Nestled deep within the Golden City lies an entire village full of hollows like Nanachi, only those who chose to become so in order to endure in the Sixth Layer. Majikaja takes Riko, Reg, and Nanachi on a tour, and show them where Prushka ended up. While initially it looks like a hollow is chipping away harmfully at the whistle, Riko can sense that Prushka “doesn’t mind” and Majikaja confirms that shaving the whistle down to a purer form increases its “value.” And in the hollow village of IRUburu, value is everything.
Majikaja, whose automaton body we learn is actually only a vessel (their real form is sloshing around in the body’s central tank), takes our delvers to the hollow market, where everything is assessed, bought, and sold. Majikaja makes it clear that human children are among the most valuble, but Riko puts her foot down: she’s not here to sell pieces of herself.
That said, when one of the hollows squeezes Meinya too hard and almost kills her, it is punished by a “balancing”, which is the power of the village taking the hollows possessions and finally tearing off bits of it until the damage it did is paid in full. All hollows here, who have taken the form of their desires, know that this is how things go down.
Thankfully, Meinya is tougher than she looks and survives the accidental squishing, and Riko is able to spend the money given to her in reparations to buy lodging and food. Riko is eager and excited to taste food one would never be able to taste anywhere else in the world…but since this is Abyss and there’s no bodily function it won’t explore, she ends up in intestinal distress.
Nanachi and Reg prepare to further explore the village, but there’s a big boom, and suddenly a huge procession of hollows start racing towards it. Majikaja tells them it’s Faputa, “embodiment of value”, who “can go anywhere and will never perish.” Majikaja calls Faputa a lady of high status, which Nanachi translates to “princess”. While doing recon, Reg encounters this princess.
Faputa bears a striking and completely non-coincidental resemblance to Irumyuui, the little native girl Vueko took under her wing during Ganja’s descent into the Abyss in the distant past. Here the present and past once again collide, as we watch Ganja encounter the bizarre, whimsical, and terrifying power of the Golden City and its hollow denizens for the first time.
Unsurprisingly, Kevin Penkin’s score is up to the task of capturing the combination of wonder and danger; the guy is a master of orchestral crescendos that perfectly express the emotional and physical scope and scale of the city as first viewed by Vueko & Co. I must admit I replayed the final few minutes of the episode just to get swept up in the awe.
But as Vueko remarks, as awesome and beautiful as this place is, what is most assuredly is not is safe...at least for humans. It’s both heartening and heartrending to consider that just as Irumyuui evolved into Faputa, all of the members of Ganja are probably still around in hollow form. They may even have already met Riko, Reg, and Nanachi. They may have had to cast off their human form, but the intelligence remains, and at least they are finally at peace after what they endured as people.