ReLIFE – 15

In this outing the Aoba Fest, with its maid/butler cafe and stalls and bonfire, comes and goes fairly briskly. Kaizaki and Hishiro alike try to make the most of their second chance at a pivotal time in high school life, but it’s a decidedly bittersweet experience.

It’s obvious why it’s sweet: the festival looks like a lot of fun, especially when much of it has Kaizaki, Hishiro, and their friends dressed to the nines. After Hishiro tried to get Yoake to slip up and tell her Kaizaki is also a subject, she tries to find out for herself by grabbing Kaizaki’s arm and drawing close to him, as if they were dating…with inconclusive results.

She could interpret him as being uncomfortable because he’s really an adult, or he could just be flustered because she’s acting out of the ordinary, which she kinda is. The bitter part comes when the festival ends, when Kaizaki laments that he’ll “vanish” when his ReLife ends.

Yoake corrects him by saying he has to take solace in knowing he left his “mark” with these high schoolers; things happened in their lives that wouldn’t have happened without Kaizaki.

Onoya has a similar chat with Hishiro, telling her to take pride in the fact she’s taken a “lovely step forward” by taking an interest in someone like Kaizaki. Whether it’s true love or not, that’s something the pre-ReLife Hishiro couldn’t do.

Yoake’s attempt to cheer Kaizaki doesn’t last when his class undergoes college counseling. Both he and Hishiro choose to go to Aoba U like Kariu and Oga, even though they know it’s “pointless” since in reality their ReLifes will end and they won’t be joining their friends, nor will their friends remember them.

Any way you look at it, that stings. That stings hard enough to wonder if it was a bad idea to do a ReLife in the first place, even when one considers how socially and emotionally improved it made them.

It stings enough for Kaizaki to ask Yoake if he really has to go back to his old life, and has to let all the friends he’s made forget about them. Yoake reminds him that Kaizaki didn’t become someone new in his ReLife, he regained the friendly straightforward person he was.

But that restoration couldn’t have happened if Kaizaki hadn’t lived his life as he had before ReLife, which he’s now asking to discard. Yoake tells him not to give up on “Original” Kaizaki; “High School” Kaizaki is, after all, only an illusion.

Onoya, having only just started becoming Hishiro’s support, has nevertheless been engaged with the whole crew for some time now, and unlike Yoake, hasn’t quite accepted what they’re doing and sees the end result as cruel, sad, and scary.

Continuing his role as comforter-in-chief, Yoake tells her ReLife isn’t about enjoying every moment to the fullest in a life that is fleeting by design, and all they can do in their capacity as ReLife staff is support them with everything they’ve got, without regrets.

That night, Hishiro resigns herself to the fact there’s really no way to find out for sure whether Kaizaki is a fellow test subject, and there’s no point in thinking about it…yet she can’t stop thinking about it. Could that mean it’s not so pointless after all?

The next day is class photo day, and Kaizaki and Hishiro both know that it’s a photo in which no one else in the shot, not even the good friends they’ve made, will remember them.

They’ll be like “ghosts” in such a photo. And yet, just as the shot is taken, they look in each others‘ directions, holding out hope that a fragment of a memory will still remain in someone’s mind when they look at this photo.

Must all of the dream-crushing things the vile Yoake says really come to pass according to plan? Must these two people really forget one another? I, like them, certainly hope not!

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ReLIFE – 14

Well, this is a nice surprise on the second day of Spring when there’s a Nor’easter pummeling my coast: a bonus episode of one of my favorite shows of 2016, ReLIFE! These four new reviews won’t make much sense without watching the 13 that came before, which I highly recommend. You can catch up by reading my reviews here.

When we left the main couple of Hishiro and Kaizaki, we knew they were both subjects, but they didn’t know that they were, and so maintained a distance that was not bridged, since they both assume they’ll lose contact with the other forever because of the nature of ReLIFE.

