Tsukimichi: Moonlit Fantasy – 12 (Fin) – Becoming Less Terrible

After being deposited in the middle of a strange wasteland he eventually learns is a battlefield, Makoto is battling two tough cookies in Sofia Bulga (Sawashiro Miyuki!) and Mitsurugi AKA Lancer (Saitou Souma).  An excellent balance of aggressive offense and iron defense, Makoto is initially caught off guard, and were it not for his Dwarven clothes and accessories, he might’ve died right there and then.

However, for much of the start of the “battle” Makoto is holding back…like, a lot. And what a battle it becomes, as Tsukimichi clearly saved some of its animation budget for this exciting and dynamic showdown. It doesn’t really mattet who Sofia and Lancer are. The point is they are two of the many reasons Makoto needs to pull his head out of the sand and learn more about this world, and the people in it who can cause harm to his people.

But like I said, Makoto eventually lets loose, destroying one Dwarven ring afrer another and unleashing a massive flare of mana that literally changes the landscape while giving him the time he needs to escape his persistent pursuers. Even lying half-dead (and in Sofia’s case, naked to boot) in the middle of a suddenly picturesque lake Makoto’s magic created, the two are still determined to kill him next time they meet him. While I look forward to the attempt, I doubt they’ll ever catch our boy that off-guard and unprepared again.

The plans to attend Magic Academy and for Shiki to accompany him are still on, as he finds himself back in the Demiplane—and with Tomoe and Mio sleeping beside him in various stages of undress. After what happened (Shiki thinks it could have been the goddess trying to force Makoto to fight), the ladies want to go with him, but he insists they stay put. They’re his trump cards. When “the time for violence” comes, he promises he’ll call on them.

In other wrap-up news, Tomoe created a new fragment of herself, who Makoto names Komoe. She also enrolled the forest ogres into taming training for the Demiplane Ranking. the Illusory City is open for business, and Makoto’s general store in Tsige is booming on its very first day thanks to Tomoe, Mio, and Beren’s excellent marketing skills.

The night after the store’s grand opening the Demiplane has a huge celebration for both the opening and the Young Master’s goodbye. It should be clear to everyone by now that a second season is already in the works, as in addition to the typical finale recap/summing-up moments, there are a number of peeks at who and what that second season might involve.

After an extremely uneven penultimate episode, this one returned to that specific balance of serious and comedic that kept me into the show to that point. That is to say, the ship is righted, and I’m looking forward to more of Makoto & Co. down the road!

Rating: 4/5 Stars

Tsukimichi: Moonlit Fantasy – 11 – Playtime’s Over…Unfortunately

TRIGGER WARNING: This episode contains a sequence of graphic violence.

The last nine episodes and change of Moonlight Fantasy have largely consisted of Makoto, Tomoe, and Mio basically goofing off while demonstrating their immense powers in this world. Then, just when he’s gained a third companion in the newly-humanized Lich he names Shiki, Tomoe starts bleeding profusely and keels over.

Like most of Moonlight’s cliffhangers, I expected this one to be resolved in the first five minutes, possibly in a comedic way. It…didn’t. Shit suddenly got real at the end of last week’s episode, and it stays real and very dark for the vast majority of this week. It’s almost as if Moonlight wanted both Makoto and us to experience the sudden realization that we don’t really know the first thing about this new world.

The adventurer woman and her two associates raid the Illusory City, and the magical ring Drahpnir explodes in an ensuing fight, killing an orc who was just doing his job as well as Tomoe’s Fragment, hence her keeling over. In response, and after reading her deeply prejudiced memories, Makoto takes his revenge on the adventurer woman by stalking her, cutting off her forearms, and then stabbing her through the throat. Fuckin’ Yikes.

It is without doubt the most dark and disturbingly violent this series has ever gotten, and it doesn’t spare the blood. Like Tomoe’s collapse, it comes out of nowhere, but maybe that’s the point: this show is done taking it easy on Makoto, and is now treating him more like Re:Zero treats Subie: like the new world he’s in is always trying to kill him and those he holds most dear, and surviving is a constant struggle.

While it’s laudable for Moonlight to take a chance at going dark, it kind of undermines that a bit by throwing us back in its usual goofy comedic milieu before we’ve even had sufficient time to process the shocking gore we just witnessed. Makoto brutally murdered a woman, and is back to being the straight man in between Mio and a recovering Tomoe bickering. After a memorial service, it’s just tonal whiplash. It’s…odd.

But while things return to “normal”, the reset button is not hit on Makoto’s psyche. His experience that night changed him forever, and also told him that if he wants the Demiplane to be safe, he’s going to have to learn a lot more about this world. For him, that means leaving Tomoe and Mio and enrolling at a university in the neutral town Rembrandt told him about.

