid to the tune of 10 billion yen. When Kaede bristles at her authority, she removes her mask to reveal she is President Momobami; she never left.

This is where Kaede, in a desperate bid to regain control of the game, decides he’ll raise Yumeko and Itsuka once more by betting his own life, thus straying from the high road he was assured would take him all the way to the national finance minister’s office. He believes this can only happen if he usurps Momobami, and Itsuka’s funds are a crucial means to that end.

Having raised his life, Kaede is awarded choice, and chooses “strongest.” Itsuka’s initial reaction looks like one of shock over putting all her hopes in Yumeko and losing again…but Kaede’s three 8’s are no match for Yumeko’s three Jacks, and Yumeko and Itsuka are victorious. All because he left the high road…and couldn’t stop looking down on Itsuka, inspiring her to defeat him at all costs.

The loss leaves Kaede unconscious, with hair as white as snow, as if bled dry of all vitality. As he’s carried off by medics, Itsuka feels bad for him, without whom she’d never have gotten into the council, or stood where she stands now. Yumeko can’t help but think how beautiful is the sight of someone who bet everything…and lost.

That leaves Momobami and Yumeko boring holes into one another with their blue and red eyes, respectively. Having beaten Kaede (and drawn out a side of him she’s never seen), the president has all but confirmed that the one gambler who has a snowball’s chance in hell of standing beside her is this Jabami Yumeko person.

Yumeko seems to be similarly interested in what Momobami is capable of, and deduces her the root of her discontent all along, even as she watched the life escape from countless gamblers: What Momobami wants most of all is to see herself in that position…and that requires someone other than herself; someone who can surpass her. She can’t wait to see if that’s who Yumeko is, and Yumeko can’t wait to show her.

Shingeki no Bahamut: Virgin Soul – 20

The Demon assassin is eager to fight a dragon, as I assumed he’d killed one or two in his checkered past. However, his true beef is with the fact that Nina is a mongrel and a pathetic abomination for having a human parent. Nina transforms into the Red Dragon, but the assassin transforms into a bigger one. A much, much bigger one.

The resulting fight is one of the cooler, more impressive battle sequences—after all, two dragons are better than one—but Nina is completely outclassed and the assassin’s attacks quickly transform her back into human form.

Naked and beaten up, the Onyx Commander looms over her and tells her the order to kill her came from His Majesty himself, twisting the proverbial knife before killing her with a real one.

Favaro and Kaisar have heard enough, and spring into action, breaking free from their captors—but they’re pretty outmatched themselves, so it’s fortunate the cavalry arrives in a timely fashion, in the form of El, Sofiel, Azazel and Jeanne. The lads are…humbled by the sight of the surpassingly ethereal, angelic Sofiel, but she’s not here to dilly-dally.

Summoning a giant avatar to match the assassin dragon’s scale, she launches a devastating ice-based attack that turns the dragon into a solid chunk that shatters under its own weight. And to think: she is of those who have found themselves flummoxed and beaten back by Charioce.

With the dragon eliminated and the Onyx Soldiers tied up with magical binds, all that’s left is to finish saving Nina, who appears down for the count not due to any physical exertion, but because she’s suffering from a broken heart.

Kaisar leaves the Onyx Commander and his men alive, but the Commander makes sure he knows there’s nothing he or his friends can do to stop Charioce, so there’s no point in continuing to oppose him, aside, I supposed, from a death wish. Alessand also takes note of the fact that El is the “holy child.”

Back at base (which is surprisingly still intact and safe after all that) Sofiel insists that it’s time to go: Her, Jeanne…and El. But El is reluctant; he believes he was born for a greater purpose that can only be served on the surface world. Bacchus, for once given some dramatic meat, tells him he’s being foolish; that all he his at the moment is a child, a gift from his father to his mother. It’s enough to convince him to go with them.

Meanwhile, Nina whips herself into a rage and tosses aside the necklace Charioce gave her, trying and likely failing to get over the guy who not only rejected her, but tried to kill her. She neither needs nor wants these feelings, but unless Rita has a spell or potion for it, they’re not going anywhere. El stops by to say goodbye, and can tell Nina isn’t alright, even though she puts her usual cheerful face on in front of him.

The next morning, the Onyx Commander informs Charioce, who is headed to Eidos to finish opening the rift, that the dragon has been eliminated; Charioce, like Nina, may well be hiding his true feelings on the matter from the world. Ready to set off back to the Land of the Gods, Sofiel admits to Bacchus that she left without permission, and furthermore, can why he stayed on this world: there’s never a dull moment, after all.

After El says his final goodbyes to Azazel, he walks back through the caves alone, and is confronted by Alessand, who stabs him in the chest, making his holy blood pour onto the ground and surround his black ocarina. Alessand, who was humiliated and judged as worthless by the Onyx Commander, still wishes to prove the man wrong.

So Al chose to make himself worth something by eliminating a potential weapon of the Gods. Whether he’ll get any acknowledgment—or even get out of the caves with his life—remain to be seen.