Still, both have benefited tremendously from their experiences as high schoolers, and continue to do so. Meanwhile, real high schoolers Kariu and Oga are now an item, while Yoake is transferring Hishiro to his junior Onoya now that she’s entering an “unprecedented” second year.

Hishiro now rather strongly suspects that Kaizaki is a test subject like her, but Yoake will neither confirm or deny it, while warning her that if she learned that he was a subject, it would spell the end of his experiment and an immediate severance, and Hishiro would never see him again.

With that in mind, Hishiro treads carefully, but is still eager to learn the truth. To that end, when Kaizaki is made the class boys’ cultural festival officer, she volunteers to be the girls’ officer. They work tremendously well together and the paperwork flies off the proverbial desk.

Their work is momentarily interrupted by a problem Oga is having. He got in a fight with Kariu for shooting down the idea of her coming over to his place after a date, because he didn’t want to hurt his older shut-in brother and feared Kariu wouldn’t “approve” of him.

Kaizaki and Hishiro put on a veritable friend-cheering-up and advise clinic, with Kaizaki assuring Oga that the best way to act around family is naturally, without hiding anything, while Hishiro assures him if he just tells Kariu what’s up, she’ll accept it; in fact, she’s probably mad because he didn’t in the first place.

Afterwards, Kaizaki and Hishiro exchange words of mutual respect. Kaizaki, unaware that Hishiro is a fellow adult, continues to be astounded by her maturity and wisdom beyond her years, while Kaizaki’s very accurate suspicions persist.

The two continue festival prep, and Oga and Kairu make an appearance to show they made up nicely, but later in the day, when Kaizaki returns to the classroom to find Hishiro worn out and asleep at her desk, he resists the urge to touch her head in affection, while in his head admitting he’s fallen for her.

So, we’ve come a little further from the fireworks festival episode, in that Hishiro is on to Kaizaki (the level of her surety is up for debate, but the fact she’s right is indisputable) and Oga and Kariu are doing nicely as a couple. But both Kaizaki’s ignorance of Hishiro’s true age and Oga’s veiled threat prevented all the truth from coming out. We’ll see if that happens in the next bonus episode.

ReLIFE – 13 (Fin)

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Something’s definitely up with Hishiro as the final episode opens. You’d have to be Oga not to see it. All the LIME texts flying around about feelings and confessions, taking closeness for granted and fearing long separations.

Hishiro wonders, very logically, why one would put oneself through the “pointless” hassle of falling in love or confessing that love to someone you know you’ll be separated from.

Well, as the saying goes, better to have loved and lost, etc. And then there’s always a chance one’s assumption of being separated…turns out to be wrong, even if she doesn’t know that yet.

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Hishiro arrives to her first festival late and flustered; bold and resplendent in her deep red yukata (a color she asked Kaizaki if he liked in the preview for this ep). Due to the crush of people and unfortunate positioning, it’s Yoake, not Kaizaki, who is by her side when she needs an arm for support, whil An clings annoyingly to Kaizaki.

Sure, knowing what we know in this moment, An’s the better bet, as she won’t lose her memory of him when his year is up. But things are about to get more complicated in that arena.

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But first things first: Kariu intends to tell Oga how she feels about him, and Oga intends to tell Kariu how he feels about her. Their friends do a masterful job quickly ditching them, putting them both on the spot, having no idea of the each others’ intentions.

Oga takes the initiative, simply blurting out “Hey Kariu. I, uh…love you,” surprising both me and Kariu. Way to go, sport! The words hit Kariu like a ton of bricks, and as her mind races about all the ideas she had to confess to him, she gets shoved by a passerby.

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Oga grabs her hand and draws her near, and that’s when Kariu confesses she’s loved him for years now, bowling him over with equal elation. He adds that he’s probably loved her for a similar period of time, but needed Kaizaki to help him spell it out. They then hold hands and watch the fireworks together, on cloud nine…just eight minutes in, and we get a big win, making me wonder what else is in store for us in the finale.