But in the first instance since the first episode of the Goddess interfering in his existence on this world, when he goes through a mist gate to the city with Shiki, he ends up materializing alone in the middle of another wasteland, and is immediately attacked by Sophia and Mitsurugi, who don’t just look like a couple of tough customers…the former is able to lop off a couple of Makoto’s fingers!

The shit truly hit the fan at the start of  this episode, and by the end Makoto finds himself just about neck-deep in it. I appreciate the show’s ambition in picking the path of grim drama, but I can’t deny my neck still aches from that sudden direction change. All that said, this episode, the second-to-last of this cour, makes the previous ten feel like an extended prologue to the real story. Not sure that’s a good thing!

P.S. It remains bizarre that nearly all humans think Makoto without his mask is some kind of hideous monster, when his character design just doesn’t read that way. The show could at least show us how they see him through their eyes…

Tsukimichi: Moonlit Fantasy – 10 – Underlord

After two straight cliffhangers involving the two forest-dwelling sisters, Eris and Aqua (which does sound like a sports drink!) are effortlessly defeated by Makoto and Mio. The weaker adventurers are teleported to the Illusory City, which is apparently an actual physical place…albeit a foggy one.

Eris and Aqua are fun enough in their quirky/serious sister act, but when they take Makoto and Mio to the “Forest Ogre” village is when the episode really starts to bog down. I honestly cannot tell you how many village elder scenes I’ve sat through in my day, but it’s a lot.

Most of them put in more effort than Moonlight Fantasy here. It’s all very by-the-numbers listless, aside from Mio’s adorable envy at Eris and Aqua’s shisho holding Makoto’s hand a second longer than she got to

The obligatory village banquet takes place, and again, it’s just kinda there, not really distinguishing itself in any way. Thankfully, Ains Ooal Gown’s freakin’ cousin crashes the party and livens things up. Yes, the lich has more vitality than the anonymous, homogenous villagers. The lich talks a big game, but obviously Makoto ain’t losin’ to no skeleton.

Rather than kill him, they take him to the Demiplane to hear his story. He’s been striving all his life (and death) trying to become a “Grant”, a rare and special human that can travel between worlds. [Nudges your side hard] Sounds familiar, mmmmm? 

Tomoe, demonstrating a knowledge of other worlds that surprises Makoto a bit, says Grants are Grants not for what they are, it’s more bestowed upon someone by dint of having found a passage between worlds.

Lich (I didn’t hear a name) ends up forming a contract with Makoto, and gains a ripped bishounen body, which combined with seiyu Tsuda Kenjirou being particularly velvety, makes the Lich the third member of Makoto’s now unisex harem. But no sooner does he gain one member than he seems on the brink of losing another!

Without any explanation whatsoever, Tomoe keels over and starts bleeding out. It’s the highest stakes we’ve ever seen in this show. And while I’m fairly tired of these cliffhangers-for-the-sake-of-cliffhangers, I need to know dear sweet dashing Tomoe will be okay. Wait…what’s that? The next episode is titled “Goodbye?!” 

Shiiiiiiiiiit…

Tsukimichi: Moonlit Fantasy – 09 – Into the Woods

As two forest-dwelling sisters named Aqua and Eris bring ruin upon any intruding adventurers, Makoto celebrates the anniversary of the establishment of the Demiplane by meeting one-one-one with its denizens, from Akina the Alke (who has learned to perfectly mimic humans) to Liddy the Lizardman (who still looks like a lizardman). He also learns that when he pats the head of Tomoe’s fragment, she feels it too.

After a night of meeting, greeting his many admirers from Demiplane society, Makoto goes off on his own to practice his archery. Only both Tomoe and Mio suddenly feel his presence vanish, and find that by focusing on archery, he’s dying and being reborn over and over again. By being continually reborn, his mana continues to expand, as does the demiplane. Tomoe worries it will lead to the Goddess ordering his elimination.

Thus Makoto must learn to mask his enormous mana even more, both with his own magic and the gear the dwarves make for him. In the meantime, he still has a business to get up and running, which means returning to Tsige, where he helps a demihuman in need who also happens to look  a bit like him.

A prostitute witnesses his kindness and decides to reward him with a night of fun, but a jealous Tomoe and Mio come out of nowhere to drag him off. He doesn’t want to tell them he loves them like family—as the ED indicates, they’re basically surrogate sisters. But by not saying so he creates a misunderstanding, and both women feel they need to make him a man immediately. Thankfully, he cools them off with an ice spell before they can assault him.

The next day Tomoe, and Mio in particular, regret how aggressive they were, and Makoto lays down some boundaries. That said, he’s happy to have Mio accompany him to Tinarak Forest to check out the ambrosia flowers that grow there. Makoto slips into the habit of his previous life in his world by offering to “hold handsies” with Mio, like he once did with his sister. Mio, obviously elated, takes his hand without hesitation.