Tama notices Kaizaki and Hishiro aren’t around, but Yoake and An shrug it off, having set Kaizaki up to be along with Hishiro. She asks him pointedly about Yoake, but not as someone interested in Yoake. Rather, she voices her admiration for Kaizaki’s ability to so quickly amass good friends, inspiring her to try harder.

Kaizaki counters that she’s surrounded by friends too, and she’s “tried plenty hard”, but she still gives most of the credit to him, adding she’s really glad she met him…which really confuses Kaizaki!

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He goes over in his head what she meant, but settles as he’s settled all along; happy she feels that way, and grateful for his ReLIFE, brief as it is. Hishiro then points out how lovely the fireworks are, and Kaizaki adds that they’re a little sad too, since they’re so fleeting and then fade in the darkness.

As the fireworks flash and bang about, a flurry of thoughts and memories fly by, going in backwards chronological order. It’s a concentrated retrospective of everything Hishiro’s been through these past thirteen episodes, ending with her telling Kaizaki he’s in her seat…and then a cut to black.

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Yoake introduces himself to an older Hishiro Chizuru. That’s right, she was Subject #001, the one Yoake failed. Not that big of a surprise, I know—all the clues have been there all along—but still good to see it confirmed here and now, during those fireworks.

Hishiro’s whole problem all this time has been the same as Kaizaki’s: she’s afraid of having too much fun or being too happy or falling too much in love, lest it hurt that much more when they part ways. “You’re like the fireworks,” she says to Kaizaki, while the fireworks are too loud for him to hear. She doesn’t repeat herself.

The two return to the others, and after celebration of Kariu and Oga confessing to one another, find themselves alone together again. It’s here when Hishiro states that her position from the beginning of the episode has softened in light of Kariu and Oga coming together. Now she knows worrying about the future at the cost of happiness in the present is a waste.

There’s no dual confession here, no matter how close either Hishiro or Kaizaki come, they always stay on that precipice, because they both believe the other will definitely forget them. But since they’re both ReLIFE subjects, I doubt that will happen. It’s just a tremendous shame they don’t know that right here and now, you know? They’re both content with less than they should have, all due to a gross misconception.

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This is a tough pill to swallow (heehee), particularly becaue unlike Kariu and Oga, it’s a plot device, and not merely emotional obstacles, keeping these two apart. But I understand. Practically speaking, the manga isn’t over, and this show covered most of what’s already been published.

Basically, ReLIFE gave us something we wanted—Oga and Kariu together—but left everything else up in the air, as if to say “Don’t get greedy!” I wasn’t a fan of Kazaki saying again and again that he’d be forgotten when this show has proven optimistic enough for me to think there’s a realistic hope of him and Hishiro becoming an item.

I hope they do, in a future second season down the road, which I would watch the shit out of, no matter how much they dragged it out (after all, it took three seasons of Working!!! for the main couple to finally confess, and I watched every episode).

Until then, this was a very nicely done high school dramedy, and I especially appreciated being able to watch it at my own pace, instead of still being stuck on episode two!

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ReLIFE – 12

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It’s the end of the term and time for Summer Break – or in Kaizaki’s case, more lessons and make-up exams. There’s talk of the future. Oga mentions taking a look at universities other than the one Aoba High is affiliated with. Kariu gets restless.

Spring is classically when a young man’s fancy turns to love, but in Oga’s case, it’s Summer, and not without a considerable push from his de facto best mate Kaizaki, who has denied and is apparently content to continue to deny himself romance, since none of his high school friends will remember him at the end of the year.

At an impromptu adult celebration (i.e., with beer), Yoake and An mock his academic troubles, but also want the skinny on the Oga + Kariu impasse. Yoake also lauds his ReLIFE time as a “one year, limited edition of youth” he’s not taking full advantage of.

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Kaizaki simply groans at that, but the next day when he has Oga alone, he really presses him on who he likes. When he says “everyone”, he forces him to narrow it down based on certain criteria. Once those criteria enter Oga’s head, he visualizes who else but Kariu.

One hot Summer evening while Kaizaki and Oga are walking home proves to be the clincher as far as Oga realizing how he feels about Kariu. He spots her talking to a man in a suit who seems to be trying to get her into his car. Then she gets woozy and the man has to catch her.

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This is very confusing and not at all okay for Oga, who springs out to get to the bottom of it. Turns out, the man is Kaizaki’s kohai from last week (small world!) who saw that Kariu had heat stroke and didn’t want to leave her alone.

Oga offers to take her home, and because of Kariu’s state of mind, she lets her sincere, grateful side show, which Oga remarks at flippantly and gets punched for. “We’re always like this,” Oga says with a laugh. “It’s fun!”

He has no idea how much Kariu’s heart skipped upon hearing that, but on their silent walk home and late into the night, all Oga can think about is wanting to hold her hand.

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Officially in love with Kariu, like he always was without knowing it, Oga reports the revelation to Kaizaki, who is appropriately obnoxious, but also privately proud of both Oga and himself for giving him that little nudge (though Kaizaki’s kohai deserves a smidgen of credit too).

Yoake, An, and Hishiro join in the discussion of what the next steps should be, and when Oga mentions how much experience with girls Kaizaki’s had, Hishiro flashes her first forced smile in a while, clearly miffed by the implication (just as she was miffed her pleasant walk to school with Kaizaki was interrupted by An).

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Oga rises above all the chatter and bickering and makes the decision to invite Kariu to the Summer Fireworks Festival, in a text that bowls her over and has her wondering if he sent it in error (though he invites her by name, so that’s impossible).

She reaches out to the other girls, who also got invites, and realizes Oga invited everyone. She laments getting worked up for nothing, but agrees to go anyway. Inviting everyone is “just like Oga”, after all.

By the way, I really loved the energetic song that was played before, during, and after the credits: “Summer Festival” by Whiteberry, a super catchy, boisterous ode to life and youth featuring vocals that are just the right amount of off-key. Interestingly, it was released as a single in 2000, when Kaizaki (28 in 2016) was only 12. I figure it’s a song from his MD collection…

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ReLIFE – 11

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Well, I guess even ReLIFE can have an off-day.

Perhaps it’s unfair to watch this episode on the heels of a terrific episode of Orange—or indeed, the momentous previous episode of ReLIFE—but I just wasn’t feeling this one. Which is a shame, because for all its momentum-killing flashbacks, it marked a significant leap forward for Kaizaki by the end.

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This week Kaizaki asks Yoake for another pill to make him 28 again, so he can properly visit his senpai Saiki Michiru’s grave. She committed suicide after continued harassment from her peers, which only intensified when Kaizaki ignored her wish for him to “grow up” and not to involve himself.

I guess my main problem with this storyline—important as it is for how Kaizaki ended up with ReLIFE to begin with—is that I don’t buy that an office would be that awful. I’m not saying office jobs can’t be that awful, just that I didn’t feel that scenario was portrayed carefully, convincingly, or realistically enough here.

This show’s always better when working with shades of gray—everyone has selfish desires; that sort of thing—but Kaizaki’s former job seems like a ridiculously cartoonish hell; a “black company” not just full of sexist pricks, but borderline sociopaths.

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Then there’s the two kohais from his company, who Yoake and An arrange to bump into Kaizaki. It’s good there are people who feel as he does, even if they didn’t have the courage to quit as soon as he did, and their admiration of what he did certainly lessens his regret somewhat and convinces him quitting was the right thing to do.

That’s all fine and dandy, but I’m still not sure why Yoake chose the anniversary of Saiki’s death to do this. It means for four months he kept information from Kaizaki that could have helped him deal with his trauma. But why so long? Was he simply waiting until a time when he knew Kaizaki would ask for a re-aging pill?