Alas, she only gets to bask in the loveliness of that moment for 31 scant seconds before she and Makoto are rudely interrupted by two different parties: a trio of human adventurers led by the prostitute, and the pair of forest-dwelling sisters. Obviously Makoto and Mio are more more than a match for either, so it will really come down to how Makoto will de-escalate the situation and come to an understanding.

Tsukimichi: Moonlit Fantasy – 08 – Tough Love Tomoe

For a show called Moonlit Fantasy, there’s an awful lot of reality rearing its practical head this week. Tomoe reports that the orc and lizardmen warriors are, in a word, terrible; not 10% as strong as she’d like them to be. No doubt inspired by her historical dramas, Tomoe organizes a tournament of sorts in which the various races fight each other, thus making each other stronger. Mio doesn’t really participate in any of this, while Makoto simply has to sit and look stoic.

Makoto factors even less in the next segment, in which Tomoe focuses her drill sergeant skills on the four-person party of Toa, Hazal, and the elf and dwarf women. Blessed as they were by the goddess, she knows there’s a lot more she can get out of them if properly trained, which translates to exhausting, torturous and life-threatening for the four adventurers.

When the four go up against a group of boss-level monsters called shadow tails, they forget their training and three of them rush headlong into the fight while Hazal stays back and heals/supports. This is all wrong, and is the real reason they think they can’t beat the beasts, not because they’re not powerful enough. She has them set a trap and then play to their strengths, and they make quick work of the shadow tails, surprising themselves in the process.

They’re again weary when Tomoe sends them to clear out an entire cave of shadow tails, this time without her supervision, but just as the guild girl is telling Tomoe what a low chance of success the four will have, they burst through the doors of the adventurer’s guild tired, bloodied, but victorious. Tomoe isn’t just talk (and mimicking TV); she really can bring out the best in people.

While it’s generally good fun watching Tomoe put Toa & Co. through their paces and showing them they’re stronger than they thought, Makoto is relegated to side character status, asking Rembrandt for some shop space to rent. Rembrandt gives him a counteroffer of some space in a neutral city where the Kingdom in which Tsige resides can’t bother Makoto with their passionate devotion to espionage.

Mio also gets very little to do until the very end of the episode when Makoto orders her to Tinarak Forest to gather ambrosia fruit. But as another adventuring party trudges through the dense woods, they are shadowed by a pair of silver-haired elves(?) who don’t think very highly of humans at all. In all, it was a serviceable, functional episode, but it was neither all that exciting nor all that humorous. It was just kind of there.

Tsukimichi: Moonlit Fantasy – 07 – Incidental Income

Makoto brings to Rembrandt a talented alchemist in Hazal, but he’s super-nervous, which makes him clumsy. Fortunately, Makoto is able to parkour himself into a position to catch the precious vials of ambrosia medicine. When it comes time to administer them to Rembrandt’s wife and daughters, Makoto employs the same Judo his sisters used on him to put the women into restraining holds without injuring them.

Makoto leaves the Rembrandt manor having cured his beloved family, and Tomoe and Mio are waiting for him. Unfortunately, so is a band of adventurer assassins. Makoto dodges, but Tomoe and Mio intentionally don’t, so as to gauge their adversaries’ power. Turns out it’s nothing to worry about. That’s when we learn that Makoto now has a system for employing his ultra-powerful retainers.

In this situation, that system involves Mio pretending to take the gold of the lead adventurer—named Lime Latte, which does sound like a gross Starbucks drink—and simply sitting this one out. She, Tomoe, and Makoto coordinate via telepathy, making it look like Mio is betraying Makoto for a quick buck. In reality, she has every confidence Tomoe and/or her Young Master can handle Lime and his crew without her.

And they do—obviously—but while there’s no tension about who will emerge victorious, some actual nuance emerges with regards to their adversary. While Lime and his crew agreed that Rembrandt needed to be taught a lesson, he just thought they’d be putting his wife and daughter into a harmless deep sleep. The witch doctor who approached him duped him into something far more sinister.

Our of gratitude and respect for Makoto, Rembrandt spares Lime’s life when he profusely apologizes. Later, Tomoe even gives Lime the katana the dwarves made her—which she deems “imperfect” but is without doubt the most valuable thing Lime has ever touched—and even takes him on as a squire of sorts. Looks like we’ll be seeing more of Lime.

Lime, who unlike the baddies in the previous town is not a manifestly bad guy, but Tomoe, who Sees All, eavesdrops on Rembrandt and his trusty butler Morris talking about the possibility of taking hostile action against the Young Master should his trading company continue to prosper.

This week, the bad guy turned out to be not that bad, while the apparently good guy with the recently cured wife and daughters may not be too good after all. I for one welcome this infusion of shades of grey!

Tsukimichi: Moonlit Fantasy – 06 – Gettin’ Tsige With It

Tsukimichi starts out rather dry with some TenSura-style sitting around talking, but last week’s cliffhanger is nicely solved as Rembrandt gravely underestimates Makoto. But even here Tsukimichi pulls off a nice trick, as Rembrandt isnt a haughty blowhard but just a guy who is desperate for the materials to make the Ambrosia that aids his cursed wife and daughters. When his employees hear that Makoto has enough Ruby Eyes for all three, they all rush in to tearfully congratulate him.

Makoto’s productive visit to Rembrandt leads to him officially signing up for the Merchant’s Guild, for which there is both a written and practical exam. Fortunately, the education in this isekai is far below the modern Japanese standard, so Makoto aces the written exam with ease. He also has no problem producing the rare items he’s tasked with procuring in the practical exam, thanks to his high-level wagon fellowship.

Just as Makoto is trying out what looks like a beer but turns out to be…banana, we abruptly cut to Tomoe’s little excursion in errantry, exposing her bandaged bosom as she poses over a massive Gain Crab she slaughtered with as much ease as Makoto slaughtered the Merchant’s Guild tests. It’s good to see that she’s not always thinking about where Makoto is or what he’s doing, but perfectly happy doing her own thing out in the isekai.

Tomoe is vibeing so hard on her historical drama reenactment, she returns to the Demiplane without so much of an “FYI” message to Makoto—who is telepathically linked, after all. Her giant crab feast is interrupted by a summons to the library from Emma, who wants her and Mio to work on translating Makoto’s many memories. In doing so, Mio becomes an anime and tokusatsu otaku, just as Tomoe became a historical drama otaku.

But despite Tomoe and Mio being like oil and water, they both agree on one key thing: the Young Master needs to get laid. Makoto is resolutely disinterested, averting his eyes from the two loosening their robes on the two inn beds and content with sleeping on what looks like Fushi’s chair from To Your Eternity. Perhaps it’s because, as the ED seems to indicate, they remind him so much of his sisters back home.

Tsukimichi: Moonlit Fantasy – 05 – Ruby Eyes and Caveman Meat

With Zetsuya left utterly destroyed by Tomoe and Mio’s OP one-upmanship, they, along with Makoto, Toa, Rinon, and a “fellowship” of other adventurers (an elf, a dwarf, and a dude) pile into a wagon and head for the next human town, the less feral Tsige.

While stopping at an guild outpost Makoto manages to convince Tomoe of the merit of becoming a “knight-errant”, or ronin, and she heads off on her own, never to be seen again!

Tomoe would be a huge loss if the other characters both old and new couldn’t hold their own, but they totally can. Toa’s penchant for graphically dissecting defeated monsters while looking exactly like Hasegawa haunts Makoto, while a Mio without a Tomoe to snipe at is still jockeying for her master’s attention…though she deems Rinon “a charming little girl” for assuming Mio and Makoto are dating.

Makoto and his new friends are reluctant to part once arriving at Tsige, so they have a big celebratory feast at a blue-collar tavern of Toa’s choosing. Perhaps due to him being served one too many orders of  Brazen Youngster-Style Primeval Meat, Mio’s dreams of a steamy night alone with Master are dashed when he hits the hay and falls right to sleep. There’s also the fact that he’s just a kid, and has eyes only for Hasegawa or her isekai equivalent.

Thanks to the use of Mist Gates, Makoto and Mio return to the Demiplane where a far more confident and forthright Emma is waiting for them, along with Mini-Tomoe, who also has no idea where her counterpart is. I like how Makoto obviously isn’t worried about Tomoe (except perhaps whether she’ll destroy any other towns), but he does seem to miss her towards the end.

So did I towards the end, but like Makoto I was sufficiently distracted by the lively goings-on quickly of his expanding Demiplane empire, including that one grizzled dwarf who is absolutely hell-bent on creating a garment or accessory that will kill Makoto instantly. He’s got a long way to go!

On the way to Tsige Makoto uses his trusty bow to swiftly deal with some pretty rare monsters, who drop valuable ruby eyes that the Rembrandt Trading Company is looking for. The only problem is, Makoto has heard some ill rumors about misfortune befalling anyone who deals with Rembrandt.

Thankfully, this does not dissuade Makoto from doing a deal with them anyway, though as soon as he arrives he is summarily rebuffed. Perhaps he needs a bit of Tomoe’s memory-altering powers…or maybe he’s going to try to negotiate his way to a profit without the many OP tricks at his disposal. Either way, Makoto & Co.’s journey has never not been extremely fun, zippy, and more often than not, hilarious.

Rating: 4/5 Stars

P.S., the show has now cycled through three distinct EDs. This one went back to showing Makoto and his sisters growing up, which is very sweet and uplifting. My favorite, however, continues to be Tomoe and Mio’s shred-tastic power metal cover of the first episode’s Enka-style ending, as seen below:

That’s the good shit.