Finally, Kaizaki says he wants the pill so he won’t run into trouble if someone he knows shows up at Saiki’s grave. But that begs the question: how has he been able to avoid being spotted people he knows for four months? It’s a can of worms the episode presents that’s best left closed for the purposes of suspension of belief.

At any rate I’m glad Kaizaki is feeling better about the choices he made that led to his joining ReLIFE. Now I’d like to see him get back to that ReLIFE.

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Glasslip – 13 (Fin)

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MAL has been decidedly hard on Glasslip, with its score plummeting to 6 as I write this, and now that the show is over, I’m starting to finally understand why: Glasslip is stingy. It shows you an awful lot of stuff, but most of it could be seen as idle, even lazy slice-of-life. What it doesn’t do is clearly lay out to you what’s going on beneath or parallel to these goings-on. To a casual viewer; especially one who is watching a lot of other, more direct stuff, seeking Glasslip’s subtle deeper meaning can feel like …work.

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Further occluding that meaning is the fact we have three couplles of nearly equal stature, but for the fact the main one, that of Kakeru and Touka, includes all this “future fragments” business. At a crucial point in this finale, Touka’s mom confesses to seeing such fragments after flashes of light, when she was younger, and thought they were the future. This is actually a case of Glasslip being generous in its hintage as to what’s going on with Touka, and it’s surprisingly simple: her mom was merely growing up, just as Touka is.

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Glasslip isn’t just about a “slice-of-life”, although it excels at that admirably. It’s about the transition from childhood (middle school) to adulthood (high school and beyond). Kakeru’s dad makes the point to Kakeru that it’s his life to live and his shots to call. Touka was seeing possible futures in her head out of weariness of the future and all the change it entailed that would disrupt the nice thing she’s had going thus far.

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Shiny stuff just happened to stimulate the flashes, and during the fireworks at the beginning of the show when she and Kakeru share that moment wasn’t just pure chance, it was their wills at work: he wanted to see her and she him. Kakeru’s fears about hurting Touka with the fragments were just his fears about being with her hurting her in another form, and by the end it seems both of them are on the same page, not only about what the fragments could have meant and, obviously, how they feel about each other.

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The fruits of the summer were as follows: Yuki and Yana started to run together, suggesting they may have become a couple in the background. Hiro and Sachi are still the cutest item in the world, with Hiro so excited to see her he gets up early for school. Touka walks to school alone, and Kakeru isn’t there when she turns her back, but she doesn’t seem troubled. The tent in his yard is gone, but he’ll be back to see those winter fireworks with her.

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Usagi Drop 11 (Fin)

Daikichi and Rin deliver food to Hitani as she recovers from a bug. While wrestling with her first loose teeth, Rin and the three other kids work on their jump rope, while Daikichi mingles with Hitani and the dads. After about a year with Rin, he’s watched her grow and they’ve shared countless experiences, a lot of them cause him stress and nervousness, but he seems to be learning that comes with the job.

Daikichi’s little sister Kazumi is getting married, but isn’t so hot about having a kid soon. She likes going out and drinking and having time for herself. Daikichi used to own all of his time, too, and while it’s obvious he’s lost something in his change of lifestyle for young Rin’s sake, he’s gained a lot more. This person loves him unconditionally, and he her. He may not be a real dad, and it may have just been a year, but he’s definitely become quite good at taking care of RIn.

What has more or less been a slice-of-life series has a reserved send-off, which looks back on the development of Daikichi and Rin, and looks toward the future as she grows bigger, stronger, and brighter. Rin has definitely been one of my favorite characters this season, and one of the better-acted kids I’ve seen in anime. There’s nothing earth-shattering about this story, but that’s not the point: it’s done a good job portraying the everyday and mundane, with all the little childhood firsts sprinkled in. And certainly the only anime I can think of where a guy’s aunt is so much younger than him, he could easily be her father.


Rating: 3.5